The Editor // Forecast (Deluxe) TAPE

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アメリカ・フロリダのヒップホップ〜ヴェイパーウェーブレーベルIlluminated Pathsを大量入荷しました。

本作は、同国ミシガンのヴェイパー作家The Editorが、2022年10月に25本限定でリリースしたカセットです。

題の通り、深夜の天気予報をコンセプトにした14曲を収録。DLコード付属。

レーベルその他作品はこちら /// Click here to see more Illuminated Paths releases available at Tobira.

----------------------------

Edition of 25. Come with DL code.

" You know it!... The Editor makes his triumphant return to IP with this amazing 'Forecast (Deluxe)', a NEW archive of personal favs and unreleased goodies. Check it out. On cassette. How it was meant to be heard. Limited. Late night weather forecast and aesthetic feel just for you...."

Artist : The Editor

Label : Illuminated Paths

アメリカ・フロリダのヒップホップ〜ヴェイパーウェーブレーベルIlluminated Pathsを大量入荷しました。

本作は、同国ミシガンのヴェイパー作家The Editorが、2022年10月に25本限定でリリースしたカセットです。

題の通り、深夜の天気予報をコンセプトにした14曲を収録。DLコード付属。

レーベルその他作品はこちら /// Click here to see more Illuminated Paths releases available at Tobira.

----------------------------

Edition of 25. Come with DL code.

