Las Robertas // All We Need is Now LP [COLOR]

Las Robertas // All We Need is Now LP [COLOR]

¥4,229

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※6/26リリースです

コスタリカのサイケデリックバンドLas Robertasが、2026年6月にKanine Records x Spinda Recordsからリリースしたレコードです。

サイケロック〜インディーポップ9曲を収録。ミントグリーン盤です。

--------------------------------------------------

RELEASE DATE : 26th June 2026

12" mint green vinyl.

Tracklist:

1. Everything I Wanted To Be 03:50
2. Like a Flower
3. All We Need is Now 04:47
4. Shifting to Happiness
5. It's Alright (Open Your Eyes)
6. Running Free
7. Chained Sadness
8. Garden
9. Live and Let Live

From the label:

"'All We Need Is Now' is an invitation to let go and step fully into the present moment—and marks the first release by Las Robertas with Spinda Records. Across nine songs, the band channel shimmering layers of indie rock, psychedelia, and dream pop into a sound that feels both expansive and deeply personal. Themes of healing, transformation, and emotional release unfold through swirling guitars and hypnotic rhythms, echoing the spirit of acts like The Brian Jonestown Massacre, My Bloody Valentine, and Slowdive.

Written and produced by the band, recorded in San José, Costa Rica, and shaped across continents, the album carries a sense of movement—both sonic and spiritual. At its heart is the Morpho butterfly: a symbol of transformation, beauty, and fleeting time. Like its brief, radiant life, this record urges you to embrace the now, feel everything more intensely, and lose yourself in a moment that won’t come again."

Artist : Las Robertas

Label : Kanine Records x Spinda Records

cat no : KR400lp-C1

Quantity

+ -

※6/26リリースです

コスタリカのサイケデリックバンドLas Robertasが、2026年6月にKanine Records x Spinda Recordsからリリースしたレコードです。

サイケロック〜インディーポップ9曲を収録。ミントグリーン盤です。

--------------------------------------------------

RELEASE DATE : 26th June 2026

12" mint green vinyl.

Tracklist:

From the label:

Artist : Las Robertas

Label : Kanine Records x Spinda Records

cat no : KR400lp-C1

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ABIZZZMO 02:54\u003cbr\u003e2. ANSIEDAD1000 02:48 \u003cbr\u003e3. SUNNY EN MI CABEZA 03:21 \u003cbr\u003e4. KUCHIYADA 03:12 \u003cbr\u003e5. CABIZZZBAJO 03:23 \u003cbr\u003e6. LODO 03:24 \u003cbr\u003e7. MAGIA DORADA 02:22 \u003cbr\u003e8. RARAZ NOCHEZ 04:10 \u003cbr\u003e9. SUPERPUSHBB 02:44 \u003cbr\u003e10. TIJUANAISDOOMED 02:38 \u003cbr\u003e11. XXIX 02:33 \u003cbr\u003e12. EL FONDO 03:27\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWith ABIZZZMO, Tony Gallardo — the mercurial Mexican musician behind María y José and a dozen other cult monikers — unveils his most personal and strangely beautiful project yet. 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The songs on ABIZZZMO don’t unfold as anthems so much as atmospheres: bittersweet melodies surfacing through fuzz, confessions buried in reverb, rhythms that stumble more than they strut. It’s pop music as anxious dreamscape, at once lush and\u003cspan class=\"bcTruncateMore\"\u003e unsettled.\u003cbr\u003e\u003cbr\u003eFor fans of Animal Collective, My Bloody Valentine, Boards of Canada and Control Machete, ABIZZZMO reads as a missing link — a deeply idiosyncratic but strangely universal album that embraces contradiction: noisy and tender, psychedelic and melancholy, personal and mythic. Gallardo has spent over a decade twisting Latin American underground sounds into cult artifacts; with ABIZZZMO, he finally gives us an indie pop masterpiece that belongs in conversation with the great outsider classics.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : ANSIEDAD1000\u003c\/p\u003e\n\u003cp\u003eLabel : Hakuna Kulala\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eHK067\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 1st May 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-06-13T16:08:09+09:00","created_at":"2026-06-13T10:05:55+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","hakuna kulala","lp","new","recommended"],"price":539000,"price_min":539000,"price_max":539000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":49000882241786,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"ANSIEDAD1000 \/\/ Abizzmo LP [COLOR]","public_title":null,"options":["Default Title"],"price":539000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/abi1_565bf015-21b5-4364-96c1-c04b00d4f2a8.jpg?v=1781312641","\/\/tobirarecords.com\/cdn\/shop\/files\/abi2_2283b658-92d0-4078-9ee0-3c2eaeb4a5c6.jpg?v=1781312641"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/abi1_565bf015-21b5-4364-96c1-c04b00d4f2a8.jpg?v=1781312641","options":["Title"],"media":[{"alt":null,"id":39664575873274,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/abi1_565bf015-21b5-4364-96c1-c04b00d4f2a8.jpg?v=1781312641"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/abi1_565bf015-21b5-4364-96c1-c04b00d4f2a8.jpg?v=1781312641","width":350},{"alt":null,"id":39664575906042,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/abi2_2283b658-92d0-4078-9ee0-3c2eaeb4a5c6.jpg?v=1781312641"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/abi2_2283b658-92d0-4078-9ee0-3c2eaeb4a5c6.jpg?v=1781312641","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eMaría y Joséなど様々な名義で活動しているメキシコのレフトフィールド・エレクトロニック作家ANSIEDAD1000 aka Tony Gallardoが、2026年5月にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyege Tapes傘下Hakuna Kulalaからリリースしたレコードです。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eインディーポップ〜Lo-Fiシューゲイズ12曲を収録。白盤です。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003ci\u003eABIZZZMOにおいて、『María y José』をはじめとする数多くのカルト的な名義で活動する気まぐれなメキシコ人ミュージシャン、トニー・ガヤルドは、これまでで最もパーソナルかつ奇妙な美しさを放つプロジェクトを披露している。ANSIEDAD1000という名義の下、ガヤルドはレゲトンの変奏やノイズ・クンビアの実験を捨て、不安に満ち、サイケデリックで、そして予想外に優しい、ワイドスクリーン的なインディーポップの世界観を提示している。\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『ABIZZZMO』は、クラシックなポップ・ステートメントのような壮大さと野心を持っており、ビーチボーイズの『ペット・サウンズ』の断片的な親戚のような存在だが、その感情的な豊かさを、シューゲイザーのディストーション、ローファイな霞、そして初期のアンティコン・レコードの落ち着きのない実験精神を通して濾過している。