Sergio Armaroli, David Toop // Decay Music 10: And I Entered Into Sleep LP
Sergio Armaroli, David Toop // Decay Music 10: And I Entered Into Sleep LP
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イタリアのビブラフォン奏者Elio Martuscielloとイギリスの実験音楽家David Toopが、2025年7月に同国実験レーベルDie Schachtelからリリースした共作レコードです。
エレクトロアコースティック8曲を収録。180g重量盤です。
レコードのみでの発表となります。
※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ
レーベルその他作品はこちら /// Click here to see more Die Schachtel releases available at Tobira.
-------------------------------------------
12" black vinyl in printed PVC sleeve.
Part of Die Schachtel's 'Decay Music' series.
Edition of 200 copies.
Tracklist:
A1 And I Entered Into Sleep 4:48
A2 Black Stream And The Shadow 4:56
A3 Dusty Lapis 4:20
A4 Etheromane 4:50
B1 Flickering Creatures 2:53
B2 Floating Clouds 6:15
B3 Stone And Ocean 6:37
B4 The Alchemist's Retort 4:51
Artist : Sergio Armaroli, David Toop
Label : Die Schachtel
cat no : DSDM10
イタリアのビブラフォン奏者Elio Martuscielloとイギリスの実験音楽家David Toopが、2025年7月に同国実験レーベルDie Schachtelからリリースした共作レコードです。
エレクトロアコースティック8曲を収録。180g重量盤です。
レコードのみでの発表となります。
※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ
レーベルその他作品はこちら /// Click here to see more Die Schachtel releases available at Tobira.
-------------------------------------------
12" black vinyl in printed PVC sleeve.
Part of Die Schachtel's 'Decay Music' series.
Edition of 200 copies.
Tracklist:
A1 And I Entered Into Sleep 4:48
A2 Black Stream And The Shadow 4:56
A3 Dusty Lapis 4:20
A4 Etheromane 4:50
B1 Flickering Creatures 2:53
B2 Floating Clouds 6:15
B3 Stone And Ocean 6:37
B4 The Alchemist's Retort 4:51
Artist : Sergio Armaroli, David Toop
Label : Die Schachtel
cat no : DSDM10
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{"id":8846582415610,"title":"Gil J. Wolman \/\/ Mégapneumes LP","handle":"gil-j-wolman-megapneumes-lp","description":"\u003cp\u003eフランスの実験音楽家／美術家Gil J. Wolman (1929-1995)が、2025年6月にイタリアの実験レーベルAlga Marghenからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eサウンドポエトリー7曲を収録。\u003c\/p\u003e\n\u003cp\u003eレコードのみでの発表となります\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eEdition of 200. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eA1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eUn Coup Pour Rien\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e4:28\u003cbr\u003eA2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eUn Coup Pour Deux\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e4:24\u003cbr\u003eA3\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eMégapneumes\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e14:49\u003cbr\u003eB1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eLes Calles\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e3:26\u003cbr\u003eB2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eMégapneume\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e3:28\u003cbr\u003eB3\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eMégapneumes ( Excerpt )\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e13:22\u003cbr\u003eB4\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eTu Vas La Taire Ta Gueule\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e5:32\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eAlga Marghen:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThis third Gil J Wolman LP record released by alga marghen, bringing \u003c\/em\u003e\u003cem\u003etogether mégapneumes from the 60s, shed new light into the poetic \u003c\/em\u003e\u003cem\u003erevolution of the time, or a kind of organic infra-language. It’s the \u003c\/em\u003e\u003cem\u003ephysical poetry of a serial killer that we hear recorded in the two \u003c\/em\u003e\u003cem\u003e“Mégapneumes” as well as in the extract from the (last?) “Mégapneumes” \u003c\/em\u003e\u003cem\u003e(excerpt), a tape that was found still wound on Wolman's tape recorder\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eafter the author’s death.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“Les Callas”, an astonishing piece possibly based on several \u003c\/em\u003e\u003cem\u003esuper-imposed recordings of Wolman's voice at Radio Télévision \u003c\/em\u003e\u003cem\u003eFrançaise (ca 1961), features a Lettrist choir recycling Rimbaudian \u003c\/em\u003e\u003cem\u003evowels, while high-pitched screams “à la Artaud” emerge, culminating \u003c\/em\u003e\u003cem\u003ein a polyphony worthy of some primitive tribes resistant to \u003c\/em\u003e\u003cem\u003edomestication.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“Un coup pour rien”, “Un coup pour deux” and “Tu vas la taire ta \u003c\/em\u003e\u003cem\u003egueule”, recorded at Radio Canada in 1965, are presented here for the \u003c\/em\u003e\u003cem\u003efirst time on record, completing the program of this historical and \u003c\/em\u003e\u003cem\u003eradical anthology.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn a conversation with Ilse Garnier, she told Frederic Aquaviva \u003c\/em\u003e\u003cem\u003e(the curator of this edition for alga marghen) that Henri Chopin had \u003c\/em\u003e\u003cem\u003eprecipitated the end of his attempts at sound poetry with this \u003c\/em\u003e\u003cem\u003edefinitive formula: “Le souffle, c'est moi!”. On the other hand, in \u003c\/em\u003e\u003cem\u003eGil J Wolman's record library, we could find this eloquent dedication \u003c\/em\u003e\u003cem\u003eby Chopin on his record “Audiopoems” LP, released by the English label \u003c\/em\u003e\u003cem\u003eTangent in 1971: “For Gil J Wolman, evident in 1 (because the first), \u003c\/em\u003e\u003cem\u003eevident in 1971, evident in 2071, evident in 3071, in short to the \u003c\/em\u003e\u003cem\u003esup-verbal Gil”.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe same Chopin in his book “Poésie Sonore Internationale” published \u003c\/em\u003e\u003cem\u003ein 1979, placed Wolman at the very end of the old poetic world: “This \u003c\/em\u003e\u003cem\u003eone - historically - is our hinge, since it goes beyond the phonetic \u003c\/em\u003e\u003cem\u003epoem made of letters. He invented his mégapneumes in 1951, poems in \u003c\/em\u003e\u003cem\u003e‘expectorations’, without verbs or semantics, going from the point of \u003c\/em\u003e\u003cem\u003eview of speech to the negation, and from the point of view of breath \u003c\/em\u003e\u003cem\u003eto the concreteness of the air to be expressed”.