Artist : The Editor

Label : Illuminated Paths

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クイックビュー {"id":8640717979898,"title":"Matthewdavid \/\/ Uncleared LP[COLOR] \/ TAPE","handle":"matthewdavid-uncleared","description":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ・LAの老舗オールジャンルレーベルLeaving Records主宰Matthewdavidが、2024年7月にリリースしたアルバムです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eサンプリングベースのレフトフィールド・ビーツ29\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eLPはオレンジ盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1069799534\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 12\" Habanero Orange vinyl or cassette in norelco case. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eNon-toxic 100% recyclable vinyl records manufactured using injection molding process instead of PVC via Good Neighbor Music. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. 1_CAVESHRINE 01:42\u003cbr\u003e2. 2_DRAGONTEARS 01:20\u003cbr\u003e3. 3_WINDFISH 01:56\u003cbr\u003e4. 4_CHRONO 02:01\u003cbr\u003e5. 5_HATENO 01:33\u003cbr\u003e6. 6_SKYDIVE 00:58\u003cbr\u003e7. 7_KOROK 01:09\u003cbr\u003e8. 8_REGULATE 01:34\u003cbr\u003e9. 9_WALKONMEDLEY 01:49\u003cbr\u003e10. 10_STARMAN 01:09\u003cbr\u003e11. 11_JONIBLUE 01:17\u003cbr\u003e12. 12_DAYDREAMIN 01:31\u003cbr\u003e13. 13_THEFLAME 01:05\u003cbr\u003e14. 14_QUIETSTORM 01:01\u003cbr\u003e15. 15_BARRYBREAK 00:38\u003cbr\u003e16. 15_REUNITED 00:51\u003cbr\u003e17. 17_PROUD 00:51\u003cbr\u003e18. 18_DENNISANDREW 01:49\u003cbr\u003e19. 19_CONNY 01:34\u003cbr\u003e20. 20_BAMBOO 00:56\u003cbr\u003e21. 21_YOSHIMURA 01:55\u003cbr\u003e22. 22_EVENSONG 01:13\u003cbr\u003e23. 23_EVENINGSTAR 01:01\u003cbr\u003e24. 24_MARIMBAFUSION 00:58\u003cbr\u003e25. 25_BIGISLANDFLUTE 01:57\u003cbr\u003e26. 26_REFLECTIONS_W\/CARLOS NIÑO 01:01\u003cbr\u003e27. 27_ZITHERTRONICCHOPS 02:20\u003cbr\u003e28. 28_ACCORDIAN 01:02\u003cbr\u003e29. 29_NBS 01:07\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist statement by Matthewdavid:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eUncleared is the name of my new 29-track instrumental beat-tape. In a more “back-to-basics” approach to beat-making, this tape began as a creative exercise for myself to return to the music that made me who I am. Around Q3\/Q4 of 2023 I had read about a “one 4-bar loop a day” regimen to keep output flowing, and this practice was entirely effective in churning-out beats during self-imposed down-time for music making amidst my record label\/family balance lifestyle. It was then that I had set a goal to produce \u0026amp; release 40 new beats by the time I turned 40. I found an almost entirely sample-based production flow in Ableton referencing an ongoing list I kept of material to sample \u0026amp; chop as the foundation for the track, culling from the timeless All The Breaks folder for the drums, and finishing the track with a synth bass-line that I’d quickly dial-in \u0026amp; play by hand using Teebs' old M-Audio midi keyboard controller that I am somehow still borrowing and cherish. Most of these beats are under 10 stems in any given\u003cspan class=\"bcTruncateMore\"\u003e project - drastically different in comparison to my projects in the past (Outmind, In My World, Time Flying Beats et al) where stems would be consistently breaching 50+.\u003cbr\u003e\u003cbr\u003eFurthermore relating to the title, I was recently served an uncleared sample notice from a bigger label entity. It’s the first time this has happened so I suppose we’ve been lucky, and it’s honestly the first time I’ve reconsidered casually releasing this type of material - particularly on major streaming platforms. I’m not sure what lies ahead for sample-based music culture - but i'm hopeful it will be able to sustain and evolve as we attempt to emphasize the reclamation of the spaces on the internet where this music can be safely \u0026amp; responsibly shared, supported, and appreciated.