Eventless Plot // Unlearning noise CD

¥2,440

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※当店限定販売です

ギリシャ・テッサロニキの実験トリオEventless Plotが、2025年10月にウェールズの実験レーベルDiscreet ArchiveからリリースしたCDです。

エレクトロアコースティック2曲を収録。デジパック仕様です。

レーベルその他作品はこちら /// Click here to see more Discreet Archive releases available at Tobira.

------------------------------------

CD in digipack.
Edition of 50.

Tracklist:

1. Part 1 19:12
2. Part 2 15:32

Discreet Archive:

"Cities are rich with soundscapes—some strikingly prominent, others subtle and elusive. Every street, alley, neighborhood, park, and harbor carries its own evolving sonic identity, making each moment distinct and unrepeatable.

As part of the third act of the Unlearning Noise program (Act 3: Dissonant Connections), Eventless Plot presented an electro-acoustic composition on October 12, 2023, at the cultural multi-space PHĒNO. The work drew from field recordings, blending discrete and processed sounds with other audio sources to reimagine specific locations and experiences as imaginative auditory worlds. Unlearning Noise invites listeners to reinterpret the concept of noise within urban environments, encouraging them to uncover its hidden meanings and untapped possibilities.

Formed in 2002 in Thessaloniki, Eventless Plot create a distinctive hybrid of sound by borrowing elements from different genres and aesthetics, with close attention to sonic detail across multiple forms of experimentalism. Their practice involves a variety of instruments, analog sources, field recordings, and Max/MSP patches, often incorporating musical segments through collaborations with other musicians.

The group also works in sound design and composition for art installations, films, and dance projects. Their releases have appeared on internationally recognized labels including Another Timbre (UK), Edition Wandelweiser (Germany), Dinzu Artefacts (USA), Moving Furniture Contemporary Series (Netherlands), Tsss Tapes (Italy), Granny Records (Greece), Dasa Tapes (Greece), Aural Terrains (UK), Archive Officielle (Canada), and Never Anything Records (USA). Eventless Plot have performed live at numerous festivals and venues in Greece and abroad. "

Artist : Eventless Plot

Label : Discreet Archive

cat no : DA019

Quantity

+ -

※当店限定販売です

ギリシャ・テッサロニキの実験トリオEventless Plotが、2025年10月にウェールズの実験レーベルDiscreet ArchiveからリリースしたCDです。

エレクトロアコースティック2曲を収録。デジパック仕様です。

レーベルその他作品はこちら /// Click here to see more Discreet Archive releases available at Tobira.

------------------------------------

CD in digipack.
Edition of 50.

Tracklist:

1. Part 1 19:12
2. Part 2 15:32

Discreet Archive:

Artist : Eventless Plot

Label : Discreet Archive

cat no : DA019

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The Coiling of the Tide \u003cbr\u003e2. Leaf and Shadow \u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. For a Moment the Sky Knew My Name\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. The Night Tremors, So It Begs the Dawn\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFrom the artist:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eThis is music inspired by the water and the wind. By the tattoo of the insects’ beating wings and the soughing of the wattle in the sea breeze. By the dull roll of the surf and the rhythm of my breath against the pad of my feet as I walk along the sandy, leaf-littered path through the scrub to the beach. The fingers of the fire-blackened dead banksias clawing the vicious blue.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSomewhere, a peal of laughter is torn from its source and flies for a moment on the thermals rising from the baking sand.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt is the summer of 2024\/25 in Australia as the ideas for this album coalesce from a dozen different threads. I’m camping with my family on Krowathunkooloong land in the south-east corner of the country. The place where I grew up. The same beach where I spent every summer through my childhood.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWe swim every day in the ocean and in the late afternoons in the calm of the Yeerung River. The water, stained red brown by Melaleuca, turns my hand into a bloody ghost as I watch it sink.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis place asks questions of me about belonging, about the relationship of the body to the wind. Of memory, of history, and of forgetting. Sound braces us in the now but\u003cspan class=\"bcTruncateMore\"\u003e simultaneously connects us to the past - a porous membrane between inner and outer worlds.\u003cbr\u003e\u003cbr\u003eI am walking up the hill behind the Yeerung with my trumpet in my backpack. Stopping to play momentarily. Trying to find a space in which I can resonate the sounds I make with those around me. The river is full from earlier rain and is threatening to break through the thin sandbank that separates its deep red pool from the gun-metal blue ocean. The heat gathers and the pulsing of the crickets intensifies.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Peter Knight\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Room40\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : \u003cmeta charset=\"utf-8\"\u003eRM4263\u003c\/span\u003e\u003c\/p\u003e"}

オーストラリア・メルボルンのアンビエント作家Peter Knightが、2025年11月に同国ブリスベンの音響作家Lawrence English主宰レーベルRoom40からリリースしたCDです。トランペットやシンセを用いたアンビエントドローン4曲を収録。レーベルその他作品はこちら /// Click here to see more Room40 releases available at Tobira. ---------------------------------------...

