Hakuna Kulala / Nyege Nyege Tapes / Heat Crimes
クイックビュー
{"id":8666370736378,"title":"CRAVE \/\/ Inner War Delirium LP","handle":"crave-inner-war-delirium-lp","description":"\u003cp\u003eフランス・パリのポストインダストリアル作家CRAVEが、2023年9月にウガンダ・カンパリのレフトフィールド・ダンスレーベルNyege Nyege Tapes傘下Heat Crimesからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eポストインダストリアル・テクノ〜ポストインダストリアル・ヒップホップ9曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2254692747\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003ehere\u003c\/a\u003e to see more Heat Crimes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 500. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Phyllis 04:56\u003cbr\u003e2. Backdraft 03:32\u003cbr\u003e3. Short Cut 04:04\u003cbr\u003e4. Drift 04:33\u003cbr\u003e5. Donna Deadeye 04:41\u003cbr\u003e6. Inner War Delirium 03:53\u003cbr\u003e7. AI Breeding System 04:21\u003cbr\u003e8. Ropes and Wax 04:18\u003cbr\u003e9. Skirt the Grove 05:33\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eHeat Crimes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFor over two decades Jonathan Katsav has used his Crave project to fray rap at its fringes, using Memphis and Houston's low-and-slow legacy to inform sounds that have as much in common with Merzbow as they do Tommy Wright III.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWorking under a variety of different monikers such as Lieu Noir, Sniper Bait and Soul Collector, the French producer is most prolific as Crave, and \"Inner War Delirium\" is a substantial and broadly cinematic addition to his canon. Katsav approaches each track as if it's a scene from a movie, using real life experiences to explore separate characters and contrasting emotions. Using different narrators and disparate vocal styles, he navigates grim, blown-out landscapes, driving neon drenched trap synths and horror choirs against overdriven kicks and waterlogged industrial atmospheres.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMangled field recordings, squealing static and gurgling synthesized bass opens 'PHYLLIS', goading the cautious with serrated, carnival synths and cacophonous vocals that sway lugubriously between rap and grindcore.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe relationship between dark and light, death and rebirth, is at the heart of \"Inner War Delirium\", rippling through every track's oozing amalgamation of inebriated hip-hop and buzzsaw\u003cspan class=\"bcTruncateMore\"\u003e noise.\u003cbr\u003e\u003cbr\u003eKatsav's sounds are an attempt to subject us to the physicality of his own life's puzzle, and he cuts them into vignettes like a director. On the album's final track, listeners are swiped from in front of the speakers and bundled into the trunk of a car, rain rattling on the metal and the album playing on in the distance. It's a way for the producer to turn the camera back on the audience and ask them to consider their own complicated reality - it's Crave's story, but everyone's a part of it.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : CRAVE\u003c\/p\u003e\n\u003cp\u003eLabel : Heat Crimes\u003c\/p\u003e","published_at":"2024-11-21T07:43:54+09:00","created_at":"2024-11-16T15:50:14+09:00","vendor":"Tobira Records","type":"","tags":["heat crimes","hiphop \/ funk","lp","new","techno \/ house"],"price":387600,"price_min":387600,"price_max":387600,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46864910811386,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"CRAVE \/\/ Inner War Delirium LP","public_title":null,"options":["Default Title"],"price":387600,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/del1_8de02fe0-e573-42ad-a081-0ea3c85fa350.jpg?v=1731739716","\/\/tobirarecords.com\/cdn\/shop\/files\/del2_78273147-1b04-457c-8b26-b71d8e2b9e7a.jpg?v=1731739716"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/del1_8de02fe0-e573-42ad-a081-0ea3c85fa350.jpg?v=1731739716","options":["Title"],"media":[{"alt":null,"id":35195336818938,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/del1_8de02fe0-e573-42ad-a081-0ea3c85fa350.jpg?v=1731739716"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/del1_8de02fe0-e573-42ad-a081-0ea3c85fa350.jpg?v=1731739716","width":700},{"alt":null,"id":35195336851706,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/del2_78273147-1b04-457c-8b26-b71d8e2b9e7a.jpg?v=1731739716"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/del2_78273147-1b04-457c-8b26-b71d8e2b9e7a.jpg?v=1731739716","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランス・パリのポストインダストリアル作家CRAVEが、2023年9月にウガンダ・カンパリのレフトフィールド・ダンスレーベルNyege Nyege Tapes傘下Heat Crimesからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eポストインダストリアル・テクノ〜ポストインダストリアル・ヒップホップ9曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2254692747\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003ehere\u003c\/a\u003e to see more Heat Crimes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 500. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Phyllis 04:56\u003cbr\u003e2. Backdraft 03:32\u003cbr\u003e3. Short Cut 04:04\u003cbr\u003e4. Drift 04:33\u003cbr\u003e5. Donna Deadeye 04:41\u003cbr\u003e6. Inner War Delirium 03:53\u003cbr\u003e7. AI Breeding System 04:21\u003cbr\u003e8. Ropes and Wax 04:18\u003cbr\u003e9. Skirt the Grove 05:33\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eHeat Crimes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFor over two decades Jonathan Katsav has used his Crave project to fray rap at its fringes, using Memphis and Houston's low-and-slow legacy to inform sounds that have as much in common with Merzbow as they do Tommy Wright III.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWorking under a variety of different monikers such as Lieu Noir, Sniper Bait and Soul Collector, the French producer is most prolific as Crave, and \"Inner War Delirium\" is a substantial and broadly cinematic addition to his canon. Katsav approaches each track as if it's a scene from a movie, using real life experiences to explore separate characters and contrasting emotions. Using different narrators and disparate vocal styles, he navigates grim, blown-out landscapes, driving neon drenched trap synths and horror choirs against overdriven kicks and waterlogged industrial atmospheres.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMangled field recordings, squealing static and gurgling synthesized bass opens 'PHYLLIS', goading the cautious with serrated, carnival synths and cacophonous vocals that sway lugubriously between rap and grindcore.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe relationship between dark and light, death and rebirth, is at the heart of \"Inner War Delirium\", rippling through every track's oozing amalgamation of inebriated hip-hop and buzzsaw\u003cspan class=\"bcTruncateMore\"\u003e noise.\u003cbr\u003e\u003cbr\u003eKatsav's sounds are an attempt to subject us to the physicality of his own life's puzzle, and he cuts them into vignettes like a director. On the album's final track, listeners are swiped from in front of the speakers and bundled into the trunk of a car, rain rattling on the metal and the album playing on in the distance. It's a way for the producer to turn the camera back on the audience and ask them to consider their own complicated reality - it's Crave's story, but everyone's a part of it.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : CRAVE\u003c\/p\u003e\n\u003cp\u003eLabel : Heat Crimes\u003c\/p\u003e"}
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フランス・パリのポストインダストリアル作家CRAVEが、2023年9月にウガンダ・カンパリのレフトフィールド・ダンスレーベルNyege Nyege Tapes傘下Heat Crimesからリリースしたレコードです。 ポストインダストリアル・テクノ〜ポストインダストリアル・ヒップホップ9曲を収録。 レーベルその他作品はこちら /// Click here to see more Heat Crimes releases available at...
¥3,876
クイックビュー
{"id":8666369458426,"title":"popon \/\/ bubu TAPE","handle":"popon-bubu-tape","description":"\u003cp\u003e日本のポストインダストリアル作家poponが、2023年2月にウガンダ・カンパリのレフトフィールド・ダンスレーベルNyege Nyege Tapes傘下Heat Crimesからリリースしたデビューカセットです。\u003c\/p\u003e\n\u003cp\u003eポストインダストリアル・テクノ5曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2878689868\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003ehere\u003c\/a\u003e to see more Heat Crimes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case. Edition of 100. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Knock 05:08\u003cbr\u003e2. Banana 08:50\u003cbr\u003e3. Casajizochan 03:35\u003cbr\u003e4. Bubu 03:06\u003cbr\u003e5. Sokkyooo 08:34\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eHeat Crimes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eJapanese sound artist and improviser popon began her musical journey as the singer in a punk band before swerving into more experimental territory. Now she uses an arsenal of electronic devices and small instruments to create blurry industrial noise jams that are as informed by Bristol's progressive bass landscape as they are '80s Japanese DIY sounds and children's music.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"bubu\" is ponpon's debut release, a fever dream of over driven textures, haunted melodies and frenetic, electrified beats. There's little indication of where the record might go from the oppressive atmosphere of terrifying opener 'Knock'. The track foregrounds blustery over driven ambience and sheet metal industrial grit, but dissolves sharply as 'Banana' takes shape, and ponpon's unique fusion of sounds eventually coalesces. Emerging from tweaky, pinprick percussion, a frenetic warehouse-strength belter appears, assembled from anodized hi-bpm rhythms that scrape against looping synth melodies distorted within an inch of their life.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003epopon's production process is instinctive and mostly improvised. She takes field recordings from her environment and uses these textures - sheet metal lacerations or whooshing gusts of wind, for example - to provide a rough backdrop to sounds from her MicroKorg\u003cspan class=\"bcTruncateMore\"\u003e, Native Instruments Maschine, piano and small instruments. Occasionally, she adds her own voice or her niece's, and uses phone and tablet apps to fill in the gaps. Listening to the title track, it's hard to figure out exactly how she wrangles these elements into such tight, cybernetic grooves. Slithering slowly from a resonant bass hit and wrecking ball kicks, it's a cyclic rhythmic roller that wouldn't sound out of place on Batu's Timedance imprint.\u003cbr\u003e\u003cbr\u003eLengthy psychedelic closer 'Sokkyooo' flips the script completely, bowling through children's voices with stuttered fractal noise and hypnotic dub techno throbs. This is where ponpon's spiderweb of influences begins to make perfect sense: her foundation might be abrasive basement noise, but she uses this as the fertilizer for music that bridges the gap between Merzbow and Peverelist.\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e \"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : popon\u003c\/p\u003e\n\u003cp\u003eLabel : Heat Crimes\u003c\/p\u003e","published_at":"2024-11-17T07:27:52+09:00","created_at":"2024-11-16T15:45:30+09:00","vendor":"Tobira Records","type":"","tags":["heat crimes","new","tape","techno \/ house"],"price":213700,"price_min":213700,"price_max":213700,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46864906715386,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"popon \/\/ bubu TAPE","public_title":null,"options":["Default Title"],"price":213700,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/bubu2.jpg?v=1731739451","\/\/tobirarecords.com\/cdn\/shop\/files\/bubu3.jpg?v=1731739451"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/bubu2.jpg?v=1731739451","options":["Title"],"media":[{"alt":null,"id":35195325907194,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bubu2.jpg?v=1731739451"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bubu2.jpg?v=1731739451","width":700},{"alt":null,"id":35195325939962,"position":2,"preview_image":{"aspect_ratio":1.288,"height":932,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bubu3.jpg?v=1731739451"},"aspect_ratio":1.288,"height":932,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bubu3.jpg?v=1731739451","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e日本のポストインダストリアル作家poponが、2023年2月にウガンダ・カンパリのレフトフィールド・ダンスレーベルNyege Nyege Tapes傘下Heat Crimesからリリースしたデビューカセットです。\u003c\/p\u003e\n\u003cp\u003eポストインダストリアル・テクノ5曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2878689868\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003ehere\u003c\/a\u003e to see more Heat Crimes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case. Edition of 100. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Knock 05:08\u003cbr\u003e2. Banana 08:50\u003cbr\u003e3. Casajizochan 03:35\u003cbr\u003e4. Bubu 03:06\u003cbr\u003e5. Sokkyooo 08:34\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eHeat Crimes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eJapanese sound artist and improviser popon began her musical journey as the singer in a punk band before swerving into more experimental territory. Now she uses an arsenal of electronic devices and small instruments to create blurry industrial noise jams that are as informed by Bristol's progressive bass landscape as they are '80s Japanese DIY sounds and children's music.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"bubu\" is ponpon's debut release, a fever dream of over driven textures, haunted melodies and frenetic, electrified beats. There's little indication of where the record might go from the oppressive atmosphere of terrifying opener 'Knock'. The track foregrounds blustery over driven ambience and sheet metal industrial grit, but dissolves sharply as 'Banana' takes shape, and ponpon's unique fusion of sounds eventually coalesces. Emerging from tweaky, pinprick percussion, a frenetic warehouse-strength belter appears, assembled from anodized hi-bpm rhythms that scrape against looping synth melodies distorted within an inch of their life.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003epopon's production process is instinctive and mostly improvised. She takes field recordings from her environment and uses these textures - sheet metal lacerations or whooshing gusts of wind, for example - to provide a rough backdrop to sounds from her MicroKorg\u003cspan class=\"bcTruncateMore\"\u003e, Native Instruments Maschine, piano and small instruments. Occasionally, she adds her own voice or her niece's, and uses phone and tablet apps to fill in the gaps. Listening to the title track, it's hard to figure out exactly how she wrangles these elements into such tight, cybernetic grooves. Slithering slowly from a resonant bass hit and wrecking ball kicks, it's a cyclic rhythmic roller that wouldn't sound out of place on Batu's Timedance imprint.\u003cbr\u003e\u003cbr\u003eLengthy psychedelic closer 'Sokkyooo' flips the script completely, bowling through children's voices with stuttered fractal noise and hypnotic dub techno throbs. This is where ponpon's spiderweb of influences begins to make perfect sense: her foundation might be abrasive basement noise, but she uses this as the fertilizer for music that bridges the gap between Merzbow and Peverelist.\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e \"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : popon\u003c\/p\u003e\n\u003cp\u003eLabel : Heat Crimes\u003c\/p\u003e"}
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日本のポストインダストリアル作家poponが、2023年2月にウガンダ・カンパリのレフトフィールド・ダンスレーベルNyege Nyege Tapes傘下Heat Crimesからリリースしたデビューカセットです。 ポストインダストリアル・テクノ5曲を収録。 レーベルその他作品はこちら /// Click here to see more Heat Crimes releases available at...
¥2,137
クイックビュー
{"id":8666368868602,"title":"Mariam Rezaei \/\/ BOWN TAPE","handle":"mariam-rezaei-bown-tape","description":"\u003cp\u003eイギリスの実験DJ Mariam Rezaeiが、2023年9月にウガンダ・カンパリのレフトフィールド・ダンスレーベルNyege Nyege Tapes傘下Heat Crimesからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e巧みなターンテーブル捌きによるコラージュ・ジャズ〜ストレンジビーツ5曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3662678697\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2981004240\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3662678697\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3662678697\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=861035946\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003ehere\u003c\/a\u003e to see more Heat Crimes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case. Edition of 90. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. HMMM 04:23\u003cbr\u003e2. GEORDIE SPICE (ft. Gwilly Edmondez) 05:51\u003cbr\u003e3. GLASS BASTARD (ft. Teresa Winter \u0026amp; Bobby Glew) 09:48\u003cbr\u003e4. it COULD be jazz (ft. Bobby Glew) 03:18\u003cbr\u003e5. BURNING LIKE FUCK 03:40\u003cbr\u003e6. MARIAMBA (ft. Lukas Koenig) 04:41\u003cbr\u003e7. IDIOTIS MUSIC PEOPLE CUNTS 01:38\u003cbr\u003e8. I WANT U 2 (ft. Alya-Al-Sultani) 04:32\u003cbr\u003e9. SHORTIE SHORTS 02:10\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eHeat Crimes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAward-winning composer, turntablist and performer Mariam Rezaei approaches turntablism with an openness that's not just progressive, it's surprisingly optimistic. On 'BOWN', the central part of a triptych alongside 'BLUD' and 'SKEEN' (both released on Graham Dunning's Fractal Meat Cuts imprint), Rezaei reconsiders the established logic of turntable-based music, blurring expectations and persistently reaching into the unknown. In her capable hands the decks become chameleonic, imitating an arsenal of instruments that she subsequently bends into uncanny forms. Rezaei sees turntablism as a continuum rather than a fixed style, and she invites a carefully picked crew of collaborators - Theresa Winter, Luka Koenig, Alya Al-Sultani, Bobby Glue and Gwily Edmondez - to help distort genre hallmarks until they're completely unrecognizable; vocals become sputtering oscillators, drums are turned into walls of sheet noise and acidic electronics mutate into unstable, foggy drones.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRezaei started DJing when she was just 15 years old, developing her skills in the competitive and male-dominated hip-hop battle arena. She began to realize that even in this fast-paced environment, the turntable was too often used as a vehicle to exercise a sequence of customary tropes. Inspired by art from across the\u003cspan class=\"bcTruncateMore\"\u003e genre spectrum, she developed her own unique language with the instrument, bringing in ideas from free improv and extreme noise to extend her palette. So she doesn't ask a question on 'it COULD be jazz', but makes a statement, replying tersely to a colleague's barbed comment after a performance at London Jazz Festival last year. Transforming wild horn squeaks into time-stretched gasps and scrubbed, chattering voices, and garbling drums from Guttersnipe's Bobby Glue into ratcheting whirrs, she assures listeners that jazz too is far more than a predetermined set of aphorisms. \"How can I make the turntable sound as extreme as Roscoe Mitchell or Peter Brötzmann?\" she wondered during an interview with Wire magazine in April.\u003cbr\u003e\u003cbr\u003eYEAH YOU's Gwily Edmondez throws his self-styled \"wild pop\" vocalizations into Rezaei's continuum on 'GEORDIE SPICE', so she replies by juxtaposing his insectoid rasps with garbled West Asian chants and microscopic radio pop bleeps and beats. And traces of Grouper's vaporous articulations hang gently over unstable dancefloor vibrations on 'BURNING LIKE FUCK', situating the track a few steps from the club, outside in the smoking area or a nearby restroom. On 'I WANT U 2' meanwhile, Rezaei taps London-based soprano Alya Al-Sultani, scratching her operatic cries until they become chirps and cutting them into an abstracted conversation about the role of women in civilization. 'BOWN' is a confident, fervid statement from Rezaei that doesn't just burn up turntablism's presumed rulebook, it points a weary finger at an avant-garde landscape that still ignores the work countless women have put in to guide its progress. This is never more evident than on the tongue-in-cheek 'IDIOTIC MUSIC PEOPLE CUNTS', one-and-a-half minutes of garbled noise that throws a middle finger up to the industry, extending a warm embrace to the real ones.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mariam Rezaei\u003c\/p\u003e\n\u003cp\u003eLabel : Heat Crimes\u003c\/p\u003e","published_at":"2024-11-21T07:47:25+09:00","created_at":"2024-11-16T15:43:06+09:00","vendor":"Tobira Records","type":"","tags":["heat crimes","jazz","monooto","new","strange beats","tape"],"price":213700,"price_min":213700,"price_max":213700,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46864904454394,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Mariam Rezaei \/\/ BOWN TAPE","public_title":null,"options":["Default Title"],"price":213700,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/bo1_808ca210-5bd5-48c8-9e47-ac4ac1e1e9ea.jpg?v=1731739282","\/\/tobirarecords.com\/cdn\/shop\/files\/bo2_98e0e2fc-c9ae-4a31-a1c7-49c35da50ee2.jpg?v=1731739282"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/bo1_808ca210-5bd5-48c8-9e47-ac4ac1e1e9ea.jpg?v=1731739282","options":["Title"],"media":[{"alt":null,"id":35195321712890,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bo1_808ca210-5bd5-48c8-9e47-ac4ac1e1e9ea.jpg?v=1731739282"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bo1_808ca210-5bd5-48c8-9e47-ac4ac1e1e9ea.jpg?v=1731739282","width":700},{"alt":null,"id":35195321745658,"position":2,"preview_image":{"aspect_ratio":0.865,"height":1200,"width":1038,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bo2_98e0e2fc-c9ae-4a31-a1c7-49c35da50ee2.jpg?v=1731739282"},"aspect_ratio":0.865,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bo2_98e0e2fc-c9ae-4a31-a1c7-49c35da50ee2.jpg?v=1731739282","width":1038}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリスの実験DJ Mariam Rezaeiが、2023年9月にウガンダ・カンパリのレフトフィールド・ダンスレーベルNyege Nyege Tapes傘下Heat Crimesからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e巧みなターンテーブル捌きによるコラージュ・ジャズ〜ストレンジビーツ5曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3662678697\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2981004240\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3662678697\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3662678697\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=861035946\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003ehere\u003c\/a\u003e to see more Heat Crimes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case. Edition of 90. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. HMMM 04:23\u003cbr\u003e2. GEORDIE SPICE (ft. Gwilly Edmondez) 05:51\u003cbr\u003e3. GLASS BASTARD (ft. Teresa Winter \u0026amp; Bobby Glew) 09:48\u003cbr\u003e4. it COULD be jazz (ft. Bobby Glew) 03:18\u003cbr\u003e5. BURNING LIKE FUCK 03:40\u003cbr\u003e6. MARIAMBA (ft. Lukas Koenig) 04:41\u003cbr\u003e7. IDIOTIS MUSIC PEOPLE CUNTS 01:38\u003cbr\u003e8. I WANT U 2 (ft. Alya-Al-Sultani) 04:32\u003cbr\u003e9. SHORTIE SHORTS 02:10\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eHeat Crimes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAward-winning composer, turntablist and performer Mariam Rezaei approaches turntablism with an openness that's not just progressive, it's surprisingly optimistic. On 'BOWN', the central part of a triptych alongside 'BLUD' and 'SKEEN' (both released on Graham Dunning's Fractal Meat Cuts imprint), Rezaei reconsiders the established logic of turntable-based music, blurring expectations and persistently reaching into the unknown. In her capable hands the decks become chameleonic, imitating an arsenal of instruments that she subsequently bends into uncanny forms. Rezaei sees turntablism as a continuum rather than a fixed style, and she invites a carefully picked crew of collaborators - Theresa Winter, Luka Koenig, Alya Al-Sultani, Bobby Glue and Gwily Edmondez - to help distort genre hallmarks until they're completely unrecognizable; vocals become sputtering oscillators, drums are turned into walls of sheet noise and acidic electronics mutate into unstable, foggy drones.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRezaei started DJing when she was just 15 years old, developing her skills in the competitive and male-dominated hip-hop battle arena. She began to realize that even in this fast-paced environment, the turntable was too often used as a vehicle to exercise a sequence of customary tropes. Inspired by art from across the\u003cspan class=\"bcTruncateMore\"\u003e genre spectrum, she developed her own unique language with the instrument, bringing in ideas from free improv and extreme noise to extend her palette. So she doesn't ask a question on 'it COULD be jazz', but makes a statement, replying tersely to a colleague's barbed comment after a performance at London Jazz Festival last year. Transforming wild horn squeaks into time-stretched gasps and scrubbed, chattering voices, and garbling drums from Guttersnipe's Bobby Glue into ratcheting whirrs, she assures listeners that jazz too is far more than a predetermined set of aphorisms. \"How can I make the turntable sound as extreme as Roscoe Mitchell or Peter Brötzmann?\" she wondered during an interview with Wire magazine in April.\u003cbr\u003e\u003cbr\u003eYEAH YOU's Gwily Edmondez throws his self-styled \"wild pop\" vocalizations into Rezaei's continuum on 'GEORDIE SPICE', so she replies by juxtaposing his insectoid rasps with garbled West Asian chants and microscopic radio pop bleeps and beats. And traces of Grouper's vaporous articulations hang gently over unstable dancefloor vibrations on 'BURNING LIKE FUCK', situating the track a few steps from the club, outside in the smoking area or a nearby restroom. On 'I WANT U 2' meanwhile, Rezaei taps London-based soprano Alya Al-Sultani, scratching her operatic cries until they become chirps and cutting them into an abstracted conversation about the role of women in civilization. 'BOWN' is a confident, fervid statement from Rezaei that doesn't just burn up turntablism's presumed rulebook, it points a weary finger at an avant-garde landscape that still ignores the work countless women have put in to guide its progress. This is never more evident than on the tongue-in-cheek 'IDIOTIC MUSIC PEOPLE CUNTS', one-and-a-half minutes of garbled noise that throws a middle finger up to the industry, extending a warm embrace to the real ones.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mariam Rezaei\u003c\/p\u003e\n\u003cp\u003eLabel : Heat Crimes\u003c\/p\u003e"}
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イギリスの実験DJ Mariam Rezaeiが、2023年9月にウガンダ・カンパリのレフトフィールド・ダンスレーベルNyege Nyege Tapes傘下Heat Crimesからリリースしたカセットです。 巧みなターンテーブル捌きによるコラージュ・ジャズ〜ストレンジビーツ5曲を収録。 レーベルその他作品はこちら /// Click here to see more Heat Crimes releases...
¥2,137
クイックビュー
{"id":8666368049402,"title":"Christian Love Forum \/\/ X-Nihilo TAPE","handle":"christian-love-forum-x-nihilo-tape","description":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※12月上旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eギリシャ／ウクライナのストレンジビーツ兄弟トリオChristian Love Forumが、2024年1月にウガンダ・カンパリのレフトフィールド・ダンスレーベルNyege Nyege Tapes傘下Heat Crimesから99本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eアラビック・サイケデリア〜実験EBM15曲を収録。廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1435790068\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1991841509\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1435790068\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=4157437222\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1435790068\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003ehere\u003c\/a\u003e to see more Heat Crimes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case. Edition of 99. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Hagioscope 01:49\u003cbr\u003e2. Love After Love 04:54\u003cbr\u003e3. Stakeout 01:37\u003cbr\u003e4. Red Nets 04:48\u003cbr\u003e5. Hyper Middle Ages 03:18\u003cbr\u003e6. Shasha Dreams Again 05:39\u003cbr\u003e7. Spice Boys 05:14\u003cbr\u003e8. Napalm 01:06\u003cbr\u003e9. Black Hawk Dawn 05:05\u003cbr\u003e10. Themes for the Golden Jackal (Part I) 03:40\u003cbr\u003e11. Themes for the Golden Jackal (Part II) 02:52\u003cbr\u003e12. Themes for the Golden Jackal (Part III) 03:36\u003cbr\u003e13. Beach House Weekend 02:51\u003cbr\u003e14. Cross County Hate 03:05\u003cbr\u003e15. X-Nihilo 04:02\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eHeat Crimes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMesmerising modal cyberfolk and future-primitivism from Thessaloniki’s weirdo enigma Christian Love Forum, manifesting on the awesome Heat Crimes label following their chthonic zingers by The Ephemeron Loop, Mariam Rezaei and CRAVE - a big RIYL László Hortobágyi, Christos Chondropoulos, Muslimgauze, Bootee, Mark Snow.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAdored by adventurous souls who copped their tape and LP releases for Live Adult Entertainment and The Death of Rave between 2012-2023, Christian Love Forum are a peculiar trio of brothers with Greek and Ukrainian heritage, whose syncretic blends of microtonal Arabic, Greek, and Eastern European modes stands far out from the contemporary milieu.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLast spotted debuting their live show at Berlin Atonal 23 to a spellbound crowd, and on a comp for Vereker’s Endangered Species, CLF serve a a furtive but firm handshake with fellow Greek label Heat Crimes on ‘X-Nihilo’, yielding just under an hour of expressive microtonal synth trills, martial machine rhythm and exquisitely opiated atmospheres that ride the finest line between seriousness and evocative aesthetic ambiguity. In other words; right up our\u003cspan class=\"bcTruncateMore\"\u003e dark alley.\u003cbr\u003e\u003cbr\u003eAs revealed with their Berlin Atonal live show, the trio share and swap roles at will, variously improvising on an unwieldy array of hardware keyboards, rhythm boxes and samplers that congeal in skewed and surprising forms. If we’re not mistaken here, the trio’s affiliate Bootee lends vox to a standout 3-part section of Levantine video nasty soundtrack vibes on ‘Themes for the Golden Jackal’, but the rest is left to the lads to terraform a sprawling yet discrete world unto themselves.\u003cbr\u003e\u003cbr\u003ePerceptively skewing Mark Snow via László Hortobágyi in the arabesque opener ‘Hagioscope’, choral chant encounters tortured romance on ‘Love After Love’, whilst ‘Red Nets’ descends into DIY blooz torpor, and the unyielding suspense of ‘Hyper Middle Ages’ suggests a merger of new beat and dabke, ‘Spice Boys’ comes on like a huff of illicit artificial loud after a coupla captagons, and they beautiful beat a retreat into recesses of the imagination with the faded closing couplet ‘Cross County Hate’ into the drone haze of the LP's title cut.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case.\u003c\/p\u003e\n\u003cp\u003eArtist : Christian Love Forum\u003c\/p\u003e\n\u003cp\u003eLabel : Heat Crimes\u003c\/p\u003e","published_at":"2024-11-17T07:58:43+09:00","created_at":"2024-11-16T15:40:24+09:00","vendor":"Tobira Records","type":"","tags":["heat crimes","new","strange beats","tape"],"price":213700,"price_min":213700,"price_max":213700,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46864899997946,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Christian Love Forum \/\/ X-Nihilo TAPE","public_title":null,"options":["Default Title"],"price":213700,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ni1_ff38fcec-e432-4030-a2b0-7701f0439eb7.jpg?v=1731739115","\/\/tobirarecords.com\/cdn\/shop\/files\/ni2_87385871-c8e6-4028-bf0e-f415006c2c62.jpg?v=1731739115"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ni1_ff38fcec-e432-4030-a2b0-7701f0439eb7.jpg?v=1731739115","options":["Title"],"media":[{"alt":null,"id":35195317485818,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ni1_ff38fcec-e432-4030-a2b0-7701f0439eb7.jpg?v=1731739115"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ni1_ff38fcec-e432-4030-a2b0-7701f0439eb7.jpg?v=1731739115","width":700},{"alt":null,"id":35195317518586,"position":2,"preview_image":{"aspect_ratio":0.955,"height":1200,"width":1146,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ni2_87385871-c8e6-4028-bf0e-f415006c2c62.jpg?v=1731739115"},"aspect_ratio":0.955,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ni2_87385871-c8e6-4028-bf0e-f415006c2c62.jpg?v=1731739115","width":1146}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※12月上旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eギリシャ／ウクライナのストレンジビーツ兄弟トリオChristian Love Forumが、2024年1月にウガンダ・カンパリのレフトフィールド・ダンスレーベルNyege Nyege Tapes傘下Heat Crimesから99本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eアラビック・サイケデリア〜実験EBM15曲を収録。廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1435790068\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1991841509\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1435790068\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=4157437222\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1435790068\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003ehere\u003c\/a\u003e to see more Heat Crimes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case. Edition of 99. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Hagioscope 01:49\u003cbr\u003e2. Love After Love 04:54\u003cbr\u003e3. Stakeout 01:37\u003cbr\u003e4. Red Nets 04:48\u003cbr\u003e5. Hyper Middle Ages 03:18\u003cbr\u003e6. Shasha Dreams Again 05:39\u003cbr\u003e7. Spice Boys 05:14\u003cbr\u003e8. Napalm 01:06\u003cbr\u003e9. Black Hawk Dawn 05:05\u003cbr\u003e10. Themes for the Golden Jackal (Part I) 03:40\u003cbr\u003e11. Themes for the Golden Jackal (Part II) 02:52\u003cbr\u003e12. Themes for the Golden Jackal (Part III) 03:36\u003cbr\u003e13. Beach House Weekend 02:51\u003cbr\u003e14. Cross County Hate 03:05\u003cbr\u003e15. X-Nihilo 04:02\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eHeat Crimes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMesmerising modal cyberfolk and future-primitivism from Thessaloniki’s weirdo enigma Christian Love Forum, manifesting on the awesome Heat Crimes label following their chthonic zingers by The Ephemeron Loop, Mariam Rezaei and CRAVE - a big RIYL László Hortobágyi, Christos Chondropoulos, Muslimgauze, Bootee, Mark Snow.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAdored by adventurous souls who copped their tape and LP releases for Live Adult Entertainment and The Death of Rave between 2012-2023, Christian Love Forum are a peculiar trio of brothers with Greek and Ukrainian heritage, whose syncretic blends of microtonal Arabic, Greek, and Eastern European modes stands far out from the contemporary milieu.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLast spotted debuting their live show at Berlin Atonal 23 to a spellbound crowd, and on a comp for Vereker’s Endangered Species, CLF serve a a furtive but firm handshake with fellow Greek label Heat Crimes on ‘X-Nihilo’, yielding just under an hour of expressive microtonal synth trills, martial machine rhythm and exquisitely opiated atmospheres that ride the finest line between seriousness and evocative aesthetic ambiguity. In other words; right up our\u003cspan class=\"bcTruncateMore\"\u003e dark alley.\u003cbr\u003e\u003cbr\u003eAs revealed with their Berlin Atonal live show, the trio share and swap roles at will, variously improvising on an unwieldy array of hardware keyboards, rhythm boxes and samplers that congeal in skewed and surprising forms. If we’re not mistaken here, the trio’s affiliate Bootee lends vox to a standout 3-part section of Levantine video nasty soundtrack vibes on ‘Themes for the Golden Jackal’, but the rest is left to the lads to terraform a sprawling yet discrete world unto themselves.\u003cbr\u003e\u003cbr\u003ePerceptively skewing Mark Snow via László Hortobágyi in the arabesque opener ‘Hagioscope’, choral chant encounters tortured romance on ‘Love After Love’, whilst ‘Red Nets’ descends into DIY blooz torpor, and the unyielding suspense of ‘Hyper Middle Ages’ suggests a merger of new beat and dabke, ‘Spice Boys’ comes on like a huff of illicit artificial loud after a coupla captagons, and they beautiful beat a retreat into recesses of the imagination with the faded closing couplet ‘Cross County Hate’ into the drone haze of the LP's title cut.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case.\u003c\/p\u003e\n\u003cp\u003eArtist : Christian Love Forum\u003c\/p\u003e\n\u003cp\u003eLabel : Heat Crimes\u003c\/p\u003e"}
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※12月上旬再入荷後発送します ギリシャ／ウクライナのストレンジビーツ兄弟トリオChristian Love Forumが、2024年1月にウガンダ・カンパリのレフトフィールド・ダンスレーベルNyege Nyege Tapes傘下Heat Crimesから99本限定でリリースしたカセットです。 アラビック・サイケデリア〜実験EBM15曲を収録。廃盤です。 レーベルその他作品はこちら /// Click here to see more Heat Crimes...
¥2,137
クイックビュー
{"id":8666366542074,"title":"PÖ \/\/ Cociage TAPE","handle":"po-cociage-tape","description":"\u003cp\u003eフランス／ガーナのポストインダストリアル作家PÖが、2023年3月にウガンダ・カンパリのレフトフィールド・ダンスレーベルNyege Nyege Tapes傘下HAKUNA KULALAから150本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e低空飛行のポストインダストリアル・グライム〜実験トラップ10曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3224793995\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case. Edition of 150. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. The Harvest 02:51\u003cbr\u003e2. Cociage 02:45\u003cbr\u003e3. Over The Clouds 04:50\u003cbr\u003e4. Wind 02:54\u003cbr\u003e5. Klafouti 02:49\u003cbr\u003e6. Pleasing You 02:30\u003cbr\u003e7. Fuck Jungle 04:08\u003cbr\u003e8. Nuit Blanche 02:12\u003cbr\u003e9. Galivanting 02:34\u003cbr\u003e10. Koundo 02:20\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLiving between France and Uganda, French-Ghanaian vocalist Pö possesses a unique perspective that shapes and deepens her artistic expression. \"Cociage\" is her incendiary debut release, and showcases a confident hybridization of vastly different sounds, from rap and noise to ambient and traditional folk. A member of electronic pop duo Poko Poko alongside Congolese producer Rey Sapienz, Pö creates her enveloping soundscapes almost exclusively with her voice. Looping it into hallucinatory textures, she juxtaposes transcendent shimmers with raspy, post-punk bulletins and quick-fire industrial rhythms.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOpening track 'The Reaping' crashes into the frame with machine-strength kick drums that vibrate against Pö's spiraling ritual chants. It's her voice that holds everything together, looping and soaring with a level of intensity that can break down borders. The album's title track is even more jagged, highlighting Pö's assertive chants that punctuate pounding, distorted drums, sounding like a call to action primed to resonate through time itself. Hard to place sonically, it's music that's rooted in performance and improvisation, with as many thematic links to West African pop and chanson as there\u003cspan class=\"bcTruncateMore\"\u003e are to DIY noise and experimental electronics.\u003cbr\u003e\u003cbr\u003eIt's not all pulverizing intensity either. Pö's sensitive side emerges on 'Over The Clouds', a restrained mantra that sublimes her voice into ethereal pads and breathy, reverberating coos. Sounding like an even more supernatural take on Grouper's faded soundscapes, it's psychedelic new age music seen through a Pan-African lens, far away from the self-mythologizing West Coast private press scene. 'Fuck Jungle' meanwhile flips into a completely different gear, corrupting Pö's voice into an alien gurgle and layering it over scorched earth synths and siren blasts.\u003cbr\u003e\u003cbr\u003eWith \"Cociage\" Pö has defined a musical language that's steeped in cross-cultural history but feels frighteningly new. Urgent, political and defiant at every turn, it's an album that takes a megaphone and hotwires it, sending out a message that resonates on a spiritual level.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : PÖ\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e","published_at":"2024-11-17T07:46:44+09:00","created_at":"2024-11-16T15:33:32+09:00","vendor":"Tobira Records","type":"","tags":["hiphop \/ funk","new","nyege nyege tapes","tape","techno \/ house"],"price":213700,"price_min":213700,"price_max":213700,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46864894132474,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"PÖ \/\/ Cociage TAPE","public_title":null,"options":["Default Title"],"price":213700,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/po1_9727385b-04fa-415b-9a2a-f04aeebb5f3a.jpg?v=1731738702","\/\/tobirarecords.com\/cdn\/shop\/files\/po2_a2be5653-471d-4836-95fd-bada92a78551.jpg?v=1731738702"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/po1_9727385b-04fa-415b-9a2a-f04aeebb5f3a.jpg?v=1731738702","options":["Title"],"media":[{"alt":null,"id":35195305230586,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/po1_9727385b-04fa-415b-9a2a-f04aeebb5f3a.jpg?v=1731738702"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/po1_9727385b-04fa-415b-9a2a-f04aeebb5f3a.jpg?v=1731738702","width":700},{"alt":null,"id":35195305263354,"position":2,"preview_image":{"aspect_ratio":1.341,"height":895,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/po2_a2be5653-471d-4836-95fd-bada92a78551.jpg?v=1731738702"},"aspect_ratio":1.341,"height":895,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/po2_a2be5653-471d-4836-95fd-bada92a78551.jpg?v=1731738702","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランス／ガーナのポストインダストリアル作家PÖが、2023年3月にウガンダ・カンパリのレフトフィールド・ダンスレーベルNyege Nyege Tapes傘下HAKUNA KULALAから150本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e低空飛行のポストインダストリアル・グライム〜実験トラップ10曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3224793995\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case. Edition of 150. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. The Harvest 02:51\u003cbr\u003e2. Cociage 02:45\u003cbr\u003e3. Over The Clouds 04:50\u003cbr\u003e4. Wind 02:54\u003cbr\u003e5. Klafouti 02:49\u003cbr\u003e6. Pleasing You 02:30\u003cbr\u003e7. Fuck Jungle 04:08\u003cbr\u003e8. Nuit Blanche 02:12\u003cbr\u003e9. Galivanting 02:34\u003cbr\u003e10. Koundo 02:20\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLiving between France and Uganda, French-Ghanaian vocalist Pö possesses a unique perspective that shapes and deepens her artistic expression. \"Cociage\" is her incendiary debut release, and showcases a confident hybridization of vastly different sounds, from rap and noise to ambient and traditional folk. A member of electronic pop duo Poko Poko alongside Congolese producer Rey Sapienz, Pö creates her enveloping soundscapes almost exclusively with her voice. Looping it into hallucinatory textures, she juxtaposes transcendent shimmers with raspy, post-punk bulletins and quick-fire industrial rhythms.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOpening track 'The Reaping' crashes into the frame with machine-strength kick drums that vibrate against Pö's spiraling ritual chants. It's her voice that holds everything together, looping and soaring with a level of intensity that can break down borders. The album's title track is even more jagged, highlighting Pö's assertive chants that punctuate pounding, distorted drums, sounding like a call to action primed to resonate through time itself. Hard to place sonically, it's music that's rooted in performance and improvisation, with as many thematic links to West African pop and chanson as there\u003cspan class=\"bcTruncateMore\"\u003e are to DIY noise and experimental electronics.\u003cbr\u003e\u003cbr\u003eIt's not all pulverizing intensity either. Pö's sensitive side emerges on 'Over The Clouds', a restrained mantra that sublimes her voice into ethereal pads and breathy, reverberating coos. Sounding like an even more supernatural take on Grouper's faded soundscapes, it's psychedelic new age music seen through a Pan-African lens, far away from the self-mythologizing West Coast private press scene. 'Fuck Jungle' meanwhile flips into a completely different gear, corrupting Pö's voice into an alien gurgle and layering it over scorched earth synths and siren blasts.\u003cbr\u003e\u003cbr\u003eWith \"Cociage\" Pö has defined a musical language that's steeped in cross-cultural history but feels frighteningly new. Urgent, political and defiant at every turn, it's an album that takes a megaphone and hotwires it, sending out a message that resonates on a spiritual level.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : PÖ\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e"}
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¥2,137
クイックビュー
{"id":8666366083322,"title":"Troposphere 7 \/\/ Grey Parrots TAPE","handle":"troposphere-7-grey-parrots-tape","description":"\u003cp\u003eコンゴのgqom作家Rey Sapienzとアメリカ出身韓国在住のエレクトロニック作家MB JonesによるデュオTroposphere 7が、2022年にウガンダ・カンパリのレフトフィールド・ダンスレーベルNyege Nyege Tapes傘下Heat Crimesから100本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eフロア棒立ち系実験gqom〜コラージュ・ストレンジビーツ9曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3945888964\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3945888964\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2327915493\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3945888964\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3805559477\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in frosted clam-shell case. Edition of 100. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Boda Boda Ride 04:10\u003cbr\u003e2. Butu Na Moyi 03:29\u003cbr\u003e3. Mwinda 03:12\u003cbr\u003e4. Isabyre 03:45\u003cbr\u003e5. Mpuku 02:44\u003cbr\u003e6. Atmosfer 04:09\u003cbr\u003e7. Fog 03:01\u003cbr\u003e8. Korean Weather Report 03:31\u003cbr\u003e9. Grey Parrots 06:24\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBack in 2007, ambitious Congolese scientist Jean-Patrice Keka Ohemba Okese established the Democratic Republic of Congo's first space program. He called his family of rockets \"Troposphere\", and used his own money to fund a series of launches that were progressively more complex. After learning from his successes and a few failures, Keka crowdfunded Troposphere 6 in 2019, intending to send a satellite into space to photograph the earth at a 200km altitude.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Troposphere 7\" is MB Jones' dedication to the DRC's enigmatic space program, named after a rocket that has yet to be conceptualized. Jones - a former US special agent from Masachussets who defected to the Republic of Korea - is already notorious for his decompressed K-pop experiments on Feeding Tube and DRAMA, but \"Troposphere 7\" explores radically different territory. Recorded in Uganda with Hakuna Kulala's Rey Sapienz, it's a mysterious blend of electronic funk, dimly lit 4\/4, and abstract, psychedelic textures.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe first few seconds of opening track 'Boda Boda Ride' land us directly in Kampala, with the familiar sound of the city's motorcycle taxis eventually dissolving into white noise, synth\u003cspan class=\"bcTruncateMore\"\u003e drones and a squelchy Detroit-inspired rhythm. Like Actress's criminally underrated Thriller 12\"s crossed with Kelis-era Neptunes, it's cosmic dance music that's grounded in the 2020s East African landscape. The sound extends further on 'Butu Na Moyi', dipping into pulsing 4\/4 and echoing Digital Mystikz's bleakest dubs.\u003cbr\u003e\u003cbr\u003e1980s movie soundtrack synths bubble over reverberating sci-fi FX on 'Mwinda', and rhythmic elements slowly disappear, giving way to 'Isabyre' with its mind-altering synth splatter and untangled percussive rolls. 'Atmospher' is deeper still, allowing gloomy interplanetary drones to wash over Jones' peculiar sonic landscape. He brings each element together on closing track 'Grey Parrots', finding a UK funky groove in textured environmental recordings, kalimba, and bleeping electronics. Cosmic shit.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Troposphere 7\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e","published_at":"2024-11-17T07:40:03+09:00","created_at":"2024-11-16T15:30:43+09:00","vendor":"Tobira Records","type":"","tags":["new","nyege nyege tapes","strange beats","tape"],"price":213700,"price_min":213700,"price_max":213700,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46864892723450,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Troposphere 7 \/\/ Grey Parrots TAPE","public_title":null,"options":["Default Title"],"price":213700,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/parr1.jpg?v=1731738547","\/\/tobirarecords.com\/cdn\/shop\/files\/parr2.jpg?v=1731738547"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/parr1.jpg?v=1731738547","options":["Title"],"media":[{"alt":null,"id":35195300315386,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/parr1.jpg?v=1731738547"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/parr1.jpg?v=1731738547","width":700},{"alt":null,"id":35195300348154,"position":2,"preview_image":{"aspect_ratio":1.271,"height":944,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/parr2.jpg?v=1731738547"},"aspect_ratio":1.271,"height":944,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/parr2.jpg?v=1731738547","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eコンゴのgqom作家Rey Sapienzとアメリカ出身韓国在住のエレクトロニック作家MB JonesによるデュオTroposphere 7が、2022年にウガンダ・カンパリのレフトフィールド・ダンスレーベルNyege Nyege Tapes傘下Heat Crimesから100本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eフロア棒立ち系実験gqom〜コラージュ・ストレンジビーツ9曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3945888964\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3945888964\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2327915493\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3945888964\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3805559477\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in frosted clam-shell case. Edition of 100. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Boda Boda Ride 04:10\u003cbr\u003e2. Butu Na Moyi 03:29\u003cbr\u003e3. Mwinda 03:12\u003cbr\u003e4. Isabyre 03:45\u003cbr\u003e5. Mpuku 02:44\u003cbr\u003e6. Atmosfer 04:09\u003cbr\u003e7. Fog 03:01\u003cbr\u003e8. Korean Weather Report 03:31\u003cbr\u003e9. Grey Parrots 06:24\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBack in 2007, ambitious Congolese scientist Jean-Patrice Keka Ohemba Okese established the Democratic Republic of Congo's first space program. He called his family of rockets \"Troposphere\", and used his own money to fund a series of launches that were progressively more complex. After learning from his successes and a few failures, Keka crowdfunded Troposphere 6 in 2019, intending to send a satellite into space to photograph the earth at a 200km altitude.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Troposphere 7\" is MB Jones' dedication to the DRC's enigmatic space program, named after a rocket that has yet to be conceptualized. Jones - a former US special agent from Masachussets who defected to the Republic of Korea - is already notorious for his decompressed K-pop experiments on Feeding Tube and DRAMA, but \"Troposphere 7\" explores radically different territory. Recorded in Uganda with Hakuna Kulala's Rey Sapienz, it's a mysterious blend of electronic funk, dimly lit 4\/4, and abstract, psychedelic textures.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe first few seconds of opening track 'Boda Boda Ride' land us directly in Kampala, with the familiar sound of the city's motorcycle taxis eventually dissolving into white noise, synth\u003cspan class=\"bcTruncateMore\"\u003e drones and a squelchy Detroit-inspired rhythm. Like Actress's criminally underrated Thriller 12\"s crossed with Kelis-era Neptunes, it's cosmic dance music that's grounded in the 2020s East African landscape. The sound extends further on 'Butu Na Moyi', dipping into pulsing 4\/4 and echoing Digital Mystikz's bleakest dubs.\u003cbr\u003e\u003cbr\u003e1980s movie soundtrack synths bubble over reverberating sci-fi FX on 'Mwinda', and rhythmic elements slowly disappear, giving way to 'Isabyre' with its mind-altering synth splatter and untangled percussive rolls. 'Atmospher' is deeper still, allowing gloomy interplanetary drones to wash over Jones' peculiar sonic landscape. He brings each element together on closing track 'Grey Parrots', finding a UK funky groove in textured environmental recordings, kalimba, and bleeping electronics. Cosmic shit.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Troposphere 7\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e"}
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コンゴのgqom作家Rey Sapienzとアメリカ出身韓国在住のエレクトロニック作家MB JonesによるデュオTroposphere 7が、2022年にウガンダ・カンパリのレフトフィールド・ダンスレーベルNyege Nyege Tapes傘下Heat Crimesから100本限定でリリースしたカセットです。 フロア棒立ち系実験gqom〜コラージュ・ストレンジビーツ9曲を収録。 レーベルその他作品はこちら /// Click here to see more Hakuna...