\u003cbr\u003e\u003cbr\u003eDuring the last few weeks leading-up to release, artist neighbor \/ bestie Aaron Raays would come over to my backyard studio shed at night to listen to the developing material and provide me with trusted feedback notes. I have a habit of whip-testing music obsessively in my 2010 Prius driving around Los Angeles, and at the Leaving offices on the Mobius Acoustics system there. These check-ins were crucial in seeing this one through. Only 29 beats made the cut, but I had a lot of fun making these, and I’m having even more fun performing them.\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e \u003c\/em\u003e\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Matthewdavid\u003c\/p\u003e\n\u003cp\u003eLabel : Leaving Records\u003c\/p\u003e","published_at":"2024-10-12T10:34:46+09:00","created_at":"2024-10-12T10:34:10+09:00","vendor":"Tobira Records","type":"","tags":["hiphop \/ funk","leaving records","lp","new","recommended","tape"],"price":245000,"price_min":245000,"price_max":395000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46742360981754,"title":"LP","option1":"LP","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":{"id":42446656700666,"product_id":8640717979898,"position":2,"created_at":"2024-10-12T10:31:00+09:00","updated_at":"2024-10-12T10:31:01+09:00","alt":null,"width":1200,"height":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0036477883_10.jpg?v=1728696661","variant_ids":[46742360981754]},"available":true,"name":"Matthewdavid \/\/ Uncleared LP[COLOR] \/ TAPE - LP","public_title":"LP","options":["LP"],"price":395000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"featured_media":{"alt":null,"id":35037679780090,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0036477883_10.jpg?v=1728696661"}},"requires_selling_plan":false,"selling_plan_allocations":[]},{"id":46742361014522,"title":"TAPE","option1":"TAPE","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":{"id":41919587090682,"product_id":8640717979898,"position":3,"created_at":"2024-07-31T15:31:23+09:00","updated_at":"2024-07-31T15:31:25+09:00","alt":null,"width":1200,"height":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/un2_80a0859e-8555-4f62-9e2e-277901f10bf0.jpg?v=1722407485","variant_ids":[46742361014522]},"available":true,"name":"Matthewdavid \/\/ Uncleared LP[COLOR] \/ TAPE - TAPE","public_title":"TAPE","options":["TAPE"],"price":245000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"featured_media":{"alt":null,"id":34636919243002,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/un2_80a0859e-8555-4f62-9e2e-277901f10bf0.jpg?v=1722407485"}},"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/un1_06e5ad17-fff5-42ce-9fa3-a2d630274808.jpg?v=1722407485","\/\/tobirarecords.com\/cdn\/shop\/files\/0036477883_10.jpg?v=1728696661","\/\/tobirarecords.com\/cdn\/shop\/files\/un2_80a0859e-8555-4f62-9e2e-277901f10bf0.jpg?v=1722407485"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/un1_06e5ad17-fff5-42ce-9fa3-a2d630274808.jpg?v=1722407485","options":["Format"],"media":[{"alt":null,"id":34636919210234,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/un1_06e5ad17-fff5-42ce-9fa3-a2d630274808.jpg?v=1722407485"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/un1_06e5ad17-fff5-42ce-9fa3-a2d630274808.jpg?v=1722407485","width":700},{"alt":null,"id":35037679780090,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0036477883_10.jpg?v=1728696661"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0036477883_10.jpg?v=1728696661","width":1200},{"alt":null,"id":34636919243002,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/un2_80a0859e-8555-4f62-9e2e-277901f10bf0.jpg?v=1722407485"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/un2_80a0859e-8555-4f62-9e2e-277901f10bf0.jpg?v=1722407485","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ・LAの老舗オールジャンルレーベルLeaving Records主宰Matthewdavidが、2024年7月にリリースしたアルバムです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eサンプリングベースのレフトフィールド・ビーツ29\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eLPはオレンジ盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1069799534\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 12\" Habanero Orange vinyl or cassette in norelco case. