Jogging House // Bones TAPE
![Andreas Tschopp // What If We Align Our Breath LP [COLOR]](//tobirarecords.com/cdn/shop/files/and1_bba33e1e-f4f0-463c-831e-8997757f11f1_medium.jpg?v=1777082863)
Jogging House // Bones TAPE
¥2,798
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ドイツのアンビエントレーベルSeil Records主宰Jogging Houseが、2026年2月に100本限定でリリースしたカセットです。
モジュラーやオープンリールを用いて一発録音したアンビエント〜アンビエントドローン8曲を収録。DLコード付属。
Seil Records その他作品はこちら /// Click here to see more Seil Records releases available at Tobira.
-------------------------------------------------
Includes DL code.
Cassette in norelco case.
Edition of 100 copies.
Tracklist:
1. Tourism 04:53
2. Janitor 05:22
3. Cement 06:33
4. Lantern 04:58
5. Upwind 05:15
6. Parker 05:30
7. Thread 06:25
8. Know 04:30
Gear used: Digitakt II, MS20, Cocoquantus, Solid Felt, Mood, Meraki, Bim & Bam. Recorded in single takes straight to 1/4" tape.
Artist : Jogging House
Label : Seil Records
cat no : Seil 071
Release date : 17th February 2026
ドイツのアンビエントレーベルSeil Records主宰Jogging Houseが、2026年2月に100本限定でリリースしたカセットです。
モジュラーやオープンリールを用いて一発録音したアンビエント〜アンビエントドローン8曲を収録。DLコード付属。
Seil Records その他作品はこちら /// Click here to see more Seil Records releases available at Tobira.
-------------------------------------------------
Includes DL code.
Cassette in norelco case.
Edition of 100 copies.
Tracklist:
1. Tourism 04:53
2. Janitor 05:22
3. Cement 06:33
4. Lantern 04:58
5. Upwind 05:15
6. Parker 05:30
7. Thread 06:25
8. Know 04:30
Gear used: Digitakt II, MS20, Cocoquantus, Solid Felt, Mood, Meraki, Bim & Bam. Recorded in single takes straight to 1/4" tape.
Artist : Jogging House
Label : Seil Records
cat no : Seil 071
Release date : 17th February 2026
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{"id":9205617885434,"title":"Andreas Tschopp \/\/ What If We Align Our Breath LP [COLOR]","handle":"andreas-tschopp-what-if-we-align-our-breath-lp-color","description":"\u003cp\u003eスイスのトロンボーン奏者Andreas Tschoppが、2026年3月にイギリス・ロンドンのアンビエントレーベルKit Recordsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eエキゾチックなアンビエント・ジャズ10曲を収録。エメラルドグリーン盤です。\u003c\/p\u003e\n\u003cp\u003eShane Cooper—double bass\u003cbr\u003eBen LaMar Gay—cornet\u003cbr\u003eGontse Makhene—udu drums\u003cbr\u003eKoleka Putuma—voice, poetry \u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\"\u003ci\u003e先駆的なスイスのトロンボーン奏者／作曲家Andreas Tschoppは、コンテンポラリー・ジャズと南アフリカのホーン、そして手作りのオカリナを融合させ、これまでにない全く新しいアルバムを生み出した。『What if We Align Our Breath』は、国境やジャンル、そして時間そのものの境界線を無視し、幽玄な軽やかさで管楽器の歴史を貫く糸を紡ぎ出している。\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの作品の核心にあるのは、螺旋状に巻き上がった、骨のようなクドゥ（カモシカ）の角だ。この楽器は、何千年もの間、南アフリカの先住民の儀式や合図システムに、その心を揺さぶる鳴き声を捧げてきた。Andreas Tschoppはこれらの角を群れさせ、調和させ、神聖な用途を超えて引き伸ばす。彼の拡張された奏法は、憂いを帯びた、遊び心あふれる数々の声を誘い出し、アルバム全体を駆け巡らせる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eトロンボーンやアルパイン・フルートの華やかな装飾音、そしてコントラバス（シェーン・クーパー）、コルネット（ベン・ラマー・ゲイ）、ウドゥ・ドラム（ゴンツェ・マケネ）、スポークン・ワード（コレカ・プトゥマ）による豪華なサポート陣が、グルーヴや対旋律、そして土着的な内省をこの作品にもたらしている。これは想像を絶する音楽だ。金管楽器、粘土、骨が織りなすため息のようなタペストリーは、ある種の前意識的なつながりをほのめかし、時間を超越して歓喜し、息を吐き、抱擁する姿を描き出している。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2941241975\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/kitrecs\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/kitrecs\"\u003ehere\u003c\/a\u003e to see more Kit Records \/ SWIMS releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" teal vinyl.\u003cbr\u003eEdition of 300 copies.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. The Lake Will Give You Everything You Need 02:45\u003cbr\u003e2. Sounding the Voice (feat. Koleka Putuma) 04:09\u003cbr\u003e3. The Poetry of the In-Between (feat. Shane Cooper) 03:25\u003cbr\u003e4. Iqhude: A Tale of Horns and Bones 03:41\u003cbr\u003e5. I Am Because You Are 03:07\u003cbr\u003e6. Portals 02:42\u003cbr\u003e7. A Basic Guide to String Theory (feat. Shane Cooper) 02:07\u003cbr\u003e8. Everything is Connected to Everything Else (feat. Ben LaMar Gay \u0026amp; Gontse Makhene) 03:13 \u003cbr\u003e9. We Oscillate, We Modulate 03:00\u003cbr\u003e10. Mothers 02:52\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePioneering Swiss trombonist and composer Andreas Tschopp marries contemporary jazz with South African horns and homemade ocarinas, creating a record quite unlike anything you've heard before. \"What if We Align Our Breath\" disregards the curvature of borders, genre, and time itself - tugging a thread through the history of wind instrumentation with ghostly agility.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAt the heart of the record lie spiralling, bonelike kudu (antelope) horns - instruments that have lent their stirring calls to indigenous South African rituals and signalling systems for millennia. These horns are clustered, harmonised and stretched beyond their godly usage by Tschopp - his extended techniques coaxing an array of melancholy, playful voices to canter through the album.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFlourishes of trombone, alpine flutes and a stellar supporting cast on double bass (Shane Cooper), cornet (Ben LaMar Gay), udu drums (Gontse Makhene) and spoken word (Koleka Putuma) bring groove, countermelody and a sense of earthy introspection to the proceedings. This is inconceivable music: a sighing tapestry of brass, clay and bone that hints at some preconscious connectedness, tracing figures that rejoice, exhale and embrace outside of time.