Eventless Plot // Surfaces TAPE
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Eventless Plot // Surfaces TAPE
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ギリシャ・テッサロニキの3人組Eventless Plotの新作がDinzu Artefactsからリリース。約20分のMax/MSP物音トラック2曲収録。2020年9月末リリース、既に廃盤です。DLコード付き。
Percussion, crotales, cymbals, sound plates, objects, contact mics, analog modular synth, guitar, electronics Max/MSP
Artist : Eventless Plot
Label : Dinzu Artefacts
ギリシャ・テッサロニキの3人組Eventless Plotの新作がDinzu Artefactsからリリース。約20分のMax/MSP物音トラック2曲収録。2020年9月末リリース、既に廃盤です。DLコード付き。
Percussion, crotales, cymbals, sound plates, objects, contact mics, analog modular synth, guitar, electronics Max/MSP
Artist : Eventless Plot
Label : Dinzu Artefacts
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{"id":9081025134842,"title":"Antonio Gallucci \/\/ Hope for Nothingness as Something TAPE","handle":"antonio-gallucci-hope-for-nothingness-as-something-tape","description":"\u003cp\u003eアメリカ出身ドイツ在住のマルチ奏者Weston Olenckiが、2026年2月にアメリカ・LAの実験レーベルDinzu Artefacts\u003cspan\u003eから75本限定でリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eロングフォームなエレクトロアコースティック2曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"モジュラー＆FMシンセ、管楽器＆弦楽器、電子音、音響オブジェクト、フィールドレコーディングのための二章構成組曲。本作は具体的な楽譜からアナログ＆デジタルの抽象化へと至る二章の下降構造を呈する。演奏者の具体的な楽譜と人間の存在から始まり、これらは体系的な侵食プロセスに晒される。初期の構成要素は「デジタルダスト」——無意味なデータ断片——へと還元され、アルゴリズム的に再結合される。この過程により素材は本来の構造と意味を完全に失う。作品は最終的に非現実的な空間へと至り、人間の意図が純粋なポストヒューマンデータへと変容する過程への瞑想となる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e無を何かとして望むという概念は、人間の願望の焦点を有形の獲得から究極の否定へと移す、根本的な哲学的転換である。そこには深遠な心理的転換が存在する：我々がしばしば空虚として恐れ、あるいは退ける概念そのものが、欲望や価値、究極の意味の対象として再構築され得るのだ。この概念は、不在を渇望し、その不在を最も価値ある存在として扱うという内在的パラドックスから、その言説的力を引き出す。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「無は虚無と同じか？すべてはその点を中心に展開する。絶対的な放棄である。なぜなら、何も保持されない場所にのみ希望は存在するからだ。無の充満。それがゼロ点を主張する理由である。」\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=126401901\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003ehere\u003c\/a\u003e to see more Dinzu Artefacts releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003ch3\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRELEASE DATE : 20th February 2026\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eIncludes DL code.\u003cbr\u003eCassette in norelco case.\u003cbr\u003eEdition of 75 copies.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. The Age of Impossibility 20:11\u003cbr\u003e2. Endgame 18:55\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFrom the label:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"A two-chapter suite for modular \u0026amp; FM synth, wind \u0026amp; string instruments, electronics, sound objects and field recordings. The work is structured as a two-chapter descent from concrete score to analog \u0026amp; digital abstraction. It begins with the tangible written material and human presence of the performers, which are systematically subjected to a process of erosion. The initial components are reduced to \"digital dust” — meaningless data fragments — then recombined algorithmically. This process entirely empties the material of its original structure and meaning. The work culminates in a final, unreal space, becoming a meditation on the transformation of human intention into pure, post-human data.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe notion of Hope for Nothingness as Something is a radical philosophical pivot, shifting the focus of human aspiration from tangible acquisition to ultimate negation. There's a profound psychological shift: the very concept we often fear or dismiss as empty can be re-framed as an object of desire, value, or ultimate meaning. This concept draws its discursive power from its inherent paradox: desiring an absence and treating that absence as the most valuable presence.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Is nothingness the same as nothing? Everything evolves\u003cspan class=\"bcTruncateMore\"\u003e around that. Absolute discardment, because there is hope only where nothing is retained. The fullness of nothingness. That is the reason for the insistence on the zero point.”