contemporary / sound poetry
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{"id":7524434936058,"title":"Piotr Kurek \/\/ World Speaks LP \/ CD","handle":"piotr-kurek-world-speaks-lp","description":"\u003cp\u003e過去にCronicaやDigitalisなどから発表しているポーランド・ワルシャワの音響作家Piotr Kurekが、2022年1月にベルギーのイルカおじさんことDolphins Into The Future主宰レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEdições CNからリリースした最新作です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eアメリカの画家Thomas Coleにインスパイアされた、シュールな世界観の室内楽7曲を収録。レコードはDLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2384724640\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/edicoes-cn\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/edicoes-cn\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eEdições CN releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEdições CN :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“'I saw an old photo of a group of people standing in a circle, facing each other. I imagined they were singing but I’m not sure about it … I guess it was just a gathering or some kind of dance choreography near the rocky seashore.'\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWorld Speaks is the new album by Piotr Kurek. It consists of seven vivid paintings. We are greeted by processed voices. A bit later we listen to a fine reed solo, while an organist performs a meditative melody.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHints of a human presence, but World Speaks sounds uninhabited. Instead we enter a glassy reality where the simulation is at play. And where nothing seems what it is: are we witness to the choreography – or the rocky seashore?\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e'At that time I was playing with various vocal banks I’ve made on Kontakt with some exaggerated modulation bends and tried to mimic the feeling of the memory of the picture with some vocal sequences played on the MIDI keyboard.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e'Since a few years I have these Thomas Cole paintings as my laptop’s desktop wallpaper. And I absolutely love them. I’m pretty sure that something from that landscapes must have soaked into this material. A few titles here actually refer to works of Thomas\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e Cole.'\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eClouds slowly creeping trough the hills. The trees damp green. A few whitewashed houses …\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eArtist Bio:\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"Piotr Kurek (°1978) is a Warsaw based composer and multi-instrumentalist. Through his unconventional use of various electronic instruments and synthesisers he cultures hypnotic worlds drenched in peculiar arrangements.\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Piotr Kurek\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEdições CN\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-01-24T11:55:33+09:00","created_at":"2022-01-24T11:44:35+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","contemporary \/ sound poetry","Edições CN","lp"],"price":225000,"price_min":225000,"price_max":328000,"available":false,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42731432771834,"title":"LP","option1":"LP","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Piotr Kurek \/\/ World Speaks LP \/ CD - LP","public_title":"LP","options":["LP"],"price":328000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":42731432804602,"title":"CD","option1":"CD","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Piotr Kurek \/\/ World Speaks LP \/ CD - CD","public_title":"CD","options":["CD"],"price":225000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/sp1_71d1fe4e-3d17-4928-a42d-378f42ce3799.jpg?v=1642992277","\/\/tobirarecords.com\/cdn\/shop\/products\/sp2_fb111cb8-834f-481c-bc7a-3ed4a479c6ce.jpg?v=1642992277"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/sp1_71d1fe4e-3d17-4928-a42d-378f42ce3799.jpg?v=1642992277","options":["Format"],"media":[{"alt":null,"id":29050061029626,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sp1_71d1fe4e-3d17-4928-a42d-378f42ce3799.jpg?v=1642992277"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sp1_71d1fe4e-3d17-4928-a42d-378f42ce3799.jpg?v=1642992277","width":700},{"alt":null,"id":29050061062394,"position":2,"preview_image":{"aspect_ratio":1.002,"height":1198,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sp2_fb111cb8-834f-481c-bc7a-3ed4a479c6ce.jpg?v=1642992277"},"aspect_ratio":1.002,"height":1198,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sp2_fb111cb8-834f-481c-bc7a-3ed4a479c6ce.jpg?v=1642992277","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去にCronicaやDigitalisなどから発表しているポーランド・ワルシャワの音響作家Piotr Kurekが、2022年1月にベルギーのイルカおじさんことDolphins Into The Future主宰レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEdições CNからリリースした最新作です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eアメリカの画家Thomas Coleにインスパイアされた、シュールな世界観の室内楽7曲を収録。レコードはDLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2384724640\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/edicoes-cn\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/edicoes-cn\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eEdições CN releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEdições CN :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“'I saw an old photo of a group of people standing in a circle, facing each other. I imagined they were singing but I’m not sure about it … I guess it was just a gathering or some kind of dance choreography near the rocky seashore.'\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWorld Speaks is the new album by Piotr Kurek. It consists of seven vivid paintings. We are greeted by processed voices. A bit later we listen to a fine reed solo, while an organist performs a meditative melody.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHints of a human presence, but World Speaks sounds uninhabited. Instead we enter a glassy reality where the simulation is at play. And where nothing seems what it is: are we witness to the choreography – or the rocky seashore?\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e'At that time I was playing with various vocal banks I’ve made on Kontakt with some exaggerated modulation bends and tried to mimic the feeling of the memory of the picture with some vocal sequences played on the MIDI keyboard.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e'Since a few years I have these Thomas Cole paintings as my laptop’s desktop wallpaper. And I absolutely love them. I’m pretty sure that something from that landscapes must have soaked into this material. A few titles here actually refer to works of Thomas\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e Cole.'\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eClouds slowly creeping trough the hills. The trees damp green. A few whitewashed houses …\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eArtist Bio:\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"Piotr Kurek (°1978) is a Warsaw based composer and multi-instrumentalist. Through his unconventional use of various electronic instruments and synthesisers he cultures hypnotic worlds drenched in peculiar arrangements.\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Piotr Kurek\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEdições CN\u003c\/span\u003e\u003c\/p\u003e"}
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過去にCronicaやDigitalisなどから発表しているポーランド・ワルシャワの音響作家Piotr Kurekが、2022年1月にベルギーのイルカおじさんことDolphins Into The Future主宰レーベルEdições CNからリリースした最新作です。 アメリカの画家Thomas Coleにインスパイアされた、シュールな世界観の室内楽7曲を収録。レコードはDLコード付属。 レーベルその他作品はこちら /// Click here to see more Edições CN releases...