¥2,137
クイックビュー
{"id":8666365624570,"title":"Munchi \/\/ I Love Mambo Mixtape + Mambo Detonao EP TAPE","handle":"munchi-i-love-mambo-mixtape-mambo-detonao-ep-tape","description":"\u003cp\u003eオランダのDJ Munchiが、2022年にウガンダ・カンパリのレフトフィールド・ダンスレーベルNyege Nyege Tapesからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eジュークフットワークやブレイクコア、トラップを盛り込んだ、マッシュアップ・レゲトン〜実験マンボ8曲、60分以上を収録。\u003c\/p\u003e\n\u003cp\u003eカセットのみでの発表となります。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Munchiは2010年に最初の作品を発表して以来、ムンバートンをブレイクコアに曲げ、ムンバコアを作り、スカルステップとトラップを融合させてスカルトラップを作り、バチャータやメレンゲを曲げ......と、アプローチするものすべてに独自のスピンを加えてきた。貪欲なリスナーである彼は、レゲトンやバイレ・ファンクからオランダのバブリングやシカゴのジュークまで、ディアスポラ全域のサウンドを吸収し、独自のアレンジを難なく施し、ストーリーテリングと文脈の解体に飢えたジャーナリスティックなトラックやミックスを生み出してきた。ブロガーであり音楽学者でもあるウェイン・マーシャルは、2010年、ジャンルにとらわれないムンチの多様なプロダクションのために、別のジャンルを創設した： ムンチトンである。それ以来、MunchiはM.I.A.やPharell Williamsらと仕事をし、SkrillexからNguzunguzu、NoisiaからBurakaまでをリミックスしてきた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e 「I Love Mambo」は2010年、デイヴ・クアムの悪名高いブログ It's After The End Of The World のために作られた。このミックステープは、Munchiにとって初めての本格的なもので、彼のオリジナル作品とドミニカン・マンボ・カノンのお気に入りのトラックをマッチさせたものだった。当時、ムンチはこの音楽に魅了され、手に入れられるものはすべてダウンロードし、「最も安っぽく、最もチープで、最もダーティで、最もフルーティーループスっぽい」トラックをインターネットの隅々まで探し回った。彼は、この時代が終わり、「洗練された、気取った、ほとんど魂のない」レゲトンが風景を支配するようになったことを嘆いている。「少なくとも、リズムが極めて生々しかった頃は、そこにエネルギーとスピリットを感じることができた。「生きていて、呼吸しているように感じた」。今聴いても、このミックスは当時と同じように生々しく、新鮮で、生命力に満ち、ドミニカ音楽の歴史の中で忘れられがちで、誤解されがちな瞬間の埃を払っているように聴こえる。どんな瞬間にも、トラックは完全に崩壊してしまいそうなほどもろく聞こえ、ただ、素早いビート・フリップ、ヴォーカル・チョップ、生意気なベース・ドロップによって補強される。Munchiは1時間以上にわたって、カリブ海のダンス・ミュージックに忘れがたい足跡を残したこのジャンルのスリルに付き合ってくれる。... 「I Love Mambo 」は、重要なミッシングリンクの役割を果たしている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMunchiの『Detonao EP』は、2008年から2010年にかけてロッテルダムでレコーディングされた未発表音源を集めたもので、Munchiの名前を冠した作品の中では最も実験的でミニマルかつアップテンポな作品である。かつてドミニカ共和国のシーンを席巻したジャーキーで可塑的なスピード・ダンスを意図的に近似させ、マンボ・サウンドに独自のスピンを加えている。各トラックは、デチューンされたおもちゃ箱のようなピアノ、ラジオで流されるような声、安っぽくグロッキーなホーンなどで構成され、不穏なほどクリーンだ。オープニング・トラックの「Damu Mambo」は、ループしたヴォーカルと『X-ファイル』の口笛が鳴り響く前に、空洞のような音、ホラー映画の声、苦しげなエア・ホーン、ガラスを割る音、転がるスネアなどで視界に飛び込んでくる。 しかし、ムンチの天才的な才能は、ほとんどどんなものでも首尾一貫したグルーヴに仕上げる能力にある。ポルトガルのバティーダ・サウンドやタンザニアのハイ・ンルグ・シンゲリ（「Comenzo El Party」のパーカッシブなサウンドを聴いてほしい）とも類似点がある。Luis Esta Seguroski VIP'ではオランダの泡のようなスクレイプとベースラインのワンプをシャッフルし、催眠術のような'Ayoba Mambo'では心を揺さぶる'Percolator'のトリルを聴かせる。歴史的な教訓と奔放な文化的マッシュアップが息もつかせず聴き手を魅了する「Detonao」は、Munchiが独自の次元で活動していることを証明している。 \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=723349453\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case. Edition of 200.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMambo Detonao EP + 'I love Mambo' Mixtape with 60 minutes of original Mambo music exclusive to the tape only.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Damu Mambo 03:35\u003cbr\u003e2. Que Maldito Disco 03:03\u003cbr\u003e3. Comenzo El Party 01:46\u003cbr\u003e4. Tamo En Olla, Pero Hay Mambo 01:32\u003cbr\u003e5. Luis Esta Seguroski VIP 01:59\u003cbr\u003e6. Ayoba Mambo 01:59\u003cbr\u003e7. Klk Frutilu 01:47\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Since his first productions emerged back in 2010, Munchi has put his own spin on everything he's approached, bending moombahton into breakcore and creating moombahcore fusing skullstep and trap and making skulltrap, and curving bachata and merengue … . A voracious listener, he's been able to absorb sounds from across the diaspora - from reggeton and baile funk to Dutch bubbling and Chicago juke - and effortlessly engineer his own twist, creating tracks and mixes with a journalistic hunger for storytelling and contextual deconstruction. Blogger and musicologist Wayne Marshall even coined a separate genre for Munchi's diverse spread of genre-agnostic productions back in 2010: Munchiton. Since then, Munchi has worked with M.I.A. and Pharell Williams among others, and remixed everyone from Skrillex to Nguzunguzu, Noisia to Buraka.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e \"I Love Mambo\" was put together in 2010 for Dave Quam's notorious It's After The End Of The World blog. It was Munchi's first proper mixtape, and matched a handful of his original productions with his favorite tracks from the Dominican Mambo canon, that had evolved throughout the 2000’s after merengue ... even got more stripped down with live instruments replaced with digital sounds with the use of daws like fl studio. Munchi was fascinated by this\u003cspan class=\"bcTruncateMore\"\u003e music at the time, downloading everything he could get his hands on, scraping the internet's darkest corners for \"the cheapest, cheesiest, dirtiest, most Fruityloops-ish\" tracks. He laments that this era has come and gone, leaving \"polished, pretentious and almost soulless\" reggaeton to dominate the landscape. \"At least when the rhythms were extremely raw you could feel the energy and spirit in it,\" he says. \"It felt like it was alive and breathing.\" Listening now, the mix sounds as raw, fresh and vital as it did back then, brushing the dust off an often forgotten and certainly misunderstood moment in the history of Dominican music. At any moment the tracks sound so brittle they could collapse completely, only to be bolstered by a swift beat flip, vocal chop or cheeky bass drop. Over the course of an hour, Munchi accompanies us on a thrill ride through a genre that's left an indelible mark on dance music throughout the Caribbean and further afield. … \"I Love Mambo\" serves as a critical missing link. Munchi's \"Detonao EP\" is a collection of unreleased material recorded in Rotterdam between 2008 and 2010, and is among the most experimental, minimal and uptempo material Munchi has put his name to. Here he purposefully approximates the kind of jerky, plasticated speed dance that used to dominate the Dominican scene, offering his own spin on the mambo sound. Each track is unsettlingly clean, assembled from detuned toybox pianos, radio sting voices and cheap, groggy horns: opening track 'Damu Mambo' crashes into view thru hollow clunks, horror movie voices, pained air horns, glass smashes and rolling snares before ceding to looped vocals and \"X-Files\"\u003ca rel=\"nofollow ugc\" href=\"http:\/\/whistles.in\/\" referrerpolicy=\"strict-origin-when-cross-origin\"\u003e\u003c\/a\u003e the wrong hands, this chaotic assemblage would be as playable as nails on a chalkboard, but Munchi's genius lies in his ability to massage almost anything into a coherent groove. There are even parallels to be drawn with Portugal's wiry batida sound, and Tanzania's hi-nrg singeli (just check those pacy percussive sounds on 'Comenzo El Party'). There's a sense that Munchi is aware of everything existing in the same continuum, shuffling through Dutch bubbling scrapes and bassline womps on 'Luis Esta Seguroski VIP', and mind-altering 'Percolator' trills on the hypnotic 'Ayoba Mambo'. A history lesson and wild-eyed cultural mashup that'll leave you breathless, \"Detonao\" is proof that Munchi is operating in a league of his own.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Munchi\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e","published_at":"2024-11-17T07:06:29+09:00","created_at":"2024-11-16T15:27:54+09:00","vendor":"Tobira Records","type":"","tags":["house","new","nyege nyege tapes","strange beats","tape","techno \/ house"],"price":218800,"price_min":218800,"price_max":218800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46864891478266,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Munchi \/\/ I Love Mambo Mixtape + Mambo Detonao EP TAPE","public_title":null,"options":["Default Title"],"price":218800,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/mam1_8b48e795-efe7-40f0-a693-5453038c3bef.jpg?v=1731738327","\/\/tobirarecords.com\/cdn\/shop\/files\/mam2_0e6d1d50-d497-4a44-90e9-d78469d2fef9.jpg?v=1731738327"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/mam1_8b48e795-efe7-40f0-a693-5453038c3bef.jpg?v=1731738327","options":["Title"],"media":[{"alt":null,"id":35195293171962,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mam1_8b48e795-efe7-40f0-a693-5453038c3bef.jpg?v=1731738327"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mam1_8b48e795-efe7-40f0-a693-5453038c3bef.jpg?v=1731738327","width":700},{"alt":null,"id":35195293204730,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mam2_0e6d1d50-d497-4a44-90e9-d78469d2fef9.jpg?v=1731738327"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mam2_0e6d1d50-d497-4a44-90e9-d78469d2fef9.jpg?v=1731738327","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオランダのDJ Munchiが、2022年にウガンダ・カンパリのレフトフィールド・ダンスレーベルNyege Nyege Tapesからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eジュークフットワークやブレイクコア、トラップを盛り込んだ、マッシュアップ・レゲトン〜実験マンボ8曲、60分以上を収録。\u003c\/p\u003e\n\u003cp\u003eカセットのみでの発表となります。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Munchiは2010年に最初の作品を発表して以来、ムンバートンをブレイクコアに曲げ、ムンバコアを作り、スカルステップとトラップを融合させてスカルトラップを作り、バチャータやメレンゲを曲げ......と、アプローチするものすべてに独自のスピンを加えてきた。貪欲なリスナーである彼は、レゲトンやバイレ・ファンクからオランダのバブリングやシカゴのジュークまで、ディアスポラ全域のサウンドを吸収し、独自のアレンジを難なく施し、ストーリーテリングと文脈の解体に飢えたジャーナリスティックなトラックやミックスを生み出してきた。ブロガーであり音楽学者でもあるウェイン・マーシャルは、2010年、ジャンルにとらわれないムンチの多様なプロダクションのために、別のジャンルを創設した： ムンチトンである。それ以来、MunchiはM.I.A.やPharell Williamsらと仕事をし、SkrillexからNguzunguzu、NoisiaからBurakaまでをリミックスしてきた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e 「I Love Mambo」は2010年、デイヴ・クアムの悪名高いブログ It's After The End Of The World のために作られた。このミックステープは、Munchiにとって初めての本格的なもので、彼のオリジナル作品とドミニカン・マンボ・カノンのお気に入りのトラックをマッチさせたものだった。当時、ムンチはこの音楽に魅了され、手に入れられるものはすべてダウンロードし、「最も安っぽく、最もチープで、最もダーティで、最もフルーティーループスっぽい」トラックをインターネットの隅々まで探し回った。彼は、この時代が終わり、「洗練された、気取った、ほとんど魂のない」レゲトンが風景を支配するようになったことを嘆いている。「少なくとも、リズムが極めて生々しかった頃は、そこにエネルギーとスピリットを感じることができた。「生きていて、呼吸しているように感じた」。今聴いても、このミックスは当時と同じように生々しく、新鮮で、生命力に満ち、ドミニカ音楽の歴史の中で忘れられがちで、誤解されがちな瞬間の埃を払っているように聴こえる。どんな瞬間にも、トラックは完全に崩壊してしまいそうなほどもろく聞こえ、ただ、素早いビート・フリップ、ヴォーカル・チョップ、生意気なベース・ドロップによって補強される。Munchiは1時間以上にわたって、カリブ海のダンス・ミュージックに忘れがたい足跡を残したこのジャンルのスリルに付き合ってくれる。... 「I Love Mambo 」は、重要なミッシングリンクの役割を果たしている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMunchiの『Detonao EP』は、2008年から2010年にかけてロッテルダムでレコーディングされた未発表音源を集めたもので、Munchiの名前を冠した作品の中では最も実験的でミニマルかつアップテンポな作品である。かつてドミニカ共和国のシーンを席巻したジャーキーで可塑的なスピード・ダンスを意図的に近似させ、マンボ・サウンドに独自のスピンを加えている。各トラックは、デチューンされたおもちゃ箱のようなピアノ、ラジオで流されるような声、安っぽくグロッキーなホーンなどで構成され、不穏なほどクリーンだ。オープニング・トラックの「Damu Mambo」は、ループしたヴォーカルと『X-ファイル』の口笛が鳴り響く前に、空洞のような音、ホラー映画の声、苦しげなエア・ホーン、ガラスを割る音、転がるスネアなどで視界に飛び込んでくる。 しかし、ムンチの天才的な才能は、ほとんどどんなものでも首尾一貫したグルーヴに仕上げる能力にある。ポルトガルのバティーダ・サウンドやタンザニアのハイ・ンルグ・シンゲリ（「Comenzo El Party」のパーカッシブなサウンドを聴いてほしい）とも類似点がある。Luis Esta Seguroski VIP'ではオランダの泡のようなスクレイプとベースラインのワンプをシャッフルし、催眠術のような'Ayoba Mambo'では心を揺さぶる'Percolator'のトリルを聴かせる。歴史的な教訓と奔放な文化的マッシュアップが息もつかせず聴き手を魅了する「Detonao」は、Munchiが独自の次元で活動していることを証明している。 \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=723349453\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case. Edition of 200.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMambo Detonao EP + 'I love Mambo' Mixtape with 60 minutes of original Mambo music exclusive to the tape only.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Damu Mambo 03:35\u003cbr\u003e2. Que Maldito Disco 03:03\u003cbr\u003e3. Comenzo El Party 01:46\u003cbr\u003e4. Tamo En Olla, Pero Hay Mambo 01:32\u003cbr\u003e5. Luis Esta Seguroski VIP 01:59\u003cbr\u003e6. Ayoba Mambo 01:59\u003cbr\u003e7. Klk Frutilu 01:47\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Since his first productions emerged back in 2010, Munchi has put his own spin on everything he's approached, bending moombahton into breakcore and creating moombahcore fusing skullstep and trap and making skulltrap, and curving bachata and merengue … . A voracious listener, he's been able to absorb sounds from across the diaspora - from reggeton and baile funk to Dutch bubbling and Chicago juke - and effortlessly engineer his own twist, creating tracks and mixes with a journalistic hunger for storytelling and contextual deconstruction. Blogger and musicologist Wayne Marshall even coined a separate genre for Munchi's diverse spread of genre-agnostic productions back in 2010: Munchiton. Since then, Munchi has worked with M.I.A. and Pharell Williams among others, and remixed everyone from Skrillex to Nguzunguzu, Noisia to Buraka.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e \"I Love Mambo\" was put together in 2010 for Dave Quam's notorious It's After The End Of The World blog. It was Munchi's first proper mixtape, and matched a handful of his original productions with his favorite tracks from the Dominican Mambo canon, that had evolved throughout the 2000’s after merengue ... even got more stripped down with live instruments replaced with digital sounds with the use of daws like fl studio. Munchi was fascinated by this\u003cspan class=\"bcTruncateMore\"\u003e music at the time, downloading everything he could get his hands on, scraping the internet's darkest corners for \"the cheapest, cheesiest, dirtiest, most Fruityloops-ish\" tracks. He laments that this era has come and gone, leaving \"polished, pretentious and almost soulless\" reggaeton to dominate the landscape. \"At least when the rhythms were extremely raw you could feel the energy and spirit in it,\" he says. \"It felt like it was alive and breathing.\" Listening now, the mix sounds as raw, fresh and vital as it did back then, brushing the dust off an often forgotten and certainly misunderstood moment in the history of Dominican music. At any moment the tracks sound so brittle they could collapse completely, only to be bolstered by a swift beat flip, vocal chop or cheeky bass drop. Over the course of an hour, Munchi accompanies us on a thrill ride through a genre that's left an indelible mark on dance music throughout the Caribbean and further afield. … \"I Love Mambo\" serves as a critical missing link. Munchi's \"Detonao EP\" is a collection of unreleased material recorded in Rotterdam between 2008 and 2010, and is among the most experimental, minimal and uptempo material Munchi has put his name to. Here he purposefully approximates the kind of jerky, plasticated speed dance that used to dominate the Dominican scene, offering his own spin on the mambo sound. Each track is unsettlingly clean, assembled from detuned toybox pianos, radio sting voices and cheap, groggy horns: opening track 'Damu Mambo' crashes into view thru hollow clunks, horror movie voices, pained air horns, glass smashes and rolling snares before ceding to looped vocals and \"X-Files\"\u003ca rel=\"nofollow ugc\" href=\"http:\/\/whistles.in\/\" referrerpolicy=\"strict-origin-when-cross-origin\"\u003e\u003c\/a\u003e the wrong hands, this chaotic assemblage would be as playable as nails on a chalkboard, but Munchi's genius lies in his ability to massage almost anything into a coherent groove. There are even parallels to be drawn with Portugal's wiry batida sound, and Tanzania's hi-nrg singeli (just check those pacy percussive sounds on 'Comenzo El Party'). There's a sense that Munchi is aware of everything existing in the same continuum, shuffling through Dutch bubbling scrapes and bassline womps on 'Luis Esta Seguroski VIP', and mind-altering 'Percolator' trills on the hypnotic 'Ayoba Mambo'. A history lesson and wild-eyed cultural mashup that'll leave you breathless, \"Detonao\" is proof that Munchi is operating in a league of his own.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Munchi\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e"}
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オランダのDJ Munchiが、2022年にウガンダ・カンパリのレフトフィールド・ダンスレーベルNyege Nyege Tapesからリリースしたカセットです。 ジュークフットワークやブレイクコア、トラップを盛り込んだ、マッシュアップ・レゲトン〜実験マンボ8曲、60分以上を収録。 カセットのみでの発表となります。 以下、レーベルによる解説です。 "Munchiは2010年に最初の作品を発表して以来、ムンバートンをブレイクコアに曲げ、ムンバコアを作り、スカルステップとトラップを融合させてスカルトラップを作り、バチャータやメレンゲを曲げ......と、アプローチするものすべてに独自のスピンを加えてきた。貪欲なリスナーである彼は、レゲトンやバイレ・ファンクからオランダのバブリングやシカゴのジュークまで、ディアスポラ全域のサウンドを吸収し、独自のアレンジを難なく施し、ストーリーテリングと文脈の解体に飢えたジャーナリスティックなトラックやミックスを生み出してきた。ブロガーであり音楽学者でもあるウェイン・マーシャルは、2010年、ジャンルにとらわれないムンチの多様なプロダクションのために、別のジャンルを創設した： ムンチトンである。それ以来、MunchiはM.I.A.やPharell Williamsらと仕事をし、SkrillexからNguzunguzu、NoisiaからBurakaまでをリミックスしてきた。 「I Love Mambo」は2010年、デイヴ・クアムの悪名高いブログ It's...
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{"id":8666364870906,"title":"DJ Chengz \/\/ St Lucian Kuduro Mixtape TAPE","handle":"dj-chengz-st-lucian-kuduro-mixtape-tape","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eカリブ海のDJ Chengzが、2020年にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyege Tapesからリリースしたミックステープです。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eクドゥーロ影響下のカリブ海最新ダンスミュージックジャンル'デネリーセグメント'中心の67分ミックスです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/854928700\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/nyege-nyege-tapes\" title=\"Nyege Nyege Tapes\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eNyege Nyege Tapes\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/nyege-nyege-tapes\/dj-chengz-lucian-kuduros-mix-tape-side-a\" title=\"DJ CHENGZ LUCIAN KUDUROS MIX TAPE SIDE A\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eDJ CHENGZ LUCIAN KUDUROS MIX TAPE SIDE A\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eMixtape cassette in norelco case. Edition of 150. \u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Absolutely fire showcase of St. Lucia’s Kuduro Soca or “Dennery Segment” sound, a local style notorious for slack lyrics and its hi-NRG pace, here served up spicy as fuck by one of the Caribbean island’s premiere DJs for Uganda’s Nyege Nyege Tapes.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePacking pure heat from the town of Dennery in St. Lucia’s Mabouya Valley, DJ Chengz’ mixtape extends an unmissable introduction to Dennery Segment, a fast and grimy offshoot of the Angola “Hard ass” style of Kurudo that’s been banned in the region for its blend of salacious lyrics and rave-inciting rhythms. Also incorporating strong influence from Zouk and Lucian drums, Dennery Segment is a super strong example of punkishly road level party music from the Afro-Caribbean diaspora that highlights the pronounced, technoid Portuguese accent dominating global dancefloor dialogues right now.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCatching 67 minutes of rudely stripped down drum loops and hooks locked with MCs chatting sexually charged filth in Kwéyòl (Saint Lucian Creole), the mix arguably recalls the energy of Carnival as much as the grime and Soca that went into UKF, and bristles with the electric rawness of early Marfox and classic Príncipe. But\u003cspan class=\"bcTruncateMore\"\u003e the defining feature is really the raunchy lyrical content, working in a long tradition of XXX-rated Soca styles but with a bang up-to-the-second sense of economy and directness touching on everything from alcohol problems to “Sex like spaghetti”, and galvanised by the jabbing, gruffly rhythmelodic urgency of the productions.\u003cbr\u003e\u003cbr\u003eLittle known beyond the region, perhaps aside from diaspora carnivals in US and EU, the infectious percolations of Dennery Segment are bound to incite fervent reactions with all discerning dancers and listeners who love it as rugged and rawly stylish as it comes. DJ Chengz’ expertly selected and blended mixtape is the ideal entry point to Kuduro’s latest mutation for anyone with hips and ears attuned to thrilling new music from the tropics.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : DJ Chengz\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e","published_at":"2024-11-16T20:50:48+09:00","created_at":"2024-11-16T15:24:19+09:00","vendor":"Tobira Records","type":"","tags":["field recording","house","new","nyege nyege tapes","strange beats","tape"],"price":213700,"price_min":213700,"price_max":213700,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46864889348346,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"DJ Chengz \/\/ St Lucian Kuduro Mixtape TAPE","public_title":null,"options":["Default Title"],"price":213700,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ku1_116c94c8-9292-47ee-8b85-61cd5ea24657.jpg?v=1731738164","\/\/tobirarecords.com\/cdn\/shop\/files\/ku2.jpg?v=1731738164"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ku1_116c94c8-9292-47ee-8b85-61cd5ea24657.jpg?v=1731738164","options":["Title"],"media":[{"alt":null,"id":35195286651130,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ku1_116c94c8-9292-47ee-8b85-61cd5ea24657.jpg?v=1731738164"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ku1_116c94c8-9292-47ee-8b85-61cd5ea24657.jpg?v=1731738164","width":700},{"alt":null,"id":35195286683898,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ku2.jpg?v=1731738164"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ku2.jpg?v=1731738164","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eカリブ海のDJ Chengzが、2020年にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyege Tapesからリリースしたミックステープです。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eクドゥーロ影響下のカリブ海最新ダンスミュージックジャンル'デネリーセグメント'中心の67分ミックスです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/854928700\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/nyege-nyege-tapes\" title=\"Nyege Nyege Tapes\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eNyege Nyege Tapes\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/nyege-nyege-tapes\/dj-chengz-lucian-kuduros-mix-tape-side-a\" title=\"DJ CHENGZ LUCIAN KUDUROS MIX TAPE SIDE A\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eDJ CHENGZ LUCIAN KUDUROS MIX TAPE SIDE A\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eMixtape cassette in norelco case. Edition of 150. \u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Absolutely fire showcase of St. Lucia’s Kuduro Soca or “Dennery Segment” sound, a local style notorious for slack lyrics and its hi-NRG pace, here served up spicy as fuck by one of the Caribbean island’s premiere DJs for Uganda’s Nyege Nyege Tapes.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePacking pure heat from the town of Dennery in St. Lucia’s Mabouya Valley, DJ Chengz’ mixtape extends an unmissable introduction to Dennery Segment, a fast and grimy offshoot of the Angola “Hard ass” style of Kurudo that’s been banned in the region for its blend of salacious lyrics and rave-inciting rhythms. Also incorporating strong influence from Zouk and Lucian drums, Dennery Segment is a super strong example of punkishly road level party music from the Afro-Caribbean diaspora that highlights the pronounced, technoid Portuguese accent dominating global dancefloor dialogues right now.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCatching 67 minutes of rudely stripped down drum loops and hooks locked with MCs chatting sexually charged filth in Kwéyòl (Saint Lucian Creole), the mix arguably recalls the energy of Carnival as much as the grime and Soca that went into UKF, and bristles with the electric rawness of early Marfox and classic Príncipe. But\u003cspan class=\"bcTruncateMore\"\u003e the defining feature is really the raunchy lyrical content, working in a long tradition of XXX-rated Soca styles but with a bang up-to-the-second sense of economy and directness touching on everything from alcohol problems to “Sex like spaghetti”, and galvanised by the jabbing, gruffly rhythmelodic urgency of the productions.\u003cbr\u003e\u003cbr\u003eLittle known beyond the region, perhaps aside from diaspora carnivals in US and EU, the infectious percolations of Dennery Segment are bound to incite fervent reactions with all discerning dancers and listeners who love it as rugged and rawly stylish as it comes. DJ Chengz’ expertly selected and blended mixtape is the ideal entry point to Kuduro’s latest mutation for anyone with hips and ears attuned to thrilling new music from the tropics.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : DJ Chengz\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e"}
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カリブ海のDJ Chengzが、2020年にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyege Tapesからリリースしたミックステープです。 クドゥーロ影響下のカリブ海最新ダンスミュージックジャンル'デネリーセグメント'中心の67分ミックスです。 Nyege Nyege Tapes · DJ CHENGZ LUCIAN KUDUROS MIX...
¥2,137
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{"id":8666361200890,"title":"DJ ZNOBIA \/\/ Inventor Vol 2 LP","handle":"dj-znobia-inventor-vol-2-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアンゴラ・ルアンダのクドゥーロ作家DJ ZNOBIAが、2024年10月にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyege Tapesから180部限定でリリースしたレコードです。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e彼が1996-2005年の間に制作した700以上のトラックからNyege Nyegeがコンパイルした10曲を収録。4シリーズの2作目です。\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/dj-znobia-inventor-vol-1-lp\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3271606125\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3271606125\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=319355838\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 180. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Sofre 03:37\u003cbr\u003e2. Wo Adji Wo feat Os Bonitos 03:59\u003cbr\u003e3. Sombras 03:40\u003cbr\u003e4. Danca Da Ma Ju 04:23\u003cbr\u003e5. ku duro ou hunderground 03:25\u003cbr\u003e6. Choro do Corno 03:30\u003cbr\u003e7. Assim ja nu ta da 03:36\u003cbr\u003e8. Monandengue (Belinha) 03:29\u003cbr\u003e9. Beat Cursor 03:17\u003cbr\u003e10. Fortes Lembrancas 03:32\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe second volume of Nyege Nyege's career-spanning DJ Znobia retrospective, 'Inventor Vol. 2' continues the vital story of one of Africa's most influential artists - a producer, singer and DJ who's spent three decades inking his signature onto kuduro and tarraxinha. The label combed through Znobia's vast archives to assemble the four-volume set, picking out the most essential moments from over 700 tracks written between the late 1990s and the mid 2000s; these aren't just the expected dancefloor heaters either, but a sprawling anthology that shines a spotlight on Znobia's innovation and unhinged mastery.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOn 'Inventor Vol. 2', Angola-born Sebastião Lopes' light-hearted sense of humor floats visibly to the surface. He samples the viral \"Baby T-Pain\" YouTube clip and flips it into a hypnotic wail on 'Choro do Corno', offsetting the melodic Auto-Tune layers with his idiosyncratic slowed-down kuduro thuds. Meanwhile, on the chaotic 'Beat Cursor', Znobia raids the Windows sound library, turning eerily familiar error chimes and message alert sirens into percussion that jerks and sways around urgent hand drum rolls and neck-snapping snares. But elsewhere, the magic that led vocal breakouts like 'Marimba' to cult status is thrust into the\u003cspan class=\"bcTruncateMore\"\u003e foreground.\u003cbr\u003e\u003cbr\u003eLopes' slippery, robotic voice curls through syrupy beats and FL Studio-powered electronic harp plucks on 'Sofre', mimics an early Talkbox on the electro-powered 'Dance Da Ma Ju' and shimmers into a soft, romantic coo on 'Monandengue'. Each track highlights the Angolan original's voracious appetite for experimentation, and expresses the parallels between Znobia's kuduro and tarraxinha innovations, and similar future-facing Afro-diasporic moves made in grime, early techno or Brazilian funk. Just check the wheezing synths, haunted flutes and hollow, driving percussion on 'Kuduro ou Hunderground', or the pizzicato blasts and garbled oscillations that shadow Os Bonitos' elastic rhymes on stand-out 'Wo Adji Wo'.\u003cbr\u003e\u003cbr\u003eFrom humble beginnings, learning to mix with just a couple of semba LPs, DJ Znobia took his cues from local traditional sounds and used their groove to power a new musical movement. And with 'Inventor Vol. 2' we're provided with another piece of the puzzle, a sequence of visions that have provided the wider world with modernism, eccentricity and vision. We're still feeling the shockwaves, decades later.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : DJ ZNOBIA\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e","published_at":"2024-11-16T18:06:53+09:00","created_at":"2024-11-16T15:11:20+09:00","vendor":"Tobira Records","type":"","tags":["field recording","house","lp","new","nyege nyege tapes"],"price":398900,"price_min":398900,"price_max":398900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46864874209530,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"DJ ZNOBIA \/\/ Inventor Vol 2 LP","public_title":null,"options":["Default Title"],"price":398900,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/dj1_920f5e24-2760-4061-9c8e-12baac257430.jpg?v=1731737353","\/\/tobirarecords.com\/cdn\/shop\/files\/dj2.jpg?v=1731737353"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/dj1_920f5e24-2760-4061-9c8e-12baac257430.jpg?v=1731737353","options":["Title"],"media":[{"alt":null,"id":35195251982586,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dj1_920f5e24-2760-4061-9c8e-12baac257430.jpg?v=1731737353"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dj1_920f5e24-2760-4061-9c8e-12baac257430.jpg?v=1731737353","width":700},{"alt":null,"id":35195252015354,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dj2.jpg?v=1731737353"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dj2.jpg?v=1731737353","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアンゴラ・ルアンダのクドゥーロ作家DJ ZNOBIAが、2024年10月にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyege Tapesから180部限定でリリースしたレコードです。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e彼が1996-2005年の間に制作した700以上のトラックからNyege Nyegeがコンパイルした10曲を収録。4シリーズの2作目です。\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/dj-znobia-inventor-vol-1-lp\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3271606125\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3271606125\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=319355838\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 180. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Sofre 03:37\u003cbr\u003e2. Wo Adji Wo feat Os Bonitos 03:59\u003cbr\u003e3. Sombras 03:40\u003cbr\u003e4. Danca Da Ma Ju 04:23\u003cbr\u003e5. ku duro ou hunderground 03:25\u003cbr\u003e6. Choro do Corno 03:30\u003cbr\u003e7. Assim ja nu ta da 03:36\u003cbr\u003e8. Monandengue (Belinha) 03:29\u003cbr\u003e9. Beat Cursor 03:17\u003cbr\u003e10. Fortes Lembrancas 03:32\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe second volume of Nyege Nyege's career-spanning DJ Znobia retrospective, 'Inventor Vol. 2' continues the vital story of one of Africa's most influential artists - a producer, singer and DJ who's spent three decades inking his signature onto kuduro and tarraxinha. 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But elsewhere, the magic that led vocal breakouts like 'Marimba' to cult status is thrust into the\u003cspan class=\"bcTruncateMore\"\u003e foreground.\u003cbr\u003e\u003cbr\u003eLopes' slippery, robotic voice curls through syrupy beats and FL Studio-powered electronic harp plucks on 'Sofre', mimics an early Talkbox on the electro-powered 'Dance Da Ma Ju' and shimmers into a soft, romantic coo on 'Monandengue'. Each track highlights the Angolan original's voracious appetite for experimentation, and expresses the parallels between Znobia's kuduro and tarraxinha innovations, and similar future-facing Afro-diasporic moves made in grime, early techno or Brazilian funk. 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アンゴラ・ルアンダのクドゥーロ作家DJ ZNOBIAが、2024年10月にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyege Tapesから180部限定でリリースしたレコードです。 彼が1996-2005年の間に制作した700以上のトラックからNyege Nyegeがコンパイルした10曲を収録。4シリーズの2作目です。 前作もオススメです。 レーベルその他作品はこちら /// Click here to see more Hakuna Kulala...
¥3,989
クイックビュー
{"id":8666360545530,"title":"Arsenal Mikebe \/\/ DRUM MACHINE 12inch","handle":"arsenal-mikebe-drum-machine-12inch","description":"\u003cp\u003eウガンダ・カンパラのストレンジビーツトリオArsenal Mikebeが、2024年9月にカンパラのレフトフィールド・ダンスレーベルNyege Nyege Tapesからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eポリリズムで畳み掛ける実験アフロビート〜ストレンジビーツ〜トライバル・テクノ6曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3444291646\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3444291646\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=4211317050\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 200. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Okuleekaana 03:12\u003cbr\u003e2. Amazina 07:18\u003cbr\u003e3. Omuzimu 04:04\u003cbr\u003e4. Boiller Omukka 08:25\u003cbr\u003e5. Masiini 03:59\u003cbr\u003e6. Bell Ghost 03:40\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNyege Nyege Tapes\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBased in Kampala, Arsenal Mikebe are a groundbreaking Ugandan ensemble who playfully dance around the fringes of of acoustic and electronic music, infusing tempo-fluxed polyrhythms with dizzying chants and ghostly synthetic drones. The band is made up of percussionists Ssentongo Moses, Dratele Epiphany, Luyambi Vincent de Paul and was co-founded by Portugese sonic alchemist Jonathan Uliel Saldanha, together they straddle a unique custom instrument dreamt up by Ugandan master sculptor Henry Segamwenge, better known simply as Sega. By reverse engineering Roland's iconic TR-808 beatbox, they devised a steel-cast \"percussion machine\" that allows Arsenal Mikebe to seamlessly integrate bass-heavy electronic sounds into their frenetic performances, and it's this device that lies at the core of their debut album.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e'DRUM MACHINE' is a rhythmic masterclass that's impossible to slot into any particular niche or other. Moses, Vincent and Dratele's kinetic beats appear to bisect each other, slipping between time signatures as fluidly as they pierce the membrane between the organic and the digital. On opening track 'Okuleekaana', brushy high-end hits coalesce into quivering patterns that bounce off the trio's guttural chants before the track's shuttled into peak-time by an\u003cspan class=\"bcTruncateMore\"\u003e ear-splitting distorted kick. Harsh death metal-style growls echo and spiral into the distance, and Sega's percussion machine is nudged into overdrive, its smorgasbord of distinctive pulses lifted skyward by glassy, evocative synths and resonant twangs.\u003cbr\u003e\u003cbr\u003eIt's extreme music, in a sense, but Arsenal Mikebe command startling dynamics, veering off course whenever possible. 'Omuzimu' is the perfect example, a labyrinth of itchy rhythms and anxious pauses that only slowly converges into a discernible beat, with its jerky bumps and muted crashes underpinned by eerie, almost inaudible B-movie whines and stifled shouts. And on the lengthy 'Boiller Omukka', the trio sing soulfully and wordlessly over feverish hollow thuds and cowbell knocks, referencing traditional Ugandan song forms while simultaneously excavating the bones of techno. It all builds up to the rubbery, intense 'Bell Ghost', that carves energetic vocal snippets into an undulating rhythmic concertina and fractalizes the atmosphere with swirling, psychedelic flutes and haunted intonations.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Arsenal Mikebe\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e","published_at":"2024-11-16T17:55:07+09:00","created_at":"2024-11-16T15:08:22+09:00","vendor":"Tobira Records","type":"","tags":["hakuna kulala","lp","new","nyege nyege tapes","strange beats","techno \/ house"],"price":398900,"price_min":398900,"price_max":398900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46864871719162,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Arsenal Mikebe \/\/ DRUM MACHINE 12inch","public_title":null,"options":["Default Title"],"price":398900,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/mik1_5e7a30c7-b333-4825-9870-4a26df663a9a.jpg?v=1731737138","\/\/tobirarecords.com\/cdn\/shop\/files\/mik2_e6612627-7041-4af3-aba1-2b48de4a4f15.jpg?v=1731737138"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/mik1_5e7a30c7-b333-4825-9870-4a26df663a9a.jpg?v=1731737138","options":["Title"],"media":[{"alt":null,"id":35195246477562,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mik1_5e7a30c7-b333-4825-9870-4a26df663a9a.jpg?v=1731737138"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mik1_5e7a30c7-b333-4825-9870-4a26df663a9a.jpg?v=1731737138","width":700},{"alt":null,"id":35195246510330,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mik2_e6612627-7041-4af3-aba1-2b48de4a4f15.jpg?v=1731737138"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mik2_e6612627-7041-4af3-aba1-2b48de4a4f15.jpg?v=1731737138","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eウガンダ・カンパラのストレンジビーツトリオArsenal Mikebeが、2024年9月にカンパラのレフトフィールド・ダンスレーベルNyege Nyege Tapesからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eポリリズムで畳み掛ける実験アフロビート〜ストレンジビーツ〜トライバル・テクノ6曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3444291646\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3444291646\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=4211317050\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 200. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Okuleekaana 03:12\u003cbr\u003e2. Amazina 07:18\u003cbr\u003e3. Omuzimu 04:04\u003cbr\u003e4. Boiller Omukka 08:25\u003cbr\u003e5. Masiini 03:59\u003cbr\u003e6. Bell Ghost 03:40\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNyege Nyege Tapes\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBased in Kampala, Arsenal Mikebe are a groundbreaking Ugandan ensemble who playfully dance around the fringes of of acoustic and electronic music, infusing tempo-fluxed polyrhythms with dizzying chants and ghostly synthetic drones. The band is made up of percussionists Ssentongo Moses, Dratele Epiphany, Luyambi Vincent de Paul and was co-founded by Portugese sonic alchemist Jonathan Uliel Saldanha, together they straddle a unique custom instrument dreamt up by Ugandan master sculptor Henry Segamwenge, better known simply as Sega. By reverse engineering Roland's iconic TR-808 beatbox, they devised a steel-cast \"percussion machine\" that allows Arsenal Mikebe to seamlessly integrate bass-heavy electronic sounds into their frenetic performances, and it's this device that lies at the core of their debut album.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e'DRUM MACHINE' is a rhythmic masterclass that's impossible to slot into any particular niche or other. Moses, Vincent and Dratele's kinetic beats appear to bisect each other, slipping between time signatures as fluidly as they pierce the membrane between the organic and the digital. On opening track 'Okuleekaana', brushy high-end hits coalesce into quivering patterns that bounce off the trio's guttural chants before the track's shuttled into peak-time by an\u003cspan class=\"bcTruncateMore\"\u003e ear-splitting distorted kick. Harsh death metal-style growls echo and spiral into the distance, and Sega's percussion machine is nudged into overdrive, its smorgasbord of distinctive pulses lifted skyward by glassy, evocative synths and resonant twangs.\u003cbr\u003e\u003cbr\u003eIt's extreme music, in a sense, but Arsenal Mikebe command startling dynamics, veering off course whenever possible. 'Omuzimu' is the perfect example, a labyrinth of itchy rhythms and anxious pauses that only slowly converges into a discernible beat, with its jerky bumps and muted crashes underpinned by eerie, almost inaudible B-movie whines and stifled shouts. And on the lengthy 'Boiller Omukka', the trio sing soulfully and wordlessly over feverish hollow thuds and cowbell knocks, referencing traditional Ugandan song forms while simultaneously excavating the bones of techno. It all builds up to the rubbery, intense 'Bell Ghost', that carves energetic vocal snippets into an undulating rhythmic concertina and fractalizes the atmosphere with swirling, psychedelic flutes and haunted intonations.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Arsenal Mikebe\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e"}
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ウガンダ・カンパラのストレンジビーツトリオArsenal Mikebeが、2024年9月にカンパラのレフトフィールド・ダンスレーベルNyege Nyege Tapesからリリースしたレコードです。 ポリリズムで畳み掛ける実験アフロビート〜ストレンジビーツ〜トライバル・テクノ6曲を収録。 レーベルその他作品はこちら /// Click here to see more Hakuna Kulala / Nyege...
¥3,989
クイックビュー
{"id":8431499837690,"title":"Phelimuncasi \u0026 Metal Preyers \/\/ Izigqinamba LP","handle":"phelimuncasi-metal-preyers-izigqinamba-lp","description":"\u003cp\u003e南アフリカ・ダーバンのGqomバンドPhelimuncasiとアメリカ／イギリスのエレクトロニックデュオMetal Preyersが、2024年5月にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyege Tapesからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003e実験アフロビート〜Gqom9曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=130140631\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\" data-mce-style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Gidigidi ka Makhelwane 03:32\u003cbr\u003e2. Ayi ayi we Crazy 05:16\u003cbr\u003e3. Gqom slowgen Chant 03:12\u003cbr\u003e4. Mgiligi wabaleka 03:47\u003cbr\u003e5. Ngicela siqoze 03:10\u003cbr\u003e6. Coffin Roller 02:18\u003cbr\u003e7. Khala Ngiyabaleka 03:11\u003cbr\u003e8. Like A Corpse 04:32\u003cbr\u003e9. Last Flutter 02:09\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eDurban-based gqom futurists Phelimuncasi continue unpicking their musical seams on this latest borderless statement, teaming up with Metal Preyers to venture further into the desolate unknown. The group met up in Nyege Nyege's Kampala studio last year, where they spent three days engineering a sequence of tracks that turned the acts' respective sounds inside out, stretching urgent vocals over mutating backdrops of time-stretched electronic drums, saturated noise and unstable synths.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe album follows on from 2022's critically acclaimed 'Ama Gogela', an impeccably engineered overload of twitchy, dancefloor-focused hybrid club experiments that allied the trio with a slew of the scene's most important beatmakers. Hackett meanwhile was last seen breathing eccentricity and high drama into surrealist folk tales and vintage synth music on the psychedelic 'Shadow Swamps'. And while the divergent pairing might be unexpected, it's rich with revelation; both both Metal Preyers and Phelimuncasi wander far outside their comfort zones, the Durban trio's prominent words and cadences booming over Metal Preyers marshy productions like cryptic transmissions from the far future.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOpening track 'Gidigidi ka Makhelwane' erupts in a fizz\u003cspan class=\"bcTruncateMore\"\u003e of beatbox percussion that loops noisily alongside Makan Nana, Khera and Malathon's stirring vocals, delivered in their local isiZulu tongue. Metal Preyers's process is relatively restrained, offering Phelimuncasi the space to work their rousing magic unimpeded and adding punctuation where necessary. But when he takes more of a destructive role, it's just as impressive: on 'Gqom slowgen Chant', he corrupts his rhythm into a ritualistic pulse, letting the trio's words melt into metallic clicks and nauseous atmospheres.\u003cbr\u003e\u003cbr\u003eElsewhere on 'Mgiligi wableka', Phelimuncasi's words create a rousing rhythm against a low-n-slow gqom thud from Metal Preyers, and on 'Coffin Roller' he brings to mind '80s video nasty soundtracks, toying with analog synth sequences against Makan Nana, Khera and Malathon's distant chants. 'Like A Corpse' might be the album's most hollowed-out banger, turning the beat into a chopped 'n screwed drag that scrapes clamorously against Phelimuncasi's gurgling raps. Needless to say, there's nothing else like this.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Phelimuncasi \u0026amp; Metal Preyers\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e\n\u003cp\u003eCAT No: NNT053lp\u003c\/p\u003e","published_at":"2024-05-13T06:44:03+09:00","created_at":"2024-05-12T14:31:19+09:00","vendor":"Tobira Records","type":"","tags":["hakuna kulala","lp","new","strange beats","techno \/ house"],"price":331000,"price_min":331000,"price_max":331000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45920860831994,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Phelimuncasi \u0026 Metal Preyers \/\/ Izigqinamba LP","public_title":null,"options":["Default Title"],"price":331000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/me1_c04dd4e0-7644-4199-b9a9-b5feedc80407.jpg?v=1715491881","\/\/tobirarecords.com\/cdn\/shop\/files\/me2_a67cb00a-a4c7-48fb-8a96-02a4e3323638.jpg?v=1715491881"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/me1_c04dd4e0-7644-4199-b9a9-b5feedc80407.jpg?v=1715491881","options":["Title"],"media":[{"alt":null,"id":34001398431994,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/me1_c04dd4e0-7644-4199-b9a9-b5feedc80407.jpg?v=1715491881"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/me1_c04dd4e0-7644-4199-b9a9-b5feedc80407.jpg?v=1715491881","width":700},{"alt":null,"id":34001398464762,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/me2_a67cb00a-a4c7-48fb-8a96-02a4e3323638.jpg?v=1715491881"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/me2_a67cb00a-a4c7-48fb-8a96-02a4e3323638.jpg?v=1715491881","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e南アフリカ・ダーバンのGqomバンドPhelimuncasiとアメリカ／イギリスのエレクトロニックデュオMetal Preyersが、2024年5月にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyege Tapesからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003e実験アフロビート〜Gqom9曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=130140631\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\" data-mce-style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Gidigidi ka Makhelwane 03:32\u003cbr\u003e2. Ayi ayi we Crazy 05:16\u003cbr\u003e3. Gqom slowgen Chant 03:12\u003cbr\u003e4. Mgiligi wabaleka 03:47\u003cbr\u003e5. Ngicela siqoze 03:10\u003cbr\u003e6. Coffin Roller 02:18\u003cbr\u003e7. Khala Ngiyabaleka 03:11\u003cbr\u003e8. Like A Corpse 04:32\u003cbr\u003e9. Last Flutter 02:09\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eDurban-based gqom futurists Phelimuncasi continue unpicking their musical seams on this latest borderless statement, teaming up with Metal Preyers to venture further into the desolate unknown. The group met up in Nyege Nyege's Kampala studio last year, where they spent three days engineering a sequence of tracks that turned the acts' respective sounds inside out, stretching urgent vocals over mutating backdrops of time-stretched electronic drums, saturated noise and unstable synths.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe album follows on from 2022's critically acclaimed 'Ama Gogela', an impeccably engineered overload of twitchy, dancefloor-focused hybrid club experiments that allied the trio with a slew of the scene's most important beatmakers. Hackett meanwhile was last seen breathing eccentricity and high drama into surrealist folk tales and vintage synth music on the psychedelic 'Shadow Swamps'. And while the divergent pairing might be unexpected, it's rich with revelation; both both Metal Preyers and Phelimuncasi wander far outside their comfort zones, the Durban trio's prominent words and cadences booming over Metal Preyers marshy productions like cryptic transmissions from the far future.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOpening track 'Gidigidi ka Makhelwane' erupts in a fizz\u003cspan class=\"bcTruncateMore\"\u003e of beatbox percussion that loops noisily alongside Makan Nana, Khera and Malathon's stirring vocals, delivered in their local isiZulu tongue. Metal Preyers's process is relatively restrained, offering Phelimuncasi the space to work their rousing magic unimpeded and adding punctuation where necessary. But when he takes more of a destructive role, it's just as impressive: on 'Gqom slowgen Chant', he corrupts his rhythm into a ritualistic pulse, letting the trio's words melt into metallic clicks and nauseous atmospheres.\u003cbr\u003e\u003cbr\u003eElsewhere on 'Mgiligi wableka', Phelimuncasi's words create a rousing rhythm against a low-n-slow gqom thud from Metal Preyers, and on 'Coffin Roller' he brings to mind '80s video nasty soundtracks, toying with analog synth sequences against Makan Nana, Khera and Malathon's distant chants. 'Like A Corpse' might be the album's most hollowed-out banger, turning the beat into a chopped 'n screwed drag that scrapes clamorously against Phelimuncasi's gurgling raps. Needless to say, there's nothing else like this.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Phelimuncasi \u0026amp; Metal Preyers\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e\n\u003cp\u003eCAT No: NNT053lp\u003c\/p\u003e"}
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南アフリカ・ダーバンのGqomバンドPhelimuncasiとアメリカ／イギリスのエレクトロニックデュオMetal Preyersが、2024年5月にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyege Tapesからリリースした共作レコードです。 実験アフロビート〜Gqom9曲を収録。 レーベルその他作品はこちら /// Click here to see more Hakuna Kulala / Nyege...