\u003cbr\u003e– T. Adorno\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Antonio Gallucci\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Dinzu Artefacts\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : \u003cmeta charset=\"utf-8\"\u003eDNZ120\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-02-15T06:50:34+09:00","created_at":"2026-02-14T08:25:50+09:00","vendor":"Tobira Records","type":"","tags":["dinzu artefacts","drone","monooto","new","tape"],"price":229800,"price_min":229800,"price_max":229800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48320996802810,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Antonio Gallucci \/\/ Hope for Nothingness as Something TAPE","public_title":null,"options":["Default Title"],"price":229800,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/no1_2fdf4a06-0cdd-45c9-8cc7-34cdcd4b956a.jpg?v=1771025076","\/\/tobirarecords.com\/cdn\/shop\/files\/no2_3825a789-1614-40ba-921e-c3c7f6e0bbe7.jpg?v=1771025075"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/no1_2fdf4a06-0cdd-45c9-8cc7-34cdcd4b956a.jpg?v=1771025076","options":["Title"],"media":[{"alt":null,"id":38328409981178,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/no1_2fdf4a06-0cdd-45c9-8cc7-34cdcd4b956a.jpg?v=1771025076"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/no1_2fdf4a06-0cdd-45c9-8cc7-34cdcd4b956a.jpg?v=1771025076","width":700},{"alt":null,"id":38328410013946,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/no2_3825a789-1614-40ba-921e-c3c7f6e0bbe7.jpg?v=1771025075"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/no2_3825a789-1614-40ba-921e-c3c7f6e0bbe7.jpg?v=1771025075","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ出身ドイツ在住のマルチ奏者Weston Olenckiが、2026年2月にアメリカ・LAの実験レーベルDinzu Artefacts\u003cspan\u003eから75本限定でリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eロングフォームなエレクトロアコースティック2曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"モジュラー＆FMシンセ、管楽器＆弦楽器、電子音、音響オブジェクト、フィールドレコーディングのための二章構成組曲。本作は具体的な楽譜からアナログ＆デジタルの抽象化へと至る二章の下降構造を呈する。演奏者の具体的な楽譜と人間の存在から始まり、これらは体系的な侵食プロセスに晒される。初期の構成要素は「デジタルダスト」——無意味なデータ断片——へと還元され、アルゴリズム的に再結合される。この過程により素材は本来の構造と意味を完全に失う。作品は最終的に非現実的な空間へと至り、人間の意図が純粋なポストヒューマンデータへと変容する過程への瞑想となる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e無を何かとして望むという概念は、人間の願望の焦点を有形の獲得から究極の否定へと移す、根本的な哲学的転換である。そこには深遠な心理的転換が存在する：我々がしばしば空虚として恐れ、あるいは退ける概念そのものが、欲望や価値、究極の意味の対象として再構築され得るのだ。この概念は、不在を渇望し、その不在を最も価値ある存在として扱うという内在的パラドックスから、その言説的力を引き出す。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「無は虚無と同じか？すべてはその点を中心に展開する。絶対的な放棄である。なぜなら、何も保持されない場所にのみ希望は存在するからだ。無の充満。それがゼロ点を主張する理由である。」\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=126401901\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003ehere\u003c\/a\u003e to see more Dinzu Artefacts releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003ch3\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRELEASE DATE : 20th February 2026\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eIncludes DL code.\u003cbr\u003eCassette in norelco case.\u003cbr\u003eEdition of 75 copies.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. The Age of Impossibility 20:11\u003cbr\u003e2. Endgame 18:55\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFrom the label:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"A two-chapter suite for modular \u0026amp; FM synth, wind \u0026amp; string instruments, electronics, sound objects and field recordings. The work is structured as a two-chapter descent from concrete score to analog \u0026amp; digital abstraction. It begins with the tangible written material and human presence of the performers, which are systematically subjected to a process of erosion. The initial components are reduced to \"digital dust” — meaningless data fragments — then recombined algorithmically. This process entirely empties the material of its original structure and meaning. The work culminates in a final, unreal space, becoming a meditation on the transformation of human intention into pure, post-human data.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe notion of Hope for Nothingness as Something is a radical philosophical pivot, shifting the focus of human aspiration from tangible acquisition to ultimate negation. There's a profound psychological shift: the very concept we often fear or dismiss as empty can be re-framed as an object of desire, value, or ultimate meaning. This concept draws its discursive power from its inherent paradox: desiring an absence and treating that absence as the most valuable presence.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Is nothingness the same as nothing? Everything evolves\u003cspan class=\"bcTruncateMore\"\u003e around that. Absolute discardment, because there is hope only where nothing is retained. The fullness of nothingness. That is the reason for the insistence on the zero point.”