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Andreas Tschopp\u003c\/p\u003e\n\u003cp\u003eLabel : Kit Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eKR89\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 20th March 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-04-25T12:24:33+09:00","created_at":"2026-04-25T11:09:40+09:00","vendor":"Tobira Records","type":"","tags":["ambient","jazz","kit records","lp","new"],"price":443400,"price_min":443400,"price_max":443400,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48762051395834,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Andreas Tschopp \/\/ What If We Align Our Breath LP [COLOR]","public_title":null,"options":["Default Title"],"price":443400,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/and1_bba33e1e-f4f0-463c-831e-8997757f11f1.jpg?v=1777082863","\/\/tobirarecords.com\/cdn\/shop\/files\/and2_79f5cd5f-3473-4c52-8cc0-d495a039eea9.jpg?v=1777082863"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/and1_bba33e1e-f4f0-463c-831e-8997757f11f1.jpg?v=1777082863","options":["Title"],"media":[{"alt":null,"id":39138409152762,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/and1_bba33e1e-f4f0-463c-831e-8997757f11f1.jpg?v=1777082863"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/and1_bba33e1e-f4f0-463c-831e-8997757f11f1.jpg?v=1777082863","width":350},{"alt":null,"id":39138409185530,"position":2,"preview_image":{"aspect_ratio":1.25,"height":960,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/and2_79f5cd5f-3473-4c52-8cc0-d495a039eea9.jpg?v=1777082863"},"aspect_ratio":1.25,"height":960,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/and2_79f5cd5f-3473-4c52-8cc0-d495a039eea9.jpg?v=1777082863","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eスイスのトロンボーン奏者Andreas Tschoppが、2026年3月にイギリス・ロンドンのアンビエントレーベルKit Recordsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eエキゾチックなアンビエント・ジャズ10曲を収録。エメラルドグリーン盤です。\u003c\/p\u003e\n\u003cp\u003eShane Cooper—double bass\u003cbr\u003eBen LaMar Gay—cornet\u003cbr\u003eGontse Makhene—udu drums\u003cbr\u003eKoleka Putuma—voice, poetry \u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\"\u003ci\u003e先駆的なスイスのトロンボーン奏者／作曲家Andreas Tschoppは、コンテンポラリー・ジャズと南アフリカのホーン、そして手作りのオカリナを融合させ、これまでにない全く新しいアルバムを生み出した。『What if We Align Our Breath』は、国境やジャンル、そして時間そのものの境界線を無視し、幽玄な軽やかさで管楽器の歴史を貫く糸を紡ぎ出している。\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの作品の核心にあるのは、螺旋状に巻き上がった、骨のようなクドゥ（カモシカ）の角だ。この楽器は、何千年もの間、南アフリカの先住民の儀式や合図システムに、その心を揺さぶる鳴き声を捧げてきた。Andreas Tschoppはこれらの角を群れさせ、調和させ、神聖な用途を超えて引き伸ばす。彼の拡張された奏法は、憂いを帯びた、遊び心あふれる数々の声を誘い出し、アルバム全体を駆け巡らせる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eトロンボーンやアルパイン・フルートの華やかな装飾音、そしてコントラバス（シェーン・クーパー）、コルネット（ベン・ラマー・ゲイ）、ウドゥ・ドラム（ゴンツェ・マケネ）、スポークン・ワード（コレカ・プトゥマ）による豪華なサポート陣が、グルーヴや対旋律、そして土着的な内省をこの作品にもたらしている。これは想像を絶する音楽だ。金管楽器、粘土、骨が織りなすため息のようなタペストリーは、ある種の前意識的なつながりをほのめかし、時間を超越して歓喜し、息を吐き、抱擁する姿を描き出している。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2941241975\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/kitrecs\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/kitrecs\"\u003ehere\u003c\/a\u003e to see more Kit Records \/ SWIMS releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" teal vinyl.\u003cbr\u003eEdition of 300 copies.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. The Lake Will Give You Everything You Need 02:45\u003cbr\u003e2. Sounding the Voice (feat. Koleka Putuma) 04:09\u003cbr\u003e3. The Poetry of the In-Between (feat. Shane Cooper) 03:25\u003cbr\u003e4. Iqhude: A Tale of Horns and Bones 03:41\u003cbr\u003e5. I Am Because You Are 03:07\u003cbr\u003e6. Portals 02:42\u003cbr\u003e7. A Basic Guide to String Theory (feat. Shane Cooper) 02:07\u003cbr\u003e8. Everything is Connected to Everything Else (feat. Ben LaMar Gay \u0026amp; Gontse Makhene) 03:13 \u003cbr\u003e9. We Oscillate, We Modulate 03:00\u003cbr\u003e10. Mothers 02:52\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePioneering Swiss trombonist and composer Andreas Tschopp marries contemporary jazz with South African horns and homemade ocarinas, creating a record quite unlike anything you've heard before. \"What if We Align Our Breath\" disregards the curvature of borders, genre, and time itself - tugging a thread through the history of wind instrumentation with ghostly agility.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAt the heart of the record lie spiralling, bonelike kudu (antelope) horns - instruments that have lent their stirring calls to indigenous South African rituals and signalling systems for millennia. These horns are clustered, harmonised and stretched beyond their godly usage by Tschopp - his extended techniques coaxing an array of melancholy, playful voices to canter through the album.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFlourishes of trombone, alpine flutes and a stellar supporting cast on double bass (Shane Cooper), cornet (Ben LaMar Gay), udu drums (Gontse Makhene) and spoken word (Koleka Putuma) bring groove, countermelody and a sense of earthy introspection to the proceedings. This is inconceivable music: a sighing tapestry of brass, clay and bone that hints at some preconscious connectedness, tracing figures that rejoice, exhale and embrace outside of time.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Andreas Tschopp\u003c\/p\u003e\n\u003cp\u003eLabel : Kit Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eKR89\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 20th March 2026\u003c\/span\u003e\u003c\/p\u003e"}
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スイスのトロンボーン奏者Andreas Tschoppが、2026年3月にイギリス・ロンドンのアンビエントレーベルKit Recordsからリリースしたレコードです。 エキゾチックなアンビエント・ジャズ10曲を収録。エメラルドグリーン盤です。 Shane Cooper—double bassBen LaMar Gay—cornetGontse Makhene—udu drumsKoleka Putuma—voice, poetry ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ...
