Sa Pa // The Fool 12inch
![Fernie // Celestial 12inch [COLOR]](//tobirarecords.com/cdn/shop/files/cel1_09a16937-52d0-44a7-ace0-ef8eca0f34ee_medium.jpg?v=1742526852)
Sa Pa // The Fool 12inch
¥3,390
- Item no:
- Availability: In Stock
ドイツ・ベルリンの実験テクノ作家Sa Paが、2025年3月にイギリスのダンスレーベルMana主宰の一人Matthew Kentが新たに発足したShort Span第一弾としてリリースした12"です。
無機質ドローン・ダブテクノ4曲を収録。
前作もオススメです。
---------------------------------------------
12" black vinyl.
Tracklist:
1. Captigon 08:02
2. So Simple 05:39
3. Boredom Memory (Extended mix) 13:15
4. Gausian Ecstacy 07:11
Artist : Sa Pa
Label : Short Span
cat no : Short1
ドイツ・ベルリンの実験テクノ作家Sa Paが、2025年3月にイギリスのダンスレーベルMana主宰の一人Matthew Kentが新たに発足したShort Span第一弾としてリリースした12"です。
無機質ドローン・ダブテクノ4曲を収録。
前作もオススメです。
---------------------------------------------
12" black vinyl.
Tracklist:
1. Captigon 08:02
2. So Simple 05:39
3. Boredom Memory (Extended mix) 13:15
4. Gausian Ecstacy 07:11
Artist : Sa Pa
Label : Short Span
cat no : Short1
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¥4,144
クイックビュー
{"id":8748498354426,"title":"SHXCXCHCXSH \/\/ ......t 2x12inch","handle":"shxcxchcxsh-t-2x12inch","description":"\u003cp\u003eスウェーデンのポストインダストリアル・テクノデュオSHXCXCHCXSHが、2025年2月に同国テクノレーベルNorthern \u003cspan\u003eElectronicsからリリースした2枚組12\"です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eポストインダストリアル・アンビエントテクノ15曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1424617318\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/northern-electronics\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/northern-electronics\"\u003ehere\u003c\/a\u003e to see more Northern Electronics releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e2 x 12\" vinyl in full color sleeve.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. ......t 03:10\u003cbr\u003e2. !!!... 04:51\u003cbr\u003e3. iiijjjiii 03:32\u003cbr\u003e4. jljljljljljljlj 03:03\u003cbr\u003e5. jjjttttttt 05:10\u003cbr\u003e6. j.j.j.j.j.j.j.j.j.j. 05:48\u003cbr\u003e7. jjjjj!!!!!!!!!! 03:55\u003cbr\u003e8. tttttttttttttttt 05:21\u003cbr\u003e9. llttttttlll 02:09\u003cbr\u003e10. lljjllll 04:40\u003cbr\u003e11. ttll 02:42\u003cbr\u003e12. tttttiiiilll 03:37\u003cbr\u003e13. llllllliiiiijjj 04:44\u003cbr\u003e14. ttt!!!!! 04:03\u003cbr\u003e15. l l l l l l lil 02:48\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNorthern Electronics:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSonically, the Swedish duo SHXCXCHCXSH distort the club context they work from by rendering functionality with an exceptionally refined and idiosyncratic palette. As logophiles, they contort the little descriptive context they afford audiences by imploding language into splintered and barely comprehensible character sequences. The impression is that each is the result of mutual process-driven experiments.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis is all true of '......t', their new album and debut recording for Northern Electronics. However, working at this scale, SHXCXCHCXSH play with wider parameters and explore broader functions to produce their most comprehensive and focused work to date.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAcross fifteen tracks, their bespoke dark matter is stacked with drone pyrotechnics, shredded vocals, and oblique, snatched sounds that eddy into frantic melodic storms. Sublime intensity is spiked with effervescent yet brooding intermissions throughout, staking '......t' as the most crucial volume of their catalogue as it gestures toward new references.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : SHXCXCHCXSH\u003c\/p\u003e\n\u003cp\u003eLabel : Northern Electronics\u003c\/p\u003e\n\u003cp\u003ecat no : NE106\u003c\/p\u003e","published_at":"2025-03-22T13:18:41+09:00","created_at":"2025-03-21T12:00:42+09:00","vendor":"Tobira Records","type":"","tags":["lp","new","northern electronics","techno \/ house"],"price":489900,"price_min":489900,"price_max":489900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47206205554938,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"SHXCXCHCXSH \/\/ ......t 2x12inch","public_title":null,"options":["Default Title"],"price":489900,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/no1_3e3f2d0b-8e2e-428b-b639-d0d537013b07.jpg?v=1742525957"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/no1_3e3f2d0b-8e2e-428b-b639-d0d537013b07.jpg?v=1742525957","options":["Title"],"media":[{"alt":null,"id":35776394068218,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/no1_3e3f2d0b-8e2e-428b-b639-d0d537013b07.jpg?v=1742525957"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/no1_3e3f2d0b-8e2e-428b-b639-d0d537013b07.jpg?v=1742525957","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eスウェーデンのポストインダストリアル・テクノデュオSHXCXCHCXSHが、2025年2月に同国テクノレーベルNorthern \u003cspan\u003eElectronicsからリリースした2枚組12\"です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eポストインダストリアル・アンビエントテクノ15曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1424617318\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/northern-electronics\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/northern-electronics\"\u003ehere\u003c\/a\u003e to see more Northern Electronics releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e2 x 12\" vinyl in full color sleeve.