¥2,480

クイックビュー {"id":9001169846522,"title":"Rie Nakajima + David Toop \/\/ Is Spring A Sculpture? CD+BOOK","handle":"rie-nakajima-david-toop-is-spring-a-sculpture-cd-book","description":"\u003cp\u003e日本のRie NakajimaとイギリスのDavid Toop実験音楽家2名が、\u003cspan\u003e2025年11月にオーストラリアの実験／アンビエントレーベルRoom40からリリースした共作CDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e物音4曲を収録\u003c\/span\u003e。36ページのブックレット付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1897436091\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in matte laminate cardstock sleeve. \u003cbr\u003eIncludes 36-page booklet with \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eexclusive text by the artists, documents, and photographs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Is Spring A Sculpture? Part I\u003cbr\u003e2. Is Spring A Sculpture? Part II \u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Is Spring A Sculpture? Part III\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Is Spring A Sculpture? Part IV\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFrom David Toop:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThese are two conversations we had by emails when we all had to stay inside quietly five years ago. \u2028\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eWe have always enjoyed chatting on art, music, food and shared what we observed in life since we met but this period of lockdown, we couldn’t see each other so somehow we found a way to continue this habit.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAlso, this extreme situation persuaded us to be ’thoughtful’ and ‘creative’ not in a normal or natural way. Though the way we try to be thoughtful and creative is always with humour and laughter.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis part is so important in what we share through art and music. Like sculpture, like music. Some thoughts in spring.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eEmerging in spring we made a studio recording. Many things had floated away in the time of lockdowns and isolation. Other things became fixed in unfamilar ways. It's a long time since Lucy Lippard wrote about the dematerialisation of the art object but it seems that the word 'sculpture' still has connotations of a solid thing, with weight and mass.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eEarly on in our conversations, maybe 12 years ago, we thought about this word and its weight. What if sculpture was just a\u003cspan class=\"bcTruncateMore\"\u003e duration, an empty cup held in the hand until it disappears, leaves that fell from a tree in autumn, a collection of sounds that one person heard but the other person ignored, a closed suitcase full of objects and then later on the suitcase has been opened and the objects have been stuck to a window, or a season and its transitions, its colours and scents, its feeling of vigour and renewal. The thoughts were sculptures, you could say, but you couldn't touch them.\u003cbr\u003e\u003cbr\u003eThey looked after themselves.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Rie Nakajima + David Toop\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003eRM4241\u003c\/p\u003e","published_at":"2025-11-15T10:32:37+09:00","created_at":"2025-11-14T11:41:58+09:00","vendor":"Tobira Records","type":"","tags":["cd","monooto","new","room40"],"price":349700,"price_min":349700,"price_max":349700,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47957641199866,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Rie Nakajima + David Toop \/\/ Is Spring A Sculpture? 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Is Spring A Sculpture? Part I\u003cbr\u003e2. Is Spring A Sculpture? Part II \u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Is Spring A Sculpture? Part III\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Is Spring A Sculpture? Part IV\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFrom David Toop:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThese are two conversations we had by emails when we all had to stay inside quietly five years ago. \u2028\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eWe have always enjoyed chatting on art, music, food and shared what we observed in life since we met but this period of lockdown, we couldn’t see each other so somehow we found a way to continue this habit.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAlso, this extreme situation persuaded us to be ’thoughtful’ and ‘creative’ not in a normal or natural way. Though the way we try to be thoughtful and creative is always with humour and laughter.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis part is so important in what we share through art and music. Like sculpture, like music. Some thoughts in spring.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eEmerging in spring we made a studio recording. Many things had floated away in the time of lockdowns and isolation. Other things became fixed in unfamilar ways. It's a long time since Lucy Lippard wrote about the dematerialisation of the art object but it seems that the word 'sculpture' still has connotations of a solid thing, with weight and mass.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eEarly on in our conversations, maybe 12 years ago, we thought about this word and its weight. What if sculpture was just a\u003cspan class=\"bcTruncateMore\"\u003e duration, an empty cup held in the hand until it disappears, leaves that fell from a tree in autumn, a collection of sounds that one person heard but the other person ignored, a closed suitcase full of objects and then later on the suitcase has been opened and the objects have been stuck to a window, or a season and its transitions, its colours and scents, its feeling of vigour and renewal. The thoughts were sculptures, you could say, but you couldn't touch them.\u003cbr\u003e\u003cbr\u003eThey looked after themselves.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Rie Nakajima + David Toop\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003eRM4241\u003c\/p\u003e"}