¥4,434
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{"id":9205615558906,"title":"Go Hirano \/\/ The Habit LP","handle":"go-hirano-the-habit-lp","description":"\u003cp\u003e東京のピアニストGo Hiranoが、2026年4月にBlack Editionsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eピアノをメインソースにしたアンビエント・フォーク〜ポストニューエイジ・アンビエント9曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"30年以上にわたる活動の中で、ピアニスト・\u003cwbr\u003e平野剛は日本のエクストリームなアンダーグラウンド・\u003cwbr\u003eシーンにおいて、\u003cwbr\u003e静かに人々を惹きつける音の世界を紡いできた異彩を放つ存在です\u003cwbr\u003e。1990年代に頭角を現し、\u003cwbr\u003e伝説的レコード店モダーンミュージックが運営していたPSF Recordsからの3枚のアルバムや自主リリース盤などを残し\u003cwbr\u003eています。\u003c\/wbr\u003e\u003c\/wbr\u003e\u003c\/wbr\u003e\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eその作品に共通するのは、\u003cwbr\u003e技術的な完成度を追求するというよりも、\u003cwbr\u003eその場に立ち上がる即興性と詩性を大切にしたものです。\u003cwbr\u003e日常のささやかな瞬間に、\u003cwbr\u003e儚い美しさを差し込むような音楽といえます。\u003c\/wbr\u003e\u003c\/wbr\u003e\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e『\u003cspan class=\"il\"\u003eThe\u003c\/span\u003e \u003cspan class=\"il\"\u003eHabit\u003c\/span\u003e』は、2020年10月5日にPianola Recordsのアップライト・\u003cwbr\u003eピアノを使用して行われた公開録音を軸に、\u003cwbr\u003e1980年代後半からカセットMTRに録りためられていた、\u003cwbr\u003eシンセサイザーを用いた素描のような小品群を織り交ぜて構成され\u003cwbr\u003eています。\u003c\/wbr\u003e\u003c\/wbr\u003e\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eピアノ、ピアニカ、ウィンドチャイム、\u003cwbr\u003eパーカッションといった最小限の楽器編成と控えめな音色によって\u003cwbr\u003e、繊細な旋律が静かに、そしてゆっくりと紡がれていきます。\u003cwbr\u003e広がりのあるピアノの響きは、\u003cwbr\u003e周囲の音と穏やかに交わりながら漂います。\u003cwbr\u003e楽器の音だけを提示するのではなく、\u003cwbr\u003eその場の空気や日常に潜む些細な気配までも丁寧に取り込み、「\u003cwbr\u003e不完全さ」を生きた表現へと昇華しています。\u003c\/wbr\u003e\u003c\/wbr\u003e\u003c\/wbr\u003e\u003c\/wbr\u003e\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e自然体から立ち上がる衝動をすくい上げる飾らない表現と、\u003cwbr\u003e独自の感覚で環境を取り込む姿勢は、平野剛の変わらぬ美学です。\u003cwbr\u003e『\u003cspan class=\"il\"\u003eThe\u003c\/span\u003e \u003cspan class=\"il\"\u003eHabit\u003c\/span\u003e』には、\u003cwbr\u003e長い年月と音に満ちた日々の重なりから育まれた、\u003cwbr\u003e親密で旋律的な響きが静かに息づいています。\"\u003c\/wbr\u003e\u003c\/wbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=675157717\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=675157717\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3651761300\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Ask us for digital files.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Echoes In The Sky 06:57\u003cbr\u003e2. Dawning 05:11\u003cbr\u003e3. The Habit 02:33\u003cbr\u003e4. Sleep Valley 05:26\u003cbr\u003e5. Ripplemark 05:10\u003cbr\u003e6. \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e水の惑星\u003c\/span\u003e [Waterland] 04:32\u003cbr\u003e7. Gray Forest 01:15\u003cbr\u003e8. Berry 05:48\u003cbr\u003e9. It will be filled with birds singing someday 04:30\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFor more than three decades, Go Hirano has developed a quietly enthralling sound world on the peripheries of the Japanese underground. Emerging in the 1990s, Hirano released three albums with the revered PSF Records label and established himself as an artist with a unique sense of melody and atmosphere that was both entrancing and intimate. His work, largely recorded at home and in the field, de-emphasized technical perfection in favor of an unvarnished immediacy that imbued the quiet moments of daily life with a dreamlike splendor.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOn The Habit, Hirano brings together recordings that span decades of his playing the piano and other instruments on a daily basis. The core of the album was recorded in 2020 at Pianola Records in Tokyo, while other pieces draw from recordings dating as far back as the late 1980s. Through this span of years, a coherent vision emerges, marked by patient, subtle engagement with repetition, space, and resonance. Hirano works with a restrained palette—piano, pianica, wind chime, percussion, and synthesizer—to develop simple melodic figures that gradually shift in harmony and texture. Spacious piano chords expand through soft synthesizer tones. Near-imperceptible rhythmic frameworks intertwine with tranquil phrases\u003cspan class=\"bcTruncateMore\"\u003e that drift and merge with the sounds of the world around them.\u003cbr\u003e\u003cbr\u003eThis synthesis of music and the environment in which it is created is critical to Hirano's approach. Rather than isolating the music from its surroundings, he embraces the atmosphere of the moment, the room in which each piece is played, capturing the subtle sounds and artifacts of the artist’s daily experience and the surrounding natural world. For Hirano, these “imperfections” are pathways to vibrant, living expression.\u003cbr\u003e\u003cbr\u003eWhile he may share affinities with Ryuichi Sakamoto, Hiroshi Yoshimura, and even Brian Eno, Hirano's dedication to “initial, unadorned expression” and processing the environment through his own particular filter sets him apart. The Habit reveals a meditative, melodic language unfolding over the decades and within the many spaces of a life in music marked by a unique warmth and beauty.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Go Hirano\u003c\/p\u003e\n\u003cp\u003eLabel : Black Editions\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003eBE-1011\u003c\/p\u003e\n\u003cp\u003eRelease date : 15th April 2026\u003c\/p\u003e","published_at":"2026-04-25T11:57:31+09:00","created_at":"2026-04-25T10:59:47+09:00","vendor":"Tobira Records","type":"","tags":["ambient","asia","lp","neo classical","new","post newage"],"price":450000,"price_min":450000,"price_max":450000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48762034290938,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Go Hirano \/\/ The Habit LP","public_title":null,"options":["Default Title"],"price":450000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/go1_a8210605-3735-4037-b59d-c667af39173c.jpg?v=1777082285","\/\/tobirarecords.com\/cdn\/shop\/files\/go2_ad0db7f5-661b-4fb8-a801-983492d1bb1a.jpg?v=1777082285"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/go1_a8210605-3735-4037-b59d-c667af39173c.jpg?v=1777082285","options":["Title"],"media":[{"alt":null,"id":39138368749818,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/go1_a8210605-3735-4037-b59d-c667af39173c.jpg?v=1777082285"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/go1_a8210605-3735-4037-b59d-c667af39173c.jpg?v=1777082285","width":350},{"alt":null,"id":39138368782586,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/go2_ad0db7f5-661b-4fb8-a801-983492d1bb1a.jpg?v=1777082285"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/go2_ad0db7f5-661b-4fb8-a801-983492d1bb1a.jpg?v=1777082285","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e東京のピアニストGo Hiranoが、2026年4月にBlack Editionsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eピアノをメインソースにしたアンビエント・フォーク〜ポストニューエイジ・アンビエント9曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"30年以上にわたる活動の中で、ピアニスト・\u003cwbr\u003e平野剛は日本のエクストリームなアンダーグラウンド・\u003cwbr\u003eシーンにおいて、\u003cwbr\u003e静かに人々を惹きつける音の世界を紡いできた異彩を放つ存在です\u003cwbr\u003e。