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{"id":8157856563450,"title":"Ratigan Era \/\/ Era LP","handle":"ratigan-era-era-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e ウガンダ・カンパラのラッパーRatigan Eraが、2024年1月にカンパラのダンスレーベルHakuna Kulalaからリリースしたレコードです。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eルガンダ語、パトワ語、スペイン語、英語を用いたアフロ・ダンスホール〜Gqom7曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ダンスホールはジャマイカで生まれたかもしれないが、ここ数十年の間にこの人気ジャンルの蔓は世界中に伸びている。カンパラのRatigan Eraは、東アフリカのユーモアとガーナやナイジェリアから輸入したハイパーメロディックなアフロビーツの要素を融合させ、ダンスホールにウガンダ独特のひねりを加えている。多才なMCである彼は、ヴィブス・カーテル、ビジー・シグナル、マヴァドといったジャマイカの音楽を聴いて育った-彼の故郷カウェンペでは、それを避ける方法はほとんどなかった-。彼はこの多様な影響を、ルガンダ語、パトワ語、スペイン語、英語の間で煮えたぎるような、完全にユニークなアフロ・ダンスホールの流れへと発展させ、現代のアフリカを特徴づける文化のるつぼや方言を反映させた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eラティガンは、パラソのウガンダのヒット曲「Nsaba」への印象的なフィーチャリングでブレイクし、そのトラックはナイトクラブやオートバイのラウドスピーカー、あるいはコンビニエンスストアから国中に響き渡った。ハクナクララで最も境界線を押し広げるプロデューサーたちによるフューチャリスティックなビートをバックに、Gqomのようなヴォーカルと印象的なチャントが激しく独創的に織り成すファーストアルバム『Era』が完成した。コンゴ出身のプロデューサー、クリスマンが手綱を取る「Gorilla Attack」は、スキリベンやスケングといったブレイクスルー・アーティストによる最近のジャマイカン・チョップの展開と呼応するダウンテンポのグルーヴを提供する。ラティガンは、クリスマンのGQOMにインスパイアされたローエンド・ワンプと腐食したシンセの間を潜り抜け、スマートで器用なフロウと舌を巻くような歌詞で注目を集める。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eモダン・インスティテュートとゴールデン・ティーチャーのリチャード・マクマスターが手掛けた「Top Strike Force」は、ラティガンがアンセミックな反復と氷のように冷たいオートチューニングの慟哭の間を行き来できるよう、ひょろひょろとしたミニマル・ビートの中にスペースを空けている。注目のトラック「Badman Style」では、HHY \u0026amp; The Kampala Unitのジョナサン・ウリエル・サルダンハ（別名リチウム・ビーツ）によるトラップとダンスホールのハイブリッド・ビートをバックに、ラティガンの小声が響く。MCヤラーのコラボレーターであるデブマスターは「Gan Dem」に参加し、ラティガンのダブルタイム・ラップとサウンドシステムを破壊するローリング・サブをマッチさせ、アメリカのベテラン・ノイズメーカー、クシュ・アローラは「Cool and Deadly」で魔法の粉を振りまき、世界的な低音の突然変異、ジャマイカと東アフリカのつながりを活性化させている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eラティガンは、カンパラの色とりどりの音とフレーズを正確にスナップショットしている。ラティガンの大らかな個性は、カンパラの景色、音、匂いを、親しみやすく、地元に根ざした熱狂的なリズムで、遠くまで伝えてくれる。それは、私たちが切実に必要としている未来なのかもしれない。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/RUi0x_X-4Z4?si=uwo5wrwBBL9wH9fF\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/lXb5s_ldIQI?si=NE4jVawiPeXOCET4\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eGorilla Attack\u003c\/li\u003e\n\u003cli\u003eTop Strike Force\u003c\/li\u003e\n\u003cli\u003eBaman Style\u003c\/li\u003e\n\u003cli\u003eFour Corners\u003c\/li\u003e\n\u003cli\u003eGan Dem 02:34\u003c\/li\u003e\n\u003cli\u003eDrop It Down\u003c\/li\u003e\n\u003cli\u003ePussy\u003c\/li\u003e\n\u003cli\u003eCool \u0026amp; Deadly\u003c\/li\u003e\n\u003cli\u003eI Feel Alright\u003c\/li\u003e\n\u003cli\u003eBark 02:45\u003c\/li\u003e\n\u003cli\u003eOn My List\u003c\/li\u003e\n\u003cli\u003eStop\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eHakuna Kulala:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eDancehall might have emerged in Jamaica, but over the last few decades the popular genre's tendrils have stretched out across the globe. In Kampala, Ratigan Era is adding a distinct Ugandan twist to dancehall, fusing it with East African humor and hyper-melodic afrobeats elements imported from Ghana and Nigeria. The versatile MC grew up listening to Jamaican music like Vybz Kartel, Busy Signal and Mavado - in his hometown of Kawempe there was almost no way to avoid it - and it blurred into the background, blending with local church music, US hip-hop and radio pop. He developed this diverse range of influences into a completely unique Afro-dancehall flow that simmers between Luganda, patois, Spanish and English, reflecting the melting pot of cultures and dialects that characterizes contemporary Africa.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRatigan broke out with a memorable feature on Pallaso's Ugandan hit 'Nsaba', a track that echoed throughout the country booming from nightclubs, motorcycle loudspeakers or from convenience stores. Now he's assembled his first album \"Era\", a furiously inventive interweaving of rubbery vocals and memorable chants backed by futuristic beats from Hakuna Kulala's most\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e boundary-pushing producers. Congolese producer Chrisman takes the reins on 'Gorilla Attack', providing a downtempo groove that echoes recent Jamaican chop deployments from breakthrough artists like Skillibeng and Skeng. For his part, Ratigan ducks and dives between Chrisman's gqom-inspired low end womps and corrosive synths, commanding attention with his smart, dextrous flow and tongue-twisting lyrics.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe Modern Institute and Golden Teacher's Richard McMaster handles 'Top Strike Force' leaving space in his wiry, minimal beats for Ratigan to flit between anthemic repetitions and ice-cold AutoTuned wails. On stand-out track 'Badman Style', Ratigan's guttural patois is measured against a dizzy trap-dancehall hybrid beat from HHY \u0026amp; The Kampala Unit's Jonathan Uliel Saldanha, aka Lithium Beats, while on the surreal 'Drop it Down', Japanese mad scientist Scotch Rolex brings out Ratigan's cheeky sense of humor with toytown bleeps and laser zaps. MC Yallah collaborator Debmaster appears on 'Gan Dem', meeting Ratigan's double-time raps with soundsystem destroying rolling subs, and veteran US noisemaker Kush Arora sprinkles magic dust on 'Cool and Deadly', galvanizing the link between global bass mutations, Jamaica and East Africa.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAnd despite the grab-bag of producers and inspirations, \"Ratigan\" is a strikingly coherent listening experience that accurately snapshots Kampala's colorful froth of sounds and phrases. Ratigan's outsized personality is welcoming and captivating, providing the sights, sounds and smells of the city with a frenetic rhythm that's as intimate and local as it is far-reaching. It might just be the future we so desperately need.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ratigan Era\u003c\/p\u003e\n\u003cp\u003eLabel : Hakuna Kulala\u003c\/p\u003e","published_at":"2024-01-28T08:15:42+09:00","created_at":"2024-01-27T13:46:43+09:00","vendor":"Tobira Records","type":"","tags":["hakuna kulala","hiphop \/ funk","lp","new","techno \/ house"],"price":326000,"price_min":326000,"price_max":326000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45102416527610,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Ratigan Era \/\/ Era LP","public_title":null,"options":["Default Title"],"price":326000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/era1.jpg?v=1706330805","\/\/tobirarecords.com\/cdn\/shop\/files\/era2.jpg?v=1706330805"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/era1.jpg?v=1706330805","options":["Title"],"media":[{"alt":null,"id":33065613689082,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/era1.jpg?v=1706330805"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/era1.jpg?v=1706330805","width":700},{"alt":null,"id":33065613721850,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/era2.jpg?v=1706330805"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/era2.jpg?v=1706330805","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e ウガンダ・カンパラのラッパーRatigan Eraが、2024年1月にカンパラのダンスレーベルHakuna Kulalaからリリースしたレコードです。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eルガンダ語、パトワ語、スペイン語、英語を用いたアフロ・ダンスホール〜Gqom7曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ダンスホールはジャマイカで生まれたかもしれないが、ここ数十年の間にこの人気ジャンルの蔓は世界中に伸びている。カンパラのRatigan Eraは、東アフリカのユーモアとガーナやナイジェリアから輸入したハイパーメロディックなアフロビーツの要素を融合させ、ダンスホールにウガンダ独特のひねりを加えている。多才なMCである彼は、ヴィブス・カーテル、ビジー・シグナル、マヴァドといったジャマイカの音楽を聴いて育った-彼の故郷カウェンペでは、それを避ける方法はほとんどなかった-。彼はこの多様な影響を、ルガンダ語、パトワ語、スペイン語、英語の間で煮えたぎるような、完全にユニークなアフロ・ダンスホールの流れへと発展させ、現代のアフリカを特徴づける文化のるつぼや方言を反映させた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eラティガンは、パラソのウガンダのヒット曲「Nsaba」への印象的なフィーチャリングでブレイクし、そのトラックはナイトクラブやオートバイのラウドスピーカー、あるいはコンビニエンスストアから国中に響き渡った。ハクナクララで最も境界線を押し広げるプロデューサーたちによるフューチャリスティックなビートをバックに、Gqomのようなヴォーカルと印象的なチャントが激しく独創的に織り成すファーストアルバム『Era』が完成した。コンゴ出身のプロデューサー、クリスマンが手綱を取る「Gorilla Attack」は、スキリベンやスケングといったブレイクスルー・アーティストによる最近のジャマイカン・チョップの展開と呼応するダウンテンポのグルーヴを提供する。ラティガンは、クリスマンのGQOMにインスパイアされたローエンド・ワンプと腐食したシンセの間を潜り抜け、スマートで器用なフロウと舌を巻くような歌詞で注目を集める。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eモダン・インスティテュートとゴールデン・ティーチャーのリチャード・マクマスターが手掛けた「Top Strike Force」は、ラティガンがアンセミックな反復と氷のように冷たいオートチューニングの慟哭の間を行き来できるよう、ひょろひょろとしたミニマル・ビートの中にスペースを空けている。注目のトラック「Badman Style」では、HHY \u0026amp; The Kampala Unitのジョナサン・ウリエル・サルダンハ（別名リチウム・ビーツ）によるトラップとダンスホールのハイブリッド・ビートをバックに、ラティガンの小声が響く。MCヤラーのコラボレーターであるデブマスターは「Gan Dem」に参加し、ラティガンのダブルタイム・ラップとサウンドシステムを破壊するローリング・サブをマッチさせ、アメリカのベテラン・ノイズメーカー、クシュ・アローラは「Cool and Deadly」で魔法の粉を振りまき、世界的な低音の突然変異、ジャマイカと東アフリカのつながりを活性化させている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eラティガンは、カンパラの色とりどりの音とフレーズを正確にスナップショットしている。ラティガンの大らかな個性は、カンパラの景色、音、匂いを、親しみやすく、地元に根ざした熱狂的なリズムで、遠くまで伝えてくれる。それは、私たちが切実に必要としている未来なのかもしれない。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/RUi0x_X-4Z4?si=uwo5wrwBBL9wH9fF\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/lXb5s_ldIQI?si=NE4jVawiPeXOCET4\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eGorilla Attack\u003c\/li\u003e\n\u003cli\u003eTop Strike Force\u003c\/li\u003e\n\u003cli\u003eBaman Style\u003c\/li\u003e\n\u003cli\u003eFour Corners\u003c\/li\u003e\n\u003cli\u003eGan Dem 02:34\u003c\/li\u003e\n\u003cli\u003eDrop It Down\u003c\/li\u003e\n\u003cli\u003ePussy\u003c\/li\u003e\n\u003cli\u003eCool \u0026amp; Deadly\u003c\/li\u003e\n\u003cli\u003eI Feel Alright\u003c\/li\u003e\n\u003cli\u003eBark 02:45\u003c\/li\u003e\n\u003cli\u003eOn My List\u003c\/li\u003e\n\u003cli\u003eStop\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eHakuna Kulala:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eDancehall might have emerged in Jamaica, but over the last few decades the popular genre's tendrils have stretched out across the globe. In Kampala, Ratigan Era is adding a distinct Ugandan twist to dancehall, fusing it with East African humor and hyper-melodic afrobeats elements imported from Ghana and Nigeria. The versatile MC grew up listening to Jamaican music like Vybz Kartel, Busy Signal and Mavado - in his hometown of Kawempe there was almost no way to avoid it - and it blurred into the background, blending with local church music, US hip-hop and radio pop. He developed this diverse range of influences into a completely unique Afro-dancehall flow that simmers between Luganda, patois, Spanish and English, reflecting the melting pot of cultures and dialects that characterizes contemporary Africa.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRatigan broke out with a memorable feature on Pallaso's Ugandan hit 'Nsaba', a track that echoed throughout the country booming from nightclubs, motorcycle loudspeakers or from convenience stores. Now he's assembled his first album \"Era\", a furiously inventive interweaving of rubbery vocals and memorable chants backed by futuristic beats from Hakuna Kulala's most\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e boundary-pushing producers. Congolese producer Chrisman takes the reins on 'Gorilla Attack', providing a downtempo groove that echoes recent Jamaican chop deployments from breakthrough artists like Skillibeng and Skeng. For his part, Ratigan ducks and dives between Chrisman's gqom-inspired low end womps and corrosive synths, commanding attention with his smart, dextrous flow and tongue-twisting lyrics.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe Modern Institute and Golden Teacher's Richard McMaster handles 'Top Strike Force' leaving space in his wiry, minimal beats for Ratigan to flit between anthemic repetitions and ice-cold AutoTuned wails. On stand-out track 'Badman Style', Ratigan's guttural patois is measured against a dizzy trap-dancehall hybrid beat from HHY \u0026amp; The Kampala Unit's Jonathan Uliel Saldanha, aka Lithium Beats, while on the surreal 'Drop it Down', Japanese mad scientist Scotch Rolex brings out Ratigan's cheeky sense of humor with toytown bleeps and laser zaps. MC Yallah collaborator Debmaster appears on 'Gan Dem', meeting Ratigan's double-time raps with soundsystem destroying rolling subs, and veteran US noisemaker Kush Arora sprinkles magic dust on 'Cool and Deadly', galvanizing the link between global bass mutations, Jamaica and East Africa.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAnd despite the grab-bag of producers and inspirations, \"Ratigan\" is a strikingly coherent listening experience that accurately snapshots Kampala's colorful froth of sounds and phrases. Ratigan's outsized personality is welcoming and captivating, providing the sights, sounds and smells of the city with a frenetic rhythm that's as intimate and local as it is far-reaching. It might just be the future we so desperately need.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ratigan Era\u003c\/p\u003e\n\u003cp\u003eLabel : Hakuna Kulala\u003c\/p\u003e"}
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ウガンダ・カンパラのラッパーRatigan Eraが、2024年1月にカンパラのダンスレーベルHakuna Kulalaからリリースしたレコードです。 ルガンダ語、パトワ語、スペイン語、英語を用いたアフロ・ダンスホール〜Gqom7曲を収録。 以下、レーベルによる解説です。 "ダンスホールはジャマイカで生まれたかもしれないが、ここ数十年の間にこの人気ジャンルの蔓は世界中に伸びている。カンパラのRatigan Eraは、東アフリカのユーモアとガーナやナイジェリアから輸入したハイパーメロディックなアフロビーツの要素を融合させ、ダンスホールにウガンダ独特のひねりを加えている。多才なMCである彼は、ヴィブス・カーテル、ビジー・シグナル、マヴァドといったジャマイカの音楽を聴いて育った-彼の故郷カウェンペでは、それを避ける方法はほとんどなかった-。彼はこの多様な影響を、ルガンダ語、パトワ語、スペイン語、英語の間で煮えたぎるような、完全にユニークなアフロ・ダンスホールの流れへと発展させ、現代のアフリカを特徴づける文化のるつぼや方言を反映させた。 ラティガンは、パラソのウガンダのヒット曲「Nsaba」への印象的なフィーチャリングでブレイクし、そのトラックはナイトクラブやオートバイのラウドスピーカー、あるいはコンビニエンスストアから国中に響き渡った。ハクナクララで最も境界線を押し広げるプロデューサーたちによるフューチャリスティックなビートをバックに、Gqomのようなヴォーカルと印象的なチャントが激しく独創的に織り成すファーストアルバム『Era』が完成した。コンゴ出身のプロデューサー、クリスマンが手綱を取る「Gorilla Attack」は、スキリベンやスケングといったブレイクスルー・アーティストによる最近のジャマイカン・チョップの展開と呼応するダウンテンポのグルーヴを提供する。ラティガンは、クリスマンのGQOMにインスパイアされたローエンド・ワンプと腐食したシンセの間を潜り抜け、スマートで器用なフロウと舌を巻くような歌詞で注目を集める。モダン・インスティテュートとゴールデン・ティーチャーのリチャード・マクマスターが手掛けた「Top Strike Force」は、ラティガンがアンセミックな反復と氷のように冷たいオートチューニングの慟哭の間を行き来できるよう、ひょろひょろとしたミニマル・ビートの中にスペースを空けている。注目のトラック「Badman Style」では、HHY & The...
¥3,260
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{"id":8065880523002,"title":"WULFFLUW XCIV \/\/ Toxica 12\"","handle":"wulffluw-xciv-toxica-12","description":"\u003cp\u003eGqom作家\u003cspan data-mce-fragment=\"1\"\u003eNikita Grunt\u003c\/span\u003eが、2023年10月にウガンダのレフトフィールドダンスレーベル\u003cspan data-mce-fragment=\"1\"\u003eHakuna Kulalaからリリースした12\"です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eサイバーパンク・カーニバルのようなGqom〜ミニマルテクノ5曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=334742373\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTake a Ride 02:35\u003c\/li\u003e\n\u003cli\u003efeat Chrisman - Tetemeka 02:29\u003c\/li\u003e\n\u003cli\u003eKluck 02:21\u003c\/li\u003e\n\u003cli\u003eNaughty 02:56\u003c\/li\u003e\n\u003cli\u003eExp 03:59\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eHakuna Kulala:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWULFFLUW XCIV brings his borderless productions to the label's ongoing Whitelabel series following a slew of dancefloor agitations from T5UMT5UMU, Menzi \u0026amp; Scratchclart, and others. \"Toxica EP\" builds on the mutant fusion of 2020's acclaimed \"Ngoma Injection\", stripping back the woozy psychedelia and chromium ambience and replacing it with pure soundsystem pressure. 'Take a Ride' bends acid techno machinery around rubbery East African rhythms, anchoring block party hedonism with a 4\/4 bump that wouldn't be out of place in Kreuzberg and vocal shakes straight from São Paulo. But this isn't a mindless mashup of aesthetics, its a conversation with the world's fringe agitators, using stylistic and rhythmic strokes to highlight commonality, not exclusivity.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHakuna Kulala's own Chrisman appears on 'Tetemeka', and the two producers adapt the syrupy tarraxinha inversions the Congolese engineer perfected on last year's \"Makila\" full-length. Low, resonant gqom atmospheres underpin the entire track, but WULFFLUW XCIV's squeaky toy synths prevent it from slipping into darkness. Elsewhere 'Kluck' distorts the timeline completely, wedging flute-led Latin American tribal sounds into a riddim vs. trap superstructure, and 'Exp' sublimes speed dembow into delirious trance and minimal techno vapors. The boundaries between dance subgenres are slowly dissolving, and WULFFLUW XCIV's digital-era intermixture sounds like the cyberpunk carnival we're all desperately in need of.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : WULFFLUW XCIV\u003c\/p\u003e\n\u003cp\u003eLabel : Hakuna Kulala\u003c\/p\u003e","published_at":"2023-11-07T06:22:42+09:00","created_at":"2023-11-04T18:06:18+09:00","vendor":"Tobira Records","type":"","tags":["hakuna kulala","lp","new","techno \/ house"],"price":271000,"price_min":271000,"price_max":271000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44728679235834,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"WULFFLUW XCIV \/\/ Toxica 12\"","public_title":null,"options":["Default Title"],"price":271000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/wu.jpg?v=1699088779","\/\/tobirarecords.com\/cdn\/shop\/files\/wu2_d842e5e6-a6cd-48ab-8704-342490471565.jpg?v=1699088780"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/wu.jpg?v=1699088779","options":["Title"],"media":[{"alt":null,"id":32642121302266,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wu.jpg?v=1699088779"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wu.jpg?v=1699088779","width":700},{"alt":null,"id":32642121335034,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wu2_d842e5e6-a6cd-48ab-8704-342490471565.jpg?v=1699088780"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wu2_d842e5e6-a6cd-48ab-8704-342490471565.jpg?v=1699088780","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eGqom作家\u003cspan data-mce-fragment=\"1\"\u003eNikita Grunt\u003c\/span\u003eが、2023年10月にウガンダのレフトフィールドダンスレーベル\u003cspan data-mce-fragment=\"1\"\u003eHakuna Kulalaからリリースした12\"です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eサイバーパンク・カーニバルのようなGqom〜ミニマルテクノ5曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=334742373\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTake a Ride 02:35\u003c\/li\u003e\n\u003cli\u003efeat Chrisman - Tetemeka 02:29\u003c\/li\u003e\n\u003cli\u003eKluck 02:21\u003c\/li\u003e\n\u003cli\u003eNaughty 02:56\u003c\/li\u003e\n\u003cli\u003eExp 03:59\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eHakuna Kulala:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWULFFLUW XCIV brings his borderless productions to the label's ongoing Whitelabel series following a slew of dancefloor agitations from T5UMT5UMU, Menzi \u0026amp; Scratchclart, and others. \"Toxica EP\" builds on the mutant fusion of 2020's acclaimed \"Ngoma Injection\", stripping back the woozy psychedelia and chromium ambience and replacing it with pure soundsystem pressure. 'Take a Ride' bends acid techno machinery around rubbery East African rhythms, anchoring block party hedonism with a 4\/4 bump that wouldn't be out of place in Kreuzberg and vocal shakes straight from São Paulo. But this isn't a mindless mashup of aesthetics, its a conversation with the world's fringe agitators, using stylistic and rhythmic strokes to highlight commonality, not exclusivity.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHakuna Kulala's own Chrisman appears on 'Tetemeka', and the two producers adapt the syrupy tarraxinha inversions the Congolese engineer perfected on last year's \"Makila\" full-length. Low, resonant gqom atmospheres underpin the entire track, but WULFFLUW XCIV's squeaky toy synths prevent it from slipping into darkness. Elsewhere 'Kluck' distorts the timeline completely, wedging flute-led Latin American tribal sounds into a riddim vs. trap superstructure, and 'Exp' sublimes speed dembow into delirious trance and minimal techno vapors. The boundaries between dance subgenres are slowly dissolving, and WULFFLUW XCIV's digital-era intermixture sounds like the cyberpunk carnival we're all desperately in need of.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : WULFFLUW XCIV\u003c\/p\u003e\n\u003cp\u003eLabel : Hakuna Kulala\u003c\/p\u003e"}
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Gqom作家Nikita Gruntが、2023年10月にウガンダのレフトフィールドダンスレーベルHakuna Kulalaからリリースした12"です。 サイバーパンク・カーニバルのようなGqom〜ミニマルテクノ5曲を収録。 レーベルその他作品はこちら /// Click here to see more Hakuna Kulala releases available at Tobira. ...
¥2,710
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{"id":8021907112186,"title":"DJ ZNOBIA \/\/ Inventor Vol 1 LP","handle":"dj-znobia-inventor-vol-1-lp","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eアンゴラ・ルアンダのクドゥーロ作家DJ ZNOBIAが、2023年9月にウガンダ・カンパラのダンスレーベルNyege Nyege Tapesからリリースしたレコードです。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e彼が1996-2005年の間に制作した700以上のトラックからNyege Nyegeがコンパイルした11曲を収録。4シリーズの1作目です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"\u003cspan data-mce-fragment=\"1\"\u003e過去30年間でアフリカで最も影響力のあるミュージシャンの一人、クドゥーロとタラヒーニャのパイオニアでありオリジネーターであるDJ ZNOBIAの4作にわたる回顧録の第1弾をリリースできることを大変光栄に思う。ストリートミュージックの天才であり、アンゴラのデジタルミュージック・モダニズムの重要な先見者であるDJ ZNOBIAは、その発明者でもある。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNyege Nyege Tapesは、DJ ZNOBIAのアーカイヴにある700以上のトラック（失われたトラックはその2倍とも言われている）に目を通し、1990年代後半から2000年代半ばまでの彼の音楽活動を4作に渡って振り返る。アンゴラの首都ルアンダにあるバリオ・ド・ランゲルのムセケ（シャントタウン）出身のDJ ZNOBIAは、1979年にセバスチャン・ロペスとして生まれた。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e1990年代後半、DJ ZNOBIAは、ブラジルに次いで世界で2番目にポルトガル語を話す国である南西アフリカのエネルギーとスピリットを表現する新しいジャンルを創り出す旅に出た。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDJ ZNOBIAは当初、マイケルジャクソンが特に好きなダンサーとして名を馳せたが、その後フルーティループスでプロデュースを独学。アンゴラの伝統的なリズムとエレクトロニックビートの融合に触発され、さまざまなサウンドやスタイルを試し始めた。たゆまぬ努力の結果、彼は最終的にアンゴラの音楽シーンに革命を起こすジャンル、クドゥーロを開発した。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eポルトガル語で「ハード・アス」を意味するクドゥーロは、センバ、キラパンガ、カズクタといったアンゴラの伝統音楽の要素と現代的なエレクトロビートを組み合わせ、ハイエナジーで感染力のあるサウンドを生み出している。DJ ZNOBIAは、シンセサイザー、ドラムマシン、サンプリングされたボーカルを革新的に使用することで、クドゥーロに独特の個性を与え、瞬く間にこのジャンルのパイオニアとして、また主要プロデューサーとして認知されるようになった。彼の作品の多くが、アンゴラが2002年に終結したばかりのひどい内戦の渦中にあったという事実が、彼の物語をより注目すべきものにしている。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e彼の画期的なプロダクションによって、DJ ZNOBIAはアンゴラ国内だけでなく、アメリカやヨーロッパなど国際的にクドゥーロが広く普及する道を開いた。彼の「Batida 13 Horas」などのトラックは、このジャンルのアンセムとなり、地元アーティストとのコラボレーションは、クドゥーロをメインストリームに押し上げるのに貢献した。クドゥーロは、ポルトガルのアフロ・ディアスポラ・コミュニティ、特にプリンシペ・ディスコのDJやプロデューサー、DJ Marfox、DJ Nervoso、Niggafoxらに多大な影響を与えてきた。2008年、クドゥーロが初めて国際的なシーンに登場したのは、イギリスとスリランカのラップ界のスーパースターM.I.A.が、M.I.A.の2007年のアルバム『Kala』に収録されたシングル「Sound of Kuduro」で、DJ ZNOBIAとブラカ・ソン・システマとコラボしたときだった。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eプロデューサー、DJ、MC、そして公人としてのDJ ZNOBIAの影響は、過去30年以上に渡ってアンゴラ文化に多大な影響を与えてきた。彼はまた、キゾンバのいとこで、セクシーでパーカッシブな音楽とダンスで大人気のジャンル、タラヒーニャのパイオニアの1人とみなされている。\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3146340253\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMarimba 03:47\u003c\/li\u003e\n\u003cli\u003eZabinamina feat Puto Prata 03:48\u003c\/li\u003e\n\u003cli\u003eU uu 03:34\u003c\/li\u003e\n\u003cli\u003eWo 03:25\u003c\/li\u003e\n\u003cli\u003eCuba em Angola 03:42\u003c\/li\u003e\n\u003cli\u003eEsfregado 03:37\u003c\/li\u003e\n\u003cli\u003eLamento feat Ricardo 03:18\u003c\/li\u003e\n\u003cli\u003eTirou Ponto feat Nakobeta 03:41\u003c\/li\u003e\n\u003cli\u003ePausa 03:26\u003c\/li\u003e\n\u003cli\u003eTom e Jerry 03:50\u003c\/li\u003e\n\u003cli\u003ePiquena 03:27\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eA massive honor to be releasing the first in a four volume retrospective of one of Africa’s most influential musicians of the last 30 years - kuduro and tarraxinha pioneer and originator DJ Znobia. A genius of street music and the pivotal visionary of Angola’s digital musical modernism, Znobia is the inventor.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eNyege Nyege Tapes went through over 700 tracks in Znobia’s archive (with double that number reputed to have been lost) to prepare a 4 Volume retrospective of his musical output from the late 90s to mid 2000s. Hailing from the musseke - or shantytown - of Barrio Do Rangel in the Angolan capital of Luanda, DJ Znobia was born Sebastião Lopes in 1979.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn the late 1990s, DJ Znobia embarked on a journey to create a new genre that would capture the energy and spirit of the South West African country, the second biggest Portuguese speaking country in the world after Brazil.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eZnobia initially found renown as a dancer particularly fond of Michael Jackson, before teaching himself how to produce with Fruity Loops. Inspired by the fusion of traditional Angolan rhythms with electronic beats, he began experimenting with different sounds and styles. Through his tireless efforts, he eventually developed\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e a genre that would revolutionise the Angolan music scene: kuduro.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eKuduro, which means \"hard ass\" in Portuguese, combines elements of traditional Angolan music such as semba, kilapanga, and kazukuta with modern electronic beats, resulting in a high-energy and infectious sound. DJ Znobia's innovative use of synthesisers, drum machines, and sampled vocals gave kuduro its distinctive character, and he quickly gained recognition as the genre's pioneer and leading producer. The fact that much of his output happened while Angola was in the grip of a terrible civil war, which only ended in 2002, makes his story even more remarkable.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWith his groundbreaking productions, DJ Znobia paved the way for the widespread popularity of kuduro both in Angola and internationally in America and Europe. His tracks, such as “Batida 13 Horas'' became anthems of the genre, and his collaborations with local artists helped to propel kuduro into the mainstream. Kuduro has been hugely influential in Afro-diasporan communities in Portugal , and especially with the Príncipe Discos DJs and producers such as Dj Marfox, Dj Nervoso and Niggafox. In 2008, kuduro first arrived on the international scene, when British-Sri Lankan rap superstar M.I.A. collaborated with Znobia and Buraka Son Sistema on the single Sound of Kuduro which appeared on M.I.A.’s 2007 album Kala.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDJ Znobia's influence as a producer, DJ, MC and public figure has had a great imprint in Angolan culture for the better part of the last three decades. He is also considered one of the pioneers of the hugely popular tarraxinha genre of music and dance; the sexy, percussive cousin of kizomba; the name means “little screw\/ screwdriver”.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : DJ ZNOBIA\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e","published_at":"2023-09-20T18:16:45+09:00","created_at":"2023-09-20T18:16:45+09:00","vendor":"Tobira Records","type":"","tags":["field recording","hakuna kulala","house","lp","new"],"price":338000,"price_min":338000,"price_max":338000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44576661242106,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"DJ ZNOBIA \/\/ Inventor Vol 1 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Title"],"price":338000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a3714952721_16.jpg?v=1695201509","\/\/tobirarecords.com\/cdn\/shop\/files\/0033044555_10.jpg?v=1695201526","\/\/tobirarecords.com\/cdn\/shop\/files\/0033044558_10.jpg?v=1695201529"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3714952721_16.jpg?v=1695201509","options":["Title"],"media":[{"alt":null,"id":32473828065530,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3714952721_16.jpg?v=1695201509"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3714952721_16.jpg?v=1695201509","width":700},{"alt":null,"id":32473828098298,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0033044555_10.jpg?v=1695201526"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0033044555_10.jpg?v=1695201526","width":1200},{"alt":null,"id":32473828131066,"position":3,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0033044558_10.jpg?v=1695201529"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0033044558_10.jpg?v=1695201529","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eアンゴラ・ルアンダのクドゥーロ作家DJ ZNOBIAが、2023年9月にウガンダ・カンパラのダンスレーベルNyege Nyege Tapesからリリースしたレコードです。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e彼が1996-2005年の間に制作した700以上のトラックからNyege Nyegeがコンパイルした11曲を収録。4シリーズの1作目です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"\u003cspan data-mce-fragment=\"1\"\u003e過去30年間でアフリカで最も影響力のあるミュージシャンの一人、クドゥーロとタラヒーニャのパイオニアでありオリジネーターであるDJ ZNOBIAの4作にわたる回顧録の第1弾をリリースできることを大変光栄に思う。ストリートミュージックの天才であり、アンゴラのデジタルミュージック・モダニズムの重要な先見者であるDJ ZNOBIAは、その発明者でもある。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNyege Nyege Tapesは、DJ ZNOBIAのアーカイヴにある700以上のトラック（失われたトラックはその2倍とも言われている）に目を通し、1990年代後半から2000年代半ばまでの彼の音楽活動を4作に渡って振り返る。アンゴラの首都ルアンダにあるバリオ・ド・ランゲルのムセケ（シャントタウン）出身のDJ ZNOBIAは、1979年にセバスチャン・ロペスとして生まれた。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e1990年代後半、DJ ZNOBIAは、ブラジルに次いで世界で2番目にポルトガル語を話す国である南西アフリカのエネルギーとスピリットを表現する新しいジャンルを創り出す旅に出た。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDJ ZNOBIAは当初、マイケルジャクソンが特に好きなダンサーとして名を馳せたが、その後フルーティループスでプロデュースを独学。アンゴラの伝統的なリズムとエレクトロニックビートの融合に触発され、さまざまなサウンドやスタイルを試し始めた。たゆまぬ努力の結果、彼は最終的にアンゴラの音楽シーンに革命を起こすジャンル、クドゥーロを開発した。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eポルトガル語で「ハード・アス」を意味するクドゥーロは、センバ、キラパンガ、カズクタといったアンゴラの伝統音楽の要素と現代的なエレクトロビートを組み合わせ、ハイエナジーで感染力のあるサウンドを生み出している。DJ ZNOBIAは、シンセサイザー、ドラムマシン、サンプリングされたボーカルを革新的に使用することで、クドゥーロに独特の個性を与え、瞬く間にこのジャンルのパイオニアとして、また主要プロデューサーとして認知されるようになった。彼の作品の多くが、アンゴラが2002年に終結したばかりのひどい内戦の渦中にあったという事実が、彼の物語をより注目すべきものにしている。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e彼の画期的なプロダクションによって、DJ ZNOBIAはアンゴラ国内だけでなく、アメリカやヨーロッパなど国際的にクドゥーロが広く普及する道を開いた。彼の「Batida 13 Horas」などのトラックは、このジャンルのアンセムとなり、地元アーティストとのコラボレーションは、クドゥーロをメインストリームに押し上げるのに貢献した。クドゥーロは、ポルトガルのアフロ・ディアスポラ・コミュニティ、特にプリンシペ・ディスコのDJやプロデューサー、DJ Marfox、DJ Nervoso、Niggafoxらに多大な影響を与えてきた。2008年、クドゥーロが初めて国際的なシーンに登場したのは、イギリスとスリランカのラップ界のスーパースターM.I.A.が、M.I.A.の2007年のアルバム『Kala』に収録されたシングル「Sound of Kuduro」で、DJ ZNOBIAとブラカ・ソン・システマとコラボしたときだった。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eプロデューサー、DJ、MC、そして公人としてのDJ ZNOBIAの影響は、過去30年以上に渡ってアンゴラ文化に多大な影響を与えてきた。彼はまた、キゾンバのいとこで、セクシーでパーカッシブな音楽とダンスで大人気のジャンル、タラヒーニャのパイオニアの1人とみなされている。\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3146340253\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMarimba 03:47\u003c\/li\u003e\n\u003cli\u003eZabinamina feat Puto Prata 03:48\u003c\/li\u003e\n\u003cli\u003eU uu 03:34\u003c\/li\u003e\n\u003cli\u003eWo 03:25\u003c\/li\u003e\n\u003cli\u003eCuba em Angola 03:42\u003c\/li\u003e\n\u003cli\u003eEsfregado 03:37\u003c\/li\u003e\n\u003cli\u003eLamento feat Ricardo 03:18\u003c\/li\u003e\n\u003cli\u003eTirou Ponto feat Nakobeta 03:41\u003c\/li\u003e\n\u003cli\u003ePausa 03:26\u003c\/li\u003e\n\u003cli\u003eTom e Jerry 03:50\u003c\/li\u003e\n\u003cli\u003ePiquena 03:27\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eA massive honor to be releasing the first in a four volume retrospective of one of Africa’s most influential musicians of the last 30 years - kuduro and tarraxinha pioneer and originator DJ Znobia. A genius of street music and the pivotal visionary of Angola’s digital musical modernism, Znobia is the inventor.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eNyege Nyege Tapes went through over 700 tracks in Znobia’s archive (with double that number reputed to have been lost) to prepare a 4 Volume retrospective of his musical output from the late 90s to mid 2000s. Hailing from the musseke - or shantytown - of Barrio Do Rangel in the Angolan capital of Luanda, DJ Znobia was born Sebastião Lopes in 1979.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn the late 1990s, DJ Znobia embarked on a journey to create a new genre that would capture the energy and spirit of the South West African country, the second biggest Portuguese speaking country in the world after Brazil.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eZnobia initially found renown as a dancer particularly fond of Michael Jackson, before teaching himself how to produce with Fruity Loops. Inspired by the fusion of traditional Angolan rhythms with electronic beats, he began experimenting with different sounds and styles. Through his tireless efforts, he eventually developed\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e a genre that would revolutionise the Angolan music scene: kuduro.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eKuduro, which means \"hard ass\" in Portuguese, combines elements of traditional Angolan music such as semba, kilapanga, and kazukuta with modern electronic beats, resulting in a high-energy and infectious sound. DJ Znobia's innovative use of synthesisers, drum machines, and sampled vocals gave kuduro its distinctive character, and he quickly gained recognition as the genre's pioneer and leading producer. The fact that much of his output happened while Angola was in the grip of a terrible civil war, which only ended in 2002, makes his story even more remarkable.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWith his groundbreaking productions, DJ Znobia paved the way for the widespread popularity of kuduro both in Angola and internationally in America and Europe. His tracks, such as “Batida 13 Horas'' became anthems of the genre, and his collaborations with local artists helped to propel kuduro into the mainstream. Kuduro has been hugely influential in Afro-diasporan communities in Portugal , and especially with the Príncipe Discos DJs and producers such as Dj Marfox, Dj Nervoso and Niggafox. In 2008, kuduro first arrived on the international scene, when British-Sri Lankan rap superstar M.I.A. collaborated with Znobia and Buraka Son Sistema on the single Sound of Kuduro which appeared on M.I.A.’s 2007 album Kala.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDJ Znobia's influence as a producer, DJ, MC and public figure has had a great imprint in Angolan culture for the better part of the last three decades. He is also considered one of the pioneers of the hugely popular tarraxinha genre of music and dance; the sexy, percussive cousin of kizomba; the name means “little screw\/ screwdriver”.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : DJ ZNOBIA\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e"}
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アンゴラ・ルアンダのクドゥーロ作家DJ ZNOBIAが、2023年9月にウガンダ・カンパラのダンスレーベルNyege Nyege Tapesからリリースしたレコードです。 彼が1996-2005年の間に制作した700以上のトラックからNyege Nyegeがコンパイルした11曲を収録。4シリーズの1作目です。 以下、レーベルによる解説です。 "過去30年間でアフリカで最も影響力のあるミュージシャンの一人、クドゥーロとタラヒーニャのパイオニアでありオリジネーターであるDJ ZNOBIAの4作にわたる回顧録の第1弾をリリースできることを大変光栄に思う。ストリートミュージックの天才であり、アンゴラのデジタルミュージック・モダニズムの重要な先見者であるDJ ZNOBIAは、その発明者でもある。Nyege Nyege Tapesは、DJ ZNOBIAのアーカイヴにある700以上のトラック（失われたトラックはその2倍とも言われている）に目を通し、1990年代後半から2000年代半ばまでの彼の音楽活動を4作に渡って振り返る。アンゴラの首都ルアンダにあるバリオ・ド・ランゲルのムセケ（シャントタウン）出身のDJ ZNOBIAは、1979年にセバスチャン・ロペスとして生まれた。1990年代後半、DJ...
¥3,380
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{"id":8002640150778,"title":"Elvin Brandhi \u0026 Lord Spikeheart \/\/ Drunk in Love LP","handle":"elvin-brandhi-lord-spikeheart-drunk-in-love-lp","description":"\u003cp\u003eドイツ・ベルリンの実験ビートメイカーElvin Brandhiと、ケニア・ナイロビのノイズデュオDuma片割れLord Spikeheartが、2023年8月に\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHakuna Kulalaからリリースした共作レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eハードコアgqom〜実験グライム8曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1105756642\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCruxify all the prophets 04:18\u003c\/li\u003e\n\u003cli\u003eDRUNK IN LOVE 05:01\u003c\/li\u003e\n\u003cli\u003eDEATH CODE E666 05:03\u003c\/li\u003e\n\u003cli\u003e666.6668 feat Makossiri 04:31\u003c\/li\u003e\n\u003cli\u003ewhiom8warwomb666 07:47\u003c\/li\u003e\n\u003cli\u003edo you like feeling awakeee33 cult 8 again 03:31\u003c\/li\u003e\n\u003cli\u003ewhiom8warwomb5 avecaffection 2 02:37\u003c\/li\u003e\n\u003cli\u003eINTRACLOUD666.6 06:00\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eHakuna Kulala:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSince they connected in Kampala back in 2019, Elvin Brandhi and Lord Spikeheart have been recording restlessly, developing a shared musical language that compliments their individual expressions. Both innovative improvisors motivated by the extreme potential of performance, they manufacture a synergistic shriek on their debut set, fluxing between jagged DIY noise, chilly sacred ambience, ratcheting hard dance and quirky leftfield pop. And despite their backgrounds, neither Brandhi nor Spikeheart have approached anything quite so piercing and direct. It's music that sits a few paces from the established timeline, doggedly avoiding contemporary trends and screaming hoarsely at passers by.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBorn and raised in Bridgend, Wales, Elvin Brandhi has built a reputation for her virtuosic collision of rubberized freeform vocalizing and skillful, irreverent production. Since breaking out as half of father-daughter improv duo Yeah You when she was just a teenager, she's released a slew of acclaimed solo projects including 2019's 'Headroof' recorded in Uganda with a host of Nyege collaborators. She has also collaborated with artists like Drew McDowall from Coil, Pat Thomas and Ziúr. Nairobi-based rapper-producer Lord Spikeheart meanwhile is best known for lending his unmistakable\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e growl to Sub Pop-signed noise-metal duo Duma. Anyone who's seen their live shows will be acutely aware of Spikeheart's power on the mic, and he brings that same energy to this project, trading snarls and syllables with Brandhi over rasping industrialized detritus.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe duo's fierce vocal interplay is the heart of their collaboration. On 'Cruxify all the prophets', Brandhi's guttural croaks appear to dematerialize into granulated electronics, transforming into emotional wails before Spikeheart's unmistakable death metal shouts writhe into the sunlight. Intermittently piped through electronics, the voices alternate between chilly cybernetic wails and sickly human spits and coughs, finding an unsteady balance between grindcore gutter punk and Atlanta street rap. Songs spark into life and then flicker into nothingness, switching momentum seemingly randomly before taking unexpected turns; 'DEATH CODE E666' is a terrifying noise lullaby that pivots into classical abstraction, 'whiom8warwomb666' is a long-form rhythmic tongue-twister that oscillates through pneumatic dizziness into grotesque sound art expressionism, and 'do you like feeling awakeee33' reforms squelchy hyperpop into cogwheel whirrs and disquieting cackles.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTruly labyrinthine and never predictable, this partnership is a reminder that experimental music can be crucial and progressive without losing its vitality, or its wit.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Elvin Brandhi \u0026amp; Lord Spikeheart\u003c\/p\u003e\n\u003cp\u003eLabel : Hakuna Kulala\u003c\/p\u003e","published_at":"2023-08-07T17:33:22+09:00","created_at":"2023-08-07T14:35:12+09:00","vendor":"Tobira Records","type":"","tags":["hakuna kulala","lp","new","strange beats","techno \/ house"],"price":319000,"price_min":319000,"price_max":319000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44434620350714,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Elvin Brandhi \u0026 Lord Spikeheart \/\/ Drunk in Love LP","public_title":null,"options":["Default Title"],"price":319000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/love1_5b034904-a88c-44a5-9efd-da094b5060c6.jpg?v=1691386514","\/\/tobirarecords.com\/cdn\/shop\/files\/love2_83137958-92bb-4a8c-963c-77bc44dafab1.jpg?v=1691386514"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/love1_5b034904-a88c-44a5-9efd-da094b5060c6.jpg?v=1691386514","options":["Title"],"media":[{"alt":null,"id":32305438359802,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/love1_5b034904-a88c-44a5-9efd-da094b5060c6.jpg?v=1691386514"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/love1_5b034904-a88c-44a5-9efd-da094b5060c6.jpg?v=1691386514","width":700},{"alt":null,"id":32305438392570,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/love2_83137958-92bb-4a8c-963c-77bc44dafab1.jpg?v=1691386514"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/love2_83137958-92bb-4a8c-963c-77bc44dafab1.jpg?v=1691386514","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eドイツ・ベルリンの実験ビートメイカーElvin Brandhiと、ケニア・ナイロビのノイズデュオDuma片割れLord Spikeheartが、2023年8月に\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHakuna Kulalaからリリースした共作レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eハードコアgqom〜実験グライム8曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1105756642\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCruxify all the prophets 04:18\u003c\/li\u003e\n\u003cli\u003eDRUNK IN LOVE 05:01\u003c\/li\u003e\n\u003cli\u003eDEATH CODE E666 05:03\u003c\/li\u003e\n\u003cli\u003e666.6668 feat Makossiri 04:31\u003c\/li\u003e\n\u003cli\u003ewhiom8warwomb666 07:47\u003c\/li\u003e\n\u003cli\u003edo you like feeling awakeee33 cult 8 again 03:31\u003c\/li\u003e\n\u003cli\u003ewhiom8warwomb5 avecaffection 2 02:37\u003c\/li\u003e\n\u003cli\u003eINTRACLOUD666.6 06:00\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eHakuna Kulala:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSince they connected in Kampala back in 2019, Elvin Brandhi and Lord Spikeheart have been recording restlessly, developing a shared musical language that compliments their individual expressions. Both innovative improvisors motivated by the extreme potential of performance, they manufacture a synergistic shriek on their debut set, fluxing between jagged DIY noise, chilly sacred ambience, ratcheting hard dance and quirky leftfield pop. And despite their backgrounds, neither Brandhi nor Spikeheart have approached anything quite so piercing and direct. It's music that sits a few paces from the established timeline, doggedly avoiding contemporary trends and screaming hoarsely at passers by.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBorn and raised in Bridgend, Wales, Elvin Brandhi has built a reputation for her virtuosic collision of rubberized freeform vocalizing and skillful, irreverent production. Since breaking out as half of father-daughter improv duo Yeah You when she was just a teenager, she's released a slew of acclaimed solo projects including 2019's 'Headroof' recorded in Uganda with a host of Nyege collaborators. She has also collaborated with artists like Drew McDowall from Coil, Pat Thomas and Ziúr. Nairobi-based rapper-producer Lord Spikeheart meanwhile is best known for lending his unmistakable\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e growl to Sub Pop-signed noise-metal duo Duma. Anyone who's seen their live shows will be acutely aware of Spikeheart's power on the mic, and he brings that same energy to this project, trading snarls and syllables with Brandhi over rasping industrialized detritus.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe duo's fierce vocal interplay is the heart of their collaboration. On 'Cruxify all the prophets', Brandhi's guttural croaks appear to dematerialize into granulated electronics, transforming into emotional wails before Spikeheart's unmistakable death metal shouts writhe into the sunlight. Intermittently piped through electronics, the voices alternate between chilly cybernetic wails and sickly human spits and coughs, finding an unsteady balance between grindcore gutter punk and Atlanta street rap. Songs spark into life and then flicker into nothingness, switching momentum seemingly randomly before taking unexpected turns; 'DEATH CODE E666' is a terrifying noise lullaby that pivots into classical abstraction, 'whiom8warwomb666' is a long-form rhythmic tongue-twister that oscillates through pneumatic dizziness into grotesque sound art expressionism, and 'do you like feeling awakeee33' reforms squelchy hyperpop into cogwheel whirrs and disquieting cackles.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTruly labyrinthine and never predictable, this partnership is a reminder that experimental music can be crucial and progressive without losing its vitality, or its wit.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Elvin Brandhi \u0026amp; Lord Spikeheart\u003c\/p\u003e\n\u003cp\u003eLabel : Hakuna Kulala\u003c\/p\u003e"}
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ドイツ・ベルリンの実験ビートメイカーElvin Brandhiと、ケニア・ナイロビのノイズデュオDuma片割れLord Spikeheartが、2023年8月にHakuna Kulalaからリリースした共作レコードです。 ハードコアgqom〜実験グライム8曲を収録。 レーベルその他作品はこちら /// Click here to see more Hakuna Kulala releases available at...
¥3,190
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{"id":7995615707386,"title":"Optiki Mousiki \/\/ Tomos 2 2xLP","handle":"optiki-mousiki-tomos-2-2x12","description":"\u003cp\u003eギリシャの実験音楽家Optiki Mousiki aka \u003cmeta charset=\"utf-8\"\u003eCostis Drygianakisが、1994年に自主リリースしたカセットの再発2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eサイケデリックなストレンジビーツ〜エキゾチック・アンビエント4曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cbr\u003e\u003cem\u003e\"1984年から1987年まで、ギリシャ人アーティストの\u003cmeta charset=\"utf-8\"\u003eCostis Drygianakisと、友人や共同制作者の寄せ集めで、オプティキ・ムジキ（Optiki Mousiki）名義で数多くのレコーディングを行った。1987年にリリースされた初のフルアルバム『Tomos 1』は、初期の多作期を記録したもので、グリズリーなインダストリアル・ノイズの要素に、めくるめく電子音響実験や野性的なインストゥルメンタル・スティンギングが組み合わされている。1994年にリリースされた『Tomos 2』は、自身の音楽だけでなく、アヴァンギャルド・アートが一般的にどのような役に立つのかについて、\u003cmeta charset=\"utf-8\"\u003eDrygianakisが長い間自省した後に発表された。前作とはまったく異なるこのアルバムは、一般的なテイストの考え方に疑問を投げかけ、「非真面目な」音楽的アイデアを伝統的な要素と折り重ねながら、キリスト教の聖者の生活からチベット仏教、スーフィズム、ヒンドゥー教の物語まで、近くて遠い精神世界から暫定的に引用することを試みている。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eDrygianakisは、ソクラティス・シノプロス、コスタス・ツィアノス、ディミトリス・ヤガス、ロス・デイリー、コンスタンティノス・カラグーニスといった共演者の演奏を録音することからこのプロセスを始めた。彼はラリッサでスタジオ・エンジニアとして働いていたが、その仕事は過酷で、金銭面でも苦しいものだった。それとは対照的に、オプティカル・ミュージックスとしての仕事は、より情熱的で深く個人的なものとなり、アルバムの制作は、彼のメランコリーとフラストレーションを、インスピレーション、衝動、欲望を溶かし合わせた4つの長いトラックに注ぎ込むという、独自の人生を歩むことになった。このプロジェクトは、シンセサイザーとコンピューターに興味を持つ\u003cmeta charset=\"utf-8\"\u003eDrygianakisによるエレクトロニック・ミュージックが中心であったため、アコースティックな世界とデジタルをつなぐ架け橋が必要だった。それは、伝説的なAkai S-1000サンプラーという画期的な機材だった。このツールによってドライギアナキスは、あらゆる音楽的スペクトラムからサウンドを引き出し、彼のニーズに合わせることができるようになり、夢のような遠く離れたサウンドと、身近に録音されたアイデアを融合させることができた。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eその結果、例えばタンジェリン・ドリームの \"Zeit \"やディアマンダ・ガラスの \"The Divine Punishment \"など、影響を受けたものから創造的な空気をうまく引き出し、西洋から根を下ろすことなく東洋に向かってシグナルを発する、反抗的なまでにユニークな音の雲を形成したアルバムが生まれた。冒頭の1\/4は、しゃっくりするような電子リズムと沈んだシンセサイザーの上に華麗なストリングスが重なり、催眠術のようなヴォーカル（歌、詠唱、話し声）がアルバムの宗教的テーマを誇張することなく暗示する。第2部では、ドライギアナキスは、かすかでミニマルなピアノと、アコースティックからエレクトロニックへとゆっくりと移り変わる穏やかな雰囲気で、ニューエイジ・ミュージックの境界線を越えることなく触れている。壮大でシネマティックな第3章では濃密なインストゥルメンタル・ドローンが特徴的で、第4章と最後のセクションでは、宗教的なヴォーカル・テクニックとバルカンの弦楽器の華やかさを、焼けるようなノイズと不協和音のエレクトロ・アコースティックな慟哭に焼き変え、\u003cmeta charset=\"utf-8\"\u003eDrygianakisの最も破砕的な処理を聴かせてくれる。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e約30年後に聴く『Tomos 2』は、ほとんど予言的に聴こえる。ワールド・ミュージック、ニューエイジ、アヴァンギャルドの論理に意識的に疑問を投げかけることで、\u003cmeta charset=\"utf-8\"\u003eDrygianakisは、日を追うごとに息づき続ける物語を作り上げることに成功したのだ。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3192247190\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003ehere\u003c\/a\u003e to see more Heat Crimes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003e2x12\" black vinyl. Includes mini booklet insert.\u003c\/p\u003e\n\u003cp\u003eHeat Crimes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLaunching a series of co-releases in collaboration with freshly inaugurated Athens label Untag, comes this very special album from 1994 available for the first time on digital and vinyl by Greek composer Costis Drygianakis.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFrom 1984 until 1987, Greek artist Costis Drygianakis and a ramshackle assembly of friends and collaborators produced a slew of recordings under the name Optiki Mousiki, or Optical Musics. Their first full-length \"Tomos 1\" was released in 1987 and documented a prolific early period, combining grizzly industrial noise elements with dizzying electro-acoustic experiments and wild instrumental stings. \"Tomos 2\" is a collection of work taken from the band's second epoch after a brief hiatus; released in 1994, it arrived after a long period of self-reflection from Drygianakis about not only what his own music represented, but what avant-garde art might be useful for in general. A very different album from its predecessor, it attempts to question popular ideas of taste, folding together \"non-serious\" musical ideas with traditional elements while tentatively drawing from the spiritual world both near and far, from the lives of the Christian saints to tales of Tibetan Buddhism, Sufism and Hinduism.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDrygianakis started the process by recording\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e performances from his collaborators such as Sokratis Sinopoulos, Kostas Tsianos, Dimitris Yiagas, Ross Daly and Konstantinos Karagounis. He had been working as a studio engineer in Larissa but the work had been grueling and the financial side of the business was painful. In contrast, his work as Optical Musics became more passionate and deeply personal, and the creation of the album took on a life of its own as he channeled his melancholy and frustration into four long tracks that melted together his inspirations, impulses and desires. Since the project was primarily electronic, driven by Drygianakis's interest in synthesizers and computers, there needed to be a bridge between the acoustic world and the digital. That came from a revolutionary piece of gear: the legendary Akai S-1000 sampler. This tool allowed Drygianakis to pull sounds from across the musical spectrum and tailor it to his needs, fusing dreamy, far-off sounds with ideas recorded closer to home.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe result is an album that neatly pulls creative air from its influences - Tangerine Dream's \"Zeit\" and Diamanda Galas' \"The Divine Punishment\", for example - and forms it into defiantly unique sonic clouds that signal towards the East without uprooting themselves from the West. The opening quarter layers ornate strings over a hiccuping electronic rhythm and submerged synthesizers, allowing hypnotic vocals - sung, chanted and spoken - to suggest the album's religious themes without overstating it. On the second segment, Drygianakis reduces his sounds to a whisper, with faint, minimal piano and gentle atmospheres that slowly shift from acoustic to electronic, touching the boundaries of new age music without crossing it. Dense instrumental drones characterize the epic, cinematic third chapter, while the fourth and final section offers us Drygianakis' most crushing treatment, burning religious vocal techniques and Balkan string flourishes into searing noise and dissonant electro-acoustic wails.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eListening almost three decades later \"Tomos 2\" sounds almost prophetic, picking up on themes and concepts that have only become more relevant. By consciously questioning the logic of world music, new age and the avant-garde, Drygianakis managed to formulate a narrative that continues to draw breath with each passing day.\u003c\/span\u003e \"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Optiki Mousiki\u003c\/p\u003e\n\u003cp\u003eLabel : Heat Crimes\u003c\/p\u003e","published_at":"2023-07-17T09:12:34+09:00","created_at":"2023-07-16T17:22:24+09:00","vendor":"Tobira Records","type":"","tags":["ambient","heat crimes","lp","new","post newage","strange beats"],"price":423000,"price_min":423000,"price_max":423000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44348824060154,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Optiki Mousiki \/\/ Tomos 2 2xLP","public_title":null,"options":["Default Title"],"price":423000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/tom1.jpg?v=1689495746","\/\/tobirarecords.com\/cdn\/shop\/files\/tom2.jpg?v=1689495746"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/tom1.jpg?v=1689495746","options":["Title"],"media":[{"alt":null,"id":32231192559866,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tom1.jpg?v=1689495746"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tom1.jpg?v=1689495746","width":700},{"alt":null,"id":32231192592634,"position":2,"preview_image":{"aspect_ratio":1.425,"height":842,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tom2.jpg?v=1689495746"},"aspect_ratio":1.425,"height":842,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tom2.jpg?v=1689495746","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eギリシャの実験音楽家Optiki Mousiki aka \u003cmeta charset=\"utf-8\"\u003eCostis Drygianakisが、1994年に自主リリースしたカセットの再発2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eサイケデリックなストレンジビーツ〜エキゾチック・アンビエント4曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cbr\u003e\u003cem\u003e\"1984年から1987年まで、ギリシャ人アーティストの\u003cmeta charset=\"utf-8\"\u003eCostis Drygianakisと、友人や共同制作者の寄せ集めで、オプティキ・ムジキ（Optiki Mousiki）名義で数多くのレコーディングを行った。1987年にリリースされた初のフルアルバム『Tomos 1』は、初期の多作期を記録したもので、グリズリーなインダストリアル・ノイズの要素に、めくるめく電子音響実験や野性的なインストゥルメンタル・スティンギングが組み合わされている。1994年にリリースされた『Tomos 2』は、自身の音楽だけでなく、アヴァンギャルド・アートが一般的にどのような役に立つのかについて、\u003cmeta charset=\"utf-8\"\u003eDrygianakisが長い間自省した後に発表された。前作とはまったく異なるこのアルバムは、一般的なテイストの考え方に疑問を投げかけ、「非真面目な」音楽的アイデアを伝統的な要素と折り重ねながら、キリスト教の聖者の生活からチベット仏教、スーフィズム、ヒンドゥー教の物語まで、近くて遠い精神世界から暫定的に引用することを試みている。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eDrygianakisは、ソクラティス・シノプロス、コスタス・ツィアノス、ディミトリス・ヤガス、ロス・デイリー、コンスタンティノス・カラグーニスといった共演者の演奏を録音することからこのプロセスを始めた。彼はラリッサでスタジオ・エンジニアとして働いていたが、その仕事は過酷で、金銭面でも苦しいものだった。それとは対照的に、オプティカル・ミュージックスとしての仕事は、より情熱的で深く個人的なものとなり、アルバムの制作は、彼のメランコリーとフラストレーションを、インスピレーション、衝動、欲望を溶かし合わせた4つの長いトラックに注ぎ込むという、独自の人生を歩むことになった。このプロジェクトは、シンセサイザーとコンピューターに興味を持つ\u003cmeta charset=\"utf-8\"\u003eDrygianakisによるエレクトロニック・ミュージックが中心であったため、アコースティックな世界とデジタルをつなぐ架け橋が必要だった。それは、伝説的なAkai S-1000サンプラーという画期的な機材だった。このツールによってドライギアナキスは、あらゆる音楽的スペクトラムからサウンドを引き出し、彼のニーズに合わせることができるようになり、夢のような遠く離れたサウンドと、身近に録音されたアイデアを融合させることができた。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eその結果、例えばタンジェリン・ドリームの \"Zeit \"やディアマンダ・ガラスの \"The Divine Punishment \"など、影響を受けたものから創造的な空気をうまく引き出し、西洋から根を下ろすことなく東洋に向かってシグナルを発する、反抗的なまでにユニークな音の雲を形成したアルバムが生まれた。冒頭の1\/4は、しゃっくりするような電子リズムと沈んだシンセサイザーの上に華麗なストリングスが重なり、催眠術のようなヴォーカル（歌、詠唱、話し声）がアルバムの宗教的テーマを誇張することなく暗示する。第2部では、ドライギアナキスは、かすかでミニマルなピアノと、アコースティックからエレクトロニックへとゆっくりと移り変わる穏やかな雰囲気で、ニューエイジ・ミュージックの境界線を越えることなく触れている。壮大でシネマティックな第3章では濃密なインストゥルメンタル・ドローンが特徴的で、第4章と最後のセクションでは、宗教的なヴォーカル・テクニックとバルカンの弦楽器の華やかさを、焼けるようなノイズと不協和音のエレクトロ・アコースティックな慟哭に焼き変え、\u003cmeta charset=\"utf-8\"\u003eDrygianakisの最も破砕的な処理を聴かせてくれる。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e約30年後に聴く『Tomos 2』は、ほとんど予言的に聴こえる。ワールド・ミュージック、ニューエイジ、アヴァンギャルドの論理に意識的に疑問を投げかけることで、\u003cmeta charset=\"utf-8\"\u003eDrygianakisは、日を追うごとに息づき続ける物語を作り上げることに成功したのだ。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3192247190\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003ehere\u003c\/a\u003e to see more Heat Crimes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003e2x12\" black vinyl. Includes mini booklet insert.\u003c\/p\u003e\n\u003cp\u003eHeat Crimes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLaunching a series of co-releases in collaboration with freshly inaugurated Athens label Untag, comes this very special album from 1994 available for the first time on digital and vinyl by Greek composer Costis Drygianakis.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFrom 1984 until 1987, Greek artist Costis Drygianakis and a ramshackle assembly of friends and collaborators produced a slew of recordings under the name Optiki Mousiki, or Optical Musics. Their first full-length \"Tomos 1\" was released in 1987 and documented a prolific early period, combining grizzly industrial noise elements with dizzying electro-acoustic experiments and wild instrumental stings. \"Tomos 2\" is a collection of work taken from the band's second epoch after a brief hiatus; released in 1994, it arrived after a long period of self-reflection from Drygianakis about not only what his own music represented, but what avant-garde art might be useful for in general. A very different album from its predecessor, it attempts to question popular ideas of taste, folding together \"non-serious\" musical ideas with traditional elements while tentatively drawing from the spiritual world both near and far, from the lives of the Christian saints to tales of Tibetan Buddhism, Sufism and Hinduism.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDrygianakis started the process by recording\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e performances from his collaborators such as Sokratis Sinopoulos, Kostas Tsianos, Dimitris Yiagas, Ross Daly and Konstantinos Karagounis. He had been working as a studio engineer in Larissa but the work had been grueling and the financial side of the business was painful. In contrast, his work as Optical Musics became more passionate and deeply personal, and the creation of the album took on a life of its own as he channeled his melancholy and frustration into four long tracks that melted together his inspirations, impulses and desires. Since the project was primarily electronic, driven by Drygianakis's interest in synthesizers and computers, there needed to be a bridge between the acoustic world and the digital. That came from a revolutionary piece of gear: the legendary Akai S-1000 sampler. This tool allowed Drygianakis to pull sounds from across the musical spectrum and tailor it to his needs, fusing dreamy, far-off sounds with ideas recorded closer to home.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe result is an album that neatly pulls creative air from its influences - Tangerine Dream's \"Zeit\" and Diamanda Galas' \"The Divine Punishment\", for example - and forms it into defiantly unique sonic clouds that signal towards the East without uprooting themselves from the West. The opening quarter layers ornate strings over a hiccuping electronic rhythm and submerged synthesizers, allowing hypnotic vocals - sung, chanted and spoken - to suggest the album's religious themes without overstating it. On the second segment, Drygianakis reduces his sounds to a whisper, with faint, minimal piano and gentle atmospheres that slowly shift from acoustic to electronic, touching the boundaries of new age music without crossing it. Dense instrumental drones characterize the epic, cinematic third chapter, while the fourth and final section offers us Drygianakis' most crushing treatment, burning religious vocal techniques and Balkan string flourishes into searing noise and dissonant electro-acoustic wails.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eListening almost three decades later \"Tomos 2\" sounds almost prophetic, picking up on themes and concepts that have only become more relevant. By consciously questioning the logic of world music, new age and the avant-garde, Drygianakis managed to formulate a narrative that continues to draw breath with each passing day.\u003c\/span\u003e \"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Optiki Mousiki\u003c\/p\u003e\n\u003cp\u003eLabel : Heat Crimes\u003c\/p\u003e"}
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ギリシャの実験音楽家Optiki Mousiki aka Costis Drygianakisが、1994年に自主リリースしたカセットの再発2枚組レコードです。 サイケデリックなストレンジビーツ〜エキゾチック・アンビエント4曲を収録。 以下、レーベルによる解説です。 "1984年から1987年まで、ギリシャ人アーティストのCostis Drygianakisと、友人や共同制作者の寄せ集めで、オプティキ・ムジキ（Optiki Mousiki）名義で数多くのレコーディングを行った。1987年にリリースされた初のフルアルバム『Tomos 1』は、初期の多作期を記録したもので、グリズリーなインダストリアル・ノイズの要素に、めくるめく電子音響実験や野性的なインストゥルメンタル・スティンギングが組み合わされている。1994年にリリースされた『Tomos 2』は、自身の音楽だけでなく、アヴァンギャルド・アートが一般的にどのような役に立つのかについて、Drygianakisが長い間自省した後に発表された。前作とはまったく異なるこのアルバムは、一般的なテイストの考え方に疑問を投げかけ、「非真面目な」音楽的アイデアを伝統的な要素と折り重ねながら、キリスト教の聖者の生活からチベット仏教、スーフィズム、ヒンドゥー教の物語まで、近くて遠い精神世界から暫定的に引用することを試みている。Drygianakisは、ソクラティス・シノプロス、コスタス・ツィアノス、ディミトリス・ヤガス、ロス・デイリー、コンスタンティノス・カラグーニスといった共演者の演奏を録音することからこのプロセスを始めた。彼はラリッサでスタジオ・エンジニアとして働いていたが、その仕事は過酷で、金銭面でも苦しいものだった。それとは対照的に、オプティカル・ミュージックスとしての仕事は、より情熱的で深く個人的なものとなり、アルバムの制作は、彼のメランコリーとフラストレーションを、インスピレーション、衝動、欲望を溶かし合わせた4つの長いトラックに注ぎ込むという、独自の人生を歩むことになった。このプロジェクトは、シンセサイザーとコンピューターに興味を持つDrygianakisによるエレクトロニック・ミュージックが中心であったため、アコースティックな世界とデジタルをつなぐ架け橋が必要だった。それは、伝説的なAkai S-1000サンプラーという画期的な機材だった。このツールによってドライギアナキスは、あらゆる音楽的スペクトラムからサウンドを引き出し、彼のニーズに合わせることができるようになり、夢のような遠く離れたサウンドと、身近に録音されたアイデアを融合させることができた。その結果、例えばタンジェリン・ドリームの "Zeit "やディアマンダ・ガラスの...