日本のRie NakajimaとイギリスのDavid Toop実験音楽家2名が、2025年11月にオーストラリアの実験／アンビエントレーベルRoom40からリリースした共作CDです。物音4曲を収録。36ページのブックレット付属。レーベルその他作品はこちら /// Click here to see more Room40 releases available at Tobira. ---------------------------------------...

¥3,497

クイックビュー {"id":9001164964090,"title":"Alister Spence \/\/ Within Without CD","handle":"alister-spence-within-without-cd","description":"\u003cp\u003eオーストラリア・シドニーのピアニストAlister Spence\u003cspan\u003eが、2025年10月にブリスベンの音響作家Lawrence English主宰レーベルRoom40からリリースしたCDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRhodesをメインソースにしたアンビエント〜アンビエント・ジャズ18曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2334628490\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3721452460\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2334628490\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in matt laminate cardstock sleeve. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Hungry Machine 00:45\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. Breath Formation 01:42\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Meaning and Mechanics 06:34\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Sounding for Sound 07:21\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Delicate Industry 02:28\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Metal Spectral 01:30\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Cheery Buzzy 01:36\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Tremble, Rattle 01:34\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. Bright Welcome 02:09\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e10. Interior Signal 02:11\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e11. Obscure Message 04:51\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e12. Middle Distance 03:29\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e13. Clang, Re-sound 01:40\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e14. Growl, Warble, Strike 05:50\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e15. Nest of Shimmers 03:37\u003cbr\u003e\u003c\/span\u003e16. Interfere and Vibrate 06:34\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e17. Tine Tones 01:25\u003cbr\u003e\u003c\/span\u003e18. Friend of Cheery Buzzy 05:25\u003c\/p\u003e\n\u003cp\u003eRoom40:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eI first owned a fender rhodes electric piano in the late 1970s. It was a Mark 1 model (wooden key action). I had a band with my younger brother and my best friend from school and this was my ‘portable’ gigging instrument that weighed ‘a ton,’ and only just fitted in our small car. (I eventually got smart and left the 15 kg lid at home.) I had one effects pedal, a Boss chorus. Sadly—due to the rise of synthesisers and electronic keyboard instruments—I sold this lovely instrument in the late 1980s to make room in the house when our daughter Alexandra was imminent.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFortunately in 1990, I was able to buy a Mark II model (plastic keys). As time went by my approach to the instrument began to change as my interest grew in more broadly sonic forms of musical expression. The rhodes became for me a place of exploration where any part of it was open for investigation as a sound source: albeit sometimes stubborn and resistant to any form of resonance! I used it in tandem with a growing selection of sound modifying guitar pedals and slowly began to settle into a collection of those and a sound area that I enjoyed delving into.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBy 2014 I had begun to use the rhodes in this way in\u003cspan class=\"bcTruncateMore\"\u003e performances and recordings. With Sia\/Shoeb Ahmad and Raymond MacDonald I had the good fortune to perform, tour, and record as Sensaround. I also began to take this approach into more expressionistic terrain working with Satoko Fujii; firstly in a piano\/rhodes duo, and more recently in a quartet called Kira Kira.\u003cbr\u003e\u003cbr\u003eBut it is in paired back solo exploration that I find the strongest connection with the instrument.\u003cbr\u003e\u003cbr\u003eThis album was recorded at home, in two sessions, in the strange quiet of the Covid isolation experience—except for the birds who found that less people provided more space for them in inner city Sydney.\u003cbr\u003e\u003cbr\u003eGoing into this space is always an endurance test: to listen, like crazy, and be patient and trusting; alert for curious connections and disturbances. But it’s such a joy to go there!