1990年代に頭角を現し、\u003cwbr\u003e伝説的レコード店モダーンミュージックが運営していたPSF Recordsからの3枚のアルバムや自主リリース盤などを残し\u003cwbr\u003eています。\u003c\/wbr\u003e\u003c\/wbr\u003e\u003c\/wbr\u003e\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eその作品に共通するのは、\u003cwbr\u003e技術的な完成度を追求するというよりも、\u003cwbr\u003eその場に立ち上がる即興性と詩性を大切にしたものです。\u003cwbr\u003e日常のささやかな瞬間に、\u003cwbr\u003e儚い美しさを差し込むような音楽といえます。\u003c\/wbr\u003e\u003c\/wbr\u003e\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e『\u003cspan class=\"il\"\u003eThe\u003c\/span\u003e \u003cspan class=\"il\"\u003eHabit\u003c\/span\u003e』は、2020年10月5日にPianola Recordsのアップライト・\u003cwbr\u003eピアノを使用して行われた公開録音を軸に、\u003cwbr\u003e1980年代後半からカセットMTRに録りためられていた、\u003cwbr\u003eシンセサイザーを用いた素描のような小品群を織り交ぜて構成され\u003cwbr\u003eています。\u003c\/wbr\u003e\u003c\/wbr\u003e\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eピアノ、ピアニカ、ウィンドチャイム、\u003cwbr\u003eパーカッションといった最小限の楽器編成と控えめな音色によって\u003cwbr\u003e、繊細な旋律が静かに、そしてゆっくりと紡がれていきます。\u003cwbr\u003e広がりのあるピアノの響きは、\u003cwbr\u003e周囲の音と穏やかに交わりながら漂います。\u003cwbr\u003e楽器の音だけを提示するのではなく、\u003cwbr\u003eその場の空気や日常に潜む些細な気配までも丁寧に取り込み、「\u003cwbr\u003e不完全さ」を生きた表現へと昇華しています。\u003c\/wbr\u003e\u003c\/wbr\u003e\u003c\/wbr\u003e\u003c\/wbr\u003e\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e自然体から立ち上がる衝動をすくい上げる飾らない表現と、\u003cwbr\u003e独自の感覚で環境を取り込む姿勢は、平野剛の変わらぬ美学です。\u003cwbr\u003e『\u003cspan class=\"il\"\u003eThe\u003c\/span\u003e \u003cspan class=\"il\"\u003eHabit\u003c\/span\u003e』には、\u003cwbr\u003e長い年月と音に満ちた日々の重なりから育まれた、\u003cwbr\u003e親密で旋律的な響きが静かに息づいています。\"\u003c\/wbr\u003e\u003c\/wbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=675157717\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=675157717\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3651761300\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Ask us for digital files.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Echoes In The Sky 06:57\u003cbr\u003e2. Dawning 05:11\u003cbr\u003e3. The Habit 02:33\u003cbr\u003e4. Sleep Valley 05:26\u003cbr\u003e5. Ripplemark 05:10\u003cbr\u003e6. \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e水の惑星\u003c\/span\u003e [Waterland] 04:32\u003cbr\u003e7. Gray Forest 01:15\u003cbr\u003e8. Berry 05:48\u003cbr\u003e9. It will be filled with birds singing someday 04:30\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFor more than three decades, Go Hirano has developed a quietly enthralling sound world on the peripheries of the Japanese underground. Emerging in the 1990s, Hirano released three albums with the revered PSF Records label and established himself as an artist with a unique sense of melody and atmosphere that was both entrancing and intimate. His work, largely recorded at home and in the field, de-emphasized technical perfection in favor of an unvarnished immediacy that imbued the quiet moments of daily life with a dreamlike splendor.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOn The Habit, Hirano brings together recordings that span decades of his playing the piano and other instruments on a daily basis. The core of the album was recorded in 2020 at Pianola Records in Tokyo, while other pieces draw from recordings dating as far back as the late 1980s. Through this span of years, a coherent vision emerges, marked by patient, subtle engagement with repetition, space, and resonance. Hirano works with a restrained palette—piano, pianica, wind chime, percussion, and synthesizer—to develop simple melodic figures that gradually shift in harmony and texture. Spacious piano chords expand through soft synthesizer tones. Near-imperceptible rhythmic frameworks intertwine with tranquil phrases\u003cspan class=\"bcTruncateMore\"\u003e that drift and merge with the sounds of the world around them.\u003cbr\u003e\u003cbr\u003eThis synthesis of music and the environment in which it is created is critical to Hirano's approach. Rather than isolating the music from its surroundings, he embraces the atmosphere of the moment, the room in which each piece is played, capturing the subtle sounds and artifacts of the artist’s daily experience and the surrounding natural world. For Hirano, these “imperfections” are pathways to vibrant, living expression.\u003cbr\u003e\u003cbr\u003eWhile he may share affinities with Ryuichi Sakamoto, Hiroshi Yoshimura, and even Brian Eno, Hirano's dedication to “initial, unadorned expression” and processing the environment through his own particular filter sets him apart. The Habit reveals a meditative, melodic language unfolding over the decades and within the many spaces of a life in music marked by a unique warmth and beauty.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Go Hirano\u003c\/p\u003e\n\u003cp\u003eLabel : Black Editions\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003eBE-1011\u003c\/p\u003e\n\u003cp\u003eRelease date : 15th April 2026\u003c\/p\u003e"}
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東京のピアニストGo Hiranoが、2026年4月にBlack Editionsからリリースしたレコードです。 ピアノをメインソースにしたアンビエント・フォーク〜ポストニューエイジ・アンビエント9曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ 以下、レーベルによる解説です。 "30年以上にわたる活動の中で、ピアニスト・平野剛は日本のエクストリームなアンダーグラウンド・シーンにおいて、静かに人々を惹きつける音の世界を紡いできた異彩を放つ存在です。1990年代に頭角を現し、伝説的レコード店モダーンミュージックが運営していたPSF Recordsからの3枚のアルバムや自主リリース盤などを残しています。その作品に共通するのは、技術的な完成度を追求するというよりも、その場に立ち上がる即興性と詩性を大切にしたものです。日常のささやかな瞬間に、儚い美しさを差し込むような音楽といえます。『The Habit』は、2020年10月5日にPianola Recordsのアップライト・ピアノを使用して行われた公開録音を軸に、1980年代後半からカセットMTRに録りためられていた、シンセサイザーを用いた素描のような小品群を織り交ぜて構成されています。ピアノ、ピアニカ、ウィンドチャイム、パーカッションといった最小限の楽器編成と控えめな音色によって、繊細な旋律が静かに、そしてゆっくりと紡がれていきます。広がりのあるピアノの響きは、周囲の音と穏やかに交わりながら漂います。楽器の音だけを提示するのではなく、その場の空気や日常に潜む些細な気配までも丁寧に取り込み、「不完全さ」を生きた表現へと昇華しています。自然体から立ち上がる衝動をすくい上げる飾らない表現と、独自の感覚で環境を取り込む姿勢は、平野剛の変わらぬ美学です。『The Habit』には、長い年月と音に満ちた日々の重なりから育まれた、親密で旋律的な響きが静かに息づいています。" -------------------------------------------------- 12" black...