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{"id":7522473378042,"title":"Fraufraulein \/\/ Solum TAPE","handle":"fraufraulein-solum-tape","description":"\u003cp\u003eアメリカ・NYの音響作家Evan Lindorff-Ellery主宰レーベルNotice Recordingsの取り扱いを開始しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同国CAの\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAnne Guthrie (french horn, electronics, recordings)とBilly Gomberg\u003cmeta charset=\"utf-8\"\u003e (bass guitar, recordings)\u003c\/span\u003eによるデュオFraufrauleinが、2021年3月に100本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e物音〜コンテンポラリー6曲を収録。DLコード付属。廃盤です。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/EhqmkC1av_k\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1333634453\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/noticerecs\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/noticerecs\"\u003ehere\u003c\/a\u003e to see more Notice Recordings releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eNotice Recordings:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"On their first release since 2017, the duo of Anne Guthrie and Billy Gomberg craft a world inhabited by both the familiar and foreign. Guthrie's intimate vocals float like smoke over mysterious piano phrases; elements vacillating in and out of a sense of awareness. Bass and French horn, the duo's main instruments, are inquisitive and gentle, often present as a whisper, a quiet wind, an exhale. Sounds exist as distant vertical pillars, soon shifting into three-dimensional shapes, spinning autonomously. In this album there are meticulously placed auxiliary sounds, including textural field recordings and object play. They complicate and enrich the rigorously sparse instrumental notes, resulting in pieces that, in a vividly engaging way, are less domestic than they are the music of dream-like errands, or an inverted walk through a residential neighborhood.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e*******************\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eArtists' statement by \u003cmeta charset=\"utf-8\"\u003eAnne Guthrie and Billy Gomberg 2021:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"\u003cem\u003eWhat became Solum is built from a handful of improvisations collaged with recordings made separately. Necessity somewhat determined creativity, and the work responds to and articulates the rather heightened domesticity of 2020. We still have to wait until 830-9p for the exhaust fan from the restaurant below us to shut off\u003c\/em\u003e\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e for the night if we want to do any acoustic recording, or accept (amplify) the way it vibrates our apartment. Our studio is really just our lives as they can be lived. As in most things, we have to trust that the other's direction is a good heading.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMaterially, the instrumentation is somewhat more broad than the above would imply. I think our mix of electronics, recordings, horn \u0026amp; bass are still there but not as consistent a thread throughout, more dispersed in their roles. The range of electronics is certainly more varied and much less glossy than I think either of us have really applied before. We both brought homemade or found materials more than we have previously.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Fraufraulein\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNotice Recordings\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-01-22T14:07:51+09:00","created_at":"2022-01-21T12:37:24+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","notice recordings","tape"],"price":165000,"price_min":165000,"price_max":165000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42347685609722,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Fraufraulein \/\/ Solum TAPE","public_title":null,"options":["Default Title"],"price":165000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/so1_0a17694e-3260-4d50-995b-10d0fcf523ce.jpg?v=1642736245"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/so1_0a17694e-3260-4d50-995b-10d0fcf523ce.jpg?v=1642736245","options":["Title"],"media":[{"alt":null,"id":29038729265402,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/so1_0a17694e-3260-4d50-995b-10d0fcf523ce.jpg?v=1642736245"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/so1_0a17694e-3260-4d50-995b-10d0fcf523ce.jpg?v=1642736245","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・NYの音響作家Evan Lindorff-Ellery主宰レーベルNotice Recordingsの取り扱いを開始しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同国CAの\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAnne Guthrie (french horn, electronics, recordings)とBilly Gomberg\u003cmeta charset=\"utf-8\"\u003e (bass guitar, recordings)\u003c\/span\u003eによるデュオFraufrauleinが、2021年3月に100本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e物音〜コンテンポラリー6曲を収録。DLコード付属。廃盤です。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/EhqmkC1av_k\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1333634453\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/noticerecs\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/noticerecs\"\u003ehere\u003c\/a\u003e to see more Notice Recordings releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eNotice Recordings:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"On their first release since 2017, the duo of Anne Guthrie and Billy Gomberg craft a world inhabited by both the familiar and foreign. Guthrie's intimate vocals float like smoke over mysterious piano phrases; elements vacillating in and out of a sense of awareness. Bass and French horn, the duo's main instruments, are inquisitive and gentle, often present as a whisper, a quiet wind, an exhale. Sounds exist as distant vertical pillars, soon shifting into three-dimensional shapes, spinning autonomously. In this album there are meticulously placed auxiliary sounds, including textural field recordings and object play. They complicate and enrich the rigorously sparse instrumental notes, resulting in pieces that, in a vividly engaging way, are less domestic than they are the music of dream-like errands, or an inverted walk through a residential neighborhood.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e*******************\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eArtists' statement by \u003cmeta charset=\"utf-8\"\u003eAnne Guthrie and Billy Gomberg 2021:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"\u003cem\u003eWhat became Solum is built from a handful of improvisations collaged with recordings made separately. Necessity somewhat determined creativity, and the work responds to and articulates the rather heightened domesticity of 2020. We still have to wait until 830-9p for the exhaust fan from the restaurant below us to shut off\u003c\/em\u003e\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e for the night if we want to do any acoustic recording, or accept (amplify) the way it vibrates our apartment. Our studio is really just our lives as they can be lived. As in most things, we have to trust that the other's direction is a good heading.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMaterially, the instrumentation is somewhat more broad than the above would imply. I think our mix of electronics, recordings, horn \u0026amp; bass are still there but not as consistent a thread throughout, more dispersed in their roles. The range of electronics is certainly more varied and much less glossy than I think either of us have really applied before. We both brought homemade or found materials more than we have previously.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Fraufraulein\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNotice Recordings\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・NYの音響作家Evan Lindorff-Ellery主宰レーベルNotice Recordingsの取り扱いを開始しました。 本作は、同国CAのAnne Guthrie (french horn, electronics, recordings)とBilly Gomberg (bass guitar, recordings)によるデュオFraufrauleinが、2021年3月に100本限定でリリースしたカセットです。 物音〜コンテンポラリー6曲を収録。DLコード付属。廃盤です。 レーベルその他作品はこちら ///...