\u003cbr\u003e– T. Adorno\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Antonio Gallucci\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Dinzu Artefacts\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : \u003cmeta charset=\"utf-8\"\u003eDNZ120\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ出身ドイツ在住のマルチ奏者Weston Olenckiが、2026年2月にアメリカ・LAの実験レーベルDinzu Artefactsから75本限定でリリースしたカセットです。 ロングフォームなエレクトロアコースティック2曲を収録。DLコード付属。 以下、レーベルによる解説です。 "モジュラー＆FMシンセ、管楽器＆弦楽器、電子音、音響オブジェクト、フィールドレコーディングのための二章構成組曲。本作は具体的な楽譜からアナログ＆デジタルの抽象化へと至る二章の下降構造を呈する。演奏者の具体的な楽譜と人間の存在から始まり、これらは体系的な侵食プロセスに晒される。初期の構成要素は「デジタルダスト」——無意味なデータ断片——へと還元され、アルゴリズム的に再結合される。この過程により素材は本来の構造と意味を完全に失う。作品は最終的に非現実的な空間へと至り、人間の意図が純粋なポストヒューマンデータへと変容する過程への瞑想となる。 無を何かとして望むという概念は、人間の願望の焦点を有形の獲得から究極の否定へと移す、根本的な哲学的転換である。そこには深遠な心理的転換が存在する：我々がしばしば空虚として恐れ、あるいは退ける概念そのものが、欲望や価値、究極の意味の対象として再構築され得るのだ。この概念は、不在を渇望し、その不在を最も価値ある存在として扱うという内在的パラドックスから、その言説的力を引き出す。 「無は虚無と同じか？すべてはその点を中心に展開する。絶対的な放棄である。なぜなら、何も保持されない場所にのみ希望は存在するからだ。無の充満。それがゼロ点を主張する理由である。」" レーベルその他作品はこちら /// Click here to see more Dinzu Artefacts...
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{"id":9081024479482,"title":"Weston Olencki \/\/ Piano Studies TAPE","handle":"weston-olencki-piano-studies-tape","description":"\u003cp\u003eアメリカ出身ドイツ在住のマルチ奏者Weston Olenckiが、2026年2月にアメリカ・LAの実験レーベルDinzu Artefacts\u003cspan\u003eから75本限定でリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e廃棄されたピアノを用いた物音ドローン3曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/weston-olencki-broadsides-lp\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ピアノ・スタディーズは、ストックホルムのEMSで、廃棄されたピアノ本体を用いて録音された一連の作品群である。\u003cbr\u003e自由に浮遊する金属製プリパレーションと様々なマレットを用い、これらの作品は代替的なハンマー脱進機構によって、その骨格フレームから特有の不調和な共鳴を引き出す。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3638548289\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003ehere\u003c\/a\u003e to see more Dinzu Artefacts releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003ch3\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRELEASE DATE : 20th February 2026\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eIncludes DL code.\u003cbr\u003eCassette in norelco case.\u003cbr\u003eEdition of 75 copies.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Sunntig in Züri 18:15\u003cbr\u003e2. Two-part Invention 11:03\u003cbr\u003e3. triad 10:53\u003c\/p\u003e\n\u003cp\u003eDinzu Artefacts:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePiano Studies is a set of pieces recorded on a salvaged piano body at Elektronmusikstudion (EMS) in Stockholm.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eUsing free-floating metal preparations and various mallets, these works use this alternative hammer escapement mechanism to coax a particular inharmonic resonance from its skeleton frame.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Weston Olencki\u003c\/p\u003e\n\u003cp\u003eLabel : Dinzu Artefacts\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDNZ121\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-02-15T06:47:44+09:00","created_at":"2026-02-14T08:22:58+09:00","vendor":"Tobira Records","type":"","tags":["dinzu artefacts","drone","monooto","new","tape"],"price":229800,"price_min":229800,"price_max":229800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48320994377978,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Weston Olencki \/\/ Piano Studies TAPE","public_title":null,"options":["Default Title"],"price":229800,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/pia1.jpg?v=1771024887","\/\/tobirarecords.com\/cdn\/shop\/files\/pia2.jpg?v=1771024887"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/pia1.jpg?v=1771024887","options":["Title"],"media":[{"alt":null,"id":38328395661562,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pia1.jpg?v=1771024887"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pia1.jpg?v=1771024887","width":700},{"alt":null,"id":38328395694330,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pia2.jpg?v=1771024887"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pia2.jpg?v=1771024887","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ出身ドイツ在住のマルチ奏者Weston Olenckiが、2026年2月にアメリカ・LAの実験レーベルDinzu Artefacts\u003cspan\u003eから75本限定でリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e廃棄されたピアノを用いた物音ドローン3曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/weston-olencki-broadsides-lp\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ピアノ・スタディーズは、ストックホルムのEMSで、廃棄されたピアノ本体を用いて録音された一連の作品群である。