Esc.rec.
クイックビュー
{"id":7625918087418,"title":"Plan Kruutntoone \/\/ wat doen de handen LP","handle":"plan-kruutntoone-wat-doen-de-handen-lp","description":"\u003cp\u003eオランダの実験ロックトリオPlan Kruutntooneが、2017年にesc recからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e実験ロック〜スポークンワード8曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2449169520\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\"\u003ehere\u003c\/a\u003e to see more Esc.rec. releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eEsc.rec.:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eThe new album by Plan Kruutntoone is called ‘Wat doen de handen\/ What are the hands at’. The album stands out by bringing together Plan Kruutntoone’s uncompromising own music and pieces for string quartet, written by Hans. The notes bind it together, as do the disconcerting text fragments of Beckett (‘grope in a panic in the mud for the opener that is my life but of what cannot as much be said could not as much be always said my little lost always vast stretch of time’) alternated with those by Hans. They convey a sense of isolation that, by singing about it, opens up. The result is fragile at times, strangely compelling, harsh and repetitive at others.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e‘Wat doen de handen’ was recorded with producer Dolf Planteijdt and is Plan Kruutntoone’s fifth album, following ‘Als alles er af is\/After the Harvest’ (2013), ‘Een mooi pak\/ From all my secret pockets’ (2007), ‘Gelijktijdigwiel\/Sametimewheel’ (2001) en ‘HumpaComa’ (1998). \u003c\/em\u003e\u003cem\u003e(Over the past 25 years!) Plan Kruutntoone has played in Belgium, Germany, Hungary, Croatia, Slovenia, Serbia, Russia and The Netherlands.'\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Plan Kruutntoone\u003c\/p\u003e\n\u003cp\u003eLabel : Esc.rec. \u003c\/p\u003e","published_at":"2022-06-04T14:06:56+09:00","created_at":"2022-06-04T13:06:43+09:00","vendor":"Tobira Records","type":"","tags":["esc.rec.","jazz","lp"],"price":268000,"price_min":268000,"price_max":268000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42821973311738,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Plan Kruutntoone \/\/ wat doen de handen LP","public_title":null,"options":["Default Title"],"price":268000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ha1_398cc7e7-cac0-441f-9efe-a411f8a8b854.jpg?v=1654315604","\/\/tobirarecords.com\/cdn\/shop\/products\/ha2_c4241508-c44f-4dee-bdc6-c24ef7b80bb3.jpg?v=1654315604"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ha1_398cc7e7-cac0-441f-9efe-a411f8a8b854.jpg?v=1654315604","options":["Title"],"media":[{"alt":null,"id":29805711032570,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ha1_398cc7e7-cac0-441f-9efe-a411f8a8b854.jpg?v=1654315604"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ha1_398cc7e7-cac0-441f-9efe-a411f8a8b854.jpg?v=1654315604","width":700},{"alt":null,"id":29805711065338,"position":2,"preview_image":{"aspect_ratio":1.535,"height":782,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ha2_c4241508-c44f-4dee-bdc6-c24ef7b80bb3.jpg?v=1654315604"},"aspect_ratio":1.535,"height":782,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ha2_c4241508-c44f-4dee-bdc6-c24ef7b80bb3.jpg?v=1654315604","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオランダの実験ロックトリオPlan Kruutntooneが、2017年にesc recからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e実験ロック〜スポークンワード8曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2449169520\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\"\u003ehere\u003c\/a\u003e to see more Esc.rec. releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eEsc.rec.:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eThe new album by Plan Kruutntoone is called ‘Wat doen de handen\/ What are the hands at’. The album stands out by bringing together Plan Kruutntoone’s uncompromising own music and pieces for string quartet, written by Hans. The notes bind it together, as do the disconcerting text fragments of Beckett (‘grope in a panic in the mud for the opener that is my life but of what cannot as much be said could not as much be always said my little lost always vast stretch of time’) alternated with those by Hans. They convey a sense of isolation that, by singing about it, opens up. The result is fragile at times, strangely compelling, harsh and repetitive at others.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e‘Wat doen de handen’ was recorded with producer Dolf Planteijdt and is Plan Kruutntoone’s fifth album, following ‘Als alles er af is\/After the Harvest’ (2013), ‘Een mooi pak\/ From all my secret pockets’ (2007), ‘Gelijktijdigwiel\/Sametimewheel’ (2001) en ‘HumpaComa’ (1998). \u003c\/em\u003e\u003cem\u003e(Over the past 25 years!) Plan Kruutntoone has played in Belgium, Germany, Hungary, Croatia, Slovenia, Serbia, Russia and The Netherlands.'\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Plan Kruutntoone\u003c\/p\u003e\n\u003cp\u003eLabel : Esc.rec. \u003c\/p\u003e"}
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オランダの実験ロックトリオPlan Kruutntooneが、2017年にesc recからリリースしたレコードです。 実験ロック〜スポークンワード8曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Esc.rec. releases available at Tobira. -------------------------...
¥2,680
クイックビュー
{"id":7625897410810,"title":"Plan Kruutntoone \u0026 Reinier van Houdt \/\/ pas maar op, want deze tas is van zorro (en zorro houdt van mij) LP","handle":"plan-kruutntoone-reinier-van-houdt-pas-maar-op-want-deze-tas-is-van-zorro-en-zorro-houdt-van-mij-lp","description":"\u003cp\u003e過去にAlga MarghenやHallow Groundなどから発表しているオランダのピアニストReinier Van Houdtと同国実験ロックトリオPlan Kruutntooneが、2020年にesc recから300部限定でリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eインプロ〜スポークンワード10曲を収録。180g重量盤です。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3271225573\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\"\u003ehere\u003c\/a\u003e to see more Esc.rec. releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 300.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eReview by Julian Cowley in\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003eThe Wire:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\"\u003cem\u003eWatch Out, This Bag Belongs To Zorro is, it seems, the title when translated from Dutch. Knowledge of that language would certainly be an advantage if you wish to grasp immediately the meaning of spoken words delivered by various voices within the lean, edgy and occasionally fractious musical context provided by pianist Reinier van Houdt and the trio Plan Kruutntoone. This project is apparently an adaptation of the account of a soldier's pact with the devil dramatised in Stravinsky's L'Histoire Du Soldat. Guttural intonations of Dutch are matched by gruff and stark instrumental accompaniment. Guitar, bass, drums and piano along with interjections from trombone and accordion hang together in loose affiliation, moving jerkily towards the prescribed denouement.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Plan Kruutntoone \u0026amp; Reinier van Houdt\u003c\/p\u003e\n\u003cp\u003eLabel : Esc.rec. \u003c\/p\u003e","published_at":"2022-06-04T14:03:47+09:00","created_at":"2022-06-04T12:17:59+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","esc.rec.","jazz","lp"],"price":289000,"price_min":289000,"price_max":289000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42821830672634,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Plan Kruutntoone \u0026 Reinier van Houdt \/\/ pas maar op, want deze tas is van zorro (en zorro houdt van mij) LP","public_title":null,"options":["Default Title"],"price":289000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/pa1_f387b62f-ad05-4e01-bef4-8331f88c5d64.jpg?v=1654312681","\/\/tobirarecords.com\/cdn\/shop\/products\/pa2_1c73f6e7-8b4c-40ce-804a-861d8a6c3fa0.jpg?v=1654312681"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa1_f387b62f-ad05-4e01-bef4-8331f88c5d64.jpg?v=1654312681","options":["Title"],"media":[{"alt":null,"id":29805557186810,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa1_f387b62f-ad05-4e01-bef4-8331f88c5d64.jpg?v=1654312681"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa1_f387b62f-ad05-4e01-bef4-8331f88c5d64.jpg?v=1654312681","width":700},{"alt":null,"id":29805557219578,"position":2,"preview_image":{"aspect_ratio":1.642,"height":731,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa2_1c73f6e7-8b4c-40ce-804a-861d8a6c3fa0.jpg?v=1654312681"},"aspect_ratio":1.642,"height":731,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa2_1c73f6e7-8b4c-40ce-804a-861d8a6c3fa0.jpg?v=1654312681","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去にAlga MarghenやHallow Groundなどから発表しているオランダのピアニストReinier Van Houdtと同国実験ロックトリオPlan Kruutntooneが、2020年にesc recから300部限定でリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eインプロ〜スポークンワード10曲を収録。180g重量盤です。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3271225573\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\"\u003ehere\u003c\/a\u003e to see more Esc.rec. releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 300.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eReview by Julian Cowley in\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003eThe Wire:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\"\u003cem\u003eWatch Out, This Bag Belongs To Zorro is, it seems, the title when translated from Dutch. Knowledge of that language would certainly be an advantage if you wish to grasp immediately the meaning of spoken words delivered by various voices within the lean, edgy and occasionally fractious musical context provided by pianist Reinier van Houdt and the trio Plan Kruutntoone. This project is apparently an adaptation of the account of a soldier's pact with the devil dramatised in Stravinsky's L'Histoire Du Soldat. Guttural intonations of Dutch are matched by gruff and stark instrumental accompaniment. Guitar, bass, drums and piano along with interjections from trombone and accordion hang together in loose affiliation, moving jerkily towards the prescribed denouement.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Plan Kruutntoone \u0026amp; Reinier van Houdt\u003c\/p\u003e\n\u003cp\u003eLabel : Esc.rec. \u003c\/p\u003e"}
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過去にAlga MarghenやHallow Groundなどから発表しているオランダのピアニストReinier Van Houdtと同国実験ロックトリオPlan Kruutntooneが、2020年にesc recから300部限定でリリースした共作レコードです。 インプロ〜スポークンワード10曲を収録。180g重量盤です。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Esc.rec. releases...
¥2,890
クイックビュー
{"id":7625896067322,"title":"Roel Meelkop \u0026 Marco Douma \/\/ Hoek CD + ARTBOOK","handle":"roel-meelkop-marco-douma-hoek-cd","description":"\u003cp\u003eオランダの大御所実験音楽家\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRoel Meelkopと同国映像作家Marco Doumaが、2022年1月にesc. recから50部限定でリリースしたCD＋写真集です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e彼らがオランダ南西部\u003cmeta charset=\"utf-8\"\u003eHoek van Hollandで行った展覧会用に制作した作品です。写真集には展覧会で使用した映像作品のスティルが掲載されています。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3035816103\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\"\u003ehere\u003c\/a\u003e to see more Esc.rec. releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 50.\u003c\/p\u003e\n\u003cp\u003eText by Esc.rec.:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"This CD and handmade book contain the sound piece and stills from the video work. The book was reproduced with a Nashuatec 1505 copier (which gives it a nice gritty look) and cut\/folded\/assembled by Roel Meelkop, Marco Douma, Jeroen Diepenmaat and Harco Rutgers (see last photo). The video work is accessible via a password-protected link, also included in the book.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e***\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eIn 2012 Roel Meelkop was asked to participate in an exhibition in the small town of Hoek van Holland, which is part of the greater Rotterdam area.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHoek van Holland, or as most people call it, ‘de Hoek’ (literally Corner of Holland, or ‘the Corner’) was originally built in the late 19th century as a defence for the Port of Rotterdam. In World War II it became part of the defence line of the Nazi’s called the Atlantikwall. They built vast underground bunkers in the dunes, many of which are still intact. Some of these are open for public, but most are closed or only accessible to a selected few. The other side of the river shows the industry of the Port of Rotterdam, mainly lots of cranes (un)loading containers from the huge ships that bring them here. But de Hoek is also a seaside resort with wide beaches and matching beach clubs, assuring a wide range of entertainment. And, last but not least, de Hoek has a beautiful dune landscape, giving home to flora and fauna that cannot be found elsewhere.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis mix of activities is something very unique to the town and reason for Roel to ask video artist Marco Douma to collaborate on the project. This resulted in a sound\/video performance in one of the beach clubs in 2012. In this live installation called\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e‘Atlantic Wall’ they focused on Hoek’s surroundings. In 2014 they were asked to participate in a new exhibition in de Hoek. That year they decided to go down into the bunkers, resulting in the sound\/video installation ‘Kiel’ in one of the bunkers that is normally closed to the public.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn the years after this Roel and Marco fantasised about the idea to combine the material of both works in a third edition, which resulted in a sound\/video piece in 2020, titled 'Hoek'.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Roel Meelkop \u0026amp; Marco Douma\u003c\/p\u003e\n\u003cp\u003eLabel : Esc.rec.\u003c\/p\u003e","published_at":"2022-06-04T13:52:43+09:00","created_at":"2022-06-04T12:14:28+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","esc.rec.","field recording","monooto"],"price":418000,"price_min":418000,"price_max":418000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42821822349562,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Roel Meelkop \u0026 Marco Douma \/\/ Hoek CD + ARTBOOK","public_title":null,"options":["Default Title"],"price":418000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ho1_1c867785-807f-4f8d-a4ab-db676f533702.jpg?v=1654312470","\/\/tobirarecords.com\/cdn\/shop\/products\/ho2_26e44045-a576-401d-8f15-17d18e66dc92.jpg?v=1654312470","\/\/tobirarecords.com\/cdn\/shop\/products\/ho3_267ee970-ebdb-4812-baca-657c1052fd56.jpg?v=1654312470"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ho1_1c867785-807f-4f8d-a4ab-db676f533702.jpg?v=1654312470","options":["Title"],"media":[{"alt":null,"id":29805547094266,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ho1_1c867785-807f-4f8d-a4ab-db676f533702.jpg?v=1654312470"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ho1_1c867785-807f-4f8d-a4ab-db676f533702.jpg?v=1654312470","width":700},{"alt":null,"id":29805547127034,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ho2_26e44045-a576-401d-8f15-17d18e66dc92.jpg?v=1654312470"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ho2_26e44045-a576-401d-8f15-17d18e66dc92.jpg?v=1654312470","width":1200},{"alt":null,"id":29805547159802,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ho3_267ee970-ebdb-4812-baca-657c1052fd56.jpg?v=1654312470"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ho3_267ee970-ebdb-4812-baca-657c1052fd56.jpg?v=1654312470","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオランダの大御所実験音楽家\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRoel Meelkopと同国映像作家Marco Doumaが、2022年1月にesc. recから50部限定でリリースしたCD＋写真集です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e彼らがオランダ南西部\u003cmeta charset=\"utf-8\"\u003eHoek van Hollandで行った展覧会用に制作した作品です。写真集には展覧会で使用した映像作品のスティルが掲載されています。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3035816103\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\"\u003ehere\u003c\/a\u003e to see more Esc.rec. releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 50.\u003c\/p\u003e\n\u003cp\u003eText by Esc.rec.:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"This CD and handmade book contain the sound piece and stills from the video work. The book was reproduced with a Nashuatec 1505 copier (which gives it a nice gritty look) and cut\/folded\/assembled by Roel Meelkop, Marco Douma, Jeroen Diepenmaat and Harco Rutgers (see last photo). The video work is accessible via a password-protected link, also included in the book.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e***\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eIn 2012 Roel Meelkop was asked to participate in an exhibition in the small town of Hoek van Holland, which is part of the greater Rotterdam area.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHoek van Holland, or as most people call it, ‘de Hoek’ (literally Corner of Holland, or ‘the Corner’) was originally built in the late 19th century as a defence for the Port of Rotterdam. In World War II it became part of the defence line of the Nazi’s called the Atlantikwall. They built vast underground bunkers in the dunes, many of which are still intact. Some of these are open for public, but most are closed or only accessible to a selected few. The other side of the river shows the industry of the Port of Rotterdam, mainly lots of cranes (un)loading containers from the huge ships that bring them here. But de Hoek is also a seaside resort with wide beaches and matching beach clubs, assuring a wide range of entertainment. And, last but not least, de Hoek has a beautiful dune landscape, giving home to flora and fauna that cannot be found elsewhere.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis mix of activities is something very unique to the town and reason for Roel to ask video artist Marco Douma to collaborate on the project. This resulted in a sound\/video performance in one of the beach clubs in 2012. In this live installation called\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e‘Atlantic Wall’ they focused on Hoek’s surroundings. In 2014 they were asked to participate in a new exhibition in de Hoek. That year they decided to go down into the bunkers, resulting in the sound\/video installation ‘Kiel’ in one of the bunkers that is normally closed to the public.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn the years after this Roel and Marco fantasised about the idea to combine the material of both works in a third edition, which resulted in a sound\/video piece in 2020, titled 'Hoek'.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Roel Meelkop \u0026amp; Marco Douma\u003c\/p\u003e\n\u003cp\u003eLabel : Esc.rec.\u003c\/p\u003e"}
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オランダの大御所実験音楽家Roel Meelkopと同国映像作家Marco Doumaが、2022年1月にesc. recから50部限定でリリースしたCD＋写真集です。 彼らがオランダ南西部Hoek van Hollandで行った展覧会用に制作した作品です。写真集には展覧会で使用した映像作品のスティルが掲載されています。 レーベルその他作品はこちら /// Click here to see more Esc.rec. releases available...