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBut unlike Isidore Isou, Wolman was not the sort of person to send \u003c\/em\u003e\u003cem\u003eout a leaflet in order to make clear what he had achieved with this \u003c\/em\u003e\u003cem\u003enew poetry, and besides, he himself had consigned Isou to the old \u003c\/em\u003e\u003cem\u003eworld, with the new beginning represented by his mégapneumes, which in \u003c\/em\u003e\u003cem\u003efact date from 1950, when he first joined the Lettrist movement. It is \u003c\/em\u003e\u003cem\u003ealso a misunderstanding of Wolman's work to forget that he was \u003c\/em\u003e\u003cem\u003eundoubtedly one of the first poets to use the resources of the tape \u003c\/em\u003e\u003cem\u003erecorder and its vari-speed, for example in “L'Anticoncept” in 1951, \u003c\/em\u003e\u003cem\u003eor a decade before Brion Gysin with “I Am that I Am” and Henri Chopin.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWolman is an essential innovator and artist: a poet, writer, \u003c\/em\u003e\u003cem\u003evisual artist, film-maker and video-maker who, like Gherasim Luca, did \u003c\/em\u003e\u003cem\u003enot need to give numerous public recitals or recordings to make his \u003c\/em\u003e\u003cem\u003emark.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTo be Duchamp or Arman: Wolman chose his side!\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Gil J. Wolman\u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eplana-W 34VocSon180\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-06-30T20:12:40+09:00","created_at":"2025-06-30T11:20:39+09:00","vendor":"Tobira Records","type":"","tags":["Alga Marghen","lp","new","sound poetry"],"price":448000,"price_min":448000,"price_max":448000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47461819220218,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Gil J. Wolman \/\/ Mégapneumes LP","public_title":null,"options":["Default Title"],"price":448000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/meg1_af943df7-6e08-493a-a30b-cda259efbf94.jpg?v=1751249948","\/\/tobirarecords.com\/cdn\/shop\/files\/meg2_e81bf5f3-bf8a-46ac-b9c3-f78eeac06a0c.jpg?v=1751249948"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/meg1_af943df7-6e08-493a-a30b-cda259efbf94.jpg?v=1751249948","options":["Title"],"media":[{"alt":null,"id":36295081885946,"position":1,"preview_image":{"aspect_ratio":1.003,"height":597,"width":599,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/meg1_af943df7-6e08-493a-a30b-cda259efbf94.jpg?v=1751249948"},"aspect_ratio":1.003,"height":597,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/meg1_af943df7-6e08-493a-a30b-cda259efbf94.jpg?v=1751249948","width":599},{"alt":null,"id":36295081918714,"position":2,"preview_image":{"aspect_ratio":1.002,"height":599,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/meg2_e81bf5f3-bf8a-46ac-b9c3-f78eeac06a0c.jpg?v=1751249948"},"aspect_ratio":1.002,"height":599,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/meg2_e81bf5f3-bf8a-46ac-b9c3-f78eeac06a0c.jpg?v=1751249948","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランスの実験音楽家／美術家Gil J. Wolman (1929-1995)が、2025年6月にイタリアの実験レーベルAlga Marghenからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eサウンドポエトリー7曲を収録。\u003c\/p\u003e\n\u003cp\u003eレコードのみでの発表となります\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eEdition of 200. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eA1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eUn Coup Pour Rien\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e4:28\u003cbr\u003eA2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eUn Coup Pour Deux\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e4:24\u003cbr\u003eA3\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eMégapneumes\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e14:49\u003cbr\u003eB1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eLes Calles\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e3:26\u003cbr\u003eB2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eMégapneume\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e3:28\u003cbr\u003eB3\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eMégapneumes ( Excerpt )\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e13:22\u003cbr\u003eB4\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eTu Vas La Taire Ta Gueule\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e5:32\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eAlga Marghen:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThis third Gil J Wolman LP record released by alga marghen, bringing \u003c\/em\u003e\u003cem\u003etogether mégapneumes from the 60s, shed new light into the poetic \u003c\/em\u003e\u003cem\u003erevolution of the time, or a kind of organic infra-language. It’s the \u003c\/em\u003e\u003cem\u003ephysical poetry of a serial killer that we hear recorded in the two \u003c\/em\u003e\u003cem\u003e“Mégapneumes” as well as in the extract from the (last?) “Mégapneumes” \u003c\/em\u003e\u003cem\u003e(excerpt), a tape that was found still wound on Wolman's tape recorder\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eafter the author’s death.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“Les Callas”, an astonishing piece possibly based on several \u003c\/em\u003e\u003cem\u003esuper-imposed recordings of Wolman's voice at Radio Télévision \u003c\/em\u003e\u003cem\u003eFrançaise (ca 1961), features a Lettrist choir recycling Rimbaudian \u003c\/em\u003e\u003cem\u003evowels, while high-pitched screams “à la Artaud” emerge, culminating \u003c\/em\u003e\u003cem\u003ein a polyphony worthy of some primitive tribes resistant to \u003c\/em\u003e\u003cem\u003edomestication.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“Un coup pour rien”, “Un coup pour deux” and “Tu vas la taire ta \u003c\/em\u003e\u003cem\u003egueule”, recorded at Radio Canada in 1965, are presented here for the \u003c\/em\u003e\u003cem\u003efirst time on record, completing the program of this historical and \u003c\/em\u003e\u003cem\u003eradical anthology.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn a conversation with Ilse Garnier, she told Frederic Aquaviva \u003c\/em\u003e\u003cem\u003e(the curator of this edition for alga marghen) that Henri Chopin had \u003c\/em\u003e\u003cem\u003eprecipitated the end of his attempts at sound poetry with this \u003c\/em\u003e\u003cem\u003edefinitive formula: “Le souffle, c'est moi!”