¥4,230
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{"id":7987863126266,"title":"The Ephemeron Loop \/\/ Psychonautic Escapism 2xLP","handle":"the-ephemeron-loop-psychonautic-escapism-2xlp","description":"\u003cp\u003eイギリスのエレクトロニック作家The Ephemeron Loopが、2023年6月にギリシャ・アテネの\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHeat Crimesからリリースした2枚組レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアンビエント・ノイズ〜ダブテクノ〜ドリームポップ〜グラインドコアまでを縦横無尽に往来する8曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3905949755\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003ehere\u003c\/a\u003e to see more Heat Crimes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003e2x12\" black vinyl. Comes in clear poly bag. Edition of 500.\u003c\/p\u003e\n\u003cp\u003eHeat Crimes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBorn from the fractal innerworld of Vymethoxy Redspiders, better known as Urocerus Gigas from Leeds-based xenofeminist crisis energy rock duo Guttersnipe, The Ephemeron Loop's debut is a synaesthetic acid bath that cracks open the doors of perception to reveal a sonic landscape of ineffable beauty, divine femininity and continual transformation. \"Psychonautic Escapism\" sublimes Guttersnipe's teeth-gnashing spacegrind aesthetic leaving washes of dream pop ambience, dilated speedcore fusillades and shapeshifting psychedelic dub effects. It's an album that lodges itself creatively between Cocteau Twins, Arca, Basic Channel and Napalm Death, lysergically fluxing imperceptibly between seemingly contradictory sonics and philosophies.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMiss VR took 14 long, difficult years to write the album, which developed cautiously as she broke through the misery of her pre-transition life with shoegaze music, rave and psychedelic drugs in Leeds' queer underground. An existence languishing in negativity, soundtracked by extreme music was replaced with the opportunity to experience euphoria, elation and ecstatic freedom, emotions that coalesce sensually on \"Psychonautic Escapism\". These formative experiences are the album's initial building blocks\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e, assembled between 2007 and 2018 as Miss VR came to grips with her reality as an autistic\/ADHD trans woman and the multi-dimensional psychotropic experiences that assisted that realization. And as V's worldview expanded and shifted as she lived a fresh life, the music itself developed spiritually.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn 2018, after being impressed with producer Ross Halden's work with Guttersnipe, Miss VR asked him to assist her with developing The Ephemeron Loop's fragmented songs and visions. \"I learned a lot about why people don’t usually combine various kinds of sounds or styles in music,\" she admits. \"It is very difficult to get it to all work together!\" But after two-and-a-half years of the duo navigating a \"labyrinth of fragmented Reason 5 and Logic projects,\" re-recording and processing, and working tirelessly on complex arrangements and compositions, they eventually found a light at the end of the tunnel. The finished album is towering and ambitious, Escher-like in its illusory reconstruction of familiar elements into brain-altering forms.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe album begins with 'Psychonautic Escapism (Cold Alienation)', decorating Miss VR’s disembodied moans with throbbing dub techno synths, insectoid digital percussion and disorientating high-BPM electronics. Her vocals hover weightlessly between My Bloody Valentine's Bilinda Butcher and Cocteau Twins' Elizabeth Fraser, and on 'Lattice Dysmorphism of Lysothymic Oneiroid Cytoterrain' drift against grinding industrial hardcore kicks, serrated bass and Lorenzo Senni-esque trance pointillism. On 'Trench Through Pink Death', Miss VR’s voice mutates into a shrill scream as she directs the music from splattered free-flowing doom into harsh hyper-speed death metal and breakcore.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWoven together with both precision and delicacy, \"Psychonautic Escapism\" turns a rough patchwork of ideas, experiences, feelings and vivid emotions into a glorious neon tapestry. In living and exploring the realities of autism, ADHD and trans identity, Vymethoxy Redspiders has masterminded a sonic language that feels fresh, urgent and shockingly honest. Psychedelic is a term that gets thrown around far too loosely at the moment - in this case there's just no better way of describing the album's scope.\u003c\/span\u003e \" \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : The Ephemeron Loop\u003c\/p\u003e\n\u003cp\u003eLabel : Heat Crimes\u003c\/p\u003e","published_at":"2023-06-24T08:18:08+09:00","created_at":"2023-06-23T19:26:29+09:00","vendor":"Tobira Records","type":"","tags":["ambient","heat crimes","lp","noise","techno \/ house"],"price":455000,"price_min":455000,"price_max":455000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44295043580154,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"The Ephemeron Loop \/\/ Psychonautic Escapism 2xLP","public_title":null,"options":["Default Title"],"price":455000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/es1_a5d26089-8110-47bf-afb4-dc67b1a88383.jpg?v=1687515991","\/\/tobirarecords.com\/cdn\/shop\/files\/es2_13d9b04e-7714-463e-8a5c-34abd0c46893.jpg?v=1687515991"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/es1_a5d26089-8110-47bf-afb4-dc67b1a88383.jpg?v=1687515991","options":["Title"],"media":[{"alt":null,"id":32146940199162,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/es1_a5d26089-8110-47bf-afb4-dc67b1a88383.jpg?v=1687515991"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/es1_a5d26089-8110-47bf-afb4-dc67b1a88383.jpg?v=1687515991","width":700},{"alt":null,"id":32146940264698,"position":2,"preview_image":{"aspect_ratio":0.952,"height":1200,"width":1142,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/es2_13d9b04e-7714-463e-8a5c-34abd0c46893.jpg?v=1687515991"},"aspect_ratio":0.952,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/es2_13d9b04e-7714-463e-8a5c-34abd0c46893.jpg?v=1687515991","width":1142}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリスのエレクトロニック作家The Ephemeron Loopが、2023年6月にギリシャ・アテネの\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHeat Crimesからリリースした2枚組レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアンビエント・ノイズ〜ダブテクノ〜ドリームポップ〜グラインドコアまでを縦横無尽に往来する8曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3905949755\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003ehere\u003c\/a\u003e to see more Heat Crimes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003e2x12\" black vinyl. Comes in clear poly bag. Edition of 500.\u003c\/p\u003e\n\u003cp\u003eHeat Crimes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBorn from the fractal innerworld of Vymethoxy Redspiders, better known as Urocerus Gigas from Leeds-based xenofeminist crisis energy rock duo Guttersnipe, The Ephemeron Loop's debut is a synaesthetic acid bath that cracks open the doors of perception to reveal a sonic landscape of ineffable beauty, divine femininity and continual transformation. \"Psychonautic Escapism\" sublimes Guttersnipe's teeth-gnashing spacegrind aesthetic leaving washes of dream pop ambience, dilated speedcore fusillades and shapeshifting psychedelic dub effects. It's an album that lodges itself creatively between Cocteau Twins, Arca, Basic Channel and Napalm Death, lysergically fluxing imperceptibly between seemingly contradictory sonics and philosophies.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMiss VR took 14 long, difficult years to write the album, which developed cautiously as she broke through the misery of her pre-transition life with shoegaze music, rave and psychedelic drugs in Leeds' queer underground. An existence languishing in negativity, soundtracked by extreme music was replaced with the opportunity to experience euphoria, elation and ecstatic freedom, emotions that coalesce sensually on \"Psychonautic Escapism\". These formative experiences are the album's initial building blocks\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e, assembled between 2007 and 2018 as Miss VR came to grips with her reality as an autistic\/ADHD trans woman and the multi-dimensional psychotropic experiences that assisted that realization. And as V's worldview expanded and shifted as she lived a fresh life, the music itself developed spiritually.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn 2018, after being impressed with producer Ross Halden's work with Guttersnipe, Miss VR asked him to assist her with developing The Ephemeron Loop's fragmented songs and visions. \"I learned a lot about why people don’t usually combine various kinds of sounds or styles in music,\" she admits. \"It is very difficult to get it to all work together!\" But after two-and-a-half years of the duo navigating a \"labyrinth of fragmented Reason 5 and Logic projects,\" re-recording and processing, and working tirelessly on complex arrangements and compositions, they eventually found a light at the end of the tunnel. The finished album is towering and ambitious, Escher-like in its illusory reconstruction of familiar elements into brain-altering forms.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe album begins with 'Psychonautic Escapism (Cold Alienation)', decorating Miss VR’s disembodied moans with throbbing dub techno synths, insectoid digital percussion and disorientating high-BPM electronics. Her vocals hover weightlessly between My Bloody Valentine's Bilinda Butcher and Cocteau Twins' Elizabeth Fraser, and on 'Lattice Dysmorphism of Lysothymic Oneiroid Cytoterrain' drift against grinding industrial hardcore kicks, serrated bass and Lorenzo Senni-esque trance pointillism. On 'Trench Through Pink Death', Miss VR’s voice mutates into a shrill scream as she directs the music from splattered free-flowing doom into harsh hyper-speed death metal and breakcore.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWoven together with both precision and delicacy, \"Psychonautic Escapism\" turns a rough patchwork of ideas, experiences, feelings and vivid emotions into a glorious neon tapestry. In living and exploring the realities of autism, ADHD and trans identity, Vymethoxy Redspiders has masterminded a sonic language that feels fresh, urgent and shockingly honest. Psychedelic is a term that gets thrown around far too loosely at the moment - in this case there's just no better way of describing the album's scope.\u003c\/span\u003e \" \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : The Ephemeron Loop\u003c\/p\u003e\n\u003cp\u003eLabel : Heat Crimes\u003c\/p\u003e"}
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イギリスのエレクトロニック作家The Ephemeron Loopが、2023年6月にギリシャ・アテネのHeat Crimesからリリースした2枚組レコードです。 アンビエント・ノイズ〜ダブテクノ〜ドリームポップ〜グラインドコアまでを縦横無尽に往来する8曲を収録。 レーベルその他作品はこちら /// Click here to see more Heat Crimes releases available at...
¥4,550
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{"id":7966978474234,"title":"DJ Travella \/\/ Mr Mixondo LP","handle":"dj-travella-mr-mixondo-lp","description":"\u003cp\u003eタンザニア・ダルエスサラームのシンゲリ作家DJ Travellaが、2023年5月にウガンダのレフトフィールドダンスレーベル\u003cspan data-mce-fragment=\"1\"\u003eHakuna Kulalaからリリースした再発レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e19歳で制作したレフトフィールド・シンゲリ13曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4256284788\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 500. Black 12\" vinyl.\u003c\/p\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAt only 19 years old, Dar Es Salaam's DJ Travella represents a new wave of singeli producers who are driving Tanzania's breakneck dance sound into fresh, innovative spaces. Unaffiliated with any of the well-known studios like Sisso and Pamoja, Hamadi Hassani's music points singeli's fusion of taraab and techno towards the stars, locating a cyber-singeli style that's dense, kinetic and unashamedly sexy.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHassani started producing at 15, and a few years later his debut is a jagged set of hi-nrg dance music that pulls influence from across the globe, folding together elements of dembow, rave, R\u0026amp;B, and trap. But nothing's straightforward: opening track 'Crazy Beat Music Umeme 2' juxtaposes grinding 200bpm rhythmic intensity with urgent plucked strings, sounding like Timbaland conjuring a Thunderdome soundtrack for a Tanzanian street party.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e'Crazy Beat Music Umeme 4' is even more barbed, with neon rave synths and hand-jammed percussion that's one part 808 Mafia and one part DJ Diaki. On 'London Bandcamp', Travella meshes hi-speed singeli backbeats with downtempo dembow kicks, squeezing out unexpected sleaze in the process, while on 'London Uwoteeee' there's an almost romantic sparkle, with ethereal\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e vocals draped across woodblock cracks and whistles.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBut Travella sounds most nimble when giving the nod to Atlanta, and his merging of earworm synth hooks and neck-snapping East African rhythms on tracks like 'London Jomon Beat' will leave no doubt that the young producer is capable of bending singeli completely to his will.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : DJ Travella\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e","published_at":"2023-05-02T10:06:15+09:00","created_at":"2023-05-01T12:37:21+09:00","vendor":"Tobira Records","type":"","tags":["hakuna kulala","lp","techno \/ house"],"price":323000,"price_min":323000,"price_max":323000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44203503517946,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"DJ Travella \/\/ Mr Mixondo LP","public_title":null,"options":["Default Title"],"price":323000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/mix1.jpg?v=1682912243","\/\/tobirarecords.com\/cdn\/shop\/files\/mix2.jpg?v=1682912243"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/mix1.jpg?v=1682912243","options":["Title"],"media":[{"alt":null,"id":31903472058618,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mix1.jpg?v=1682912243"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mix1.jpg?v=1682912243","width":700},{"alt":null,"id":31903472091386,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mix2.jpg?v=1682912243"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mix2.jpg?v=1682912243","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eタンザニア・ダルエスサラームのシンゲリ作家DJ Travellaが、2023年5月にウガンダのレフトフィールドダンスレーベル\u003cspan data-mce-fragment=\"1\"\u003eHakuna Kulalaからリリースした再発レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e19歳で制作したレフトフィールド・シンゲリ13曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4256284788\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 500. Black 12\" vinyl.\u003c\/p\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAt only 19 years old, Dar Es Salaam's DJ Travella represents a new wave of singeli producers who are driving Tanzania's breakneck dance sound into fresh, innovative spaces. Unaffiliated with any of the well-known studios like Sisso and Pamoja, Hamadi Hassani's music points singeli's fusion of taraab and techno towards the stars, locating a cyber-singeli style that's dense, kinetic and unashamedly sexy.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHassani started producing at 15, and a few years later his debut is a jagged set of hi-nrg dance music that pulls influence from across the globe, folding together elements of dembow, rave, R\u0026amp;B, and trap. But nothing's straightforward: opening track 'Crazy Beat Music Umeme 2' juxtaposes grinding 200bpm rhythmic intensity with urgent plucked strings, sounding like Timbaland conjuring a Thunderdome soundtrack for a Tanzanian street party.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e'Crazy Beat Music Umeme 4' is even more barbed, with neon rave synths and hand-jammed percussion that's one part 808 Mafia and one part DJ Diaki. On 'London Bandcamp', Travella meshes hi-speed singeli backbeats with downtempo dembow kicks, squeezing out unexpected sleaze in the process, while on 'London Uwoteeee' there's an almost romantic sparkle, with ethereal\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e vocals draped across woodblock cracks and whistles.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBut Travella sounds most nimble when giving the nod to Atlanta, and his merging of earworm synth hooks and neck-snapping East African rhythms on tracks like 'London Jomon Beat' will leave no doubt that the young producer is capable of bending singeli completely to his will.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : DJ Travella\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e"}
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タンザニア・ダルエスサラームのシンゲリ作家DJ Travellaが、2023年5月にウガンダのレフトフィールドダンスレーベルHakuna Kulalaからリリースした再発レコードです。 19歳で制作したレフトフィールド・シンゲリ13曲を収録。 レーベルその他作品はこちら /// Click here to see more Hakuna Kulala / Nyege Nyege Tapes...
¥3,230
クイックビュー
{"id":7966975983866,"title":"Kabeaushé \/\/ The Comming of Gaze LP","handle":"kabeaushe-the-comming-of-gaze-lp","description":"\u003cp\u003eケニアのエレクトロニック・ポップ作家Kabeaushéが、2023年5月にウガンダのレフトフィールドダンスレーベル\u003cspan data-mce-fragment=\"1\"\u003eHakuna Kulalaからリリースしたデビューレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e実験的な\u003cmeta charset=\"utf-8\"\u003eエレクトロニック・ポップ〜ヒップホップ\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e12曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/1a0ailuH1sU\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3220278418\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003eHakuna Kulala:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSince they were just a child growing up on the banks of the Kagera, the huge river that curls throughout East Africa, Kenyan multi-instrumentalist, singer and producer Kabeaushé realized there was a sparkle inside that set them apart from their peers. As other kids assembled hierarchies and favored aggressive competition, Kabeaushé became obsessed with compassion, cuteness and ecstatic softness; uninterested in friction, they were driven by a search for bliss that, in time, directed them towards music. Inspired by Prince, Grace Jones, Bollywood soundtracks and, more recently, the boundlessly creative hybrid sounds of Tyler the Creater, Kabochi slowly began assembling a unique style that melts together music and theater, cooking up songs that are as supple and funky as they are gentle and self-aware.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"The Coming of Gaze\" is the Shé’s ambitious debut statement, an album that's as meticulously conceived as an acrobatic stage-show, and as flexible as a silk scarf. Within seconds of opening track 'Andnoword' we're gifted a sense of Kabeaushé’s genre-free vision, as gospel-funk chorals are punctuated with overdriven TR-808 thumps, chipmunked raps, angular guitar fuzz and dancefloor-ready rhythms. It's like an exuberant fusion of Kanye West\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e, OutKast and Spank Rock, re-painted in East African neons. On 'Bully Me' Kabochi breaks down the complexities of their character, sweetly cooing over brittle Atlanta-influenced trills, flipping dexterously between earworm choruses and rubbery raps.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThey reinterpret the unmistakable \"Trading Places\" vocal sample (that was notoriously lifted on Masters at Work's influential 'The Ha Dance') on 'Caracas' re-Africanizing it and shaping it into sultry, futuristic funk in a contextual shift that characterizes the album's self-aware musical literacy. And you can hear the Shé’s knowledge of NYC rap bonafides on 'Dichotomous Key', a riff on The Notorious BIG's 'Hypnotize' that shifts from an inverted, fractured beat into bare minimal electro, simultaneously highlighting Kabochi's production skills and their versatility on the mic. Elsewhere, on 'Karachi', the Shé pushes the tempo up, screaming \"gimme a sign\" breathlessly over pounding club-primed kicks and wiry synths.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"The Coming of Gaze\" is as layered and charged with cultural revolution as any of the litany of albums it references. Kabeaushé isn't interested in playing the clout game, they're making a statement: they're here, they're doing it on their own, and they're gonna be as extravagant and as cute as they want.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Kabeaushé\u003c\/p\u003e\n\u003cp\u003eLabel : Hakuna Kulala\u003c\/p\u003e","published_at":"2023-05-01T15:31:08+09:00","created_at":"2023-05-01T12:33:01+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","hakuna kulala","hiphop \/ funk","lp"],"price":289000,"price_min":289000,"price_max":289000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44203490115834,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Kabeaushé \/\/ The Comming of Gaze LP","public_title":null,"options":["Default Title"],"price":289000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/comm1.jpg?v=1682911983","\/\/tobirarecords.com\/cdn\/shop\/files\/comm2.jpg?v=1682911983"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/comm1.jpg?v=1682911983","options":["Title"],"media":[{"alt":null,"id":31903461540090,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/comm1.jpg?v=1682911983"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/comm1.jpg?v=1682911983","width":700},{"alt":null,"id":31903461572858,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/comm2.jpg?v=1682911983"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/comm2.jpg?v=1682911983","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eケニアのエレクトロニック・ポップ作家Kabeaushéが、2023年5月にウガンダのレフトフィールドダンスレーベル\u003cspan data-mce-fragment=\"1\"\u003eHakuna Kulalaからリリースしたデビューレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e実験的な\u003cmeta charset=\"utf-8\"\u003eエレクトロニック・ポップ〜ヒップホップ\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e12曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/1a0ailuH1sU\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3220278418\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003eHakuna Kulala:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSince they were just a child growing up on the banks of the Kagera, the huge river that curls throughout East Africa, Kenyan multi-instrumentalist, singer and producer Kabeaushé realized there was a sparkle inside that set them apart from their peers. As other kids assembled hierarchies and favored aggressive competition, Kabeaushé became obsessed with compassion, cuteness and ecstatic softness; uninterested in friction, they were driven by a search for bliss that, in time, directed them towards music. Inspired by Prince, Grace Jones, Bollywood soundtracks and, more recently, the boundlessly creative hybrid sounds of Tyler the Creater, Kabochi slowly began assembling a unique style that melts together music and theater, cooking up songs that are as supple and funky as they are gentle and self-aware.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"The Coming of Gaze\" is the Shé’s ambitious debut statement, an album that's as meticulously conceived as an acrobatic stage-show, and as flexible as a silk scarf. Within seconds of opening track 'Andnoword' we're gifted a sense of Kabeaushé’s genre-free vision, as gospel-funk chorals are punctuated with overdriven TR-808 thumps, chipmunked raps, angular guitar fuzz and dancefloor-ready rhythms. It's like an exuberant fusion of Kanye West\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e, OutKast and Spank Rock, re-painted in East African neons. On 'Bully Me' Kabochi breaks down the complexities of their character, sweetly cooing over brittle Atlanta-influenced trills, flipping dexterously between earworm choruses and rubbery raps.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThey reinterpret the unmistakable \"Trading Places\" vocal sample (that was notoriously lifted on Masters at Work's influential 'The Ha Dance') on 'Caracas' re-Africanizing it and shaping it into sultry, futuristic funk in a contextual shift that characterizes the album's self-aware musical literacy. And you can hear the Shé’s knowledge of NYC rap bonafides on 'Dichotomous Key', a riff on The Notorious BIG's 'Hypnotize' that shifts from an inverted, fractured beat into bare minimal electro, simultaneously highlighting Kabochi's production skills and their versatility on the mic. Elsewhere, on 'Karachi', the Shé pushes the tempo up, screaming \"gimme a sign\" breathlessly over pounding club-primed kicks and wiry synths.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"The Coming of Gaze\" is as layered and charged with cultural revolution as any of the litany of albums it references. Kabeaushé isn't interested in playing the clout game, they're making a statement: they're here, they're doing it on their own, and they're gonna be as extravagant and as cute as they want.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Kabeaushé\u003c\/p\u003e\n\u003cp\u003eLabel : Hakuna Kulala\u003c\/p\u003e"}
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ケニアのエレクトロニック・ポップ作家Kabeaushéが、2023年5月にウガンダのレフトフィールドダンスレーベルHakuna Kulalaからリリースしたデビューレコードです。 実験的なエレクトロニック・ポップ〜ヒップホップ12曲を収録。 レーベルその他作品はこちら /// Click here to see more Hakuna Kulala releases available at Tobira. ----------------------------...
¥2,890
クイックビュー
{"id":7966975525114,"title":"Scratchclart \u0026 Menzi \/\/ Beyond Gqom \u0026 Grime 12\"","handle":"scratchclart-menzi-beyond-gqom-grime-12","description":"\u003cp\u003eGqom作家Scratchclart \u0026amp; Menziが、2023年4月にウガンダのレフトフィールドダンスレーベル\u003cspan data-mce-fragment=\"1\"\u003eHakuna Kulalaからリリースした共作12です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレフトフィールド・グライム〜Gqom5\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3033792358\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003eHakuna Kulala:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAs a Londoner, Scratchclart has always embraced the city's melting pot of influences that seep into the city from around the globe. And just as Detroit techno and Chicago house fused with Jamaican dancehall to splinter rave into a spectrum of microgenres in the 1980s and '90s, African sounds - from Afrobeats to gqom - are currently reprogramming the DNA of British dance music, whether it's drill, grime or breakbeat. This conversation is evident on Scratchclart's visionary \"DRMTRK\" series of EPs, and solidified more readily on last year's \"Afrotek\", where he collaborated with South African producer Mxshi Mo and Baltimore beatmaker :3LON. On \"Scratchclart \u0026amp; Menzi\", he progresses further, linking with one of Durban's most celebrated, and most outward looking dance music pioneers - Menzi Shabane. Cutting his teeth as part of early gqom duo Infamous Boiz, Menzi has produced for some of South Africa's most prominent stars, including Babes Wodumo, Moonchild Sanelly, Mahotella Queens, Zolani Mahola and Zakes Bantwini. His sound has always been hard to pinpoint, simmering between kinetic taxi techno and expertly engineered cinematic club music without pausing for breath.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"Scratchclart \u0026amp; Menzi\" is a fluid back-and-forth between these two musical vanguards that excavates commonalities in their\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e approaches and exploits sonic loopholes, reworking their respective sounds into an energetic fusion of android diasporic bass pressure. First, Scratchclart strips Menzi's 'Shandis' down to its bare bones, channeling the spirit of RnG into a syrupy and soulful cybergqom shiver of elegiac pads and rattling Durban toms. Menzi's deconstruction of \"DRMTRK EP III\" banger 'Drm Walk' is equally as mindbending, swinging Scratchclart's rhythm and submerging it in rainfall and siren blares, slowly reassembling it into a downtempo sub-heavy groan. The duo's head-to-head 'Q' is even more impressive, opening in a fanfare of cinematic strings before dissolving into a tweaky froth of clicking drums, square wave synths, vocal cuts and woozy atmospheres; it's pure tension, never offering us the conclusion it threatens, but keeping us on our toes.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMenzi's delirious remix of 'IC3' (the \"DRMTRK EP VII\" track that evolved into Lady Lykez' anthemic 'Muhammad Ali') might be the EP's most upfront floor-filler, repositioning the original's pneumatic bump on a warehouse floor of chants, cybernetic squelches and echoing fx. But the most unexpected turn is a fresh version of Scratchclart's grimey 'Nasty Nasty Nasty', that interrupts the cheeky bassline with amapiano-influenced machine-gun toms, and rocked-powered zero-g sound design. \"Scratchclart \u0026amp; Menzi\" is futuristic music from beginning to end that rips through established genre logic, emerging with concepts that lodge themselves not in South Africa or London, but somewhere beyond the solar system. We're not worthy.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Scratchclart \u0026amp; Menzi\u003c\/p\u003e\n\u003cp\u003eLabel : Hakuna Kulala\u003c\/p\u003e","published_at":"2023-05-02T10:10:37+09:00","created_at":"2023-05-01T12:31:00+09:00","vendor":"Tobira Records","type":"","tags":["hakuna kulala","lp","techno \/ house"],"price":247000,"price_min":247000,"price_max":247000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44203489329402,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Scratchclart \u0026 Menzi \/\/ Beyond Gqom \u0026 Grime 12\"","public_title":null,"options":["Default Title"],"price":247000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/be1_e2dbdce3-a691-44d3-b86e-612ec515aec7.jpg?v=1682911862","\/\/tobirarecords.com\/cdn\/shop\/files\/be2_4b103ab7-d51e-4ba1-a5b3-56a0ce5d64d1.jpg?v=1682911862"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_e2dbdce3-a691-44d3-b86e-612ec515aec7.jpg?v=1682911862","options":["Title"],"media":[{"alt":null,"id":31903457902842,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_e2dbdce3-a691-44d3-b86e-612ec515aec7.jpg?v=1682911862"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_e2dbdce3-a691-44d3-b86e-612ec515aec7.jpg?v=1682911862","width":700},{"alt":null,"id":31903457935610,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be2_4b103ab7-d51e-4ba1-a5b3-56a0ce5d64d1.jpg?v=1682911862"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be2_4b103ab7-d51e-4ba1-a5b3-56a0ce5d64d1.jpg?v=1682911862","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eGqom作家Scratchclart \u0026amp; Menziが、2023年4月にウガンダのレフトフィールドダンスレーベル\u003cspan data-mce-fragment=\"1\"\u003eHakuna Kulalaからリリースした共作12です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレフトフィールド・グライム〜Gqom5\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3033792358\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003eHakuna Kulala:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAs a Londoner, Scratchclart has always embraced the city's melting pot of influences that seep into the city from around the globe. And just as Detroit techno and Chicago house fused with Jamaican dancehall to splinter rave into a spectrum of microgenres in the 1980s and '90s, African sounds - from Afrobeats to gqom - are currently reprogramming the DNA of British dance music, whether it's drill, grime or breakbeat. This conversation is evident on Scratchclart's visionary \"DRMTRK\" series of EPs, and solidified more readily on last year's \"Afrotek\", where he collaborated with South African producer Mxshi Mo and Baltimore beatmaker :3LON. On \"Scratchclart \u0026amp; Menzi\", he progresses further, linking with one of Durban's most celebrated, and most outward looking dance music pioneers - Menzi Shabane. Cutting his teeth as part of early gqom duo Infamous Boiz, Menzi has produced for some of South Africa's most prominent stars, including Babes Wodumo, Moonchild Sanelly, Mahotella Queens, Zolani Mahola and Zakes Bantwini. His sound has always been hard to pinpoint, simmering between kinetic taxi techno and expertly engineered cinematic club music without pausing for breath.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"Scratchclart \u0026amp; Menzi\" is a fluid back-and-forth between these two musical vanguards that excavates commonalities in their\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e approaches and exploits sonic loopholes, reworking their respective sounds into an energetic fusion of android diasporic bass pressure. First, Scratchclart strips Menzi's 'Shandis' down to its bare bones, channeling the spirit of RnG into a syrupy and soulful cybergqom shiver of elegiac pads and rattling Durban toms. Menzi's deconstruction of \"DRMTRK EP III\" banger 'Drm Walk' is equally as mindbending, swinging Scratchclart's rhythm and submerging it in rainfall and siren blares, slowly reassembling it into a downtempo sub-heavy groan. The duo's head-to-head 'Q' is even more impressive, opening in a fanfare of cinematic strings before dissolving into a tweaky froth of clicking drums, square wave synths, vocal cuts and woozy atmospheres; it's pure tension, never offering us the conclusion it threatens, but keeping us on our toes.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMenzi's delirious remix of 'IC3' (the \"DRMTRK EP VII\" track that evolved into Lady Lykez' anthemic 'Muhammad Ali') might be the EP's most upfront floor-filler, repositioning the original's pneumatic bump on a warehouse floor of chants, cybernetic squelches and echoing fx. But the most unexpected turn is a fresh version of Scratchclart's grimey 'Nasty Nasty Nasty', that interrupts the cheeky bassline with amapiano-influenced machine-gun toms, and rocked-powered zero-g sound design. \"Scratchclart \u0026amp; Menzi\" is futuristic music from beginning to end that rips through established genre logic, emerging with concepts that lodge themselves not in South Africa or London, but somewhere beyond the solar system. We're not worthy.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Scratchclart \u0026amp; Menzi\u003c\/p\u003e\n\u003cp\u003eLabel : Hakuna Kulala\u003c\/p\u003e"}
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Gqom作家Scratchclart & Menziが、2023年4月にウガンダのレフトフィールドダンスレーベルHakuna Kulalaからリリースした共作12です。 レフトフィールド・グライム〜Gqom5曲を収録。 レーベルその他作品はこちら /// Click here to see more Hakuna Kulala releases available at...
¥2,470
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{"id":7872262897914,"title":"DJ Scriby | DJ Marillo | DJ Skothan \/\/ The Gqom Trilogy 3xLP","handle":"dj-scriby-dj-marillo-dj-skothan-the-gqom-trilogy-3xlp","description":"\u003cp\u003eGQOM作家DJ ScribyとDJ Marillo、DJ Skothanが、2022年9月にウガンダのGQOM最前線\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHakuna Kulalaからリリースした3-wayスプリット3枚組レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e怒涛の26曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=196277234\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eHakuna Kulala:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eHighlighting the continuing evolution of Durban's globally influential gqom sound, this special trilogy of releases showcases three separate artists from South Africa's fertile musical landscape. The set captures a fresh wave of gqom innovation from veteran producer DJ Skothan aka DJ Scoturn, DJ Scriby, and 20-year-old DJ MaRiiO.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDJ Skothan has been a key figure in Durban's underground scene for many years, producing alongside Phelimuncasi, Bhejani, Tweeyking, Lafaristo, MaRiiO and DJ MP3. His gqom and house tracks have quietly provided a rumbling engine for the city's scene, and \"Nevegation\" is his debut full-length, providing a complex diagram of his dancefloor versatility. This isn't the gqom you might expect to hear: immediately on opener 'The Gringo' familiar sounds - shovel kicks, chopped vocals, sampled gasps, horror movie strings - are shuffled into atypical patterns, creating jerky soundscapes rather than the expected four-on-the-floor bump.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e'Salut to DJ Lag' pays respect to Durban's Beyoncé-approved pioneer, but twists the template into a propulsive new form, adding rolling and evolving percussion that teases fractal shapes each bar. But the album's most unexpected and forward-thinking moment arrives with the aptly titled 'The King of Gqom', a track\u003cspan class=\"bcTruncateMore\"\u003e that simmers the genre's percussive sounds into limber sci-fi club futurism, tweaking the bass sounds into patterns that nod to dubstep, Jersey club and ballroom.\u003cbr\u003e\u003cbr\u003e25-year-old DJ Scriby has been working behind the scenes since 2013, assisting the first wave of gqom innovators promote their sound both inside Durban and beyond. In 2017 he joined London's Trax Couture to release \"The Clermont EP\", and here he introduces his long-awaited follow-up \"Izingoma zeGqomu\". Scriby's approach to gqom is well-studied and self-aware, which gives him the ability to stretch the sound's scope across the diaspora: just peep the Atlanta trap synths on the dynamic 'Friday 13th', or the absorption of tight grime snares on opening track 'Goi'.\u003cbr\u003e\u003cbr\u003eScriby's engineering skill pushes his productions to the next level, lending slithering downtempo tracks like 'Ouuu1' and 'Igqom Libuye' a widescreen, big-room punch without losing the genre's undulating funk. And the producer even eyes the EDM mainstage with 'Qumqum!!', balancing saccharine synths with jerky kicks, claps and rolling toms.\u003cbr\u003e\u003cbr\u003eThe youngest artist featured in the collection, DJ MaRiiO started producing when he was just 12 years old, watching YouTube production videos. \"No one told me how to use FL Studio,\" he admits, \"and no one helped me doing different genres.\" This might be why his music sounds so completely unique; the basic structure of gqom is still present, but MaRiiO augments these elements with youthful energy and carefree use of unusual sounds and production methods. \"Zulu Man\" opener 'GQom NyeGe' manages to mash together trance synths, DMZ bass and a driving woodblock rhythm that reminds you of its Durban roots, while the bizarre 'Ngom ya Phesh', featuring MaRiiO's regular collaborator Hot Chicks on vocals, pushes the gqom template into the red, with overdriven kicks and disorienting environmental sounds.\u003cbr\u003e\u003cbr\u003eAll three records provide a 360 degree view of Durban's contemporary underground, nodding to the past, present and future of gqom. It's a genre that's constantly in flux as it moves from South Africa's bedrooms and basements to main stages and movie screens across the globe.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : DJ Scriby | DJ Marillo | DJ Skothan\u003c\/p\u003e\n\u003cp\u003eLabel : Hakuna Kulala\u003c\/p\u003e","published_at":"2022-12-19T15:36:12+09:00","created_at":"2022-12-19T11:48:29+09:00","vendor":"Tobira Records","type":"","tags":["hakuna kulala","lp","techno \/ house"],"price":467000,"price_min":467000,"price_max":467000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43789753188602,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"DJ Scriby | DJ Marillo | DJ Skothan \/\/ The Gqom Trilogy 3xLP","public_title":null,"options":["Default Title"],"price":467000,"weight":630,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/gq1.jpg?v=1671418112","\/\/tobirarecords.com\/cdn\/shop\/products\/gq2.jpg?v=1671418111","\/\/tobirarecords.com\/cdn\/shop\/products\/gq3.jpg?v=1671418111"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/gq1.jpg?v=1671418112","options":["Title"],"media":[{"alt":null,"id":31220702150906,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/gq1.jpg?v=1671418112"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/gq1.jpg?v=1671418112","width":700},{"alt":null,"id":31220702183674,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/gq2.jpg?v=1671418111"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/gq2.jpg?v=1671418111","width":1200},{"alt":null,"id":31220702216442,"position":3,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/gq3.jpg?v=1671418111"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/gq3.jpg?v=1671418111","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eGQOM作家DJ ScribyとDJ Marillo、DJ Skothanが、2022年9月にウガンダのGQOM最前線\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHakuna Kulalaからリリースした3-wayスプリット3枚組レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e怒涛の26曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=196277234\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eHakuna Kulala:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eHighlighting the continuing evolution of Durban's globally influential gqom sound, this special trilogy of releases showcases three separate artists from South Africa's fertile musical landscape. The set captures a fresh wave of gqom innovation from veteran producer DJ Skothan aka DJ Scoturn, DJ Scriby, and 20-year-old DJ MaRiiO.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDJ Skothan has been a key figure in Durban's underground scene for many years, producing alongside Phelimuncasi, Bhejani, Tweeyking, Lafaristo, MaRiiO and DJ MP3. His gqom and house tracks have quietly provided a rumbling engine for the city's scene, and \"Nevegation\" is his debut full-length, providing a complex diagram of his dancefloor versatility. This isn't the gqom you might expect to hear: immediately on opener 'The Gringo' familiar sounds - shovel kicks, chopped vocals, sampled gasps, horror movie strings - are shuffled into atypical patterns, creating jerky soundscapes rather than the expected four-on-the-floor bump.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e'Salut to DJ Lag' pays respect to Durban's Beyoncé-approved pioneer, but twists the template into a propulsive new form, adding rolling and evolving percussion that teases fractal shapes each bar. But the album's most unexpected and forward-thinking moment arrives with the aptly titled 'The King of Gqom', a track\u003cspan class=\"bcTruncateMore\"\u003e that simmers the genre's percussive sounds into limber sci-fi club futurism, tweaking the bass sounds into patterns that nod to dubstep, Jersey club and ballroom.\u003cbr\u003e\u003cbr\u003e25-year-old DJ Scriby has been working behind the scenes since 2013, assisting the first wave of gqom innovators promote their sound both inside Durban and beyond. In 2017 he joined London's Trax Couture to release \"The Clermont EP\", and here he introduces his long-awaited follow-up \"Izingoma zeGqomu\". Scriby's approach to gqom is well-studied and self-aware, which gives him the ability to stretch the sound's scope across the diaspora: just peep the Atlanta trap synths on the dynamic 'Friday 13th', or the absorption of tight grime snares on opening track 'Goi'.\u003cbr\u003e\u003cbr\u003eScriby's engineering skill pushes his productions to the next level, lending slithering downtempo tracks like 'Ouuu1' and 'Igqom Libuye' a widescreen, big-room punch without losing the genre's undulating funk. And the producer even eyes the EDM mainstage with 'Qumqum!!', balancing saccharine synths with jerky kicks, claps and rolling toms.\u003cbr\u003e\u003cbr\u003eThe youngest artist featured in the collection, DJ MaRiiO started producing when he was just 12 years old, watching YouTube production videos. \"No one told me how to use FL Studio,\" he admits, \"and no one helped me doing different genres.\" This might be why his music sounds so completely unique; the basic structure of gqom is still present, but MaRiiO augments these elements with youthful energy and carefree use of unusual sounds and production methods. \"Zulu Man\" opener 'GQom NyeGe' manages to mash together trance synths, DMZ bass and a driving woodblock rhythm that reminds you of its Durban roots, while the bizarre 'Ngom ya Phesh', featuring MaRiiO's regular collaborator Hot Chicks on vocals, pushes the gqom template into the red, with overdriven kicks and disorienting environmental sounds.\u003cbr\u003e\u003cbr\u003eAll three records provide a 360 degree view of Durban's contemporary underground, nodding to the past, present and future of gqom. It's a genre that's constantly in flux as it moves from South Africa's bedrooms and basements to main stages and movie screens across the globe.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : DJ Scriby | DJ Marillo | DJ Skothan\u003c\/p\u003e\n\u003cp\u003eLabel : Hakuna Kulala\u003c\/p\u003e"}
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{"id":7834236387578,"title":"T5UMUT5UMU \/\/ Sea of Trees 12\"","handle":"t5umut5umu-sea-of-trees-lp","description":"\u003cp\u003e日本のgqom作家T5UMUT5UMUが、2022年11月に\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHakuna Kulalaからリリースした12\"です。gqom4曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1197061053\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e Black 12\" vinyl.\u003c\/p\u003e\n\u003cp\u003eArtist : T5UMUT5UMU\u003c\/p\u003e\n\u003cp\u003eLabel : Hakuna Kulala\u003c\/p\u003e","published_at":"2022-11-11T08:57:28+09:00","created_at":"2022-11-10T13:51:07+09:00","vendor":"Tobira Records","type":"","tags":["hakuna kulala","lp","techno \/ house"],"price":254000,"price_min":254000,"price_max":254000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43635128008954,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"T5UMUT5UMU \/\/ Sea of Trees 12\"","public_title":null,"options":["Default Title"],"price":254000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/se1_ad8a8d6c-72d6-45aa-ac74-0d488c93f6a3.jpg?v=1668055869"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/se1_ad8a8d6c-72d6-45aa-ac74-0d488c93f6a3.jpg?v=1668055869","options":["Title"],"media":[{"alt":null,"id":30966755557626,"position":1,"preview_image":{"aspect_ratio":1.0,"height":2048,"width":2048,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/se1_ad8a8d6c-72d6-45aa-ac74-0d488c93f6a3.jpg?v=1668055869"},"aspect_ratio":1.0,"height":2048,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/se1_ad8a8d6c-72d6-45aa-ac74-0d488c93f6a3.jpg?v=1668055869","width":2048}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e日本のgqom作家T5UMUT5UMUが、2022年11月に\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHakuna Kulalaからリリースした12\"です。gqom4曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1197061053\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e Black 12\" vinyl.\u003c\/p\u003e\n\u003cp\u003eArtist : T5UMUT5UMU\u003c\/p\u003e\n\u003cp\u003eLabel : Hakuna Kulala\u003c\/p\u003e"}
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{"id":7811034022138,"title":"Mbulelo \/\/ Kalibre LP","handle":"mbulelo-kalibre-lp","description":"\u003cp\u003e南アフリカのgqom作家Mbueloが、2022年8月にウガンダのHakuna Kulalaからリリースした12\"です。\u003c\/p\u003e\n\u003cp\u003eポリリズム溢れるgqom4曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2206322428\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 400.\u003c\/p\u003e\n\u003cp\u003eHakuna Kulala:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTwenty-six year old South African producer Mbulelo Mehlomakhulu grew up with a passion for house music. He began releasing music early at only 18, working with Blaque Core's Profound Nation and issuing a slew of records under the Xerophytic Soul moniker. Achieving local and global success with tracks like 'Ancient Cultures', he began to pioneer a more experimental sound - a cross between Durban's dark, propulsive gqom sound and vintage Detroit techno. This forward-thinking composite didn't go unnoticed, and Mehlomakhulu was tapped by Derrick May to release \"The Robotics People\" EP on Transmat in 2018.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eNow Mehlomakhulu returns with four stargazing hybrid compositions that again dance in the shared sonic space between Detroit and Durban. Gqom's slow, sensual pulse carries 'Play the Beat' with chants and echoing cowbell smacks swallowed into a wormhole of squashed analog bass and reverberating Underground Resistance stabs. Title track 'Kalibre' is less florid, but commands the dancefloor with clattering South African drums, ballroom slams and the ticking urgency of Chicago's DJ Sneak.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e'Uranus' and 'God's Groove' lift the dancefloor to a\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e higher plain, spiritually connecting with Carl Craig's historic early run and layering synthetic neon pads and cinematic shimmering effects. Mbulelo's sound is smart and poignant, and completely his own. By linking contemporary South African dance music to Detroit's pioneering 1980s techno vision, he makes a connection that's never felt more current.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mbulelo\u003c\/p\u003e\n\u003cp\u003eLabel : Hakuna Kulala\u003c\/p\u003e","published_at":"2022-10-22T13:38:34+09:00","created_at":"2022-10-16T09:07:06+09:00","vendor":"Tobira Records","type":"","tags":["hakuna kulala","lp","techno \/ house"],"price":249000,"price_min":249000,"price_max":249000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43548294971642,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Mbulelo \/\/ Kalibre LP","public_title":null,"options":["Default Title"],"price":249000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ka1_93f956a4-765d-4de4-93f2-e850f4808cd4.jpg?v=1665878828","\/\/tobirarecords.com\/cdn\/shop\/products\/ka2_75136fbc-987f-4028-b1a1-dca099d25e68.jpg?v=1665878829"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ka1_93f956a4-765d-4de4-93f2-e850f4808cd4.jpg?v=1665878828","options":["Title"],"media":[{"alt":null,"id":30758875398394,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ka1_93f956a4-765d-4de4-93f2-e850f4808cd4.jpg?v=1665878828"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ka1_93f956a4-765d-4de4-93f2-e850f4808cd4.jpg?v=1665878828","width":700},{"alt":null,"id":30758875431162,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ka2_75136fbc-987f-4028-b1a1-dca099d25e68.jpg?v=1665878829"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ka2_75136fbc-987f-4028-b1a1-dca099d25e68.jpg?v=1665878829","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e南アフリカのgqom作家Mbueloが、2022年8月にウガンダのHakuna Kulalaからリリースした12\"です。\u003c\/p\u003e\n\u003cp\u003eポリリズム溢れるgqom4曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2206322428\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 400.\u003c\/p\u003e\n\u003cp\u003eHakuna Kulala:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTwenty-six year old South African producer Mbulelo Mehlomakhulu grew up with a passion for house music. He began releasing music early at only 18, working with Blaque Core's Profound Nation and issuing a slew of records under the Xerophytic Soul moniker. Achieving local and global success with tracks like 'Ancient Cultures', he began to pioneer a more experimental sound - a cross between Durban's dark, propulsive gqom sound and vintage Detroit techno. This forward-thinking composite didn't go unnoticed, and Mehlomakhulu was tapped by Derrick May to release \"The Robotics People\" EP on Transmat in 2018.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eNow Mehlomakhulu returns with four stargazing hybrid compositions that again dance in the shared sonic space between Detroit and Durban. Gqom's slow, sensual pulse carries 'Play the Beat' with chants and echoing cowbell smacks swallowed into a wormhole of squashed analog bass and reverberating Underground Resistance stabs. Title track 'Kalibre' is less florid, but commands the dancefloor with clattering South African drums, ballroom slams and the ticking urgency of Chicago's DJ Sneak.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e'Uranus' and 'God's Groove' lift the dancefloor to a\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e higher plain, spiritually connecting with Carl Craig's historic early run and layering synthetic neon pads and cinematic shimmering effects. Mbulelo's sound is smart and poignant, and completely his own. By linking contemporary South African dance music to Detroit's pioneering 1980s techno vision, he makes a connection that's never felt more current.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mbulelo\u003c\/p\u003e\n\u003cp\u003eLabel : Hakuna Kulala\u003c\/p\u003e"}
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{"id":7811030778106,"title":"Chrisman \/\/ Makila LP [COLOR]","handle":"chrisman-makila-lp-color","description":"\u003cp\u003eコンゴのgqom作家Chrismanが、2022年6月にウガンダの実験ダンスレーベルHakuna Kulalaからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e重いビートのポストインダストリアル・テクノ〜gqom10曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2324198424\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eWhite 12\" vinyl with black spatter.\u003c\/p\u003e\n\u003cp\u003eHakuna Kulala:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWhile Chrisman's \"Ku Mwezi\" ep mostly explored gqom and trap influenced Afrohouse mutations, his debut album heads in a different direction. On \"Makila\", Chrisman provides an experimental vision of the taraxina sound: a molasses-slow fusion of the Angolan kuduro and kizobma dance templates that dips in-and-out of fuzzy drones and syrupy gqom.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOn 'Angels of Kivu', he pushes the clicking skeletal rhythm into the background, allowing electrified likembé melodies to take pride of place. It sounds like Congolese legends Konono No.1 shocked into a psychedelic electronic future by way of Durban.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e'Fatiliya' pushes more solidly into taraxina territory, with familiar saw synths accenting low 'n slow kicks and air blast leads. The backbone is Angolan, but Chrisman approaches his music with a full awareness of Atlanta trap and gqom, never ignoring the gut-rattling pressure of sub bass. That's never more evident than on the title track, where he constructs a haunted atmosphere of bells and drones to sit beneath staccato percussive hits and and winding drill slaps.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"Makila\" is challenging music that takes divergent African forms and melts them together with next level skill and sleight of hand. It's another bold step for East African electronic music that underscores the wild creativity and talent emerging from the Democratic Republic of Congo.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Chrisman\u003c\/p\u003e\n\u003cp\u003eLabel : Hakuna Kulala\u003c\/p\u003e","published_at":"2022-10-30T09:57:44+09:00","created_at":"2022-10-16T09:01:54+09:00","vendor":"Tobira Records","type":"","tags":["hakuna kulala","lp","techno \/ house"],"price":276000,"price_min":276000,"price_max":276000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43548287041786,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Chrisman \/\/ Makila LP [COLOR]","public_title":null,"options":["Default Title"],"price":276000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ma1_450a1cc1-ccfa-4642-8da6-bd13cbae0ca7.jpg?v=1665878515","\/\/tobirarecords.com\/cdn\/shop\/products\/ma2_ee481023-bc3a-489a-906e-9c07c43fbe10.jpg?v=1665878516"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma1_450a1cc1-ccfa-4642-8da6-bd13cbae0ca7.jpg?v=1665878515","options":["Title"],"media":[{"alt":null,"id":30758844662010,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma1_450a1cc1-ccfa-4642-8da6-bd13cbae0ca7.jpg?v=1665878515"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma1_450a1cc1-ccfa-4642-8da6-bd13cbae0ca7.jpg?v=1665878515","width":700},{"alt":null,"id":30758844694778,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma2_ee481023-bc3a-489a-906e-9c07c43fbe10.jpg?v=1665878516"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma2_ee481023-bc3a-489a-906e-9c07c43fbe10.jpg?v=1665878516","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eコンゴのgqom作家Chrismanが、2022年6月にウガンダの実験ダンスレーベルHakuna Kulalaからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e重いビートのポストインダストリアル・テクノ〜gqom10曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2324198424\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eWhite 12\" vinyl with black spatter.\u003c\/p\u003e\n\u003cp\u003eHakuna Kulala:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWhile Chrisman's \"Ku Mwezi\" ep mostly explored gqom and trap influenced Afrohouse mutations, his debut album heads in a different direction. On \"Makila\", Chrisman provides an experimental vision of the taraxina sound: a molasses-slow fusion of the Angolan kuduro and kizobma dance templates that dips in-and-out of fuzzy drones and syrupy gqom.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOn 'Angels of Kivu', he pushes the clicking skeletal rhythm into the background, allowing electrified likembé melodies to take pride of place. It sounds like Congolese legends Konono No.1 shocked into a psychedelic electronic future by way of Durban.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e'Fatiliya' pushes more solidly into taraxina territory, with familiar saw synths accenting low 'n slow kicks and air blast leads. The backbone is Angolan, but Chrisman approaches his music with a full awareness of Atlanta trap and gqom, never ignoring the gut-rattling pressure of sub bass. That's never more evident than on the title track, where he constructs a haunted atmosphere of bells and drones to sit beneath staccato percussive hits and and winding drill slaps.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"Makila\" is challenging music that takes divergent African forms and melts them together with next level skill and sleight of hand. It's another bold step for East African electronic music that underscores the wild creativity and talent emerging from the Democratic Republic of Congo.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Chrisman\u003c\/p\u003e\n\u003cp\u003eLabel : Hakuna Kulala\u003c\/p\u003e"}
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![Tony Gallardo // Selected Works LP [COLOR]](http://tobirarecords.com/cdn/shop/products/ga1_bc9ce0c6-83e1-4c45-92e8-ee098bcded65_medium.jpg?v=1665803915)
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{"id":7810607841530,"title":"Tony Gallardo \/\/ Selected Works LP [COLOR]","handle":"tony-gallardo-selected-works-lp-translucent-magenta","description":"\u003cp\u003eメキシコのアウトサイダー作家Tony Gallardoが、2022年1月にウガンダの実験ダンスレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHakuna Kulalaからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレフトフィールドひねくれポップ〜EBM10曲を収録。ピンク盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3921288471\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eEdition Vinyl of 500. Pressed on translucent magenta 12\" vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003c\/span\u003e\u003cem\u003eEnigmatic pop outsider Tony Gallardo makes music that's perpetually perched on the outskirts of Mexico's fertile electronic underground. Since 2008, he has been releasing music that inhabits its own artistic universe, a cross between Frank Zappa, Daniel Johnston, The Knife, OutKast and Rosa Pistola. He co-founded the Cocobass label, pioneered the fusion of L.A. noise and cumbia known as ruidosón and has released music under a plethora of monikers: dark techno as Boi Patrol, ramshackle electronic pop as María y José, experimental surf rock as El Capricho and experimental dembow as La Fiebre X.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Selected Works\" assembles some of Gallardo's most crucial material from a run of EPs released between 2008 and 2013. These tracks show the breadth of his output, running through sleazy, neon electro ('Bruja', 'Mi Presa'), neck-snapping tropical dance music ('Kibosé', 'La Conquista'), and eerie Mexican trap ('Plata O Plomo', 'Ultra'). It's introspective, haunted music from one of Mexico's most original and most under-appreciated artists that paints a picture of a psychedelic musical landscape that's hard to resist.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOne listen to the album's closer 'Club Negro'\u003cspan class=\"bcTruncateMore\"\u003e, originally released in 2013, should tell you all you need to know. This track is the perfect introduction to the world of Tony Gallardo, with screwed 'n chopped Spanish vocals, doomy syncopated beatbox rhythms and wobbly houseparty electronics.\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tony Gallardo\u003c\/p\u003e\n\u003cp\u003eLabel : Hakuna Kulala\u003c\/p\u003e","published_at":"2022-10-30T10:11:43+09:00","created_at":"2022-10-15T12:18:34+09:00","vendor":"Tobira Records","type":"","tags":["hakuna kulala","lp","techno \/ house"],"price":298000,"price_min":298000,"price_max":298000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43546223051002,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Tony Gallardo \/\/ Selected Works LP [COLOR]","public_title":null,"options":["Default Title"],"price":298000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ga1_bc9ce0c6-83e1-4c45-92e8-ee098bcded65.jpg?v=1665803915","\/\/tobirarecords.com\/cdn\/shop\/products\/ga2_36f0f1ff-b101-42ff-9508-a0a3a239e69d.jpg?v=1665803915"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ga1_bc9ce0c6-83e1-4c45-92e8-ee098bcded65.jpg?v=1665803915","options":["Title"],"media":[{"alt":null,"id":30752353648890,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ga1_bc9ce0c6-83e1-4c45-92e8-ee098bcded65.jpg?v=1665803915"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ga1_bc9ce0c6-83e1-4c45-92e8-ee098bcded65.jpg?v=1665803915","width":700},{"alt":null,"id":30752353681658,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ga2_36f0f1ff-b101-42ff-9508-a0a3a239e69d.jpg?v=1665803915"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ga2_36f0f1ff-b101-42ff-9508-a0a3a239e69d.jpg?v=1665803915","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eメキシコのアウトサイダー作家Tony Gallardoが、2022年1月にウガンダの実験ダンスレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHakuna Kulalaからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレフトフィールドひねくれポップ〜EBM10曲を収録。ピンク盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3921288471\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eEdition Vinyl of 500. Pressed on translucent magenta 12\" vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003c\/span\u003e\u003cem\u003eEnigmatic pop outsider Tony Gallardo makes music that's perpetually perched on the outskirts of Mexico's fertile electronic underground. Since 2008, he has been releasing music that inhabits its own artistic universe, a cross between Frank Zappa, Daniel Johnston, The Knife, OutKast and Rosa Pistola. He co-founded the Cocobass label, pioneered the fusion of L.A. noise and cumbia known as ruidosón and has released music under a plethora of monikers: dark techno as Boi Patrol, ramshackle electronic pop as María y José, experimental surf rock as El Capricho and experimental dembow as La Fiebre X.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Selected Works\" assembles some of Gallardo's most crucial material from a run of EPs released between 2008 and 2013. These tracks show the breadth of his output, running through sleazy, neon electro ('Bruja', 'Mi Presa'), neck-snapping tropical dance music ('Kibosé', 'La Conquista'), and eerie Mexican trap ('Plata O Plomo', 'Ultra'). It's introspective, haunted music from one of Mexico's most original and most under-appreciated artists that paints a picture of a psychedelic musical landscape that's hard to resist.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOne listen to the album's closer 'Club Negro'\u003cspan class=\"bcTruncateMore\"\u003e, originally released in 2013, should tell you all you need to know. This track is the perfect introduction to the world of Tony Gallardo, with screwed 'n chopped Spanish vocals, doomy syncopated beatbox rhythms and wobbly houseparty electronics.\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tony Gallardo\u003c\/p\u003e\n\u003cp\u003eLabel : Hakuna Kulala\u003c\/p\u003e"}
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メキシコのアウトサイダー作家Tony Gallardoが、2022年1月にウガンダの実験ダンスレーベルHakuna Kulalaからリリースしたレコードです。 レフトフィールドひねくれポップ〜EBM10曲を収録。ピンク盤です。 レーベルその他作品はこちら /// Click here to see more Hakuna Kulala releases available at Tobira. ...