\u003cbr\u003e自由に浮遊する金属製プリパレーションと様々なマレットを用い、これらの作品は代替的なハンマー脱進機構によって、その骨格フレームから特有の不調和な共鳴を引き出す。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3638548289\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003ehere\u003c\/a\u003e to see more Dinzu Artefacts releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003ch3\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRELEASE DATE : 20th February 2026\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eIncludes DL code.\u003cbr\u003eCassette in norelco case.\u003cbr\u003eEdition of 75 copies.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Sunntig in Züri 18:15\u003cbr\u003e2. Two-part Invention 11:03\u003cbr\u003e3. triad 10:53\u003c\/p\u003e\n\u003cp\u003eDinzu Artefacts:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePiano Studies is a set of pieces recorded on a salvaged piano body at Elektronmusikstudion (EMS) in Stockholm.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eUsing free-floating metal preparations and various mallets, these works use this alternative hammer escapement mechanism to coax a particular inharmonic resonance from its skeleton frame.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Weston Olencki\u003c\/p\u003e\n\u003cp\u003eLabel : Dinzu Artefacts\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDNZ121\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ出身ドイツ在住のマルチ奏者Weston Olenckiが、2026年2月にアメリカ・LAの実験レーベルDinzu Artefactsから75本限定でリリースしたカセットです。 廃棄されたピアノを用いた物音ドローン3曲を収録。DLコード付属。 前作もオススメです。 以下、レーベルによる解説です。 "ピアノ・スタディーズは、ストックホルムのEMSで、廃棄されたピアノ本体を用いて録音された一連の作品群である。自由に浮遊する金属製プリパレーションと様々なマレットを用い、これらの作品は代替的なハンマー脱進機構によって、その骨格フレームから特有の不調和な共鳴を引き出す。" レーベルその他作品はこちら /// Click here to see more Dinzu Artefacts releases...
¥2,298
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{"id":9036655722746,"title":"Pablo Diserens \/\/ ebbing ice lines 2xLP","handle":"pablo-diserens-ebbing-ice-lines-2xlp","description":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※2月中旬発送開始します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eドイツ・ベルリンのフィールドレコーディングレーベル\u003ca href=\"https:\/\/tobirarecords.com\/collections\/foofmi\"\u003eForms of Minutiae\u003c\/a\u003e主宰Pablo Diserensが、2026年1月にアメリカ・LAの実験レーベルDinzu Artefacts\u003cspan\u003eから300部限定でリリースする2枚組レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eアイスランドとフィンランド、ノルウェーのフィールドレコーディング8曲を収録。DLコード付属。ゲートフォルド仕様です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1729199500\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003ehere\u003c\/a\u003e to see more Dinzu Artefacts releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRELEASE DATE : February 2026\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e2 x 12\" black vinyl in gatefold sleeve. \u003cbr\u003eEdition of 300. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSounds from the low arctic : recorded in Iceland, Finland, and Norway between 2018 and 2023.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. melt morphemes (supraglacial) 06:14\u003cbr\u003e2. ebbing ice lines 10:29\u003cbr\u003e3. how much space do you need? 05:06\u003cbr\u003e4. non-night over pseudocraters 08:58\u003cbr\u003e5. world in the process of making itself 05:35\u003cbr\u003e6. basaltic reverie 07:34\u003cbr\u003e7. melt morphemes (proglacial) 05:49\u003cbr\u003e8. mapping moulins 10:36\u003c\/p\u003e\n\u003cp\u003eText excerpt written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAnton Spice, via the label:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e2025 was declared the International Year of Glaciers’ Preservation by the United Nations, accompanied by the proclamation of March 21st of each year as the World Day for Glaciers starting this year. As they put it, “this is an opportunity to raise global awareness about the critical role of glaciers, snow and ice in the climate system and the hydrological cycle, and the economic, social and environmental impacts of the impending changes in the Earth’s cryosphere.” To celebrate this decision forms of minutiae presents a series of albums dedicated to glaciers and the acoustic multiplicity of the ice with field recording works by Marc Namblard, Ludwig Berger, Yoichi Kamimura, Cheryl E. Leonard, and Pablo Diserens\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFor the fifth and final album of this series, forms of minutiae teams up with Dinzu Artefacts to present ‘ebbing ice lines’ — a dronesque and geologically-rich journey through the Low Arctic’s melting zones by field recordist, sound artist, and forms of minutiae co-founder Pablo Diserens.