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. ......t 03:10\u003cbr\u003e2. !!!... 04:51\u003cbr\u003e3. iiijjjiii 03:32\u003cbr\u003e4. jljljljljljljlj 03:03\u003cbr\u003e5. jjjttttttt 05:10\u003cbr\u003e6. j.j.j.j.j.j.j.j.j.j. 05:48\u003cbr\u003e7. jjjjj!!!!!!!!!! 03:55\u003cbr\u003e8. tttttttttttttttt 05:21\u003cbr\u003e9. llttttttlll 02:09\u003cbr\u003e10. lljjllll 04:40\u003cbr\u003e11. ttll 02:42\u003cbr\u003e12. tttttiiiilll 03:37\u003cbr\u003e13. llllllliiiiijjj 04:44\u003cbr\u003e14. ttt!!!!! 04:03\u003cbr\u003e15. l l l l l l lil 02:48\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNorthern Electronics:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSonically, the Swedish duo SHXCXCHCXSH distort the club context they work from by rendering functionality with an exceptionally refined and idiosyncratic palette. As logophiles, they contort the little descriptive context they afford audiences by imploding language into splintered and barely comprehensible character sequences. The impression is that each is the result of mutual process-driven experiments.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis is all true of '......t', their new album and debut recording for Northern Electronics. However, working at this scale, SHXCXCHCXSH play with wider parameters and explore broader functions to produce their most comprehensive and focused work to date.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAcross fifteen tracks, their bespoke dark matter is stacked with drone pyrotechnics, shredded vocals, and oblique, snatched sounds that eddy into frantic melodic storms. Sublime intensity is spiked with effervescent yet brooding intermissions throughout, staking '......t' as the most crucial volume of their catalogue as it gestures toward new references.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : SHXCXCHCXSH\u003c\/p\u003e\n\u003cp\u003eLabel : Northern Electronics\u003c\/p\u003e\n\u003cp\u003ecat no : NE106\u003c\/p\u003e"}
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スウェーデンのポストインダストリアル・テクノデュオSHXCXCHCXSHが、2025年2月に同国テクノレーベルNorthern Electronicsからリリースした2枚組12"です。 ポストインダストリアル・アンビエントテクノ15曲を収録。 レーベルその他作品はこちら /// Click here to see more Northern Electronics releases available at Tobira. ----------------------------...
¥4,899
クイックビュー
{"id":8749229211898,"title":"Shabason, Krgovich \u0026 Harris \/\/ Philadelphia LP","handle":"shabason-krgovich-harris-philadelphia-lp","description":"\u003cp\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※Krgovichは3\/30に上階ギャラリーvoidでライブします\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eカナダ・トロントのアンビエント〜ベッドルームポップ作家Nicholas Krgovichと Joseph Shabason、Chris Harrisが、2023年7月にトロントのポップレーベルIdeé Fixe Recordsからリリースした再発レコードです（オリジナルは2020年リリース）\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eポップというジャンルで取り上げられがちなロマンスや愛、失恋などは一切排除し、寝る前のシャワーや埃まみれのミニバン、一口のゲータレード、ご近所との何気ない会話など、日常に宿る些細な美しさや豊かな情緒を、やさしく手のひらで包み込み、そっと差し出す珠玉のアンビエント・ポップ8曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2583637458\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1689141205\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2583637458\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3179110998\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2583637458\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2355159331\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2583637458\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=328083779\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2583637458\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1314029656\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/idfi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/idfi\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIdée Fixe Records \u003c\/span\u003ereleases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"The protagonist of Icelandic writer Halldór Laxness’s 1969 novel, World Light, gives a tearful goodbye to the grains and knots of his attic ceiling when he leaves after years spent staring up at them, bedridden. On their album Philadelphia, Nicholas Krgovich, Joseph Shabason, and Chris Harris chase a similar kind of romance toward the mundane and miniscule details made more visible by the world’s newfound relationship with the Great Indoors. The three musicians, who convened on a shared love of New Age music, create a space of sonic refuge out of softly electrified textures, burbling live instrumentation, and Shabason’s lacquered synth work, all of which support Krgovich’s koan-like poetry about showers before bed, dusty minivans, sips of gatorade, and the modern minutiae rendered beautiful by mere observation.