¥2,980
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{"id":7649235894522,"title":"Oyisse \/\/ Elembo 12\"","handle":"oyisse-elembo-lp","description":"\u003cp\u003eコンゴのGqom作家Oyisseが、2021年にウガンダのHakuna Kulalaからリリースした12\"です。\u003c\/p\u003e\n\u003cp\u003eドス黒い\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGqom4曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2732919746\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eHakuna Kulala:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eLaunching Hakuna Kulala's new club white label series, is young Congolese, Kampala-based DJ \u0026amp; producer Oyisse. Oyisse drops a pure gem of a debut EP featuring 4 fresh tracks of slower and somber forward-thinking club music bridging abstract electronics, obscure gqom and trap with various Central African influences, rude esoteric voices from Congolese singer, Sekelemebele and a cascade of futurist imagination. A clever, harmonious balance of kicks and sophisticated experimentation that will grace our ears and bodies on the floor.\" \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Oyisse\u003c\/p\u003e\n\u003cp\u003eLabel : Hakuna Kulala\u003c\/p\u003e","published_at":"2022-06-22T16:18:57+09:00","created_at":"2022-06-21T14:36:44+09:00","vendor":"Tobira Records","type":"","tags":["hakuna kulala","lp","techno \/ house"],"price":228000,"price_min":228000,"price_max":228000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42903900160250,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Oyisse \/\/ Elembo 12\"","public_title":null,"options":["Default Title"],"price":228000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/el1_90023f20-e79d-4cb2-891c-c44863691aa1.jpg?v=1655789805","\/\/tobirarecords.com\/cdn\/shop\/products\/el2_b65dbea1-05b5-4b38-bba4-733d74177e87.jpg?v=1655789805"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/el1_90023f20-e79d-4cb2-891c-c44863691aa1.jpg?v=1655789805","options":["Title"],"media":[{"alt":null,"id":29941254979834,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/el1_90023f20-e79d-4cb2-891c-c44863691aa1.jpg?v=1655789805"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/el1_90023f20-e79d-4cb2-891c-c44863691aa1.jpg?v=1655789805","width":700},{"alt":null,"id":29941255012602,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/el2_b65dbea1-05b5-4b38-bba4-733d74177e87.jpg?v=1655789805"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/el2_b65dbea1-05b5-4b38-bba4-733d74177e87.jpg?v=1655789805","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eコンゴのGqom作家Oyisseが、2021年にウガンダのHakuna Kulalaからリリースした12\"です。\u003c\/p\u003e\n\u003cp\u003eドス黒い\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGqom4曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2732919746\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eHakuna Kulala:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eLaunching Hakuna Kulala's new club white label series, is young Congolese, Kampala-based DJ \u0026amp; producer Oyisse. Oyisse drops a pure gem of a debut EP featuring 4 fresh tracks of slower and somber forward-thinking club music bridging abstract electronics, obscure gqom and trap with various Central African influences, rude esoteric voices from Congolese singer, Sekelemebele and a cascade of futurist imagination. A clever, harmonious balance of kicks and sophisticated experimentation that will grace our ears and bodies on the floor.\" \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Oyisse\u003c\/p\u003e\n\u003cp\u003eLabel : Hakuna Kulala\u003c\/p\u003e"}
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コンゴのGqom作家Oyisseが、2021年にウガンダのHakuna Kulalaからリリースした12"です。 ドス黒いGqom4曲を収録。 レーベルその他作品はこちら /// Click here to see more Hakuna Kulala releases available at Tobira. ----------------------------...
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![Scotch Rolex, Shackleton & Omutaba // The Three Hands of Doom 12inch [COLOR]](http://tobirarecords.com/cdn/shop/files/doom1_994e4245-8edd-48bd-a428-d2ba6f544f4c_medium.jpg?v=1731738023)
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{"id":8666363625722,"title":"Scotch Rolex, Shackleton \u0026 Omutaba \/\/ The Three Hands of Doom 12inch [COLOR]","handle":"scotch-rolex-shackleton-omutaba-the-three-hands-of-doom-12inch-color","description":"\u003cp\u003eストレンジビーツ作家Scotch Rolex, Shackleton \u0026amp; Omutaba\u003cspan data-mce-fragment=\"1\"\u003eが、2024年1月にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyege Tapesから200部限定でリリースした12\"です。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eサイケデリックなストレンジビーツ〜リチュアリスティック・テクノ4曲を収録。\u003c\/p\u003e\n\u003cp\u003e版元即完のため最初で最後の入荷となります。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=790186388\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" white vinyl. Edition of 200. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Ring Dirt 05:40\u003cbr\u003e2. Insect Vibration 08:44\u003cbr\u003e3. Burnt Earth 10:20\u003cbr\u003e4. The Three Hands of Doom 07:44\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eHeavy, heavy, heavyyyyy rhythmic madness from Shackleton, Scotch Rolex and Omutaba, invoking new rhythmic traditions on an enchanted debut album for Nyege Nyege Tapes, twisting galvanic rhythms from HHY \u0026amp; The Kampala Unit's Omutaba into sozzled, psychedelic peregrinations. Dubby, kinetic and viciously mind-bending, it's peak gear if you're into anything from African Head Charge to Mark Ernestus' Ndagga Rhythm Force.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLeading on from Shackleton and Scotch Rolex’s maiden merger, ‘Death by Tickling’ in 2023, the duo pull in the dextrous limbs of Omutaba - known from his work with STILL, Metal Preyers and HHY \u0026amp; The Kampala Unit - for a dervishing session of dubbed-out and tumbling polyrhythms and psychoactive vibes as Three Hands of Doom. Shackleton’s hand on the tiller is patently apparent but, as with his recent works with Heather Leigh and Wacław Zimpel, he proves a mutable collaborator and porous to the shared spirits of fellow electronic music journeymen Scotch Rolex and Uganda’s Omutaba in four swingeing sections defined by their joint ability to diffract the flow between rolling and irregular grooves.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e‘Ring Dirt’ opens the session with a limber display\u003cspan class=\"bcTruncateMore\"\u003e of monotone strings and suspenseful synth work that calls to mind Can sent economy class to the equator for ritual teachings. Enlightened, they proceed thru the lush, whorling metric calculations of ‘Insect Vibration’, layering shivering incantations and worm-charming subs with a frisson of field recordings. At this point fully attuned to each other, Omutaba’s Ugandan drumming is felt most powerfully meshed into the 10 minute matrix of rug-pulling and thunderous detonations to ‘Burnt Earth’, before they all buckle into the outright dread of a standout eponymous title tune that appears to follow rhythms from the Congo thru West Africa, to Haiti, via Japan and Berlin, and back to Uganda.\u003cbr\u003e\u003cbr\u003eBoth Shackleton and Ishihara have been on blistering form in the last couple of years, and 'Three Hands of Doom' feels like both a continuation and an extension of last year's 'Death By Tickling', weaponizing Omutaba's exhilarating playing into something that feels much, much more than the sum of its parts.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Scotch Rolex, Shackleton \u0026amp; Omutaba\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e","published_at":"2024-11-16T18:37:51+09:00","created_at":"2024-11-16T15:21:45+09:00","vendor":"Tobira Records","type":"","tags":["lp","new","nyege nyege tapes","strange beats","techno \/ house"],"price":445800,"price_min":445800,"price_max":445800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46864885678330,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Scotch Rolex, Shackleton \u0026 Omutaba \/\/ The Three Hands of Doom 12inch [COLOR]","public_title":null,"options":["Default Title"],"price":445800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/doom1_994e4245-8edd-48bd-a428-d2ba6f544f4c.jpg?v=1731738023","\/\/tobirarecords.com\/cdn\/shop\/files\/doom2_ac026970-3859-422d-871f-c4119e8a41e8.jpg?v=1731738023","\/\/tobirarecords.com\/cdn\/shop\/files\/doom3.jpg?v=1731738023"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/doom1_994e4245-8edd-48bd-a428-d2ba6f544f4c.jpg?v=1731738023","options":["Title"],"media":[{"alt":null,"id":35195273052410,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/doom1_994e4245-8edd-48bd-a428-d2ba6f544f4c.jpg?v=1731738023"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/doom1_994e4245-8edd-48bd-a428-d2ba6f544f4c.jpg?v=1731738023","width":700},{"alt":null,"id":35195273085178,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/doom2_ac026970-3859-422d-871f-c4119e8a41e8.jpg?v=1731738023"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/doom2_ac026970-3859-422d-871f-c4119e8a41e8.jpg?v=1731738023","width":1200},{"alt":null,"id":35195273117946,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/doom3.jpg?v=1731738023"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/doom3.jpg?v=1731738023","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eストレンジビーツ作家Scotch Rolex, Shackleton \u0026amp; Omutaba\u003cspan data-mce-fragment=\"1\"\u003eが、2024年1月にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyege Tapesから200部限定でリリースした12\"です。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eサイケデリックなストレンジビーツ〜リチュアリスティック・テクノ4曲を収録。\u003c\/p\u003e\n\u003cp\u003e版元即完のため最初で最後の入荷となります。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=790186388\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" white vinyl. Edition of 200. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Ring Dirt 05:40\u003cbr\u003e2. Insect Vibration 08:44\u003cbr\u003e3. Burnt Earth 10:20\u003cbr\u003e4. The Three Hands of Doom 07:44\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eHeavy, heavy, heavyyyyy rhythmic madness from Shackleton, Scotch Rolex and Omutaba, invoking new rhythmic traditions on an enchanted debut album for Nyege Nyege Tapes, twisting galvanic rhythms from HHY \u0026amp; The Kampala Unit's Omutaba into sozzled, psychedelic peregrinations. Dubby, kinetic and viciously mind-bending, it's peak gear if you're into anything from African Head Charge to Mark Ernestus' Ndagga Rhythm Force.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLeading on from Shackleton and Scotch Rolex’s maiden merger, ‘Death by Tickling’ in 2023, the duo pull in the dextrous limbs of Omutaba - known from his work with STILL, Metal Preyers and HHY \u0026amp; The Kampala Unit - for a dervishing session of dubbed-out and tumbling polyrhythms and psychoactive vibes as Three Hands of Doom. Shackleton’s hand on the tiller is patently apparent but, as with his recent works with Heather Leigh and Wacław Zimpel, he proves a mutable collaborator and porous to the shared spirits of fellow electronic music journeymen Scotch Rolex and Uganda’s Omutaba in four swingeing sections defined by their joint ability to diffract the flow between rolling and irregular grooves.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e‘Ring Dirt’ opens the session with a limber display\u003cspan class=\"bcTruncateMore\"\u003e of monotone strings and suspenseful synth work that calls to mind Can sent economy class to the equator for ritual teachings. Enlightened, they proceed thru the lush, whorling metric calculations of ‘Insect Vibration’, layering shivering incantations and worm-charming subs with a frisson of field recordings. At this point fully attuned to each other, Omutaba’s Ugandan drumming is felt most powerfully meshed into the 10 minute matrix of rug-pulling and thunderous detonations to ‘Burnt Earth’, before they all buckle into the outright dread of a standout eponymous title tune that appears to follow rhythms from the Congo thru West Africa, to Haiti, via Japan and Berlin, and back to Uganda.\u003cbr\u003e\u003cbr\u003eBoth Shackleton and Ishihara have been on blistering form in the last couple of years, and 'Three Hands of Doom' feels like both a continuation and an extension of last year's 'Death By Tickling', weaponizing Omutaba's exhilarating playing into something that feels much, much more than the sum of its parts.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Scotch Rolex, Shackleton \u0026amp; Omutaba\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e"}
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ストレンジビーツ作家Scotch Rolex, Shackleton & Omutabaが、2024年1月にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyege Tapesから200部限定でリリースした12"です。 サイケデリックなストレンジビーツ〜リチュアリスティック・テクノ4曲を収録。 版元即完のため最初で最後の入荷となります。 レーベルその他作品はこちら /// Click here to see more...
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{"id":8666362216698,"title":"Takkak Takkak \/\/ Takkak Takkak LP","handle":"takkak-takkak-takkak-takkak-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e日本／インドネシアのストレンジビーツデュオTakkak Takkakが、2024年6月にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyege Tapesからリリースしたレコードです。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eポリリズムで畳み掛ける密林ストレンジビーツ〜リチュアリスティック・テクノ9曲を収録。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=471539075\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=471539075\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1737549570\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 200. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Dedemit 01:17\u003cbr\u003e2. Garang 03:37\u003cbr\u003e3. Raung 05:28\u003cbr\u003e4. Raksasa 04:32\u003cbr\u003e5. Amok 04:29\u003cbr\u003e6. Kyouzon 04:04\u003cbr\u003e7. Mezame 04:20\u003cbr\u003e8. Salamander 04:44\u003cbr\u003e9. Takkatakka 06:21\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eA playfully eccentric, pulsating mass of precarious polyrhythms and DIY drones, Takkak Takkak is a brand new project from prolific Berlin-based Japanese producer Shigeru Ishihara (aka Scotch Rolex) and Vilnius-based Indonesian composer and instrument builder Mo’ong Santoso Pribadi, best known as one half of Raja Kirik. The duo found common ground with their borderless enthusiasm for rhythm - hence their tongue-in-cheek, onomatopoeic moniker - and tasked themselves with hacking contemporary and traditional musics, fusing eardrum-piercing club sounds with wiry Asian traditional patterns and howling vocals. And although there are discernible fingerprints from across the musical map, Ishihara and Pribadi debut a sound that's doggedly unconventional.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIshihara has spent the last few years obsessively producing and collaborating, working with Shackleton on 2023's 'Death By Tickling', assembling the Nyege stable on 2021's 'Tewari' and collaborating with artists as diverse as Duma, MC Yallah and Aunty Razyor. Pribadi meanwhile has developed his craft alongside Yennu Ariendra, challenging colonial oppression with deviously original music that modernizes medieval Javanese dance forms. His work as an experimental instrument builder - primarily working with\u003cspan class=\"bcTruncateMore\"\u003e found objects and trash - has set Pribadi in good stead for Takkak Takkak, where he goes toe-to-toe with Ishihara, who weaves trance-inducing rhythmic patterns, low-end thumps and dizzying effects around his collaborator's rusty twangs, woodblock clacks and xenharmonic chimes.\u003cbr\u003e\u003cbr\u003eOn the opening track (name here), rattly, tempo-fluxed percussion is caught in a vortex of brassy fanfares and thick subs, building furiously until it's interrupted with a cheeky answerphone bleep. It sets the stage for Garang, a punky, metallic tremor of guitar-like chugs, obscured vocals and fictile strings that wisp around driving kicks - there's gqom, drill and sweaty techno in there somewhere, transformed into a serrated, ritualistic buzz. Ishihara takes the mic on Amok, grunting over Pribadi's clattery beats and breathy handmade instruments, and the track mutates at the half-way point, spiraling into a hybrid of gamelan and diagonal bass music, pneumatic kicks vibrating against pinging metal.\u003cbr\u003e\u003cbr\u003eIt's an impressive balancing act; Takkak Takkak navigate their cross-continental palette with not only knowledge and skill, but a refreshing level of humor. This makes their music as infectious as it is fearless - it's experimental, sure, but Pribadi and Ishihara are having a blast, and they don't care who knows.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Takkak Takkak\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e","published_at":"2024-11-16T18:18:10+09:00","created_at":"2024-11-16T15:17:21+09:00","vendor":"Tobira Records","type":"","tags":["lp","new","nyege nyege tapes","strange beats","techno \/ house"],"price":398900,"price_min":398900,"price_max":398900,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46864881254650,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Takkak Takkak \/\/ Takkak Takkak LP","public_title":null,"options":["Default Title"],"price":398900,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/kk1_b59be9c4-ce10-487a-8402-aa8802b6da72.jpg?v=1731737693","\/\/tobirarecords.com\/cdn\/shop\/files\/kk2.jpg?v=1731737693"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/kk1_b59be9c4-ce10-487a-8402-aa8802b6da72.jpg?v=1731737693","options":["Title"],"media":[{"alt":null,"id":35195262894330,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kk1_b59be9c4-ce10-487a-8402-aa8802b6da72.jpg?v=1731737693"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kk1_b59be9c4-ce10-487a-8402-aa8802b6da72.jpg?v=1731737693","width":700},{"alt":null,"id":35195262927098,"position":2,"preview_image":{"aspect_ratio":1.179,"height":1018,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kk2.jpg?v=1731737693"},"aspect_ratio":1.179,"height":1018,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kk2.jpg?v=1731737693","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e日本／インドネシアのストレンジビーツデュオTakkak Takkakが、2024年6月にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyege Tapesからリリースしたレコードです。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eポリリズムで畳み掛ける密林ストレンジビーツ〜リチュアリスティック・テクノ9曲を収録。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=471539075\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=471539075\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1737549570\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 200. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Dedemit 01:17\u003cbr\u003e2. Garang 03:37\u003cbr\u003e3. Raung 05:28\u003cbr\u003e4. Raksasa 04:32\u003cbr\u003e5. Amok 04:29\u003cbr\u003e6. Kyouzon 04:04\u003cbr\u003e7. Mezame 04:20\u003cbr\u003e8. Salamander 04:44\u003cbr\u003e9. Takkatakka 06:21\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eA playfully eccentric, pulsating mass of precarious polyrhythms and DIY drones, Takkak Takkak is a brand new project from prolific Berlin-based Japanese producer Shigeru Ishihara (aka Scotch Rolex) and Vilnius-based Indonesian composer and instrument builder Mo’ong Santoso Pribadi, best known as one half of Raja Kirik. The duo found common ground with their borderless enthusiasm for rhythm - hence their tongue-in-cheek, onomatopoeic moniker - and tasked themselves with hacking contemporary and traditional musics, fusing eardrum-piercing club sounds with wiry Asian traditional patterns and howling vocals. And although there are discernible fingerprints from across the musical map, Ishihara and Pribadi debut a sound that's doggedly unconventional.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIshihara has spent the last few years obsessively producing and collaborating, working with Shackleton on 2023's 'Death By Tickling', assembling the Nyege stable on 2021's 'Tewari' and collaborating with artists as diverse as Duma, MC Yallah and Aunty Razyor. Pribadi meanwhile has developed his craft alongside Yennu Ariendra, challenging colonial oppression with deviously original music that modernizes medieval Javanese dance forms. His work as an experimental instrument builder - primarily working with\u003cspan class=\"bcTruncateMore\"\u003e found objects and trash - has set Pribadi in good stead for Takkak Takkak, where he goes toe-to-toe with Ishihara, who weaves trance-inducing rhythmic patterns, low-end thumps and dizzying effects around his collaborator's rusty twangs, woodblock clacks and xenharmonic chimes.\u003cbr\u003e\u003cbr\u003eOn the opening track (name here), rattly, tempo-fluxed percussion is caught in a vortex of brassy fanfares and thick subs, building furiously until it's interrupted with a cheeky answerphone bleep. It sets the stage for Garang, a punky, metallic tremor of guitar-like chugs, obscured vocals and fictile strings that wisp around driving kicks - there's gqom, drill and sweaty techno in there somewhere, transformed into a serrated, ritualistic buzz. Ishihara takes the mic on Amok, grunting over Pribadi's clattery beats and breathy handmade instruments, and the track mutates at the half-way point, spiraling into a hybrid of gamelan and diagonal bass music, pneumatic kicks vibrating against pinging metal.\u003cbr\u003e\u003cbr\u003eIt's an impressive balancing act; Takkak Takkak navigate their cross-continental palette with not only knowledge and skill, but a refreshing level of humor. This makes their music as infectious as it is fearless - it's experimental, sure, but Pribadi and Ishihara are having a blast, and they don't care who knows.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Takkak Takkak\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e"}
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日本／インドネシアのストレンジビーツデュオTakkak Takkakが、2024年6月にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyege Tapesからリリースしたレコードです。 ポリリズムで畳み掛ける密林ストレンジビーツ〜リチュアリスティック・テクノ9曲を収録。 レーベルその他作品はこちら /// Click here to see more Hakuna Kulala / Nyege...
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{"id":8666361594106,"title":"Ekuka Moriss Sirikiti \/\/ TE-KWARO ALANGO-EKUKA LP","handle":"ekuka-moriss-sirikiti-ekuka-2x12inch","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e北ウガンダの親指ピアノ'ルケメ'奏者Ekuka Moriss Sirikitiが、2024年8月にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyege Tapesからリリースしたレコードです。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eアフリカン・プリミティブフォーク10曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1378950938\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 200. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. MITO MON OMEGU 04:03\u003cbr\u003e2. AKEMU MEDE IPWODO DAKO 03:21\u003cbr\u003e3. KWALO JAMI AMON TOO 03:53\u003cbr\u003e4. ICO AWILO KOTI ME KWALO ORANGA 03:47\u003cbr\u003e5. TEC ME OT JOK 04:11\u003cbr\u003e6. PE IYEL CWARI ABONGO BAL 05:28\u003cbr\u003e7. ONYO OCOLO 02:46\u003cbr\u003e8. NYEGENYEGE OYOMO YII JO 03:24\u003cbr\u003e9. OPWODO DAKO PI KUNYU OMOGO 04:55\u003cbr\u003e10. CIL PACO 03:29 \u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNyege Nyege Tapes: \u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e\u003cem\u003eThe first studio album from lukeme maestro and legendary Langi griot Ekuka Morris Sirikiti, 'TE-KWARO ALANGO-EKUKU' is an emotional and historical milestone. In 2018, Nyege Nyege Tapes combed through the artist's work forensically on 'Ekuka', picking out the finest examples of his sound from recordings made by keen-eared listeners who caught his performances on Ugandan radio. Ekuka had never kept any of these tracks; living frugally in Lira, Northern Uganda, he doesn't even own a device to listen to the music. So when he eventually heard the anthology, it triggered an epiphany. The songs - recorded between 1978 and 2003 - brought memories flooding back; some of his bandmates have long since passed away, and Ekuka was suddenly reminded of old friendships and long-forgotten life events. \u003cbr\u003e\u003cbr\u003eFollowing this revelation, and for the first time in his life, Ekuka finally stepped into a proper studio, spending two weeks re-discovering and re-recording his old songs. These new versions capture the artist's virtuosity in microscopic detail: the characteristic rattling sound of his lukeme, an ancient African thumb piano, takes pride of place, but his assertive, agile voice also sounds as if it's been unlocked. On previous recordings, his words were often obscured by saturation, distortion and radio static, and here they're presented\u003cspan class=\"bcTruncateMore\"\u003e with startling clarity as he deconstructs social issues, telling winding, poetic (and often humorous) stories in the griot tradition. Sparse polyrhythmic percussion rattles against the euphoric rhythmelodic thumb piano tones, while Ekuka's voice anchors the music in the daily realities of Northern Uganda. \u003cbr\u003e\u003cbr\u003eOn the opening track 'MITO MON OMEGU', Ekuka stacks quivering lukeme phrases into a tense rhythmic foundation, dancing around the buzzing notes with clipped, casual rhymes that untangle the stresses and strains of romancing a brother's wife. And he travels further into the moral grey zone on 'ICO AWILO KOTI ME KWALO ORANGA', telling the tale of a man who buys a coat to steal beans over an irregular, woody rhythmic knock. The album's de-facto single 'TEC ME OT JOK' is about local witch doctors, and is the first song Ekuka has accompanied with a video. Colorful and cinematic, it juxtaposes footage of his performance - showcasing his lukeme playing in vivid detail - with local dances and narrative snippets that dramatize the interplay between a medicine man and his community. \u003cbr\u003e\u003cbr\u003eEukua is an endlessly inquisitive presence, mixing public service announcements ('ONYO OCOLO' is about paying taxes, while 'CIL PACO' details personal hygiene) with questions about village morals, like on 'OPWODO DAKO PI KUNYU OMOGO' when he recounts an incident when a woman is beaten for harvesting cassava. Everything's presented with an invitation to dance and to reflect, delivered with pathos and mischievous charm by an artist who's seen life's full spectrum in intimate detail. \u003c\/span\u003e\u003c\/em\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ekuka Moriss Sirikiti\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e","published_at":"2024-11-16T18:33:33+09:00","created_at":"2024-11-16T15:13:51+09:00","vendor":"Tobira Records","type":"","tags":["field recording","lp","new","nyege nyege tapes","strange beats"],"price":435800,"price_min":435800,"price_max":435800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46864877125882,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Ekuka Moriss Sirikiti \/\/ TE-KWARO ALANGO-EKUKA LP","public_title":null,"options":["Default Title"],"price":435800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a0688575609_10.jpg?v=1731748903","\/\/tobirarecords.com\/cdn\/shop\/files\/0035935242_10.jpg?v=1731748905"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0688575609_10.jpg?v=1731748903","options":["Title"],"media":[{"alt":null,"id":35195659452666,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0688575609_10.jpg?v=1731748903"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0688575609_10.jpg?v=1731748903","width":1200},{"alt":null,"id":35195659550970,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0035935242_10.jpg?v=1731748905"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0035935242_10.jpg?v=1731748905","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e北ウガンダの親指ピアノ'ルケメ'奏者Ekuka Moriss Sirikitiが、2024年8月にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyege Tapesからリリースしたレコードです。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eアフリカン・プリミティブフォーク10曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1378950938\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 200. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. MITO MON OMEGU 04:03\u003cbr\u003e2. AKEMU MEDE IPWODO DAKO 03:21\u003cbr\u003e3. KWALO JAMI AMON TOO 03:53\u003cbr\u003e4. ICO AWILO KOTI ME KWALO ORANGA 03:47\u003cbr\u003e5. TEC ME OT JOK 04:11\u003cbr\u003e6. PE IYEL CWARI ABONGO BAL 05:28\u003cbr\u003e7. ONYO OCOLO 02:46\u003cbr\u003e8. NYEGENYEGE OYOMO YII JO 03:24\u003cbr\u003e9. OPWODO DAKO PI KUNYU OMOGO 04:55\u003cbr\u003e10. CIL PACO 03:29 \u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNyege Nyege Tapes: \u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e\u003cem\u003eThe first studio album from lukeme maestro and legendary Langi griot Ekuka Morris Sirikiti, 'TE-KWARO ALANGO-EKUKU' is an emotional and historical milestone. In 2018, Nyege Nyege Tapes combed through the artist's work forensically on 'Ekuka', picking out the finest examples of his sound from recordings made by keen-eared listeners who caught his performances on Ugandan radio. Ekuka had never kept any of these tracks; living frugally in Lira, Northern Uganda, he doesn't even own a device to listen to the music. So when he eventually heard the anthology, it triggered an epiphany. The songs - recorded between 1978 and 2003 - brought memories flooding back; some of his bandmates have long since passed away, and Ekuka was suddenly reminded of old friendships and long-forgotten life events. \u003cbr\u003e\u003cbr\u003eFollowing this revelation, and for the first time in his life, Ekuka finally stepped into a proper studio, spending two weeks re-discovering and re-recording his old songs. These new versions capture the artist's virtuosity in microscopic detail: the characteristic rattling sound of his lukeme, an ancient African thumb piano, takes pride of place, but his assertive, agile voice also sounds as if it's been unlocked. On previous recordings, his words were often obscured by saturation, distortion and radio static, and here they're presented\u003cspan class=\"bcTruncateMore\"\u003e with startling clarity as he deconstructs social issues, telling winding, poetic (and often humorous) stories in the griot tradition. Sparse polyrhythmic percussion rattles against the euphoric rhythmelodic thumb piano tones, while Ekuka's voice anchors the music in the daily realities of Northern Uganda. \u003cbr\u003e\u003cbr\u003eOn the opening track 'MITO MON OMEGU', Ekuka stacks quivering lukeme phrases into a tense rhythmic foundation, dancing around the buzzing notes with clipped, casual rhymes that untangle the stresses and strains of romancing a brother's wife. And he travels further into the moral grey zone on 'ICO AWILO KOTI ME KWALO ORANGA', telling the tale of a man who buys a coat to steal beans over an irregular, woody rhythmic knock. The album's de-facto single 'TEC ME OT JOK' is about local witch doctors, and is the first song Ekuka has accompanied with a video. Colorful and cinematic, it juxtaposes footage of his performance - showcasing his lukeme playing in vivid detail - with local dances and narrative snippets that dramatize the interplay between a medicine man and his community. \u003cbr\u003e\u003cbr\u003eEukua is an endlessly inquisitive presence, mixing public service announcements ('ONYO OCOLO' is about paying taxes, while 'CIL PACO' details personal hygiene) with questions about village morals, like on 'OPWODO DAKO PI KUNYU OMOGO' when he recounts an incident when a woman is beaten for harvesting cassava. Everything's presented with an invitation to dance and to reflect, delivered with pathos and mischievous charm by an artist who's seen life's full spectrum in intimate detail. \u003c\/span\u003e\u003c\/em\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ekuka Moriss Sirikiti\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e"}
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北ウガンダの親指ピアノ'ルケメ'奏者Ekuka Moriss Sirikitiが、2024年8月にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyege Tapesからリリースしたレコードです。 アフリカン・プリミティブフォーク10曲を収録。 レーベルその他作品はこちら /// Click here to see more Hakuna Kulala /...
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{"id":8109778338042,"title":"Nakibembe Embaire Group \/\/ Nakibembe Embaire Group LP","handle":"nakibembe-embaire-group-nakibembe-embaire-group-lp-1","description":"\u003cp\u003eウガンダ・ブソガ王国の小さな村\u003cspan data-mce-fragment=\"1\"\u003eナキベンベの伝統楽器である巨大な木琴「エンベール」を演奏するバンドNakibembe Embaire Groupが、2023年5月に同国カンパラのダンスレーベルNyege Nyege Tapesからリリースしたデビューレコードです。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eポリリズム全開のプリミティブ・ダンスミュージック8曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eインドネシアのガムランガババンド\u003cmeta charset=\"utf-8\"\u003eGabber Modus Operandiも参加しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003e\"ウガンダのブソガ王国（現存する4つの立憲君主制国家のひとつ）にある小さな村、ナキベンベでは、昔から地元の人々が音楽演奏や社交行事のための共同スペースを確保してきました。その中央には深い穴があり、15～25個の木の鍵盤で構成された巨大な木琴「エンベール」を増幅させるために、溝を横切っているのです。丸太の木琴は東アフリカでよく見られるものですが、東部バントゥー系民族のバソガ族が奏でる音楽は、独自のチューニングや踊り、補助的な楽器など、特殊でユニークなものです。最大8人の奏者がエンベールを囲んで同時に演奏し、催眠的なポリリズムを重ね合わせ、さらにボーカルやシェーカー、ドラムを加えたアンサンブルを奏でます。\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eナキベンベ・キシロフォン・グループは、アンベールを使って演奏する最後のグループのひとつで、彼らのライブを見た人ならわかるように、複雑で重層的な音の壁を作り出し、どこで演奏しても完全に魅了されるのです。バンドはNyege Nyegeフェスティバルの常連で、2020年にはベルリンの伝説的ナイトクラブBerghainで、ジャカルタ出身の前衛バンドGabber Modus OperandiとHarsya Wahonoと共に出演した。デビューアルバムでは、アンサンブルで5曲、インドネシアのトリオとのコラボレーションで3曲を発表しています。一緒に聴くと、Nakibembe自身の運動音だけでなく、インドネシアのメタロフォン主導のガムラン音楽からサウンドアート界の頭脳的なデジタルプロセスまで、より遠い形態と相関する音の波紋が示されます。\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e8分間に及ぶ大曲「Omukazi Iwe Ongeyengula Nguli Zna Ntyo Bwenkola」は、バソガ音楽の伝統を紹介する完璧な作品として、我々をアルバムに引き込みます。三重奏のメロディックなパーカッシブ・フレーズは、常に流動的なバックボーンを提供し、ルソガのコール＆レスポンス・ボーカルとリズムを明確にするためのシェイカーのスペースを残しています。Omulangira Mpangoでは、さらにテンポを上げ、音符とパターンが混ざり合い、泡のようなハーモニーの雲になりそうです。これらのサウンドが西洋の実験音楽やエレクトロニック・ミュージックの枠組みにいかに浸透しているかに気づくのは難しいことではなく、腐敗することなく提示されるのを聞くと、ソースとつながることがいかに稀であるかを確認することになります。そして、Nakibembeが外部からの影響に対応するとき、その結びつきは相互的で相乗的です。\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eGMOやWahonoの音楽的アプローチと自分たちのテクニックを融合させるために、彼らはエンベールの鍵盤にオーディオ-MIDIトリガーを装着し、音そのものをかき消すことなく楽器の揺れをとらえることに成功しました。ワホノとGMOは、これらの録音とMIDIデータをもとに、デジタル処理によって音を歪ませ、危険な新境地へとシフトさせ、GMOのIcan Haremによるボーカルの即興演奏を加えました。インドネシアのトリオは、Nakibembeでよりミニマルなアプローチを探求したいと考え、「140」ではまさにその通り、エンベアーのクランクの渦を這うように遅くし、散発的な鳴き声と句読点のようなバンプを加えています。「160」はさらに予想外で、エンベアを完全に失い、生のドラムデータをシンセサイザーに送り込み、同じ紛れもないエネルギーでポップや鳴き声を出します。\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eインドネシアとウガンダの民族的伝統の類似性を訴えるイカン・ハレムの冷静な語りから始まり、蛇のようなポリリズムと幻惑的なボーカルが融合したトランスのような曲へと爆発します。このアルバムを聴くと、過去、現在、未来が一直線に並んでいるように感じられます。ダンスミュージックは静的なものではなく、現代の装置に縛られることもなく、植民地化ではなく会話によって、偽りの国境を越えて概念を拡張できます。\"\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2058760613\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=360329128\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2058760613\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn Nakibembe, a small village in Uganda's Busoga kingdom (one of the country's four remaining constitutional monarchies), locals have long reserved a communal area for musical performances and social events. In the middle of this space lies a deep pit that serves a single purpose: to amplify the embaire, an immense xylophone made up of between 15 and 25 wooden keys that stretches across the trench. Log xylophones are common throughout East Africa, but the way the music is played by the Basoga - an Eastern Bantu ethnic group - is specific and unique, with its own tuning, dances and supplemental instrumentation. Up to eight players can surround the embaire and play simultaneously, overlaying hypnotic polyrhythms while additional members of the ensemble add vocals or play shakers and drums.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eNakibembe Xylophone Group are one of the last remaining groups that perform with the embaire, and as anyone who's caught their live performances will know, they create a complex and layered wall of sound that's completely transfixing wherever it's presented. The band are a regular fixture at Nyege Nyege festival, and in 2020 appeared in Berlin at the legendary Berghain nightclub alongside Jakarta-based vanguards Gabber Modus Operandi and Harsya Wahono. On the group's debut album, they present five tracks as an\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e ensemble and three tracks in collaboration with Indonesian trio. Heard together the music demonstrates not only the remarkable sound of Nakibembe's own kinetic interaction, but sonic ripples that correlate with more distant forms, from Indonesia's metallophone-led gamelan music to the heady digital processes of the sound art sphere.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eUndulating eight-minute epic 'Omukazi Iwe Ongeyengula Nguli Zna Ntyo Bwenkola' draws us into the album, offering the perfect introduction to Basoga musical traditions. Triplet-led melodic percussive phrases provide an ever-fluxing backbone, leaving space for call-and-response vocals in Lusoga and shakers for rhythmic clarity. 'Omulangira Mpango' develops the scope even further, pushing up the tempo so the notes and patterns almost blur into clouds of bubbling harmony. It's not difficult to notice how these sounds have seeped into the framework of Western experimental and electronic music, and hearing them presented without corruption only serves to confirm how rare it is to connect with the source. And when Nakibembe do correspond with outside influences, the bond is mutual and synergistic.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe group needed to work out a way to combine their techniques with GMO and Wahono's own musical approaches, so they fitted the embaire's keys with audio-to-MIDI triggers that allowed them to capture the instrument's swing without drowning out the sound itself. Then, Nakibembe recorded a series of freestyle performances that would demonstrate the range of the instrument; Wahono and GMO took these recordings and the MIDI data and used digital processes to distort and shift the sounds into dangerous new places, adding vocal improvisations from GMO's Ican Harem. The Indonesian trio wanted to explore a more minimalist approach with Nakibembe, and on '140' do exactly that, slowing down the whir of embaire clunks to a crawl and adding sporadic squeals and punctuating bumps. '160' is even more unexpected, losing the embaire completely and feeding the raw drum data into synthesizers that pop and squeak with the same unmistakable energy.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBut it's the final track '133' that really seals the deal, opening on a sober narrative from Ican Harem that addresses the parallels between Indonesian and Ugandan folk traditions before exploding into a trance-like fusion of serpentine polyrhythms and disorienting vocals. Listening to the album is like hearing the past, present and future aligned; dance music is neither static nor bound to its contemporary apparatus, and conversation rather than colonization can stretch concepts beyond phony borders.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Nakibembe Embaire Group\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e","published_at":"2023-12-11T19:14:44+09:00","created_at":"2023-12-11T19:13:59+09:00","vendor":"Tobira Records","type":"","tags":["field recording","hakuna kulala","lp","new","strange beats"],"price":303000,"price_min":303000,"price_max":303000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44873908388090,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Nakibembe Embaire Group \/\/ Nakibembe Embaire Group LP","public_title":null,"options":["Default Title"],"price":303000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/na1_72511b10-fa7c-4c29-b13a-9f84e756dd0d.jpg?v=1702289642","\/\/tobirarecords.com\/cdn\/shop\/files\/na2_a6b81c31-e651-49bb-87a2-6af345accac5.jpg?v=1702289643"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/na1_72511b10-fa7c-4c29-b13a-9f84e756dd0d.jpg?v=1702289642","options":["Title"],"media":[{"alt":null,"id":32823109091578,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/na1_72511b10-fa7c-4c29-b13a-9f84e756dd0d.jpg?v=1702289642"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/na1_72511b10-fa7c-4c29-b13a-9f84e756dd0d.jpg?v=1702289642","width":700},{"alt":null,"id":32823109124346,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/na2_a6b81c31-e651-49bb-87a2-6af345accac5.jpg?v=1702289643"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/na2_a6b81c31-e651-49bb-87a2-6af345accac5.jpg?v=1702289643","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eウガンダ・ブソガ王国の小さな村\u003cspan data-mce-fragment=\"1\"\u003eナキベンベの伝統楽器である巨大な木琴「エンベール」を演奏するバンドNakibembe Embaire Groupが、2023年5月に同国カンパラのダンスレーベルNyege Nyege Tapesからリリースしたデビューレコードです。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eポリリズム全開のプリミティブ・ダンスミュージック8曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eインドネシアのガムランガババンド\u003cmeta charset=\"utf-8\"\u003eGabber Modus Operandiも参加しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003e\"ウガンダのブソガ王国（現存する4つの立憲君主制国家のひとつ）にある小さな村、ナキベンベでは、昔から地元の人々が音楽演奏や社交行事のための共同スペースを確保してきました。その中央には深い穴があり、15～25個の木の鍵盤で構成された巨大な木琴「エンベール」を増幅させるために、溝を横切っているのです。丸太の木琴は東アフリカでよく見られるものですが、東部バントゥー系民族のバソガ族が奏でる音楽は、独自のチューニングや踊り、補助的な楽器など、特殊でユニークなものです。最大8人の奏者がエンベールを囲んで同時に演奏し、催眠的なポリリズムを重ね合わせ、さらにボーカルやシェーカー、ドラムを加えたアンサンブルを奏でます。\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eナキベンベ・キシロフォン・グループは、アンベールを使って演奏する最後のグループのひとつで、彼らのライブを見た人ならわかるように、複雑で重層的な音の壁を作り出し、どこで演奏しても完全に魅了されるのです。バンドはNyege Nyegeフェスティバルの常連で、2020年にはベルリンの伝説的ナイトクラブBerghainで、ジャカルタ出身の前衛バンドGabber Modus OperandiとHarsya Wahonoと共に出演した。デビューアルバムでは、アンサンブルで5曲、インドネシアのトリオとのコラボレーションで3曲を発表しています。一緒に聴くと、Nakibembe自身の運動音だけでなく、インドネシアのメタロフォン主導のガムラン音楽からサウンドアート界の頭脳的なデジタルプロセスまで、より遠い形態と相関する音の波紋が示されます。\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e8分間に及ぶ大曲「Omukazi Iwe Ongeyengula Nguli Zna Ntyo Bwenkola」は、バソガ音楽の伝統を紹介する完璧な作品として、我々をアルバムに引き込みます。三重奏のメロディックなパーカッシブ・フレーズは、常に流動的なバックボーンを提供し、ルソガのコール＆レスポンス・ボーカルとリズムを明確にするためのシェイカーのスペースを残しています。Omulangira Mpangoでは、さらにテンポを上げ、音符とパターンが混ざり合い、泡のようなハーモニーの雲になりそうです。これらのサウンドが西洋の実験音楽やエレクトロニック・ミュージックの枠組みにいかに浸透しているかに気づくのは難しいことではなく、腐敗することなく提示されるのを聞くと、ソースとつながることがいかに稀であるかを確認することになります。そして、Nakibembeが外部からの影響に対応するとき、その結びつきは相互的で相乗的です。\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eGMOやWahonoの音楽的アプローチと自分たちのテクニックを融合させるために、彼らはエンベールの鍵盤にオーディオ-MIDIトリガーを装着し、音そのものをかき消すことなく楽器の揺れをとらえることに成功しました。ワホノとGMOは、これらの録音とMIDIデータをもとに、デジタル処理によって音を歪ませ、危険な新境地へとシフトさせ、GMOのIcan Haremによるボーカルの即興演奏を加えました。インドネシアのトリオは、Nakibembeでよりミニマルなアプローチを探求したいと考え、「140」ではまさにその通り、エンベアーのクランクの渦を這うように遅くし、散発的な鳴き声と句読点のようなバンプを加えています。「160」はさらに予想外で、エンベアを完全に失い、生のドラムデータをシンセサイザーに送り込み、同じ紛れもないエネルギーでポップや鳴き声を出します。\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eインドネシアとウガンダの民族的伝統の類似性を訴えるイカン・ハレムの冷静な語りから始まり、蛇のようなポリリズムと幻惑的なボーカルが融合したトランスのような曲へと爆発します。このアルバムを聴くと、過去、現在、未来が一直線に並んでいるように感じられます。ダンスミュージックは静的なものではなく、現代の装置に縛られることもなく、植民地化ではなく会話によって、偽りの国境を越えて概念を拡張できます。\"\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2058760613\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=360329128\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2058760613\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn Nakibembe, a small village in Uganda's Busoga kingdom (one of the country's four remaining constitutional monarchies), locals have long reserved a communal area for musical performances and social events. In the middle of this space lies a deep pit that serves a single purpose: to amplify the embaire, an immense xylophone made up of between 15 and 25 wooden keys that stretches across the trench. Log xylophones are common throughout East Africa, but the way the music is played by the Basoga - an Eastern Bantu ethnic group - is specific and unique, with its own tuning, dances and supplemental instrumentation. Up to eight players can surround the embaire and play simultaneously, overlaying hypnotic polyrhythms while additional members of the ensemble add vocals or play shakers and drums.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eNakibembe Xylophone Group are one of the last remaining groups that perform with the embaire, and as anyone who's caught their live performances will know, they create a complex and layered wall of sound that's completely transfixing wherever it's presented. The band are a regular fixture at Nyege Nyege festival, and in 2020 appeared in Berlin at the legendary Berghain nightclub alongside Jakarta-based vanguards Gabber Modus Operandi and Harsya Wahono. On the group's debut album, they present five tracks as an\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e ensemble and three tracks in collaboration with Indonesian trio. Heard together the music demonstrates not only the remarkable sound of Nakibembe's own kinetic interaction, but sonic ripples that correlate with more distant forms, from Indonesia's metallophone-led gamelan music to the heady digital processes of the sound art sphere.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eUndulating eight-minute epic 'Omukazi Iwe Ongeyengula Nguli Zna Ntyo Bwenkola' draws us into the album, offering the perfect introduction to Basoga musical traditions. Triplet-led melodic percussive phrases provide an ever-fluxing backbone, leaving space for call-and-response vocals in Lusoga and shakers for rhythmic clarity. 'Omulangira Mpango' develops the scope even further, pushing up the tempo so the notes and patterns almost blur into clouds of bubbling harmony. It's not difficult to notice how these sounds have seeped into the framework of Western experimental and electronic music, and hearing them presented without corruption only serves to confirm how rare it is to connect with the source. And when Nakibembe do correspond with outside influences, the bond is mutual and synergistic.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe group needed to work out a way to combine their techniques with GMO and Wahono's own musical approaches, so they fitted the embaire's keys with audio-to-MIDI triggers that allowed them to capture the instrument's swing without drowning out the sound itself. Then, Nakibembe recorded a series of freestyle performances that would demonstrate the range of the instrument; Wahono and GMO took these recordings and the MIDI data and used digital processes to distort and shift the sounds into dangerous new places, adding vocal improvisations from GMO's Ican Harem. The Indonesian trio wanted to explore a more minimalist approach with Nakibembe, and on '140' do exactly that, slowing down the whir of embaire clunks to a crawl and adding sporadic squeals and punctuating bumps. '160' is even more unexpected, losing the embaire completely and feeding the raw drum data into synthesizers that pop and squeak with the same unmistakable energy.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBut it's the final track '133' that really seals the deal, opening on a sober narrative from Ican Harem that addresses the parallels between Indonesian and Ugandan folk traditions before exploding into a trance-like fusion of serpentine polyrhythms and disorienting vocals. Listening to the album is like hearing the past, present and future aligned; dance music is neither static nor bound to its contemporary apparatus, and conversation rather than colonization can stretch concepts beyond phony borders.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Nakibembe Embaire Group\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e"}
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ウガンダ・ブソガ王国の小さな村ナキベンベの伝統楽器である巨大な木琴「エンベール」を演奏するバンドNakibembe Embaire Groupが、2023年5月に同国カンパラのダンスレーベルNyege Nyege Tapesからリリースしたデビューレコードです。 ポリリズム全開のプリミティブ・ダンスミュージック8曲を収録。 インドネシアのガムランガババンドGabber Modus Operandiも参加しています。 "ウガンダのブソガ王国（現存する4つの立憲君主制国家のひとつ）にある小さな村、ナキベンベでは、昔から地元の人々が音楽演奏や社交行事のための共同スペースを確保してきました。その中央には深い穴があり、15～25個の木の鍵盤で構成された巨大な木琴「エンベール」を増幅させるために、溝を横切っているのです。丸太の木琴は東アフリカでよく見られるものですが、東部バントゥー系民族のバソガ族が奏でる音楽は、独自のチューニングや踊り、補助的な楽器など、特殊でユニークなものです。最大8人の奏者がエンベールを囲んで同時に演奏し、催眠的なポリリズムを重ね合わせ、さらにボーカルやシェーカー、ドラムを加えたアンサンブルを奏でます。ナキベンベ・キシロフォン・グループは、アンベールを使って演奏する最後のグループのひとつで、彼らのライブを見た人ならわかるように、複雑で重層的な音の壁を作り出し、どこで演奏しても完全に魅了されるのです。バンドはNyege Nyegeフェスティバルの常連で、2020年にはベルリンの伝説的ナイトクラブBerghainで、ジャカルタ出身の前衛バンドGabber Modus OperandiとHarsya Wahonoと共に出演した。デビューアルバムでは、アンサンブルで5曲、インドネシアのトリオとのコラボレーションで3曲を発表しています。一緒に聴くと、Nakibembe自身の運動音だけでなく、インドネシアのメタロフォン主導のガムラン音楽からサウンドアート界の頭脳的なデジタルプロセスまで、より遠い形態と相関する音の波紋が示されます。8分間に及ぶ大曲「Omukazi...