¥4,500
クイックビュー
{"id":9205614379258,"title":"Loula Yorke (featuring Charlotte Jolly) \/\/ Salix TAPE","handle":"loula-yorke-featuring-charlotte-jolly-salix-tape","description":"\u003cp\u003eイギリスのモジュラー奏者Loula Yorkeが、2026年4月に自身主宰レーベルTruxalisからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eアンティークのモルガンとクラリネットによるアコースティック・ドローン3曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『Salix』は、モジュラー・シンセシストのLoula Yorkeにとって大胆な新たな試みである。本作では、アンティークのリードオルガンを用いて、魔法、神話、医療におけるヤナギの木の古代のルーツを探求するとともに、クラリネット奏者のシャーロット・ジョリーを初めて自身のレコーディング・スタジオに招き入れている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこのEPは、ある特異な楽器の音響アーカイブとなっている。それは、アサイラム・スタジオ（サフォークにあるアーティスト協同組合で、Loula YorkeのTruxalisレーベルメイトであり生涯のコラボレーターであるセイチェがスタジオスペースを構えている場所）の前の入居者が残していったアンティークのフリーリードオルガンだ。このオルガンは状態が悪く、興味深くも痛々しいほど音程が狂っている。Loula Yorkeの録音は、経年と放置によって増幅された数々の特異な癖を引き出している。木製のペダルから響く力強いリズミカルなきしみ音、特定の音程で本体の奥底から湧き上がる骨を震わせるような共鳴、人間の声を思わせる軀体内部からの予期せぬ倍音の衝突による叫び、壊れたリードから発せられる鋭く甲高い笛音、そしてLoula Yorkeが様々なストップの組み合わせを試行錯誤することで解き放たれた力強い音色。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Salix』を構成する3曲は、地元のシダレヤナギの木にインスピレーションを得たものである。1年間にわたって撮影され続けた、絶え間ない伴侶のような存在だ。渦に巻き込まれた枝。喪に服する乙女。間違った方向を指し示す枝。逆さまになった木。手編みの柳の籠、集め、蓄えるための古来の技法。失恋した吟遊詩人の冥界への旅路、身を守るために片腕に抱えた柳の束……\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1389328565\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1389328565\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=330383318\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case.\u003cbr\u003eCassette edition of 100 copies. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. the carrier bag theory of fiction 02:32\u003cbr\u003e2. bundle of styx (feat. charlotte jolly) 07:23\u003cbr\u003e3. with the red dawn (feat. charlotte jolly) 10:22\u003c\/p\u003e\n\u003cp\u003eText excerpt from the artist:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eSalix is a bold new departure for modular synthesist Loula Yorke, seen here using an antique reed organ to explore the ancient roots of willow trees in magic, myth and medicine, as well as inviting another musician into her recording studio for the first time, clarinettist Charlotte Jolly.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe EP forms a sonic archive of a singular instrument: an antique free reed organ left behind by a previous encumbent of Asylum Studios, (the artists' co-operative in Suffolk where Yorke's Truxalis labelmate and life collaborator, Seiche, has a studio space). The organ is in poor condition and fascinatingly, painfully detuned. Yorke's recordings bring out its host of unusual quirks exacerbated by age and neglect: the powerful rhythmic creaking of the wooden treadles; the bone-shaking resonance emanating from its body at specific pitches; unexpected exclamations of harmonic collision from within the carcass redolent of a human voice; the piercing\u003cspan class=\"bcTruncateMore\"\u003e, shrieking whistles of broken reeds, and the powerful timbres unlocked via Yorke's experiments with various combinations of stops.\u003cbr\u003e\u003cbr\u003eThe three tracks that form Salix are inspired by a local weeping willow tree, a constant companion photographed over the course of a year. Boughs caught in a gyre. A maiden in mourning. Branches that gesture in the wrong direction. A tree turned upside down. A hand-woven willow basket, an old technology to gather and store. The journey of a lovelorn bard through the underworld, a bundle of willow under one arm for protection...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Loula Yorke (featuring Charlotte Jolly)\u003c\/p\u003e\n\u003cp\u003eLabel : Truxalis\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTRX029\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 3rd April 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-04-25T11:50:11+09:00","created_at":"2026-04-25T10:51:34+09:00","vendor":"Tobira Records","type":"","tags":["ambient","drone","jazz","new","tape"],"price":318000,"price_min":318000,"price_max":318000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48762028425466,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Loula Yorke (featuring Charlotte Jolly) \/\/ Salix TAPE","public_title":null,"options":["Default Title"],"price":318000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/lou1_6a6f3db4-c4a5-43bf-a8c8-33e45905a94c.jpg?v=1777081804","\/\/tobirarecords.com\/cdn\/shop\/files\/lou2_cc80387e-eb53-4c62-8266-b6cc656f6a25.jpg?v=1777081804"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/lou1_6a6f3db4-c4a5-43bf-a8c8-33e45905a94c.jpg?v=1777081804","options":["Title"],"media":[{"alt":null,"id":39138345550074,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lou1_6a6f3db4-c4a5-43bf-a8c8-33e45905a94c.jpg?v=1777081804"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lou1_6a6f3db4-c4a5-43bf-a8c8-33e45905a94c.jpg?v=1777081804","width":350},{"alt":null,"id":39138345582842,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lou2_cc80387e-eb53-4c62-8266-b6cc656f6a25.jpg?v=1777081804"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lou2_cc80387e-eb53-4c62-8266-b6cc656f6a25.jpg?v=1777081804","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリスのモジュラー奏者Loula Yorkeが、2026年4月に自身主宰レーベルTruxalisからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eアンティークのモルガンとクラリネットによるアコースティック・ドローン3曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『Salix』は、モジュラー・シンセシストのLoula Yorkeにとって大胆な新たな試みである。