飽和したギターはネオンのようなシンセのテクスチャーへと溶け込み、声はにじんで消え去り、すべてが親密さと過負荷の狭間で宙吊りになっているように感じられる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eガヤルドは長年、メキシコを代表するポップ界の異端児の一人であり、ジャンルを内側から引き裂くことで生き生きと活動する人物だ。しかし本作では、パロディや挑発よりも、儚くも壮大な世界を構築することに注力しているようだ。『ABIZZZMO』の楽曲は、アンセムというよりはむしろ雰囲気として展開する。ファズの中から浮かび上がるほろ苦いメロディー、リバーブに埋もれた告白、闊歩するというよりよたよたと歩くようなリズム。それは不安に満ちた夢の世界のようなポップミュージックであり、豊潤であると同時に落ち着きのないものだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eアニマル・コレクティブ、マイ・ブラッディ・ヴァレンタイン、ボードス・オブ・カナダ、コントロール・マチェテのファンにとって、『ABIZZZMO』は「失われたリンク」のように映るだろう――矛盾を内包した、極めて個性的でありながら奇妙なほど普遍的なアルバムだ。ノイジーでありながら優しい、サイケデリックでありながらメランコリック、個人的でありながら神話的である。ガヤルドは10年以上にわたり、ラテンアメリカのアンダーグラウンド・サウンドをカルト的な作品へと昇華させてきた。『ABIZZZMO』で、彼はついに、偉大なアウトサイダー・クラシックと肩を並べるインディーポップの傑作を我々に届けてくれたのだ。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/soundcloud%253Aplaylists%253A2170888064\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\" height=\"300\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Ansiedad1000\" href=\"https:\/\/soundcloud.com\/elmariayjose\" target=\"_blank\"\u003eAnsiedad1000\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Ansiedad1000 - ABIZZZMO\" href=\"https:\/\/soundcloud.com\/elmariayjose\/sets\/ansiedad1000-abizzzmo\" target=\"_blank\"\u003eAnsiedad1000 - ABIZZZMO\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" white vinyl.\u003cbr\u003eEdition of 200 copies.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. ABIZZZMO 02:54\u003cbr\u003e2. ANSIEDAD1000 02:48 \u003cbr\u003e3. SUNNY EN MI CABEZA 03:21 \u003cbr\u003e4. KUCHIYADA 03:12 \u003cbr\u003e5. CABIZZZBAJO 03:23 \u003cbr\u003e6. LODO 03:24 \u003cbr\u003e7. MAGIA DORADA 02:22 \u003cbr\u003e8. RARAZ NOCHEZ 04:10 \u003cbr\u003e9. SUPERPUSHBB 02:44 \u003cbr\u003e10. TIJUANAISDOOMED 02:38 \u003cbr\u003e11. XXIX 02:33 \u003cbr\u003e12. EL FONDO 03:27\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWith ABIZZZMO, Tony Gallardo — the mercurial Mexican musician behind María y José and a dozen other cult monikers — unveils his most personal and strangely beautiful project yet. Under the name ANSIEDAD1000, Gallardo trades reggaeton mutations and noise-cumbia experiments for a widescreen indie pop vision: anxious, psychedelic, and unexpectedly tender.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eABIZZZMO has the sweep and ambition of classic pop statements, a fractured cousin to The Beach Boys’ Pet Sounds, but it filters that emotional largesse through shoegaze distortion, lo-fi haze, and the restless experimentalism of early Anticon Records. Saturated guitars blur into neon synth textures, voices smear and dissolve, and everything feels suspended between intimacy and overload.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGallardo has long been one of Mexico’s great pop outsiders, a figure who thrives on tearing apart genre from the inside out. But here, he seems less interested in parody or provocation and more invested in building a world of fragile grandeur. The songs on ABIZZZMO don’t unfold as anthems so much as atmospheres: bittersweet melodies surfacing through fuzz, confessions buried in reverb, rhythms that stumble more than they strut. It’s pop music as anxious dreamscape, at once lush and\u003cspan class=\"bcTruncateMore\"\u003e unsettled.\u003cbr\u003e\u003cbr\u003eFor fans of Animal Collective, My Bloody Valentine, Boards of Canada and Control Machete, ABIZZZMO reads as a missing link — a deeply idiosyncratic but strangely universal album that embraces contradiction: noisy and tender, psychedelic and melancholy, personal and mythic. Gallardo has spent over a decade twisting Latin American underground sounds into cult artifacts; with ABIZZZMO, he finally gives us an indie pop masterpiece that belongs in conversation with the great outsider classics.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : ANSIEDAD1000\u003c\/p\u003e\n\u003cp\u003eLabel : Hakuna Kulala\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eHK067\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 1st May 2026\u003c\/span\u003e\u003c\/p\u003e"}