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eContrasting the forced trend of remote collaborations, Philadelphia was recorded across three days of sessions in Toronto, pre-COVID. “Somewhere back in 2018 we started to pass demos back and forth over email and we quickly got about eight song sketches together,” explains Shabason. “Then in fall of 2019 we all realised that if we didn’t get into the same room together we were never gonna finish this album.” The trio’s physical proximity while recording\u003cspan class=\"bcTruncateMore\"\u003e underwrites the hushed tones that pervade the album, which itself reads like the kind of quiet, personal conversation that can only happen in close quarters lest it be washed away in the din of public life. Philadelphia establishes this immediately with “Osouji”, a track whose gentle intro of balmy synth and crickets suggests a sunrise and sunset equally. Bathed in calm light, Krgovich sets a scene not unfamiliar in this day and age: “Garden pebbles underfoot \/ the wet bamboo \/ been inside all the day \/ deep cleaning room to room.” Krgovich wrote the album’s lyrics under the self-imposed philosophy of “first thought, best thought” admittedly avoiding the well-trodden subjects of romance, love, and heartbreak. He chooses instead to reveal the romanticism of the world hidden in plain sight while Harris and Shabason deepen the sentiment with reflective, instrumental excursions. Whispered, conversational synthesizers fill out “Tuesday Afternoon” over a backdrop of birdsong, and vocals make only brief appearances near the track’s beginning and end. Conversely, “Friday Afternoon” is lyrically driven, and delivers an anthemic refrain that constitutes one of the most emotional moments of Philadelphia. After a postcard-like recounting of seeing a roadside stranger experience car trouble, Krgovich repeats the hushed mantra “wrap your loving arms around it”, almost as a call-to-action for embracing the present moment as it is instead of as it ought to be. “I Don’t See the Moon” is a lighter mood by comparison. With its jazz-tinged interplay of piano and guitar, complete with a gliding electric bass line, the song provides levity, but is no less introspective than the rest of the collection. “Waltz” serves similar ends without much interjection from the drums-- the beat is instead implied by the rhythm of Krgovich’s vocals that bear a subtle smooth RnB influence as he paints a picture of his residential surroundings: “and all the cactus gardens growing right on through the fences \/ and the flowers over high walls \/ and the houses all the way \/ down, down, down.”\u003cbr\u003e- Idee Fixe Records\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Shabason, Krgovich \u0026amp; Harris\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIdeé Fixe Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-03-22T07:18:25+09:00","created_at":"2025-03-22T07:17:15+09:00","vendor":"Tobira Records","type":"","tags":["ambient","folk \/ left-field pop","Ideé Fixe Records","lp","new"],"price":458000,"price_min":458000,"price_max":458000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47208261976314,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Shabason, Krgovich \u0026 Harris \/\/ Philadelphia LP","public_title":null,"options":["Default Title"],"price":458000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"195081976235","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/phil1_3f3684ee-d6b4-44b3-bbe1-a2ffd584f4d0.jpg?v=1690331192","\/\/tobirarecords.com\/cdn\/shop\/files\/phil2_5fc71c8a-a2e3-4c5f-9657-e6dc84aa712c.jpg?v=1690331192"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/phil1_3f3684ee-d6b4-44b3-bbe1-a2ffd584f4d0.jpg?v=1690331192","options":["Title"],"media":[{"alt":null,"id":32265786556666,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/phil1_3f3684ee-d6b4-44b3-bbe1-a2ffd584f4d0.jpg?v=1690331192"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/phil1_3f3684ee-d6b4-44b3-bbe1-a2ffd584f4d0.jpg?v=1690331192","width":700},{"alt":null,"id":32265786589434,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/phil2_5fc71c8a-a2e3-4c5f-9657-e6dc84aa712c.jpg?v=1690331192"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/phil2_5fc71c8a-a2e3-4c5f-9657-e6dc84aa712c.jpg?v=1690331192","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※Krgovichは3\/30に上階ギャラリーvoidでライブします\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eカナダ・トロントのアンビエント〜ベッドルームポップ作家Nicholas Krgovichと Joseph Shabason、Chris Harrisが、2023年7月にトロントのポップレーベルIdeé Fixe