本作では、アンティークのリードオルガンを用いて、魔法、神話、医療におけるヤナギの木の古代のルーツを探求するとともに、クラリネット奏者のシャーロット・ジョリーを初めて自身のレコーディング・スタジオに招き入れている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこのEPは、ある特異な楽器の音響アーカイブとなっている。それは、アサイラム・スタジオ（サフォークにあるアーティスト協同組合で、Loula YorkeのTruxalisレーベルメイトであり生涯のコラボレーターであるセイチェがスタジオスペースを構えている場所）の前の入居者が残していったアンティークのフリーリードオルガンだ。このオルガンは状態が悪く、興味深くも痛々しいほど音程が狂っている。Loula Yorkeの録音は、経年と放置によって増幅された数々の特異な癖を引き出している。木製のペダルから響く力強いリズミカルなきしみ音、特定の音程で本体の奥底から湧き上がる骨を震わせるような共鳴、人間の声を思わせる軀体内部からの予期せぬ倍音の衝突による叫び、壊れたリードから発せられる鋭く甲高い笛音、そしてLoula Yorkeが様々なストップの組み合わせを試行錯誤することで解き放たれた力強い音色。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Salix』を構成する3曲は、地元のシダレヤナギの木にインスピレーションを得たものである。1年間にわたって撮影され続けた、絶え間ない伴侶のような存在だ。渦に巻き込まれた枝。喪に服する乙女。間違った方向を指し示す枝。逆さまになった木。手編みの柳の籠、集め、蓄えるための古来の技法。失恋した吟遊詩人の冥界への旅路、身を守るために片腕に抱えた柳の束……\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1389328565\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1389328565\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=330383318\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case.\u003cbr\u003eCassette edition of 100 copies. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. the carrier bag theory of fiction 02:32\u003cbr\u003e2. bundle of styx (feat. charlotte jolly) 07:23\u003cbr\u003e3. with the red dawn (feat. charlotte jolly) 10:22\u003c\/p\u003e\n\u003cp\u003eText excerpt from the artist:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eSalix is a bold new departure for modular synthesist Loula Yorke, seen here using an antique reed organ to explore the ancient roots of willow trees in magic, myth and medicine, as well as inviting another musician into her recording studio for the first time, clarinettist Charlotte Jolly.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe EP forms a sonic archive of a singular instrument: an antique free reed organ left behind by a previous encumbent of Asylum Studios, (the artists' co-operative in Suffolk where Yorke's Truxalis labelmate and life collaborator, Seiche, has a studio space). The organ is in poor condition and fascinatingly, painfully detuned. Yorke's recordings bring out its host of unusual quirks exacerbated by age and neglect: the powerful rhythmic creaking of the wooden treadles; the bone-shaking resonance emanating from its body at specific pitches; unexpected exclamations of harmonic collision from within the carcass redolent of a human voice; the piercing\u003cspan class=\"bcTruncateMore\"\u003e, shrieking whistles of broken reeds, and the powerful timbres unlocked via Yorke's experiments with various combinations of stops.\u003cbr\u003e\u003cbr\u003eThe three tracks that form Salix are inspired by a local weeping willow tree, a constant companion photographed over the course of a year. Boughs caught in a gyre. A maiden in mourning. Branches that gesture in the wrong direction. A tree turned upside down. A hand-woven willow basket, an old technology to gather and store. The journey of a lovelorn bard through the underworld, a bundle of willow under one arm for protection...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Loula Yorke (featuring Charlotte Jolly)\u003c\/p\u003e\n\u003cp\u003eLabel : Truxalis\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTRX029\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 3rd April 2026\u003c\/span\u003e\u003c\/p\u003e"}
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イギリスのモジュラー奏者Loula Yorkeが、2026年4月に自身主宰レーベルTruxalisからリリースしたカセットです。 アンティークのモルガンとクラリネットによるアコースティック・ドローン3曲を収録。 以下、レーベルによる解説です。 "『Salix』は、モジュラー・シンセシストのLoula Yorkeにとって大胆な新たな試みである。本作では、アンティークのリードオルガンを用いて、魔法、神話、医療におけるヤナギの木の古代のルーツを探求するとともに、クラリネット奏者のシャーロット・ジョリーを初めて自身のレコーディング・スタジオに招き入れている。 このEPは、ある特異な楽器の音響アーカイブとなっている。それは、アサイラム・スタジオ（サフォークにあるアーティスト協同組合で、Loula YorkeのTruxalisレーベルメイトであり生涯のコラボレーターであるセイチェがスタジオスペースを構えている場所）の前の入居者が残していったアンティークのフリーリードオルガンだ。このオルガンは状態が悪く、興味深くも痛々しいほど音程が狂っている。Loula Yorkeの録音は、経年と放置によって増幅された数々の特異な癖を引き出している。木製のペダルから響く力強いリズミカルなきしみ音、特定の音程で本体の奥底から湧き上がる骨を震わせるような共鳴、人間の声を思わせる軀体内部からの予期せぬ倍音の衝突による叫び、壊れたリードから発せられる鋭く甲高い笛音、そしてLoula Yorkeが様々なストップの組み合わせを試行錯誤することで解き放たれた力強い音色。 『Salix』を構成する3曲は、地元のシダレヤナギの木にインスピレーションを得たものである。1年間にわたって撮影され続けた、絶え間ない伴侶のような存在だ。渦に巻き込まれた枝。喪に服する乙女。間違った方向を指し示す枝。逆さまになった木。手編みの柳の籠、集め、蓄えるための古来の技法。失恋した吟遊詩人の冥界への旅路、身を守るために片腕に抱えた柳の束……" --------------------------------------------------- Cassette in...