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{"id":7522472558842,"title":"Lucy Liyou\/Yska \/\/ A Need\/A Want TAPE","handle":"lucy-liyou-yska-a-need-a-want-tape","description":"\u003cp\u003eアメリカ・NYの音響作家Evan Lindorff-Ellery主宰レーベルNotice Recordingsの取り扱いを開始しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同国音響作家Lucy LiyouとギタリストYskaが、2021年10月に100本限定でリリースした共作カセットです。\u003c\/p\u003e\n\u003cp\u003eスポークンワード〜ドローン〜ノイズ〜アンビエント2曲、30分を収録。詩とDLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3089763555\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/noticerecs\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/noticerecs\"\u003ehere\u003c\/a\u003e to see more Notice Recordings releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eNotice Recordings:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLucy Liyou’s music carries with it deeply personal poetry, in a literal and metaphorical sense, conveyed using sound collage, noise, field recordings, and abstracted pop tendencies. When Notice first heard Lucy’s music, we were struck by its incredible honesty, vulnerability, and originality. For her first collaboration, A Need\/A Want, she is joined by Philadelphia-based guitarist and lyricist Yska. Bizarre shards of Yska's electric guitar permeate Lucy’s deft and supple production techniques as the sounds contained throughout the two pieces produce moments of confusion, bliss, and catharsis. Using text-to-voice and largely unprocessed singing, the duo's lyrics present a refreshing and striking potency: “I’ve only been there once; and only for a little while; she walked like lavender; swaying\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e, leaning…”. Music \u003cspan data-mce-fragment=\"1\" class=\"peekaboo-text\" id=\"package_description_0\"\u003ethis honest and also so carefully crafted is a true treasure, and A Need\/A Want is a testament to musicians honing their visions in a very unique way.\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003eComes with lyric insert.\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lucy Liyou\/Yska\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNotice Recordings\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-01-22T14:03:15+09:00","created_at":"2022-01-21T12:32:12+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","drone","noise","notice recordings","recommended","tape"],"price":165000,"price_min":165000,"price_max":165000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42347680465146,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Lucy Liyou\/Yska \/\/ A Need\/A Want TAPE","public_title":null,"options":["Default Title"],"price":165000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ne_b32c448d-eef7-45fb-9b94-532261159bbf.jpg?v=1642735934"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ne_b32c448d-eef7-45fb-9b94-532261159bbf.jpg?v=1642735934","options":["Title"],"media":[{"alt":null,"id":29038725300474,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ne_b32c448d-eef7-45fb-9b94-532261159bbf.jpg?v=1642735934"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ne_b32c448d-eef7-45fb-9b94-532261159bbf.jpg?v=1642735934","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・NYの音響作家Evan Lindorff-Ellery主宰レーベルNotice Recordingsの取り扱いを開始しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同国音響作家Lucy LiyouとギタリストYskaが、2021年10月に100本限定でリリースした共作カセットです。\u003c\/p\u003e\n\u003cp\u003eスポークンワード〜ドローン〜ノイズ〜アンビエント2曲、30分を収録。詩とDLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3089763555\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/noticerecs\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/noticerecs\"\u003ehere\u003c\/a\u003e to see more Notice Recordings releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eNotice Recordings:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLucy Liyou’s music carries with it deeply personal poetry, in a literal and metaphorical sense, conveyed using sound collage, noise, field recordings, and abstracted pop tendencies. When Notice first heard Lucy’s music, we were struck by its incredible honesty, vulnerability, and originality. For her first collaboration, A Need\/A Want, she is joined by Philadelphia-based guitarist and lyricist Yska. Bizarre shards of Yska's electric guitar permeate Lucy’s deft and supple production techniques as the sounds contained throughout the two pieces produce moments of confusion, bliss, and catharsis. Using text-to-voice and largely unprocessed singing, the duo's lyrics present a refreshing and striking potency: “I’ve only been there once; and only for a little while; she walked like lavender; swaying\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e, leaning…”. Music \u003cspan data-mce-fragment=\"1\" class=\"peekaboo-text\" id=\"package_description_0\"\u003ethis honest and also so carefully crafted is a true treasure, and A Need\/A Want is a testament to musicians honing their visions in a very unique way.\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003eComes with lyric insert.\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lucy Liyou\/Yska\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNotice Recordings\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・NYの音響作家Evan Lindorff-Ellery主宰レーベルNotice Recordingsの取り扱いを開始しました。 本作は、同国音響作家Lucy LiyouとギタリストYskaが、2021年10月に100本限定でリリースした共作カセットです。 スポークンワード〜ドローン〜ノイズ〜アンビエント2曲、30分を収録。詩とDLコード付属。 レーベルその他作品はこちら /// Click here to see more Notice Recordings releases...
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{"id":7522459189498,"title":"J Spaceman And J Coxon \/\/ Play The Red Krayola Live 1967 LP","handle":"j-spaceman-and-j-coxon-play-the-red-krayola-live-1967-lp","description":"\u003cp\u003eSpiritualizedのメンバー2名による即興演奏作品です。\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eロックバンドThe Red Krayolaが、1967年のAngry Arts Festivalで行った過激で再現不可能なパフォーマンスのカバー・バージョンを試みるというものとのことです。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/VmHRjBbHpAU\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hjr\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hjr\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hjr\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hjr\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Honest Jon's Records releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e---------------------------------\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Made during preparation for a performance as part of an Art and Language show at the Lisson Gallery in New York, October 2019.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe idea was a cover of The Red Krayola’s radical and unrepeatable contribution to the Angry Arts Festival in 1967. The pair listened separately to the recording; then together played this version, without rehearsal.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : J Spaceman And J Coxon \u003c\/p\u003e\n\u003cp\u003eLabel : Treader\u003c\/p\u003e","published_at":"2022-01-25T18:00:20+09:00","created_at":"2022-01-21T12:00:03+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","honest jon's records","lp"],"price":285000,"price_min":285000,"price_max":285000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42347561451770,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"J Spaceman And J Coxon \/\/ Play The Red Krayola Live 1967 LP","public_title":null,"options":["Default Title"],"price":285000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/co1_d7e53721-486e-4b7c-bc40-cdd7f4762584.jpg?v=1642734005"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/co1_d7e53721-486e-4b7c-bc40-cdd7f4762584.jpg?v=1642734005","options":["Title"],"media":[{"alt":null,"id":29038674379002,"position":1,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/co1_d7e53721-486e-4b7c-bc40-cdd7f4762584.jpg?v=1642734005"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/co1_d7e53721-486e-4b7c-bc40-cdd7f4762584.jpg?v=1642734005","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eSpiritualizedのメンバー2名による即興演奏作品です。\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eロックバンドThe Red Krayolaが、1967年のAngry Arts Festivalで行った過激で再現不可能なパフォーマンスのカバー・バージョンを試みるというものとのことです。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/VmHRjBbHpAU\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hjr\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hjr\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hjr\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hjr\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Honest Jon's Records releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e---------------------------------\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Made during preparation for a performance as part of an Art and Language show at the Lisson Gallery in New York, October 2019.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe idea was a cover of The Red Krayola’s radical and unrepeatable contribution to the Angry Arts Festival in 1967. The pair listened separately to the recording; then together played this version, without rehearsal.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : J Spaceman And J Coxon \u003c\/p\u003e\n\u003cp\u003eLabel : Treader\u003c\/p\u003e"}
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Spiritualizedのメンバー2名による即興演奏作品です。 ロックバンドThe Red Krayolaが、1967年のAngry Arts Festivalで行った過激で再現不可能なパフォーマンスのカバー・バージョンを試みるというものとのことです。 レーベルその他作品はこちら /// Click here to see more Honest Jon's Records releases...