¥4,180
クイックビュー
{"id":7491477995770,"title":"Salmoni \/\/ Salmoni TAPE","handle":"salmoni-salmoni-tape","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eイタリアのアコースティックデュオSalmoniが、\u003c\/span\u003e2021年11月にオランダの実験レーベルesc recから80部限定でリリースした最新作です。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eアコースティックギターやハーモニウムを用いた、素朴ながらも味わい深いアンビエントフォーク7曲を収録。DLコード付属。廃盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=774187864\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\"\u003ehere\u003c\/a\u003e to see more Esc.rec. releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 80.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCassette tape, packaged in handmade fold-out cover on recycled paper\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eEsc.rec.:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSalmoni is an acoustic duo formed by Filippo Gillono on acoustic guitar and Zevi Bordovach on harmonium. In 2019 they started a cohabitation in Turin with other musicians from the experimental scene of the city. Their common devotion to Robert Wyatt leads the two musicians to start playing together, at first with out any precise aim, but after a while an interesting sound and new compositions emerged. So begins a musical research to reach a spontaneous, instinctual, ancestral sound. Their first album 'Salmoni' is the consideration of the life of a wild salmon. Acoustic instruments, tape recorders and field recordings create an intimate dialogue, suggesting a musical reflection that explores streams and changes of life. It’s been recorded completely at home on an old National tape recorder.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePlease note that the track titled 'Full album' is longer than all the separate tracks put together.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFilippo Gillono is an Italian guitarist and composer, he studied in Turin Jazz guitar (BA) and Jazz composition (MA). He is an active member of the experimental and improv scene in Turin. Over the past years he has been working internationally with the trio Naso 2, and the Italian collective Pietra Tonale.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eZevi Bordovach, based in Turin, plays piano\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e, harmonium and keyboards. He’s been working internationally over the past years with Andrea Laszlo de Simone, Francesco Bianconi, Pietra Tonale and others.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e~\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eFilippo Gillono: acoustic guitar, prepared piano, objects, field recording, vocals, tapes\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cbr\u003eZevi Bordovach: harmonium, prepared piano, objects, field recording, vocals, lyrics\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Salmoni\u003c\/p\u003e\n\u003cp\u003eLabel : Esc.rec.\u003c\/p\u003e","published_at":"2021-12-12T16:08:32+09:00","created_at":"2021-12-12T15:08:02+09:00","vendor":"Tobira Records","type":"","tags":["ambient","esc.rec.","folk \/ left-field pop","tape"],"price":229000,"price_min":229000,"price_max":229000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42181924585722,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Salmoni \/\/ Salmoni TAPE","public_title":null,"options":["Default Title"],"price":229000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/mo1_df8d5155-b0dd-41cd-9fbc-e8c70ed89825.jpg?v=1639289284","\/\/tobirarecords.com\/cdn\/shop\/products\/mo2_614a656f-fb30-4f62-804c-657884fd5198.jpg?v=1639289284"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/mo1_df8d5155-b0dd-41cd-9fbc-e8c70ed89825.jpg?v=1639289284","options":["Title"],"media":[{"alt":null,"id":28858393231610,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mo1_df8d5155-b0dd-41cd-9fbc-e8c70ed89825.jpg?v=1639289284"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mo1_df8d5155-b0dd-41cd-9fbc-e8c70ed89825.jpg?v=1639289284","width":700},{"alt":null,"id":28858393264378,"position":2,"preview_image":{"aspect_ratio":1.729,"height":694,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mo2_614a656f-fb30-4f62-804c-657884fd5198.jpg?v=1639289284"},"aspect_ratio":1.729,"height":694,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mo2_614a656f-fb30-4f62-804c-657884fd5198.jpg?v=1639289284","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eイタリアのアコースティックデュオSalmoniが、\u003c\/span\u003e2021年11月にオランダの実験レーベルesc recから80部限定でリリースした最新作です。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eアコースティックギターやハーモニウムを用いた、素朴ながらも味わい深いアンビエントフォーク7曲を収録。DLコード付属。廃盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=774187864\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\"\u003ehere\u003c\/a\u003e to see more Esc.rec. releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 80.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCassette tape, packaged in handmade fold-out cover on recycled paper\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eEsc.rec.:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSalmoni is an acoustic duo formed by Filippo Gillono on acoustic guitar and Zevi Bordovach on harmonium. In 2019 they started a cohabitation in Turin with other musicians from the experimental scene of the city. Their common devotion to Robert Wyatt leads the two musicians to start playing together, at first with out any precise aim, but after a while an interesting sound and new compositions emerged. So begins a musical research to reach a spontaneous, instinctual, ancestral sound. Their first album 'Salmoni' is the consideration of the life of a wild salmon. Acoustic instruments, tape recorders and field recordings create an intimate dialogue, suggesting a musical reflection that explores streams and changes of life. It’s been recorded completely at home on an old National tape recorder.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePlease note that the track titled 'Full album' is longer than all the separate tracks put together.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFilippo Gillono is an Italian guitarist and composer, he studied in Turin Jazz guitar (BA) and Jazz composition (MA). He is an active member of the experimental and improv scene in Turin. Over the past years he has been working internationally with the trio Naso 2, and the Italian collective Pietra Tonale.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eZevi Bordovach, based in Turin, plays piano\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e, harmonium and keyboards. He’s been working internationally over the past years with Andrea Laszlo de Simone, Francesco Bianconi, Pietra Tonale and others.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e~\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eFilippo Gillono: acoustic guitar, prepared piano, objects, field recording, vocals, tapes\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cbr\u003eZevi Bordovach: harmonium, prepared piano, objects, field recording, vocals, lyrics\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Salmoni\u003c\/p\u003e\n\u003cp\u003eLabel : Esc.rec.\u003c\/p\u003e"}
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イタリアのアコースティックデュオSalmoniが、2021年11月にオランダの実験レーベルesc recから80部限定でリリースした最新作です。 アコースティックギターやハーモニウムを用いた、素朴ながらも味わい深いアンビエントフォーク7曲を収録。DLコード付属。廃盤です。 レーベルその他作品はこちら /// Click here to see more Esc.rec. releases available at Tobira. ------------------------- Edition...
¥2,290
クイックビュー
{"id":7491476390138,"title":"Nobuka \/\/ Reiko LP","handle":"nobuka-reiko-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eオランダの実験音楽家Nobukaが、\u003c\/span\u003e2021年10月に同国実験レーベルesc recから100部限定でリリースした最新作です。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eフィールドレコーディングやテープレコーダーを用いた物音コラージュ〜アンビエントドローン11曲を収録。12ページのブックレットとDLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=867518193\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=4099232481\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2054528079\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\"\u003ehere\u003c\/a\u003e to see more Esc.rec. releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003eText by Esc.rec.:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAs nobuka, Michel van Collenburg makes experimental, lo-fi electronic music. Working from a DIY mentality with field recordings, tape recorders and other analog equipment. In his live performances he aims to create meditative soundscapes that\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e have often been described as hypnotic and cinematographic.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e-----------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eToday is the first day she begins longing for the end.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIs it possible to be aware of living in a pre-apocalyptic time? Or does that realization come after the fact? And if so, what would you do? Prepare for the worst, or live life to the fullest?\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA city.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eScarred by the effects of climate change and burdened with the imminent threat of viruses.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA girl.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWho has her own demons. Anxiety, depression, a dead end job. Wandering the streets, swallowed by a mass of commuters.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThese storylines are the inspiration for Reiko. A musical and visual experiment. An exploration of the collective and individual human mind. A project that encompasses an album, a website and an Augmented Reality app.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : nobuka\u003c\/p\u003e\n\u003cp\u003eLabel : Esc.rec. \u003c\/p\u003e","published_at":"2021-12-12T16:04:16+09:00","created_at":"2021-12-12T15:03:49+09:00","vendor":"Tobira Records","type":"","tags":["ambient","drone","esc.rec.","lp","monooto"],"price":348000,"price_min":348000,"price_max":348000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42181907579130,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Nobuka \/\/ Reiko LP","public_title":null,"options":["Default Title"],"price":348000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ko1_5bbb6b43-a983-4731-96a1-626da2ba3497.jpg?v=1639289031","\/\/tobirarecords.com\/cdn\/shop\/products\/ko2_ed428e19-4bf3-4620-9c1b-186c86c0004c.jpg?v=1639289031"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ko1_5bbb6b43-a983-4731-96a1-626da2ba3497.jpg?v=1639289031","options":["Title"],"media":[{"alt":null,"id":28858386284794,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ko1_5bbb6b43-a983-4731-96a1-626da2ba3497.jpg?v=1639289031"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ko1_5bbb6b43-a983-4731-96a1-626da2ba3497.jpg?v=1639289031","width":700},{"alt":null,"id":28858386317562,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ko2_ed428e19-4bf3-4620-9c1b-186c86c0004c.jpg?v=1639289031"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ko2_ed428e19-4bf3-4620-9c1b-186c86c0004c.jpg?v=1639289031","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eオランダの実験音楽家Nobukaが、\u003c\/span\u003e2021年10月に同国実験レーベルesc recから100部限定でリリースした最新作です。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eフィールドレコーディングやテープレコーダーを用いた物音コラージュ〜アンビエントドローン11曲を収録。12ページのブックレットとDLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=867518193\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=4099232481\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2054528079\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\"\u003ehere\u003c\/a\u003e to see more Esc.rec. releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003eText by Esc.rec.:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAs nobuka, Michel van Collenburg makes experimental, lo-fi electronic music. Working from a DIY mentality with field recordings, tape recorders and other analog equipment. In his live performances he aims to create meditative soundscapes that\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e have often been described as hypnotic and cinematographic.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e-----------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eToday is the first day she begins longing for the end.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIs it possible to be aware of living in a pre-apocalyptic time? Or does that realization come after the fact? And if so, what would you do? Prepare for the worst, or live life to the fullest?\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA city.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eScarred by the effects of climate change and burdened with the imminent threat of viruses.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA girl.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWho has her own demons. Anxiety, depression, a dead end job. Wandering the streets, swallowed by a mass of commuters.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThese storylines are the inspiration for Reiko. A musical and visual experiment. An exploration of the collective and individual human mind. A project that encompasses an album, a website and an Augmented Reality app.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : nobuka\u003c\/p\u003e\n\u003cp\u003eLabel : Esc.rec. \u003c\/p\u003e"}
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オランダの実験音楽家Nobukaが、2021年10月に同国実験レーベルesc recから100部限定でリリースした最新作です。 フィールドレコーディングやテープレコーダーを用いた物音コラージュ〜アンビエントドローン11曲を収録。12ページのブックレットとDLコード付属。 レーベルその他作品はこちら /// Click here to see more Esc.rec. releases available at Tobira. ------------------------- Edition...