. On the other hand, in \u003c\/em\u003e\u003cem\u003eGil J Wolman's record library, we could find this eloquent dedication \u003c\/em\u003e\u003cem\u003eby Chopin on his record “Audiopoems” LP, released by the English label \u003c\/em\u003e\u003cem\u003eTangent in 1971: “For Gil J Wolman, evident in 1 (because the first), \u003c\/em\u003e\u003cem\u003eevident in 1971, evident in 2071, evident in 3071, in short to the \u003c\/em\u003e\u003cem\u003esup-verbal Gil”.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe same Chopin in his book “Poésie Sonore Internationale” published \u003c\/em\u003e\u003cem\u003ein 1979, placed Wolman at the very end of the old poetic world: “This \u003c\/em\u003e\u003cem\u003eone - historically - is our hinge, since it goes beyond the phonetic \u003c\/em\u003e\u003cem\u003epoem made of letters. He invented his mégapneumes in 1951, poems in \u003c\/em\u003e\u003cem\u003e‘expectorations’, without verbs or semantics, going from the point of \u003c\/em\u003e\u003cem\u003eview of speech to the negation, and from the point of view of breath \u003c\/em\u003e\u003cem\u003eto the concreteness of the air to be expressed”.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBut unlike Isidore Isou, Wolman was not the sort of person to send \u003c\/em\u003e\u003cem\u003eout a leaflet in order to make clear what he had achieved with this \u003c\/em\u003e\u003cem\u003enew poetry, and besides, he himself had consigned Isou to the old \u003c\/em\u003e\u003cem\u003eworld, with the new beginning represented by his mégapneumes, which in \u003c\/em\u003e\u003cem\u003efact date from 1950, when he first joined the Lettrist movement. It is \u003c\/em\u003e\u003cem\u003ealso a misunderstanding of Wolman's work to forget that he was \u003c\/em\u003e\u003cem\u003eundoubtedly one of the first poets to use the resources of the tape \u003c\/em\u003e\u003cem\u003erecorder and its vari-speed, for example in “L'Anticoncept” in 1951, \u003c\/em\u003e\u003cem\u003eor a decade before Brion Gysin with “I Am that I Am” and Henri Chopin.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWolman is an essential innovator and artist: a poet, writer, \u003c\/em\u003e\u003cem\u003evisual artist, film-maker and video-maker who, like Gherasim Luca, did \u003c\/em\u003e\u003cem\u003enot need to give numerous public recitals or recordings to make his \u003c\/em\u003e\u003cem\u003emark.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTo be Duchamp or Arman: Wolman chose his side!\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Gil J. Wolman\u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eplana-W 34VocSon180\u003c\/span\u003e\u003c\/p\u003e"}
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フランスの実験音楽家／美術家Gil J. Wolman (1929-1995)が、2025年6月にイタリアの実験レーベルAlga Marghenからリリースしたレコードです。 サウンドポエトリー7曲を収録。 レコードのみでの発表となります レーベルその他作品はこちら /// Click here to see more Alga Marghen releases...
¥4,480
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{"id":8846579138810,"title":"Gil J. Wolman \/\/ Mégapneumes + Wolman Et Son Double 2xLP BUNDLE","handle":"gil-j-wolman-megapneumes-wolman-et-son-double-2xlp-bundle","description":"\u003cp\u003eフランスの実験音楽家／美術家Gil J. Wolman (1929-1995)が、2025年6月にイタリアの実験レーベルAlga Marghenからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003e 2作のアルバム『Mégapneumes』と『 Wolman Et Son Double』がセットになってお得です。\u003c\/p\u003e\n\u003cp\u003eレコードのみでの発表となります。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/ePBL_rsDIVI?si=d2Jdjh65ughbghjm\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eA special bundled edition of 2 albums by \u003cmeta charset=\"utf-8\"\u003eGil J. Wolman released on Alga Marghen: newly released 'Mégapneumes' (released in an edition of 220 copies) and 'Wolman Et Son Double' (released in an edition of 350). \u003c\/p\u003e\n\u003cp\u003e2 x 12\" black vinyl in separate reverse-board sleeves, presented in large printed envelope. \u003cbr\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eMégapneumes:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eA1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eUn Coup Pour Rien\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e4:28\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eA2\u003c\/span\u003e\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eUn Coup Pour Deux\u003c\/span\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4:24\u003cbr\u003e\u003c\/span\u003eA3\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eMégapneumes\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e14:49\u003cbr\u003eB1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eLes Calles\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e3:26\u003cbr\u003eB2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eMégapneume\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e3:28\u003cbr\u003eB3\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eMégapneumes ( Excerpt )\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e13:22\u003cbr\u003eB4\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eTu Vas La Taire Ta Gueule\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e5:32\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eWolman Et Son Double:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eA\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003ePart I\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e15:34\u003cbr\u003eB\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003ePart II\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e15:26\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText by Alga Marghen:\u003c\/p\u003e\n\u003cp\u003eOn Mégapneumes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThis third Gil J Wolman LP record released by alga marghen, bringing \u003c\/em\u003e\u003cem\u003etogether mégapneumes from the 60s, shed new light into the poetic \u003c\/em\u003e\u003cem\u003erevolution of the time, or a kind of organic infra-language. It’s the \u003c\/em\u003e\u003cem\u003ephysical poetry of a serial killer that we hear recorded in the two \u003c\/em\u003e\u003cem\u003e“Mégapneumes” as well as in the extract from the (last?) “Mégapneumes” \u003c\/em\u003e\u003cem\u003e(excerpt), a tape that was found still wound on Wolman's tape recorder\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eafter the author’s death.