María y Joséなど様々な名義で活動しているメキシコのレフトフィールド・エレクトロニック作家ANSIEDAD1000 aka Tony Gallardoが、2026年5月にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyege Tapes傘下Hakuna Kulalaからリリースしたレコードです。インディーポップ〜Lo-Fiシューゲイズ12曲を収録。白盤です。以下、レーベルによる解説です。 "ABIZZZMOにおいて、『María y José』をはじめとする数多くのカルト的な名義で活動する気まぐれなメキシコ人ミュージシャン、トニー・ガヤルドは、これまでで最もパーソナルかつ奇妙な美しさを放つプロジェクトを披露している。ANSIEDAD1000という名義の下、ガヤルドはレゲトンの変奏やノイズ・クンビアの実験を捨て、不安に満ち、サイケデリックで、そして予想外に優しい、ワイドスクリーン的なインディーポップの世界観を提示している。...

¥5,390

クイックビュー {"id":9257805283578,"title":"Moon Mullins \/\/ Hotel Paradiso LP","handle":"moon-mullins-hotel-paradiso-lp","description":"\u003cp\u003e当店おなじみアメリカ・NYの地下ラウンジ作家Moon Mullinsが、2025年5月にNYのインディーレーベルRuination Record Coからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e架空のホテルをコンセプトにした常夏リゾート音楽10曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/mm10\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"コンパクトな高級オープンカーがHotel Paradiso前のロータリーに入った。洒落た紳士がエンジンを止め、縁石に乗り上げ、薄く、しかし愛想の良い笑みを浮かべる。彼はキーを係に渡し、オフホワイトの帽子を脱いでほこりを払い、満足そうに目を閉じた。アールデコ調のロビーは、前回滞在したときと同じように豪華で細部にまでこだわっている。建築様式はミニマリズムとバロック様式が絶妙なバランスで融合している。宿泊客はそれぞれの「今」からやってきて、悩みや、おそらくはアイデンティティの虚飾から逃れて週末やひと月を楽しむ。無名の紳士は、口ひげの端をしばらくこすりながら考え込んだ後、スーツを着替え、街で高級シーフードディナーを予約し、午後の最初のマティーニを混ぜるのが最善の行動だと判断する。部屋の漆喰のバルコニーからマリーナと柑橘類の木々を一望し、やがてプールへ、そしてそこからラウンジへと向かうに違いない。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e作曲家でありヴィンテージキーボードの巨匠であるMoon Mullinsは、『Hotel Paradiso』（ルイネイション・レコードのプログラム・エキゾチカの最新作）を、脈絡のない孤独な旅行者の視点から書いた。彼らの目線から、私たちはパラディソを見、聞き、感じる。Mullinsは、合成音とアコースティックサウンドを丹念に混ぜ合わせた独特のサウンドでイメージを作り上げる。このシナリオは、ブルックリンを拠点とするこのミュージシャンがこれまでにリリースした中で最も野心的で、オーケストラ的な志向を持つ作曲作品群にインスピレーションを与えている。前作『Water Your Flowers』は、より点描的で包括的なエレクトロニック・ミュージックで、ユートピアのティキ・バー、盆栽園、遠い惑星のビーチなどをイメージさせる。Hotel Paradisoのパレットはさらに万華鏡のようで、日本のアンビエントミュージックやヘンリー・マンシーニの初期のムードLP、モーリス・ラヴェルの幽玄なハーモニーを思い起こさせるような、超越的な雰囲気の瞬間を生み出している...\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=678899690\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=678899690\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1481664971\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ruire\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ruire\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Ruination Records releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code\u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Valet 01:24\u003cbr\u003e2. Lobby Music 03:36\u003cbr\u003e3. Checking In? 03:06\u003cbr\u003e4. Sandpearl 02:54\u003cbr\u003e5. The Paradise Lounge 02:02\u003cbr\u003e6. Lucky Penny 04:11\u003cbr\u003e7. Flamingo 03:11\u003cbr\u003e8. Tini Town 03:35\u003cbr\u003e9. Lobby at 3 02:13\u003cbr\u003e10. Waterbed 02:59\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWinston Cook-Wilson, via the label: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"A compact luxury convertible pulls into the roundabout in front of the Hotel Paradiso. A dapper gentleman kills the engine and pulls himself up onto the curb, cracking a thin but affable smile. He hands his keys to the valet, removing and dusting off his woven, off-white hat and closing his eyes for a moment in satisfaction. He stops to marvel briefly at the art-deco lobby, as luxurious and finely detailed as he remembers from his last stay. The architecture is minimalist and Baroque in all the right places; everything feels in balance at this palatial estate at the edge of the world. Guests come from their own respective Nowheres to enjoy a weekend or month away from their troubles and, perhaps, the vain trappings of their identity. After rubbing the edges of his mustache for a moment in contemplation, the unknown gentleman decides that his best course of action is to change his suit, make a reservation for a fine seafood dinner in town, and mix his first martini of the afternoon. He takes in a bird’s eye view of the marina and the citrus trees from his room’s stucco balcony; eventually, he will no doubt make his way down to the pool, and from there, to the lounge.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt may not be this particular man, but composer and vintage keyboard maestro Moon Mullins wrote Hotel Paradiso—his newest work of programmatic exotica for Ruination Records—from the perspective of some lone, context-free traveler. They are at loose ends, eager for a few days in another open-ended, simpler life; from their vantage, we see, hear, and feel Paradiso. Mullins creates his imagery through a singular, meticulously blended combination of synthetic and acoustic sounds, played largely by him with help of friends like whistler Molly Lewis, guitarist Sam Owens (Sam Evian), and strings player Oliver Hill. The scenario inspires the most ambitious and orchestrally-minded set of compositions the Brooklyn-based musician has yet released. Its predecessor, Water Your Flowers, felt more pointillistic and comprehensively electronic, conjuring images of utopian tiki bars, bonsai gardens, beaches on distant planets, and more. The palette of Hotel Paradiso is even more kaleidoscopic, creating moments of transcendent atmosphere that recall, at turns, Japanese ambient music, the early mood LPs of Henry Mancini, and the ethereal harmonies of Maurice Ravel...