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eNon-toxic 100% recyclable vinyl records manufactured using injection molding process instead of PVC via Good Neighbor Music. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. 1_CAVESHRINE 01:42\u003cbr\u003e2. 2_DRAGONTEARS 01:20\u003cbr\u003e3. 3_WINDFISH 01:56\u003cbr\u003e4. 4_CHRONO 02:01\u003cbr\u003e5. 5_HATENO 01:33\u003cbr\u003e6. 6_SKYDIVE 00:58\u003cbr\u003e7. 7_KOROK 01:09\u003cbr\u003e8. 8_REGULATE 01:34\u003cbr\u003e9. 9_WALKONMEDLEY 01:49\u003cbr\u003e10. 10_STARMAN 01:09\u003cbr\u003e11. 11_JONIBLUE 01:17\u003cbr\u003e12. 12_DAYDREAMIN 01:31\u003cbr\u003e13. 13_THEFLAME 01:05\u003cbr\u003e14. 14_QUIETSTORM 01:01\u003cbr\u003e15. 15_BARRYBREAK 00:38\u003cbr\u003e16. 15_REUNITED 00:51\u003cbr\u003e17. 17_PROUD 00:51\u003cbr\u003e18. 18_DENNISANDREW 01:49\u003cbr\u003e19. 19_CONNY 01:34\u003cbr\u003e20. 20_BAMBOO 00:56\u003cbr\u003e21. 21_YOSHIMURA 01:55\u003cbr\u003e22. 22_EVENSONG 01:13\u003cbr\u003e23. 23_EVENINGSTAR 01:01\u003cbr\u003e24. 24_MARIMBAFUSION 00:58\u003cbr\u003e25. 25_BIGISLANDFLUTE 01:57\u003cbr\u003e26. 26_REFLECTIONS_W\/CARLOS NIÑO 01:01\u003cbr\u003e27. 27_ZITHERTRONICCHOPS 02:20\u003cbr\u003e28. 28_ACCORDIAN 01:02\u003cbr\u003e29. 29_NBS 01:07\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist statement by Matthewdavid:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eUncleared is the name of my new 29-track instrumental beat-tape. In a more “back-to-basics” approach to beat-making, this tape began as a creative exercise for myself to return to the music that made me who I am. Around Q3\/Q4 of 2023 I had read about a “one 4-bar loop a day” regimen to keep output flowing, and this practice was entirely effective in churning-out beats during self-imposed down-time for music making amidst my record label\/family balance lifestyle. It was then that I had set a goal to produce \u0026amp; release 40 new beats by the time I turned 40. I found an almost entirely sample-based production flow in Ableton referencing an ongoing list I kept of material to sample \u0026amp; chop as the foundation for the track, culling from the timeless All The Breaks folder for the drums, and finishing the track with a synth bass-line that I’d quickly dial-in \u0026amp; play by hand using Teebs' old M-Audio midi keyboard controller that I am somehow still borrowing and cherish. Most of these beats are under 10 stems in any given\u003cspan class=\"bcTruncateMore\"\u003e project - drastically different in comparison to my projects in the past (Outmind, In My World, Time Flying Beats et al) where stems would be consistently breaching 50+.\u003cbr\u003e\u003cbr\u003eFurthermore relating to the title, I was recently served an uncleared sample notice from a bigger label entity. It’s the first time this has happened so I suppose we’ve been lucky, and it’s honestly the first time I’ve reconsidered casually releasing this type of material - particularly on major streaming platforms. I’m not sure what lies ahead for sample-based music culture - but i'm hopeful it will be able to sustain and evolve as we attempt to emphasize the reclamation of the spaces on the internet where this music can be safely \u0026amp; responsibly shared, supported, and appreciated.\u003cbr\u003e\u003cbr\u003eDuring the last few weeks leading-up to release, artist neighbor \/ bestie Aaron Raays would come over to my backyard studio shed at night to listen to the developing material and provide me with trusted feedback notes. I have a habit of whip-testing music obsessively in my 2010 Prius driving around Los Angeles, and at the Leaving offices on the Mobius Acoustics system there. These check-ins were crucial in seeing this one through. Only 29 beats made the cut, but I had a lot of fun making these, and I’m having even more fun performing them.\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e \u003c\/em\u003e\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Matthewdavid\u003c\/p\u003e\n\u003cp\u003eLabel : Leaving Records\u003c\/p\u003e"}