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“Les Callas”, an astonishing piece possibly based on several \u003c\/em\u003e\u003cem\u003esuper-imposed recordings of Wolman's voice at Radio Télévision \u003c\/em\u003e\u003cem\u003eFrançaise (ca 1961), features a Lettrist choir recycling Rimbaudian \u003c\/em\u003e\u003cem\u003evowels, while high-pitched screams “à la Artaud” emerge, culminating \u003c\/em\u003e\u003cem\u003ein a polyphony worthy of some primitive tribes resistant to \u003c\/em\u003e\u003cem\u003edomestication.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“Un coup pour rien”, “Un coup pour deux” and “Tu vas la taire ta \u003c\/em\u003e\u003cem\u003egueule”, recorded at Radio Canada in 1965, are presented here for the \u003c\/em\u003e\u003cem\u003efirst time on record, completing the program of this historical and \u003c\/em\u003e\u003cem\u003eradical anthology.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn a conversation with Ilse Garnier, she told Frederic Aquaviva \u003c\/em\u003e\u003cem\u003e(the curator of this edition for alga marghen) that Henri Chopin had \u003c\/em\u003e\u003cem\u003eprecipitated the end of his attempts at sound poetry with this \u003c\/em\u003e\u003cem\u003edefinitive formula: “Le souffle, c'est moi!”. On the other hand, in \u003c\/em\u003e\u003cem\u003eGil J Wolman's record library, we could find this eloquent dedication \u003c\/em\u003e\u003cem\u003eby Chopin on his record “Audiopoems” LP, released by the English label \u003c\/em\u003e\u003cem\u003eTangent in 1971: “For Gil J Wolman, evident in 1 (because the first), \u003c\/em\u003e\u003cem\u003eevident in 1971, evident in 2071, evident in 3071, in short to the \u003c\/em\u003e\u003cem\u003esup-verbal Gil”.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe same Chopin in his book “Poésie Sonore Internationale” published \u003c\/em\u003e\u003cem\u003ein 1979, placed Wolman at the very end of the old poetic world: “This \u003c\/em\u003e\u003cem\u003eone - historically - is our hinge, since it goes beyond the phonetic \u003c\/em\u003e\u003cem\u003epoem made of letters. He invented his mégapneumes in 1951, poems in \u003c\/em\u003e\u003cem\u003e‘expectorations’, without verbs or semantics, going from the point of \u003c\/em\u003e\u003cem\u003eview of speech to the negation, and from the point of view of breath \u003c\/em\u003e\u003cem\u003eto the concreteness of the air to be expressed”.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBut unlike Isidore Isou, Wolman was not the sort of person to send \u003c\/em\u003e\u003cem\u003eout a leaflet in order to make clear what he had achieved with this \u003c\/em\u003e\u003cem\u003enew poetry, and besides, he himself had consigned Isou to the old \u003c\/em\u003e\u003cem\u003eworld, with the new beginning represented by his mégapneumes, which in \u003c\/em\u003e\u003cem\u003efact date from 1950, when he first joined the Lettrist movement. It is \u003c\/em\u003e\u003cem\u003ealso a misunderstanding of Wolman's work to forget that he was \u003c\/em\u003e\u003cem\u003eundoubtedly one of the first poets to use the resources of the tape \u003c\/em\u003e\u003cem\u003erecorder and its vari-speed, for example in “L'Anticoncept” in 1951, \u003c\/em\u003e\u003cem\u003eor a decade before Brion Gysin with “I Am that I Am” and Henri Chopin.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWolman is an essential innovator and artist: a poet, writer, \u003c\/em\u003e\u003cem\u003evisual artist, film-maker and video-maker who, like Gherasim Luca, did \u003c\/em\u003e\u003cem\u003enot need to give numerous public recitals or recordings to make his \u003c\/em\u003e\u003cem\u003emark.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTo be Duchamp or Arman: Wolman chose his side!\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eOn Wolman Et Son Double:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Might it be as a ‘détournement’ of Artaud’s famous collection and \u003c\/em\u003e\u003cem\u003emasterpiece “Le theâtre et son double” that Gil J Wolman calls this \u003c\/em\u003e\u003cem\u003erecording “Wolman et son double”? Artaud’s conference at the Vieux \u003c\/em\u003e\u003cem\u003eColombier theater on January 13, 1947 had a major impact on the future \u003c\/em\u003e\u003cem\u003esound poets François Dufrêne, Jean-Louis Brau and Gil J Wolman. \u003c\/em\u003e\u003cem\u003eWolman’s ‘mégapneumie’ appeared as early as 1950 and eventually \u003c\/em\u003e\u003cem\u003edeveloped into an improvisation for breath and organic sounds \u003c\/em\u003e\u003cem\u003eoriginating from the throat. The whole body seems to be mobilized to \u003c\/em\u003e\u003cem\u003eperturb the human appearance of any possible speech.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“Wolman et son double”, a previously unreleased recording probably \u003c\/em\u003e\u003cem\u003efrom the end of the 70’s, is Wolman’s most theatrical, musical and \u003c\/em\u003e\u003cem\u003elyrical piece, his most accomplished and extreme. This is due both to \u003c\/em\u003e\u003cem\u003eits duration and above all to its experimental recording techniques: \u003c\/em\u003e\u003cem\u003eWolman records a series of improvisations on a 30 minute track, then \u003c\/em\u003e\u003cem\u003emixes them with a new series of ‘mégapneumes’, mixing and \u003c\/em\u003e\u003cem\u003emanipulations with echo and Larsen!\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe first track begins with a hum, immediately overlaid by \u003c\/em\u003e\u003cem\u003eWolman’s ‘poésie physique’: hoarseness, cough, strangulation, \u003c\/em\u003e\u003cem\u003etwisting, wheeze, rumbling, hiccups, asphyxia, a whole set of grips \u003c\/em\u003e\u003cem\u003eagainst himself and his speech. Wolman breaths and winces, he mimes \u003c\/em\u003e\u003cem\u003ethe impacts, the scars of the blows by an invisible fighter… actually \u003c\/em\u003e\u003cem\u003ehis double.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAntonin Artaud observed that ‘actors in France no longer know how \u003c\/em\u003e\u003cem\u003eto do anything but talk’… “Wolman et son double” may well be the \u003c\/em\u003e\u003cem\u003enational strike of that show, of masterpiece art.