\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Alister Spence\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRM4244\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-11-18T07:22:35+09:00","created_at":"2025-11-14T11:28:47+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","jazz","new","room40"],"price":248000,"price_min":248000,"price_max":248000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47957623374074,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Alister Spence \/\/ Within Without CD","public_title":null,"options":["Default Title"],"price":248000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/wi1_c4fc6b86-ff20-47a4-bc71-257d7ffa58fd.jpg?v=1763087233","\/\/tobirarecords.com\/cdn\/shop\/files\/wi2.jpg?v=1763087233"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/wi1_c4fc6b86-ff20-47a4-bc71-257d7ffa58fd.jpg?v=1763087233","options":["Title"],"media":[{"alt":null,"id":37501568254202,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wi1_c4fc6b86-ff20-47a4-bc71-257d7ffa58fd.jpg?v=1763087233"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wi1_c4fc6b86-ff20-47a4-bc71-257d7ffa58fd.jpg?v=1763087233","width":700},{"alt":null,"id":37501568286970,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wi2.jpg?v=1763087233"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wi2.jpg?v=1763087233","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリア・シドニーのピアニストAlister Spence\u003cspan\u003eが、2025年10月にブリスベンの音響作家Lawrence English主宰レーベルRoom40からリリースしたCDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRhodesをメインソースにしたアンビエント〜アンビエント・ジャズ18曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2334628490\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3721452460\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2334628490\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in matt laminate cardstock sleeve. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Hungry Machine 00:45\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. Breath Formation 01:42\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Meaning and Mechanics 06:34\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Sounding for Sound 07:21\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Delicate Industry 02:28\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Metal Spectral 01:30\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Cheery Buzzy 01:36\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Tremble, Rattle 01:34\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. Bright Welcome 02:09\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e10. Interior Signal 02:11\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e11. Obscure Message 04:51\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e12. Middle Distance 03:29\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e13. Clang, Re-sound 01:40\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e14. Growl, Warble, Strike 05:50\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e15. Nest of Shimmers 03:37\u003cbr\u003e\u003c\/span\u003e16. Interfere and Vibrate 06:34\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e17. Tine Tones 01:25\u003cbr\u003e\u003c\/span\u003e18. Friend of Cheery Buzzy 05:25\u003c\/p\u003e\n\u003cp\u003eRoom40:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eI first owned a fender rhodes electric piano in the late 1970s. It was a Mark 1 model (wooden key action). I had a band with my younger brother and my best friend from school and this was my ‘portable’ gigging instrument that weighed ‘a ton,’ and only just fitted in our small car. (I eventually got smart and left the 15 kg lid at home.) I had one effects pedal, a Boss chorus. Sadly—due to the rise of synthesisers and electronic keyboard instruments—I sold this lovely instrument in the late 1980s to make room in the house when our daughter Alexandra was imminent.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFortunately in 1990, I was able to buy a Mark II model (plastic keys). As time went by my approach to the instrument began to change as my interest grew in more broadly sonic forms of musical expression. The rhodes became for me a place of exploration where any part of it was open for investigation as a sound source: albeit sometimes stubborn and resistant to any form of resonance! I used it in tandem with a growing selection of sound modifying guitar pedals and slowly began to settle into a collection of those and a sound area that I enjoyed delving into.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBy 2014 I had begun to use the rhodes in this way in\u003cspan class=\"bcTruncateMore\"\u003e performances and recordings. With Sia\/Shoeb Ahmad and Raymond MacDonald I had the good fortune to perform, tour, and record as Sensaround. I also began to take this approach into more expressionistic terrain working with Satoko Fujii; firstly in a piano\/rhodes duo, and more recently in a quartet called Kira Kira.\u003cbr\u003e\u003cbr\u003eBut it is in paired back solo exploration that I find the strongest connection with the instrument.\u003cbr\u003e\u003cbr\u003eThis album was recorded at home, in two sessions, in the strange quiet of the Covid isolation experience—except for the birds who found that less people provided more space for them in inner city Sydney.\u003cbr\u003e\u003cbr\u003eGoing into this space is always an endurance test: to listen, like crazy, and be patient and trusting; alert for curious connections and disturbances. But it’s such a joy to go there!\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Alister Spence\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRM4244\u003c\/span\u003e\u003c\/p\u003e"}