\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Moon Mullins\u003c\/p\u003e\n\u003cp\u003eLabel : Ruination Records\u003c\/p\u003e","published_at":"2026-06-12T06:25:21+09:00","created_at":"2026-06-12T06:24:59+09:00","vendor":"Tobira Records","type":"","tags":["ambient","folk \/ left-field pop","jazz","lp","new","recommended","ruination record co."],"price":398000,"price_min":398000,"price_max":398000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48995684647162,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Moon Mullins \/\/ Hotel Paradiso LP","public_title":null,"options":["Default Title"],"price":398000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/para1_ce99fe05-156d-4495-96e1-095514cf88c9.jpg?v=1747009873","\/\/tobirarecords.com\/cdn\/shop\/files\/para2_4dce2718-652a-49d6-ac68-605e4894c7dd.jpg?v=1747009873"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/para1_ce99fe05-156d-4495-96e1-095514cf88c9.jpg?v=1747009873","options":["Title"],"media":[{"alt":null,"id":36011441160442,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/para1_ce99fe05-156d-4495-96e1-095514cf88c9.jpg?v=1747009873"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/para1_ce99fe05-156d-4495-96e1-095514cf88c9.jpg?v=1747009873","width":700},{"alt":null,"id":36011441193210,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/para2_4dce2718-652a-49d6-ac68-605e4894c7dd.jpg?v=1747009873"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/para2_4dce2718-652a-49d6-ac68-605e4894c7dd.jpg?v=1747009873","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e当店おなじみアメリカ・NYの地下ラウンジ作家Moon Mullinsが、2025年5月にNYのインディーレーベルRuination Record Coからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e架空のホテルをコンセプトにした常夏リゾート音楽10曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/mm10\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"コンパクトな高級オープンカーがHotel Paradiso前のロータリーに入った。洒落た紳士がエンジンを止め、縁石に乗り上げ、薄く、しかし愛想の良い笑みを浮かべる。彼はキーを係に渡し、オフホワイトの帽子を脱いでほこりを払い、満足そうに目を閉じた。アールデコ調のロビーは、前回滞在したときと同じように豪華で細部にまでこだわっている。建築様式はミニマリズムとバロック様式が絶妙なバランスで融合している。宿泊客はそれぞれの「今」からやってきて、悩みや、おそらくはアイデンティティの虚飾から逃れて週末やひと月を楽しむ。無名の紳士は、口ひげの端をしばらくこすりながら考え込んだ後、スーツを着替え、街で高級シーフードディナーを予約し、午後の最初のマティーニを混ぜるのが最善の行動だと判断する。部屋の漆喰のバルコニーからマリーナと柑橘類の木々を一望し、やがてプールへ、そしてそこからラウンジへと向かうに違いない。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e作曲家でありヴィンテージキーボードの巨匠であるMoon Mullinsは、『Hotel Paradiso』（ルイネイション・レコードのプログラム・エキゾチカの最新作）を、脈絡のない孤独な旅行者の視点から書いた。彼らの目線から、私たちはパラディソを見、聞き、感じる。Mullinsは、合成音とアコースティックサウンドを丹念に混ぜ合わせた独特のサウンドでイメージを作り上げる。このシナリオは、ブルックリンを拠点とするこのミュージシャンがこれまでにリリースした中で最も野心的で、オーケストラ的な志向を持つ作曲作品群にインスピレーションを与えている。前作『Water Your Flowers』は、より点描的で包括的なエレクトロニック・ミュージックで、ユートピアのティキ・バー、盆栽園、遠い惑星のビーチなどをイメージさせる。Hotel Paradisoのパレットはさらに万華鏡のようで、日本のアンビエントミュージックやヘンリー・マンシーニの初期のムードLP、モーリス・ラヴェルの幽玄なハーモニーを思い起こさせるような、超越的な雰囲気の瞬間を生み出している...\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=678899690\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=678899690\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1481664971\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ruire\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ruire\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Ruination Records releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code\u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Valet 01:24\u003cbr\u003e2. Lobby Music 03:36\u003cbr\u003e3. Checking In? 03:06\u003cbr\u003e4. Sandpearl 02:54\u003cbr\u003e5. The Paradise Lounge 02:02\u003cbr\u003e6. Lucky Penny 04:11\u003cbr\u003e7. Flamingo 03:11\u003cbr\u003e8. Tini Town 03:35\u003cbr\u003e9. Lobby at 3 02:13\u003cbr\u003e10. Waterbed 02:59\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWinston Cook-Wilson, via the label: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"A compact luxury convertible pulls into the roundabout in front of the Hotel Paradiso. A dapper gentleman kills the engine and pulls himself up onto the curb, cracking a thin but affable smile. He hands his keys to the valet, removing and dusting off his woven, off-white hat and closing his eyes for a moment in satisfaction. He stops to marvel briefly at the art-deco lobby, as luxurious and finely detailed as he remembers from his last stay. The architecture is minimalist and Baroque in all the right places; everything feels in balance at this palatial estate at the edge of the world. Guests come from their own respective Nowheres to enjoy a weekend or month away from their troubles and, perhaps, the vain trappings of their identity. After rubbing the edges of his mustache for a moment in contemplation, the unknown gentleman decides that his best course of action is to change his suit, make a reservation for a fine seafood dinner in town, and mix his first martini of the afternoon. He takes in a bird’s eye view of the marina and the citrus trees from his room’s stucco balcony; eventually, he will no doubt make his way down to the pool, and from there, to the lounge.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt may not be this particular man, but composer and vintage keyboard maestro Moon Mullins wrote Hotel Paradiso—his newest work of programmatic exotica for Ruination Records—from the perspective of some lone, context-free traveler. They are at loose ends, eager for a few days in another open-ended, simpler life; from their vantage, we see, hear, and feel Paradiso. Mullins creates his imagery through a singular, meticulously blended combination of synthetic and acoustic sounds, played largely by him with help of friends like whistler Molly Lewis, guitarist Sam Owens (Sam Evian), and strings player Oliver Hill. The scenario inspires the most ambitious and orchestrally-minded set of compositions the Brooklyn-based musician has yet released. Its predecessor, Water Your Flowers, felt more pointillistic and comprehensively electronic, conjuring images of utopian tiki bars, bonsai gardens, beaches on distant planets, and more. The palette of Hotel Paradiso is even more kaleidoscopic, creating moments of transcendent atmosphere that recall, at turns, Japanese ambient music, the early mood LPs of Henry Mancini, and the ethereal harmonies of Maurice Ravel...\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Moon Mullins\u003c\/p\u003e\n\u003cp\u003eLabel : Ruination Records\u003c\/p\u003e"}