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{"id":7520774422778,"title":"Eric Schmid \u0026 Lauren Burns-Coady \/\/ Callous Rights\/Rites TAPE + BOOKLET","handle":"eric-schmid-lauren-burns-coady-callous-rights-rites-tape-booklet","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ・シカゴの哲学者／数学者Eric SchmidとLauren Burns-Coadyが、2022年1月にイギリスのカルト実験レーベル\u003cmeta charset=\"utf-8\"\u003eResearch Laboratoriesから20部限定でリリースしたカセット＋ブックレットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/relab\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/relab\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eResearch Laboratories releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 20.\u003c\/p\u003e\n\u003cp\u003eArtist : Eric Schmid \u0026amp; Lauren Burns-Coady\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eResearch Laboratories\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-01-22T15:08:41+09:00","created_at":"2022-01-19T15:07:26+09:00","vendor":"Tobira Records","type":"","tags":["books \/ clothing \/ others","contemporary \/ sound poetry","research laboratories","tape"],"price":158000,"price_min":158000,"price_max":158000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42340018094330,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Eric Schmid \u0026 Lauren Burns-Coady \/\/ Callous Rights\/Rites TAPE + BOOKLET","public_title":null,"options":["Default Title"],"price":158000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/er1_6be0f4e2-4853-417e-b4c8-538da39869e5.jpg?v=1642572448"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/er1_6be0f4e2-4853-417e-b4c8-538da39869e5.jpg?v=1642572448","options":["Title"],"media":[{"alt":null,"id":29031054541050,"position":1,"preview_image":{"aspect_ratio":1.019,"height":1081,"width":1102,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/er1_6be0f4e2-4853-417e-b4c8-538da39869e5.jpg?v=1642572448"},"aspect_ratio":1.019,"height":1081,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/er1_6be0f4e2-4853-417e-b4c8-538da39869e5.jpg?v=1642572448","width":1102}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ・シカゴの哲学者／数学者Eric SchmidとLauren Burns-Coadyが、2022年1月にイギリスのカルト実験レーベル\u003cmeta charset=\"utf-8\"\u003eResearch Laboratoriesから20部限定でリリースしたカセット＋ブックレットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/relab\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/relab\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eResearch Laboratories releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 20.\u003c\/p\u003e\n\u003cp\u003eArtist : Eric Schmid \u0026amp; Lauren Burns-Coady\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eResearch Laboratories\u003c\/span\u003e\u003c\/p\u003e"}
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{"id":7517054435578,"title":"Micha Seidenberg \/\/ Replicare TAPE","handle":"micha-seidenberg-replicare-tape","description":"\u003cp\u003eスイス・チューリッヒの実験音楽家Micha Seidenbergが、2021年12月にフランスの実験レーベルZAMZAMRECから77本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eエレクトロ・アコースティック〜ドローン4曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2487166188\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/zamzamrec\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/zamzamrec\"\u003ehere\u003c\/a\u003e to see more zamzamrec releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp class=\"tralbumData tralbum-about\"\u003eEdition of 77.\u003c\/p\u003e\n\u003cp class=\"tralbumData tralbum-about\"\u003ezamzamrec:\u003c\/p\u003e\n\u003cp class=\"tralbumData tralbum-about\"\u003e\u003cem\u003e\"Micha Seidenberg (b. 1984, Zurich) was raised in a family with 11 children. In his childhood and youth, he was strongly influenced by self-taught music-making and orally transmitted Klezmer with influences from Eastern European folk music. He composes for everything that sounds and can convey and be experienced sensually through sound. In this sense, in addition to instrumental and vocal sound bodies, he has also intensively explored the possibilities of electro-acoustics.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"tralbumData tralbum-about\"\u003eArtist statement:\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"I am a composer. Metaphorical transformations of extra-musical contents and models are a constant in my compositional work. I consciously seek the intermedial friction associated with these transformations. Thus, for example, elements from haptics, spatiality or kinetics, but also psychological, socio-political and linguistic phenomena, are key issues in my work concepts and language has a powerful role when I work with them. Alongside conceptual questions, however, there is always a clear commitment to the sensual in music - to all that can only be experienced by hearing, performing or showing.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDecisive new impulses for my work have recently come from two different perspectives: my involvement with computer-assisted composing methods and sound synthesis as well as the\u003cspan class=\"bcTruncateMore\"\u003e collaborative work with the artist Valentina Pini. Her playful and highly intelligent visual language, often related to alchemy and magic, is very inspiring and reflecting upon the materials, notion of space and more generally about concepts of visual art has influenced my artistic perception and thinking.\u003cbr\u003e\u003cbr\u003eI've written works for, with and without electronics which have been premiered by ensembles like ensemble recherche (Germany), Galatea Quartet (Switzerland), Ensemble Ascolta (Germany), ensemble proton (Switzerland). I live currently in Zurich and teach orchestration at Zurich University of the Arts.\"\u003c\/span\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003eArtist : Micha Seidenberg\u003c\/p\u003e\n\u003cp\u003eLabel : zamzamrec\u003c\/p\u003e","published_at":"2022-01-16T14:10:20+09:00","created_at":"2022-01-16T11:23:12+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","drone","tape","zamzamrec"],"price":135000,"price_min":135000,"price_max":135000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42324748206330,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Micha Seidenberg \/\/ Replicare TAPE","public_title":null,"options":["Default Title"],"price":135000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/re1_ef687395-b706-4bc3-bd28-38b1adeba958.jpg?v=1642299793","\/\/tobirarecords.com\/cdn\/shop\/products\/re2_23054263-876f-4f45-81b0-3e39dde62dfe.jpg?v=1642299793"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/re1_ef687395-b706-4bc3-bd28-38b1adeba958.jpg?v=1642299793","options":["Title"],"media":[{"alt":null,"id":29011730366714,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/re1_ef687395-b706-4bc3-bd28-38b1adeba958.jpg?v=1642299793"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/re1_ef687395-b706-4bc3-bd28-38b1adeba958.jpg?v=1642299793","width":700},{"alt":null,"id":29011730399482,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/re2_23054263-876f-4f45-81b0-3e39dde62dfe.jpg?v=1642299793"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/re2_23054263-876f-4f45-81b0-3e39dde62dfe.jpg?v=1642299793","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eスイス・チューリッヒの実験音楽家Micha Seidenbergが、2021年12月にフランスの実験レーベルZAMZAMRECから77本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eエレクトロ・アコースティック〜ドローン4曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2487166188\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/zamzamrec\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/zamzamrec\"\u003ehere\u003c\/a\u003e to see more zamzamrec releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp class=\"tralbumData tralbum-about\"\u003eEdition of 77.\u003c\/p\u003e\n\u003cp class=\"tralbumData tralbum-about\"\u003ezamzamrec:\u003c\/p\u003e\n\u003cp class=\"tralbumData tralbum-about\"\u003e\u003cem\u003e\"Micha Seidenberg (b. 1984, Zurich) was raised in a family with 11 children. In his childhood and youth, he was strongly influenced by self-taught music-making and orally transmitted Klezmer with influences from Eastern European folk music. He composes for everything that sounds and can convey and be experienced sensually through sound. In this sense, in addition to instrumental and vocal sound bodies, he has also intensively explored the possibilities of electro-acoustics.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"tralbumData tralbum-about\"\u003eArtist statement:\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"I am a composer. Metaphorical transformations of extra-musical contents and models are a constant in my compositional work. I consciously seek the intermedial friction associated with these transformations. Thus, for example, elements from haptics, spatiality or kinetics, but also psychological, socio-political and linguistic phenomena, are key issues in my work concepts and language has a powerful role when I work with them. Alongside conceptual questions, however, there is always a clear commitment to the sensual in music - to all that can only be experienced by hearing, performing or showing.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDecisive new impulses for my work have recently come from two different perspectives: my involvement with computer-assisted composing methods and sound synthesis as well as the\u003cspan class=\"bcTruncateMore\"\u003e collaborative work with the artist Valentina Pini. Her playful and highly intelligent visual language, often related to alchemy and magic, is very inspiring and reflecting upon the materials, notion of space and more generally about concepts of visual art has influenced my artistic perception and thinking.\u003cbr\u003e\u003cbr\u003eI've written works for, with and without electronics which have been premiered by ensembles like ensemble recherche (Germany), Galatea Quartet (Switzerland), Ensemble Ascolta (Germany), ensemble proton (Switzerland). I live currently in Zurich and teach orchestration at Zurich University of the Arts.\"\u003c\/span\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003eArtist : Micha Seidenberg\u003c\/p\u003e\n\u003cp\u003eLabel : zamzamrec\u003c\/p\u003e"}
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スイス・チューリッヒの実験音楽家Micha Seidenbergが、2021年12月にフランスの実験レーベルZAMZAMRECから77本限定でリリースしたカセットです。 エレクトロ・アコースティック〜ドローン4曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more zamzamrec releases available at Tobira. -------------------------- Edition...