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Gil J. Wolman\u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eplana-W 34VocSon180, plana-W 26VocSon091\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-06-30T20:15:29+09:00","created_at":"2025-06-30T11:10:54+09:00","vendor":"Tobira Records","type":"","tags":["Alga Marghen","lp","monooto","new","sound poetry"],"price":738000,"price_min":738000,"price_max":738000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47461805719802,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Gil J. Wolman \/\/ Mégapneumes + Wolman Et Son Double 2xLP BUNDLE","public_title":null,"options":["Default Title"],"price":738000,"weight":730,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-06-30at11.07.11am_90dd6c83-9d2d-488d-8f9a-f2e2d3663942.png?v=1751249277","\/\/tobirarecords.com\/cdn\/shop\/files\/meg1_0dc89bff-35b9-4019-9128-0748e3f578f8.jpg?v=1751249277","\/\/tobirarecords.com\/cdn\/shop\/files\/meg2_7a2e1b7f-fef3-4543-b488-e07436300866.jpg?v=1751249277","\/\/tobirarecords.com\/cdn\/shop\/files\/091sleeve_616c6b77-e936-4ba8-921f-7f8f423c3120.jpg?v=1751249278","\/\/tobirarecords.com\/cdn\/shop\/files\/wol_8bd8e0af-6729-4b70-be74-dcdfacd7b31d.jpg?v=1751249277"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-06-30at11.07.11am_90dd6c83-9d2d-488d-8f9a-f2e2d3663942.png?v=1751249277","options":["Title"],"media":[{"alt":null,"id":36295067730170,"position":1,"preview_image":{"aspect_ratio":0.994,"height":619,"width":615,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-06-30at11.07.11am_90dd6c83-9d2d-488d-8f9a-f2e2d3663942.png?v=1751249277"},"aspect_ratio":0.994,"height":619,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-06-30at11.07.11am_90dd6c83-9d2d-488d-8f9a-f2e2d3663942.png?v=1751249277","width":615},{"alt":null,"id":36295067664634,"position":2,"preview_image":{"aspect_ratio":1.003,"height":597,"width":599,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/meg1_0dc89bff-35b9-4019-9128-0748e3f578f8.jpg?v=1751249277"},"aspect_ratio":1.003,"height":597,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/meg1_0dc89bff-35b9-4019-9128-0748e3f578f8.jpg?v=1751249277","width":599},{"alt":null,"id":36295067697402,"position":3,"preview_image":{"aspect_ratio":1.002,"height":599,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/meg2_7a2e1b7f-fef3-4543-b488-e07436300866.jpg?v=1751249277"},"aspect_ratio":1.002,"height":599,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/meg2_7a2e1b7f-fef3-4543-b488-e07436300866.jpg?v=1751249277","width":600},{"alt":null,"id":36295067631866,"position":4,"preview_image":{"aspect_ratio":1.005,"height":1821,"width":1831,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/091sleeve_616c6b77-e936-4ba8-921f-7f8f423c3120.jpg?v=1751249278"},"aspect_ratio":1.005,"height":1821,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/091sleeve_616c6b77-e936-4ba8-921f-7f8f423c3120.jpg?v=1751249278","width":1831},{"alt":null,"id":36295067762938,"position":5,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wol_8bd8e0af-6729-4b70-be74-dcdfacd7b31d.jpg?v=1751249277"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wol_8bd8e0af-6729-4b70-be74-dcdfacd7b31d.jpg?v=1751249277","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランスの実験音楽家／美術家Gil J. Wolman (1929-1995)が、2025年6月にイタリアの実験レーベルAlga Marghenからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003e 2作のアルバム『Mégapneumes』と『 Wolman Et Son Double』がセットになってお得です。\u003c\/p\u003e\n\u003cp\u003eレコードのみでの発表となります。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/ePBL_rsDIVI?si=d2Jdjh65ughbghjm\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eA special bundled edition of 2 albums by \u003cmeta charset=\"utf-8\"\u003eGil J. Wolman released on Alga Marghen: newly released 'Mégapneumes' (released in an edition of 220 copies) and 'Wolman Et Son Double' (released in an edition of 350). \u003c\/p\u003e\n\u003cp\u003e2 x 12\" black vinyl in separate reverse-board sleeves, presented in large printed envelope. \u003cbr\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eMégapneumes:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eA1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eUn Coup Pour Rien\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e4:28\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eA2\u003c\/span\u003e\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eUn Coup Pour Deux\u003c\/span\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4:24\u003cbr\u003e\u003c\/span\u003eA3\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eMégapneumes\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e14:49\u003cbr\u003eB1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eLes Calles\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e3:26\u003cbr\u003eB2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eMégapneume\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e3:28\u003cbr\u003eB3\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eMégapneumes ( Excerpt )\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e13:22\u003cbr\u003eB4\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eTu Vas La Taire Ta Gueule\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e5:32\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eWolman Et Son Double:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eA\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003ePart I\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e15:34\u003cbr\u003eB\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003ePart II\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e15:26\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText by Alga Marghen:\u003c\/p\u003e\n\u003cp\u003eOn Mégapneumes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThis third Gil J Wolman LP record released by alga marghen, bringing \u003c\/em\u003e\u003cem\u003etogether mégapneumes from the 60s, shed new light into the poetic \u003c\/em\u003e\u003cem\u003erevolution of the time, or a kind of organic infra-language. It’s the \u003c\/em\u003e\u003cem\u003ephysical poetry of a serial killer that we hear recorded in the two \u003c\/em\u003e\u003cem\u003e“Mégapneumes” as well as in the extract from the (last?) “Mégapneumes” \u003c\/em\u003e\u003cem\u003e(excerpt), a tape that was found still wound on Wolman's tape recorder\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eafter the author’s death.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“Les Callas”, an astonishing piece possibly based on several \u003c\/em\u003e\u003cem\u003esuper-imposed recordings of Wolman's voice at Radio Télévision \u003c\/em\u003e\u003cem\u003eFrançaise (ca 1961), features a Lettrist choir recycling Rimbaudian \u003c\/em\u003e\u003cem\u003evowels, while high-pitched screams “à la Artaud” emerge, culminating \u003c\/em\u003e\u003cem\u003ein a polyphony worthy of some primitive tribes resistant to \u003c\/em\u003e\u003cem\u003edomestication.