当店おなじみアメリカ・NYの地下ラウンジ作家Moon Mullinsが、2025年5月にNYのインディーレーベルRuination Record Coからリリースしたレコードです。架空のホテルをコンセプトにした常夏リゾート音楽10曲を収録。DLコード付属。前作もオススメです。以下、レーベルによる解説です。 "コンパクトな高級オープンカーがHotel Paradiso前のロータリーに入った。洒落た紳士がエンジンを止め、縁石に乗り上げ、薄く、しかし愛想の良い笑みを浮かべる。彼はキーを係に渡し、オフホワイトの帽子を脱いでほこりを払い、満足そうに目を閉じた。アールデコ調のロビーは、前回滞在したときと同じように豪華で細部にまでこだわっている。建築様式はミニマリズムとバロック様式が絶妙なバランスで融合している。宿泊客はそれぞれの「今」からやってきて、悩みや、おそらくはアイデンティティの虚飾から逃れて週末やひと月を楽しむ。無名の紳士は、口ひげの端をしばらくこすりながら考え込んだ後、スーツを着替え、街で高級シーフードディナーを予約し、午後の最初のマティーニを混ぜるのが最善の行動だと判断する。部屋の漆喰のバルコニーからマリーナと柑橘類の木々を一望し、やがてプールへ、そしてそこからラウンジへと向かうに違いない。作曲家でありヴィンテージキーボードの巨匠であるMoon Mullinsは、『Hotel Paradiso』（ルイネイション・レコードのプログラム・エキゾチカの最新作）を、脈絡のない孤独な旅行者の視点から書いた。彼らの目線から、私たちはパラディソを見、聞き、感じる。Mullinsは、合成音とアコースティックサウンドを丹念に混ぜ合わせた独特のサウンドでイメージを作り上げる。このシナリオは、ブルックリンを拠点とするこのミュージシャンがこれまでにリリースした中で最も野心的で、オーケストラ的な志向を持つ作曲作品群にインスピレーションを与えている。前作『Water...