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{"id":7514980581626,"title":"Various Artists \/\/ GROUNDSOUND Volume I LP","handle":"various-artists-groundsound-volume-i-lp","description":"\u003cp\u003eイタリアの実験レーベルSecond Sleepを大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、イタリアの音響詩人\u003cmeta charset=\"utf-8\"\u003eEnzo Minarelliキュレーションによる1970-1980年代サウンドポエトリーのコンピレーションレコードです。\u003c\/p\u003e\n\u003cp\u003eBernard Heidsieck、Terry Fox、Henri Chopin, bp Nichol 、Peter Finch\/ Bob Cobbing、Antonio Aragão、Ilse Garnierが参加。\u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1196335807\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/user-102607145\" title=\"tobirarecs2\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003etobirarecs2\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/user-102607145\/henri-chopin-chercher-excerpt\" title=\"Henri Chopin Chercher Excerpt\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eHenri Chopin Chercher Excerpt\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/secslee\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/secslee\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/secslee\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/secslee\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Second Sleep releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003ePut together by the Italian sound poet \u003cstrong\u003eEnzo Minarelli\u003c\/strong\u003e, Groundsound vol. I is a snapshot of 1970s and 80s voice and soundworks by a special selection of practitioners, including the French sound poet \u003cstrong\u003eBernard Heidsieck\u003c\/strong\u003e, sound artist \u003cstrong\u003eTerry Fox\u003c\/strong\u003e, legend \u003cstrong\u003eHenri Chopin\u003c\/strong\u003e, \u003cstrong\u003ebp Nichol\u003c\/strong\u003e , \u003cstrong\u003ePeter Finch\/ Bob Cobbing\u003c\/strong\u003e, \u003cstrong\u003eAntonio Aragão\u003c\/strong\u003e and the phonetic poetry pioneed \u003cstrong\u003eIlse Garnier\u003c\/strong\u003e. \"I like the idea of having the female voice of Ilse Garnier, whom I was lucky enough to meet personally in a very distant poetry festival in Liege in the Eighties, as the opener for this new series. It can not be said that she is an expert performer, but she demonstrates a remarkable sound sensitivity in the wake of the Souffle Manifeste drawn up by her husband Pierre, in 1962.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe following Heidsieck and Chopin are the two inventors of sound poetry (Bernard used to call it action-poetry). The two works featured here are exemplary of their repertoires, the first being anchored to the integrity of the word conveyed in action and then in performance, while the second is instead aimed at its annihilation.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eTerry Fox highlights a further way of conceiving sound poetry, employing the exploitation of natural sounds, thus dragging it into an area not so distant from concrete music.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eI met bpNichoil, legendary pioneer of phono-visual experimentation, at a festival in Québec in the mid-Eighties. Perhaps, because of his premature death, he is not always properly remembered, even if his membership with the Four Horsemen group facilitated the spread of his work.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe Portuguese Antonio Aragão is a historical figure of the Lusitanian avant-garde. He was a cultural agitator, and it could not have been otherwise given the historical events Portugal went through during the years of the dictatorship until the triumph of democracy. He is perhaps best known as a visual, rather than sound, poet. I like to remember him how he was when we met in Mexico City in the early Nineties, his quality as a sound poet. In this LP, released for the first time, is a rare sound poem of his performed by a theatrical group of his trust.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eFinally, the British duo Finch-Cobbing who made history, takes on a duet that cleverly combines linguistic rarefaction with the incipient use of technology”. \u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eEnzo Minarelli, January 2019.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Various\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Second Sleep\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-01-14T16:01:50+09:00","created_at":"2022-01-14T14:55:50+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","lp","monooto","second sleep"],"price":298000,"price_min":298000,"price_max":298000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42318559314170,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Various Artists \/\/ GROUNDSOUND Volume I LP","public_title":null,"options":["Default Title"],"price":298000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/gr1_cda20f51-fa00-4f35-b06c-51b537382d6b.jpg?v=1642139752"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/gr1_cda20f51-fa00-4f35-b06c-51b537382d6b.jpg?v=1642139752","options":["Title"],"media":[{"alt":null,"id":29001724821754,"position":1,"preview_image":{"aspect_ratio":1.021,"height":239,"width":244,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/gr1_cda20f51-fa00-4f35-b06c-51b537382d6b.jpg?v=1642139752"},"aspect_ratio":1.021,"height":239,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/gr1_cda20f51-fa00-4f35-b06c-51b537382d6b.jpg?v=1642139752","width":244}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイタリアの実験レーベルSecond Sleepを大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、イタリアの音響詩人\u003cmeta charset=\"utf-8\"\u003eEnzo Minarelliキュレーションによる1970-1980年代サウンドポエトリーのコンピレーションレコードです。\u003c\/p\u003e\n\u003cp\u003eBernard Heidsieck、Terry Fox、Henri Chopin, bp Nichol 、Peter Finch\/ Bob Cobbing、Antonio Aragão、Ilse Garnierが参加。\u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1196335807\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/user-102607145\" title=\"tobirarecs2\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003etobirarecs2\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/user-102607145\/henri-chopin-chercher-excerpt\" title=\"Henri Chopin Chercher Excerpt\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eHenri Chopin Chercher Excerpt\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/secslee\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/secslee\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/secslee\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/secslee\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Second Sleep releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003ePut together by the Italian sound poet \u003cstrong\u003eEnzo Minarelli\u003c\/strong\u003e, Groundsound vol. I is a snapshot of 1970s and 80s voice and soundworks by a special selection of practitioners, including the French sound poet \u003cstrong\u003eBernard Heidsieck\u003c\/strong\u003e, sound artist \u003cstrong\u003eTerry Fox\u003c\/strong\u003e, legend \u003cstrong\u003eHenri Chopin\u003c\/strong\u003e, \u003cstrong\u003ebp Nichol\u003c\/strong\u003e , \u003cstrong\u003ePeter Finch\/ Bob Cobbing\u003c\/strong\u003e, \u003cstrong\u003eAntonio Aragão\u003c\/strong\u003e and the phonetic poetry pioneed \u003cstrong\u003eIlse Garnier\u003c\/strong\u003e. \"I like the idea of having the female voice of Ilse Garnier, whom I was lucky enough to meet personally in a very distant poetry festival in Liege in the Eighties, as the opener for this new series. It can not be said that she is an expert performer, but she demonstrates a remarkable sound sensitivity in the wake of the Souffle Manifeste drawn up by her husband Pierre, in 1962.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe following Heidsieck and Chopin are the two inventors of sound poetry (Bernard used to call it action-poetry). The two works featured here are exemplary of their repertoires, the first being anchored to the integrity of the word conveyed in action and then in performance, while the second is instead aimed at its annihilation.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eTerry Fox highlights a further way of conceiving sound poetry, employing the exploitation of natural sounds, thus dragging it into an area not so distant from concrete music.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eI met bpNichoil, legendary pioneer of phono-visual experimentation, at a festival in Québec in the mid-Eighties. Perhaps, because of his premature death, he is not always properly remembered, even if his membership with the Four Horsemen group facilitated the spread of his work.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe Portuguese Antonio Aragão is a historical figure of the Lusitanian avant-garde. He was a cultural agitator, and it could not have been otherwise given the historical events Portugal went through during the years of the dictatorship until the triumph of democracy. He is perhaps best known as a visual, rather than sound, poet. I like to remember him how he was when we met in Mexico City in the early Nineties, his quality as a sound poet. In this LP, released for the first time, is a rare sound poem of his performed by a theatrical group of his trust.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eFinally, the British duo Finch-Cobbing who made history, takes on a duet that cleverly combines linguistic rarefaction with the incipient use of technology”. \u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eEnzo Minarelli, January 2019.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Various\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Second Sleep\u003c\/span\u003e\u003c\/p\u003e"}
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イタリアの実験レーベルSecond Sleepを大量入荷しました。 本作は、イタリアの音響詩人Enzo Minarelliキュレーションによる1970-1980年代サウンドポエトリーのコンピレーションレコードです。 Bernard Heidsieck、Terry Fox、Henri Chopin, bp Nichol 、Peter Finch/ Bob Cobbing、Antonio...