¥3,480
クイックビュー
{"id":7491475177722,"title":"Jon Doe One \/\/ Sol Invictus LP","handle":"jon-doe-one-sol-invictus-lp","description":"\u003cp\u003e過去に\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEntr'acteなどから発表しているベルギー・アントワープの実験音楽家Jon Doe Oneが、\u003c\/span\u003e2021年11月にオランダの実験レーベルesc recから250部限定でリリースした最新作です。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eバリトンサックスやクラリネットを用いたアコースティック・ドローン〜ネオクラシカル・ジャズ4曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=287096363\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\"\u003ehere\u003c\/a\u003e to see more Esc.rec. releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 250.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan mce-data-marked=\"1\"\u003eNotes:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"I\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eIt was in a dream that Johannes d’Hoine had emerged from the winter of suspended animation. Horror Vacui, his last record, had marked a nadir: in trying to whittle the musical gesture to its core, he’d inadvertently tapped into some ungodly frequency, reduced to a shadow of a man by the bleakness of his compositions. And the world had followed suit, as though his imagination had unleashed catastrophe onto the air waves, a self-fulfilling prophecy on a global scale. Had his music infected others, or was the plague merely a mirror to his own deleterious tendencies?\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eII\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eAfter the fall, the double bass had remained a consolation, seeming to speak to the low-pitched times. But, by some curious operation, every time that he took to it, beautiful melodies would slip between his fingers, asserting themselves despite him. In the dream, the quag of thoughts that had been clouding his mind now crystallised. A lit door, d’Hoine walking towards it. No need for Freud: d’Hoine had conjured the dream to resolve the problem. And so the composer began to shy away from the darkness he had previously\u003cspan class=\"bcTruncateMore\"\u003e sought and started looking towards the light.\u003cbr\u003e\u003cbr\u003eIII\u003cbr\u003eSol Invictus was to be his own fiat lux, an invocation of the lighter regions of his mind. It was time to cast off the short days, to invite beauty and organic matter into his music. And so he conjured the elements: first wind, which needs air and breath to resonate. Hanne De Backer took to visiting under cover of night, saxophone secreted under her coat. Then Berlinde Deman, with her rare Renaissance serpent. For the record, the trinity united at Vooruit, joined by visual artist Stijn Grupping, who had devised a light installation that responded to sound. I saw them that spring. I saw rays dance a ritual over the room. And out of darkness, Jon Doe becoming One with light.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e~\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003eVital Weekly review \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eby Sven Schlijper-Karssenberg\u003c\/span\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e\"...\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003ethis LP ticks the boxes of: gloom, insecurity, isolation, hope, tranquillity, no high energy. And above all: breath and breathing.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMachinefabriek has made records called With Drums and With Voices. Aube worked with only fire on one record (one amongst many experiments with sole source material). Hazard produced a record focusing on wind. Sol Invictus is not made with sounds of breath only. Nor with only wind instruments. But somewhere in the suspended winterly animation of this record, breath and breathing takes a chokehold on all proceedings. Both are always near, close and up-close and personal.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis breathing goes without saying. But it is never taken for granted as the constituent factor per se for these epic, languid, long melodic lines. Here: breath and breathing, too, both, elements that are severely implicated in terms of gestural musical impact, but – of course – also took centre stage in the deadly respiratory pandemic and airborne catastrophe we find ourselves in. This record then, also, like an affirmation of the adage: to breathe is to be alive.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSol Invictus touches the extremes of our current life and times: personal, local, and grander scales. Slowly plucking away the double bass is a somewhat reassuring presence, comforting though hardly less melancholic in its voicings. And yet. But still. From the stillness and darkness comes a sense of forwarding motion and a notion of 'vooruit', of on with it, of moving ahead and pushing through. Sol Invictus then also as a ritual of cleansing, leaving behind, shedding skin, moving on.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSlowly composition folds into improvisation as cut-up loops merge with close-mic'd bass clarinet as if the listener is inside the instrument. These tracks are imbued with masterly detail and the most subtle of presences. Therewith notions of ambient are kept at bay, precisely because attention is constantly jolted into heightened states of awareness, without the use of scare tactics – no: these long lines ebb and flow in sparse fields overgrown with the aesthetics of Another Timbre or Touch and mellowed, hallowed echoes of or reverberations in the innermost workings of elemental industrial. A cathartic celebration out of time, of all times, through these (dark) ages.\"\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jon Doe One\u003c\/p\u003e\n\u003cp\u003eLabel : Esc.rec.\u003c\/p\u003e\n\u003ch2 class=\"trackTitle\"\u003e\u003c\/h2\u003e","published_at":"2021-12-12T15:59:38+09:00","created_at":"2021-12-12T15:00:43+09:00","vendor":"Tobira Records","type":"","tags":["esc.rec.","jazz","lp","neo classical","sale22"],"price":298000,"price_min":298000,"price_max":298000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42181894439162,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Jon Doe One \/\/ Sol Invictus LP","public_title":null,"options":["Default Title"],"price":298000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/in1_194aa7f8-8d61-4a79-aa2b-e42e1cc79056.jpg?v=1639288845","\/\/tobirarecords.com\/cdn\/shop\/products\/in2_2a7e3a93-2c6f-4dfd-b97f-60a4d44c30ab.jpg?v=1639288845"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/in1_194aa7f8-8d61-4a79-aa2b-e42e1cc79056.jpg?v=1639288845","options":["Title"],"media":[{"alt":null,"id":28858380091642,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/in1_194aa7f8-8d61-4a79-aa2b-e42e1cc79056.jpg?v=1639288845"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/in1_194aa7f8-8d61-4a79-aa2b-e42e1cc79056.jpg?v=1639288845","width":700},{"alt":null,"id":28858380124410,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/in2_2a7e3a93-2c6f-4dfd-b97f-60a4d44c30ab.jpg?v=1639288845"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/in2_2a7e3a93-2c6f-4dfd-b97f-60a4d44c30ab.jpg?v=1639288845","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去に\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEntr'acteなどから発表しているベルギー・アントワープの実験音楽家Jon Doe Oneが、\u003c\/span\u003e2021年11月にオランダの実験レーベルesc recから250部限定でリリースした最新作です。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eバリトンサックスやクラリネットを用いたアコースティック・ドローン〜ネオクラシカル・ジャズ4曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=287096363\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\"\u003ehere\u003c\/a\u003e to see more Esc.rec. releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 250.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan mce-data-marked=\"1\"\u003eNotes:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"I\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eIt was in a dream that Johannes d’Hoine had emerged from the winter of suspended animation. Horror Vacui, his last record, had marked a nadir: in trying to whittle the musical gesture to its core, he’d inadvertently tapped into some ungodly frequency, reduced to a shadow of a man by the bleakness of his compositions. And the world had followed suit, as though his imagination had unleashed catastrophe onto the air waves, a self-fulfilling prophecy on a global scale. Had his music infected others, or was the plague merely a mirror to his own deleterious tendencies?\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eII\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eAfter the fall, the double bass had remained a consolation, seeming to speak to the low-pitched times. But, by some curious operation, every time that he took to it, beautiful melodies would slip between his fingers, asserting themselves despite him. In the dream, the quag of thoughts that had been clouding his mind now crystallised. A lit door, d’Hoine walking towards it. No need for Freud: d’Hoine had conjured the dream to resolve the problem. And so the composer began to shy away from the darkness he had previously\u003cspan class=\"bcTruncateMore\"\u003e sought and started looking towards the light.\u003cbr\u003e\u003cbr\u003eIII\u003cbr\u003eSol Invictus was to be his own fiat lux, an invocation of the lighter regions of his mind. It was time to cast off the short days, to invite beauty and organic matter into his music. And so he conjured the elements: first wind, which needs air and breath to resonate. Hanne De Backer took to visiting under cover of night, saxophone secreted under her coat. Then Berlinde Deman, with her rare Renaissance serpent. For the record, the trinity united at Vooruit, joined by visual artist Stijn Grupping, who had devised a light installation that responded to sound. I saw them that spring. I saw rays dance a ritual over the room. And out of darkness, Jon Doe becoming One with light.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e~\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003eVital Weekly review \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eby Sven Schlijper-Karssenberg\u003c\/span\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e\"...\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003ethis LP ticks the boxes of: gloom, insecurity, isolation, hope, tranquillity, no high energy. And above all: breath and breathing.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMachinefabriek has made records called With Drums and With Voices. Aube worked with only fire on one record (one amongst many experiments with sole source material). Hazard produced a record focusing on wind. Sol Invictus is not made with sounds of breath only. Nor with only wind instruments. But somewhere in the suspended winterly animation of this record, breath and breathing takes a chokehold on all proceedings. Both are always near, close and up-close and personal.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis breathing goes without saying. But it is never taken for granted as the constituent factor per se for these epic, languid, long melodic lines. Here: breath and breathing, too, both, elements that are severely implicated in terms of gestural musical impact, but – of course – also took centre stage in the deadly respiratory pandemic and airborne catastrophe we find ourselves in. This record then, also, like an affirmation of the adage: to breathe is to be alive.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSol Invictus touches the extremes of our current life and times: personal, local, and grander scales. Slowly plucking away the double bass is a somewhat reassuring presence, comforting though hardly less melancholic in its voicings. And yet. But still. From the stillness and darkness comes a sense of forwarding motion and a notion of 'vooruit', of on with it, of moving ahead and pushing through. Sol Invictus then also as a ritual of cleansing, leaving behind, shedding skin, moving on.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSlowly composition folds into improvisation as cut-up loops merge with close-mic'd bass clarinet as if the listener is inside the instrument. These tracks are imbued with masterly detail and the most subtle of presences. Therewith notions of ambient are kept at bay, precisely because attention is constantly jolted into heightened states of awareness, without the use of scare tactics – no: these long lines ebb and flow in sparse fields overgrown with the aesthetics of Another Timbre or Touch and mellowed, hallowed echoes of or reverberations in the innermost workings of elemental industrial. A cathartic celebration out of time, of all times, through these (dark) ages.\"\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jon Doe One\u003c\/p\u003e\n\u003cp\u003eLabel : Esc.rec.\u003c\/p\u003e\n\u003ch2 class=\"trackTitle\"\u003e\u003c\/h2\u003e"}
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過去にEntr'acteなどから発表しているベルギー・アントワープの実験音楽家Jon Doe Oneが、2021年11月にオランダの実験レーベルesc recから250部限定でリリースした最新作です。 バリトンサックスやクラリネットを用いたアコースティック・ドローン〜ネオクラシカル・ジャズ4曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Esc.rec. releases available at Tobira....
¥2,980
クイックビュー
{"id":7046519586981,"title":"Jeroen Diepenmaat + Wouter van Veldhoven \/\/ Struin \/ Stop TAPE","handle":"jeroen-diepenmaat-wouter-van-veldhoven-struin-stop-tape","description":"\u003cp\u003eオランダのサウンドアーティストJeroen DiepenmaatとWouter van Veldhovenによるスプリットカセットが、2021年7月に同国実験レーベルesc. rec.より50本限定でリリースしたカセット。A面\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJeroen Diepenmaatは、モジュラーシンセと手製CVコントロールターンテーブルによるインスタレーション風の音響作品を、B面Wouter van Veldhovenは、メタルによるガムラン風のミニマルミュージックを収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3485721863\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\"\u003ehere\u003c\/a\u003e to see more Esc.rec. releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 50.\u003c\/p\u003e\n\u003cp\u003eText by Esc.rec.:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e'\u003cem\u003eStruin' by Jeroen Diepenmaat is made entirely on a modular synthesizer with two self-built CV controlled turntables. The pulse from the oscillator drives the turntables and by varying the frequencies, the pitch and the intervals of both playing records change. One record player plays a record with bird sounds, on the other you can hear frogs.\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e'Stop' by Wouter van Veldhoven is a somewhat minimalist piece consisting of a Risset rhythm of real and unreal metal sounds. Using the rhythmic structures by Jean Claude Risset, an illusion of continuously slowing down is perceived. These sounds were then run through an improvised plate reverb and recorded on a rather tinny sounding wire recorder. In the second part, a rickety violin and Wouter van Veldhoven's own equally unstable vocals slowly take over, recorded on the worst piece of audio tape he could find.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWouter van Veldhoven has been working with wonky tape recorders and related equipment (wire recorders, disc recorders, etc.) since 2005. He tries to get these machines working again with all sorts of trickery, or at the very least have them producing or processing sound in some way. Starting from a cabinet of self-built curiosities, he carefully builds detailed sound layers, like some sort of\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e magician.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJeroen Diepenmaat is a visual artist with a predilection for sound. In his work, consisting of drawings, sculptures, installations and performances, he explores the cutting edge between image and sound and the transition from one to the other. In the past few years his excursions into the world of modular synths have increased and spawn all sorts of related inventions.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e~\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eReview by Frans de Waard (Vital Weekly):\u003cbr\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cspan\u003e\"Here we have a split cassette by two Dutch sound artists whose work I appreciate quite a bit. I know Van Veldhoven a bit longer than Diepenmaat, but by now both of them have released an impressive amount of work. Both artists can be seen as an inventor, tinkering with machines. First, we have Van Diepenmaat with 'Struin', a work for modular synthesizer and two CV controlled turntables, that Diepenmaat made in conjunction with the field kit, a creation from Koma Elektronik. Van Veldhoven has 74 reel-to-reel recorders at home (at least when I visited him some time ago), and creates constructions with these machines, with loops that can also be CV controlled. The results are quite different. Van Diepenmaat's 'Struin' (which means 'wander' in English) opens up with what seems to be the sound of insects or frogs, but quickly you'll learn that these are electronic sounds. There is a pulse also, that goes along with the imitation of animal sounds (or, maybe, these are from a record that Van Diepenmaat is playing at any speed, backwards as well as forwards), but slowly it all moves towards a more electronic field, with occasional sharp tones. The piece has a somewhat improvised feeling and remains open towards the end. On the other side, there is 'Stop' (which is Dutch for 'Stop') by Wouter van Veldhoven, who works with the rhythmic structures by Jean-Claude Risset, which open up here. The music is on a repeat mission, but slowing down over a few minutes, and yet it never gets to a final standstill. At two-third new sound elements are added on rather worn out tape (so says the label), apparently violin and voice, but it is hard to say if it is just that. Van Veldhoven's piece is not as Empty as Diepenmaat but shares a similar 'free' approach to composing or improvising here (there is a thin line, I would say). Comes in a nice riso-printed carton sleeve.\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeroen Diepenmaat \/ Wouter van Veldhoven\u003c\/p\u003e\n\u003cp\u003eLabel : Esc.rec.\u003c\/p\u003e","published_at":"2021-09-17T08:50:14+09:00","created_at":"2021-09-15T11:59:52+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","esc.rec.","monooto","tape"],"price":195000,"price_min":195000,"price_max":195000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40813346619557,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Jeroen Diepenmaat + Wouter van Veldhoven \/\/ Struin \/ Stop TAPE","public_title":null,"options":["Default Title"],"price":195000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/st1_49bbcfe5-25c1-4a69-bf9a-ea55de7a537b.jpg?v=1631674794","\/\/tobirarecords.com\/cdn\/shop\/products\/st2_3ab6f3a7-f9ad-41fb-a54f-5d937c6af715.jpg?v=1631674794"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/st1_49bbcfe5-25c1-4a69-bf9a-ea55de7a537b.jpg?v=1631674794","options":["Title"],"media":[{"alt":null,"id":23716525113509,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/st1_49bbcfe5-25c1-4a69-bf9a-ea55de7a537b.jpg?v=1631674794"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/st1_49bbcfe5-25c1-4a69-bf9a-ea55de7a537b.jpg?v=1631674794","width":700},{"alt":null,"id":23716525146277,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/st2_3ab6f3a7-f9ad-41fb-a54f-5d937c6af715.jpg?v=1631674794"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/st2_3ab6f3a7-f9ad-41fb-a54f-5d937c6af715.jpg?v=1631674794","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオランダのサウンドアーティストJeroen DiepenmaatとWouter van Veldhovenによるスプリットカセットが、2021年7月に同国実験レーベルesc. rec.より50本限定でリリースしたカセット。A面\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJeroen Diepenmaatは、モジュラーシンセと手製CVコントロールターンテーブルによるインスタレーション風の音響作品を、B面Wouter van Veldhovenは、メタルによるガムラン風のミニマルミュージックを収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3485721863\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\"\u003ehere\u003c\/a\u003e to see more Esc.rec. releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 50.\u003c\/p\u003e\n\u003cp\u003eText by Esc.rec.:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e'\u003cem\u003eStruin' by Jeroen Diepenmaat is made entirely on a modular synthesizer with two self-built CV controlled turntables. The pulse from the oscillator drives the turntables and by varying the frequencies, the pitch and the intervals of both playing records change. One record player plays a record with bird sounds, on the other you can hear frogs.\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e'Stop' by Wouter van Veldhoven is a somewhat minimalist piece consisting of a Risset rhythm of real and unreal metal sounds. Using the rhythmic structures by Jean Claude Risset, an illusion of continuously slowing down is perceived. These sounds were then run through an improvised plate reverb and recorded on a rather tinny sounding wire recorder. In the second part, a rickety violin and Wouter van Veldhoven's own equally unstable vocals slowly take over, recorded on the worst piece of audio tape he could find.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWouter van Veldhoven has been working with wonky tape recorders and related equipment (wire recorders, disc recorders, etc.) since 2005. He tries to get these machines working again with all sorts of trickery, or at the very least have them producing or processing sound in some way. Starting from a cabinet of self-built curiosities, he carefully builds detailed sound layers, like some sort of\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e magician.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJeroen Diepenmaat is a visual artist with a predilection for sound. In his work, consisting of drawings, sculptures, installations and performances, he explores the cutting edge between image and sound and the transition from one to the other. In the past few years his excursions into the world of modular synths have increased and spawn all sorts of related inventions.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e~\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eReview by Frans de Waard (Vital Weekly):\u003cbr\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cspan\u003e\"Here we have a split cassette by two Dutch sound artists whose work I appreciate quite a bit. I know Van Veldhoven a bit longer than Diepenmaat, but by now both of them have released an impressive amount of work. Both artists can be seen as an inventor, tinkering with machines. First, we have Van Diepenmaat with 'Struin', a work for modular synthesizer and two CV controlled turntables, that Diepenmaat made in conjunction with the field kit, a creation from Koma Elektronik. Van Veldhoven has 74 reel-to-reel recorders at home (at least when I visited him some time ago), and creates constructions with these machines, with loops that can also be CV controlled. The results are quite different. Van Diepenmaat's 'Struin' (which means 'wander' in English) opens up with what seems to be the sound of insects or frogs, but quickly you'll learn that these are electronic sounds. There is a pulse also, that goes along with the imitation of animal sounds (or, maybe, these are from a record that Van Diepenmaat is playing at any speed, backwards as well as forwards), but slowly it all moves towards a more electronic field, with occasional sharp tones. The piece has a somewhat improvised feeling and remains open towards the end. On the other side, there is 'Stop' (which is Dutch for 'Stop') by Wouter van Veldhoven, who works with the rhythmic structures by Jean-Claude Risset, which open up here. The music is on a repeat mission, but slowing down over a few minutes, and yet it never gets to a final standstill. At two-third new sound elements are added on rather worn out tape (so says the label), apparently violin and voice, but it is hard to say if it is just that. Van Veldhoven's piece is not as Empty as Diepenmaat but shares a similar 'free' approach to composing or improvising here (there is a thin line, I would say). Comes in a nice riso-printed carton sleeve.\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeroen Diepenmaat \/ Wouter van Veldhoven\u003c\/p\u003e\n\u003cp\u003eLabel : Esc.rec.\u003c\/p\u003e"}
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オランダのサウンドアーティストJeroen DiepenmaatとWouter van Veldhovenによるスプリットカセットが、2021年7月に同国実験レーベルesc. rec.より50本限定でリリースしたカセット。A面Jeroen Diepenmaatは、モジュラーシンセと手製CVコントロールターンテーブルによるインスタレーション風の音響作品を、B面Wouter van Veldhovenは、メタルによるガムラン風のミニマルミュージックを収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Esc.rec. releases...