¥3,980

クイックビュー {"id":9254834438394,"title":"Chanel Beads \/\/ Your Day Will Come LP [COLOR]","handle":"chanel-beads-your-day-will-come-lp-color","description":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※6\/26リリースです\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eアメリカ・NYのベッドルームポップ作家Chanel Beadsが、2026年6月に同国Jagjaguarからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eベッドルームポップ13曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3901617061\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/jgjgr\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/jgjgr\"\u003ehere\u003c\/a\u003e to see more Jagjaguar releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRELEASE DATE : 26th June 2026\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e12\" pink vinyl.\u003cbr\u003e2nd studio album from Chanel Beads, also called 'Your Day Will Come' (the same title as 2024 debut album)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Drums Only \u003cbr\u003e2. Song for the Messenger \u003cbr\u003e3. The Coward Forgets His Nightmare \u003cbr\u003e4. Profane Break \u003cbr\u003e5. JBL in the Fireplace \u003cbr\u003e6. Tyler Richard \u003cbr\u003e7. Outside Your Life \u003cbr\u003e8. Dust in the Wind \u003cbr\u003e9. Silver Cup \u003cbr\u003e10. Opening in the Gate \u003cbr\u003e11. Spirit Showing \u003cbr\u003e12. Drunk Stupid in the Structure \u003cbr\u003e13. Boss Beaten With Sticks\u003c\/p\u003e\n\u003cp\u003eFrom the label: \u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFirst things first: yes, Chanel Beads’ second album, Your Day Will Come, has the same title as the experimental project’s 2024 breakthrough debut. But this is a completely new body of work, not a “part two,” a rehash or a re-do. If his initial impulse was to poke fun at the apparatus that divides music into chapters, as the songs developed, Shane Lavers found the phrase carried deeper nuance, evoking the duel between certainty and doubt that preoccupied his psyche. Though the phrase unfurls with conviction, a slight shift in emphasis can inspire unsettling ambiguities: Will your day come? What will it be like? How can you be sure?\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003eThese dualities were top of mind when Lavers wrote “Song for the Messenger,” the track that properly introduces Your Day Will Come’s expanded vision. Like the majority of the album, it was made as Lavers adjusted to life as a full-time musician. Thoughts had more room to bounce around and curdle inside his head, and he often felt dulled down by a world that can feel absurdly cruel. On “Song for the Messenger,” the future collapses into itself as “the days still move and the window closes slowly.” “While writing the songs I kept asking myself, ‘If you are really so hopeless, what does your life look like with that clarity,’” Lavers says.\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003eRaised in the suburbs of Minnesota, Lavers began making music under the name Chanel Beads while living in Seattle back in 2016. When he wasn’t working at a library for the blind, he was collaging synthetic sounds and real instruments into beguiling songs fundamentally averse to genre. He was living in New York by 2022, as tracks like “Ef” and “True Altruism” captivated certain online circles with their androgynous vocals, uncanny artifice, and stirring intimacy. In the years since Chanel Beads’ entrancing introduction, the project has gone from playing house shows and illegal abandoned train tunnel shows, all the way up to supporting Lorde on her recent North American arena tour.\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003eThe second iteration of Your Day Will Come catalogues a sonic shift and evolution in Chanel Beads’ sound. This time around, it’s layered with more original parts and players. Violinist Zachary Paul has a greater presence, though Lavers continues to toy with the semiotic baggage of plug-ins. The gossamer voice of Maya McGrory can once again be heard across the album, and she co-wrote the majestic “Silver Cup.” These 14 songs are increasingly fleshed out and structured, a result of a more collaborative approach that embraced spontaneity and imperfections. Casual hangs led to contributions from friends like Tchad Cousins (Urika’s Bedroom), Mari Maurice (More Eaze), Anastasia Coope, and Bella Litsa. “Dust in the Wind” is a joint effort with Isaac Eiger of Strange Ranger and Threshold, marking the first co-write from someone outside the core trio of Lavers, McGory, and Paul. Neither a solo project nor a band, Chanel Beads is “defined by the negatives,” says Lavers.\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003eThough the stages have grown larger, the spirit of Chanel Beads remains steadfastly underground. Lavers made Your Day Will Come at his small and sparsely furnished Brooklyn studio, with the speakers positioned so close to his face that he could feel air emit from every thump of the kick drum. He embraces the attitude of “if it works, leave it be,” recording into whatever microphone is around and going off that version. “We start the recording before the song is written, and then you work the song into the recording,” Lavers says. “We don’t make demos, that’s a hard and fast rule. Which we’ll break eventually.”\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003eLavers’ fragmented lyrics are full of open-ended questions, exploring the dichotomies that inform our reality. He was particularly consumed by the coexistence of nihilism and love, saying, “It feels as if one should obliterate the other, but they don’t.” Emotional sublimation is central to Chanel Beads, as if you can white-knuckle something so hard that it becomes transcendent. Snarling beasts and shame accompany proclamations of devotion on “JBL in the Fireplace”: “That’s when they set the dogs on you\/Fuck this world I still have love for you.”\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003eDrawing from Lavers’ own experiences, Your Day Will Come uses dream logic to delve into liminality and precarious remembrance. It’s colored by the spectres of specific losses, but also how you can haunt yourself by falling back into old habits. The elegiac centerpiece, “Tyler Richard,” is haunted by the ‘have we met before?’ sensation. Initially gentle and twinkling, each verse draws into a tighter fist until it bursts open in ecstatic despair. “It’s about the feeling when someone who has passed appears in a dream, and you wake up and have to remember that they are gone,” Lavers says. “As your life moves forward, grief can recur in these ways that feel like time flattens and circles back in on itself.”\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e“I thought I saw you smiling in all my memories,” Lavers spits on the gleefully caustic “The Coward Forgets His Nightmare.” “It’s hard to dedicate yourself to art and not also indulgently dedicate yourself to yourself,” he says. “To me, that one is explicitly about reaching the end of your life, having lived in music, and wondering if you did the wrong thing.” As the veil falls on the present, you look back on a past littered with lost futures.