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{"id":8092624093434,"title":"De Schuurman \/\/ Bubbling Inside LP [COLOR]","handle":"de-schuurman-bubbling-inside-color","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eオランダ・デンハーグのバブリング・ハウス作家De Schuurmanが、2023年11月にウガンダ・カンパラのダンスレーベルNyege Nyege Tapesからリリースしたレコードです。（オリジナルは2021年にカセットリリース）\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e2007-2009年に制作した未発表音源13曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cspan data-mce-fragment=\"1\"\u003e1980年代後半、テクノとハウスがヨーロッパ中を駆け巡り、都市から都市へと変遷する中で、キュラソー出身の若いDJが、まったく新しいサウンドを生み出すきっかけとなるミスを犯した。デン・ハーグのクラブVoltageでパフォーマンスをしていたDJ Moortjeは、誤ってダンスホールのトラックを33RPMではなく45RPMでドロップし、プレイアウトさせてしまったのだ。Hi-NRGサウンドを渇望していた観客は、軋んだヴォーカルと急速なビートを気に入り、バブリング（またはバブリング・ハウス）が誕生した。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eその後数十年間、バブリングはオランダのアフロ・ディアスポラ的なクラブシーンに欠かせない存在だった。そして、目を見開いた若いDJやプロデューサーの新しい世代が手綱を取り始めると、バブリングはそれに応じて進化していった。2000年代後半、デン・ハーグを拠点とする10代の天才De Schuurmanは、叔父のDJチッピー（このジャンルの共同創設者の一人）や従兄弟のDJデイカード、DJマスターD、スティコ・ジュニア、DJジャストミーの足跡をたどり、パフォーマンスとビート作りを始めた。Fruityloopsを使い、おなじみの泡のようなリズムにラップやR\u0026amp;Bのサンプル、トランスシンセ、エレクトロハウスを融合させ、彼のトラックは瞬く間にオランダのサーキットの常連となった。\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\"\u003e『Bubbling Inside』は、2007年から2009年にかけてのDe Schuurmanの最も重要なカットを集めたもので、文脈のために新しい作品もいくつか加えられている。Nyege Nyege Tapesは、ロッテルダムのPantropicalのSascha RothとDe Schuurman本人と共に、これらのトラックのほとんどを探し出し、収集した。これらを一緒に聴くと、この若いプロデューサーがいかに先進的で、オランダの名門を未来へと導いていったかがよくわかる。\u003cbr\u003e\u003cbr\u003e2008年の'First One'は、プロト・ベルゲインの傑作であり、このジャンルの名刺代わりとなっている小生意気なメロディーを、ブンブン響く重低音のキックが支えている。「Pier Je Bil!!!」はテンポを上げ、バブリングのシンコペーション・ダンスホール・キックをクラブでの速射砲のようなクラッターにねじ曲げ、スティールパンのメロディーで飾っている。その他、2019年の「Domina」は、バブリングのDNAを保ちつつ、トラップ・パーカッション、ダブステップ・ベース、不気味なシンセのテクスチャーを変異させ、シュールマンのプロダクション・スタイルがいかに発展したかを示している。「Bubbling Inside」は、最も先見の明のあるプロデューサーの一人が目撃した、バブリングというジャンルの進化の証である。\"\u003cbr\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3696850673\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" Military Green vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. Brass 02:15\u003cbr\u003e2. Fermina Style 02:41\u003cbr\u003e3. Nu Ga Je Dansen 02:34\u003cbr\u003e4. Pier Je Bill! 02:26\u003cbr\u003e5. Bubbling Inside (ft DJ Electro) 03:28\u003cbr\u003e6. Domina 03:32\u003cbr\u003e7. Poeng Ka Poeng Ka 02:43\u003cbr\u003e8. Fucking Hard 03:41\u003cbr\u003e9. I'm Rich Bitch 02:44\u003cbr\u003e10. Urban Gunz 04:25\u003cbr\u003e11. First One 03:04\u003cbr\u003e12. Bubbling Freakz 02:07\u003cbr\u003e13. Poenka 03:34\u003c\/p\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eIn the late 1980s, as techno and house made its way around Europe, mutating as it hopped from city to city, one young DJ from Curacao made a mistake that would inspire a brand new sound. While he was performing at Den Haag's Club Voltage, DJ Moortje accidentally dropped a dancehall track at 45RPM rather than 33, and let it play out. Thirsty for a hi-NRG sound, the crowd loved the squeaky vocals and rapid beat, and bubbling (or bubbling house) was born.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFor the next couple of decades, bubbling was a crucial part of Holland's Afro-diasporic club landscape. And as a new generation of wide-eyed young DJs and producers began to take the reins, it evolved accordingly. In the late-2000s, Den Haag-based teenage prodigy Guillermo Schuurman followed in the footsteps of his uncle DJ Chippie (one of the genre's co-founders) and cousins DJ Daycard, DJ Master-D, Stiko Jnr and DJ Justme, and began performing and writing beats. Using Fruityloops, he fused familiar bubbling rhythms with rap and R\u0026amp;B samples, trance synths and electro house wobbles, and his tracks quickly became a regular fixture on the Dutch circuit.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"Bubbling Inside\" is a collection of Schuurman's most essential cuts from the era (2007-2009), with a couple of newer productions added for context. Crafted solely for the dance, most of\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e these tracks were never properly released and have been painstakingly hunted down and collected by the Nyege Nyege Tapes together with Sascha Roth from Pantropical in Rotterdam and De Schuurman himself. Hearing them together highlights just how forward thinking the young producer was, steering a Dutch institution into the future.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e2008's 'First One' is a proto-Berghain belter, with booming bass-heavy kicks underpinning the kind of cheeky melodies that remain the calling card of the genre. 'Pier Je Bil!!' ratchets up the tempo, twisting bubbling's syncopated dancehall kicks into a rapid-fire club clatter and decorating them with steel-pan melodies. Elsewhere, 2019's 'Domina' shows how Schuurman's production style has developed as he mutates trap percussion, dubstep bass and eerie synth textures, while retaining the DNA of bubbling. \"Bubbling Inside\" is a testament to the evolution of the bubbling genre, as witnessed by one of its most visionary producers.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : De Schuurman\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e","published_at":"2023-11-25T19:13:52+09:00","created_at":"2023-11-25T19:01:38+09:00","vendor":"Tobira Records","type":"","tags":["hakuna kulala","house","lp","new","techno \/ house"],"price":305000,"price_min":305000,"price_max":305000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44807967539450,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"De Schuurman \/\/ Bubbling Inside LP [COLOR]","public_title":null,"options":["Default Title"],"price":305000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a3447342363_16.jpg?v=1700906574","\/\/tobirarecords.com\/cdn\/shop\/files\/0034248810_10.jpg?v=1700906576"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3447342363_16.jpg?v=1700906574","options":["Title"],"media":[{"alt":null,"id":32744336916730,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3447342363_16.jpg?v=1700906574"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3447342363_16.jpg?v=1700906574","width":700},{"alt":null,"id":32744337015034,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034248810_10.jpg?v=1700906576"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034248810_10.jpg?v=1700906576","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eオランダ・デンハーグのバブリング・ハウス作家De Schuurmanが、2023年11月にウガンダ・カンパラのダンスレーベルNyege Nyege Tapesからリリースしたレコードです。（オリジナルは2021年にカセットリリース）\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e2007-2009年に制作した未発表音源13曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cspan data-mce-fragment=\"1\"\u003e1980年代後半、テクノとハウスがヨーロッパ中を駆け巡り、都市から都市へと変遷する中で、キュラソー出身の若いDJが、まったく新しいサウンドを生み出すきっかけとなるミスを犯した。デン・ハーグのクラブVoltageでパフォーマンスをしていたDJ Moortjeは、誤ってダンスホールのトラックを33RPMではなく45RPMでドロップし、プレイアウトさせてしまったのだ。Hi-NRGサウンドを渇望していた観客は、軋んだヴォーカルと急速なビートを気に入り、バブリング（またはバブリング・ハウス）が誕生した。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eその後数十年間、バブリングはオランダのアフロ・ディアスポラ的なクラブシーンに欠かせない存在だった。そして、目を見開いた若いDJやプロデューサーの新しい世代が手綱を取り始めると、バブリングはそれに応じて進化していった。2000年代後半、デン・ハーグを拠点とする10代の天才De Schuurmanは、叔父のDJチッピー（このジャンルの共同創設者の一人）や従兄弟のDJデイカード、DJマスターD、スティコ・ジュニア、DJジャストミーの足跡をたどり、パフォーマンスとビート作りを始めた。Fruityloopsを使い、おなじみの泡のようなリズムにラップやR\u0026amp;Bのサンプル、トランスシンセ、エレクトロハウスを融合させ、彼のトラックは瞬く間にオランダのサーキットの常連となった。\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\"\u003e『Bubbling Inside』は、2007年から2009年にかけてのDe Schuurmanの最も重要なカットを集めたもので、文脈のために新しい作品もいくつか加えられている。Nyege Nyege Tapesは、ロッテルダムのPantropicalのSascha RothとDe Schuurman本人と共に、これらのトラックのほとんどを探し出し、収集した。これらを一緒に聴くと、この若いプロデューサーがいかに先進的で、オランダの名門を未来へと導いていったかがよくわかる。\u003cbr\u003e\u003cbr\u003e2008年の'First One'は、プロト・ベルゲインの傑作であり、このジャンルの名刺代わりとなっている小生意気なメロディーを、ブンブン響く重低音のキックが支えている。「Pier Je Bil!!!」はテンポを上げ、バブリングのシンコペーション・ダンスホール・キックをクラブでの速射砲のようなクラッターにねじ曲げ、スティールパンのメロディーで飾っている。その他、2019年の「Domina」は、バブリングのDNAを保ちつつ、トラップ・パーカッション、ダブステップ・ベース、不気味なシンセのテクスチャーを変異させ、シュールマンのプロダクション・スタイルがいかに発展したかを示している。「Bubbling Inside」は、最も先見の明のあるプロデューサーの一人が目撃した、バブリングというジャンルの進化の証である。\"\u003cbr\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3696850673\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" Military Green vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. Brass 02:15\u003cbr\u003e2. Fermina Style 02:41\u003cbr\u003e3. Nu Ga Je Dansen 02:34\u003cbr\u003e4. Pier Je Bill! 02:26\u003cbr\u003e5. Bubbling Inside (ft DJ Electro) 03:28\u003cbr\u003e6. Domina 03:32\u003cbr\u003e7. Poeng Ka Poeng Ka 02:43\u003cbr\u003e8. Fucking Hard 03:41\u003cbr\u003e9. I'm Rich Bitch 02:44\u003cbr\u003e10. Urban Gunz 04:25\u003cbr\u003e11. First One 03:04\u003cbr\u003e12. Bubbling Freakz 02:07\u003cbr\u003e13. Poenka 03:34\u003c\/p\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eIn the late 1980s, as techno and house made its way around Europe, mutating as it hopped from city to city, one young DJ from Curacao made a mistake that would inspire a brand new sound. While he was performing at Den Haag's Club Voltage, DJ Moortje accidentally dropped a dancehall track at 45RPM rather than 33, and let it play out. Thirsty for a hi-NRG sound, the crowd loved the squeaky vocals and rapid beat, and bubbling (or bubbling house) was born.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFor the next couple of decades, bubbling was a crucial part of Holland's Afro-diasporic club landscape. And as a new generation of wide-eyed young DJs and producers began to take the reins, it evolved accordingly. In the late-2000s, Den Haag-based teenage prodigy Guillermo Schuurman followed in the footsteps of his uncle DJ Chippie (one of the genre's co-founders) and cousins DJ Daycard, DJ Master-D, Stiko Jnr and DJ Justme, and began performing and writing beats. Using Fruityloops, he fused familiar bubbling rhythms with rap and R\u0026amp;B samples, trance synths and electro house wobbles, and his tracks quickly became a regular fixture on the Dutch circuit.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"Bubbling Inside\" is a collection of Schuurman's most essential cuts from the era (2007-2009), with a couple of newer productions added for context. Crafted solely for the dance, most of\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e these tracks were never properly released and have been painstakingly hunted down and collected by the Nyege Nyege Tapes together with Sascha Roth from Pantropical in Rotterdam and De Schuurman himself. Hearing them together highlights just how forward thinking the young producer was, steering a Dutch institution into the future.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e2008's 'First One' is a proto-Berghain belter, with booming bass-heavy kicks underpinning the kind of cheeky melodies that remain the calling card of the genre. 'Pier Je Bil!!' ratchets up the tempo, twisting bubbling's syncopated dancehall kicks into a rapid-fire club clatter and decorating them with steel-pan melodies. Elsewhere, 2019's 'Domina' shows how Schuurman's production style has developed as he mutates trap percussion, dubstep bass and eerie synth textures, while retaining the DNA of bubbling. \"Bubbling Inside\" is a testament to the evolution of the bubbling genre, as witnessed by one of its most visionary producers.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : De Schuurman\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e"}
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オランダ・デンハーグのバブリング・ハウス作家De Schuurmanが、2023年11月にウガンダ・カンパラのダンスレーベルNyege Nyege Tapesからリリースしたレコードです。（オリジナルは2021年にカセットリリース） 2007-2009年に制作した未発表音源13曲を収録。 以下、レーベルによる解説です。 "1980年代後半、テクノとハウスがヨーロッパ中を駆け巡り、都市から都市へと変遷する中で、キュラソー出身の若いDJが、まったく新しいサウンドを生み出すきっかけとなるミスを犯した。デン・ハーグのクラブVoltageでパフォーマンスをしていたDJ Moortjeは、誤ってダンスホールのトラックを33RPMではなく45RPMでドロップし、プレイアウトさせてしまったのだ。Hi-NRGサウンドを渇望していた観客は、軋んだヴォーカルと急速なビートを気に入り、バブリング（またはバブリング・ハウス）が誕生した。その後数十年間、バブリングはオランダのアフロ・ディアスポラ的なクラブシーンに欠かせない存在だった。そして、目を見開いた若いDJやプロデューサーの新しい世代が手綱を取り始めると、バブリングはそれに応じて進化していった。2000年代後半、デン・ハーグを拠点とする10代の天才De Schuurmanは、叔父のDJチッピー（このジャンルの共同創設者の一人）や従兄弟のDJデイカード、DJマスターD、スティコ・ジュニア、DJジャストミーの足跡をたどり、パフォーマンスとビート作りを始めた。Fruityloopsを使い、おなじみの泡のようなリズムにラップやR&Bのサンプル、トランスシンセ、エレクトロハウスを融合させ、彼のトラックは瞬く間にオランダのサーキットの常連となった。 『Bubbling Inside』は、2007年から2009年にかけてのDe Schuurmanの最も重要なカットを集めたもので、文脈のために新しい作品もいくつか加えられている。Nyege Nyege Tapesは、ロッテルダムのPantropicalのSascha...
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{"id":8065882063098,"title":"Duke \/\/ Early Instrumentals LP [COLOR]","handle":"duke-early-instrumentals-lp-color","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eタンザニア・ダルエスサラームのシンゲリ作家Dukeが、2023年11月にウガンダ・カンパラのダンスレーベルNyege Nyege Tapesからリリースしたレコードです。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e過去作とは異なりボーカル無しのシンゲリ11曲を収録。青盤です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"MCZOとともに世界をツアーし、18歳のときから自身のスタジオPamoja Recordsを率いてきた影響力のあるシンゲリプロデューサーDukeは現在26歳で、タンザニアで最も多忙なクラブアルケミストのひとりだ。ソロデビュー作『Uingizaji Hewa』では、ダルエスサラームに根付くハード＆ファスト・クラブテンプレートに、バスタライムスやエミネム、そしてこのジャンルのベテランであるジェイミッタやシッソの200bpmを取り入れた、独特の \"ヒップホップ・シンゲリ \"サウンドを聴かせてくれた。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e2021年の \"Sounds of Pamoja \"では、Dukeのスタジオ、特にDogo Kibo、MC Kidene、Pirato MC、MC Kukeのようなこの街の最高の若手MCたちとの仕事ぶりを詳しく見せてくれた。『\u003cmeta charset=\"utf-8\"\u003eEarly Instrumentals』では、発掘されたジャンルを溶かすようなシングリの突然変異のセレクションが、ヴォーカルなしで丸裸にされており、Dukeの進化の深さを目の当たりにすることができる。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003eこの11曲入りセットには、現代的なレイヴサウンドとUSラップのアティテュード、そしてタンザニアのダンス史の融合という彼の先見性を表現した、これまでにないハイブリッドなダンスミュージックが収録されている。シンゲリのルーツは、東アフリカと中東の伝統的なダンスのリズムとメロディーを融合させたタラアブにあるが、Dukeはこのサウンドを、シンセを中心としたシンコペーションの花火のような、快活で未来的なサウンドへと導いている。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Early Instrumentals \"は、デュークの盛り上がるダンスカクテルのこれまでで最もバラエティに富んだ作品だ。このジャンルはヘッドフォンで聴くものではなく、動くためのものだとリスナーに確信させる、身体的な呼びかけである。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2522052390\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" blue vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSingeli bt\u003c\/li\u003e\n\u003cli\u003eDUKELO FL SING\u003c\/li\u003e\n\u003cli\u003eBEAT KALI DUKE\u003c\/li\u003e\n\u003cli\u003ebit kai p mc.\u003c\/li\u003e\n\u003cli\u003eDUKE SEBENE AK 47\u003c\/li\u003e\n\u003cli\u003eDUKE SELECTA\u003c\/li\u003e\n\u003cli\u003eF2\u003c\/li\u003e\n\u003cli\u003eKKKKKKKKKKKKKKK\u003c\/li\u003e\n\u003cli\u003esebene funguo duke\u003c\/li\u003e\n\u003cli\u003eWADA PANGA 1 02:24\u003c\/li\u003e\n\u003cli\u003eunti\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eHaving toured the world with MCZO and been at the helm of his own studio Pamoja Records since he was just 18, influential singeli producer Duke, now 26, is one of Tanzania's busiest club alchemists. On his acclaimed solo debut \"Uingizaji Hewa\" we were introduced to his idiosyncratic \"hip-hop singeli\" sound, a slower cousin to the Dar es Salaam-rooted hard 'n fast club template that takes as much special sauce from Busta Rhymes and Eminem as it does the 200bpm clatter of genre veterans Jay Mitta and Sisso.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOn 2021's \"Sounds of Pamoja\"complilation, we were treated to a closer look into Duke's studio, and specifically at his work with the city's best young MCs like Dogo Kibo, MC Kidene, Pirato MC and MC Kuke. \"Early Instrumentals\" allows us to witness the depth of Duke's evolution, with a selection of unearthed genre melting singeli mutations laid completely bare without vocals.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis 11-track set features some of his most arresting hybrid dance music yet, expressing his visionary fusion of contemporary rave sounds, US rap attitude and Tanzanian dance history. While the roots of singeli are in taraab, a popular fusion of East African and Middle Eastern traditional dance rhythms and melodies, Duke steers the sound into a synth-led, syncopated firework display that\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e sounds spry and futuristic.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCentered around a bumping staccato melody and urgent synth strings 'DUKELO FL SING' echoes the lo-swung swagger of early Dr. Dre productions, but kicks the tempo into overdrive, decorating any gaps with flickering late-nite synths. 'BEAT KALI DUKE' meanwhile drives carnival trance leads through hard and fast rolls of kick drums, whistles and woodblock cracks. It's not all completely high speed either: 'DUKE SELECTA' is almost Afro-house, with slow, sexy bass and woozy vocal melodies, and 'KKKKKKKKKKKKKKK' absorbs the propulsive spirit of South African gqom.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"Early Instrumentals\" is the most varied picture we've been presented yet of Duke's rousing dance cocktail. It's a physical call to action that assures listeners the genre is for movement, not headphone listening.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Duke\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e","published_at":"2023-11-06T18:56:04+09:00","created_at":"2023-11-04T18:09:29+09:00","vendor":"Tobira Records","type":"","tags":["hakuna kulala","house","lp","new","techno \/ house"],"price":298500,"price_min":298500,"price_max":298500,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44728685723898,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Duke \/\/ Early Instrumentals LP [COLOR]","public_title":null,"options":["Default Title"],"price":298500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/in1_0cef16f9-69cb-4314-9149-c4ba1edaaa10.jpg?v=1699088971","\/\/tobirarecords.com\/cdn\/shop\/files\/in2_9aeb88d9-2f05-45ba-ae79-0d9f33d42526.jpg?v=1699088971"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/in1_0cef16f9-69cb-4314-9149-c4ba1edaaa10.jpg?v=1699088971","options":["Title"],"media":[{"alt":null,"id":32642127266042,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in1_0cef16f9-69cb-4314-9149-c4ba1edaaa10.jpg?v=1699088971"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in1_0cef16f9-69cb-4314-9149-c4ba1edaaa10.jpg?v=1699088971","width":700},{"alt":null,"id":32642127298810,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in2_9aeb88d9-2f05-45ba-ae79-0d9f33d42526.jpg?v=1699088971"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in2_9aeb88d9-2f05-45ba-ae79-0d9f33d42526.jpg?v=1699088971","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eタンザニア・ダルエスサラームのシンゲリ作家Dukeが、2023年11月にウガンダ・カンパラのダンスレーベルNyege Nyege Tapesからリリースしたレコードです。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e過去作とは異なりボーカル無しのシンゲリ11曲を収録。青盤です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"MCZOとともに世界をツアーし、18歳のときから自身のスタジオPamoja Recordsを率いてきた影響力のあるシンゲリプロデューサーDukeは現在26歳で、タンザニアで最も多忙なクラブアルケミストのひとりだ。ソロデビュー作『Uingizaji Hewa』では、ダルエスサラームに根付くハード＆ファスト・クラブテンプレートに、バスタライムスやエミネム、そしてこのジャンルのベテランであるジェイミッタやシッソの200bpmを取り入れた、独特の \"ヒップホップ・シンゲリ \"サウンドを聴かせてくれた。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e2021年の \"Sounds of Pamoja \"では、Dukeのスタジオ、特にDogo Kibo、MC Kidene、Pirato MC、MC Kukeのようなこの街の最高の若手MCたちとの仕事ぶりを詳しく見せてくれた。『\u003cmeta charset=\"utf-8\"\u003eEarly Instrumentals』では、発掘されたジャンルを溶かすようなシングリの突然変異のセレクションが、ヴォーカルなしで丸裸にされており、Dukeの進化の深さを目の当たりにすることができる。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003eこの11曲入りセットには、現代的なレイヴサウンドとUSラップのアティテュード、そしてタンザニアのダンス史の融合という彼の先見性を表現した、これまでにないハイブリッドなダンスミュージックが収録されている。シンゲリのルーツは、東アフリカと中東の伝統的なダンスのリズムとメロディーを融合させたタラアブにあるが、Dukeはこのサウンドを、シンセを中心としたシンコペーションの花火のような、快活で未来的なサウンドへと導いている。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Early Instrumentals \"は、デュークの盛り上がるダンスカクテルのこれまでで最もバラエティに富んだ作品だ。このジャンルはヘッドフォンで聴くものではなく、動くためのものだとリスナーに確信させる、身体的な呼びかけである。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2522052390\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" blue vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSingeli bt\u003c\/li\u003e\n\u003cli\u003eDUKELO FL SING\u003c\/li\u003e\n\u003cli\u003eBEAT KALI DUKE\u003c\/li\u003e\n\u003cli\u003ebit kai p mc.\u003c\/li\u003e\n\u003cli\u003eDUKE SEBENE AK 47\u003c\/li\u003e\n\u003cli\u003eDUKE SELECTA\u003c\/li\u003e\n\u003cli\u003eF2\u003c\/li\u003e\n\u003cli\u003eKKKKKKKKKKKKKKK\u003c\/li\u003e\n\u003cli\u003esebene funguo duke\u003c\/li\u003e\n\u003cli\u003eWADA PANGA 1 02:24\u003c\/li\u003e\n\u003cli\u003eunti\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eHaving toured the world with MCZO and been at the helm of his own studio Pamoja Records since he was just 18, influential singeli producer Duke, now 26, is one of Tanzania's busiest club alchemists. On his acclaimed solo debut \"Uingizaji Hewa\" we were introduced to his idiosyncratic \"hip-hop singeli\" sound, a slower cousin to the Dar es Salaam-rooted hard 'n fast club template that takes as much special sauce from Busta Rhymes and Eminem as it does the 200bpm clatter of genre veterans Jay Mitta and Sisso.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOn 2021's \"Sounds of Pamoja\"complilation, we were treated to a closer look into Duke's studio, and specifically at his work with the city's best young MCs like Dogo Kibo, MC Kidene, Pirato MC and MC Kuke. \"Early Instrumentals\" allows us to witness the depth of Duke's evolution, with a selection of unearthed genre melting singeli mutations laid completely bare without vocals.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis 11-track set features some of his most arresting hybrid dance music yet, expressing his visionary fusion of contemporary rave sounds, US rap attitude and Tanzanian dance history. While the roots of singeli are in taraab, a popular fusion of East African and Middle Eastern traditional dance rhythms and melodies, Duke steers the sound into a synth-led, syncopated firework display that\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e sounds spry and futuristic.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCentered around a bumping staccato melody and urgent synth strings 'DUKELO FL SING' echoes the lo-swung swagger of early Dr. Dre productions, but kicks the tempo into overdrive, decorating any gaps with flickering late-nite synths. 'BEAT KALI DUKE' meanwhile drives carnival trance leads through hard and fast rolls of kick drums, whistles and woodblock cracks. It's not all completely high speed either: 'DUKE SELECTA' is almost Afro-house, with slow, sexy bass and woozy vocal melodies, and 'KKKKKKKKKKKKKKK' absorbs the propulsive spirit of South African gqom.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"Early Instrumentals\" is the most varied picture we've been presented yet of Duke's rousing dance cocktail. It's a physical call to action that assures listeners the genre is for movement, not headphone listening.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Duke\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e"}
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タンザニア・ダルエスサラームのシンゲリ作家Dukeが、2023年11月にウガンダ・カンパラのダンスレーベルNyege Nyege Tapesからリリースしたレコードです。 過去作とは異なりボーカル無しのシンゲリ11曲を収録。青盤です。 以下、レーベルによる解説です。 "MCZOとともに世界をツアーし、18歳のときから自身のスタジオPamoja Recordsを率いてきた影響力のあるシンゲリプロデューサーDukeは現在26歳で、タンザニアで最も多忙なクラブアルケミストのひとりだ。ソロデビュー作『Uingizaji Hewa』では、ダルエスサラームに根付くハード＆ファスト・クラブテンプレートに、バスタライムスやエミネム、そしてこのジャンルのベテランであるジェイミッタやシッソの200bpmを取り入れた、独特の "ヒップホップ・シンゲリ "サウンドを聴かせてくれた。2021年の "Sounds of Pamoja "では、Dukeのスタジオ、特にDogo...
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{"id":8034802368762,"title":"Judgitzu \/\/ Sator Arepo LP","handle":"judgitzu-sator-arepo-lp","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eフランスの自称パンク民族音楽学者Judgitzuが、2023年10月にウガンダ・カンパラのダンスレーベルNyege Nyege Tapesからリリースしたレコードです。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e呪術的なトライバル・テクノ〜ドローン・テクノ7曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"Sator Arepo（サトル・スクエア）は、5つの回文からなる古代の言葉のパズルであり、西洋世界のさまざまな史跡に刻まれている。その起源は不明だが、この正方形には長い間呪術的な効果があると考えられており、病気や邪悪なものから身を守ったり、狂気を治したり、誰かが呪術の罪を犯しているかどうかを判断するために使われてきた。自称 \"パンク民族音楽学者 \"であるアコースティックミュージシャンのジュリアン・ヘイロンは、この神秘的なシンボルをJudgitzuのデビューアルバムの出発点として使用し、ケルトの伝統と再びつながろうと試み、その神聖なメッセージが現代のタンザニアのダンスミュージックとどのように調和するかを探求している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eヘイロンは10年以上にわたって世界中を旅し、インドネシア、オーストラリア、カンボジア、中国、バングラデシュなどのフィールドレコーディングを集め、自身のレーベルLes Cartes Postales Sonoresで発表してきた。この頃、彼は精霊が関わる儀式に魅了されるようになり、ブルターニュに戻ったときに自分の祖先を調べるようになった。\"風景の中に多くの遺物が残っていて、精霊の力がまだ感じられる \"とヘイロンは説明する。彼は「Sator Arepo」でこのケルトの神秘主義を、古代世界にまで遡るゼンハーモニック音階（標準的な12音平均律以外のチューニング）を使った濁ったドローンと魔術的なシンセの音色で表現している。これらのサウンドは、タンザニア滞在中に得た情報をもとに、テンポの速いSF的なリズムで補強されている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"UTF-8\"\u003e \u003cspan\u003eその最も驚くべき例が「Miracle」で、蛇のような、バグパイプのようなエレクトロニック・ウェイルを、ブロックのようなパーカッションの贅沢なクラスターに重ねた、サウンドシステムの実験である。シッソ、デューク、ジェイ・ミッタのような先鋭的なプロデューサーたちによって世界的に広められたダルエスサラームのストリートに響き渡る175BPMの熱狂的なパルスを原動力とするヘイロンは、今日の最も切迫したダンスフォームと古代の古風な儀式との間に類似点を見出そうと、稀有な会話を切り出した。「\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003cspan\u003eVitalimetre」では、オランダのハードスタイルやギャバーとハーモニーを奏で、歪んだドローンを狂ったように吹き出すキックとラチェットするパーカッションに乗せている。「L'or Des Fous」は、より瞑想的な路線をとり、ピッチのゆがんだ音の表情豊かなシートでヘイロンのエキセントリックな音色を優先させ、エネルギーに満ちたガラガラのビートの上をゴーストウォークする。\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e「Sator Arepo」で、このフランス人プロデューサーは、私たちが忘れかけている世界を掴み、私たちのほとんどがほとんど理解していない風景と重ね合わせながら、その到達点をさらに深めている。\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/hKbKnqoKQ9M?si=UuMxHG6xm4Vk1Xg8\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1. \u003c\/span\u003e\u003cspan\u003eL'or Des Fous\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2. \u003c\/span\u003e\u003cspan\u003eMandragore\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e3. \u003c\/span\u003e\u003cspan\u003eVitalimetre\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e4. \u003c\/span\u003e\u003cspan\u003eDagyde\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e5. \u003c\/span\u003e\u003cspan\u003eMiracle\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e6. \u003c\/span\u003e\u003cspan\u003eSylphe\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e7. \u003c\/span\u003e\u003cspan\u003eSator Arepo \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eThe Sator Arepo, or Sator Square, is an ancient word puzzle comprising five palindromes that's etched on various historical sites throughout the Western world. Its origins are unknown, but the square has long been thought to hold magical properties, used as a charm against illness and evil, to cure insanity or to determine whether someone was guilty of witchcraft. Self-styled \"punk ethnomusicologist\", acoustician and musician Julien Hairon uses this mystical symbol as the starting point for his debut Judgitzu album in an attempt to reconnect with his Celtic heritage, exploring how its hallowed messages might harmonize with contemporary Tanzanian dance music.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHairon has been traveling across the world for over a decade, collecting field recordings from countries such as Indonesia, Australia, Cambodia, China and Bangladesh, and presenting them on his Les Cartes Postales Sonores label, re-issuing any curious cassettes and CDs he came across on the PetPets' TAPES imprint. It was during this time that he became fascinated by rituals that involved spirits, prompting him to examine his own ancestry when he returned to Brittany. \"Many artifacts in the landscape remain,\" Hairon explains, \"and the power of spirits is still palpable.\" He\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003erepresents this Celtic mysticism on 'Sator Arepo' with murky drones and magickal synth tones, using xenharmonic scales (tuning outside of standard 12-tone equal temperament) that reach back to the ancient world. These sounds are augmented with fast-paced, sci-fi rhythms informed by his time in Tanzania; \"Singeli has contaminated me,\" admits the producer.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe most astonishing example of this is 'Miracle', a thrusting soundsystem experiment that layers serpentine, bagpipe-esque electronic wails over extravagant clusters of blocky percussion. Driven by the frenetic 175BPM pulse that echoes through the streets of Dar Es Salaam - popularized globally by forward-thinking producers like Sisso, Duke and Jay Mitta - Hairon opens up a rare conversation, seeking to draw parallels between today's most urgent dance forms and the archaic rituals of antiquity. On 'Vitalimetre', Hairon drives his sonic palette into the red, harmonizing with Dutch hardstyle and gabber, and splaying distorted drones over maddeningly blown-out kicks and ratcheting percussion. 'L'or Des Fous' takes a more meditative route, prioritizing Hairon's eccentric tonality with expressive sheets of pitch-warped sound that ghost walk across energized, rattling beats.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIf you heard Hairon's last Judgitzu release 'Umeme \/ Kelele', described by Boomkat as \"one of 2019's deadliest dancefloor sessions,\" then you'll know how mindboggling this material can be. And with 'Sator Arepo', the French producer deepens his reach, grasping a world that we've almost forgotten and juxtaposing it with a landscape most of us barely comprehend.\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Judgitzu\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eLabel : Nyege Nyege Tapes\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-10-16T11:55:55+09:00","created_at":"2023-10-16T11:55:55+09:00","vendor":"Tobira Records","type":"","tags":["hakuna kulala","lp","new","strange beats","techno \/ house"],"price":299800,"price_min":299800,"price_max":299800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44639957385466,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Judgitzu \/\/ Sator Arepo LP","public_title":null,"options":["Default Title"],"price":299800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a1650889672_16.jpg?v=1697426260","\/\/tobirarecords.com\/cdn\/shop\/files\/0033520260_10.jpg?v=1697426269"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a1650889672_16.jpg?v=1697426260","options":["Title"],"media":[{"alt":null,"id":32563580043514,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a1650889672_16.jpg?v=1697426260"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a1650889672_16.jpg?v=1697426260","width":700},{"alt":null,"id":32563580403962,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0033520260_10.jpg?v=1697426269"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0033520260_10.jpg?v=1697426269","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eフランスの自称パンク民族音楽学者Judgitzuが、2023年10月にウガンダ・カンパラのダンスレーベルNyege Nyege Tapesからリリースしたレコードです。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e呪術的なトライバル・テクノ〜ドローン・テクノ7曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"Sator Arepo（サトル・スクエア）は、5つの回文からなる古代の言葉のパズルであり、西洋世界のさまざまな史跡に刻まれている。その起源は不明だが、この正方形には長い間呪術的な効果があると考えられており、病気や邪悪なものから身を守ったり、狂気を治したり、誰かが呪術の罪を犯しているかどうかを判断するために使われてきた。自称 \"パンク民族音楽学者 \"であるアコースティックミュージシャンのジュリアン・ヘイロンは、この神秘的なシンボルをJudgitzuのデビューアルバムの出発点として使用し、ケルトの伝統と再びつながろうと試み、その神聖なメッセージが現代のタンザニアのダンスミュージックとどのように調和するかを探求している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eヘイロンは10年以上にわたって世界中を旅し、インドネシア、オーストラリア、カンボジア、中国、バングラデシュなどのフィールドレコーディングを集め、自身のレーベルLes Cartes Postales Sonoresで発表してきた。この頃、彼は精霊が関わる儀式に魅了されるようになり、ブルターニュに戻ったときに自分の祖先を調べるようになった。\"風景の中に多くの遺物が残っていて、精霊の力がまだ感じられる \"とヘイロンは説明する。彼は「Sator Arepo」でこのケルトの神秘主義を、古代世界にまで遡るゼンハーモニック音階（標準的な12音平均律以外のチューニング）を使った濁ったドローンと魔術的なシンセの音色で表現している。これらのサウンドは、タンザニア滞在中に得た情報をもとに、テンポの速いSF的なリズムで補強されている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"UTF-8\"\u003e \u003cspan\u003eその最も驚くべき例が「Miracle」で、蛇のような、バグパイプのようなエレクトロニック・ウェイルを、ブロックのようなパーカッションの贅沢なクラスターに重ねた、サウンドシステムの実験である。シッソ、デューク、ジェイ・ミッタのような先鋭的なプロデューサーたちによって世界的に広められたダルエスサラームのストリートに響き渡る175BPMの熱狂的なパルスを原動力とするヘイロンは、今日の最も切迫したダンスフォームと古代の古風な儀式との間に類似点を見出そうと、稀有な会話を切り出した。「\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003cspan\u003eVitalimetre」では、オランダのハードスタイルやギャバーとハーモニーを奏で、歪んだドローンを狂ったように吹き出すキックとラチェットするパーカッションに乗せている。「L'or Des Fous」は、より瞑想的な路線をとり、ピッチのゆがんだ音の表情豊かなシートでヘイロンのエキセントリックな音色を優先させ、エネルギーに満ちたガラガラのビートの上をゴーストウォークする。\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e「Sator Arepo」で、このフランス人プロデューサーは、私たちが忘れかけている世界を掴み、私たちのほとんどがほとんど理解していない風景と重ね合わせながら、その到達点をさらに深めている。\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/hKbKnqoKQ9M?si=UuMxHG6xm4Vk1Xg8\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1. \u003c\/span\u003e\u003cspan\u003eL'or Des Fous\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2. \u003c\/span\u003e\u003cspan\u003eMandragore\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e3. \u003c\/span\u003e\u003cspan\u003eVitalimetre\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e4. \u003c\/span\u003e\u003cspan\u003eDagyde\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e5. \u003c\/span\u003e\u003cspan\u003eMiracle\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e6. \u003c\/span\u003e\u003cspan\u003eSylphe\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e7. \u003c\/span\u003e\u003cspan\u003eSator Arepo \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eThe Sator Arepo, or Sator Square, is an ancient word puzzle comprising five palindromes that's etched on various historical sites throughout the Western world. Its origins are unknown, but the square has long been thought to hold magical properties, used as a charm against illness and evil, to cure insanity or to determine whether someone was guilty of witchcraft. Self-styled \"punk ethnomusicologist\", acoustician and musician Julien Hairon uses this mystical symbol as the starting point for his debut Judgitzu album in an attempt to reconnect with his Celtic heritage, exploring how its hallowed messages might harmonize with contemporary Tanzanian dance music.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHairon has been traveling across the world for over a decade, collecting field recordings from countries such as Indonesia, Australia, Cambodia, China and Bangladesh, and presenting them on his Les Cartes Postales Sonores label, re-issuing any curious cassettes and CDs he came across on the PetPets' TAPES imprint. It was during this time that he became fascinated by rituals that involved spirits, prompting him to examine his own ancestry when he returned to Brittany. \"Many artifacts in the landscape remain,\" Hairon explains, \"and the power of spirits is still palpable.\" He\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003erepresents this Celtic mysticism on 'Sator Arepo' with murky drones and magickal synth tones, using xenharmonic scales (tuning outside of standard 12-tone equal temperament) that reach back to the ancient world. These sounds are augmented with fast-paced, sci-fi rhythms informed by his time in Tanzania; \"Singeli has contaminated me,\" admits the producer.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe most astonishing example of this is 'Miracle', a thrusting soundsystem experiment that layers serpentine, bagpipe-esque electronic wails over extravagant clusters of blocky percussion. Driven by the frenetic 175BPM pulse that echoes through the streets of Dar Es Salaam - popularized globally by forward-thinking producers like Sisso, Duke and Jay Mitta - Hairon opens up a rare conversation, seeking to draw parallels between today's most urgent dance forms and the archaic rituals of antiquity. On 'Vitalimetre', Hairon drives his sonic palette into the red, harmonizing with Dutch hardstyle and gabber, and splaying distorted drones over maddeningly blown-out kicks and ratcheting percussion. 'L'or Des Fous' takes a more meditative route, prioritizing Hairon's eccentric tonality with expressive sheets of pitch-warped sound that ghost walk across energized, rattling beats.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIf you heard Hairon's last Judgitzu release 'Umeme \/ Kelele', described by Boomkat as \"one of 2019's deadliest dancefloor sessions,\" then you'll know how mindboggling this material can be. And with 'Sator Arepo', the French producer deepens his reach, grasping a world that we've almost forgotten and juxtaposing it with a landscape most of us barely comprehend.\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Judgitzu\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eLabel : Nyege Nyege Tapes\u003c\/span\u003e\u003c\/p\u003e"}
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フランスの自称パンク民族音楽学者Judgitzuが、2023年10月にウガンダ・カンパラのダンスレーベルNyege Nyege Tapesからリリースしたレコードです。 呪術的なトライバル・テクノ〜ドローン・テクノ7曲を収録。 以下、レーベルによる解説です。 "Sator Arepo（サトル・スクエア）は、5つの回文からなる古代の言葉のパズルであり、西洋世界のさまざまな史跡に刻まれている。その起源は不明だが、この正方形には長い間呪術的な効果があると考えられており、病気や邪悪なものから身を守ったり、狂気を治したり、誰かが呪術の罪を犯しているかどうかを判断するために使われてきた。自称 "パンク民族音楽学者 "であるアコースティックミュージシャンのジュリアン・ヘイロンは、この神秘的なシンボルをJudgitzuのデビューアルバムの出発点として使用し、ケルトの伝統と再びつながろうと試み、その神聖なメッセージが現代のタンザニアのダンスミュージックとどのように調和するかを探求している。 ヘイロンは10年以上にわたって世界中を旅し、インドネシア、オーストラリア、カンボジア、中国、バングラデシュなどのフィールドレコーディングを集め、自身のレーベルLes Cartes Postales Sonoresで発表してきた。この頃、彼は精霊が関わる儀式に魅了されるようになり、ブルターニュに戻ったときに自分の祖先を調べるようになった。"風景の中に多くの遺物が残っていて、精霊の力がまだ感じられる "とヘイロンは説明する。彼は「Sator...