\u2028\u2028\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"In a small water-filled crevasse amid the ash-laden, crystalized expanse of Sólheimajökull, a gurgling voice bridged the\u003cspan class=\"bcTruncateMore\"\u003e past and the present in fizzing strings of time-traveling air. Sounding its earthly memory, the glacier released bubbles carrying remembrances of the epochs it had witnessed. Temporal multitudes and a rich existence materialized in its melting. Echoing the animated nature of its jumbled body, the glacier kept growling in bizarre and humorous expressions while losing the particles that formed its skin. It vibrated in an ebullient tongue bristling with lingo. Ambiguous laughters, long laments, sudden regrets, visceral cries, circuit simulations, avian mimicking. This body held it all in a complex vocabulary, out in the open, as if it was grasping, digesting, its own state. And there I was, all ears, my hands on the ice, sharing the intimacy of a body ebbing in murmurs.\" — Pablo Diserens\u003cbr\u003e\u003cbr\u003e‘ebbing ice lines’ is assembled entirely of field recordings made by Diserens on three trips to the Low Arctic – twice to Iceland and once on a self-guided residency with friends and colleagues Diane Barbé and Irwin Barbé at the Kilpisjärvi Biological Station in Finland, on the border with Sweden and Norway. Avian vocalizations, anthropogenic drones, geothermal pipelines, natural resonances, ice symphonies, geological shifts and volcanic eruptions are all characters in the drama of Diserens’ compositions, which like much of their previous work, leans into the smallest details of sound to provide connection and transmission across multiple species, scales and subjectivities.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Pablo Diserens\u003c\/p\u003e\n\u003cp\u003eLabel : Dinzu Artefacts x Forms of Minutiae\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ednz118 \/ \u003cmeta charset=\"utf-8\"\u003efom19\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-12-23T07:05:39+09:00","created_at":"2025-12-21T09:32:28+09:00","vendor":"Tobira Records","type":"","tags":["dinzu artefacts","field recording","lp","monooto","new","recommended"],"price":659000,"price_min":659000,"price_max":659000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48143903162618,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Pablo Diserens \/\/ ebbing ice lines 2xLP","public_title":null,"options":["Default Title"],"price":659000,"weight":630,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ebb1_42f0250c-c32a-42e1-b909-f242ec128445.jpg?v=1766276912","\/\/tobirarecords.com\/cdn\/shop\/files\/ebb2.jpg?v=1766276911","\/\/tobirarecords.com\/cdn\/shop\/files\/ebb3.jpg?v=1766276911"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ebb1_42f0250c-c32a-42e1-b909-f242ec128445.jpg?v=1766276912","options":["Title"],"media":[{"alt":null,"id":37861803819258,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ebb1_42f0250c-c32a-42e1-b909-f242ec128445.jpg?v=1766276912"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ebb1_42f0250c-c32a-42e1-b909-f242ec128445.jpg?v=1766276912","width":700},{"alt":null,"id":37861803852026,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ebb2.jpg?v=1766276911"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ebb2.jpg?v=1766276911","width":1200},{"alt":null,"id":37861803884794,"position":3,"preview_image":{"aspect_ratio":1.25,"height":960,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ebb3.jpg?v=1766276911"},"aspect_ratio":1.25,"height":960,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ebb3.jpg?v=1766276911","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※2月中旬発送開始します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eドイツ・ベルリンのフィールドレコーディングレーベル\u003ca href=\"https:\/\/tobirarecords.com\/collections\/foofmi\"\u003eForms of Minutiae\u003c\/a\u003e主宰Pablo Diserensが、2026年1月にアメリカ・LAの実験レーベルDinzu Artefacts\u003cspan\u003eから300部限定でリリースする2枚組レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eアイスランドとフィンランド、ノルウェーのフィールドレコーディング8曲を収録。DLコード付属。