¥1,950
クイックビュー
{"id":6969858031781,"title":"Francisco López \/\/ untitled (2019) CD","handle":"francisco-lopez-untitled-2019-cd","description":"\u003cp\u003e スペインの大御所音響作家Francisco Lópezが2020年9月にリリースしたCD。フィールドレコーディングを過剰加工したパルス音や静謐なドローンなど8曲を収録。シュリンク、デジパック仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=982051344\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\"\u003ehere\u003c\/a\u003e to see more Esc.rec. releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 200.\u003c\/p\u003e\n\u003cp\u003eDesription by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEsc.rec.:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe album 'untitled (2019)' by Francisco López was entirely created in 2019 and composed of a variety of very different pieces. Even though the pieces have very different origins, they all come together in a fascinating sonic trip, with the supreme quality and attention to detail you've come to expect of Francisco López. He himself humbly refers to this album as 'a killer'. Couldn't agree more.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFrancisco López is internationally recognized as one of the major figures of the sound art and experimental music scene. For almost forty years he has developed an astonishing sonic universe, absolutely personal and iconoclastic, based on a profound listening of the world. Destroying boundaries between industrial sounds and wilderness sound environments, shifting with passion from the limits of perception to the most dreadful abyss of sonic power, proposing a blind, profound and transcendental listening, freed from the imperatives of knowledge and open to sensory and spiritual expansion.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHe has realized hundreds of concerts, projects with environmental recordings, workshops and sound installations in over seventy countries of the six continents. His extensive catalog of sound pieces (with live and studio collaborations with hundreds of\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e international artists) has been released by nearly 400 record labels \/ publishers worldwide. He has been awarded four times with honorary mentions at the competition of Ars Electronica Festival and is the recipient of the Qwartz Award 2010 for best sound anthology.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e----\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eReview by Sven Schlijper-Karssenberg in Vital Weekly:\u003cbr\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cspan\u003e\"No title. Francisco López has amassed a body of published works without the need for an accompanying title totalling now more than #378 with this release, itself – again – untitled, and counting, we presume. The grandmaster of massive, engrossing works of delicate yet wholly inescapable crescendos between almost not-there fragility in near-silence and thundering sound masses of tumbling boulder-like scale here presents a variety of pieces, all created in the year 2019, all composed of different source materials, pieces, origins. And although these pieces, all eight of them, are of isolated, idiosyncratic, individual nature, each one a world of dense detail and tactile textures to behold, the album form and format, the juxtaposing and setlist-ish build-up of the collection (strangely this record has a live feel to it), invokes a Franz Kline-like broad stroke power move, intended to underscore the maturest of masterful practices in aural art – the Olympian heights López has reached. Over almost forty years now López has crafted his universe of and in sound with elegant touches and brutal resolve. His is a world as much of telegraph bleeps as it is one of the wind-strewn deserted snow plains or deep dark silver grotto-ambiences. A López experience, however, above all, is one of perception and listening pushed to its limits – offering transcendent immersion and blissful expansion of the senses (plus, maybe, if you are so inclined, the soul too). Untitled (2019) marks a true highlight in the maestros wide and deep catalogue: (a) magnum opus recreation (no remix!) of sound matter – the basics of his craft and trade – refined, purified to the very essence: \"like getting hit in the face with a baseball bat. Or better, like getting hit in the back of the neck. You never see it coming; it just knocks you down” (to quote American artist Bruce Nauman commenting on his intention with his works).\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Francisco López\u003c\/p\u003e\n\u003cp\u003eLabel : Esc.rec. \u003c\/p\u003e","published_at":"2021-08-12T12:30:01+09:00","created_at":"2021-08-12T11:41:38+09:00","vendor":"Tobira Records","type":"","tags":["cd","drone","esc.rec.","monooto"],"price":198000,"price_min":198000,"price_max":198000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40561363583141,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Francisco López \/\/ untitled (2019) CD","public_title":null,"options":["Default Title"],"price":198000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/un1_9d0121a4-2a0f-469a-bb23-2ab9f645a306.jpg?v=1628736100","\/\/tobirarecords.com\/cdn\/shop\/products\/un2_fc1d0124-8024-49c1-a931-98e4a0f8bc07.jpg?v=1628736100"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/un1_9d0121a4-2a0f-469a-bb23-2ab9f645a306.jpg?v=1628736100","options":["Title"],"media":[{"alt":null,"id":23317448786085,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/un1_9d0121a4-2a0f-469a-bb23-2ab9f645a306.jpg?v=1628736100"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/un1_9d0121a4-2a0f-469a-bb23-2ab9f645a306.jpg?v=1628736100","width":700},{"alt":null,"id":23317448818853,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/un2_fc1d0124-8024-49c1-a931-98e4a0f8bc07.jpg?v=1628736100"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/un2_fc1d0124-8024-49c1-a931-98e4a0f8bc07.jpg?v=1628736100","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e スペインの大御所音響作家Francisco Lópezが2020年9月にリリースしたCD。フィールドレコーディングを過剰加工したパルス音や静謐なドローンなど8曲を収録。シュリンク、デジパック仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=982051344\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\"\u003ehere\u003c\/a\u003e to see more Esc.rec. releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 200.\u003c\/p\u003e\n\u003cp\u003eDesription by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEsc.rec.:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe album 'untitled (2019)' by Francisco López was entirely created in 2019 and composed of a variety of very different pieces. Even though the pieces have very different origins, they all come together in a fascinating sonic trip, with the supreme quality and attention to detail you've come to expect of Francisco López. He himself humbly refers to this album as 'a killer'. Couldn't agree more.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFrancisco López is internationally recognized as one of the major figures of the sound art and experimental music scene. For almost forty years he has developed an astonishing sonic universe, absolutely personal and iconoclastic, based on a profound listening of the world. Destroying boundaries between industrial sounds and wilderness sound environments, shifting with passion from the limits of perception to the most dreadful abyss of sonic power, proposing a blind, profound and transcendental listening, freed from the imperatives of knowledge and open to sensory and spiritual expansion.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHe has realized hundreds of concerts, projects with environmental recordings, workshops and sound installations in over seventy countries of the six continents. His extensive catalog of sound pieces (with live and studio collaborations with hundreds of\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e international artists) has been released by nearly 400 record labels \/ publishers worldwide. He has been awarded four times with honorary mentions at the competition of Ars Electronica Festival and is the recipient of the Qwartz Award 2010 for best sound anthology.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e----\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eReview by Sven Schlijper-Karssenberg in Vital Weekly:\u003cbr\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cspan\u003e\"No title. Francisco López has amassed a body of published works without the need for an accompanying title totalling now more than #378 with this release, itself – again – untitled, and counting, we presume. The grandmaster of massive, engrossing works of delicate yet wholly inescapable crescendos between almost not-there fragility in near-silence and thundering sound masses of tumbling boulder-like scale here presents a variety of pieces, all created in the year 2019, all composed of different source materials, pieces, origins. And although these pieces, all eight of them, are of isolated, idiosyncratic, individual nature, each one a world of dense detail and tactile textures to behold, the album form and format, the juxtaposing and setlist-ish build-up of the collection (strangely this record has a live feel to it), invokes a Franz Kline-like broad stroke power move, intended to underscore the maturest of masterful practices in aural art – the Olympian heights López has reached. Over almost forty years now López has crafted his universe of and in sound with elegant touches and brutal resolve. His is a world as much of telegraph bleeps as it is one of the wind-strewn deserted snow plains or deep dark silver grotto-ambiences. A López experience, however, above all, is one of perception and listening pushed to its limits – offering transcendent immersion and blissful expansion of the senses (plus, maybe, if you are so inclined, the soul too). Untitled (2019) marks a true highlight in the maestros wide and deep catalogue: (a) magnum opus recreation (no remix!) of sound matter – the basics of his craft and trade – refined, purified to the very essence: \"like getting hit in the face with a baseball bat. Or better, like getting hit in the back of the neck. You never see it coming; it just knocks you down” (to quote American artist Bruce Nauman commenting on his intention with his works).\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Francisco López\u003c\/p\u003e\n\u003cp\u003eLabel : Esc.rec. \u003c\/p\u003e"}
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スペインの大御所音響作家Francisco Lópezが2020年9月にリリースしたCD。フィールドレコーディングを過剰加工したパルス音や静謐なドローンなど8曲を収録。シュリンク、デジパック仕様です。 レーベルその他作品はこちら /// Click here to see more Esc.rec. releases available at Tobira. ------------------------- Edition of...
¥1,980
クイックビュー
{"id":6969852428453,"title":"Monday W. \/\/ Time Is A Spider CD","handle":"monday-w-time-is-a-spider-cd","description":"\u003cp\u003eオランダの美術家\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHidde van Schieがフォーク名義Monday W.で2020年11月にリリースしたデビューアルバム。Red House Painters \/ Mark Kozelekなどのスローコアが好きな方にもおすすめの11曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3392871746\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3327020127\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3392871746\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=249900612\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3392871746\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\"\u003ehere\u003c\/a\u003e to see more Esc.rec. releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eDescription by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEsc.rec.:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMonday W. is a moniker of dutch painter and musician Hidde van Schie. Van Schie has released music in different genres under different names The 21st Century, Wild Wild Ambient Boys and Friday Wilkinson. The new album Time Is A Spider consists of 11 new songs that were recorded in May 2018 in The Void Studio. The songs were written between 2016 and 2018.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe record is very basic in depending just on voice and guitar. All songs were recorded in one-take with a minimum of arrangements and overdubs. The arrangements were created by wiring the guitar with contact microphones that were sent through separate effect loops. This approach to the production creates the record's distinct texture and atmosphere.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Monday W.\u003c\/p\u003e\n\u003cp\u003eLabel : Esc.rec. \u003c\/p\u003e","published_at":"2021-08-12T12:25:22+09:00","created_at":"2021-08-12T11:36:37+09:00","vendor":"Tobira Records","type":"","tags":["cd","esc.rec.","folk \/ left-field pop"],"price":198000,"price_min":198000,"price_max":198000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40561339728037,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Monday W. \/\/ Time Is A Spider CD","public_title":null,"options":["Default Title"],"price":198000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ti1_c7ce28be-2f82-43bc-8156-8ba148cc891b.jpg?v=1628735799","\/\/tobirarecords.com\/cdn\/shop\/products\/ti2_5b5ea8df-33e2-4aca-8049-03443ff09e0a.jpg?v=1628735799","\/\/tobirarecords.com\/cdn\/shop\/products\/ti3.jpg?v=1628735799"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ti1_c7ce28be-2f82-43bc-8156-8ba148cc891b.jpg?v=1628735799","options":["Title"],"media":[{"alt":null,"id":23317399797925,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ti1_c7ce28be-2f82-43bc-8156-8ba148cc891b.jpg?v=1628735799"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ti1_c7ce28be-2f82-43bc-8156-8ba148cc891b.jpg?v=1628735799","width":700},{"alt":null,"id":23317399830693,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ti2_5b5ea8df-33e2-4aca-8049-03443ff09e0a.jpg?v=1628735799"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ti2_5b5ea8df-33e2-4aca-8049-03443ff09e0a.jpg?v=1628735799","width":1200},{"alt":null,"id":23317399863461,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ti3.jpg?v=1628735799"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ti3.jpg?v=1628735799","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオランダの美術家\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHidde van Schieがフォーク名義Monday W.で2020年11月にリリースしたデビューアルバム。Red House Painters \/ Mark Kozelekなどのスローコアが好きな方にもおすすめの11曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3392871746\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3327020127\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3392871746\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=249900612\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3392871746\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\"\u003ehere\u003c\/a\u003e to see more Esc.rec. releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eDescription by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEsc.rec.:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMonday W. is a moniker of dutch painter and musician Hidde van Schie. Van Schie has released music in different genres under different names The 21st Century, Wild Wild Ambient Boys and Friday Wilkinson. The new album Time Is A Spider consists of 11 new songs that were recorded in May 2018 in The Void Studio. The songs were written between 2016 and 2018.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe record is very basic in depending just on voice and guitar. All songs were recorded in one-take with a minimum of arrangements and overdubs. The arrangements were created by wiring the guitar with contact microphones that were sent through separate effect loops. This approach to the production creates the record's distinct texture and atmosphere.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Monday W.\u003c\/p\u003e\n\u003cp\u003eLabel : Esc.rec. \u003c\/p\u003e"}
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オランダの美術家Hidde van Schieがフォーク名義Monday W.で2020年11月にリリースしたデビューアルバム。Red House Painters / Mark Kozelekなどのスローコアが好きな方にもおすすめの11曲を収録。 レーベルその他作品はこちら /// Click here to see more Esc.rec....