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“Un coup pour rien”, “Un coup pour deux” and “Tu vas la taire ta \u003c\/em\u003e\u003cem\u003egueule”, recorded at Radio Canada in 1965, are presented here for the \u003c\/em\u003e\u003cem\u003efirst time on record, completing the program of this historical and \u003c\/em\u003e\u003cem\u003eradical anthology.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn a conversation with Ilse Garnier, she told Frederic Aquaviva \u003c\/em\u003e\u003cem\u003e(the curator of this edition for alga marghen) that Henri Chopin had \u003c\/em\u003e\u003cem\u003eprecipitated the end of his attempts at sound poetry with this \u003c\/em\u003e\u003cem\u003edefinitive formula: “Le souffle, c'est moi!”. On the other hand, in \u003c\/em\u003e\u003cem\u003eGil J Wolman's record library, we could find this eloquent dedication \u003c\/em\u003e\u003cem\u003eby Chopin on his record “Audiopoems” LP, released by the English label \u003c\/em\u003e\u003cem\u003eTangent in 1971: “For Gil J Wolman, evident in 1 (because the first), \u003c\/em\u003e\u003cem\u003eevident in 1971, evident in 2071, evident in 3071, in short to the \u003c\/em\u003e\u003cem\u003esup-verbal Gil”.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe same Chopin in his book “Poésie Sonore Internationale” published \u003c\/em\u003e\u003cem\u003ein 1979, placed Wolman at the very end of the old poetic world: “This \u003c\/em\u003e\u003cem\u003eone - historically - is our hinge, since it goes beyond the phonetic \u003c\/em\u003e\u003cem\u003epoem made of letters. He invented his mégapneumes in 1951, poems in \u003c\/em\u003e\u003cem\u003e‘expectorations’, without verbs or semantics, going from the point of \u003c\/em\u003e\u003cem\u003eview of speech to the negation, and from the point of view of breath \u003c\/em\u003e\u003cem\u003eto the concreteness of the air to be expressed”.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBut unlike Isidore Isou, Wolman was not the sort of person to send \u003c\/em\u003e\u003cem\u003eout a leaflet in order to make clear what he had achieved with this \u003c\/em\u003e\u003cem\u003enew poetry, and besides, he himself had consigned Isou to the old \u003c\/em\u003e\u003cem\u003eworld, with the new beginning represented by his mégapneumes, which in \u003c\/em\u003e\u003cem\u003efact date from 1950, when he first joined the Lettrist movement. It is \u003c\/em\u003e\u003cem\u003ealso a misunderstanding of Wolman's work to forget that he was \u003c\/em\u003e\u003cem\u003eundoubtedly one of the first poets to use the resources of the tape \u003c\/em\u003e\u003cem\u003erecorder and its vari-speed, for example in “L'Anticoncept” in 1951, \u003c\/em\u003e\u003cem\u003eor a decade before Brion Gysin with “I Am that I Am” and Henri Chopin.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWolman is an essential innovator and artist: a poet, writer, \u003c\/em\u003e\u003cem\u003evisual artist, film-maker and video-maker who, like Gherasim Luca, did \u003c\/em\u003e\u003cem\u003enot need to give numerous public recitals or recordings to make his \u003c\/em\u003e\u003cem\u003emark.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTo be Duchamp or Arman: Wolman chose his side!\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eOn Wolman Et Son Double:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Might it be as a ‘détournement’ of Artaud’s famous collection and \u003c\/em\u003e\u003cem\u003emasterpiece “Le theâtre et son double” that Gil J Wolman calls this \u003c\/em\u003e\u003cem\u003erecording “Wolman et son double”? Artaud’s conference at the Vieux \u003c\/em\u003e\u003cem\u003eColombier theater on January 13, 1947 had a major impact on the future \u003c\/em\u003e\u003cem\u003esound poets François Dufrêne, Jean-Louis Brau and Gil J Wolman. \u003c\/em\u003e\u003cem\u003eWolman’s ‘mégapneumie’ appeared as early as 1950 and eventually \u003c\/em\u003e\u003cem\u003edeveloped into an improvisation for breath and organic sounds \u003c\/em\u003e\u003cem\u003eoriginating from the throat. The whole body seems to be mobilized to \u003c\/em\u003e\u003cem\u003eperturb the human appearance of any possible speech.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“Wolman et son double”, a previously unreleased recording probably \u003c\/em\u003e\u003cem\u003efrom the end of the 70’s, is Wolman’s most theatrical, musical and \u003c\/em\u003e\u003cem\u003elyrical piece, his most accomplished and extreme. This is due both to \u003c\/em\u003e\u003cem\u003eits duration and above all to its experimental recording techniques: \u003c\/em\u003e\u003cem\u003eWolman records a series of improvisations on a 30 minute track, then \u003c\/em\u003e\u003cem\u003emixes them with a new series of ‘mégapneumes’, mixing and \u003c\/em\u003e\u003cem\u003emanipulations with echo and Larsen!\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe first track begins with a hum, immediately overlaid by \u003c\/em\u003e\u003cem\u003eWolman’s ‘poésie physique’: hoarseness, cough, strangulation, \u003c\/em\u003e\u003cem\u003etwisting, wheeze, rumbling, hiccups, asphyxia, a whole set of grips \u003c\/em\u003e\u003cem\u003eagainst himself and his speech. Wolman breaths and winces, he mimes \u003c\/em\u003e\u003cem\u003ethe impacts, the scars of the blows by an invisible fighter… actually \u003c\/em\u003e\u003cem\u003ehis double.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAntonin Artaud observed that ‘actors in France no longer know how \u003c\/em\u003e\u003cem\u003eto do anything but talk’… “Wolman et son double” may well be the \u003c\/em\u003e\u003cem\u003enational strike of that show, of masterpiece art.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Gil J. Wolman\u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eplana-W 34VocSon180, plana-W 26VocSon091\u003c\/span\u003e\u003c\/p\u003e"}
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フランスの実験音楽家／美術家Gil J. Wolman (1929-1995)が、2025年6月にイタリアの実験レーベルAlga Marghenからリリースした2枚組レコードです。 2作のアルバム『Mégapneumes』と『 Wolman Et Son Double』がセットになってお得です。 レコードのみでの発表となります。 レーベルその他作品はこちら /// Click here to see...