ゲートフォルド仕様です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1729199500\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003ehere\u003c\/a\u003e to see more Dinzu Artefacts releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRELEASE DATE : February 2026\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e2 x 12\" black vinyl in gatefold sleeve. \u003cbr\u003eEdition of 300. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSounds from the low arctic : recorded in Iceland, Finland, and Norway between 2018 and 2023.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. melt morphemes (supraglacial) 06:14\u003cbr\u003e2. ebbing ice lines 10:29\u003cbr\u003e3. how much space do you need? 05:06\u003cbr\u003e4. non-night over pseudocraters 08:58\u003cbr\u003e5. world in the process of making itself 05:35\u003cbr\u003e6. basaltic reverie 07:34\u003cbr\u003e7. melt morphemes (proglacial) 05:49\u003cbr\u003e8. mapping moulins 10:36\u003c\/p\u003e\n\u003cp\u003eText excerpt written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAnton Spice, via the label:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e2025 was declared the International Year of Glaciers’ Preservation by the United Nations, accompanied by the proclamation of March 21st of each year as the World Day for Glaciers starting this year. As they put it, “this is an opportunity to raise global awareness about the critical role of glaciers, snow and ice in the climate system and the hydrological cycle, and the economic, social and environmental impacts of the impending changes in the Earth’s cryosphere.” To celebrate this decision forms of minutiae presents a series of albums dedicated to glaciers and the acoustic multiplicity of the ice with field recording works by Marc Namblard, Ludwig Berger, Yoichi Kamimura, Cheryl E. Leonard, and Pablo Diserens\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFor the fifth and final album of this series, forms of minutiae teams up with Dinzu Artefacts to present ‘ebbing ice lines’ — a dronesque and geologically-rich journey through the Low Arctic’s melting zones by field recordist, sound artist, and forms of minutiae co-founder Pablo Diserens.\u2028\u2028\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"In a small water-filled crevasse amid the ash-laden, crystalized expanse of Sólheimajökull, a gurgling voice bridged the\u003cspan class=\"bcTruncateMore\"\u003e past and the present in fizzing strings of time-traveling air. Sounding its earthly memory, the glacier released bubbles carrying remembrances of the epochs it had witnessed. Temporal multitudes and a rich existence materialized in its melting. Echoing the animated nature of its jumbled body, the glacier kept growling in bizarre and humorous expressions while losing the particles that formed its skin. It vibrated in an ebullient tongue bristling with lingo. Ambiguous laughters, long laments, sudden regrets, visceral cries, circuit simulations, avian mimicking. This body held it all in a complex vocabulary, out in the open, as if it was grasping, digesting, its own state. And there I was, all ears, my hands on the ice, sharing the intimacy of a body ebbing in murmurs.\" — Pablo Diserens\u003cbr\u003e\u003cbr\u003e‘ebbing ice lines’ is assembled entirely of field recordings made by Diserens on three trips to the Low Arctic – twice to Iceland and once on a self-guided residency with friends and colleagues Diane Barbé and Irwin Barbé at the Kilpisjärvi Biological Station in Finland, on the border with Sweden and Norway. Avian vocalizations, anthropogenic drones, geothermal pipelines, natural resonances, ice symphonies, geological shifts and volcanic eruptions are all characters in the drama of Diserens’ compositions, which like much of their previous work, leans into the smallest details of sound to provide connection and transmission across multiple species, scales and subjectivities.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Pablo Diserens\u003c\/p\u003e\n\u003cp\u003eLabel : Dinzu Artefacts x Forms of Minutiae\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ednz118 \/ \u003cmeta charset=\"utf-8\"\u003efom19\u003c\/span\u003e\u003c\/p\u003e"}
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※2月中旬発送開始します ドイツ・ベルリンのフィールドレコーディングレーベルForms of Minutiae主宰Pablo Diserensが、2026年1月にアメリカ・LAの実験レーベルDinzu Artefactsから300部限定でリリースする2枚組レコードです。 アイスランドとフィンランド、ノルウェーのフィールドレコーディング8曲を収録。DLコード付属。ゲートフォルド仕様です。 レーベルその他作品はこちら /// Click here to see more Dinzu Artefacts releases...
