Quickview
{"id":8094921851130,"title":"Philip Lewin \/\/ Am I Really Here All Alone ? LP","handle":"philip-lewin-am-i-really-here-all-alone-lp-1","description":"\u003cp\u003eアメリカン・プリミティブ〜ブルース作家Philip Lewinが、1975年にリリースしたデビューアルバムの再発レコードです。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3658247845\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eTompkins Square その他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/tosq\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/tosq\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eTompkins Square releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eUnusual Day 04:39\u003c\/li\u003e\n\u003cli\u003eKing of Queens 01:21\u003c\/li\u003e\n\u003cli\u003eWatercolours 03:28\u003c\/li\u003e\n\u003cli\u003eBack Home, To You 05:08\u003c\/li\u003e\n\u003cli\u003eTouch 06:33\u003c\/li\u003e\n\u003cli\u003eSweet Georgia's Got To Be Home Tonight 04:45\u003c\/li\u003e\n\u003cli\u003eSoul of the Lady 03:11\u003c\/li\u003e\n\u003cli\u003eThe Momentary Lie 01:45\u003c\/li\u003e\n\u003cli\u003eThe Magic Within You 04:12\u003c\/li\u003e\n\u003cli\u003eTime Is Passing 02:50\u003c\/li\u003e\n\u003cli\u003eAm I Really Here All Alone ? 02:16\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eArtist statement by \u003cmeta charset=\"utf-8\"\u003ePhilip Lewin, 2017:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"In 1967 I began my life in the student union of a university. In other words, I was in school. But, classes definitely took a back seat to people-watching and attempts at relationships. I would not say that I was particularly good at the latter, but I made a great observer. I even stayed near the school community for an extra year until an opportunity came up to move in with friends in Toronto, Canada, which turned out to be a pivotal opportunity for me.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eI was once told that one should first write about one's own experiences, then, expand to documenting the observed experiences of those around, and, finally write about what one imagines. Am I Really Here All Alone? encompasses all of the above. Something else I realized in writing lyrics is that sometimes it is good to be transparent about the meaning and others times, not so much. \"Unusual Day\" is an example of me being honest struggling to develop and maintain a relationship, but ultimately realizing it was not going to succeed. \"Watercolours\" documents a crushing experience, but is couched in metaphor. I hope that listeners will relate through their own experiences, and because my reality is implied, not specified, will not be limited to mine. \"Sweet Georgia\" is an example of me, as a writer, leaving my personal space. I think of it as an attempt to clone William Faulkner to Bobbie Gentry. \"The Magic Within You\" is actually a commission where I was asked to write a song for a benefit to be performed by Doug Henning, the groundbreaking stage magician and friend. I once heard John Prine complain that there was no point in writing a 'train song' because Steve Goodman had already written the perfect one with \"City of New Orleans\". Naturally, I had to write \"Back Home, To You\", my idea of a train song where I tried to capture the movement of the train in the rhythm of the guitar. As for the other six songs, to me, they all reflect realities, experienced, observed and imagined. Descartes said, \"I think, therefore I am.\" However my question is, \"Am I Really Here All Alone?\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Philip Lewin\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTompkins Square\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-11-28T06:51:56+09:00","created_at":"2023-11-26T17:55:40+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","new","tompkins square"],"price":2300,"price_min":2300,"price_max":2300,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44812642746618,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Philip Lewin \/\/ Am I Really Here All Alone ? LP","public_title":null,"options":["Default Title"],"price":2300,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/am1_9707994a-0640-4d13-b6f7-a975172b4975.jpg?v=1700988942"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/am1_9707994a-0640-4d13-b6f7-a975172b4975.jpg?v=1700988942","options":["Title"],"media":[{"alt":null,"id":32749199491322,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/am1_9707994a-0640-4d13-b6f7-a975172b4975.jpg?v=1700988942"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/am1_9707994a-0640-4d13-b6f7-a975172b4975.jpg?v=1700988942","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカン・プリミティブ〜ブルース作家Philip Lewinが、1975年にリリースしたデビューアルバムの再発レコードです。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3658247845\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eTompkins Square その他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/tosq\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/tosq\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eTompkins Square releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eUnusual Day 04:39\u003c\/li\u003e\n\u003cli\u003eKing of Queens 01:21\u003c\/li\u003e\n\u003cli\u003eWatercolours 03:28\u003c\/li\u003e\n\u003cli\u003eBack Home, To You 05:08\u003c\/li\u003e\n\u003cli\u003eTouch 06:33\u003c\/li\u003e\n\u003cli\u003eSweet Georgia's Got To Be Home Tonight 04:45\u003c\/li\u003e\n\u003cli\u003eSoul of the Lady 03:11\u003c\/li\u003e\n\u003cli\u003eThe Momentary Lie 01:45\u003c\/li\u003e\n\u003cli\u003eThe Magic Within You 04:12\u003c\/li\u003e\n\u003cli\u003eTime Is Passing 02:50\u003c\/li\u003e\n\u003cli\u003eAm I Really Here All Alone ? 02:16\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eArtist statement by \u003cmeta charset=\"utf-8\"\u003ePhilip Lewin, 2017:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"In 1967 I began my life in the student union of a university. In other words, I was in school. But, classes definitely took a back seat to people-watching and attempts at relationships. I would not say that I was particularly good at the latter, but I made a great observer. I even stayed near the school community for an extra year until an opportunity came up to move in with friends in Toronto, Canada, which turned out to be a pivotal opportunity for me.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eI was once told that one should first write about one's own experiences, then, expand to documenting the observed experiences of those around, and, finally write about what one imagines. Am I Really Here All Alone? encompasses all of the above. Something else I realized in writing lyrics is that sometimes it is good to be transparent about the meaning and others times, not so much. \"Unusual Day\" is an example of me being honest struggling to develop and maintain a relationship, but ultimately realizing it was not going to succeed. \"Watercolours\" documents a crushing experience, but is couched in metaphor. I hope that listeners will relate through their own experiences, and because my reality is implied, not specified, will not be limited to mine. \"Sweet Georgia\" is an example of me, as a writer, leaving my personal space. I think of it as an attempt to clone William Faulkner to Bobbie Gentry. \"The Magic Within You\" is actually a commission where I was asked to write a song for a benefit to be performed by Doug Henning, the groundbreaking stage magician and friend. I once heard John Prine complain that there was no point in writing a 'train song' because Steve Goodman had already written the perfect one with \"City of New Orleans\". Naturally, I had to write \"Back Home, To You\", my idea of a train song where I tried to capture the movement of the train in the rhythm of the guitar. As for the other six songs, to me, they all reflect realities, experienced, observed and imagined. Descartes said, \"I think, therefore I am.\" However my question is, \"Am I Really Here All Alone?\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Philip Lewin\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTompkins Square\u003c\/span\u003e\u003c\/p\u003e"}