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{"id":8846572028154,"title":"Peter Ablinger \/\/ Voices And Piano LP","handle":"peter-ablinger-voices-and-piano-lp","description":"\u003cp\u003eオーストリアの実験音楽家Peter Ablingerが、同国実験／コンテンポラリーレーベルGODからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eコンテンポラリー〜サウンドポエトリー6曲を収録。\u003cbr\u003e\u003cbr\u003eレコードのみでの発表となります。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/249331169\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"GOD Records\" href=\"https:\/\/soundcloud.com\/godrec\" target=\"_blank\"\u003eGOD Records\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"GOD 34 - Peter Ablinger - Voices and Piano (feat. Nicolas Hodges), preview\" href=\"https:\/\/soundcloud.com\/godrec\/god-34-peter-ablinger-voices-and-piano-feat-nicolas-hodges-preview\" target=\"_blank\"\u003eGOD 34 - Peter Ablinger - Voices and Piano (feat. Nicolas Hodges), preview\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/godrecs\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/godrecs\"\u003ehere\u003c\/a\u003e to see more God Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eA\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eRoman Opalka\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e22:13\u003cbr\u003eB1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eCecil Taylor\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e4:38\u003cbr\u003eB2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eKati Outinen\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e3:19\u003cbr\u003eB3\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eMila Haugova\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e4:56\u003cbr\u003eB4\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eJosef Matthias Hauer\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e2:32\u003cbr\u003eB5\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eAgnes Martin\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e6:37\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : Peter Ablinger\u003c\/p\u003e\n\u003cp\u003eLabel : God Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eGOD 34\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-07-03T11:36:33+09:00","created_at":"2025-06-30T10:48:10+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","god records","lp","new"],"price":338000,"price_min":338000,"price_max":338000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47461757387002,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Peter Ablinger \/\/ Voices And Piano LP","public_title":null,"options":["Default Title"],"price":338000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/pe1_9d234b82-7316-41f2-932e-d8f37e78fa5f.jpg?v=1751248011","\/\/tobirarecords.com\/cdn\/shop\/files\/pe2_11729c46-8486-4358-ba9e-d2590d57fe69.jpg?v=1751248011","\/\/tobirarecords.com\/cdn\/shop\/files\/pe3.jpg?v=1751248012","\/\/tobirarecords.com\/cdn\/shop\/files\/pe4.jpg?v=1751248012"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/pe1_9d234b82-7316-41f2-932e-d8f37e78fa5f.jpg?v=1751248011","options":["Title"],"media":[{"alt":null,"id":36295019299066,"position":1,"preview_image":{"aspect_ratio":1.027,"height":583,"width":599,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pe1_9d234b82-7316-41f2-932e-d8f37e78fa5f.jpg?v=1751248011"},"aspect_ratio":1.027,"height":583,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pe1_9d234b82-7316-41f2-932e-d8f37e78fa5f.jpg?v=1751248011","width":599},{"alt":null,"id":36295019331834,"position":2,"preview_image":{"aspect_ratio":1.005,"height":596,"width":599,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pe2_11729c46-8486-4358-ba9e-d2590d57fe69.jpg?v=1751248011"},"aspect_ratio":1.005,"height":596,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pe2_11729c46-8486-4358-ba9e-d2590d57fe69.jpg?v=1751248011","width":599},{"alt":null,"id":36295019364602,"position":3,"preview_image":{"aspect_ratio":0.975,"height":599,"width":584,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pe3.jpg?v=1751248012"},"aspect_ratio":0.975,"height":599,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pe3.jpg?v=1751248012","width":584},{"alt":null,"id":36295019397370,"position":4,"preview_image":{"aspect_ratio":1.051,"height":571,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pe4.jpg?v=1751248012"},"aspect_ratio":1.051,"height":571,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pe4.jpg?v=1751248012","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストリアの実験音楽家Peter Ablingerが、同国実験／コンテンポラリーレーベルGODからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eコンテンポラリー〜サウンドポエトリー6曲を収録。\u003cbr\u003e\u003cbr\u003eレコードのみでの発表となります。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/249331169\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"GOD Records\" href=\"https:\/\/soundcloud.com\/godrec\" target=\"_blank\"\u003eGOD Records\u003c\/a\u003e 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Nicolas Hodges), preview\" href=\"https:\/\/soundcloud.com\/godrec\/god-34-peter-ablinger-voices-and-piano-feat-nicolas-hodges-preview\" target=\"_blank\"\u003eGOD 34 - Peter Ablinger - Voices and Piano (feat. Nicolas Hodges), preview\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/godrecs\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/godrecs\"\u003ehere\u003c\/a\u003e to see more God Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eA\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eRoman Opalka\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e22:13\u003cbr\u003eB1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eCecil Taylor\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e4:38\u003cbr\u003eB2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eKati Outinen\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e3:19\u003cbr\u003eB3\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eMila Haugova\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e4:56\u003cbr\u003eB4\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eJosef Matthias Hauer\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e2:32\u003cbr\u003eB5\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eAgnes Martin\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e6:37\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : Peter Ablinger\u003c\/p\u003e\n\u003cp\u003eLabel : God Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eGOD 34\u003c\/span\u003e\u003c\/p\u003e"}
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オーストリアの実験音楽家Peter Ablingerが、同国実験／コンテンポラリーレーベルGODからリリースしたレコードです。 コンテンポラリー〜サウンドポエトリー6曲を収録。レコードのみでの発表となります。 GOD Records · GOD 34 - Peter Ablinger - Voices and...