¥3,180
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{"id":9205506212090,"title":"Photay with Carlos Niño \/\/ An Offering TAPE","handle":"photay-with-carlos-nino-an-offering-tape","description":"\u003cp\u003eアメリカのシンセ奏者／ビートメイカーPhotayとパーカッショニストCarlos Niñoが、2022年10月に同国シカゴのジャズレーベルInternational Anthemからリリースした共作アルバムです。\u003c\/p\u003e\n\u003cp\u003e心地良いポストニューエイジ・アンビエントジャズ9曲を収録。Iasosも参加しています。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2112855781\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003eText by Piotr Orlov, August 2022\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003eFlowing water is an essential element of Earthly existence, a living force, a process of nature, a path-making which combines infinite sources mixing imperceptibly into a singular energy. It’s also a potent metaphor. A childlike wonder at flowing water’s presence and power, all the impressions it makes and creative neurons that it fires, happens to be a personality trait shared by Evan Shornstein (aka Photay) and Carlos Niño. The two producers\/musical connectors may have grown up and reside a continent and daily realities apart — Photay in the forest serenity of New York’s Hudson Valley, Niño on Los Angeles’s ocean-adjacent west side — yet this magnetic power of fluidity, its sound, its meaning, what it can teach us about art and circulation, mesmerizes them both.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWater is the spiritual center of their first album-length collaboration, the vast and deep An Offering — from the visual on the cover, to the first sound you hear on the opening “Prelude,” to the underlying themes and images espoused by the poet-philosopher Iasos on the closing “Existence.” More importantly, the image of water-like flow is a continuous reflection of how these two musicians have come to work together and apart, of the way they made An Offering, and how they’re continuing to create, without a beginning and\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e (hopefully) with no end in sight. An infinite flow of sound, from and to every direction.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSome of this work directly reflects the relationship between the two men, and of where\/how Photay’s electronic, often-dancefloor-oriented tracks found Niño’s far-reaching world of ambient spirituality and improvised soundscaping. The meeting point is precise: Laraaji, the new age zither legend with whom Niño regularly collaborates, including at a June 2016 show in New York City which Niño played and Shornstein attended. The connection initiated immediately after that performance did not simply find the pair participating in each other’s recording projects — Photay remixing a Niño-produced Laraaji track and involved in Niño \u0026amp; Friends sessions; Carlos showing up on multiple songs of Photay’s 2020 album, Waking Hours, some of which was recorded at Niño’s studio—but in a broad exchange of ideas.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNiño long ago established himself as one of Los Angeles’ great musical conduits, constructing environments that facilitate partnerships between far-flung artists, perpetuating the freedom of working in the present, outside expectations, trusting the work’s destination. When the younger Shornstein met Niño, his own creative process was ”almost too precious, and it was always my goal to break out of that.” Adapting Carlos’ pacing and free-flowing strategies — scenarios such as sharing recorded stems, bringing in old recordings to serendipitously fit new tracks, or mixing organic improvisations with stylized, post-produced rhythms — transformed Evan’s perspective. It made him rethink ideas like “finished,” shedding pressurized over-analysis for a process he calls “fluid” and “healthy.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt also made Shornstein reconsider some music they’d recorded but originally left off Waking Hours, “microscopic moments that were more expansive in my mind — there was so much honesty there.” What may not have made sense within the composed, hyper-stylized beauty of Hours, “felt really good” outside that context. Niño, who describes himself as “very album-oriented,” agreed, suggesting they create a unified body of work to match those moments — but not overthink it, make it quick, easy, productive, present. Which is how the re-imagining of pieces of music that became “Change” and “Exist,” sprung Photay and Carlos Niño into collaborating even more closely, and brought An Offering to the world.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe sounds they gathered into an intentional, meditative whole, were made together and apart, and sourced from all over. The two producers made connections between new music and recordings they already had: Shornstein found hours of tape featuring solo playing by Upstate New York harpist Mikaela Davis, which became a central adornment on multiple tracks. Niño sent Shornstein a quartet improvisation he made with tenor saxophonist Aaron Shaw, keyboardist Diego Gaeta and synth-guitarist Nate Mercereau, which became the basis of “Honor.” They brought in trusted partners. The atmospheric blowing of LA-based tenor saxophonist Randal Fisher is a focal point throughout, at times processed by Photay’s machines. Photay’s trombone player Nathaneal Ranson, and Niño’s long-standing LA-based collaborator, vocalist Mia Doi Todd, float in-and-out of the mix. When Niño makes a record, another original “new age” legend, Iasos, is bound to be around, and his strong summation on “Existence” are the only words An Offering submits. The healing energy of Peterskill, a short rocky State Park waterway that ebbs through New York’s Ulster County (and across from Shornstein’s home — “a real environmental inspiration”), flows throughout. “Creating with no constructs,” is how Shornstein describes the process of bringing these elements together. “It was just a feeling, which maybe is what music or creating should always be.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePeterskill was also the source for a long extra track\/outro when An Offering debuted as a Bandcamp-exclusive cassette in October 2021 — and quickly sold out. (A gorgeous Shornstein-directed film accompanied the release as well.) The notion of this music as “offering” came to life in its immediacy (the tape was released only a month and half after the idea for it was seeded) and in its gift-like nature (you can still get the digital version at a price of your own choosing). Scott McNiece of International Anthem found it, and instantly connected with its natural essence, a sound that accompanies one’s movements through difficult moments, the motion of instinctive change, a way to mark the radical period of our time with incremental alterations. Like flowing water affecting an ancient landscape. International Anthem offered to give An Offering a full vinyl release, which is why you are reading this one-sheet right now. And like any current, the interconnectedness between Photay and Carlos Niño, their symbiotic way of informing and influencing each other’s sounds, continues to naturally move forward and shapeshift. They are working on multiple projects together at the moment, and have already completed More Offerings. Flow on!\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Carlos Niño\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : International Anthem\u003c\/p\u003e","published_at":"2026-04-25T06:17:27+09:00","created_at":"2026-04-25T06:13:58+09:00","vendor":"Tobira Records","type":"","tags":["ambient","international anthem","jazz","new","post newage","tape"],"price":259800,"price_min":259800,"price_max":259800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48760851759354,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Photay with Carlos Niño \/\/ An Offering TAPE","public_title":null,"options":["Default Title"],"price":259800,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/of1_a8fd7d97-c9f5-48cb-b6f0-9fdb4c5d6ef9.jpg?v=1666934218","\/\/tobirarecords.com\/cdn\/shop\/files\/0030074487_10.jpg?v=1777065259","\/\/tobirarecords.com\/cdn\/shop\/files\/0030074479_10.jpg?v=1777065259"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/of1_a8fd7d97-c9f5-48cb-b6f0-9fdb4c5d6ef9.jpg?v=1666934218","options":["Title"],"media":[{"alt":null,"id":30864630743290,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/of1_a8fd7d97-c9f5-48cb-b6f0-9fdb4c5d6ef9.jpg?v=1666934218"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/of1_a8fd7d97-c9f5-48cb-b6f0-9fdb4c5d6ef9.jpg?v=1666934218","width":700},{"alt":null,"id":39137474347258,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0030074487_10.jpg?v=1777065259"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0030074487_10.jpg?v=1777065259","width":1200},{"alt":null,"id":39137474380026,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0030074479_10.jpg?v=1777065259"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0030074479_10.jpg?v=1777065259","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのシンセ奏者／ビートメイカーPhotayとパーカッショニストCarlos Niñoが、2022年10月に同国シカゴのジャズレーベルInternational Anthemからリリースした共作アルバムです。