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{"id":7514642972922,"title":"Ratkiller \/\/ Tomiris TAPE","handle":"ratkiller-tomiris-tape","description":"\u003cp\u003eポーランドのカルト実験レーベルAlicja諸作をデッドストック入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、エストニアの実験音楽家Ratkillerが、2021年6月にリリースしたカセットです。30分以上のサウンドコラージュ演劇大作を収録。廃盤です。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベル解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eそれは激しく始まり、悪化していく。ガラガラでかろうじて音がするスクラップ、知覚の限界にあるオーディオドキュメントがちりばめられ、無性に痛くてしつこい赤ん坊の泣き声につながる。やがて彼女はスピードアップし、シンセが滑り込んできて、終わりを告げる。Tomirisが誕生しているのだ。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eクラブ・コンクリート・プロデューサーRatkillerの『Tomiris』は、2019年のカザフスタン映画の同名のサウンドトラックをコンセプトに基づいて再構築したもので、同様の奇妙な神話的空間を占めている。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e映画『Tomiris』は、カザフスタン文化省が出資した国家神話を作る作品である。マッドマックスとクラウチングタイガーを合わせたような雰囲気があり、女性主人公と不安定な歴史的根拠がある。この作品は、現代のカザフ人が草原の騎馬民族と同一視していることを軸に、不都合な細部をぼかして作られている。主人公は歴史にない古代トルコ語を話し、悪役は歴史にない現代ペルシャ語を話す。だから、そのすべてを理解することは難しい。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e『ラットキラー』はこの血と埃の叙事詩を超同化し、炎、血糊、擦り切れるような暴力を盛り上げ、登場人物が巨大なステロイドを塗った鬼のように見えるように台詞を作り直したものだ。女性の武将がフェミニストだとすれば、ラットキラーのトミリスはヒンドゥー教の女神カーリー（男を食い尽くす）ようなフェミニストである。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eサウンド的には、一連の野外パーティーで行われ、ダンスによって巻き上げられたホコリ、時折、トランスがフェアグラウンドのマシンのループに流れ込み、腕が捕まって切断され、軽いゴア描写があり、パーティーが続いていく、というものだ。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTomirisは、Ratkillerのプロダクションの幅と柔軟性（2019年の『blue thirty』を聴けば分かる）の中でもユニークで、彼のサウンドトリックのバッグを、継続するストーリーと長大なサウンドパレットに適用し、より深く潜ることができるようになっている。それはあなたの喉に突き刺さる短剣のように説得力があり、雌馬のミルクに溺れるように没入することができるのだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=686824689\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alicja\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alicja\"\u003ehere\u003c\/a\u003e to see more Alicja releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003eNathan Gray :\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"It begins violently and gets worse. Rattled barely-percussive scrapings, peppered with audio documents at the edge of perception lead to an unignorably painful and persistent crying baby. Eventually she is sped up, synths slide in and it’s over. Tomiris is being born.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eClub-concrete producer Ratkiller’s Tomiris is a conceptual reworking of the soundtrack to the 2019 Kazakstani film of the same name and it occupies a similar weird mythic space.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTomiris the film is a piece of national myth making financed by the Kazakstani ministry of culture. It has a mad-max-meets-crouching-tiger vibe, a kick-ass female lead and a shaky historical basis. It builds itself around the contemporary Kazakh identification with the horse peoples of the steppe, blurring the inconvenient details. Our heroes speak ancient Turkic ahistorically and the villains ahistorical-contemporary-Persian. So understanding ALL of it is off the menu.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRatkiller takes this blood and dust epic and hyper-identifies with it, amping up the flames, the gore, the abrasive violence and re-working the dialogue so the characters seem like gigantic steroided-out-ogres. If female warlords are feminist then Ratkiller’s Tomiris is a feminist in the mode of the Hindu goddess Kali – devourer of men.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSonically most of the action takes place at a series of\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e outdoor parties, dust kicked up by dancing, occasional trance drifts into the looped workings of the fairground machines, until an arm is caught and amputated, some light gore, the party goes on.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTomiris is unique in Ratkiller’s oevre of production breadth and flex (check 2019’s blue thirty to see what I mean) it applies their bag of sonic tricks to a continued story and protracted palette of sounds allowing for a deeper dive. It’s compelling like a dagger at your throat and immersive like drowning in mare’s milk.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist: Ratkiller\u003c\/p\u003e\n\u003cp\u003eLabel : Alicja\u003c\/p\u003e","published_at":"2022-01-14T14:33:40+09:00","created_at":"2022-01-14T10:27:06+09:00","vendor":"Tobira Records","type":"","tags":["alicja","contemporary \/ sound poetry","monooto","tape"],"price":165000,"price_min":165000,"price_max":165000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42317719339258,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Ratkiller \/\/ Tomiris TAPE","public_title":null,"options":["Default Title"],"price":165000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/mi1_5bdfe16a-2a5d-4821-a8a5-a48a8c467126.jpg?v=1642123629","\/\/tobirarecords.com\/cdn\/shop\/products\/mi2_79eca90f-a75e-4f6d-8bd9-e3d544663de9.jpg?v=1642123628"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/mi1_5bdfe16a-2a5d-4821-a8a5-a48a8c467126.jpg?v=1642123629","options":["Title"],"media":[{"alt":null,"id":29000853750010,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mi1_5bdfe16a-2a5d-4821-a8a5-a48a8c467126.jpg?v=1642123629"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mi1_5bdfe16a-2a5d-4821-a8a5-a48a8c467126.jpg?v=1642123629","width":700},{"alt":null,"id":29000853782778,"position":2,"preview_image":{"aspect_ratio":1.361,"height":882,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mi2_79eca90f-a75e-4f6d-8bd9-e3d544663de9.jpg?v=1642123628"},"aspect_ratio":1.361,"height":882,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mi2_79eca90f-a75e-4f6d-8bd9-e3d544663de9.jpg?v=1642123628","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eポーランドのカルト実験レーベルAlicja諸作をデッドストック入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、エストニアの実験音楽家Ratkillerが、2021年6月にリリースしたカセットです。