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{"id":6969838469285,"title":"Machinefabriek \/\/ With Drums LP \/ CD","handle":"machinefabriek-with-drums-lp","description":"\u003cp\u003eオランダの大御所実験音楽家Machinefabriekが2021年3月に自主リリースしたCDを同国実験レーベルEsc. recがレコードで再発。ドラマー40名以上がショートトラックを彼に送り、カットアップコラージュを繰り返し再構築した実験精神溢れる作品です。CDバージョンもあわせて入荷しております。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1485606402\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\"\u003ehere\u003c\/a\u003e to see more Esc.rec. releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eLP edition of 150.\u003c\/p\u003e\n\u003cp\u003eDescription by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEsc.rec.:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eTo: \u003ca href=\"mailto:xxxxx@xxxxx.xxx\" data-mce-fragment=\"1\" data-mce-href=\"mailto:xxxxx@xxxxx.xxx\"\u003exxxxx@xxxxx.xxx\u003c\/a\u003e\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSubject: Drum Project\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFrom: Rutger Zuydervelt (Machinefabriek)\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHello, hope you’re doing well.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eI just started a little project, and I’d like to invite you to participate.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eNot to worry, it won’t take up too much of your time.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eI’m asking drummers\/percussionists to record a few short\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003efills or phrases. It can be recorded by simple means;\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ea hand-held recorder or even a phone will do just fine.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThese gathered recordings will be used as the ‘Lego bricks’\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eto build a series of short rhythmical collages with.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIt would be fantastic if you’d like to join the project...\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAll the best, Rutger\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e--\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWhile Machinefabriek’s ‘Drum Solos’ was a solo affair that processed drum sounds into more abstract shapes, ‘With Drums’ is bursting at the seams with the actual sounds of drum kits and percussion. More than 40 musicians were asked to record one or more short fills\/phrases. These recordings were the building blocks for the 24 short, focused tracks on this album - each track\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e combining material by three contributors. The result doesn’t sound like any other Machinefabriek album…\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e--\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eReview by Richard Foster in The Quietus:\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"\u003cem\u003eIf any record ever needed to be chosen to demonstrate the protean nature of making or listening to music, then I would suggest you listen to Machinefabriek’s With Drums. The often fleeting auditory qualities of Rutger Zuydervelt’s latest release, crammed full of percussive divertissements, let us do a multitude of things. We can ignore the record, or pay passing reference to it whilst doing something else. We can quickly process what’s going on (it’s Machinefabriek with lots of contact-book pals, and drums, from other pals), and consume appropriately, in our allotted digital spaces. We can also indulge ourselves and play footsie with it by decodifying the witty titles, or dive fully into the wormhole that is waiting for us and imagine how Zuydervelt created these mad worlds in miniature.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMaybe the protean element of With Drums also has something to do with the incremental, scrapbook nature of its construction. For this is a phenomenal project, with upwards of 40 musicians involved, from his buddies in Dutch alternative and experimental scenes such as René Aquarius from Dead Neanderthals and Leo Fabriek from the Julie Mittens to the likes of Thor Harris, Anja Jacobsen, Greg Saunier, and Tim Branes, who need no further introduction.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eZuydervelt’s own notes on the making of his record reveal both the clinical, surgical nature of making music at one remove and the human impetus to overcome the current imposed social distances. This core duality that drives With Drums luckily allows us to bypass the tropes we have come to associate with any solo lockdown project. Zuydervelt documents where he first saw the collaborators in action, or how he first got in touch with them. He hints at why he wanted to put them together. He edits and reforms their contributions. The notes may seem straightforward (again, you can enter the level you want to read them at), though at some point we see more clearly that this is a structured, even cussed way of creating something out of nothing with virtually everyone Zuydervelt knows. It’s a phenomenal conceit.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAnd one that reveals the human impulses that drive musicians to make music. If we take the notes for the track ‘TB SC YO - Machinefabriek ft. Tony Buck \u0026amp; Sylvain Chauveau \u0026amp; Yuko Oshima’ we see Zuydervelt giving very different reasons for piecing the elements precisely together whilst creating his aural theatre space. The Necks’ Tony Buck gets a fan-worship pat on the back. Sylvain Chauveau is contacted because Zuydervelt wants “some tuned percussion”. And Yuko Oshima, a name previously not circulating in Machinefabriek’s orbit, is contacted because of a tip-off from a friend. The resultant track, all one minute-something of it, is an almost otherworldly transfer between serene reflection and some tumultuous bursts, akin to the last-gasp spins of a washing machine cycle.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWith Drums also often seems to masterfully document musicians’ downtime. That idle second in an afternoon’s soundcheck, trying out a fill whilst half listening to the mixing desk asking for more bass on the toms, or the guitarist wanting to hear more reverb on the monitor. The awful, draining, necessary processes that Georges Simenon, talking of another artistic discipline, called mixing the plaster. It’s a record that puts strange incidental sounds on the map, the uncategorizable elements that live in limbo between being experienced as interesting sounds and defining, or informing some larger piece.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBut then, collecting and processing “real” sound worlds from people and places is what Machinefabriek did back in those strange times when we could all actually meet people. Rutger Zuydervelt loved the messy unexplained elements that went with making music. I’ve seen him making holy noise on a big stage with jazz terrorists Dead Neanderthals as part of DNMF and sitting at a table in a community centre, creating the most unobtrusive of soundtracks to Dutch poetry readings. And With Drums shows that collaborations, however painstakingly put together, take on a new guise every time the mic is switched on. A nearly identical line up to the track previously mentioned, ‘TB YO MW - Machinefabriek ft. Tony Buck \u0026amp; Yuko Oshima \u0026amp; Mike Weis’, gives us a very different, very zen passage of sound. Taken collectively and over time, With Drums reveals itself to be a living, organic album with each track - despite being on average around a minute in playing time - revealing new, unexpected shades of meaning. It’s almost like Zuydervelt made a mini puppet theatre with the players as tiny actors.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAnd this realisation helps the record grow on the listener. There is so much to take on board here, for one we have 24 tracks with enough musicians to play two separate football matches simultaneously. And each track is maddeningly short, and difficult to get to grips with at first go. As such I find With Drums impossible to listen to as a set of individual pieces, preferring to digest it as a whole. After a while an appreciation of the work, and the construction needed, and the hours and hours of listening needed by Machinefabriek, to make it all fit, to make it something that can’t just pass you by, start to imprint themselves on your consciousness. And then you start to realise that this is a very great album indeed.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Machinefabriek\u003c\/p\u003e\n\u003cp\u003eLabel : Esc.rec.\u003c\/p\u003e","published_at":"2021-08-12T12:21:13+09:00","created_at":"2021-08-12T11:30:03+09:00","vendor":"Tobira Records","type":"","tags":["esc.rec.","jazz","lp","monooto","strange beats"],"price":188000,"price_min":188000,"price_max":294000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40561645060261,"title":"LP","option1":"LP","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Machinefabriek \/\/ With Drums LP \/ CD - LP","public_title":"LP","options":["LP"],"price":294000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40561645093029,"title":"CD","option1":"CD","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Machinefabriek \/\/ With Drums LP \/ CD - CD","public_title":"CD","options":["CD"],"price":188000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/wi1_3089020d-14db-4b8b-a715-1972f770bcb2.jpg?v=1628735404","\/\/tobirarecords.com\/cdn\/shop\/products\/wi2_c3eba904-27bf-4764-9c2c-e4722f0bac96.jpg?v=1628735405"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/wi1_3089020d-14db-4b8b-a715-1972f770bcb2.jpg?v=1628735404","options":["Format"],"media":[{"alt":null,"id":23317322825893,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/wi1_3089020d-14db-4b8b-a715-1972f770bcb2.jpg?v=1628735404"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/wi1_3089020d-14db-4b8b-a715-1972f770bcb2.jpg?v=1628735404","width":700},{"alt":null,"id":23317322858661,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/wi2_c3eba904-27bf-4764-9c2c-e4722f0bac96.jpg?v=1628735405"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/wi2_c3eba904-27bf-4764-9c2c-e4722f0bac96.jpg?v=1628735405","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオランダの大御所実験音楽家Machinefabriekが2021年3月に自主リリースしたCDを同国実験レーベルEsc. recがレコードで再発。ドラマー40名以上がショートトラックを彼に送り、カットアップコラージュを繰り返し再構築した実験精神溢れる作品です。CDバージョンもあわせて入荷しております。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1485606402\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\"\u003ehere\u003c\/a\u003e to see more Esc.rec. releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eLP edition of 150.\u003c\/p\u003e\n\u003cp\u003eDescription by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEsc.rec.:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eTo: \u003ca href=\"mailto:xxxxx@xxxxx.xxx\" data-mce-fragment=\"1\" data-mce-href=\"mailto:xxxxx@xxxxx.xxx\"\u003exxxxx@xxxxx.xxx\u003c\/a\u003e\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSubject: Drum Project\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFrom: Rutger Zuydervelt (Machinefabriek)\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHello, hope you’re doing well.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eI just started a little project, and I’d like to invite you to participate.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eNot to worry, it won’t take up too much of your time.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eI’m asking drummers\/percussionists to record a few short\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003efills or phrases. It can be recorded by simple means;\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ea hand-held recorder or even a phone will do just fine.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThese gathered recordings will be used as the ‘Lego bricks’\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eto build a series of short rhythmical collages with.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIt would be fantastic if you’d like to join the project...\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAll the best, Rutger\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e--\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWhile Machinefabriek’s ‘Drum Solos’ was a solo affair that processed drum sounds into more abstract shapes, ‘With Drums’ is bursting at the seams with the actual sounds of drum kits and percussion. More than 40 musicians were asked to record one or more short fills\/phrases. These recordings were the building blocks for the 24 short, focused tracks on this album - each track\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e combining material by three contributors. The result doesn’t sound like any other Machinefabriek album…\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e--\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eReview by Richard Foster in The Quietus:\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"\u003cem\u003eIf any record ever needed to be chosen to demonstrate the protean nature of making or listening to music, then I would suggest you listen to Machinefabriek’s With Drums. The often fleeting auditory qualities of Rutger Zuydervelt’s latest release, crammed full of percussive divertissements, let us do a multitude of things. We can ignore the record, or pay passing reference to it whilst doing something else. We can quickly process what’s going on (it’s Machinefabriek with lots of contact-book pals, and drums, from other pals), and consume appropriately, in our allotted digital spaces. We can also indulge ourselves and play footsie with it by decodifying the witty titles, or dive fully into the wormhole that is waiting for us and imagine how Zuydervelt created these mad worlds in miniature.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMaybe the protean element of With Drums also has something to do with the incremental, scrapbook nature of its construction. For this is a phenomenal project, with upwards of 40 musicians involved, from his buddies in Dutch alternative and experimental scenes such as René Aquarius from Dead Neanderthals and Leo Fabriek from the Julie Mittens to the likes of Thor Harris, Anja Jacobsen, Greg Saunier, and Tim Branes, who need no further introduction.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eZuydervelt’s own notes on the making of his record reveal both the clinical, surgical nature of making music at one remove and the human impetus to overcome the current imposed social distances. This core duality that drives With Drums luckily allows us to bypass the tropes we have come to associate with any solo lockdown project. Zuydervelt documents where he first saw the collaborators in action, or how he first got in touch with them. He hints at why he wanted to put them together. He edits and reforms their contributions. The notes may seem straightforward (again, you can enter the level you want to read them at), though at some point we see more clearly that this is a structured, even cussed way of creating something out of nothing with virtually everyone Zuydervelt knows. It’s a phenomenal conceit.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAnd one that reveals the human impulses that drive musicians to make music. If we take the notes for the track ‘TB SC YO - Machinefabriek ft. Tony Buck \u0026amp; Sylvain Chauveau \u0026amp; Yuko Oshima’ we see Zuydervelt giving very different reasons for piecing the elements precisely together whilst creating his aural theatre space. The Necks’ Tony Buck gets a fan-worship pat on the back. Sylvain Chauveau is contacted because Zuydervelt wants “some tuned percussion”. And Yuko Oshima, a name previously not circulating in Machinefabriek’s orbit, is contacted because of a tip-off from a friend. The resultant track, all one minute-something of it, is an almost otherworldly transfer between serene reflection and some tumultuous bursts, akin to the last-gasp spins of a washing machine cycle.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWith Drums also often seems to masterfully document musicians’ downtime. That idle second in an afternoon’s soundcheck, trying out a fill whilst half listening to the mixing desk asking for more bass on the toms, or the guitarist wanting to hear more reverb on the monitor. The awful, draining, necessary processes that Georges Simenon, talking of another artistic discipline, called mixing the plaster. It’s a record that puts strange incidental sounds on the map, the uncategorizable elements that live in limbo between being experienced as interesting sounds and defining, or informing some larger piece.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBut then, collecting and processing “real” sound worlds from people and places is what Machinefabriek did back in those strange times when we could all actually meet people. Rutger Zuydervelt loved the messy unexplained elements that went with making music. I’ve seen him making holy noise on a big stage with jazz terrorists Dead Neanderthals as part of DNMF and sitting at a table in a community centre, creating the most unobtrusive of soundtracks to Dutch poetry readings. And With Drums shows that collaborations, however painstakingly put together, take on a new guise every time the mic is switched on. A nearly identical line up to the track previously mentioned, ‘TB YO MW - Machinefabriek ft. Tony Buck \u0026amp; Yuko Oshima \u0026amp; Mike Weis’, gives us a very different, very zen passage of sound. Taken collectively and over time, With Drums reveals itself to be a living, organic album with each track - despite being on average around a minute in playing time - revealing new, unexpected shades of meaning. It’s almost like Zuydervelt made a mini puppet theatre with the players as tiny actors.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAnd this realisation helps the record grow on the listener. There is so much to take on board here, for one we have 24 tracks with enough musicians to play two separate football matches simultaneously. And each track is maddeningly short, and difficult to get to grips with at first go. As such I find With Drums impossible to listen to as a set of individual pieces, preferring to digest it as a whole. After a while an appreciation of the work, and the construction needed, and the hours and hours of listening needed by Machinefabriek, to make it all fit, to make it something that can’t just pass you by, start to imprint themselves on your consciousness. And then you start to realise that this is a very great album indeed.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Machinefabriek\u003c\/p\u003e\n\u003cp\u003eLabel : Esc.rec.\u003c\/p\u003e"}
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オランダの大御所実験音楽家Machinefabriekが2021年3月に自主リリースしたCDを同国実験レーベルEsc. recがレコードで再発。ドラマー40名以上がショートトラックを彼に送り、カットアップコラージュを繰り返し再構築した実験精神溢れる作品です。CDバージョンもあわせて入荷しております。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Esc.rec. releases available at Tobira. ------------------------- LP edition...
¥1,880