Recordsからリリースした再発レコードです（オリジナルは2020年リリース）\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eポップというジャンルで取り上げられがちなロマンスや愛、失恋などは一切排除し、寝る前のシャワーや埃まみれのミニバン、一口のゲータレード、ご近所との何気ない会話など、日常に宿る些細な美しさや豊かな情緒を、やさしく手のひらで包み込み、そっと差し出す珠玉のアンビエント・ポップ8曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2583637458\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1689141205\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2583637458\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3179110998\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2583637458\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2355159331\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2583637458\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=328083779\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2583637458\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1314029656\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/idfi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/idfi\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIdée Fixe Records \u003c\/span\u003ereleases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"The protagonist of Icelandic writer Halldór Laxness’s 1969 novel, World Light, gives a tearful goodbye to the grains and knots of his attic ceiling when he leaves after years spent staring up at them, bedridden. On their album Philadelphia, Nicholas Krgovich, Joseph Shabason, and Chris Harris chase a similar kind of romance toward the mundane and miniscule details made more visible by the world’s newfound relationship with the Great Indoors. The three musicians, who convened on a shared love of New Age music, create a space of sonic refuge out of softly electrified textures, burbling live instrumentation, and Shabason’s lacquered synth work, all of which support Krgovich’s koan-like poetry about showers before bed, dusty minivans, sips of gatorade, and the modern minutiae rendered beautiful by mere observation.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eContrasting the forced trend of remote collaborations, Philadelphia was recorded across three days of sessions in Toronto, pre-COVID. “Somewhere back in 2018 we started to pass demos back and forth over email and we quickly got about eight song sketches together,” explains Shabason. “Then in fall of 2019 we all realised that if we didn’t get into the same room together we were never gonna finish this album.” The trio’s physical proximity while recording\u003cspan class=\"bcTruncateMore\"\u003e underwrites the hushed tones that pervade the album, which itself reads like the kind of quiet, personal conversation that can only happen in close quarters lest it be washed away in the din of public life. Philadelphia establishes this immediately with “Osouji”, a track whose gentle intro of balmy synth and crickets suggests a sunrise and sunset equally. Bathed in calm light, Krgovich sets a scene not unfamiliar in this day and age: “Garden pebbles underfoot \/ the wet bamboo \/ been inside all the day \/ deep cleaning room to room.” Krgovich wrote the album’s lyrics under the self-imposed philosophy of “first thought, best thought” admittedly avoiding the well-trodden subjects of romance, love, and heartbreak. He chooses instead to reveal the romanticism of the world hidden in plain sight while Harris and Shabason deepen the sentiment with reflective, instrumental excursions. Whispered, conversational synthesizers fill out “Tuesday Afternoon” over a backdrop of birdsong, and vocals make only brief appearances near the track’s beginning and end. Conversely, “Friday Afternoon” is lyrically driven, and delivers an anthemic refrain that constitutes one of the most emotional moments of Philadelphia. After a postcard-like recounting of seeing a roadside stranger experience car trouble, Krgovich repeats the hushed mantra “wrap your loving arms around it”, almost as a call-to-action for embracing the present moment as it is instead of as it ought to be. “I Don’t See the Moon” is a lighter mood by comparison. With its jazz-tinged interplay of piano and guitar, complete with a gliding electric bass line, the song provides levity, but is no less introspective than the rest of the collection. “Waltz” serves similar ends without much interjection from the drums-- the beat is instead implied by the rhythm of Krgovich’s vocals that bear a subtle smooth RnB influence as he paints a picture of his residential surroundings: “and all the cactus gardens growing right on through the fences \/ and the flowers over high walls \/ and the houses all the way \/ down, down, down.”\u003cbr\u003e- Idee Fixe Records\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Shabason, Krgovich \u0026amp; Harris\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIdeé Fixe Records\u003c\/span\u003e\u003c\/p\u003e"}
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※Krgovichは3/30に上階ギャラリーvoidでライブします カナダ・トロントのアンビエント〜ベッドルームポップ作家Nicholas Krgovichと Joseph Shabason、Chris Harrisが、2023年7月にトロントのポップレーベルIdeé Fixe Recordsからリリースした再発レコードです（オリジナルは2020年リリース） ポップというジャンルで取り上げられがちなロマンスや愛、失恋などは一切排除し、寝る前のシャワーや埃まみれのミニバン、一口のゲータレード、ご近所との何気ない会話など、日常に宿る些細な美しさや豊かな情緒を、やさしく手のひらで包み込み、そっと差し出す珠玉のアンビエント・ポップ8曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more Idée...
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