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Félicia Atkinson / Richard Chartier // Ni envers ni endroit que cette roche brûlante (Pour Georgia O’Keeffe) / Recurrence.Expansion LP

Félicia Atkinson / Richard Chartier // Ni envers ni endroit que cette roche brûlante (Pour Georgia O’Keeffe) / Recurrence.Expansion LP

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フランスのFélicia AtkinsonとアメリカのRichard Chartier実験音楽家2名が、2023年9月にフランスの実験レーベルPortraits GRMからリリースしたスプリットレコードです。

A面はスポークンワード〜アンビエントドローン、B面はミニマルなドローンを収録。

マスタリングはGiuseppe Ielashiが担当しています。

※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします

レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM / Ideologic Organ releases available at Tobira. 

------------------------------

Ask us for digital files. 12" black vinyl. Edition of 1000. 

Tracklist:

  1. Félicia Atkinson - 'Ni envers ni endroit que cette roche brûlante (Pour Georgia O’Keeffe)' 20:18
  2. Richard Chartier - 'Recurrence.Expansion' 20:00

Artist bios by Portraits GRM:

"Félicia Atkinson’s Ni envers ni endroit que cette roche brûlante (Pour Georgia O’Keeffe) is approached as a meditation, not as meditative music, but as a reflection on the art of creation: how to inhabit one’s creation, how to convey it, domesticate it and live with it. Drawing inspiration from the artist Georgia O’ Keeffe, both in her work as a painter and in the houses in which she lived in New Mexico, and even in the landscapes that surround them, Félicia Atkinson has composed a piece that evokes and celebrates, in a poetic and holistic way, the mystery of art, the somnambulic oscillation that accompanies the act of creating. Blending fragmentary voices, islands of piano, electronic textures and patterns, and field recordings, Félicia Atkinson’s music is sincere and inspired, a meditation, then, but also a lesson we sometimes forget: being an artist is not an activity, even less a profession, it’s a singular way of approaching the world and, in so doing, densifying it.

--

Richard Chartier’s music takes up residence at the frontiers of the audible, on the edge where sound diffracts into an inter-dimensionality where sounds, space, listening and silence recombine in an arborescence of becomings that present themselves to us and then disappear. The space-time in which Richard Chartier’s music unfolds is a stretched space-time, barely emerging in the world of sound. The delicacy, precision and accuracy of the composition Recurrence.Expansion lies precisely in this dialogue between a shape that is exposed and developed in an inspired and masterful way, and the sonic biotope in which this shape develops. It is from such an encounter that the singularity of Richard Chartier’s music emerges, music of attentive listening, but also sensitive, inhabited music, a music of discreet metamorphosis."

Artist : Félicia Atkinson / Richard Chartier

Label : Portraits GRM (Recollection GRM)

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フランスのFélicia AtkinsonとアメリカのRichard Chartier実験音楽家2名が、2023年9月にフランスの実験レーベルPortraits GRMからリリースしたスプリットレコードです。

A面はスポークンワード〜アンビエントドローン、B面はミニマルなドローンを収録。

マスタリングはGiuseppe Ielashiが担当しています。

※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします

レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM / Ideologic Organ releases available at Tobira. 

------------------------------

Ask us for digital files. 12" black vinyl. Edition of 1000. 

Tracklist:

  1. Félicia Atkinson - 'Ni envers ni endroit que cette roche brûlante (Pour Georgia O’Keeffe)' 20:18
  2. Richard Chartier - 'Recurrence.Expansion' 20:00

Artist bios by Portraits GRM:

"Félicia Atkinson’s Ni envers ni endroit que cette roche brûlante (Pour Georgia O’Keeffe) is approached as a meditation, not as meditative music, but as a reflection on the art of creation: how to inhabit one’s creation, how to convey it, domesticate it and live with it. Drawing inspiration from the artist Georgia O’ Keeffe, both in her work as a painter and in the houses in which she lived in New Mexico, and even in the landscapes that surround them, Félicia Atkinson has composed a piece that evokes and celebrates, in a poetic and holistic way, the mystery of art, the somnambulic oscillation that accompanies the act of creating. Blending fragmentary voices, islands of piano, electronic textures and patterns, and field recordings, Félicia Atkinson’s music is sincere and inspired, a meditation, then, but also a lesson we sometimes forget: being an artist is not an activity, even less a profession, it’s a singular way of approaching the world and, in so doing, densifying it.

--

Richard Chartier’s music takes up residence at the frontiers of the audible, on the edge where sound diffracts into an inter-dimensionality where sounds, space, listening and silence recombine in an arborescence of becomings that present themselves to us and then disappear. The space-time in which Richard Chartier’s music unfolds is a stretched space-time, barely emerging in the world of sound. The delicacy, precision and accuracy of the composition Recurrence.Expansion lies precisely in this dialogue between a shape that is exposed and developed in an inspired and masterful way, and the sonic biotope in which this shape develops. It is from such an encounter that the singularity of Richard Chartier’s music emerges, music of attentive listening, but also sensitive, inhabited music, a music of discreet metamorphosis."

Artist : Félicia Atkinson / Richard Chartier

Label : Portraits GRM (Recollection GRM)