\u003c\/p\u003e\n\u003cp\u003e心地良いポストニューエイジ・アンビエントジャズ9曲を収録。Iasosも参加しています。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2112855781\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003eText by Piotr Orlov, August 2022\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003eFlowing water is an essential element of Earthly existence, a living force, a process of nature, a path-making which combines infinite sources mixing imperceptibly into a singular energy. It’s also a potent metaphor. A childlike wonder at flowing water’s presence and power, all the impressions it makes and creative neurons that it fires, happens to be a personality trait shared by Evan Shornstein (aka Photay) and Carlos Niño. The two producers\/musical connectors may have grown up and reside a continent and daily realities apart — Photay in the forest serenity of New York’s Hudson Valley, Niño on Los Angeles’s ocean-adjacent west side — yet this magnetic power of fluidity, its sound, its meaning, what it can teach us about art and circulation, mesmerizes them both.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWater is the spiritual center of their first album-length collaboration, the vast and deep An Offering — from the visual on the cover, to the first sound you hear on the opening “Prelude,” to the underlying themes and images espoused by the poet-philosopher Iasos on the closing “Existence.” More importantly, the image of water-like flow is a continuous reflection of how these two musicians have come to work together and apart, of the way they made An Offering, and how they’re continuing to create, without a beginning and\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e (hopefully) with no end in sight. An infinite flow of sound, from and to every direction.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSome of this work directly reflects the relationship between the two men, and of where\/how Photay’s electronic, often-dancefloor-oriented tracks found Niño’s far-reaching world of ambient spirituality and improvised soundscaping. The meeting point is precise: Laraaji, the new age zither legend with whom Niño regularly collaborates, including at a June 2016 show in New York City which Niño played and Shornstein attended. The connection initiated immediately after that performance did not simply find the pair participating in each other’s recording projects — Photay remixing a Niño-produced Laraaji track and involved in Niño \u0026amp; Friends sessions; Carlos showing up on multiple songs of Photay’s 2020 album, Waking Hours, some of which was recorded at Niño’s studio—but in a broad exchange of ideas.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNiño long ago established himself as one of Los Angeles’ great musical conduits, constructing environments that facilitate partnerships between far-flung artists, perpetuating the freedom of working in the present, outside expectations, trusting the work’s destination. When the younger Shornstein met Niño, his own creative process was ”almost too precious, and it was always my goal to break out of that.” Adapting Carlos’ pacing and free-flowing strategies — scenarios such as sharing recorded stems, bringing in old recordings to serendipitously fit new tracks, or mixing organic improvisations with stylized, post-produced rhythms — transformed Evan’s perspective. It made him rethink ideas like “finished,” shedding pressurized over-analysis for a process he calls “fluid” and “healthy.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt also made Shornstein reconsider some music they’d recorded but originally left off Waking Hours, “microscopic moments that were more expansive in my mind — there was so much honesty there.” What may not have made sense within the composed, hyper-stylized beauty of Hours, “felt really good” outside that context. Niño, who describes himself as “very album-oriented,” agreed, suggesting they create a unified body of work to match those moments — but not overthink it, make it quick, easy, productive, present. Which is how the re-imagining of pieces of music that became “Change” and “Exist,” sprung Photay and Carlos Niño into collaborating even more closely, and brought An Offering to the world.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe sounds they gathered into an intentional, meditative whole, were made together and apart, and sourced from all over. The two producers made connections between new music and recordings they already had: Shornstein found hours of tape featuring solo playing by Upstate New York harpist Mikaela Davis, which became a central adornment on multiple tracks. Niño sent Shornstein a quartet improvisation he made with tenor saxophonist Aaron Shaw, keyboardist Diego Gaeta and synth-guitarist Nate Mercereau, which became the basis of “Honor.” They brought in trusted partners. The atmospheric blowing of LA-based tenor saxophonist Randal Fisher is a focal point throughout, at times processed by Photay’s machines. Photay’s trombone player Nathaneal Ranson, and Niño’s long-standing LA-based collaborator, vocalist Mia Doi Todd, float in-and-out of the mix. When Niño makes a record, another original “new age” legend, Iasos, is bound to be around, and his strong summation on “Existence” are the only words An Offering submits. The healing energy of Peterskill, a short rocky State Park waterway that ebbs through New York’s Ulster County (and across from Shornstein’s home — “a real environmental inspiration”), flows throughout. “Creating with no constructs,” is how Shornstein describes the process of bringing these elements together. “It was just a feeling, which maybe is what music or creating should always be.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePeterskill was also the source for a long extra track\/outro when An Offering debuted as a Bandcamp-exclusive cassette in October 2021 — and quickly sold out. (A gorgeous Shornstein-directed film accompanied the release as well.) The notion of this music as “offering” came to life in its immediacy (the tape was released only a month and half after the idea for it was seeded) and in its gift-like nature (you can still get the digital version at a price of your own choosing). Scott McNiece of International Anthem found it, and instantly connected with its natural essence, a sound that accompanies one’s movements through difficult moments, the motion of instinctive change, a way to mark the radical period of our time with incremental alterations. Like flowing water affecting an ancient landscape. International Anthem offered to give An Offering a full vinyl release, which is why you are reading this one-sheet right now. And like any current, the interconnectedness between Photay and Carlos Niño, their symbiotic way of informing and influencing each other’s sounds, continues to naturally move forward and shapeshift. They are working on multiple projects together at the moment, and have already completed More Offerings. Flow on!\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Carlos Niño\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : International Anthem\u003c\/p\u003e"}
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アメリカのシンセ奏者／ビートメイカーPhotayとパーカッショニストCarlos Niñoが、2022年10月に同国シカゴのジャズレーベルInternational Anthemからリリースした共作アルバムです。 心地良いポストニューエイジ・アンビエントジャズ9曲を収録。Iasosも参加しています。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします レーベルその他作品はこちら /// Click here to see more International Anthem releases available at...
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