30分以上のサウンドコラージュ演劇大作を収録。廃盤です。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベル解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eそれは激しく始まり、悪化していく。ガラガラでかろうじて音がするスクラップ、知覚の限界にあるオーディオドキュメントがちりばめられ、無性に痛くてしつこい赤ん坊の泣き声につながる。やがて彼女はスピードアップし、シンセが滑り込んできて、終わりを告げる。Tomirisが誕生しているのだ。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eクラブ・コンクリート・プロデューサーRatkillerの『Tomiris』は、2019年のカザフスタン映画の同名のサウンドトラックをコンセプトに基づいて再構築したもので、同様の奇妙な神話的空間を占めている。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e映画『Tomiris』は、カザフスタン文化省が出資した国家神話を作る作品である。マッドマックスとクラウチングタイガーを合わせたような雰囲気があり、女性主人公と不安定な歴史的根拠がある。この作品は、現代のカザフ人が草原の騎馬民族と同一視していることを軸に、不都合な細部をぼかして作られている。主人公は歴史にない古代トルコ語を話し、悪役は歴史にない現代ペルシャ語を話す。だから、そのすべてを理解することは難しい。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e『ラットキラー』はこの血と埃の叙事詩を超同化し、炎、血糊、擦り切れるような暴力を盛り上げ、登場人物が巨大なステロイドを塗った鬼のように見えるように台詞を作り直したものだ。女性の武将がフェミニストだとすれば、ラットキラーのトミリスはヒンドゥー教の女神カーリー（男を食い尽くす）ようなフェミニストである。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eサウンド的には、一連の野外パーティーで行われ、ダンスによって巻き上げられたホコリ、時折、トランスがフェアグラウンドのマシンのループに流れ込み、腕が捕まって切断され、軽いゴア描写があり、パーティーが続いていく、というものだ。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTomirisは、Ratkillerのプロダクションの幅と柔軟性（2019年の『blue thirty』を聴けば分かる）の中でもユニークで、彼のサウンドトリックのバッグを、継続するストーリーと長大なサウンドパレットに適用し、より深く潜ることができるようになっている。それはあなたの喉に突き刺さる短剣のように説得力があり、雌馬のミルクに溺れるように没入することができるのだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=686824689\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alicja\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alicja\"\u003ehere\u003c\/a\u003e to see more Alicja releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003eNathan Gray :\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"It begins violently and gets worse. Rattled barely-percussive scrapings, peppered with audio documents at the edge of perception lead to an unignorably painful and persistent crying baby. Eventually she is sped up, synths slide in and it’s over. Tomiris is being born.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eClub-concrete producer Ratkiller’s Tomiris is a conceptual reworking of the soundtrack to the 2019 Kazakstani film of the same name and it occupies a similar weird mythic space.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTomiris the film is a piece of national myth making financed by the Kazakstani ministry of culture. It has a mad-max-meets-crouching-tiger vibe, a kick-ass female lead and a shaky historical basis. It builds itself around the contemporary Kazakh identification with the horse peoples of the steppe, blurring the inconvenient details. Our heroes speak ancient Turkic ahistorically and the villains ahistorical-contemporary-Persian. So understanding ALL of it is off the menu.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRatkiller takes this blood and dust epic and hyper-identifies with it, amping up the flames, the gore, the abrasive violence and re-working the dialogue so the characters seem like gigantic steroided-out-ogres. If female warlords are feminist then Ratkiller’s Tomiris is a feminist in the mode of the Hindu goddess Kali – devourer of men.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSonically most of the action takes place at a series of\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e outdoor parties, dust kicked up by dancing, occasional trance drifts into the looped workings of the fairground machines, until an arm is caught and amputated, some light gore, the party goes on.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTomiris is unique in Ratkiller’s oevre of production breadth and flex (check 2019’s blue thirty to see what I mean) it applies their bag of sonic tricks to a continued story and protracted palette of sounds allowing for a deeper dive. It’s compelling like a dagger at your throat and immersive like drowning in mare’s milk.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist: Ratkiller\u003c\/p\u003e\n\u003cp\u003eLabel : Alicja\u003c\/p\u003e"}
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ポーランドのカルト実験レーベルAlicja諸作をデッドストック入荷しました。 本作は、エストニアの実験音楽家Ratkillerが、2021年6月にリリースしたカセットです。30分以上のサウンドコラージュ演劇大作を収録。廃盤です。DLコード付属。 以下、レーベル解説です。 それは激しく始まり、悪化していく。ガラガラでかろうじて音がするスクラップ、知覚の限界にあるオーディオドキュメントがちりばめられ、無性に痛くてしつこい赤ん坊の泣き声につながる。やがて彼女はスピードアップし、シンセが滑り込んできて、終わりを告げる。Tomirisが誕生しているのだ。クラブ・コンクリート・プロデューサーRatkillerの『Tomiris』は、2019年のカザフスタン映画の同名のサウンドトラックをコンセプトに基づいて再構築したもので、同様の奇妙な神話的空間を占めている。映画『Tomiris』は、カザフスタン文化省が出資した国家神話を作る作品である。マッドマックスとクラウチングタイガーを合わせたような雰囲気があり、女性主人公と不安定な歴史的根拠がある。この作品は、現代のカザフ人が草原の騎馬民族と同一視していることを軸に、不都合な細部をぼかして作られている。主人公は歴史にない古代トルコ語を話し、悪役は歴史にない現代ペルシャ語を話す。だから、そのすべてを理解することは難しい。『ラットキラー』はこの血と埃の叙事詩を超同化し、炎、血糊、擦り切れるような暴力を盛り上げ、登場人物が巨大なステロイドを塗った鬼のように見えるように台詞を作り直したものだ。女性の武将がフェミニストだとすれば、ラットキラーのトミリスはヒンドゥー教の女神カーリー（男を食い尽くす）ようなフェミニストである。サウンド的には、一連の野外パーティーで行われ、ダンスによって巻き上げられたホコリ、時折、トランスがフェアグラウンドのマシンのループに流れ込み、腕が捕まって切断され、軽いゴア描写があり、パーティーが続いていく、というものだ。Tomirisは、Ratkillerのプロダクションの幅と柔軟性（2019年の『blue thirty』を聴けば分かる）の中でもユニークで、彼のサウンドトリックのバッグを、継続するストーリーと長大なサウンドパレットに適用し、より深く潜ることができるようになっている。それはあなたの喉に突き刺さる短剣のように説得力があり、雌馬のミルクに溺れるように没入することができるのだ。 レーベルその他作品はこちら /// Click here to see more Alicja releases available at Tobira....