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{"id":8023603314938,"title":"Ziúr \/\/ Eyeroll LP","handle":"ziur-eyeroll-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eドイツ・ベルリンの実験ビートメイカーZiúrが、2023年9月にウガンダ・カンパラのダンスレーベルHakuna Kulalaからリリースしたレコードです。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e様々なシンガーやラッパーをゲストに迎えたレフトフィールド・テクノ〜レフトフィールド・ヒップホップ11曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"世界は変わったのだ。私たちが孤独に閉じこもっている間に、私たちの日常は変化し、社会的なパターンは進化し、私たちの希望や夢は、私たちがまだ指から拭い去ろうとしている蜘蛛の巣にねじ曲げられた。前作『Antifate』は、革命の香りが漂う中、中世の逃避的ファンタジーを思い起こさせる野心的で複雑なハイブリッドポップ・フィーバードリームだった。しかし、規制が緩和されたとき、彼女は、電子レンジで加熱されたノスタルジーと離隔した麻薬的反復のスパイラルに自らを閉じ込めた混乱した社会を見つめていることに気づいた。EyerollはZiúrの音楽的万能薬であり、創造的な眠りから目を覚まし、外部とのつながりと内省を促すためのチンキ剤なのだ。エルヴィン・ブランディ、アブドーラ・ミニャウィ、アイスボーイ・ヴァイオレット、ジュリアナ・ハクスタブル、レデフ、ジェイムズ・ギンズブルグといったZiúrの選りすぐりのコラボレーターたちが、それぞれ個性的な声を提供し、困惑させるような音のエポックを予告している。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eZiúrのパレットは、プロジェクトの規模に合わせて進化させなければならなかったが、アルバムのトーンを決定づけたのは純粋に必要だったからだ。レコーディングは主に夜間に行われ、Ziúrは自分が出しているノイズを意識して、オーガニックなパーカッションを録音するユニークな方法を開発した。ロトタム（薄型のチューニング可能なドラム）を使い、彼女はスクラッチし、削り、優しく叩いて、各トラックのうねるような不安定なリズムの背景を作り上げた。冒頭の「Eyeroll」では、エルヴィン・ブランディの原始的なしゃがれ声と叫び声に対して、失われたビー玉のようにガラガラと音を立てている。そして、Brandhiのひねくれた表現が言葉になると、Ziúrはカオティックな衝撃音と飽和したエレクトロニクスの鋸歯状の爆風でそのエネルギーに対抗する。パリのGRMスタジオでモッシュピットを始めるかのように、「私は一番くだらないタバコを巻くの」と彼女は叫ぶ。シモ・セル、カール・ガリ、HVADとの作品に続く「Malikan」では、間髪入れずにアブドゥッラー・ミニアウィが登場し、腐食性のトランペットの爆音と、政治的に煽動的なアラビア語のヴォーカルを披露する。イスラム教以前の詩や、サウジアラビアとエジプトで育った彼が耳にしたクラーンの詠唱にインスパイアされた彼は、世界を横断する迷宮のような物語を紡ぎ、物理的・精神的な境界を同時に破壊する。2作目のコラボレーション『If The City Burns I Will Not Run』では、ミニアウィの範囲はさらに広がっている。\"もし雨が降って街が溺れれば \"と、彼はガス状のエレクトロニクスに乗せて口にする。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMove Onではマンチェスターのアイスボーイ・ヴァイオレットがしなやかなヴォーカルを披露し、「99 Favor Taste」では詩人でありDJでありアーティスト理論家でもあるジュリアナ・ハクスタブルがシュールなインタールードを披露している： Nontrivial Differential」と「Cut Cut Quote」である。前者では、彼女はジウールの骸骨のようなジャズの噴出に切り込み、ラップ・バトルとキャバレーの間を行き来しながら、絶叫したり口ずさんだりする。一方、後者では全く異なり、ブランディはフロントウーマンとしての役割に落ち着き、グランジとサイケデリック・ノー・ウェイヴを掛け合わせたような、めくるめく即興的なパッセージを唸らせる。彼女は多作なプロデューサーであり、2020年代半ばに父娘のインプロ・デュオ、Yeah Youでデビューして以来、自発的に声を使ってきた。彼女はジウールという理想的な箔を見つけた。彼女の落ち着きのないエネルギーと形式を曲げようとする意欲にマッチしたプロデューサーは、エイロールに忘れがたい足跡を残した。しかし、このアルバムで最も優しい瞬間は、ジウール自身によるものだ。「Hasty Revisionism」では、崩壊しそうなビートと流れ落ちるストリングスの上でうなり声を上げながらアルバムを盛り上げ、カントリーのコーダ「Lacrymaturity」で予期せぬ結末を迎える。カントリー・ミュージックと陶酔的で実験的なエレクトロニクスの熱狂的な融合は、最初は不調和に思えるかもしれないが、アルバムの他の部分と照らし合わせると、唯一可能な結論なのだ。EyerollでZiúrは、一体感、人間性、そしてすべてが失われたように見えるときの希望の再生について確固たる声明を出している。このように幅広く、しかし哲学的に調和したコラボレーター・チームを集めることで、彼女はクリエイティブなフリンジに明確に語りかける作品群を作り上げたのだ。今こそ、自分が知っていると思っていることを捨て去り、必要だと思っていなかった橋を架ける時だ。今こそ行動を起こす時なのだ。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e彼女は「クィア・アート」の独りよがりな罠を避けることに全キャリアを費やしてきたかもしれないが、音楽、政治、そしてそれ以上のものに対する多くの規範的な仮定に疑問を投げかける共同声明を組み立てることで、Ziúrはこれまでで最も奇妙なアルバムに巡り合ったのだ。ゾッとする？Eyeroll。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=836530939\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eEyeroll feat Elvin Brandhi 04:02\u003c\/li\u003e\n\u003cli\u003eMalikan feat Abdullah Miniawy 04:08\u003c\/li\u003e\n\u003cli\u003eMove On feat Iceboy Violet 03:43\u003c\/li\u003e\n\u003cli\u003e99 Favor Taste feat Juliana Huxtable 00:57\u003c\/li\u003e\n\u003cli\u003eNontrivial Differential feat Elvin Brandhi 04:27\u003c\/li\u003e\n\u003cli\u003ePartygoodtime feat Ledef 00:09\u003c\/li\u003e\n\u003cli\u003eCut Cut Quote feat Elvin Brandhi 04:20\u003c\/li\u003e\n\u003cli\u003ePique 04:26\u003c\/li\u003e\n\u003cli\u003eIf The City Burns I Will Not Run feat Abdullah Miniawy \u0026amp; James Ginzburg 03:23\u003c\/li\u003e\n\u003cli\u003eHasty Revisionism 03:10\u003c\/li\u003e\n\u003cli\u003eLacrymaturity 02:53\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eHakuna Kulala:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe world has changed, we shouldn't try and pretend otherwise. While we were shut away in isolation our routines shifted, social patterns evolved, and our hopes and dreams were twisted into cobwebs we're still trying to wipe from our fingers. Ziúr tentatively approached this on her last album Antifate, an ambitious and complex hybrid pop fever dream that looked back to a Medieval escapist fantasy as the scent of revolution seemed to hum in the air. But when restrictions were eased, she found herself staring down a discombobulated society that had trapped itself in a spiral of microwaved nostalgia and detached, narcotic repetition. Eyeroll then is Ziúr's musical panacea, a tincture to wake us from our creative slumber and prompt external connection and reflection. It's a polyphonous hex that demands human interaction, and Ziúr's hand-picked alliance of collaborators - Elvin Brandhi, Abdullah Miniawy, Iceboy Violet, Juliana Huxtable, Ledef, and James Ginzburg - each provide distinct voices that together herald a bewildering sonic epoch.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eZiúr's palette had to evolve to match the scope of the project, but it was pure necessity that informed the album's defining tone. Recording mostly at night, Ziúr was conscious of the\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e noise she was making so developed a unique way to record organic percussion. Using a set of rototoms - low profile tunable drums - she scratched, scraped and gently tapped the skins to build up the undulating and unstable rhythmic backdrop for each track. It's the first sound we hear on the opener 'Eyeroll', rattling like lost marbles against Elvin Brandhi's primal croaks and screams. And when Brandhi's twisted articulations form words, Ziúr matches the energy with chaotic thuds and serrated blasts of saturated electronics. \"I roll the shittiest cigarette,\" she squeals like she's about to start a mosh pit at Paris's GRM Studios. Without pause, Abdullah Miniawy takes over on 'Malikan', building on the promise of material with Simo Cell, Carl Gari and HVAD with corrosive trumpet blasts and charged, politically incendiary Arabic vocals. Inspired by pre-Islamic poetry and the Qu'ranic chanters he heard growing up in Saudi Arabia and Egypt, he spins labyrinthine stories that cross between the worlds, breaking down physical and spiritual borders simultaneously. Miniawy's scope is expanded even further on his second collaboration, 'If The City Burns I Will Not Run'. \"If it rains and the city drowns,\" he utters over gaseous electronics, \"I will not run away, but I will be anxious for the heart of one close to me.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAfter a supple vocal turn from Manchester's Iceboy Violet on 'Move On' and a surreal interlude from poet- DJ-artist-theorist Juliana Huxtable on '99 Favor Taste', Brandhi returns with two more hyperactive collaborations: ,'Nontrivial Differential' and 'Cut Cut Quote'. On the former she slices into Ziúr's skeletal jazz eruptions, screaming and crooning interchangeably, fluxing between the rap battle and the cabaret. The latter is completely different meanwhile, with Brandhi settling into her role as front-woman and groaning dizzying improvised passages that sound like grunge crossed with psychedelic no-wave. Brandhi's spiky musical history has prepared her well for this collaboration; she's a prolific producer and has been using her voice spontaneously since debuting with father-daughter improv duo Yeah You in the mid 2020s. She's found an ideal foil in Ziúr, a producer who matches her restless energy and willingness to bend formality, and leaves an indelible mark on Eyeroll. But the album's most tender moments are from Ziúr herself, who winds the album down on 'Hasty Revisionism', growling over collapsable beats and cascading strings, and comes to an unexpected conclusion with country coda 'Lacrymaturity'. Its feverish amalgamation of country music and euphoric, experimental electronics might seem incongruous at first, but in context with the rest of the album is the only possible conclusion. With Eyeroll Ziúr is making a firm statement about togetherness, humanity, and the renewal of hope when all seems lost. By bringing together such a wide but philosophically harmonic team of collaborators, she's conducted a body of work that speaks to the creative fringe in no uncertain terms. Now's the time to throw away what you think you know, and build bridges you didn't think you need. Now's the time for action.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eShe may have spent her entire career avoiding the solipsistic trappings of \"queer art\", but by assembling a communal statement that questions so many normative assumptions about music, politics, and beyond, Ziúr has chanced upon her queerest album yet. Cringe? Eyeroll.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ziúr\u003c\/p\u003e\n\u003cp\u003eLabel : Hakuna Kulala\u003c\/p\u003e","published_at":"2023-09-24T09:43:14+09:00","created_at":"2023-09-23T13:52:57+09:00","vendor":"Tobira Records","type":"","tags":["hakuna kulala","hiphop \/ funk","lp","new","techno \/ house"],"price":322000,"price_min":322000,"price_max":322000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44583445102842,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Ziúr \/\/ Eyeroll LP","public_title":null,"options":["Default Title"],"price":322000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ey1_3871652f-5b8d-4e73-bc28-720e309eeabc.jpg?v=1695444778","\/\/tobirarecords.com\/cdn\/shop\/files\/ey3_90920ec3-7e42-434f-bb2d-dea83c4cdc7d.jpg?v=1695444779"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ey1_3871652f-5b8d-4e73-bc28-720e309eeabc.jpg?v=1695444778","options":["Title"],"media":[{"alt":null,"id":32486582354170,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ey1_3871652f-5b8d-4e73-bc28-720e309eeabc.jpg?v=1695444778"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ey1_3871652f-5b8d-4e73-bc28-720e309eeabc.jpg?v=1695444778","width":700},{"alt":null,"id":32486582386938,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ey3_90920ec3-7e42-434f-bb2d-dea83c4cdc7d.jpg?v=1695444779"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ey3_90920ec3-7e42-434f-bb2d-dea83c4cdc7d.jpg?v=1695444779","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eドイツ・ベルリンの実験ビートメイカーZiúrが、2023年9月にウガンダ・カンパラのダンスレーベルHakuna Kulalaからリリースしたレコードです。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e様々なシンガーやラッパーをゲストに迎えたレフトフィールド・テクノ〜レフトフィールド・ヒップホップ11曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"世界は変わったのだ。私たちが孤独に閉じこもっている間に、私たちの日常は変化し、社会的なパターンは進化し、私たちの希望や夢は、私たちがまだ指から拭い去ろうとしている蜘蛛の巣にねじ曲げられた。前作『Antifate』は、革命の香りが漂う中、中世の逃避的ファンタジーを思い起こさせる野心的で複雑なハイブリッドポップ・フィーバードリームだった。しかし、規制が緩和されたとき、彼女は、電子レンジで加熱されたノスタルジーと離隔した麻薬的反復のスパイラルに自らを閉じ込めた混乱した社会を見つめていることに気づいた。EyerollはZiúrの音楽的万能薬であり、創造的な眠りから目を覚まし、外部とのつながりと内省を促すためのチンキ剤なのだ。エルヴィン・ブランディ、アブドーラ・ミニャウィ、アイスボーイ・ヴァイオレット、ジュリアナ・ハクスタブル、レデフ、ジェイムズ・ギンズブルグといったZiúrの選りすぐりのコラボレーターたちが、それぞれ個性的な声を提供し、困惑させるような音のエポックを予告している。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eZiúrのパレットは、プロジェクトの規模に合わせて進化させなければならなかったが、アルバムのトーンを決定づけたのは純粋に必要だったからだ。レコーディングは主に夜間に行われ、Ziúrは自分が出しているノイズを意識して、オーガニックなパーカッションを録音するユニークな方法を開発した。ロトタム（薄型のチューニング可能なドラム）を使い、彼女はスクラッチし、削り、優しく叩いて、各トラックのうねるような不安定なリズムの背景を作り上げた。冒頭の「Eyeroll」では、エルヴィン・ブランディの原始的なしゃがれ声と叫び声に対して、失われたビー玉のようにガラガラと音を立てている。そして、Brandhiのひねくれた表現が言葉になると、Ziúrはカオティックな衝撃音と飽和したエレクトロニクスの鋸歯状の爆風でそのエネルギーに対抗する。パリのGRMスタジオでモッシュピットを始めるかのように、「私は一番くだらないタバコを巻くの」と彼女は叫ぶ。シモ・セル、カール・ガリ、HVADとの作品に続く「Malikan」では、間髪入れずにアブドゥッラー・ミニアウィが登場し、腐食性のトランペットの爆音と、政治的に煽動的なアラビア語のヴォーカルを披露する。イスラム教以前の詩や、サウジアラビアとエジプトで育った彼が耳にしたクラーンの詠唱にインスパイアされた彼は、世界を横断する迷宮のような物語を紡ぎ、物理的・精神的な境界を同時に破壊する。2作目のコラボレーション『If The City Burns I Will Not Run』では、ミニアウィの範囲はさらに広がっている。\"もし雨が降って街が溺れれば \"と、彼はガス状のエレクトロニクスに乗せて口にする。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMove Onではマンチェスターのアイスボーイ・ヴァイオレットがしなやかなヴォーカルを披露し、「99 Favor Taste」では詩人でありDJでありアーティスト理論家でもあるジュリアナ・ハクスタブルがシュールなインタールードを披露している： Nontrivial Differential」と「Cut Cut Quote」である。前者では、彼女はジウールの骸骨のようなジャズの噴出に切り込み、ラップ・バトルとキャバレーの間を行き来しながら、絶叫したり口ずさんだりする。一方、後者では全く異なり、ブランディはフロントウーマンとしての役割に落ち着き、グランジとサイケデリック・ノー・ウェイヴを掛け合わせたような、めくるめく即興的なパッセージを唸らせる。彼女は多作なプロデューサーであり、2020年代半ばに父娘のインプロ・デュオ、Yeah Youでデビューして以来、自発的に声を使ってきた。彼女はジウールという理想的な箔を見つけた。彼女の落ち着きのないエネルギーと形式を曲げようとする意欲にマッチしたプロデューサーは、エイロールに忘れがたい足跡を残した。しかし、このアルバムで最も優しい瞬間は、ジウール自身によるものだ。「Hasty Revisionism」では、崩壊しそうなビートと流れ落ちるストリングスの上でうなり声を上げながらアルバムを盛り上げ、カントリーのコーダ「Lacrymaturity」で予期せぬ結末を迎える。カントリー・ミュージックと陶酔的で実験的なエレクトロニクスの熱狂的な融合は、最初は不調和に思えるかもしれないが、アルバムの他の部分と照らし合わせると、唯一可能な結論なのだ。EyerollでZiúrは、一体感、人間性、そしてすべてが失われたように見えるときの希望の再生について確固たる声明を出している。このように幅広く、しかし哲学的に調和したコラボレーター・チームを集めることで、彼女はクリエイティブなフリンジに明確に語りかける作品群を作り上げたのだ。今こそ、自分が知っていると思っていることを捨て去り、必要だと思っていなかった橋を架ける時だ。今こそ行動を起こす時なのだ。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e彼女は「クィア・アート」の独りよがりな罠を避けることに全キャリアを費やしてきたかもしれないが、音楽、政治、そしてそれ以上のものに対する多くの規範的な仮定に疑問を投げかける共同声明を組み立てることで、Ziúrはこれまでで最も奇妙なアルバムに巡り合ったのだ。ゾッとする？Eyeroll。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=836530939\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eEyeroll feat Elvin Brandhi 04:02\u003c\/li\u003e\n\u003cli\u003eMalikan feat Abdullah Miniawy 04:08\u003c\/li\u003e\n\u003cli\u003eMove On feat Iceboy Violet 03:43\u003c\/li\u003e\n\u003cli\u003e99 Favor Taste feat Juliana Huxtable 00:57\u003c\/li\u003e\n\u003cli\u003eNontrivial Differential feat Elvin Brandhi 04:27\u003c\/li\u003e\n\u003cli\u003ePartygoodtime feat Ledef 00:09\u003c\/li\u003e\n\u003cli\u003eCut Cut Quote feat Elvin Brandhi 04:20\u003c\/li\u003e\n\u003cli\u003ePique 04:26\u003c\/li\u003e\n\u003cli\u003eIf The City Burns I Will Not Run feat Abdullah Miniawy \u0026amp; James Ginzburg 03:23\u003c\/li\u003e\n\u003cli\u003eHasty Revisionism 03:10\u003c\/li\u003e\n\u003cli\u003eLacrymaturity 02:53\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eHakuna Kulala:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe world has changed, we shouldn't try and pretend otherwise. While we were shut away in isolation our routines shifted, social patterns evolved, and our hopes and dreams were twisted into cobwebs we're still trying to wipe from our fingers. Ziúr tentatively approached this on her last album Antifate, an ambitious and complex hybrid pop fever dream that looked back to a Medieval escapist fantasy as the scent of revolution seemed to hum in the air. But when restrictions were eased, she found herself staring down a discombobulated society that had trapped itself in a spiral of microwaved nostalgia and detached, narcotic repetition. Eyeroll then is Ziúr's musical panacea, a tincture to wake us from our creative slumber and prompt external connection and reflection. It's a polyphonous hex that demands human interaction, and Ziúr's hand-picked alliance of collaborators - Elvin Brandhi, Abdullah Miniawy, Iceboy Violet, Juliana Huxtable, Ledef, and James Ginzburg - each provide distinct voices that together herald a bewildering sonic epoch.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eZiúr's palette had to evolve to match the scope of the project, but it was pure necessity that informed the album's defining tone. Recording mostly at night, Ziúr was conscious of the\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e noise she was making so developed a unique way to record organic percussion. Using a set of rototoms - low profile tunable drums - she scratched, scraped and gently tapped the skins to build up the undulating and unstable rhythmic backdrop for each track. It's the first sound we hear on the opener 'Eyeroll', rattling like lost marbles against Elvin Brandhi's primal croaks and screams. And when Brandhi's twisted articulations form words, Ziúr matches the energy with chaotic thuds and serrated blasts of saturated electronics. \"I roll the shittiest cigarette,\" she squeals like she's about to start a mosh pit at Paris's GRM Studios. Without pause, Abdullah Miniawy takes over on 'Malikan', building on the promise of material with Simo Cell, Carl Gari and HVAD with corrosive trumpet blasts and charged, politically incendiary Arabic vocals. Inspired by pre-Islamic poetry and the Qu'ranic chanters he heard growing up in Saudi Arabia and Egypt, he spins labyrinthine stories that cross between the worlds, breaking down physical and spiritual borders simultaneously. Miniawy's scope is expanded even further on his second collaboration, 'If The City Burns I Will Not Run'. \"If it rains and the city drowns,\" he utters over gaseous electronics, \"I will not run away, but I will be anxious for the heart of one close to me.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAfter a supple vocal turn from Manchester's Iceboy Violet on 'Move On' and a surreal interlude from poet- DJ-artist-theorist Juliana Huxtable on '99 Favor Taste', Brandhi returns with two more hyperactive collaborations: ,'Nontrivial Differential' and 'Cut Cut Quote'. On the former she slices into Ziúr's skeletal jazz eruptions, screaming and crooning interchangeably, fluxing between the rap battle and the cabaret. The latter is completely different meanwhile, with Brandhi settling into her role as front-woman and groaning dizzying improvised passages that sound like grunge crossed with psychedelic no-wave. Brandhi's spiky musical history has prepared her well for this collaboration; she's a prolific producer and has been using her voice spontaneously since debuting with father-daughter improv duo Yeah You in the mid 2020s. She's found an ideal foil in Ziúr, a producer who matches her restless energy and willingness to bend formality, and leaves an indelible mark on Eyeroll. But the album's most tender moments are from Ziúr herself, who winds the album down on 'Hasty Revisionism', growling over collapsable beats and cascading strings, and comes to an unexpected conclusion with country coda 'Lacrymaturity'. Its feverish amalgamation of country music and euphoric, experimental electronics might seem incongruous at first, but in context with the rest of the album is the only possible conclusion. With Eyeroll Ziúr is making a firm statement about togetherness, humanity, and the renewal of hope when all seems lost. By bringing together such a wide but philosophically harmonic team of collaborators, she's conducted a body of work that speaks to the creative fringe in no uncertain terms. Now's the time to throw away what you think you know, and build bridges you didn't think you need. Now's the time for action.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eShe may have spent her entire career avoiding the solipsistic trappings of \"queer art\", but by assembling a communal statement that questions so many normative assumptions about music, politics, and beyond, Ziúr has chanced upon her queerest album yet. Cringe? Eyeroll.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ziúr\u003c\/p\u003e\n\u003cp\u003eLabel : Hakuna Kulala\u003c\/p\u003e"}
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ドイツ・ベルリンの実験ビートメイカーZiúrが、2023年9月にウガンダ・カンパラのダンスレーベルHakuna Kulalaからリリースしたレコードです。 様々なシンガーやラッパーをゲストに迎えたレフトフィールド・テクノ〜レフトフィールド・ヒップホップ11曲を収録。 以下、レーベルによる解説です。 "世界は変わったのだ。私たちが孤独に閉じこもっている間に、私たちの日常は変化し、社会的なパターンは進化し、私たちの希望や夢は、私たちがまだ指から拭い去ろうとしている蜘蛛の巣にねじ曲げられた。前作『Antifate』は、革命の香りが漂う中、中世の逃避的ファンタジーを思い起こさせる野心的で複雑なハイブリッドポップ・フィーバードリームだった。しかし、規制が緩和されたとき、彼女は、電子レンジで加熱されたノスタルジーと離隔した麻薬的反復のスパイラルに自らを閉じ込めた混乱した社会を見つめていることに気づいた。EyerollはZiúrの音楽的万能薬であり、創造的な眠りから目を覚まし、外部とのつながりと内省を促すためのチンキ剤なのだ。エルヴィン・ブランディ、アブドーラ・ミニャウィ、アイスボーイ・ヴァイオレット、ジュリアナ・ハクスタブル、レデフ、ジェイムズ・ギンズブルグといったZiúrの選りすぐりのコラボレーターたちが、それぞれ個性的な声を提供し、困惑させるような音のエポックを予告している。Ziúrのパレットは、プロジェクトの規模に合わせて進化させなければならなかったが、アルバムのトーンを決定づけたのは純粋に必要だったからだ。レコーディングは主に夜間に行われ、Ziúrは自分が出しているノイズを意識して、オーガニックなパーカッションを録音するユニークな方法を開発した。ロトタム（薄型のチューニング可能なドラム）を使い、彼女はスクラッチし、削り、優しく叩いて、各トラックのうねるような不安定なリズムの背景を作り上げた。冒頭の「Eyeroll」では、エルヴィン・ブランディの原始的なしゃがれ声と叫び声に対して、失われたビー玉のようにガラガラと音を立てている。そして、Brandhiのひねくれた表現が言葉になると、Ziúrはカオティックな衝撃音と飽和したエレクトロニクスの鋸歯状の爆風でそのエネルギーに対抗する。パリのGRMスタジオでモッシュピットを始めるかのように、「私は一番くだらないタバコを巻くの」と彼女は叫ぶ。シモ・セル、カール・ガリ、HVADとの作品に続く「Malikan」では、間髪入れずにアブドゥッラー・ミニアウィが登場し、腐食性のトランペットの爆音と、政治的に煽動的なアラビア語のヴォーカルを披露する。イスラム教以前の詩や、サウジアラビアとエジプトで育った彼が耳にしたクラーンの詠唱にインスパイアされた彼は、世界を横断する迷宮のような物語を紡ぎ、物理的・精神的な境界を同時に破壊する。2作目のコラボレーション『If The City Burns I Will Not Run』では、ミニアウィの範囲はさらに広がっている。"もし雨が降って街が溺れれば "と、彼はガス状のエレクトロニクスに乗せて口にする。Move Onではマンチェスターのアイスボーイ・ヴァイオレットがしなやかなヴォーカルを披露し、「99...
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{"id":8023600365818,"title":"Aunty Rayzor \/\/ Viral Wreckage LP [COLOR]","handle":"aunty-rayzor-viral-wreckage-lp-color","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eナイジェリア・ラゴスのラッパーAunty Rayzorが、2023年9月にウガンダ・カンパラのダンスレーベル\u003cmeta charset=\"utf-8\"\u003eHakuna Kulalaからリリースしたレコードです。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eアヴァンR\u0026amp;B〜アフロビート〜トラップ12曲を収録。赤盤です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eBisola Olungbengaが作曲を始めたのは、わずか9歳のときだった。ピアノを弾く母親に励まされ、学校から帰ると妹と競い合い、お菓子のご褒美に詩やコーラスを考えた。以来、\u003cmeta charset=\"utf-8\"\u003eOlungbengaは、ヒップホップ、アフロビート、R\u0026amp;Bに実験的なサウンドを融合させ、現代のラゴスをエネルギッシュに描き出す、ジャンルを超えた革新者であり、ナイジェリアで最も勢いのある新進アーティストのひとり、Aunty Rayzorへと進化を遂げた。Viral Wreckageは\u003cmeta charset=\"utf-8\"\u003eOlungbengaのデビューアルバムで、2021年に発表したストリートアンセムKuku Coronaの大ヒットに続く作品である。今回は、彼女のビジョンを実現するために、世界で最もエキサイティングなプロデューサーたちを集めた： コンゴのシンガー、ギタリスト、プロデューサーであるティティ・バコルタ、ウガンダの若手プロデューサー、イル・ジー、日本のベテラン・イノベーター、スコッチ・ロレックス、サンパウロを拠点とするバイレ・ファンク・プロデューサー、DJクリス・フォンテドファンク、フランスのビートメイカー、デブマスター、ナイジェリアのシンガー兼プロデューサー、スリムケース、そしてケニアのアヴァンポップ・フューチャリスト、カベアウシェだ。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eOlungbengaは、スコッチ・ロレックスのクロムメッキされたトラップをバックに、ヨルバ語と英語で自己主張の強いラップを繰り広げる。ケニア／ウガンダのアンダーグラウンド・スター、MC Yallahとのプロデューサーの仕事から遠く離れてはいないが、Aunty Rayzorの煽情的で舌を巻くようなラップは、リスナーを定義するのが難しい音楽表現へと誘い、「Doko」に突入するとさらに広がりを見せる。ウィズキッドやミスター・イージといったナイジェリアのスーパースターとコラボしたスリムケースをフィーチャーしたこのトラックは、スウィングする西アフリカのリズムとスリムケースとレイザーの複雑な詩学が溶け合っている。\u003cmeta charset=\"utf-8\"\u003eOlungbengaは、DJクリス・フォンテドファンクによる腐敗したネオ・バイレのシャッフルの上で囁くように歌う、このアルバムで最もダンスフロア向きのカットのひとつである'Bounce'で、また違ったモードに移行する。サンパウロは今、世界で最も勢いのあるダンスミュージックを生み出しており、レイザーがヴォーカルをとることで、2つの大陸の重要なストリートミュージックを繋ぐ、予想通りの爆発的な作品に仕上がっている。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e最近Nyege Nyegeと契約したティティ・バコルタは、「Fall Back」で\u003cmeta charset=\"utf-8\"\u003eOlungbengaをまた違ったゾーンへと導き、レイザーの高らかなボーカルを完璧に引き立てる低音のギターリフでヴィンテージ・アフロビートとリンクさせている。バコルタの歌声は完璧な箔付けとなっており、懐古主義的に聞こえることなく、ナイジェリアの歴史を遡る伝統をトラックの中心に据えている。Kabeaushéは「You not worth of my love」でも同様の賛辞を送り、Rayzorのオートチューン風の韻を踏んだ新鮮なアヴァン・R\u0026amp;Bに仕上げている。\u003cmeta charset=\"utf-8\"\u003eOlungbengaは、ナイジェリア人としてのアイデンティティを犠牲にすることなく、幅広い音楽的革新の世界からサウンドを取り込み、折衷的でありながら鋭く焦点を絞ることができる。このアルバムは、ほとんど何の苦労もなく創造的であり、もっと大きなプラットフォームにふさわしいアーティストの心からのストレートなメッセージである。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=504739552\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" translucent red vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist: \u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eStuttrap 01:47\u003c\/li\u003e\n\u003cli\u003eDoko feat Slimcase 03:55\u003c\/li\u003e\n\u003cli\u003eNina 02:08\u003c\/li\u003e\n\u003cli\u003eBounce 02:20\u003c\/li\u003e\n\u003cli\u003eNever 02:21\u003c\/li\u003e\n\u003cli\u003eTiti Bakorta - Fall Back feat Titi Bakorta 04:00\u003c\/li\u003e\n\u003cli\u003eTobaya 02:12\u003c\/li\u003e\n\u003cli\u003eMelodious Monk 02:34\u003c\/li\u003e\n\u003cli\u003eYou Not Worthy of My Love 02:18\u003c\/li\u003e\n\u003cli\u003eTonedo 02:10\u003c\/li\u003e\n\u003cli\u003eMurder 02:16\u003c\/li\u003e\n\u003cli\u003eSise feat Titi Bakorta 02:30\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eHakuna Kulala:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBisola Olungbenga was just nine years old when she started writing music. Encouraged by her piano playing mom, she would come home from school and compete with her sister, dreaming up verses and choruses for rewards of candy. Since then, Olungbenga has evolved into Aunty Razyor, one of Nigeria's most vibrant emerging artists - a cross-genre innovator who blends hip-hop, Afrobeat, R\u0026amp;B and experimental sounds into an energetic portrait of contemporary Lagos. \"Viral Wreckage\" is Olungbenga's debut album, and follows the breakout success of her viral 2021 street anthem 'Kuku Corona'. This time she's assembled a lineup of some of the world's most exciting producers to help realize her vision: Congolese singer, guitarist and producer Titi Bakorta, young Ugandan producer Ill Gee, veteran Japanese innovator Scotch Rolex, São Paulo-based baile funk producer DJ Cris Fontedofunk, French beatmaker Debmaster, Nigerian singer and producer Slimcase, and Kenyan avant pop futurist Kabeaushé.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e'Stuttrap' is the first blast of sound we hear, and Olungbenga quickly pilots us into her sonic universe, rapping assertively in Yoruba and English over Scotch Rolex's chrome-plated trap backdrop. It's not far removed from the producer's work with\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Kenyan\/Ugandan underground star MC Yallah, but Aunty Rayzor's incendiary, tongue-twisting raps coax listeners into a musical expression that's hard to define and only gets more expansive when we hit 'Doko'. Featuring Slimcase, who's collaborated with Nigerian superstars like Wizkid and Mr Eazi, this track melts together swinging West African rhythms with complex poetics from both Slimcase and Rayzor. Olungbenga slips into a different mode again on 'Bounce' - one of the album's most dancefloor-ready cuts - almost whispering over a corrosive neo-baile shuffle from DJ Cris Fontedofunk. São Paulo is responsible for some of the world's most effervescent dance music right now, and with Rayzor on vocals the result is predictably explosive, making connections between vital street music from two separate continents.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRecent Nyege Nyege signing Titi Bakorta brings Olungbenga into another different zone on 'Fall Back', linking to vintage Afrobeat with low-slung guitar riffs that perfectly compliment Rayzor's soaring vocals. Bakorta's voice is the perfect foil, centering the track in traditions that stretch back through Nigerian history without sounding nostalgic. Kabeaushé hits a similarly complimentary note on 'You not worthy of my love', twisting Rayzor's AutoTune-mangled rhymes into fresh-faced avant R\u0026amp;B that sits a few paces from the mainstream without losing its infectious sing-along quality. And that's the key to unravelling \"Viral Wreckage\" - Olungbenga is able to be eclectic but sharply focused, bringing in sounds from across a wide world of musical innovation without sacrificing her Nigerian identity. It's an album that's almost effortlessly creative, and one that comes straight from the heart of an artist who's deserves a way larger platform.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Aunty Rayzor\u003c\/p\u003e\n\u003cp\u003eLabel : Hakuna Kulala\u003c\/p\u003e","published_at":"2023-09-24T09:36:36+09:00","created_at":"2023-09-23T13:50:18+09:00","vendor":"Tobira Records","type":"","tags":["hakuna kulala","hiphop \/ funk","lp","new"],"price":308900,"price_min":308900,"price_max":308900,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44583441301754,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":false,"featured_image":null,"available":false,"name":"Aunty Rayzor \/\/ Viral Wreckage LP [COLOR]","public_title":null,"options":["Default Title"],"price":308900,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/au1_48680456-a44f-40e8-8b27-005a8e9d889a.jpg?v=1695444620","\/\/tobirarecords.com\/cdn\/shop\/files\/vi2_3512bc92-d40c-447b-a2d8-ce02d68315da.jpg?v=1695444620"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/au1_48680456-a44f-40e8-8b27-005a8e9d889a.jpg?v=1695444620","options":["Title"],"media":[{"alt":null,"id":32486574129402,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/au1_48680456-a44f-40e8-8b27-005a8e9d889a.jpg?v=1695444620"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/au1_48680456-a44f-40e8-8b27-005a8e9d889a.jpg?v=1695444620","width":700},{"alt":null,"id":32486574162170,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/vi2_3512bc92-d40c-447b-a2d8-ce02d68315da.jpg?v=1695444620"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/vi2_3512bc92-d40c-447b-a2d8-ce02d68315da.jpg?v=1695444620","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eナイジェリア・ラゴスのラッパーAunty Rayzorが、2023年9月にウガンダ・カンパラのダンスレーベル\u003cmeta charset=\"utf-8\"\u003eHakuna Kulalaからリリースしたレコードです。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eアヴァンR\u0026amp;B〜アフロビート〜トラップ12曲を収録。赤盤です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eBisola Olungbengaが作曲を始めたのは、わずか9歳のときだった。ピアノを弾く母親に励まされ、学校から帰ると妹と競い合い、お菓子のご褒美に詩やコーラスを考えた。以来、\u003cmeta charset=\"utf-8\"\u003eOlungbengaは、ヒップホップ、アフロビート、R\u0026amp;Bに実験的なサウンドを融合させ、現代のラゴスをエネルギッシュに描き出す、ジャンルを超えた革新者であり、ナイジェリアで最も勢いのある新進アーティストのひとり、Aunty Rayzorへと進化を遂げた。Viral Wreckageは\u003cmeta charset=\"utf-8\"\u003eOlungbengaのデビューアルバムで、2021年に発表したストリートアンセムKuku Coronaの大ヒットに続く作品である。今回は、彼女のビジョンを実現するために、世界で最もエキサイティングなプロデューサーたちを集めた： コンゴのシンガー、ギタリスト、プロデューサーであるティティ・バコルタ、ウガンダの若手プロデューサー、イル・ジー、日本のベテラン・イノベーター、スコッチ・ロレックス、サンパウロを拠点とするバイレ・ファンク・プロデューサー、DJクリス・フォンテドファンク、フランスのビートメイカー、デブマスター、ナイジェリアのシンガー兼プロデューサー、スリムケース、そしてケニアのアヴァンポップ・フューチャリスト、カベアウシェだ。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eOlungbengaは、スコッチ・ロレックスのクロムメッキされたトラップをバックに、ヨルバ語と英語で自己主張の強いラップを繰り広げる。ケニア／ウガンダのアンダーグラウンド・スター、MC Yallahとのプロデューサーの仕事から遠く離れてはいないが、Aunty Rayzorの煽情的で舌を巻くようなラップは、リスナーを定義するのが難しい音楽表現へと誘い、「Doko」に突入するとさらに広がりを見せる。ウィズキッドやミスター・イージといったナイジェリアのスーパースターとコラボしたスリムケースをフィーチャーしたこのトラックは、スウィングする西アフリカのリズムとスリムケースとレイザーの複雑な詩学が溶け合っている。\u003cmeta charset=\"utf-8\"\u003eOlungbengaは、DJクリス・フォンテドファンクによる腐敗したネオ・バイレのシャッフルの上で囁くように歌う、このアルバムで最もダンスフロア向きのカットのひとつである'Bounce'で、また違ったモードに移行する。サンパウロは今、世界で最も勢いのあるダンスミュージックを生み出しており、レイザーがヴォーカルをとることで、2つの大陸の重要なストリートミュージックを繋ぐ、予想通りの爆発的な作品に仕上がっている。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e最近Nyege Nyegeと契約したティティ・バコルタは、「Fall Back」で\u003cmeta charset=\"utf-8\"\u003eOlungbengaをまた違ったゾーンへと導き、レイザーの高らかなボーカルを完璧に引き立てる低音のギターリフでヴィンテージ・アフロビートとリンクさせている。バコルタの歌声は完璧な箔付けとなっており、懐古主義的に聞こえることなく、ナイジェリアの歴史を遡る伝統をトラックの中心に据えている。Kabeaushéは「You not worth of my love」でも同様の賛辞を送り、Rayzorのオートチューン風の韻を踏んだ新鮮なアヴァン・R\u0026amp;Bに仕上げている。\u003cmeta charset=\"utf-8\"\u003eOlungbengaは、ナイジェリア人としてのアイデンティティを犠牲にすることなく、幅広い音楽的革新の世界からサウンドを取り込み、折衷的でありながら鋭く焦点を絞ることができる。このアルバムは、ほとんど何の苦労もなく創造的であり、もっと大きなプラットフォームにふさわしいアーティストの心からのストレートなメッセージである。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=504739552\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" translucent red vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist: \u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eStuttrap 01:47\u003c\/li\u003e\n\u003cli\u003eDoko feat Slimcase 03:55\u003c\/li\u003e\n\u003cli\u003eNina 02:08\u003c\/li\u003e\n\u003cli\u003eBounce 02:20\u003c\/li\u003e\n\u003cli\u003eNever 02:21\u003c\/li\u003e\n\u003cli\u003eTiti Bakorta - Fall Back feat Titi Bakorta 04:00\u003c\/li\u003e\n\u003cli\u003eTobaya 02:12\u003c\/li\u003e\n\u003cli\u003eMelodious Monk 02:34\u003c\/li\u003e\n\u003cli\u003eYou Not Worthy of My Love 02:18\u003c\/li\u003e\n\u003cli\u003eTonedo 02:10\u003c\/li\u003e\n\u003cli\u003eMurder 02:16\u003c\/li\u003e\n\u003cli\u003eSise feat Titi Bakorta 02:30\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eHakuna Kulala:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBisola Olungbenga was just nine years old when she started writing music. Encouraged by her piano playing mom, she would come home from school and compete with her sister, dreaming up verses and choruses for rewards of candy. Since then, Olungbenga has evolved into Aunty Razyor, one of Nigeria's most vibrant emerging artists - a cross-genre innovator who blends hip-hop, Afrobeat, R\u0026amp;B and experimental sounds into an energetic portrait of contemporary Lagos. \"Viral Wreckage\" is Olungbenga's debut album, and follows the breakout success of her viral 2021 street anthem 'Kuku Corona'. This time she's assembled a lineup of some of the world's most exciting producers to help realize her vision: Congolese singer, guitarist and producer Titi Bakorta, young Ugandan producer Ill Gee, veteran Japanese innovator Scotch Rolex, São Paulo-based baile funk producer DJ Cris Fontedofunk, French beatmaker Debmaster, Nigerian singer and producer Slimcase, and Kenyan avant pop futurist Kabeaushé.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e'Stuttrap' is the first blast of sound we hear, and Olungbenga quickly pilots us into her sonic universe, rapping assertively in Yoruba and English over Scotch Rolex's chrome-plated trap backdrop. It's not far removed from the producer's work with\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Kenyan\/Ugandan underground star MC Yallah, but Aunty Rayzor's incendiary, tongue-twisting raps coax listeners into a musical expression that's hard to define and only gets more expansive when we hit 'Doko'. Featuring Slimcase, who's collaborated with Nigerian superstars like Wizkid and Mr Eazi, this track melts together swinging West African rhythms with complex poetics from both Slimcase and Rayzor. Olungbenga slips into a different mode again on 'Bounce' - one of the album's most dancefloor-ready cuts - almost whispering over a corrosive neo-baile shuffle from DJ Cris Fontedofunk. São Paulo is responsible for some of the world's most effervescent dance music right now, and with Rayzor on vocals the result is predictably explosive, making connections between vital street music from two separate continents.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRecent Nyege Nyege signing Titi Bakorta brings Olungbenga into another different zone on 'Fall Back', linking to vintage Afrobeat with low-slung guitar riffs that perfectly compliment Rayzor's soaring vocals. Bakorta's voice is the perfect foil, centering the track in traditions that stretch back through Nigerian history without sounding nostalgic. Kabeaushé hits a similarly complimentary note on 'You not worthy of my love', twisting Rayzor's AutoTune-mangled rhymes into fresh-faced avant R\u0026amp;B that sits a few paces from the mainstream without losing its infectious sing-along quality. And that's the key to unravelling \"Viral Wreckage\" - Olungbenga is able to be eclectic but sharply focused, bringing in sounds from across a wide world of musical innovation without sacrificing her Nigerian identity. It's an album that's almost effortlessly creative, and one that comes straight from the heart of an artist who's deserves a way larger platform.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Aunty Rayzor\u003c\/p\u003e\n\u003cp\u003eLabel : Hakuna Kulala\u003c\/p\u003e"}
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ナイジェリア・ラゴスのラッパーAunty Rayzorが、2023年9月にウガンダ・カンパラのダンスレーベルHakuna Kulalaからリリースしたレコードです。 アヴァンR&B〜アフロビート〜トラップ12曲を収録。赤盤です。 以下、レーベルによる解説です。 "Bisola Olungbengaが作曲を始めたのは、わずか9歳のときだった。ピアノを弾く母親に励まされ、学校から帰ると妹と競い合い、お菓子のご褒美に詩やコーラスを考えた。以来、Olungbengaは、ヒップホップ、アフロビート、R&Bに実験的なサウンドを融合させ、現代のラゴスをエネルギッシュに描き出す、ジャンルを超えた革新者であり、ナイジェリアで最も勢いのある新進アーティストのひとり、Aunty Rayzorへと進化を遂げた。Viral WreckageはOlungbengaのデビューアルバムで、2021年に発表したストリートアンセムKuku Coronaの大ヒットに続く作品である。今回は、彼女のビジョンを実現するために、世界で最もエキサイティングなプロデューサーたちを集めた： コンゴのシンガー、ギタリスト、プロデューサーであるティティ・バコルタ、ウガンダの若手プロデューサー、イル・ジー、日本のベテラン・イノベーター、スコッチ・ロレックス、サンパウロを拠点とするバイレ・ファンク・プロデューサー、DJクリス・フォンテドファンク、フランスのビートメイカー、デブマスター、ナイジェリアのシンガー兼プロデューサー、スリムケース、そしてケニアのアヴァンポップ・フューチャリスト、カベアウシェだ。Olungbengaは、スコッチ・ロレックスのクロムメッキされたトラップをバックに、ヨルバ語と英語で自己主張の強いラップを繰り広げる。ケニア／ウガンダのアンダーグラウンド・スター、MC Yallahとのプロデューサーの仕事から遠く離れてはいないが、Aunty Rayzorの煽情的で舌を巻くようなラップは、リスナーを定義するのが難しい音楽表現へと誘い、「Doko」に突入するとさらに広がりを見せる。ウィズキッドやミスター・イージといったナイジェリアのスーパースターとコラボしたスリムケースをフィーチャーしたこのトラックは、スウィングする西アフリカのリズムとスリムケースとレイザーの複雑な詩学が溶け合っている。Olungbengaは、DJクリス・フォンテドファンクによる腐敗したネオ・バイレのシャッフルの上で囁くように歌う、このアルバムで最もダンスフロア向きのカットのひとつである'Bounce'で、また違ったモードに移行する。サンパウロは今、世界で最も勢いのあるダンスミュージックを生み出しており、レイザーがヴォーカルをとることで、2つの大陸の重要なストリートミュージックを繋ぐ、予想通りの爆発的な作品に仕上がっている。最近Nyege Nyegeと契約したティティ・バコルタは、「Fall...
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{"id":8011727634682,"title":"Titi Bakorta \/\/ Molende LP","handle":"titi-bakorta-molende-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eコンゴのマルチ奏者／ポップ作家Titi Bakortaが、2023年8月にNyege Nyege Tapesからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベルによる解説です\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Titi Bakortaは危うく助からないところだった。キンシャサで生まれ育ったコンゴ人のマルチ奏者は、ウガンダに向かう途中、大河コンゴ川を横断中にボートから落ちた。泳げなかったBakortaは友人に救われ、最寄りの都市キサンガニまで引きずられ、そこで思いがけず地元のシンガーダンサー・パパラスと知り合った。すぐに彼らは一緒にバンドを組み、大陸を渡り歩き、タンザニア、南スーダン、ドバイに定住し、伝説的なスークス・バンド、グランド・ザイコ・ワワ、チョック・スターズ、ビッグ・スターズの前座を務めたコンゴの愛すべきヴォーカリスト、ジェネラル・デファオの前にも姿を現した。現在カンパラを拠点に活動するバコルタは、コンゴのポップスやフォーク・サウンドに独自のテイストを加え、伝統的な要素をサイケデリックなギター・ループの格子や揶揄されるような声、エキセントリックなビートボックスのリズムに織り交ぜたデビュー作を発表している。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eKop'では、木版画のスナップを吃音（きつおん）のようなぼやけ方に曲げ、うねるようなリフと奇妙で芝居がかった木琴のきらめきの上で感情的に泣き叫ぶ。これは、あるレベルではまだポップミュージックだが、Bakortaの扱いにくい個人的な物語を中心に湾曲している。いつすべてが崩壊してもおかしくないような感覚があるが、Bakortaの自信に満ちた現代的なプロダクションの賢さによって、すべてがうまくまとまっている。Elles Vaisは、タイトでエレクトロニックなドラムの上に浮かぶ天空のようなスーク・ヴォーカルで、より風通しが良い。絡み合ったギターのエコーが、密やかに織り上げられたタペストリーのように重なり合い、Bakortaの切迫したドライブするパルスと完璧なコントラストをなしている。Molendeでは、賛美音楽とコンテンポラリーなR\u0026amp;Bの間を、彼のチャントとフレーズがきれいに飛び交う。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eアルバムのラストトラックであるTitis Haunted Houseで、Bakortaがメタル・プレイヤーズのジェシー・ハケットと組んだのも納得がいく。ハケットの不気味なシンセは、バコルタの幽霊のような慟哭とファジーなギターサウンドにふさわしいエキセントリックな土台を提供している。ハケットの不気味なシンセが、Bakortaの幽霊のような慟哭とファジーなギターサウンドにふさわしいエキセントリックな土台を提供している。このアルバムは、コンゴのポップとフォーク・サウンドを、独創的なプロダクションとソングライティングの奇抜さの鮮やかな紗の後ろで誇示することができ、コンゴで最も革新的な才能の1人を紹介している。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/QxEHCcKaqJs?si=hplsdpx8azZ70Ht5\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4165565195\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eElles Vais 04:44\u003c\/li\u003e\n\u003cli\u003eMolende 03:35\u003c\/li\u003e\n\u003cli\u003eKop 02:47\u003c\/li\u003e\n\u003cli\u003eLaisse Moi Dancer 03:29\u003c\/li\u003e\n\u003cli\u003eGrand Kasai 05:18\u003c\/li\u003e\n\u003cli\u003eLibala Makambo 02:38\u003c\/li\u003e\n\u003cli\u003eNdima Kaka 04:29\u003c\/li\u003e\n\u003cli\u003eNyonso Epesameli Nga 03:04\u003c\/li\u003e\n\u003cli\u003eMotema 03:08\u003c\/li\u003e\n\u003cli\u003eTiti's Haunted House (ft Metal Preyers) 03:10\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTiti Bakorta almost didn't make it. Born in and raised in Kinshasa, the Congolese multi-instrumentalist was on his way to Uganda when he fell of the boat as it traversed the mighty Congo River. Unable to swim, Bakorta was saved by a friend who dragged him to the closest city Kisangani, where he was unexpectedly acquainted with local singer Dancer Papalas. Soon they were performing in bands together, traveling across the continents and settling in Tanzania, South Sudan and Dubai - they even appeared in front of General Defao, the beloved Congolese vocalist who fronted legendary soukous bands Grand Zaiko Wawa, Choc Stars and Big Stars. Now based in Kampala, Bakorta offers his own unique take on Congolese pop and folk sounds, weaving traditional elements through a psychedelic lattice of guitar loops, mangled voices and eccentric beatbox rhythms on his debut full-length.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHe bends woodblock snaps on 'Kop' into stuttered blurs, wailing emotionally over twanging riffs and bizarre, theatrical xylophone twinkles. It's still pop music on some level, but curved around Bakorta's unwieldy personal narrative - there's a sense that everything could unravel at any time but it all hangs together, strengthened by Bakorta's confident, contemporary\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e production smarts. 'Elles Vais' is more airy, with celestial soukous vocals that float above tight, electronic drums. Tangled guitar echoes overlap each other like dense, weaved tapestries, contrasting perfectly with Bakorta's urgent, driving pulse. Occasionally, he transcends completely, like on 'Molende' where his chants and phrases neatly flutter between praise music and contemporary R\u0026amp;B. \"Hustling, hustling, hustling, everyday I'm hustling,\" an angelic voice coos over phased electric guitar plucks and looped, AutoTuned chorals.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt makes perfect sense that Bakorta should team up with Metal Preyers' Jesse Hackett on the album's final track, the aptly-titled 'Titis Haunted House'. The two artists share a similar obsession with moonlit, carnivalesque soundscapes, and Hackett's eerie synths provide a suitably eccentric foundation for Bakorta's ghostly wails and fuzzy guitar sounds. This closes an album that's able to flaunt Congolese pop and folk sounds behind a vivid gauze of inventive production and songwriting quirks, introducing one of the country's most innovative talents.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Titi Bakorta\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e","published_at":"2023-08-27T18:28:24+09:00","created_at":"2023-08-27T17:11:30+09:00","vendor":"Tobira Records","type":"","tags":["field recording","hakuna kulala","lp","new"],"price":305000,"price_min":305000,"price_max":305000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44522091315450,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":false,"featured_image":null,"available":false,"name":"Titi Bakorta \/\/ Molende LP","public_title":null,"options":["Default Title"],"price":305000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/mol1.jpg?v=1693123892","\/\/tobirarecords.com\/cdn\/shop\/files\/mol2.jpg?v=1693123892"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/mol1.jpg?v=1693123892","options":["Title"],"media":[{"alt":null,"id":32379443020026,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mol1.jpg?v=1693123892"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mol1.jpg?v=1693123892","width":700},{"alt":null,"id":32379443052794,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mol2.jpg?v=1693123892"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mol2.jpg?v=1693123892","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eコンゴのマルチ奏者／ポップ作家Titi Bakortaが、2023年8月にNyege Nyege Tapesからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベルによる解説です\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Titi Bakortaは危うく助からないところだった。キンシャサで生まれ育ったコンゴ人のマルチ奏者は、ウガンダに向かう途中、大河コンゴ川を横断中にボートから落ちた。泳げなかったBakortaは友人に救われ、最寄りの都市キサンガニまで引きずられ、そこで思いがけず地元のシンガーダンサー・パパラスと知り合った。すぐに彼らは一緒にバンドを組み、大陸を渡り歩き、タンザニア、南スーダン、ドバイに定住し、伝説的なスークス・バンド、グランド・ザイコ・ワワ、チョック・スターズ、ビッグ・スターズの前座を務めたコンゴの愛すべきヴォーカリスト、ジェネラル・デファオの前にも姿を現した。現在カンパラを拠点に活動するバコルタは、コンゴのポップスやフォーク・サウンドに独自のテイストを加え、伝統的な要素をサイケデリックなギター・ループの格子や揶揄されるような声、エキセントリックなビートボックスのリズムに織り交ぜたデビュー作を発表している。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eKop'では、木版画のスナップを吃音（きつおん）のようなぼやけ方に曲げ、うねるようなリフと奇妙で芝居がかった木琴のきらめきの上で感情的に泣き叫ぶ。これは、あるレベルではまだポップミュージックだが、Bakortaの扱いにくい個人的な物語を中心に湾曲している。いつすべてが崩壊してもおかしくないような感覚があるが、Bakortaの自信に満ちた現代的なプロダクションの賢さによって、すべてがうまくまとまっている。Elles Vaisは、タイトでエレクトロニックなドラムの上に浮かぶ天空のようなスーク・ヴォーカルで、より風通しが良い。絡み合ったギターのエコーが、密やかに織り上げられたタペストリーのように重なり合い、Bakortaの切迫したドライブするパルスと完璧なコントラストをなしている。Molendeでは、賛美音楽とコンテンポラリーなR\u0026amp;Bの間を、彼のチャントとフレーズがきれいに飛び交う。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eアルバムのラストトラックであるTitis Haunted Houseで、Bakortaがメタル・プレイヤーズのジェシー・ハケットと組んだのも納得がいく。ハケットの不気味なシンセは、バコルタの幽霊のような慟哭とファジーなギターサウンドにふさわしいエキセントリックな土台を提供している。ハケットの不気味なシンセが、Bakortaの幽霊のような慟哭とファジーなギターサウンドにふさわしいエキセントリックな土台を提供している。このアルバムは、コンゴのポップとフォーク・サウンドを、独創的なプロダクションとソングライティングの奇抜さの鮮やかな紗の後ろで誇示することができ、コンゴで最も革新的な才能の1人を紹介している。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/QxEHCcKaqJs?si=hplsdpx8azZ70Ht5\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4165565195\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eElles Vais 04:44\u003c\/li\u003e\n\u003cli\u003eMolende 03:35\u003c\/li\u003e\n\u003cli\u003eKop 02:47\u003c\/li\u003e\n\u003cli\u003eLaisse Moi Dancer 03:29\u003c\/li\u003e\n\u003cli\u003eGrand Kasai 05:18\u003c\/li\u003e\n\u003cli\u003eLibala Makambo 02:38\u003c\/li\u003e\n\u003cli\u003eNdima Kaka 04:29\u003c\/li\u003e\n\u003cli\u003eNyonso Epesameli Nga 03:04\u003c\/li\u003e\n\u003cli\u003eMotema 03:08\u003c\/li\u003e\n\u003cli\u003eTiti's Haunted House (ft Metal Preyers) 03:10\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTiti Bakorta almost didn't make it. Born in and raised in Kinshasa, the Congolese multi-instrumentalist was on his way to Uganda when he fell of the boat as it traversed the mighty Congo River. Unable to swim, Bakorta was saved by a friend who dragged him to the closest city Kisangani, where he was unexpectedly acquainted with local singer Dancer Papalas. Soon they were performing in bands together, traveling across the continents and settling in Tanzania, South Sudan and Dubai - they even appeared in front of General Defao, the beloved Congolese vocalist who fronted legendary soukous bands Grand Zaiko Wawa, Choc Stars and Big Stars. Now based in Kampala, Bakorta offers his own unique take on Congolese pop and folk sounds, weaving traditional elements through a psychedelic lattice of guitar loops, mangled voices and eccentric beatbox rhythms on his debut full-length.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHe bends woodblock snaps on 'Kop' into stuttered blurs, wailing emotionally over twanging riffs and bizarre, theatrical xylophone twinkles. It's still pop music on some level, but curved around Bakorta's unwieldy personal narrative - there's a sense that everything could unravel at any time but it all hangs together, strengthened by Bakorta's confident, contemporary\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e production smarts. 'Elles Vais' is more airy, with celestial soukous vocals that float above tight, electronic drums. Tangled guitar echoes overlap each other like dense, weaved tapestries, contrasting perfectly with Bakorta's urgent, driving pulse. Occasionally, he transcends completely, like on 'Molende' where his chants and phrases neatly flutter between praise music and contemporary R\u0026amp;B. \"Hustling, hustling, hustling, everyday I'm hustling,\" an angelic voice coos over phased electric guitar plucks and looped, AutoTuned chorals.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt makes perfect sense that Bakorta should team up with Metal Preyers' Jesse Hackett on the album's final track, the aptly-titled 'Titis Haunted House'. The two artists share a similar obsession with moonlit, carnivalesque soundscapes, and Hackett's eerie synths provide a suitably eccentric foundation for Bakorta's ghostly wails and fuzzy guitar sounds. This closes an album that's able to flaunt Congolese pop and folk sounds behind a vivid gauze of inventive production and songwriting quirks, introducing one of the country's most innovative talents.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Titi Bakorta\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e"}
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コンゴのマルチ奏者／ポップ作家Titi Bakortaが、2023年8月にNyege Nyege Tapesからリリースしたレコードです。 以下、レーベルによる解説です "Titi Bakortaは危うく助からないところだった。キンシャサで生まれ育ったコンゴ人のマルチ奏者は、ウガンダに向かう途中、大河コンゴ川を横断中にボートから落ちた。泳げなかったBakortaは友人に救われ、最寄りの都市キサンガニまで引きずられ、そこで思いがけず地元のシンガーダンサー・パパラスと知り合った。すぐに彼らは一緒にバンドを組み、大陸を渡り歩き、タンザニア、南スーダン、ドバイに定住し、伝説的なスークス・バンド、グランド・ザイコ・ワワ、チョック・スターズ、ビッグ・スターズの前座を務めたコンゴの愛すべきヴォーカリスト、ジェネラル・デファオの前にも姿を現した。現在カンパラを拠点に活動するバコルタは、コンゴのポップスやフォーク・サウンドに独自のテイストを加え、伝統的な要素をサイケデリックなギター・ループの格子や揶揄されるような声、エキセントリックなビートボックスのリズムに織り交ぜたデビュー作を発表している。Kop'では、木版画のスナップを吃音（きつおん）のようなぼやけ方に曲げ、うねるようなリフと奇妙で芝居がかった木琴のきらめきの上で感情的に泣き叫ぶ。これは、あるレベルではまだポップミュージックだが、Bakortaの扱いにくい個人的な物語を中心に湾曲している。いつすべてが崩壊してもおかしくないような感覚があるが、Bakortaの自信に満ちた現代的なプロダクションの賢さによって、すべてがうまくまとまっている。Elles Vaisは、タイトでエレクトロニックなドラムの上に浮かぶ天空のようなスーク・ヴォーカルで、より風通しが良い。絡み合ったギターのエコーが、密やかに織り上げられたタペストリーのように重なり合い、Bakortaの切迫したドライブするパルスと完璧なコントラストをなしている。Molendeでは、賛美音楽とコンテンポラリーなR&Bの間を、彼のチャントとフレーズがきれいに飛び交う。アルバムのラストトラックであるTitis Haunted Houseで、Bakortaがメタル・プレイヤーズのジェシー・ハケットと組んだのも納得がいく。ハケットの不気味なシンセは、バコルタの幽霊のような慟哭とファジーなギターサウンドにふさわしいエキセントリックな土台を提供している。ハケットの不気味なシンセが、Bakortaの幽霊のような慟哭とファジーなギターサウンドにふさわしいエキセントリックな土台を提供している。このアルバムは、コンゴのポップとフォーク・サウンドを、独創的なプロダクションとソングライティングの奇抜さの鮮やかな紗の後ろで誇示することができ、コンゴで最も革新的な才能の1人を紹介している。" レーベルその他作品はこちら /// Click here to see more...