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{"id":6969832472741,"title":"ŌTONN \/\/ Two Crumbling Shapes TAPE","handle":"otonn-two-crumbling-shapes-tape","description":"\u003cp\u003eDinzu Artefactsなどから発表しているドラマー\u003cmeta charset=\"utf-8\"\u003eNicholas Remondinoと\u003cspan data-mce-fragment=\"1\"\u003eボイスパフォーマー\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003eAndrea Silvia GiordanoによるエレクトロアコースティックデュオŌTONNが2021年4月に70本限定でリリースしたカセット。リズミカルでテンションが高いコラージュ6曲を収録。DLコード付属。\u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1866734820\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3760647706\/transparent=true\/\" seamless\u003e\u003c\/iframe\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1866734820\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\"\u003ehere\u003c\/a\u003e to see more Esc.rec. releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eEdition of 70. \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNumbered limited edition cassette in handmade covers with different versions of the artwork, created by Harco Rutgers.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDescription and bio by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEsc.rec.:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eŌTONN is an impressive electro acoustic duo, comprised of two young and very talented artists: singer Andrea Silvia Giordano and drummer Nicholas Remondino.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e'Two Crumbling Shapes' is sound that crumbles and cracks. A constant degeneration that shapes the substance of the music. It's the relentless evolution of an impro-session - then intensely manipulated - based on destructured sounds, music languages and the development of the single parameters that compose them.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFeaturing artists Pierre Bastien, E-cor Ensemble, Gianluca Verlingieri, Maria Dybbroe and Torstein Lavik Larsen helped push the sound of ŌTONN even further.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e--\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eNicholas Remondino fell in love with the drums from an early age and after an initial period of study at the Academy of Modern Music, he began attending the Siena Jazz University; in the same years he developed interest and sensitivity towards improvisation that led him to follow workshops with musicians such as Ernst Reijseger, Giancarlo Schiaffini, Stefano Battaglia and Susanne Abbuehl, playing with international artists such as Akira Sakata, Gino Robair and Steve Buchanan and improvisers of the Italian scene\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e like Alessandro Giachero, Giovanni Di Domenico and Silvia Bolognesi. From these meetings many experimental projects are born, ranging from jazz, radical improvisation, contemporary music, folk, pop and electronic music.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDuring the first years of her musical training, Andrea Silvia Giordano attended the E. Bianchi art school, and the vocal course of the F. Ghedini conservatory and Fondazione Fossano Musica. In those years, she sang in several vocal ensembles. In 2015, she started jazz studies at Siena Jazz University (Italy), before moving to Luzern (Switzerland) to study with Susanne Abbuehl and Lauren Newton. In 2017, she attended Stefano Battaglia, Alvise Violin and Ernst Reijseger workshops, which influenced her approach to composition and music. She is currently attending the music performance master at the Norwegian Academy of Music in Oslo. The main aspect which characterises her musical journey is the internal process of self discovery and the attention she pays to the psychological impact of music.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e----------\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eReview by NR in Vital Weekly:\u003cbr\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cspan\u003e\"ŌTONN consists of singer Andrea Silvia Giordano and drummer Nicholas Remondino. Their music is electro-acoustic, but with subtle nods to contemporary electronic music that makes them stand out from their peers. On their debut album ‘Two Crumbling Shapes’ they present the listener with layers of manipulated improvisational jams that sound like everything and nothing else I’ve heard recently. Which in itself means the album is interesting, but there is more to it than that. If that wasn’t enough, ŌTONN also features Pierre Bastien, E-cor Ensemble, Gianluca Verlingieri, Maria Dybbroe and Torstein Lavik Larsen. Again, this makes the album remarkably interesting indeed.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWhile listening to ‘Two Crumbling Shapes’ I am reminded of an old building not far from where I live. Each time I pass it something is a little different. The local fauna has reclaimed another inch of its hulking shape. Another area that has been targeted in an ongoing game of graffiti tag. Kids have climbed the fence and had a party around it. But at the centre is the building itself. At its core ‘Two Crumbling Shapes’ is about disintegration. The disintegration of ideas, speech, culture, and music. Throughout its 36-minutes ‘Two Crumbling Shapes’ sounds like its gradually eroding from within. There is pleasure in this. As the album progresses the songs become more and more fractured. At times Remondino’s beats sound like rumble falling from on high. Giordano’s vocals are used more like an instrument than to tell a story. Her vocal range goes from tender whispers to guttural bellows. Underneath all, there are wonky synths and hulking basslines. All of this combined gives the music a unique take on musique concrete. Yes, I know that this isn’t musique concrete, but the backing tracks have that slightly unsettling feeling that you can’t quite explain, or comprehend, but is utterly compelling to listen to.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThroughout ŌTONN ask us to reconsider how we feel about disintegration. Do we enjoy how the music is broken down into just a series of sounds and blips? ‘Sprout’ is a prime example of this. At times it is just the sound of glitching and machines dying. This is a sound we know all too well, but here there is an elegant beauty to the technological death throes. It makes us question our need for having the newest phone or tablet and what this means to the world we live in. Its poses questions about an isolated society where everything is conveyed through a phone, or screen, instead of face to face and what happens when those devices cease working. Of course, ŌTONN don’t have the answers, nor do we really, but by making us think about these issues ‘Two Crumbling Shapes’ becomes something else than just six songs on a cassette.\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : ŌTONN\u003c\/p\u003e\n\u003cp\u003eLabel : Esc.rec.\u003c\/p\u003e","published_at":"2021-08-12T12:29:25+09:00","created_at":"2021-08-12T11:26:55+09:00","vendor":"Tobira Records","type":"","tags":["esc.rec.","monooto","tape"],"price":189000,"price_min":189000,"price_max":189000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40561271537829,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"ŌTONN \/\/ Two Crumbling Shapes TAPE","public_title":null,"options":["Default Title"],"price":189000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/tw1_841755e2-c813-45d2-88b2-c65973ca4a25.jpg?v=1628735217","\/\/tobirarecords.com\/cdn\/shop\/products\/tw2_013ccb08-907d-4931-a390-e0ec753058f7.jpg?v=1628735217","\/\/tobirarecords.com\/cdn\/shop\/products\/tw3.jpg?v=1628735217"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/tw1_841755e2-c813-45d2-88b2-c65973ca4a25.jpg?v=1628735217","options":["Title"],"media":[{"alt":null,"id":23317292810405,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/tw1_841755e2-c813-45d2-88b2-c65973ca4a25.jpg?v=1628735217"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/tw1_841755e2-c813-45d2-88b2-c65973ca4a25.jpg?v=1628735217","width":700},{"alt":null,"id":23317292843173,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/tw2_013ccb08-907d-4931-a390-e0ec753058f7.jpg?v=1628735217"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/tw2_013ccb08-907d-4931-a390-e0ec753058f7.jpg?v=1628735217","width":1200},{"alt":null,"id":23317292875941,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/tw3.jpg?v=1628735217"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/tw3.jpg?v=1628735217","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eDinzu Artefactsなどから発表しているドラマー\u003cmeta charset=\"utf-8\"\u003eNicholas Remondinoと\u003cspan data-mce-fragment=\"1\"\u003eボイスパフォーマー\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003eAndrea Silvia GiordanoによるエレクトロアコースティックデュオŌTONNが2021年4月に70本限定でリリースしたカセット。リズミカルでテンションが高いコラージュ6曲を収録。DLコード付属。\u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1866734820\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3760647706\/transparent=true\/\" seamless\u003e\u003c\/iframe\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1866734820\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\"\u003ehere\u003c\/a\u003e to see more Esc.rec. releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eEdition of 70. \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNumbered limited edition cassette in handmade covers with different versions of the artwork, created by Harco Rutgers.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDescription and bio by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEsc.rec.:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eŌTONN is an impressive electro acoustic duo, comprised of two young and very talented artists: singer Andrea Silvia Giordano and drummer Nicholas Remondino.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e'Two Crumbling Shapes' is sound that crumbles and cracks. A constant degeneration that shapes the substance of the music. It's the relentless evolution of an impro-session - then intensely manipulated - based on destructured sounds, music languages and the development of the single parameters that compose them.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFeaturing artists Pierre Bastien, E-cor Ensemble, Gianluca Verlingieri, Maria Dybbroe and Torstein Lavik Larsen helped push the sound of ŌTONN even further.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e--\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eNicholas Remondino fell in love with the drums from an early age and after an initial period of study at the Academy of Modern Music, he began attending the Siena Jazz University; in the same years he developed interest and sensitivity towards improvisation that led him to follow workshops with musicians such as Ernst Reijseger, Giancarlo Schiaffini, Stefano Battaglia and Susanne Abbuehl, playing with international artists such as Akira Sakata, Gino Robair and Steve Buchanan and improvisers of the Italian scene\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e like Alessandro Giachero, Giovanni Di Domenico and Silvia Bolognesi. From these meetings many experimental projects are born, ranging from jazz, radical improvisation, contemporary music, folk, pop and electronic music.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDuring the first years of her musical training, Andrea Silvia Giordano attended the E. Bianchi art school, and the vocal course of the F. Ghedini conservatory and Fondazione Fossano Musica. In those years, she sang in several vocal ensembles. In 2015, she started jazz studies at Siena Jazz University (Italy), before moving to Luzern (Switzerland) to study with Susanne Abbuehl and Lauren Newton. In 2017, she attended Stefano Battaglia, Alvise Violin and Ernst Reijseger workshops, which influenced her approach to composition and music. She is currently attending the music performance master at the Norwegian Academy of Music in Oslo. The main aspect which characterises her musical journey is the internal process of self discovery and the attention she pays to the psychological impact of music.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e----------\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eReview by NR in Vital Weekly:\u003cbr\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cspan\u003e\"ŌTONN consists of singer Andrea Silvia Giordano and drummer Nicholas Remondino. Their music is electro-acoustic, but with subtle nods to contemporary electronic music that makes them stand out from their peers. On their debut album ‘Two Crumbling Shapes’ they present the listener with layers of manipulated improvisational jams that sound like everything and nothing else I’ve heard recently. Which in itself means the album is interesting, but there is more to it than that. If that wasn’t enough, ŌTONN also features Pierre Bastien, E-cor Ensemble, Gianluca Verlingieri, Maria Dybbroe and Torstein Lavik Larsen. Again, this makes the album remarkably interesting indeed.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWhile listening to ‘Two Crumbling Shapes’ I am reminded of an old building not far from where I live. Each time I pass it something is a little different. The local fauna has reclaimed another inch of its hulking shape. Another area that has been targeted in an ongoing game of graffiti tag. Kids have climbed the fence and had a party around it. But at the centre is the building itself. At its core ‘Two Crumbling Shapes’ is about disintegration. The disintegration of ideas, speech, culture, and music. Throughout its 36-minutes ‘Two Crumbling Shapes’ sounds like its gradually eroding from within. There is pleasure in this. As the album progresses the songs become more and more fractured. At times Remondino’s beats sound like rumble falling from on high. Giordano’s vocals are used more like an instrument than to tell a story. Her vocal range goes from tender whispers to guttural bellows. Underneath all, there are wonky synths and hulking basslines. All of this combined gives the music a unique take on musique concrete. Yes, I know that this isn’t musique concrete, but the backing tracks have that slightly unsettling feeling that you can’t quite explain, or comprehend, but is utterly compelling to listen to.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThroughout ŌTONN ask us to reconsider how we feel about disintegration. Do we enjoy how the music is broken down into just a series of sounds and blips? ‘Sprout’ is a prime example of this. At times it is just the sound of glitching and machines dying. This is a sound we know all too well, but here there is an elegant beauty to the technological death throes. It makes us question our need for having the newest phone or tablet and what this means to the world we live in. Its poses questions about an isolated society where everything is conveyed through a phone, or screen, instead of face to face and what happens when those devices cease working. Of course, ŌTONN don’t have the answers, nor do we really, but by making us think about these issues ‘Two Crumbling Shapes’ becomes something else than just six songs on a cassette.\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : ŌTONN\u003c\/p\u003e\n\u003cp\u003eLabel : Esc.rec.\u003c\/p\u003e"}
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Dinzu Artefactsなどから発表しているドラマーNicholas RemondinoとボイスパフォーマーAndrea Silvia GiordanoによるエレクトロアコースティックデュオŌTONNが2021年4月に70本限定でリリースしたカセット。リズミカルでテンションが高いコラージュ6曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Esc.rec. releases available at...
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{"id":7491477111034,"title":"Klimperei \/\/ Handpicked TAPE","handle":"klimperei-handpicked-tape","description":"\u003cp\u003e1985年から活動しているフランス・リヨンのトイポップ作家\u003cmeta charset=\"utf-8\"\u003eKlimperei（\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eドイツ語でちょっとだけピアノが弾けるという意味）\u003c\/span\u003eが、2021年11月にオランダの実験レーベルesc recから30本限定でリリースした最新作です。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e童話のようなキュートでストレンジな世界観は一度ハマると抜け出せません。15曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2672100489\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=4072695085\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2672100489\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=4176673992\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2672100489\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=250536361\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2672100489\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\"\u003ehere\u003c\/a\u003e to see more Esc.rec. releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 30.\u003cbr\u003e\u003cspan\u003eBright yellow cassette tape, packaged in handmade leporello-like fold-out cover, with Bob Ross paintings as photographed by Emiel Efdée. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEsc.rec.:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eKlimperei has previously been described as pioneer of toy-music, maestro naivete, experimental, fragile, childish, neo-classical, bizarre, avant-garde and a whole lot more... But for various reasons Klimperei's music has evolved recently. On the one hand, the confinement due to COVID has changed the way he works, but also altered his state of mind. He needed \/ wanted a change, to break some routines related to the 'Klimperei' label. This trend towards darker, more ambient, more experimental and minimalist tracks is not, however, new: we find all of this in earlier albums... but probably a bit less matured.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFor Klimperei's album 'Handpicked' the tracks were handpicked by label owner Harco Rutgers, who got to choose like a kid in a candy store, from a rather large collection of Petchanatz's work. This could just as easily have resulted in three or more excellent and very different albums (other labels out there, please pay attention!), but 'Handpicked' quickly became Harco's personal favourite. Darker and more melancholic than his previous work, but not quite fully evolved into his newfound sound yet either, this feels like a transitional Klimperei album.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMusician and writer Christophe Petchanatz (aka Klimperei)\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e is born in 1959 in Lille, now lives in Lyon. Klimperei (strumming, in German) formed in 1985, with the first album coming out in 1991 (Tout seul sur la plage en hiver) on AYAA, after some self-released tapes. Over sixty albums (CDs or vinyls) were published since, some of them in collaboration (with Pierre Bastien, Don Simón and Telefunken, Palo Alto and Frank Pahl to name a few). Petchanatz also creates music for television, theatre, dance, multimedia shows and toured all around the world.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Klimperei\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEsc.rec\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-12-12T15:51:34+09:00","created_at":"2021-12-12T15:05:45+09:00","vendor":"Tobira Records","type":"","tags":["esc.rec.","folk \/ left-field pop","recommended","tape"],"price":224000,"price_min":224000,"price_max":224000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42181915246842,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Klimperei \/\/ Handpicked TAPE","public_title":null,"options":["Default Title"],"price":224000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ha1_f6682ad4-2976-45d1-b65c-704dca973bd2.jpg?v=1639289147","\/\/tobirarecords.com\/cdn\/shop\/products\/ha2_0aa63ce6-7392-4a20-8c1e-dd44c64c19ea.jpg?v=1639289147"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ha1_f6682ad4-2976-45d1-b65c-704dca973bd2.jpg?v=1639289147","options":["Title"],"media":[{"alt":null,"id":28858389463290,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ha1_f6682ad4-2976-45d1-b65c-704dca973bd2.jpg?v=1639289147"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ha1_f6682ad4-2976-45d1-b65c-704dca973bd2.jpg?v=1639289147","width":700},{"alt":null,"id":28858389496058,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ha2_0aa63ce6-7392-4a20-8c1e-dd44c64c19ea.jpg?v=1639289147"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ha2_0aa63ce6-7392-4a20-8c1e-dd44c64c19ea.jpg?v=1639289147","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e1985年から活動しているフランス・リヨンのトイポップ作家\u003cmeta charset=\"utf-8\"\u003eKlimperei（\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eドイツ語でちょっとだけピアノが弾けるという意味）\u003c\/span\u003eが、2021年11月にオランダの実験レーベルesc recから30本限定でリリースした最新作です。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e童話のようなキュートでストレンジな世界観は一度ハマると抜け出せません。15曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2672100489\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=4072695085\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2672100489\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=4176673992\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2672100489\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=250536361\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2672100489\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\"\u003ehere\u003c\/a\u003e to see more Esc.rec. releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 30.\u003cbr\u003e\u003cspan\u003eBright yellow cassette tape, packaged in handmade leporello-like fold-out cover, with Bob Ross paintings as photographed by Emiel Efdée. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEsc.rec.:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eKlimperei has previously been described as pioneer of toy-music, maestro naivete, experimental, fragile, childish, neo-classical, bizarre, avant-garde and a whole lot more... But for various reasons Klimperei's music has evolved recently. On the one hand, the confinement due to COVID has changed the way he works, but also altered his state of mind. He needed \/ wanted a change, to break some routines related to the 'Klimperei' label. This trend towards darker, more ambient, more experimental and minimalist tracks is not, however, new: we find all of this in earlier albums... but probably a bit less matured.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFor Klimperei's album 'Handpicked' the tracks were handpicked by label owner Harco Rutgers, who got to choose like a kid in a candy store, from a rather large collection of Petchanatz's work. This could just as easily have resulted in three or more excellent and very different albums (other labels out there, please pay attention!), but 'Handpicked' quickly became Harco's personal favourite. Darker and more melancholic than his previous work, but not quite fully evolved into his newfound sound yet either, this feels like a transitional Klimperei album.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMusician and writer Christophe Petchanatz (aka Klimperei)\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e is born in 1959 in Lille, now lives in Lyon. Klimperei (strumming, in German) formed in 1985, with the first album coming out in 1991 (Tout seul sur la plage en hiver) on AYAA, after some self-released tapes. Over sixty albums (CDs or vinyls) were published since, some of them in collaboration (with Pierre Bastien, Don Simón and Telefunken, Palo Alto and Frank Pahl to name a few). Petchanatz also creates music for television, theatre, dance, multimedia shows and toured all around the world.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Klimperei\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEsc.rec\u003c\/span\u003e\u003c\/p\u003e"}
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1985年から活動しているフランス・リヨンのトイポップ作家Klimperei（ドイツ語でちょっとだけピアノが弾けるという意味）が、2021年11月にオランダの実験レーベルesc recから30本限定でリリースした最新作です。 童話のようなキュートでストレンジな世界観は一度ハマると抜け出せません。15曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Esc.rec. releases available at Tobira. ------------------------- Edition...