¥6,590
![Neti-Neti // Echo of Being / Grace in Rot LP [COLOR]](http://tobirarecords.com/cdn/shop/files/echo1_bb3a3b81-48e5-4a95-a352-aff3f1b11df5_medium.jpg?v=1760571960)
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{"id":8957603807482,"title":"Neti-Neti \/\/ Echo of Being \/ Grace in Rot LP [COLOR]","handle":"neti-neti-echo-of-being-grace-in-rot-lp-color","description":"\u003cp\u003eアメリカの実験音楽家Amirtha KidambiとMatt EvansによるデュオNeti-Netiが、2025年10月にLAの実験レーベルDinzu Artefacts\u003cspan\u003eから100部限定でリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e声とフィードバック、ドラムによる一発録音7曲を収録。DLコード付属。クリーム色盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3137994210\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003ehere\u003c\/a\u003e to see more Dinzu Artefacts releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e12\" milky clear vinyl. \u003cbr\u003eEdition of 100. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Echo of Being 04:12\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. Every Wound is a Weapon 05:49\u003cbr\u003e\u003c\/span\u003e3. Memory in Veil 06:20\u003cbr\u003e4. Alive in the Belly of a (Green) Bird 07:04\u003cbr\u003e5. Devoted Light 04:41\u003cbr\u003e6. Grace in Rot 04:44\u003cbr\u003e7. Shraddha 02:42\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eDinzu Artefacts:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eEcho of Being \/ Grace in Rot is a powerful sonic meditation on grief by the duo Neti-Neti, composed of vocalist Amirtha Kidambi and percussionist Matt Evans. The project originated from improvisation sessions born out of personal loss, evolving from an intimate exchange into a practice that bridges the personal and the political.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn early 2024, producer Nick Zanca worked with Kidambi and Evans to capture their evolving sound in a full studio setting. Recorded in a single day at a West Village studio with engineer Sarah Galdes, the session unfolded as an unbroken flow, propelled by the immediacy of live energy and the duo’s deep improvisational connection. Here, Kidambi’s voice moves fluidly between South Asian vocal traditions and extended techniques, amplified and reshaped through real-time processing, delays, and layers of harmonic distortion. Evans’ percussion becomes both rhythmic engine and textural sculpture, his drums and cymbals feeding into samplers, effects, and loops that refract each gesture into new shapes. Both musicians harness feedback—not as background noise, but as a visceral, structural force—letting sustained tones and resonances pulse through the body like a physical presence.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe result is a sound world that fuses syncopated\u003cspan class=\"bcTruncateMore\"\u003e grooves, cathartic outbursts, and meditative drones into a ritualistic electroacoustic space. At times sparse and suspended, at times dense with surging overtones, the music channels the corporeal force of feedback and the psychoacoustic play of sustained tones, evoking both the sacred drones of Eliane Radigue and the raw immediacy of This Heat’s rhythmic noise. A haunting final take, performed in total darkness, captures the duo at their most immersive—an enveloping, almost otherworldly experience in which the air itself seems to vibrate with loss and memory.\u003cbr\u003e\u003cbr\u003eEcho of Being \/ Grace in Rot draws its emotional weight from both personal bereavement and the collective grief of our era, shaped by the relentless feed of traumatic images and news. The record challenges listeners to confront these overwhelming realities, transforming mourning into a shared act of resistance and healing. It reclaims humanity amidst the unimaginable, offering not only a document of sound but a space for reflection, embodiment, and resilience.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Neti-Neti\u003c\/p\u003e\n\u003cp\u003eLabel : Dinzu Artefacts\u003c\/p\u003e","published_at":"2025-10-18T06:02:16+09:00","created_at":"2025-10-16T08:47:33+09:00","vendor":"Tobira Records","type":"","tags":["dinzu artefacts","drone","jazz","lp","new"],"price":454000,"price_min":454000,"price_max":454000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47827031687418,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Neti-Neti \/\/ Echo of Being \/ Grace in Rot LP [COLOR]","public_title":null,"options":["Default