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{"id":7987865485562,"title":"Normal Nada the Krakmaxter \/\/ Tribal Progressive Heavy Metal LP","handle":"normal-nada-the-krakmaxter-tribal-progressive-heavy-metal-lp","description":"\u003cp\u003e西アフリカ・ギニアビサウ出身ポルトガル・リスボン在住のレフトフィールド・ダンス作家Normal Nada the Krakmaxterが、2023年6月にウガンダのレフトフィールドレーベル\u003cspan data-mce-fragment=\"1\"\u003eNyege Nyege Tapesからリリースしたデビューレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアフリカ音楽をルーツにしながらベースやレイブ要素を取り入れた10曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3791834061\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOne of the most eccentric characters to emerge from Lisbon's musical underground, Teteu has operated under a variety of shadowy monikers including Qraqmaxter, CiclOFF, and Erre Mente. A gifted visual artist as well as a composer, he's known for developing a philosophical mythology with his drawings, mostly using a ballpoint pen to sketch out elaborate, anime-style projects. Normal Nada is Teteu's most enduring project, and a full eight years after the game-changing ep \"Transmutação Cerebral\" he has finally assembled his long-awaited debut album.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"TRIBAL PROGRESSIVE HEAVY METAL\" materializes into Nada's meta-kuduro multiverse, developed from his deep knowledge of African and Portuguese musical forms. Years ago, he was an established archivist and genre historian, sharing archival material, mixes and rips alongside his original tracks, and while his online presence has faded, his rate of production hasn't. His tracks are rooted in Angolan kuduro and tarraxinha structures, but Normal Nada uses this only as a starting point, poetically overlaying and superimposing elements from trap, bass music, heavy metal and ambient sources to tell a story that's personal and unique.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eListening to the album is like channel hopping\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e through an interplanetary animated matrix, blasting off from colorful opener 'Beautyful Caos' with its grinding syncopation, crash-landing on the subversive 'Batida Hard Trance 2' that dissolves awkward European dance tropes into industrial-strength Portuguese electronix, and scuttling towards the album's bizarre title track, that juxtaposes crunching, overdriven drones 'n tones with kinetic kuduro rhythms. 'Alive' is even more cacophonous, layering machine-strength orchestral hits over militaristic, rolling 4\/4 beats and unsettled subs.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBorn and raised in the Republic of Guinea-Bissau in West Africa, Normal Nada migrated to Portugal at 13 and was based for many years in Lisbon's San Antonio Dos Cavaleiros housing projects, after previously having lived in the Algarve. Teteu's compositions are a spiked expression of Lisbon's patchwork of batida styles, making a direct link to West Africa's vibrant musical legacy. Now he's returned to Guinea-Bissau and his music reflects this outstretched knowledge and energy, with a 360 degree view of the world's complex assemblage of cultures and conflicts.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe album's somber finale is the best representation of his philosophy, a minor-key downtempo slow-burner that could sit comfortably alongside Actress or tarraxinha pioneer DJ Znobia. Called 'Dedicated to the Homeless', it shines flickering neon light on the world's unseen population, searching for hope where too many of us choose to look away.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Normal Nada the Krakmaxter\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e","published_at":"2023-06-24T08:33:13+09:00","created_at":"2023-06-23T19:33:35+09:00","vendor":"Tobira Records","type":"","tags":["hakuna kulala","lp","techno \/ house"],"price":284000,"price_min":284000,"price_max":284000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44295055540474,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Normal Nada the Krakmaxter \/\/ Tribal Progressive Heavy Metal LP","public_title":null,"options":["Default Title"],"price":284000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/he1_31f22349-9df1-477b-abbc-0ffea60f2f9f.jpg?v=1687516417","\/\/tobirarecords.com\/cdn\/shop\/files\/he2_fee3da4e-9cd3-414d-9b83-1b262bc5a4c4.jpg?v=1687516417"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/he1_31f22349-9df1-477b-abbc-0ffea60f2f9f.jpg?v=1687516417","options":["Title"],"media":[{"alt":null,"id":32146966544634,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/he1_31f22349-9df1-477b-abbc-0ffea60f2f9f.jpg?v=1687516417"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/he1_31f22349-9df1-477b-abbc-0ffea60f2f9f.jpg?v=1687516417","width":700},{"alt":null,"id":32146966577402,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/he2_fee3da4e-9cd3-414d-9b83-1b262bc5a4c4.jpg?v=1687516417"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/he2_fee3da4e-9cd3-414d-9b83-1b262bc5a4c4.jpg?v=1687516417","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e西アフリカ・ギニアビサウ出身ポルトガル・リスボン在住のレフトフィールド・ダンス作家Normal Nada the Krakmaxterが、2023年6月にウガンダのレフトフィールドレーベル\u003cspan data-mce-fragment=\"1\"\u003eNyege Nyege Tapesからリリースしたデビューレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアフリカ音楽をルーツにしながらベースやレイブ要素を取り入れた10曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3791834061\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOne of the most eccentric characters to emerge from Lisbon's musical underground, Teteu has operated under a variety of shadowy monikers including Qraqmaxter, CiclOFF, and Erre Mente. A gifted visual artist as well as a composer, he's known for developing a philosophical mythology with his drawings, mostly using a ballpoint pen to sketch out elaborate, anime-style projects. Normal Nada is Teteu's most enduring project, and a full eight years after the game-changing ep \"Transmutação Cerebral\" he has finally assembled his long-awaited debut album.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"TRIBAL PROGRESSIVE HEAVY METAL\" materializes into Nada's meta-kuduro multiverse, developed from his deep knowledge of African and Portuguese musical forms. Years ago, he was an established archivist and genre historian, sharing archival material, mixes and rips alongside his original tracks, and while his online presence has faded, his rate of production hasn't. His tracks are rooted in Angolan kuduro and tarraxinha structures, but Normal Nada uses this only as a starting point, poetically overlaying and superimposing elements from trap, bass music, heavy metal and ambient sources to tell a story that's personal and unique.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eListening to the album is like channel hopping\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e through an interplanetary animated matrix, blasting off from colorful opener 'Beautyful Caos' with its grinding syncopation, crash-landing on the subversive 'Batida Hard Trance 2' that dissolves awkward European dance tropes into industrial-strength Portuguese electronix, and scuttling towards the album's bizarre title track, that juxtaposes crunching, overdriven drones 'n tones with kinetic kuduro rhythms. 'Alive' is even more cacophonous, layering machine-strength orchestral hits over militaristic, rolling 4\/4 beats and unsettled subs.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBorn and raised in the Republic of Guinea-Bissau in West Africa, Normal Nada migrated to Portugal at 13 and was based for many years in Lisbon's San Antonio Dos Cavaleiros housing projects, after previously having lived in the Algarve. Teteu's compositions are a spiked expression of Lisbon's patchwork of batida styles, making a direct link to West Africa's vibrant musical legacy. Now he's returned to Guinea-Bissau and his music reflects this outstretched knowledge and energy, with a 360 degree view of the world's complex assemblage of cultures and conflicts.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe album's somber finale is the best representation of his philosophy, a minor-key downtempo slow-burner that could sit comfortably alongside Actress or tarraxinha pioneer DJ Znobia. Called 'Dedicated to the Homeless', it shines flickering neon light on the world's unseen population, searching for hope where too many of us choose to look away.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Normal Nada the Krakmaxter\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e"}
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西アフリカ・ギニアビサウ出身ポルトガル・リスボン在住のレフトフィールド・ダンス作家Normal Nada the Krakmaxterが、2023年6月にウガンダのレフトフィールドレーベルNyege Nyege Tapesからリリースしたデビューレコードです。 アフリカ音楽をルーツにしながらベースやレイブ要素を取り入れた10曲を収録。 レーベルその他作品はこちら /// Click here to see more Hakuna Kulala /...
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{"id":7982960607482,"title":"Afrorack \/\/ The Afrorack LP","handle":"afrorack-the-afrorack-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eウガンダのモジュラー開発者Afrorack aka Bamanya Brianが、2023年5月に同国カンパラのダンスレーベルNyege Nyege Tapesからリリースしたレコードです。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e彼が独学で製作したモジュールシステムThe Afrorackを駆使したトライバル・テクノ〜ストレンジビーツ9曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"アフリカ初のDIYモジュラーシンセサイザーの製作に携わったBamanyaは、自作のモジュールとFXユニットを巨大な壁一面に配置し、「The Afrorack」と名付けました。モジュラーシンセサイザーの世界を調べ始めると、ウガンダでその技術を手に入れるのは難しいことがわかったからです。アフリカ全土に販売店が比較的少ないだけでなく、モジュールが法外に高価であることが多かったからです。そこで彼は独学で電子回路を学び、CV制御のシステムを構築し、現在も進化を続けています。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e「The Afrorack」はBamanyaのデビューアルバムであり、彼の自由な創造性と落ち着きのないエネルギーが表現されています。彼は、これらのモジュールがヨーロッパやアメリカの音楽スタイルを念頭に置いて開発されたものであることを十分理解しており、システムを自分のニーズに合わせるために、独自の音楽的方法論と言語を開発しました。彼の出発点は、アシッドやテクノを抽象化したものであることが多いが、Bamanyaは東アフリカのリズムや異なるスケールをこれらの馴染みのある構造に取り込み、フラクタルな破片に分裂させます。\"アフリカには独自の伝統音楽があるため、人々が利用できなかった新しいツールを手に入れ、それを別の文脈で実験する、そんな段階にあると思う \"と、彼は2019年にPan African Musicに語っています。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこの姿勢は「African Drum Machine」で最も顕著で、Bamanyaはユークリッドリズムシーケンサーを使って、彼のCV信号を、多くの東アフリカの音楽形態に存在するポリリズム構造を模倣した複雑なアルゴリズムパターンに分割します。よく聴かないと4分の4拍子のテクノに聞こえるかもしれませんが、注意を向けると、ドラムの異なるレイヤーとギザギザのオシレーターが互いに跳ね返り、催眠的な新しいリズムを生み出すのがわかります。Bamanyaは「Why Serious」でも同様のアプローチをとり、ダビーなベースラインとプラスチッキーなパーカッシブサウンドをファジングして、アブストラクトなエレクトロニクスとFWD思考の東アフリカのクラブサウンドを融合させた熱狂的なハイブリッドを作り上げています。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBamanyaの瞑想的で重低音のコンポジションは、特に「Inspired」や「Last Modular」といったトラックでは、ShackletonやAdrian SherwoodのAfrican Head Chargeのサイケデリックなサウンドを思わせます。この2つのトラックは、リゼルギーなトーンシフトと精密なドラムによって、明らかにメタリックなサウンドになっていますが、ネコのうめき声やビデオゲームのブリップといった危険な奇抜さを取り入れながら、常に完全にコントロールできるプロデューサーによって造られています。また、「Osc」や「Rev」のようなビートの少ないトラックでは、Bamanyaはモジュラー音楽の歴史に意識的に言及し、Popol Vuh、Klaus Schulze、Emeraldsのコスミスの世界にアプローチして、東アフリカの特異なリズムの強さでそれを補強しています。「The Afrorack」は、長い間待たれていた会話の始まりです。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4249579788\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003eHakuna Kulala:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBamanya is responsible for building Africa's first DIY modular synthesizer, a huge wall of home-made modules and FX units that he dubbed, fittingly, The Afrorack. His reason for embarking on this difficult project was simple: as he began to investigate the world of modular synthesizers, he realized it would be difficult to acquire the technology in Uganda. Not only were there relatively few retailers across the whole of Africa, but the modules were often prohibitively expensive. After quick search online, Bamanya realized he could easily download circuit diagrams and buy the required parts locally, so he taught himself electronics and constructed a CV-controlled system that's been evolving ever since.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"The Afrorack\" is Bamanya's debut album and displays the producer's untethered creativity and restless energy. He's all too aware that these modules were developed with European and American musical styles in mind, so developed his own musical methodology and language to coax the system into suiting his needs. His starting points are often abstractions of acid and techno, but Bamanya curves East African rhythms and different scales into these familiar structures, splintering them into fractal shards. \"I believe Africa is at that point where people are getting new tools\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e which were not available to them, and then experimenting with them in a different context, because Africa has its own traditional music,\" he told Pan African Music back in 2019.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis attitude is most evident on 'African Drum Machine', where Bamanya uses a Euclidean rhythm sequencer to divide his CV signals into complex algorithmic patterns that mimic the polyrhythmic structures that exist in many East African musical forms. If you're not listening closely it might sound like 4\/4 techno, but focus your attention and you'll hear different layers of drums and jagged oscillators bouncing between each other creating hypnotic new rhythms. Bamanya takes a similar approach on 'Why Serious', fuzzing dubby basslines and plasticky percussive sounds into a frenetic hybrid of abstract electronics and fwd-thinking East African club sounds.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAt times, Bamanya's meditative, bass-heavy compositions echo the psychedelic sounds of Shackleton or Adrian Sherwood's African Head Charge, particularly on tracks like 'Inspired' and 'Last Modular'. With lysergic tonal shifts and precision-engineered drums, both tracks sound defiantly metallic, but sculpted by a producer who's always completely in control as he introduces risky eccentricities like feline groans and videogame blips. And on less beat-heavy tracks like 'Osc' and 'Rev', Bamanya makes a conscious nod to the history of modular music, approaching the kosmische universe of Popol Vuh, Klaus Schulze and Emeralds, augmenting it with East Africa's idiosyncratic rhythmic intensity. \"The Afrorack\" is the beginning of a conversation that's been long overdue.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Afrorack\u003c\/p\u003e\n\u003cp\u003eLabel : Hakuna Kulala\u003c\/p\u003e","published_at":"2023-06-09T07:44:40+09:00","created_at":"2023-06-08T21:28:42+09:00","vendor":"Tobira Records","type":"","tags":["hakuna kulala","lp","new","strange beats","techno \/ house"],"price":308000,"price_min":308000,"price_max":308000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44271918121210,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Afrorack \/\/ The Afrorack LP","public_title":null,"options":["Default Title"],"price":308000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/af1_259894f5-84b1-4176-80f9-899dff18e6a0.jpg?v=1686227324","\/\/tobirarecords.com\/cdn\/shop\/files\/af2_64144b2b-148b-41cb-bb25-d2287d5aa0f5.jpg?v=1686227324"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/af1_259894f5-84b1-4176-80f9-899dff18e6a0.jpg?v=1686227324","options":["Title"],"media":[{"alt":null,"id":32092836299002,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/af1_259894f5-84b1-4176-80f9-899dff18e6a0.jpg?v=1686227324"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/af1_259894f5-84b1-4176-80f9-899dff18e6a0.jpg?v=1686227324","width":700},{"alt":null,"id":32092836331770,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/af2_64144b2b-148b-41cb-bb25-d2287d5aa0f5.jpg?v=1686227324"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/af2_64144b2b-148b-41cb-bb25-d2287d5aa0f5.jpg?v=1686227324","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eウガンダのモジュラー開発者Afrorack aka Bamanya Brianが、2023年5月に同国カンパラのダンスレーベルNyege Nyege Tapesからリリースしたレコードです。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e彼が独学で製作したモジュールシステムThe Afrorackを駆使したトライバル・テクノ〜ストレンジビーツ9曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"アフリカ初のDIYモジュラーシンセサイザーの製作に携わったBamanyaは、自作のモジュールとFXユニットを巨大な壁一面に配置し、「The Afrorack」と名付けました。モジュラーシンセサイザーの世界を調べ始めると、ウガンダでその技術を手に入れるのは難しいことがわかったからです。アフリカ全土に販売店が比較的少ないだけでなく、モジュールが法外に高価であることが多かったからです。そこで彼は独学で電子回路を学び、CV制御のシステムを構築し、現在も進化を続けています。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e「The Afrorack」はBamanyaのデビューアルバムであり、彼の自由な創造性と落ち着きのないエネルギーが表現されています。彼は、これらのモジュールがヨーロッパやアメリカの音楽スタイルを念頭に置いて開発されたものであることを十分理解しており、システムを自分のニーズに合わせるために、独自の音楽的方法論と言語を開発しました。彼の出発点は、アシッドやテクノを抽象化したものであることが多いが、Bamanyaは東アフリカのリズムや異なるスケールをこれらの馴染みのある構造に取り込み、フラクタルな破片に分裂させます。\"アフリカには独自の伝統音楽があるため、人々が利用できなかった新しいツールを手に入れ、それを別の文脈で実験する、そんな段階にあると思う \"と、彼は2019年にPan African Musicに語っています。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこの姿勢は「African Drum Machine」で最も顕著で、Bamanyaはユークリッドリズムシーケンサーを使って、彼のCV信号を、多くの東アフリカの音楽形態に存在するポリリズム構造を模倣した複雑なアルゴリズムパターンに分割します。よく聴かないと4分の4拍子のテクノに聞こえるかもしれませんが、注意を向けると、ドラムの異なるレイヤーとギザギザのオシレーターが互いに跳ね返り、催眠的な新しいリズムを生み出すのがわかります。Bamanyaは「Why Serious」でも同様のアプローチをとり、ダビーなベースラインとプラスチッキーなパーカッシブサウンドをファジングして、アブストラクトなエレクトロニクスとFWD思考の東アフリカのクラブサウンドを融合させた熱狂的なハイブリッドを作り上げています。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBamanyaの瞑想的で重低音のコンポジションは、特に「Inspired」や「Last Modular」といったトラックでは、ShackletonやAdrian SherwoodのAfrican Head Chargeのサイケデリックなサウンドを思わせます。この2つのトラックは、リゼルギーなトーンシフトと精密なドラムによって、明らかにメタリックなサウンドになっていますが、ネコのうめき声やビデオゲームのブリップといった危険な奇抜さを取り入れながら、常に完全にコントロールできるプロデューサーによって造られています。また、「Osc」や「Rev」のようなビートの少ないトラックでは、Bamanyaはモジュラー音楽の歴史に意識的に言及し、Popol Vuh、Klaus Schulze、Emeraldsのコスミスの世界にアプローチして、東アフリカの特異なリズムの強さでそれを補強しています。「The Afrorack」は、長い間待たれていた会話の始まりです。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4249579788\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003eHakuna Kulala:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBamanya is responsible for building Africa's first DIY modular synthesizer, a huge wall of home-made modules and FX units that he dubbed, fittingly, The Afrorack. His reason for embarking on this difficult project was simple: as he began to investigate the world of modular synthesizers, he realized it would be difficult to acquire the technology in Uganda. Not only were there relatively few retailers across the whole of Africa, but the modules were often prohibitively expensive. After quick search online, Bamanya realized he could easily download circuit diagrams and buy the required parts locally, so he taught himself electronics and constructed a CV-controlled system that's been evolving ever since.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"The Afrorack\" is Bamanya's debut album and displays the producer's untethered creativity and restless energy. He's all too aware that these modules were developed with European and American musical styles in mind, so developed his own musical methodology and language to coax the system into suiting his needs. His starting points are often abstractions of acid and techno, but Bamanya curves East African rhythms and different scales into these familiar structures, splintering them into fractal shards. \"I believe Africa is at that point where people are getting new tools\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e which were not available to them, and then experimenting with them in a different context, because Africa has its own traditional music,\" he told Pan African Music back in 2019.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis attitude is most evident on 'African Drum Machine', where Bamanya uses a Euclidean rhythm sequencer to divide his CV signals into complex algorithmic patterns that mimic the polyrhythmic structures that exist in many East African musical forms. If you're not listening closely it might sound like 4\/4 techno, but focus your attention and you'll hear different layers of drums and jagged oscillators bouncing between each other creating hypnotic new rhythms. Bamanya takes a similar approach on 'Why Serious', fuzzing dubby basslines and plasticky percussive sounds into a frenetic hybrid of abstract electronics and fwd-thinking East African club sounds.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAt times, Bamanya's meditative, bass-heavy compositions echo the psychedelic sounds of Shackleton or Adrian Sherwood's African Head Charge, particularly on tracks like 'Inspired' and 'Last Modular'. With lysergic tonal shifts and precision-engineered drums, both tracks sound defiantly metallic, but sculpted by a producer who's always completely in control as he introduces risky eccentricities like feline groans and videogame blips. And on less beat-heavy tracks like 'Osc' and 'Rev', Bamanya makes a conscious nod to the history of modular music, approaching the kosmische universe of Popol Vuh, Klaus Schulze and Emeralds, augmenting it with East Africa's idiosyncratic rhythmic intensity. \"The Afrorack\" is the beginning of a conversation that's been long overdue.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Afrorack\u003c\/p\u003e\n\u003cp\u003eLabel : Hakuna Kulala\u003c\/p\u003e"}
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ウガンダのモジュラー開発者Afrorack aka Bamanya Brianが、2023年5月に同国カンパラのダンスレーベルNyege Nyege Tapesからリリースしたレコードです。 彼が独学で製作したモジュールシステムThe Afrorackを駆使したトライバル・テクノ〜ストレンジビーツ9曲を収録。 以下、レーベルによる解説です。 "アフリカ初のDIYモジュラーシンセサイザーの製作に携わったBamanyaは、自作のモジュールとFXユニットを巨大な壁一面に配置し、「The Afrorack」と名付けました。モジュラーシンセサイザーの世界を調べ始めると、ウガンダでその技術を手に入れるのは難しいことがわかったからです。アフリカ全土に販売店が比較的少ないだけでなく、モジュールが法外に高価であることが多かったからです。そこで彼は独学で電子回路を学び、CV制御のシステムを構築し、現在も進化を続けています。「The Afrorack」はBamanyaのデビューアルバムであり、彼の自由な創造性と落ち着きのないエネルギーが表現されています。彼は、これらのモジュールがヨーロッパやアメリカの音楽スタイルを念頭に置いて開発されたものであることを十分理解しており、システムを自分のニーズに合わせるために、独自の音楽的方法論と言語を開発しました。彼の出発点は、アシッドやテクノを抽象化したものであることが多いが、Bamanyaは東アフリカのリズムや異なるスケールをこれらの馴染みのある構造に取り込み、フラクタルな破片に分裂させます。"アフリカには独自の伝統音楽があるため、人々が利用できなかった新しいツールを手に入れ、それを別の文脈で実験する、そんな段階にあると思う "と、彼は2019年にPan African...
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{"id":7961570541818,"title":"DJ Finale \/\/ Mille Morceau LP [COLOR]","handle":"dj-finale-mille-morceau-lp-color","description":"\u003cp\u003eコンゴ共和国のダンス作家DJ Finaleが、2023年3月にウガンダの\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNyege Nyegeからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e1940年代にアフリカで流行したダンスジャンルスークースを取り入れた14曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eコンゴ民主共和国のFulu Mizikiバンドのメンバーであり、ゴミを再利用して実験的なリズム音楽を作る長年のエコ活動家集団であるキンシャサのDJ Finaleは、自国の歴史に飛び込んで勇敢なハイブリッドダンスサウンドを考案しています。20世紀半ばにキューバ・ルンバのリズムとジャズの柔軟なエモーションから発展したサウンド、スークース（クワッサ・クワッサ）という人気のあるテンプレートをベースに、\u003cmeta charset=\"utf-8\"\u003eFinaleは音楽の融合と革新のホットスポットであるキンシャサを表現しています。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eスークースは当初、伝統的な楽器で演奏されていましたが、Finaleは最小限の電子的アプローチをとり、おなじみのリズムをドンボロなどのコンゴのトラッド・モダンなスタイルに溶け込ませています。Basss30は、ホワイトノイズのバーストとアシッドなシンセサウンドの上で、もろにスイングするビートを刻みいます。Pitschu Debouは、Fulu MizikiのDeboulをボーカルに迎え、荒々しいネオトラップのフレームにスークスのギターリフを折り込みます。「Tobandi」は、工業的で、「イスラムガウズ」と同じく深夜\/早朝のクラブセット向けで、うなる電子機器の危ない爆発とジャークコンゴールのリズムでできています。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e「Mille Morceau」は、コンゴ民主共和国の過去と現在を考察したものです。キンシャサの豊かな歴史を祝うと同時に、エネルギッシュで若々しいコンテンポラリーシーンを誇りに思い、国境を越えて遠くまで目を向けられるようになりました。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1120565893\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003ePressed on 12\" silver vinyl. \u003c\/p\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eA member of of the Democratic Republic of Congo's Fulu Miziki band, the long-running eco activist collective forging experimental rhythmic music from repurposed trash, Kinshasa's DJ Finale dives into his country's history to brainstorm a dauntless hybrid dance sound. Kinshasa has long been a hotspot of musical fusion and innovation, and Finale builds on the popular template of soukous, or kwassa kwassa - a sound that developed in the mid-20th century from the rhythms of Cuban rumba and flexible emotionality of jazz.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWhile soukous was initially performed with traditional instruments, Finale takes a minimal electronic approach, melting familiar rhythms into other Congolese trad-moderne styles like n'dombolo. 'Basss 30' bolts a brittle swinging beat over white noise bursts and acidic synth sounds; 'Pitschu Debou' features Fulu Miziki's Deboul on vocals, and folds soukous guitar riffs into a stark neo-trap frame; 'Tobandi' is raw and industrial, like Muslimgauze but aimed at the late night\/early morning club set, with dangerous blasts of whirring electronics and jerky Congolese rhythms.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"Mille Morceau\" is a thoughtful mitigation of the Democratic Republic of Congo's past and present. It celebrates Kinshasa's rich history, while remaining proud of an energetic, youthful contemporary scene that's ready to look far beyond the borders.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : DJ Finale\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNyege Nyege Tapes\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-04-21T09:53:04+09:00","created_at":"2023-04-20T18:09:20+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","hakuna kulala","hiphop \/ funk","lp"],"price":289000,"price_min":289000,"price_max":289000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44181571502330,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"DJ Finale \/\/ Mille Morceau LP [COLOR]","public_title":null,"options":["Default Title"],"price":289000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/mo1_94e54fc4-d6b9-4182-87c8-ddf508a4b697.jpg?v=1681981762","\/\/tobirarecords.com\/cdn\/shop\/products\/mo2_0bf55ad7-61fd-4ad2-9d7e-f13dd41f8f9c.jpg?v=1681981762"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/mo1_94e54fc4-d6b9-4182-87c8-ddf508a4b697.jpg?v=1681981762","options":["Title"],"media":[{"alt":null,"id":31856910958842,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mo1_94e54fc4-d6b9-4182-87c8-ddf508a4b697.jpg?v=1681981762"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mo1_94e54fc4-d6b9-4182-87c8-ddf508a4b697.jpg?v=1681981762","width":700},{"alt":null,"id":31856910991610,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mo2_0bf55ad7-61fd-4ad2-9d7e-f13dd41f8f9c.jpg?v=1681981762"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mo2_0bf55ad7-61fd-4ad2-9d7e-f13dd41f8f9c.jpg?v=1681981762","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eコンゴ共和国のダンス作家DJ Finaleが、2023年3月にウガンダの\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNyege Nyegeからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e1940年代にアフリカで流行したダンスジャンルスークースを取り入れた14曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eコンゴ民主共和国のFulu Mizikiバンドのメンバーであり、ゴミを再利用して実験的なリズム音楽を作る長年のエコ活動家集団であるキンシャサのDJ Finaleは、自国の歴史に飛び込んで勇敢なハイブリッドダンスサウンドを考案しています。20世紀半ばにキューバ・ルンバのリズムとジャズの柔軟なエモーションから発展したサウンド、スークース（クワッサ・クワッサ）という人気のあるテンプレートをベースに、\u003cmeta charset=\"utf-8\"\u003eFinaleは音楽の融合と革新のホットスポットであるキンシャサを表現しています。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eスークースは当初、伝統的な楽器で演奏されていましたが、Finaleは最小限の電子的アプローチをとり、おなじみのリズムをドンボロなどのコンゴのトラッド・モダンなスタイルに溶け込ませています。Basss30は、ホワイトノイズのバーストとアシッドなシンセサウンドの上で、もろにスイングするビートを刻みいます。Pitschu Debouは、Fulu MizikiのDeboulをボーカルに迎え、荒々しいネオトラップのフレームにスークスのギターリフを折り込みます。「Tobandi」は、工業的で、「イスラムガウズ」と同じく深夜\/早朝のクラブセット向けで、うなる電子機器の危ない爆発とジャークコンゴールのリズムでできています。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e「Mille Morceau」は、コンゴ民主共和国の過去と現在を考察したものです。キンシャサの豊かな歴史を祝うと同時に、エネルギッシュで若々しいコンテンポラリーシーンを誇りに思い、国境を越えて遠くまで目を向けられるようになりました。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1120565893\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003ePressed on 12\" silver vinyl. \u003c\/p\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eA member of of the Democratic Republic of Congo's Fulu Miziki band, the long-running eco activist collective forging experimental rhythmic music from repurposed trash, Kinshasa's DJ Finale dives into his country's history to brainstorm a dauntless hybrid dance sound. Kinshasa has long been a hotspot of musical fusion and innovation, and Finale builds on the popular template of soukous, or kwassa kwassa - a sound that developed in the mid-20th century from the rhythms of Cuban rumba and flexible emotionality of jazz.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWhile soukous was initially performed with traditional instruments, Finale takes a minimal electronic approach, melting familiar rhythms into other Congolese trad-moderne styles like n'dombolo. 'Basss 30' bolts a brittle swinging beat over white noise bursts and acidic synth sounds; 'Pitschu Debou' features Fulu Miziki's Deboul on vocals, and folds soukous guitar riffs into a stark neo-trap frame; 'Tobandi' is raw and industrial, like Muslimgauze but aimed at the late night\/early morning club set, with dangerous blasts of whirring electronics and jerky Congolese rhythms.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"Mille Morceau\" is a thoughtful mitigation of the Democratic Republic of Congo's past and present. It celebrates Kinshasa's rich history, while remaining proud of an energetic, youthful contemporary scene that's ready to look far beyond the borders.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : DJ Finale\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNyege Nyege Tapes\u003c\/span\u003e\u003c\/p\u003e"}
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コンゴ共和国のダンス作家DJ Finaleが、2023年3月にウガンダのNyege Nyegeからリリースしたレコードです。 1940年代にアフリカで流行したダンスジャンルスークースを取り入れた14曲を収録。 以下、レーベルによる解説です。 コンゴ民主共和国のFulu Mizikiバンドのメンバーであり、ゴミを再利用して実験的なリズム音楽を作る長年のエコ活動家集団であるキンシャサのDJ Finaleは、自国の歴史に飛び込んで勇敢なハイブリッドダンスサウンドを考案しています。20世紀半ばにキューバ・ルンバのリズムとジャズの柔軟なエモーションから発展したサウンド、スークース（クワッサ・クワッサ）という人気のあるテンプレートをベースに、Finaleは音楽の融合と革新のホットスポットであるキンシャサを表現しています。スークースは当初、伝統的な楽器で演奏されていましたが、Finaleは最小限の電子的アプローチをとり、おなじみのリズムをドンボロなどのコンゴのトラッド・モダンなスタイルに溶け込ませています。Basss30は、ホワイトノイズのバーストとアシッドなシンセサウンドの上で、もろにスイングするビートを刻みいます。Pitschu Debouは、Fulu MizikiのDeboulをボーカルに迎え、荒々しいネオトラップのフレームにスークスのギターリフを折り込みます。「Tobandi」は、工業的で、「イスラムガウズ」と同じく深夜/早朝のクラブセット向けで、うなる電子機器の危ない爆発とジャークコンゴールのリズムでできています。「Mille Morceau」は、コンゴ民主共和国の過去と現在を考察したものです。キンシャサの豊かな歴史を祝うと同時に、エネルギッシュで若々しいコンテンポラリーシーンを誇りに思い、国境を越えて遠くまで目を向けられるようになりました。 レーベルその他作品はこちら /// Click here to see...
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{"id":7961566052602,"title":"MC YALLAH \/\/ Yallah Beibe LP","handle":"mc-yallah-yallah-beibe-lp","description":"\u003cp\u003eケニア／ウガンダ出身のラッパーMC YALLAHが、2023年4月にウガンダの\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHakuna Kulalaからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003egqom〜グライム12曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4021784446\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eHakuna Kulala:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003eBorn Yallah Gaudencia Mbidde in Kenya and raised in Uganda, MC Yallah has been involved in East Africa's rap scene since 1999. Alternating rhymes in Luganda, Luo, Kiswahili and English, her conscious, poetic and experimental style was slow to creep into Uganda's mainstream. Following a brief but necessary hiatus, she returned to the stage in 2018 with a new lease of life accepting her role as a central component of the Nyege Nyege\/Hakuna Kulala family.\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"Yallah Beibe\" is the fiery follow-up to Yallah and Berlin-based producer Debmaster's acclaimed 2019 debut \"Kubali\". After her tour plans were cut short as COVID-19 broke out in 2020, Yallah returned to Kampala and started work on her sophomore album at Nyege Nyege's villa. The process was more complicated this time around, developing pointedly from an initial back-and-forth with Debmaster and flourishing as beats appeared from Japanese producer Scotch Rolex and Congolese club maestro Chrisman. The finished album is an international patchwork of futuristic cyber-rap experiments fastened together by Yallah's unforgettable personality and elastic flow.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMore charged than its predecessor, \"Yallah\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e Beibe\" is an apt soundtrack to a challenging era. Yallah is an experienced and versatile MC and channels her layered understanding of the complicated global cultural landscape into 12 stories that skate through trap, dancehall, club and industrial styles. Her authoritative guiding force is never more evident than on 'No One Seems To Bother', a collaboration with Duma's gravel-voiced singer Lord Spikeheart. Trading bars over Debmaster's slippery, bass-heavy rhythm, Yallah and Spikeheart ink an alternative East African sonic landscape, with activated lyrics (\"the world is going under, no-one seems to bother\") and rasping, death metal-inspired groans.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"Yallah Beibe\" is a call to action, a loud siren that's intended to educate the wider world of East Africa's shrouded history and bright future. Yallah's collaboration with rising star Rati Gan 'Bigbung Song' is the best evidence of this, looping Rati's Afro-Caribbean dancefloor flex and Yallah's politicized flow around a twisted bass-heavy beat from Chrisman, joining hands between the DRC, Uganda and the wider diaspora. Tracks like 'Baliwa' and the anthemic 'HERA' meanwhile completely center Yallah's signature lyrical dexterity, playing her tongue twisting raps against Scotch Rolex's pan-global foley-trap splatter. At times, the sounds feel as if they're from their own planet entirely - a fourth world that's rooted in collaboration rather than appropriation.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIf \"Kubali\" re-established Yallah as a force to be reckoned with, \"Yallah Beibe\" cements her status as one of the world's most exciting MCs, both on record and on the stage. There's nobody doing it quite like her.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : MC YALLAH\u003c\/p\u003e\n\u003cp\u003eLabel : Hakuna Kulala\u003c\/p\u003e","published_at":"2023-04-21T09:41:30+09:00","created_at":"2023-04-20T18:05:58+09:00","vendor":"Tobira Records","type":"","tags":["hakuna kulala","hiphop \/ funk","lp"],"price":289000,"price_min":289000,"price_max":289000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44181562327290,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"MC YALLAH \/\/ Yallah Beibe LP","public_title":null,"options":["Default Title"],"price":289000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/be1_98719703-8605-4dab-995f-24e6681c4c32.jpg?v=1681981560","\/\/tobirarecords.com\/cdn\/shop\/products\/be2_fb87f06d-a59a-4db5-b2cf-67279a8572d7.jpg?v=1681981560"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/be1_98719703-8605-4dab-995f-24e6681c4c32.jpg?v=1681981560","options":["Title"],"media":[{"alt":null,"id":31856896606458,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/be1_98719703-8605-4dab-995f-24e6681c4c32.jpg?v=1681981560"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/be1_98719703-8605-4dab-995f-24e6681c4c32.jpg?v=1681981560","width":700},{"alt":null,"id":31856896639226,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/be2_fb87f06d-a59a-4db5-b2cf-67279a8572d7.jpg?v=1681981560"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/be2_fb87f06d-a59a-4db5-b2cf-67279a8572d7.jpg?v=1681981560","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eケニア／ウガンダ出身のラッパーMC YALLAHが、2023年4月にウガンダの\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHakuna Kulalaからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003egqom〜グライム12曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4021784446\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eHakuna Kulala:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003eBorn Yallah Gaudencia Mbidde in Kenya and raised in Uganda, MC Yallah has been involved in East Africa's rap scene since 1999. Alternating rhymes in Luganda, Luo, Kiswahili and English, her conscious, poetic and experimental style was slow to creep into Uganda's mainstream. Following a brief but necessary hiatus, she returned to the stage in 2018 with a new lease of life accepting her role as a central component of the Nyege Nyege\/Hakuna Kulala family.\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"Yallah Beibe\" is the fiery follow-up to Yallah and Berlin-based producer Debmaster's acclaimed 2019 debut \"Kubali\". After her tour plans were cut short as COVID-19 broke out in 2020, Yallah returned to Kampala and started work on her sophomore album at Nyege Nyege's villa. The process was more complicated this time around, developing pointedly from an initial back-and-forth with Debmaster and flourishing as beats appeared from Japanese producer Scotch Rolex and Congolese club maestro Chrisman. The finished album is an international patchwork of futuristic cyber-rap experiments fastened together by Yallah's unforgettable personality and elastic flow.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMore charged than its predecessor, \"Yallah\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e Beibe\" is an apt soundtrack to a challenging era. Yallah is an experienced and versatile MC and channels her layered understanding of the complicated global cultural landscape into 12 stories that skate through trap, dancehall, club and industrial styles. Her authoritative guiding force is never more evident than on 'No One Seems To Bother', a collaboration with Duma's gravel-voiced singer Lord Spikeheart. Trading bars over Debmaster's slippery, bass-heavy rhythm, Yallah and Spikeheart ink an alternative East African sonic landscape, with activated lyrics (\"the world is going under, no-one seems to bother\") and rasping, death metal-inspired groans.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"Yallah Beibe\" is a call to action, a loud siren that's intended to educate the wider world of East Africa's shrouded history and bright future. Yallah's collaboration with rising star Rati Gan 'Bigbung Song' is the best evidence of this, looping Rati's Afro-Caribbean dancefloor flex and Yallah's politicized flow around a twisted bass-heavy beat from Chrisman, joining hands between the DRC, Uganda and the wider diaspora. Tracks like 'Baliwa' and the anthemic 'HERA' meanwhile completely center Yallah's signature lyrical dexterity, playing her tongue twisting raps against Scotch Rolex's pan-global foley-trap splatter. At times, the sounds feel as if they're from their own planet entirely - a fourth world that's rooted in collaboration rather than appropriation.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIf \"Kubali\" re-established Yallah as a force to be reckoned with, \"Yallah Beibe\" cements her status as one of the world's most exciting MCs, both on record and on the stage. There's nobody doing it quite like her.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : MC YALLAH\u003c\/p\u003e\n\u003cp\u003eLabel : Hakuna Kulala\u003c\/p\u003e"}
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ケニア／ウガンダ出身のラッパーMC YALLAHが、2023年4月にウガンダのHakuna Kulalaからリリースしたレコードです。 gqom〜グライム12曲を収録。 レーベルその他作品はこちら /// Click here to see more Hakuna Kulala releases available at Tobira. ...
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{"id":7909096456442,"title":"Jako Maron \/\/ The electro Maloya experiments of Jako Maron 2xLP","handle":"jako-maron-the-electro-maloya-experiments-of-jako-maron-2xlp","description":"\u003cp\u003eマダガスカル島東方のインド洋上に位置するレユニオン島の実験ダンス作家Jako Maronが、2023年1月にウガンダのNyege Nyegeからリリースした再発2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eレユニオン島の伝統音楽マラヤを再解釈した、モジュラー・シンセシスによるレフトフィールド・テクノ〜ストレンジビーツ10曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1384687487\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eNyege Nyege Tapes:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Jako Maron, was born in St Denis, Reunion Island in 1968. He developed an interest in electronic music composition from the late 90’s and for the last 15 years began experimenting with the tertiary and binary beats of Maloya music via modular synthesis and drum machines. This album compiles for the first time his electro-Maloya experiments.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTraditional Maloya described the songs, music and dances of slaves of sugar plantations of Réunion Island in the 17th Century – Maloya ceremonies paid tribute to ancestors and mediated between the living and the dead. The music and culture began to be more widely accepted by Réunionese society from the 1930s as folklorist Georges Fourcade began to play Maloya songs. By the ‘50s, Maloya tracks were appearing on 78rpm releases and, in the ‘60s, it was used as a form of cultural protest music. In the mid-‘70s, a new generation began exploring new directions in the music, using Créole language and may different styles of Maloya music emerged. Jako Maron explores the full spectrum of these styles through his electronic re-interpretations of his native lands music.\"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Jako Maron\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNyege Nyege Tapes\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-01-30T07:46:50+09:00","created_at":"2023-01-30T07:46:50+09:00","vendor":"Tobira Records","type":"","tags":["hakuna kulala","lp","strange beats","techno \/ house"],"price":368000,"price_min":368000,"price_max":368000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43950343291130,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Jako Maron \/\/ The electro Maloya experiments of Jako Maron 2xLP","public_title":null,"options":["Default Title"],"price":368000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a3138008331_16.jpg?v=1675032602"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a3138008331_16.jpg?v=1675032602","options":["Title"],"media":[{"alt":null,"id":31452031844602,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a3138008331_16.jpg?v=1675032602"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a3138008331_16.jpg?v=1675032602","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eマダガスカル島東方のインド洋上に位置するレユニオン島の実験ダンス作家Jako Maronが、2023年1月にウガンダのNyege Nyegeからリリースした再発2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eレユニオン島の伝統音楽マラヤを再解釈した、モジュラー・シンセシスによるレフトフィールド・テクノ〜ストレンジビーツ10曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1384687487\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eNyege Nyege Tapes:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Jako Maron, was born in St Denis, Reunion Island in 1968. He developed an interest in electronic music composition from the late 90’s and for the last 15 years began experimenting with the tertiary and binary beats of Maloya music via modular synthesis and drum machines. This album compiles for the first time his electro-Maloya experiments.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTraditional Maloya described the songs, music and dances of slaves of sugar plantations of Réunion Island in the 17th Century – Maloya ceremonies paid tribute to ancestors and mediated between the living and the dead. The music and culture began to be more widely accepted by Réunionese society from the 1930s as folklorist Georges Fourcade began to play Maloya songs. By the ‘50s, Maloya tracks were appearing on 78rpm releases and, in the ‘60s, it was used as a form of cultural protest music. In the mid-‘70s, a new generation began exploring new directions in the music, using Créole language and may different styles of Maloya music emerged. Jako Maron explores the full spectrum of these styles through his electronic re-interpretations of his native lands music.\"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Jako Maron\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNyege Nyege Tapes\u003c\/span\u003e\u003c\/p\u003e"}
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マダガスカル島東方のインド洋上に位置するレユニオン島の実験ダンス作家Jako Maronが、2023年1月にウガンダのNyege Nyegeからリリースした再発2枚組レコードです。 レユニオン島の伝統音楽マラヤを再解釈した、モジュラー・シンセシスによるレフトフィールド・テクノ〜ストレンジビーツ10曲を収録。 ------------------------------------------ Nyege Nyege Tapes: "Jako Maron, was born in St...
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{"id":7810717810938,"title":"Authentically Plastic \/\/ Raw Space LP","handle":"authentically-plastic-raw-space-lp","description":"\u003cp\u003e2019年9月のNyege Nyegeフェスティバルでの豪快なパフォーマンスにより、ウガンダの政治家から「ナイルの悪魔」とまで呼ばれるカンパラを拠点とする音響催眠術師Authentically Plasticが、2022年9月に同国\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHakuna Kulalaからリリースしたデビューレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eポストインダストリアル・\u003cmeta charset=\"utf-8\"\u003eGqom9曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2335326003\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eHakuna Kulala:\u003c\/p\u003e\n\u003cp\u003e\"RAW SPACE\" is rooted in chaos and chance, sensuality and intensity - it's an album that's able to sound alarmingly freeform and tightly controlled simultaneously. 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Their musical process is to start with chaos, then attempt to mold those fleshy structures into polyrhythmic mutations, pulling influence from East Africa's innovative musical landscape and augmenting it with an exploratory sense of surrealism.\u003cbr\u003e\u003cbr\u003eOn opening track 'Aesthetic Terrorism', rough-hewn industrial rhythms chug mechanically against course, dissonant synth blasts and acidic arpeggios. There's a faint sparkle of Detroit's chrome\u003cspan class=\"bcTruncateMore\"\u003e-plated Afro-futurism, but bathed in neon light, reflecting Africa's contemporary electronic revolution. 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{"id":7649244938490,"title":"Ecko Bazz \/\/ Mmaso LP","handle":"ecko-bazz-mmaso-lp","description":"\u003cp\u003eウガンダのラッパーEcko Bazzが、2022年3月に同国Hakuna Kulalaからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eGqom〜グライム11曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/qQ1k44yhafU\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2105249984\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eHakuna Kulala:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSince the appearance of his cult breakthrough debut Tuli Banyo released on Hakuna Kulala in 2018, Ugandan conscious rapper and MC, Ecko Bazz has challenged perceptions of East Africa's burgeoning rap scene. His style is hard to categorize blending elements of grime, dancehall and US hip-hop and twisting politicized lyrics in Luganda that explore violence, religion, drug abuse or the poverty in the Ugandan slums. This personality anchors his debut album Mmaso, an explosive call to action that balances his manic presence with production from MC Yallah collaborator Debmaster, Kenyan club futurist Slikback, Berlin-based Japanese beatmaker DJ Die Soon and the inimitable DJ Scotch Rolex.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMmaso is driven by Ecko Bazz's kinetic performance on the mic. Anyone that's had the privilege of seeing him live will know what to expect, and his unadulterated flow is immediately focused on the grinding title track. The rapper alternates freely between sober truths and hyperactive screams, flipping between intensity from verse to verse. On Lwaky?, an anxious Debmaster beat\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e underpins Bazz's visceral hedonism bending his rhymes in double and half-time and wrenching his voice gymnastically over 808 booms and claps.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThere's a pause for breath on the more intimate Mugulu e'yo or the relatively restrained Empungo Mubanga where Slikback provides a breathy and minimal midnight trap rumble to couch the rapper's surreal exuberance. With DJ Die Soon's Bikuba, Bazz mimics the bouncy lead synth to command a presence that refuses to let you forget that, even at his most claustrophobic, he makes music that lives at the club. That's never more evident than on Nkoowola, a standout that made it to Nyege Nyege - Soundcloud Music for the Eagles compilation. Bright, powerful and charged with rebellious energy that resonates through East Africa and beyond.'\u003c\/span\u003e\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Ecko Bazz\u003c\/p\u003e\n\u003cp\u003eLabel : Hakuna Kulala\u003c\/p\u003e","published_at":"2022-06-22T16:26:18+09:00","created_at":"2022-06-21T14:38:53+09:00","vendor":"Tobira Records","type":"","tags":["hakuna kulala","hiphop \/ funk","lp","techno \/ house"],"price":298000,"price_min":298000,"price_max":298000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42903929553146,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Ecko Bazz \/\/ Mmaso LP","public_title":null,"options":["Default Title"],"price":298000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/mm1_326088c4-2da1-47c5-9293-33e712fe78aa.jpg?v=1655789935","\/\/tobirarecords.com\/cdn\/shop\/products\/mm2_1bb6eb86-f18e-4823-af58-b8139153a5b0.jpg?v=1655789935"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/mm1_326088c4-2da1-47c5-9293-33e712fe78aa.jpg?v=1655789935","options":["Title"],"media":[{"alt":null,"id":29941282832634,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mm1_326088c4-2da1-47c5-9293-33e712fe78aa.jpg?v=1655789935"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mm1_326088c4-2da1-47c5-9293-33e712fe78aa.jpg?v=1655789935","width":700},{"alt":null,"id":29941282865402,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mm2_1bb6eb86-f18e-4823-af58-b8139153a5b0.jpg?v=1655789935"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mm2_1bb6eb86-f18e-4823-af58-b8139153a5b0.jpg?v=1655789935","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eウガンダのラッパーEcko Bazzが、2022年3月に同国Hakuna Kulalaからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eGqom〜グライム11曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/qQ1k44yhafU\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2105249984\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eHakuna Kulala:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSince the appearance of his cult breakthrough debut Tuli Banyo released on Hakuna Kulala in 2018, Ugandan conscious rapper and MC, Ecko Bazz has challenged perceptions of East Africa's burgeoning rap scene. His style is hard to categorize blending elements of grime, dancehall and US hip-hop and twisting politicized lyrics in Luganda that explore violence, religion, drug abuse or the poverty in the Ugandan slums. This personality anchors his debut album Mmaso, an explosive call to action that balances his manic presence with production from MC Yallah collaborator Debmaster, Kenyan club futurist Slikback, Berlin-based Japanese beatmaker DJ Die Soon and the inimitable DJ Scotch Rolex.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMmaso is driven by Ecko Bazz's kinetic performance on the mic. Anyone that's had the privilege of seeing him live will know what to expect, and his unadulterated flow is immediately focused on the grinding title track. The rapper alternates freely between sober truths and hyperactive screams, flipping between intensity from verse to verse. On Lwaky?, an anxious Debmaster beat\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e underpins Bazz's visceral hedonism bending his rhymes in double and half-time and wrenching his voice gymnastically over 808 booms and claps.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThere's a pause for breath on the more intimate Mugulu e'yo or the relatively restrained Empungo Mubanga where Slikback provides a breathy and minimal midnight trap rumble to couch the rapper's surreal exuberance. With DJ Die Soon's Bikuba, Bazz mimics the bouncy lead synth to command a presence that refuses to let you forget that, even at his most claustrophobic, he makes music that lives at the club. That's never more evident than on Nkoowola, a standout that made it to Nyege Nyege - Soundcloud Music for the Eagles compilation. Bright, powerful and charged with rebellious energy that resonates through East Africa and beyond.'\u003c\/span\u003e\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Ecko Bazz\u003c\/p\u003e\n\u003cp\u003eLabel : Hakuna Kulala\u003c\/p\u003e"}
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ウガンダのラッパーEcko Bazzが、2022年3月に同国Hakuna Kulalaからリリースしたレコードです。 Gqom〜グライム11曲を収録。 レーベルその他作品はこちら /// Click here to see more Hakuna Kulala releases available at Tobira. ...
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