\"\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003eArtist : Chanel Beads\u003c\/p\u003e\n\u003cp\u003eLabel : Jagjaguar\u003c\/p\u003e\n\u003cp\u003eCAT No: JAG487lp-C1\u003c\/p\u003e","published_at":"2026-06-14T06:47:58+09:00","created_at":"2026-06-10T16:00:00+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","jagjaguar","lp","new"],"price":384000,"price_min":384000,"price_max":384000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48988211544314,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Chanel Beads \/\/ Your Day Will Come LP [COLOR]","public_title":null,"options":["Default Title"],"price":384000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"656605248738","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/chan1_d64c88e7-073c-4c7b-824c-f055ac6a5685.jpg?v=1781075252"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/chan1_d64c88e7-073c-4c7b-824c-f055ac6a5685.jpg?v=1781075252","options":["Title"],"media":[{"alt":null,"id":39636443267322,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/chan1_d64c88e7-073c-4c7b-824c-f055ac6a5685.jpg?v=1781075252"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/chan1_d64c88e7-073c-4c7b-824c-f055ac6a5685.jpg?v=1781075252","width":350}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※6\/26リリースです\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eアメリカ・NYのベッドルームポップ作家Chanel Beadsが、2026年6月に同国Jagjaguarからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eベッドルームポップ13曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3901617061\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/jgjgr\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/jgjgr\"\u003ehere\u003c\/a\u003e to see more Jagjaguar releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRELEASE DATE : 26th June 2026\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e12\" pink vinyl.\u003cbr\u003e2nd studio album from Chanel Beads, also called 'Your Day Will Come' (the same title as 2024 debut album)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Drums Only \u003cbr\u003e2. Song for the Messenger \u003cbr\u003e3. The Coward Forgets His Nightmare \u003cbr\u003e4. Profane Break \u003cbr\u003e5. JBL in the Fireplace \u003cbr\u003e6. Tyler Richard \u003cbr\u003e7. Outside Your Life \u003cbr\u003e8. Dust in the Wind \u003cbr\u003e9. Silver Cup \u003cbr\u003e10. Opening in the Gate \u003cbr\u003e11. Spirit Showing \u003cbr\u003e12. Drunk Stupid in the Structure \u003cbr\u003e13. Boss Beaten With Sticks\u003c\/p\u003e\n\u003cp\u003eFrom the label: \u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFirst things first: yes, Chanel Beads’ second album, Your Day Will Come, has the same title as the experimental project’s 2024 breakthrough debut. But this is a completely new body of work, not a “part two,” a rehash or a re-do. If his initial impulse was to poke fun at the apparatus that divides music into chapters, as the songs developed, Shane Lavers found the phrase carried deeper nuance, evoking the duel between certainty and doubt that preoccupied his psyche. Though the phrase unfurls with conviction, a slight shift in emphasis can inspire unsettling ambiguities: Will your day come? What will it be like? How can you be sure?\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003eThese dualities were top of mind when Lavers wrote “Song for the Messenger,” the track that properly introduces Your Day Will Come’s expanded vision. Like the majority of the album, it was made as Lavers adjusted to life as a full-time musician. Thoughts had more room to bounce around and curdle inside his head, and he often felt dulled down by a world that can feel absurdly cruel. On “Song for the Messenger,” the future collapses into itself as “the days still move and the window closes slowly.” “While writing the songs I kept asking myself, ‘If you are really so hopeless, what does your life look like with that clarity,’” Lavers says.\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003eRaised in the suburbs of Minnesota, Lavers began making music under the name Chanel Beads while living in Seattle back in 2016. When he wasn’t working at a library for the blind, he was collaging synthetic sounds and real instruments into beguiling songs fundamentally averse to genre. He was living in New York by 2022, as tracks like “Ef” and “True Altruism” captivated certain online circles with their androgynous vocals, uncanny artifice, and stirring intimacy. In the years since Chanel Beads’ entrancing introduction, the project has gone from playing house shows and illegal abandoned train tunnel shows, all the way up to supporting Lorde on her recent North American arena tour.\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003eThe second iteration of Your Day Will Come catalogues a sonic shift and evolution in Chanel Beads’ sound. This time around, it’s layered with more original parts and players. Violinist Zachary Paul has a greater presence, though Lavers continues to toy with the semiotic baggage of plug-ins. The gossamer voice of Maya McGrory can once again be heard across the album, and she co-wrote the majestic “Silver Cup.” These 14 songs are increasingly fleshed out and structured, a result of a more collaborative approach that embraced spontaneity and imperfections. Casual hangs led to contributions from friends like Tchad Cousins (Urika’s Bedroom), Mari Maurice (More Eaze), Anastasia Coope, and Bella Litsa. “Dust in the Wind” is a joint effort with Isaac Eiger of Strange Ranger and Threshold, marking the first co-write from someone outside the core trio of Lavers, McGory, and Paul. Neither a solo project nor a band, Chanel Beads is “defined by the negatives,” says Lavers.\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003eThough the stages have grown larger, the spirit of Chanel Beads remains steadfastly underground. Lavers made Your Day Will Come at his small and sparsely furnished Brooklyn studio, with the speakers positioned so close to his face that he could feel air emit from every thump of the kick drum. He embraces the attitude of “if it works, leave it be,” recording into whatever microphone is around and going off that version. “We start the recording before the song is written, and then you work the song into the recording,” Lavers says. “We don’t make demos, that’s a hard and fast rule. Which we’ll break eventually.”\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003eLavers’ fragmented lyrics are full of open-ended questions, exploring the dichotomies that inform our reality. He was particularly consumed by the coexistence of nihilism and love, saying, “It feels as if one should obliterate the other, but they don’t.” Emotional sublimation is central to Chanel Beads, as if you can white-knuckle something so hard that it becomes transcendent. Snarling beasts and shame accompany proclamations of devotion on “JBL in the Fireplace”: “That’s when they set the dogs on you\/Fuck this world I still have love for you.”\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003eDrawing from Lavers’ own experiences, Your Day Will Come uses dream logic to delve into liminality and precarious remembrance. It’s colored by the spectres of specific losses, but also how you can haunt yourself by falling back into old habits. The elegiac centerpiece, “Tyler Richard,” is haunted by the ‘have we met before?’ sensation. Initially gentle and twinkling, each verse draws into a tighter fist until it bursts open in ecstatic despair. “It’s about the feeling when someone who has passed appears in a dream, and you wake up and have to remember that they are gone,” Lavers says. “As your life moves forward, grief can recur in these ways that feel like time flattens and circles back in on itself.”\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e“I thought I saw you smiling in all my memories,” Lavers spits on the gleefully caustic “The Coward Forgets His Nightmare.” “It’s hard to dedicate yourself to art and not also indulgently dedicate yourself to yourself,” he says. “To me, that one is explicitly about reaching the end of your life, having lived in music, and wondering if you did the wrong thing.” As the veil falls on the present, you look back on a past littered with lost futures.\"\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003eArtist : Chanel Beads\u003c\/p\u003e\n\u003cp\u003eLabel : Jagjaguar\u003c\/p\u003e\n\u003cp\u003eCAT No: JAG487lp-C1\u003c\/p\u003e"}

Las Robertas // All We Need is Now LP [COLOR]

※6/26リリースです

RELEASE DATE : 26th June 2026

※6/26リリースです

RELEASE DATE : 26th June 2026

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Las Robertas // All We Need is Now LP [COLOR]

※6/26リリースです

RELEASE DATE : 26th June 2026

※6/26リリースです

RELEASE DATE : 26th June 2026

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