Title"],"price":454000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/echo1_bb3a3b81-48e5-4a95-a352-aff3f1b11df5.jpg?v=1760571960","\/\/tobirarecords.com\/cdn\/shop\/files\/echo2_5a2c4d21-0e83-497d-90e5-e1e37c923c34.jpg?v=1760571960"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/echo1_bb3a3b81-48e5-4a95-a352-aff3f1b11df5.jpg?v=1760571960","options":["Title"],"media":[{"alt":null,"id":37116428091642,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/echo1_bb3a3b81-48e5-4a95-a352-aff3f1b11df5.jpg?v=1760571960"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/echo1_bb3a3b81-48e5-4a95-a352-aff3f1b11df5.jpg?v=1760571960","width":700},{"alt":null,"id":37116428124410,"position":2,"preview_image":{"aspect_ratio":1.25,"height":960,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/echo2_5a2c4d21-0e83-497d-90e5-e1e37c923c34.jpg?v=1760571960"},"aspect_ratio":1.25,"height":960,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/echo2_5a2c4d21-0e83-497d-90e5-e1e37c923c34.jpg?v=1760571960","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカの実験音楽家Amirtha KidambiとMatt EvansによるデュオNeti-Netiが、2025年10月にLAの実験レーベルDinzu Artefacts\u003cspan\u003eから100部限定でリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e声とフィードバック、ドラムによる一発録音7曲を収録。DLコード付属。クリーム色盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3137994210\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003ehere\u003c\/a\u003e to see more Dinzu Artefacts releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e12\" milky clear vinyl. \u003cbr\u003eEdition of 100. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Echo of Being 04:12\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. Every Wound is a Weapon 05:49\u003cbr\u003e\u003c\/span\u003e3. Memory in Veil 06:20\u003cbr\u003e4. Alive in the Belly of a (Green) Bird 07:04\u003cbr\u003e5. Devoted Light 04:41\u003cbr\u003e6. Grace in Rot 04:44\u003cbr\u003e7. Shraddha 02:42\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eDinzu Artefacts:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eEcho of Being \/ Grace in Rot is a powerful sonic meditation on grief by the duo Neti-Neti, composed of vocalist Amirtha Kidambi and percussionist Matt Evans. The project originated from improvisation sessions born out of personal loss, evolving from an intimate exchange into a practice that bridges the personal and the political.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn early 2024, producer Nick Zanca worked with Kidambi and Evans to capture their evolving sound in a full studio setting. Recorded in a single day at a West Village studio with engineer Sarah Galdes, the session unfolded as an unbroken flow, propelled by the immediacy of live energy and the duo’s deep improvisational connection. Here, Kidambi’s voice moves fluidly between South Asian vocal traditions and extended techniques, amplified and reshaped through real-time processing, delays, and layers of harmonic distortion. Evans’ percussion becomes both rhythmic engine and textural sculpture, his drums and cymbals feeding into samplers, effects, and loops that refract each gesture into new shapes. Both musicians harness feedback—not as background noise, but as a visceral, structural force—letting sustained tones and resonances pulse through the body like a physical presence.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe result is a sound world that fuses syncopated\u003cspan class=\"bcTruncateMore\"\u003e grooves, cathartic outbursts, and meditative drones into a ritualistic electroacoustic space. At times sparse and suspended, at times dense with surging overtones, the music channels the corporeal force of feedback and the psychoacoustic play of sustained tones, evoking both the sacred drones of Eliane Radigue and the raw immediacy of This Heat’s rhythmic noise. A haunting final take, performed in total darkness, captures the duo at their most immersive—an enveloping, almost otherworldly experience in which the air itself seems to vibrate with loss and memory.\u003cbr\u003e\u003cbr\u003eEcho of Being \/ Grace in Rot draws its emotional weight from both personal bereavement and the collective grief of our era, shaped by the relentless feed of traumatic images and news. The record challenges listeners to confront these overwhelming realities, transforming mourning into a shared act of resistance and healing. It reclaims humanity amidst the unimaginable, offering not only a document of sound but a space for reflection, embodiment, and resilience.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Neti-Neti\u003c\/p\u003e\n\u003cp\u003eLabel : Dinzu Artefacts\u003c\/p\u003e"}
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アメリカの実験音楽家Amirtha KidambiとMatt EvansによるデュオNeti-Netiが、2025年10月にLAの実験レーベルDinzu Artefactsから100部限定でリリースしたレコードです。 声とフィードバック、ドラムによる一発録音7曲を収録。DLコード付属。クリーム色盤です。 レーベルその他作品はこちら /// Click here to see more Dinzu Artefacts releases available at...
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