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クイックビュー
{"id":8846570225914,"title":"Ockeghem, Klaus Lang \/\/ Sacred and Secular Songs LP","handle":"ockeghem-klaus-lang-sacred-and-secular-songs-lp","description":"\u003cp\u003eオーストリアのオルガン奏者／作曲家Klaus Langが、2025年6月にオーストリアの実験／コンテンポラリーレーベルGODからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eルネサンス時代の音楽家Johannes Ockeghemの楽曲をハーモニウムで演奏した11曲を収録。\u003c\/p\u003e\n\u003cp\u003eレコードのみでの発表となります。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/2084146554\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/godrec\" title=\"GOD Records\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eGOD Records\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/godrec\/god-76-ockeghem-klaus-lang-sacred-and-secular-songs-lp-excerpt\" title=\"GOD 76 - ockeghem \/ klaus lang - sacred and secular songs. LP excerpt\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eGOD 76 - ockeghem \/ klaus lang - sacred and secular songs. LP excerpt\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/godrecs\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/godrecs\"\u003ehere\u003c\/a\u003e to see more God Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eA1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eMalor Me Bat\u003cbr\u003eA2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003ePetite Camusette \/ S'elle M'amera\u003cbr\u003eA3\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eAve Maria\u003cbr\u003eA4\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eDespartes Vous Male Bouche\u003cbr\u003eA5\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eFort Seulement Contre\u003cbr\u003eA6\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eD'ung Aultre Amer\u003cbr\u003eB1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eGloria (Missa Caput)\u003cbr\u003eB2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eQui Tollis (Missa Caput)\u003cbr\u003eB3\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003ePrenez Aur Moy\u003cbr\u003eB4\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eMors Tu As Navre Ton Dart \/ Miserere\u003cbr\u003eB5\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eKlaus Lang (*1971) - Confluents.\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eGod Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eKlaus Lang's compositional approach has always been deeply rooted \u003c\/em\u003e\u003cem\u003ein the music of old Renaissance masters. \u003c\/em\u003e\u003cem\u003eNever shy of the that fact, he constantly explores the connections between \u003c\/em\u003e\u003cem\u003eold and new (old to new). \u003c\/em\u003e\u003cem\u003eThis unique release presents Klaus' fascination \u003c\/em\u003e\u003cem\u003ewith the music of Johannes Ockeghem \u003c\/em\u003e\u003cem\u003eand it contains harmonium (Klaus' trademark instrument) transcriptions \u003c\/em\u003e\u003cem\u003eof his sacred and secular songs.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ockeghem, Klaus Lang\u003c\/p\u003e\n\u003cp\u003eLabel : God Records\u003c\/p\u003e\n\u003cp\u003ecat no : god 076\u003c\/p\u003e","published_at":"2025-06-30T20:05:09+09:00","created_at":"2025-06-30T10:42:23+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","god records","lp","neo classical","new"],"price":378000,"price_min":378000,"price_max":378000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47461744181498,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Ockeghem, Klaus Lang \/\/ Sacred and Secular Songs LP","public_title":null,"options":["Default Title"],"price":378000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-06-30at10.38.18am.png?v=1751247598"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-06-30at10.38.18am.png?v=1751247598","options":["Title"],"media":[{"alt":null,"id":36295004651770,"position":1,"preview_image":{"aspect_ratio":1.002,"height":521,"width":522,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-06-30at10.38.18am.png?v=1751247598"},"aspect_ratio":1.002,"height":521,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-06-30at10.38.18am.png?v=1751247598","width":522}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストリアのオルガン奏者／作曲家Klaus Langが、2025年6月にオーストリアの実験／コンテンポラリーレーベルGODからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eルネサンス時代の音楽家Johannes Ockeghemの楽曲をハーモニウムで演奏した11曲を収録。\u003c\/p\u003e\n\u003cp\u003eレコードのみでの発表となります。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/2084146554\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/godrec\" title=\"GOD Records\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eGOD Records\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/godrec\/god-76-ockeghem-klaus-lang-sacred-and-secular-songs-lp-excerpt\" title=\"GOD 76 - ockeghem \/ klaus lang - sacred and secular songs. LP excerpt\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eGOD 76 - ockeghem \/ klaus lang - sacred and secular songs. 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