イギリス・ロンドンの発掘専門レーベルDeath Is Not The Endが、2024年5月にリリースしたカセットです。 1980-1986年にジャマイカ・キングストンで最も有名なスケートパークHalfway Treeで行われたセッションの抜粋ミックステープです。ダンスホール・レゲエ黄金期の空気をご堪能いただけます。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませレーベルその他作品はこちら /// Click here to see more Death...

¥2,665

クイックビュー {"id":8640228524282,"title":"Various Artists (Death Is Not The End) \/\/ If I Had a Pair of Wings: Jamaican Doo Wop, Vol. 1 LP","handle":"various-artists-if-i-had-a-pair-of-wings-jamaican-doo-wop-vol-1-lp","description":"\u003cp\u003eイギリス・ロンドンの発掘専門レーベルDeath Is Not The Endが、2024年4月にリリースした再発レコードです。\u003c\/p\u003e\n\u003cp\u003e1950年代後半から1960年初頭のジャマイカのドゥーワップ〜R\u0026amp;B14曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"この1950年代後半から1960年代前半にかけてのジャマイカン・ドゥーワップ・コレクションは、サウンド・システムが島を支配し始めた時期であり、競争力を得るために輸入レコードに頼るのではなく、彼ら自身のプラッターを録音しリリースすることでライバル関係を強化し始めていた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eジャマイカ独自のスカの爆発的な流行がまだ完全に定着していない中、これらのトラックはアメリカの海岸や電波から島に届いていたドゥーワップやR\u0026amp;Bのサウンドを模倣したものであるが、これから何が起こるのかのヒントが散りばめられている～スカ、ロックステディ、レゲエの未来のスターたちの何人かはこれらのトラックで歯を食いしばり始めており、島の駆け出しのレコード産業の素晴らしい景色を提供している。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2321796590\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003ehere\u003c\/a\u003e to see more Death Is Not The End releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Alton \u0026amp; Eddie - Muriel 03:23\u003cbr\u003e2. Jiving Juniors - Dearest Darling 02:24\u003cbr\u003e3. The Echoes Celestials - Are You Mine 03:09\u003cbr\u003e4. Jimmy Cliff - Dearest Beverley 02:39\u003cbr\u003e5. Keith \u0026amp; Enid - Send Me 03:12\u003cbr\u003e6. The Downbeats - Midnight Love 02:45\u003cbr\u003e7. Chuck \u0026amp; Dobby - 'Til the End of Time 02:09\u003cbr\u003e8. The Mellowlarks - Album of Memory 03:03\u003cbr\u003e9. Horthens \u0026amp; Stranger - True Love 02:28\u003cbr\u003e10. Dobby Dobson - Diamonds \u0026amp; Pearls 02:28\u003cbr\u003e11. The Charmers - I'm Going Back 02:25\u003cbr\u003e12. The Blues Busters - Pleading for Mercy 03:17\u003cbr\u003e13. Owen \u0026amp; Millie - Do You Know 02:50\u003cbr\u003e14. Laurel Aitken - Heavenly Angel 02:55\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eDeath Is Not The End:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThis collection of Jamaican doo wop from the late 1950s through to the early 1960s represents a period in which sound systems had begun to dominate the island, and were starting to step up their rivalry by beginning to record and release their own platters rather than rely on imported records to gain the competitive edge.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWith the uniquely Jamaican ska explosion yet to completely catch hold, these tracks are largely imitative of the doo wop and R\u0026amp;B sound that had been reaching the island from American shores \u0026amp; radiowaves, albeit peppered with hints of what was to come ~ some of the future stars of ska, rocksteady and reggae are starting to cut their teeth on these tracks, providing a great view into the fledgling record industry on the island.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Various Artists\u003c\/p\u003e\n\u003cp\u003eLabel : Death Is Not The End\u003c\/p\u003e\n\u003cp\u003eCAT No : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDEATH042\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-10-12T08:43:35+09:00","created_at":"2024-10-11T15:29:40+09:00","vendor":"Tobira Records","type":"","tags":["death is not the end","field recording","hiphop \/ funk","lp","new"],"price":833000,"price_min":833000,"price_max":833000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46739721847034,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Various Artists (Death Is Not The End) \/\/ If I Had a Pair of Wings: Jamaican Doo Wop, Vol. 1 LP","public_title":null,"options":["Default Title"],"price":833000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"5050580827035","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/doo1.jpg?v=1728628087","\/\/tobirarecords.com\/cdn\/shop\/files\/wing2.jpg?v=1728628087"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/doo1.jpg?v=1728628087","options":["Title"],"media":[{"alt":null,"id":35033665274106,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/doo1.jpg?v=1728628087"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/doo1.jpg?v=1728628087","width":700},{"alt":null,"id":35033665306874,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wing2.jpg?v=1728628087"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wing2.jpg?v=1728628087","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリス・ロンドンの発掘専門レーベルDeath Is Not The Endが、2024年4月にリリースした再発レコードです。\u003c\/p\u003e\n\u003cp\u003e1950年代後半から1960年初頭のジャマイカのドゥーワップ〜R\u0026amp;B14曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"この1950年代後半から1960年代前半にかけてのジャマイカン・ドゥーワップ・コレクションは、サウンド・システムが島を支配し始めた時期であり、競争力を得るために輸入レコードに頼るのではなく、彼ら自身のプラッターを録音しリリースすることでライバル関係を強化し始めていた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eジャマイカ独自のスカの爆発的な流行がまだ完全に定着していない中、これらのトラックはアメリカの海岸や電波から島に届いていたドゥーワップやR\u0026amp;Bのサウンドを模倣したものであるが、これから何が起こるのかのヒントが散りばめられている～スカ、ロックステディ、レゲエの未来のスターたちの何人かはこれらのトラックで歯を食いしばり始めており、島の駆け出しのレコード産業の素晴らしい景色を提供している。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2321796590\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003ehere\u003c\/a\u003e to see more Death Is Not The End releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Alton \u0026amp; Eddie - Muriel 03:23\u003cbr\u003e2. Jiving Juniors - Dearest Darling 02:24\u003cbr\u003e3. The Echoes Celestials - Are You Mine 03:09\u003cbr\u003e4. Jimmy Cliff - Dearest Beverley 02:39\u003cbr\u003e5. Keith \u0026amp; Enid - Send Me 03:12\u003cbr\u003e6. The Downbeats - Midnight Love 02:45\u003cbr\u003e7. Chuck \u0026amp; Dobby - 'Til the End of Time 02:09\u003cbr\u003e8. The Mellowlarks - Album of Memory 03:03\u003cbr\u003e9. Horthens \u0026amp; Stranger - True Love 02:28\u003cbr\u003e10. Dobby Dobson - Diamonds \u0026amp; Pearls 02:28\u003cbr\u003e11. The Charmers - I'm Going Back 02:25\u003cbr\u003e12. The Blues Busters - Pleading for Mercy 03:17\u003cbr\u003e13. Owen \u0026amp; Millie - Do You Know 02:50\u003cbr\u003e14. Laurel Aitken - Heavenly Angel 02:55\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eDeath Is Not The End:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThis collection of Jamaican doo wop from the late 1950s through to the early 1960s represents a period in which sound systems had begun to dominate the island, and were starting to step up their rivalry by beginning to record and release their own platters rather than rely on imported records to gain the competitive edge.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWith the uniquely Jamaican ska explosion yet to completely catch hold, these tracks are largely imitative of the doo wop and R\u0026amp;B sound that had been reaching the island from American shores \u0026amp; radiowaves, albeit peppered with hints of what was to come ~ some of the future stars of ska, rocksteady and reggae are starting to cut their teeth on these tracks, providing a great view into the fledgling record industry on the island.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Various Artists\u003c\/p\u003e\n\u003cp\u003eLabel : Death Is Not The End\u003c\/p\u003e\n\u003cp\u003eCAT No : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDEATH042\u003c\/span\u003e\u003c\/p\u003e"}