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{"id":6969867436197,"title":"Matthijs Kouw \/\/ The Great Image Has No Form CD","handle":"matthijs-kouw-the-great-image-has-no-form-cd","description":"\u003cp\u003eMoving Furnitureなどから発表するオランダ人アンビエントドローン作家Matthijs Kouwが2019年にリリースしたCD。メランコリックなドローン5曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3151119063\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\"\u003ehere\u003c\/a\u003e to see more Esc.rec. releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003cbr\u003e\u003cspan\u003eComes in a foldout grey cardboard sleeve, with printed artwork by Xia Gui.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDescription by Esc.rec.:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e“\u003cem\u003eThe structure being so large, in order for an impression leading towards a possible overview, the participant, of necessity must encounter the limits of what they are able to hold in front of themselves. In doing so, a sort of ’stretching’ must take place, and with it, a kind of ‘friction’, which provides the energy necessary for Work, on a small scale.” - Andrew McKenzie\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOn this album, Matthijs Kouw presents pensive and melancholic drone-driven music driven by his long-time interest in Daoism and inspired by his visit to the Wudang mountains in China in 2007, where he studied Chinese meditation and martial arts.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMuch like the Chinese landscape painting that provides the artwork for this release, the drones on The Great Image Has No Form slowly coalesce, evolve, and morph into metastable structures that linger on, only to slowly evaporate and dissolve into the undifferentiated.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDaoism teaches us that the foundational cannot be named and identified, but rather has to be experienced firsthand. This album is an invitation to the listener to dwell in this space of the unnamable and the mysterious, and to embrace it wholeheartedly.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e-------\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eReview by Peter van Cooten in\u003cspan class=\"bcTruncateMore\"\u003e \u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003eAmbientblog:\u003c\/span\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cbr\u003e\u003cbr\u003e\"Esc.rec. is a Dutch boutique label and platform for ‘adventurous music’. Its output is diverse, often with a strong relation to art projects, and – indeed – the best way to describe it is ‘adventurous’. Though some of their releases could be defined as ambient music, most are more ‘adventurous’ (duh) than that – ‘experimental’ is a better description. Which is why you’ll only find a small fragment of their output mentioned here. Which obviously does nót mean the other releases are not worth checking out too!\u003cbr\u003e\u003cbr\u003eMatthijs Kouw‘s The Great Image Has No Form may very well be their most minimal ambient release to date. Kouw is a Dutch experimental musician ‘exploring the relationship between movement and stasis – combining long-form drone with elements from acousmatic music, noise and microsound’. He does so on his solo work (often as MVK), but he also explores extreme minimalist drones in collaboration with Radboud Mens.\u003cbr\u003e\u003cbr\u003eThe Great Image Has No Form was inspired by Kouw‘s visit to the Wudang Mountains in China in 2007, where he studied Chinese meditation and martial arts as a result of his long-time interest in Daoism. “Daoism teaches us that the foundational cannot be named and identified, but rather has to be experienced firsthand”. This is perfectly captured by the five pieces on this album, ranging between 5 and 17 minutes, dwelling in the unnamed space of complex drones – the kind of sounds for which you need a certain detached state of mind to fully appreciate them.\u003cbr\u003e\u003cbr\u003eIt is ‘minimalist’ music, but these are nót minimalist drones: there’s a lot happening in the deceptively static sound field which is constantly moving and shifting. “The drones slowly coalesce, evolve, and morph into metastable structures that linger on, only to slowly evaporate and dissolve into the undifferentiated.”\u003cbr\u003e\u003cbr\u003eThe album comes in a stunningly beautiful foldout sleeve with artwork by Xia Gui, a Chinese landscape painter of the Song Dynasty who lived from 1195-1224. The beauty of this image is somewhat contradictory to the album title… The Tao that can be named is not the real Tao. Interesting enough to reflect upon while listening to Matthijs Kouw‘s sonification of the principles of Daoism.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Matthijs Kouw\u003c\/p\u003e\n\u003cp\u003eLabel : Esc.rec. \u003c\/p\u003e","published_at":"2021-08-12T12:31:39+09:00","created_at":"2021-08-12T11:51:09+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","drone","esc.rec."],"price":198000,"price_min":198000,"price_max":198000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40561397366949,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Matthijs Kouw \/\/ The Great Image Has No Form CD","public_title":null,"options":["Default Title"],"price":198000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/gr2_64d51c32-c946-48a4-85e8-dfb3f563c5d3.jpg?v=1628736671","\/\/tobirarecords.com\/cdn\/shop\/products\/gr3.jpg?v=1628736671","\/\/tobirarecords.com\/cdn\/shop\/products\/gr4.jpg?v=1628736671"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/gr2_64d51c32-c946-48a4-85e8-dfb3f563c5d3.jpg?v=1628736671","options":["Title"],"media":[{"alt":null,"id":23317530837157,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/gr2_64d51c32-c946-48a4-85e8-dfb3f563c5d3.jpg?v=1628736671"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/gr2_64d51c32-c946-48a4-85e8-dfb3f563c5d3.jpg?v=1628736671","width":700},{"alt":null,"id":23317530869925,"position":2,"preview_image":{"aspect_ratio":1.523,"height":788,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/gr3.jpg?v=1628736671"},"aspect_ratio":1.523,"height":788,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/gr3.jpg?v=1628736671","width":1200},{"alt":null,"id":23317530902693,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/gr4.jpg?v=1628736671"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/gr4.jpg?v=1628736671","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eMoving Furnitureなどから発表するオランダ人アンビエントドローン作家Matthijs Kouwが2019年にリリースしたCD。メランコリックなドローン5曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3151119063\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\"\u003ehere\u003c\/a\u003e to see more Esc.rec. releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003cbr\u003e\u003cspan\u003eComes in a foldout grey cardboard sleeve, with printed artwork by Xia Gui.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDescription by Esc.rec.:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e“\u003cem\u003eThe structure being so large, in order for an impression leading towards a possible overview, the participant, of necessity must encounter the limits of what they are able to hold in front of themselves. In doing so, a sort of ’stretching’ must take place, and with it, a kind of ‘friction’, which provides the energy necessary for Work, on a small scale.” - Andrew McKenzie\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOn this album, Matthijs Kouw presents pensive and melancholic drone-driven music driven by his long-time interest in Daoism and inspired by his visit to the Wudang mountains in China in 2007, where he studied Chinese meditation and martial arts.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMuch like the Chinese landscape painting that provides the artwork for this release, the drones on The Great Image Has No Form slowly coalesce, evolve, and morph into metastable structures that linger on, only to slowly evaporate and dissolve into the undifferentiated.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDaoism teaches us that the foundational cannot be named and identified, but rather has to be experienced firsthand. This album is an invitation to the listener to dwell in this space of the unnamable and the mysterious, and to embrace it wholeheartedly.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e-------\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eReview by Peter van Cooten in\u003cspan class=\"bcTruncateMore\"\u003e \u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003eAmbientblog:\u003c\/span\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cbr\u003e\u003cbr\u003e\"Esc.rec. is a Dutch boutique label and platform for ‘adventurous music’. Its output is diverse, often with a strong relation to art projects, and – indeed – the best way to describe it is ‘adventurous’. Though some of their releases could be defined as ambient music, most are more ‘adventurous’ (duh) than that – ‘experimental’ is a better description. Which is why you’ll only find a small fragment of their output mentioned here. Which obviously does nót mean the other releases are not worth checking out too!\u003cbr\u003e\u003cbr\u003eMatthijs Kouw‘s The Great Image Has No Form may very well be their most minimal ambient release to date. Kouw is a Dutch experimental musician ‘exploring the relationship between movement and stasis – combining long-form drone with elements from acousmatic music, noise and microsound’. He does so on his solo work (often as MVK), but he also explores extreme minimalist drones in collaboration with Radboud Mens.\u003cbr\u003e\u003cbr\u003eThe Great Image Has No Form was inspired by Kouw‘s visit to the Wudang Mountains in China in 2007, where he studied Chinese meditation and martial arts as a result of his long-time interest in Daoism. “Daoism teaches us that the foundational cannot be named and identified, but rather has to be experienced firsthand”. This is perfectly captured by the five pieces on this album, ranging between 5 and 17 minutes, dwelling in the unnamed space of complex drones – the kind of sounds for which you need a certain detached state of mind to fully appreciate them.\u003cbr\u003e\u003cbr\u003eIt is ‘minimalist’ music, but these are nót minimalist drones: there’s a lot happening in the deceptively static sound field which is constantly moving and shifting. “The drones slowly coalesce, evolve, and morph into metastable structures that linger on, only to slowly evaporate and dissolve into the undifferentiated.”\u003cbr\u003e\u003cbr\u003eThe album comes in a stunningly beautiful foldout sleeve with artwork by Xia Gui, a Chinese landscape painter of the Song Dynasty who lived from 1195-1224. The beauty of this image is somewhat contradictory to the album title… The Tao that can be named is not the real Tao. Interesting enough to reflect upon while listening to Matthijs Kouw‘s sonification of the principles of Daoism.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Matthijs Kouw\u003c\/p\u003e\n\u003cp\u003eLabel : Esc.rec. \u003c\/p\u003e"}
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Moving Furnitureなどから発表するオランダ人アンビエントドローン作家Matthijs Kouwが2019年にリリースしたCD。メランコリックなドローン5曲を収録。デジパック、シュリンク仕様です。 レーベルその他作品はこちら /// Click here to see more Esc.rec. releases available at Tobira. ------------------------- Edition...
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{"id":6969865175205,"title":"Gintas K \/\/ Variations In A-Moll For A Granular Synthesis CD","handle":"gintas-k-variations-in-a-moll-for-a-granular-synthesis-cd","description":"\u003cp\u003e1994年から活動しているリトアニアの大御所サウンドアーティストGintas Kが、2019年12月にCronicaからリリースしたCD。\u003c\/p\u003e\n\u003cp\u003eタイトルの通り、グラニュラーシンセシスでのイ短調6曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3152021911\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\"\u003ehere\u003c\/a\u003e to see more Esc.rec. releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 300.\u003c\/p\u003e\n\u003cp\u003eDescription and bio by Esc.rec.:\u003c\/p\u003e\n\u003cp\u003e\"\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003eVariations in a-moll for a granular synthesis' was created by Gintas K in 2016, during an art residency in MoKS\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e, Estonia. The album uses a classical variation form in a-moll and is an extremely overpowering listening experience. Stunning and surprisingly melodic harmonies keep emerging from the granulated and continuously shifting computer generated sounds.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eGintas K (Gintas Kraptavičius) is a Lithuanian sound artist and composer living and working in Lithuania. He has been a part of the Lithuanian experimental music scene since 1994 and was a core member of the first Lithuanian industrial electronic music band 'Modus'. Later Kraptavičius became known for his sound actions, theatrical performances and conceptual art in the manner of Fluxus.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eNowadays Gintas K is exploring experimental, electroacoustic, electronic, computer music aesthetics: from overloaded massive structures, static and physically overwhelming frequencies to melodic ambiences, voice and field recordings. His compositions are based on granulated sounds, improv, new hard digital computer music and small melodies.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eGintas K has released numerous records on other labels such as Cronica, Baskaru, Con-v, Copy for Your Records\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e, Bolt, Creative Sources and Sub Rosa. He took part in various international festivals and symposiums of new media art and sound art (Transmediale, ISEA, ISSTA, IRCAM, xCoAx, ICMC, ICMC-NYCEMF). Winner of the International Sound-Art Contest Broadcasting Art 2010 in Spain and the USF New-Music Consortium International Call for Scores \/ electronic composition category, 2019 USA.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e-----\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan\u003eReview by SSK in Vital Weekly:\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cspan\u003e\"Two things before we dive into the musical subject matter at hand. First: the stellar cover art by Harco Rutgers featuring a deftly shimmering glissando of muted but brightly shining pink into greenish hues cut through with subtle white wave form-like lines. With the inner panels and the disc itself following this tone of visuals closely, Variations... is one heck of a CD with quite the luxurious feel to it, a must-have you want to hold and cherish and give prime place of pride on display in your collection, around the stereo.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAnd secondly, come to speak of stereo: on the sleeve, it doesn't say so, but this album needs to be cranked up to be fully appreciated in all nuance. Just so you know. Often ambient-esque synthesizer experimentation tends to be all hush-hush Feldman volume, but no way with this one, please. The granular synthesis opens up the full level of intensity on myriads of layers of sound processing when the amp gets a thorough workout and the speakers are fed with all the right power to project the microscopic detail(s) across the room. Also: I tried, but cannot think this is supposed to work with headphones, for some reason I prefer the room filling up with sound matter, instead of the head alone and boy does Gintas K deliver here.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eEstonian composer Gintas Kraptavičius presents his variations on the classical form in a-moll not to showcase the possibilities of his machines in this most classical of forms and formats per se, but to take the concept and push beyond with the help of intense granular synthesis; beyond that is, into the realm of deeply immerse en impressive listening experiences. Gintas K doesn't let up, doesn't do a second of ease or peace: his granulated fragments and shifting patterns divide, merge, splinter, coalesce with an unrelenting forward and deep-diving motion, although he manages to keep overpowering blunt force trauma at bay, in fact: Variations... turns out to be – above all – surprisingly melodic and harmonic.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eVariations... is massive – feels like a ton of steel or concrete in a way, but then again, it is light and airy... maybe best described as sweltering heat mixed with a punishing downpour of torrential rains with rather heavy winds too... While that doesn't sound too appealing, it's exactly the push-back from the music, the up-front an centre stage of the forceful projections of exquisite tones that makes for a wall-like focal point against which the listener can lean as we came to know from the best practices from My Bloody Valentine back in the shoegaze days of yonder. Far from unpleasant, that is, in fact: you're hit with blast after blast and still there is air to breathe, moving air that is sound-pressured.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eGintas K doesn't do easy listening, but his Variations... is one of those CD's that keeps rewarding the listener spin after spin. It's not as 'wild' as Mark Fell and\/or Gabór Lazar, but you'd be hard-pressed to remember melodic lines or phrases. This CD doesn't do comfort zone – doesn't allow for the newspaper to be read alongside or a novel. This a full-on attention-grabbing beast, but when you let yourself be hauled into its filigree maelstrom the aural vistas Gintas presents left, right, centre, above as below are all sparkling gems of unfiltered but extremely detailed brilliance. One album not to forget, to be put on the Long List for the 2020 Year lists.\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Gintas K\u003c\/p\u003e\n\u003cp\u003eLabel : Esc.rec. \u003c\/p\u003e","published_at":"2021-08-12T12:30:22+09:00","created_at":"2021-08-12T11:48:22+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","esc.rec.","monooto"],"price":198000,"price_min":198000,"price_max":198000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40561388421285,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Gintas K \/\/ Variations In A-Moll For A Granular Synthesis CD","public_title":null,"options":["Default Title"],"price":198000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/va1_56e377c9-caf8-49b6-ae24-7d588a0d9a50.jpg?v=1628736503","\/\/tobirarecords.com\/cdn\/shop\/products\/va3_c61be616-82d6-48bc-99b4-e198cb4c96c0.jpg?v=1628736503","\/\/tobirarecords.com\/cdn\/shop\/products\/va4.jpg?v=1628736504"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/va1_56e377c9-caf8-49b6-ae24-7d588a0d9a50.jpg?v=1628736503","options":["Title"],"media":[{"alt":null,"id":23317509275813,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/va1_56e377c9-caf8-49b6-ae24-7d588a0d9a50.jpg?v=1628736503"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/va1_56e377c9-caf8-49b6-ae24-7d588a0d9a50.jpg?v=1628736503","width":700},{"alt":null,"id":23317509308581,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/va3_c61be616-82d6-48bc-99b4-e198cb4c96c0.jpg?v=1628736503"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/va3_c61be616-82d6-48bc-99b4-e198cb4c96c0.jpg?v=1628736503","width":1200},{"alt":null,"id":23317509341349,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/va4.jpg?v=1628736504"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/va4.jpg?v=1628736504","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e1994年から活動しているリトアニアの大御所サウンドアーティストGintas Kが、2019年12月にCronicaからリリースしたCD。\u003c\/p\u003e\n\u003cp\u003eタイトルの通り、グラニュラーシンセシスでのイ短調6曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3152021911\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\"\u003ehere\u003c\/a\u003e to see more Esc.rec. releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 300.\u003c\/p\u003e\n\u003cp\u003eDescription and bio by Esc.rec.:\u003c\/p\u003e\n\u003cp\u003e\"\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003eVariations in a-moll for a granular synthesis' was created by Gintas K in 2016, during an art residency in MoKS\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e, Estonia. The album uses a classical variation form in a-moll and is an extremely overpowering listening experience. Stunning and surprisingly melodic harmonies keep emerging from the granulated and continuously shifting computer generated sounds.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eGintas K (Gintas Kraptavičius) is a Lithuanian sound artist and composer living and working in Lithuania. He has been a part of the Lithuanian experimental music scene since 1994 and was a core member of the first Lithuanian industrial electronic music band 'Modus'. Later Kraptavičius became known for his sound actions, theatrical performances and conceptual art in the manner of Fluxus.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eNowadays Gintas K is exploring experimental, electroacoustic, electronic, computer music aesthetics: from overloaded massive structures, static and physically overwhelming frequencies to melodic ambiences, voice and field recordings. His compositions are based on granulated sounds, improv, new hard digital computer music and small melodies.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eGintas K has released numerous records on other labels such as Cronica, Baskaru, Con-v, Copy for Your Records\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e, Bolt, Creative Sources and Sub Rosa. He took part in various international festivals and symposiums of new media art and sound art (Transmediale, ISEA, ISSTA, IRCAM, xCoAx, ICMC, ICMC-NYCEMF). Winner of the International Sound-Art Contest Broadcasting Art 2010 in Spain and the USF New-Music Consortium International Call for Scores \/ electronic composition category, 2019 USA.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e-----\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan\u003eReview by SSK in Vital Weekly:\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cspan\u003e\"Two things before we dive into the musical subject matter at hand. First: the stellar cover art by Harco Rutgers featuring a deftly shimmering glissando of muted but brightly shining pink into greenish hues cut through with subtle white wave form-like lines. With the inner panels and the disc itself following this tone of visuals closely, Variations... is one heck of a CD with quite the luxurious feel to it, a must-have you want to hold and cherish and give prime place of pride on display in your collection, around the stereo.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAnd secondly, come to speak of stereo: on the sleeve, it doesn't say so, but this album needs to be cranked up to be fully appreciated in all nuance. Just so you know. Often ambient-esque synthesizer experimentation tends to be all hush-hush Feldman volume, but no way with this one, please. The granular synthesis opens up the full level of intensity on myriads of layers of sound processing when the amp gets a thorough workout and the speakers are fed with all the right power to project the microscopic detail(s) across the room. Also: I tried, but cannot think this is supposed to work with headphones, for some reason I prefer the room filling up with sound matter, instead of the head alone and boy does Gintas K deliver here.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eEstonian composer Gintas Kraptavičius presents his variations on the classical form in a-moll not to showcase the possibilities of his machines in this most classical of forms and formats per se, but to take the concept and push beyond with the help of intense granular synthesis; beyond that is, into the realm of deeply immerse en impressive listening experiences. Gintas K doesn't let up, doesn't do a second of ease or peace: his granulated fragments and shifting patterns divide, merge, splinter, coalesce with an unrelenting forward and deep-diving motion, although he manages to keep overpowering blunt force trauma at bay, in fact: Variations... turns out to be – above all – surprisingly melodic and harmonic.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eVariations... is massive – feels like a ton of steel or concrete in a way, but then again, it is light and airy... maybe best described as sweltering heat mixed with a punishing downpour of torrential rains with rather heavy winds too... While that doesn't sound too appealing, it's exactly the push-back from the music, the up-front an centre stage of the forceful projections of exquisite tones that makes for a wall-like focal point against which the listener can lean as we came to know from the best practices from My Bloody Valentine back in the shoegaze days of yonder. Far from unpleasant, that is, in fact: you're hit with blast after blast and still there is air to breathe, moving air that is sound-pressured.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eGintas K doesn't do easy listening, but his Variations... is one of those CD's that keeps rewarding the listener spin after spin. It's not as 'wild' as Mark Fell and\/or Gabór Lazar, but you'd be hard-pressed to remember melodic lines or phrases. This CD doesn't do comfort zone – doesn't allow for the newspaper to be read alongside or a novel. This a full-on attention-grabbing beast, but when you let yourself be hauled into its filigree maelstrom the aural vistas Gintas presents left, right, centre, above as below are all sparkling gems of unfiltered but extremely detailed brilliance. One album not to forget, to be put on the Long List for the 2020 Year lists.\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Gintas K\u003c\/p\u003e\n\u003cp\u003eLabel : Esc.rec. \u003c\/p\u003e"}
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1994年から活動しているリトアニアの大御所サウンドアーティストGintas Kが、2019年12月にCronicaからリリースしたCD。 タイトルの通り、グラニュラーシンセシスでのイ短調6曲を収録。デジパック、シュリンク仕様です。 レーベルその他作品はこちら /// Click here to see more Esc.rec. releases available at Tobira. ------------------------- Edition...
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{"id":6969855213733,"title":"Diepenmaat \/ Sallaerts \/\/ Sluimer TAPE","handle":"diepenmaat-sallaerts-sluimer-tape","description":"\u003cp\u003eオランダ人実験音楽家DiepenmaatとSallaertsが2020年10月に34本限定でリリースしたカセット。テープレコーダーでのインプロコラージュアンビエント7曲を収録。DLコード付属。インストヒップホップリスナーにもおすすめです。廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1907502887\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1015887942\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1907502887\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\"\u003ehere\u003c\/a\u003e to see more Esc.rec. releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eLimited edition of 34.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTape with collage in special handmade package, made by Jeroen Diepenmaat and Twan Sallaerts.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDescription by \u003cmeta charset=\"utf-8\"\u003eEsc.rec.:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eEverything that spins, will meet itself again. Improvisations around a tape recorder take you to many destinations unknown to the regular travel agencies of music. That which stumbles need not fall. We catch and we realign. When recording everything in one take, there are no errors, only intervals.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWith Sluimer (Slumber), Jeroen Diepenmaat and Twan Sallaerts set out to outdo aesthetics again, which was doomed to failure from the get go.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eJeroen Diepenmaat is a visual artist with a predilection for sound, who has several other Esc.rec. releases to his name. In his work, consisting of drawings, sculptures, installations and performances, he explores the cutting edge between image and sound and the transition from one to the other.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTwan Sallaerts is a walking talking music encyclopedia with a very broad scope, an avid radio show host and producer of probably the largest heap of unreleased miscellaneous music we know of. He also recently crossed over to the visual arts.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDiepenmaat and Sallaerts have been creating and recording music together on a regular basis for many, many years now. At some point in time they were known as Jool Hul, but the\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e majority of their collaborative work remained hidden. Until now.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e------\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eReview by NR in Vital Weekly:\u003cbr\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cbr\u003e\"There is something wonderfully lurid about Jeroen Diepenmaat and Twan Sallaerts’ new album ‘Sluimer’. Part of this is down to the idea that everything is cyclical. Especially when it comes to music. The pair begin creating improvisations around a tape recorder. Everything was recorded in one take. This gives the songs an immediacy. On a first listen you don’t know what is going to happen, or if what is happening was meant to happen.\u003cbr\u003e\u003cbr\u003eThe real thrill of ‘Sluimer’ is when Diepenmaat and Sallaerts get locked in to a groove and stay there. The duo appears to be interested in trying things out and sticking with what they like. During ‘Terloops’ there is a wonderfully warming organ that welcomes us to the song. It gives off vibes of late-night roaring fireplaces. Mugs of steaming tea or cold beers. There are also some wonderful melodies deep down in the mix, like pennies in the back of a sofa. They add to the melodic tones of the organ and help ground those pleasant vibes. Behind this feeling of comfort and contentment, there is a repeating clicking noise. At first, it's barely noticeable. As the song progresses it starts to become all-consuming until the organ fades into the warming ether and all your attention is on it. This is what ‘Sluimer’ does incredibly well. It gracefully moves your attention from one sound, or tone, to another. Without you realising it.\u003cbr\u003e\u003cbr\u003eIt has been rumoured that Diepenmaat and Sallaerts had been creating music under their own names together for years, but this is the first they have unveiled. Another rumour hints that there is plenty more where this came from. If so, let’s hope we don’t have too long to wait for the next installment.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Diepenmaat \/ Sallaerts\u003c\/p\u003e\n\u003cp\u003eLabel : Esc.rec. \u003c\/p\u003e","published_at":"2021-08-12T12:31:22+09:00","created_at":"2021-08-12T11:38:47+09:00","vendor":"Tobira Records","type":"","tags":["ambient","esc.rec.","monooto","tape"],"price":195000,"price_min":195000,"price_max":195000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40561355784357,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Diepenmaat \/ Sallaerts \/\/ Sluimer TAPE","public_title":null,"options":["Default Title"],"price":195000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/0021587202_10.jpg?v=1628751884","\/\/tobirarecords.com\/cdn\/shop\/products\/sl1_c37da997-b9a5-4dfe-ab32-dae47e9c5590.jpg?v=1628751884","\/\/tobirarecords.com\/cdn\/shop\/products\/sl2_ba4f81a9-d4fe-487b-b403-70e582609a15.jpg?v=1628751884"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/0021587202_10.jpg?v=1628751884","options":["Title"],"media":[{"alt":null,"id":23319669080229,"position":1,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0021587202_10.jpg?v=1628751884"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0021587202_10.jpg?v=1628751884","width":1200},{"alt":null,"id":23317423915173,"position":2,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sl1_c37da997-b9a5-4dfe-ab32-dae47e9c5590.jpg?v=1628751884"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sl1_c37da997-b9a5-4dfe-ab32-dae47e9c5590.jpg?v=1628751884","width":700},{"alt":null,"id":23317423947941,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sl2_ba4f81a9-d4fe-487b-b403-70e582609a15.jpg?v=1628751884"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sl2_ba4f81a9-d4fe-487b-b403-70e582609a15.jpg?v=1628751884","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオランダ人実験音楽家DiepenmaatとSallaertsが2020年10月に34本限定でリリースしたカセット。テープレコーダーでのインプロコラージュアンビエント7曲を収録。DLコード付属。インストヒップホップリスナーにもおすすめです。廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1907502887\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1015887942\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1907502887\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\"\u003ehere\u003c\/a\u003e to see more Esc.rec. releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eLimited edition of 34.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTape with collage in special handmade package, made by Jeroen Diepenmaat and Twan Sallaerts.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDescription by \u003cmeta charset=\"utf-8\"\u003eEsc.rec.:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eEverything that spins, will meet itself again. Improvisations around a tape recorder take you to many destinations unknown to the regular travel agencies of music. That which stumbles need not fall. We catch and we realign. When recording everything in one take, there are no errors, only intervals.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWith Sluimer (Slumber), Jeroen Diepenmaat and Twan Sallaerts set out to outdo aesthetics again, which was doomed to failure from the get go.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eJeroen Diepenmaat is a visual artist with a predilection for sound, who has several other Esc.rec. releases to his name. In his work, consisting of drawings, sculptures, installations and performances, he explores the cutting edge between image and sound and the transition from one to the other.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTwan Sallaerts is a walking talking music encyclopedia with a very broad scope, an avid radio show host and producer of probably the largest heap of unreleased miscellaneous music we know of. He also recently crossed over to the visual arts.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDiepenmaat and Sallaerts have been creating and recording music together on a regular basis for many, many years now. At some point in time they were known as Jool Hul, but the\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e majority of their collaborative work remained hidden. Until now.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e------\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eReview by NR in Vital Weekly:\u003cbr\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cbr\u003e\"There is something wonderfully lurid about Jeroen Diepenmaat and Twan Sallaerts’ new album ‘Sluimer’. Part of this is down to the idea that everything is cyclical. Especially when it comes to music. The pair begin creating improvisations around a tape recorder. Everything was recorded in one take. This gives the songs an immediacy. On a first listen you don’t know what is going to happen, or if what is happening was meant to happen.\u003cbr\u003e\u003cbr\u003eThe real thrill of ‘Sluimer’ is when Diepenmaat and Sallaerts get locked in to a groove and stay there. The duo appears to be interested in trying things out and sticking with what they like. During ‘Terloops’ there is a wonderfully warming organ that welcomes us to the song. It gives off vibes of late-night roaring fireplaces. Mugs of steaming tea or cold beers. There are also some wonderful melodies deep down in the mix, like pennies in the back of a sofa. They add to the melodic tones of the organ and help ground those pleasant vibes. Behind this feeling of comfort and contentment, there is a repeating clicking noise. At first, it's barely noticeable. As the song progresses it starts to become all-consuming until the organ fades into the warming ether and all your attention is on it. This is what ‘Sluimer’ does incredibly well. It gracefully moves your attention from one sound, or tone, to another. Without you realising it.\u003cbr\u003e\u003cbr\u003eIt has been rumoured that Diepenmaat and Sallaerts had been creating music under their own names together for years, but this is the first they have unveiled. Another rumour hints that there is plenty more where this came from. If so, let’s hope we don’t have too long to wait for the next installment.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Diepenmaat \/ Sallaerts\u003c\/p\u003e\n\u003cp\u003eLabel : Esc.rec. \u003c\/p\u003e"}
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オランダ人実験音楽家DiepenmaatとSallaertsが2020年10月に34本限定でリリースしたカセット。テープレコーダーでのインプロコラージュアンビエント7曲を収録。DLコード付属。インストヒップホップリスナーにもおすすめです。廃盤です。 レーベルその他作品はこちら /// Click here to see more Esc.rec. releases available at Tobira. ------------------------- Limited edition of...
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{"id":6969848037541,"title":"SNACKBAR the Ambassador \/\/ Iedere Dag Vakantie 7\"","handle":"snackbar-the-ambassador-iedere-dag-vakantie-7","description":"\u003cp\u003eオランダの実験ダブポップ作家SNACKBAR the Ambassadorが、2020年12月にリリースしたデビュー7\"です。\u003c\/p\u003e\n\u003cp\u003eヘンテコですが頭にこびりつく2曲を収録。青盤です。DLコード付属。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/JqqK04x7Muo\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=538759127\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\"\u003ehere\u003c\/a\u003e to see more Esc.rec. releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eEdition of 200.\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e7\" turquoise coloured vinyl - packaged in a printed brown paper inner sleeve, a high quality reproduction of König’s drawing 'Iedere Dag Vakantie' and a transparent PVC outer sleeve. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDesription by \u003cmeta charset=\"utf-8\"\u003eEsc.rec.:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003c\/span\u003e\u003cem\u003eSNACKBAR the Ambassador is a moniker of transdisciplinary artist Matthias König, based in The Hague (NL), interweaving music, performance- and visual arts. For the past few years, König has immersed himself in the 'celebration of the delirious life', resulting in several large art installations, consisting of (sound) sculptures, drawings, videos and photos, exhibited in museums and art initiatives. During this period he recorded hours of audio compositions in his studio, that explore electronic- and folklore music vocabulary and strongly relate to his visual work, but have remained unpublished.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis release is the exciting prelude to a larger body of work, the essence of the amassed studio recordings, where the music and visual arts of Matthias König merge into his carefully crafted alter ego SNACKBAR the Ambassador, who also started acting out in disruptive but infectious live performances, dressed in elaborate costumes. The ultimate goal in the collaboration with Esc.rec. is a compounded collectible art object and 12\" album.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe sound of SNACKBAR the Ambassador is best described as a toxic concoction of deconstructed folklore, electronic beat and space explorations, otherworldly sounds, dub, cumbia, schlager, humpa and experimental electronics. Endearing, ugly, attractive\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e, abrasive, compelling and taunting at the same time.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : SNACKBAR the Ambassador\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEsc.rec.\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-08-12T12:23:46+09:00","created_at":"2021-08-12T11:34:09+09:00","vendor":"Tobira Records","type":"","tags":["esc.rec.","folk \/ left-field pop","hiphop \/ funk","lp","strange beats"],"price":235000,"price_min":235000,"price_max":235000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40561315643557,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"SNACKBAR the Ambassador \/\/ Iedere Dag Vakantie 7\"","public_title":null,"options":["Default Title"],"price":235000,"weight":230,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/le1_b3d33d96-da87-4a5c-8217-527959b34b97.jpg?v=1628735652","\/\/tobirarecords.com\/cdn\/shop\/products\/le2_7bbbd36b-c36a-4e9e-8d25-eba41a480263.jpg?v=1628735652"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/le1_b3d33d96-da87-4a5c-8217-527959b34b97.jpg?v=1628735652","options":["Title"],"media":[{"alt":null,"id":23317366767781,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/le1_b3d33d96-da87-4a5c-8217-527959b34b97.jpg?v=1628735652"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/le1_b3d33d96-da87-4a5c-8217-527959b34b97.jpg?v=1628735652","width":700},{"alt":null,"id":23317366866085,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/le2_7bbbd36b-c36a-4e9e-8d25-eba41a480263.jpg?v=1628735652"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/le2_7bbbd36b-c36a-4e9e-8d25-eba41a480263.jpg?v=1628735652","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオランダの実験ダブポップ作家SNACKBAR the Ambassadorが、2020年12月にリリースしたデビュー7\"です。\u003c\/p\u003e\n\u003cp\u003eヘンテコですが頭にこびりつく2曲を収録。青盤です。DLコード付属。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/JqqK04x7Muo\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=538759127\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\"\u003ehere\u003c\/a\u003e to see more Esc.rec. releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eEdition of 200.\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e7\" turquoise coloured vinyl - packaged in a printed brown paper inner sleeve, a high quality reproduction of König’s drawing 'Iedere Dag Vakantie' and a transparent PVC outer sleeve. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDesription by \u003cmeta charset=\"utf-8\"\u003eEsc.rec.:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003c\/span\u003e\u003cem\u003eSNACKBAR the Ambassador is a moniker of transdisciplinary artist Matthias König, based in The Hague (NL), interweaving music, performance- and visual arts. For the past few years, König has immersed himself in the 'celebration of the delirious life', resulting in several large art installations, consisting of (sound) sculptures, drawings, videos and photos, exhibited in museums and art initiatives. During this period he recorded hours of audio compositions in his studio, that explore electronic- and folklore music vocabulary and strongly relate to his visual work, but have remained unpublished.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis release is the exciting prelude to a larger body of work, the essence of the amassed studio recordings, where the music and visual arts of Matthias König merge into his carefully crafted alter ego SNACKBAR the Ambassador, who also started acting out in disruptive but infectious live performances, dressed in elaborate costumes. The ultimate goal in the collaboration with Esc.rec. is a compounded collectible art object and 12\" album.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe sound of SNACKBAR the Ambassador is best described as a toxic concoction of deconstructed folklore, electronic beat and space explorations, otherworldly sounds, dub, cumbia, schlager, humpa and experimental electronics. Endearing, ugly, attractive\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e, abrasive, compelling and taunting at the same time.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : SNACKBAR the Ambassador\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEsc.rec.\u003c\/span\u003e\u003c\/p\u003e"}
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