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{"id":7514642448634,"title":"Szymon Wildstein \/\/ SSSS TAPE","handle":"szymon-wildstein-ssss-tape","description":"\u003cp\u003eポーランドのカルト実験レーベルAlicja諸作をデッドストック入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同国実験音楽家Szymon Wildsteinのデビューカセットです。\u003c\/p\u003e\n\u003cp\u003e不穏な空気に包まれたアウトサイダーなコラージュ・アンビエント11曲を収録。廃盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3915672357\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2262238771\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3915672357\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alicja\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alicja\"\u003ehere\u003c\/a\u003e to see more Alicja releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eAccompanying text:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eImagine a theatre run by pigs, the play that comes out of it, will it ruin your life?\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eor\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eYou piggy could start everything, and bring it all to an end.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eor\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHyperbole's draft never quite finished, as if there were more extensions to be experienced.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e𝘍𝘶𝘵𝘶𝘳𝘦 has already arrived, why dont you change your life?\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Szymon Wildstein\u003c\/p\u003e\n\u003cp\u003eLabel: Alicja\u003c\/p\u003e","published_at":"2022-01-14T14:25:55+09:00","created_at":"2022-01-14T10:25:04+09:00","vendor":"Tobira Records","type":"","tags":["alicja","ambient","contemporary \/ sound poetry","monooto","recommended","tape"],"price":165000,"price_min":165000,"price_max":165000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42317718487290,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Szymon Wildstein \/\/ SSSS TAPE","public_title":null,"options":["Default Title"],"price":165000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ss1.jpg?v=1642123506","\/\/tobirarecords.com\/cdn\/shop\/products\/ss2.jpg?v=1642123506"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ss1.jpg?v=1642123506","options":["Title"],"media":[{"alt":null,"id":29000848802042,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ss1.jpg?v=1642123506"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ss1.jpg?v=1642123506","width":700},{"alt":null,"id":29000848834810,"position":2,"preview_image":{"aspect_ratio":1.361,"height":882,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ss2.jpg?v=1642123506"},"aspect_ratio":1.361,"height":882,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ss2.jpg?v=1642123506","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eポーランドのカルト実験レーベルAlicja諸作をデッドストック入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同国実験音楽家Szymon Wildsteinのデビューカセットです。\u003c\/p\u003e\n\u003cp\u003e不穏な空気に包まれたアウトサイダーなコラージュ・アンビエント11曲を収録。廃盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3915672357\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2262238771\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3915672357\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alicja\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alicja\"\u003ehere\u003c\/a\u003e to see more Alicja releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eAccompanying text:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eImagine a theatre run by pigs, the play that comes out of it, will it ruin your life?\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eor\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eYou piggy could start everything, and bring it all to an end.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eor\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHyperbole's draft never quite finished, as if there were more extensions to be experienced.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e𝘍𝘶𝘵𝘶𝘳𝘦 has already arrived, why dont you change your life?\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Szymon Wildstein\u003c\/p\u003e\n\u003cp\u003eLabel: Alicja\u003c\/p\u003e"}
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ポーランドのカルト実験レーベルAlicja諸作をデッドストック入荷しました。 本作は、同国実験音楽家Szymon Wildsteinのデビューカセットです。 不穏な空気に包まれたアウトサイダーなコラージュ・アンビエント11曲を収録。廃盤です。 レーベルその他作品はこちら /// Click here to see more Alicja releases available at Tobira....
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{"id":7511819124986,"title":"David Behrman \/\/ ViewFinder \/ Hide \u0026 Seek LP","handle":"david-behrman-viewfinder-hide-seek-lp","description":"\u003cp\u003eアメリカの大御所実験音楽家David Behrmanが、Jon GibsonとWerner Durandとコラボレーションした作品です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3655761902\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA new release from acclaimed American experimental composer David Behrman, presenting recordings made in collaboration with Jon Gibson and Werner Durand between 1989 and 2020. Presented in a deluxe gatefold sleeve.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by Black Truffle:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eBlack Truffle is thrilled to announce ViewFinder \/ Hide \u0026amp; Seek, a new release from acclaimed American experimental composer David Behrman, presenting recordings made in collaboration with Jon Gibson and Werner Durand between 1989 and 2020. Last heard from on Black Truffle as part of the collaborative art song\/live electronics madness of She’s More Wild, these recordings find Behrman continuing the pioneering work in interactive electronics that have established him as one of the major living experimental composers.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSide A presents excerpts from two live realisations of Unforeseen Events (1989), the fourth in a series of pieces focussing on the interactions between instrumental performers and responsive software. Like the classic earlier works in the series, On the Other Ocean (1977), Interspecies Smalltalk (1984) and Leapday Night (1986), Unforeseen Events is an “unfinished composition” in which a computer system listens for and responds to specific pitch cues from an instrumentalist. Performed by the composer on electronics and Werner Durand on soprano saxophone in Berlin in 1989, the first realisation immediately ushers the listener into an environment of long soprano notes, lush, sustained synth harmonies, randomised percussive interjections and distantly burbling arpeggiated\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e patterns.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe 1999 realisation recorded in New York with Jon Gibson on soprano shows how much room for the instrumentalist to affect the course of the music exists in Behrman’s interactive pieces, in which, as he notes, ‘performers have options rather than instructions’. Beginning in a roughly similar area to the version with Durand, this later recording eventually becomes substantially more active, as polyrhythmically layered arpeggios and percussive patterns respond to fast chromatic lines and dynamic phrases from the saxophone, moving Gibson in turn to respond with cycling figures and moments of extended technique that touch on the soprano languages pioneered by players like Steve Lacy and Evan Parker. Yet even at its most active, the lack of conventional forward movement in the music allows it to retain what Behrman’s friend Jacques Bekaert called its ‘fragile tranquillity’, as episodes of activity appear only as momentary disruptions of an underlying calm.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOn the B side, we are treated to a new collaborative work from Behrman and Werner Durand, building on the 2002 installation work ViewFinder, in which a camera detecting physical motion triggered changes to electronic sound. The piece presented here is a long-distance studio construction, recorded by Behrman in the Hudson Valley and Durand in Berlin, offering up an expansive duet between Behrman’s lush, gliding synth tones and the alien, untempered tones of Durand’s invented and adapted wind instruments. Presented in a stunning gatefold sleeve with art from Terri Hanlon, archival photographs and new liner notes from Behrman and Durand,ViewFinder \/ Hide \u0026amp; Seek is an essential release showcasing the continuing vitality of a legendary figure in experimental music.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : David Behrman\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e","published_at":"2022-01-19T18:08:39+09:00","created_at":"2022-01-11T16:10:00+09:00","vendor":"Tobira Records","type":"","tags":["black truffle","contemporary \/ sound poetry","jazz","lp","post newage"],"price":296000,"price_min":296000,"price_max":296000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42303956943098,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"David Behrman \/\/ ViewFinder \/ Hide \u0026 Seek LP","public_title":null,"options":["Default Title"],"price":296000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/da1_d6f43c2c-7a6a-408d-9994-004bc3b8b2d2.jpg?v=1641885003","\/\/tobirarecords.com\/cdn\/shop\/products\/da2_7961b663-0e1d-4e43-b4ad-ba4f5c4e4260.jpg?v=1641885003"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/da1_d6f43c2c-7a6a-408d-9994-004bc3b8b2d2.jpg?v=1641885003","options":["Title"],"media":[{"alt":null,"id":28986636370170,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/da1_d6f43c2c-7a6a-408d-9994-004bc3b8b2d2.jpg?v=1641885003"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/da1_d6f43c2c-7a6a-408d-9994-004bc3b8b2d2.jpg?v=1641885003","width":700},{"alt":null,"id":28986636402938,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/da2_7961b663-0e1d-4e43-b4ad-ba4f5c4e4260.jpg?v=1641885003"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/da2_7961b663-0e1d-4e43-b4ad-ba4f5c4e4260.jpg?v=1641885003","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカの大御所実験音楽家David Behrmanが、Jon GibsonとWerner Durandとコラボレーションした作品です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3655761902\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA new release from acclaimed American experimental composer David Behrman, presenting recordings made in collaboration with Jon Gibson and Werner Durand between 1989 and 2020. Presented in a deluxe gatefold sleeve.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by Black Truffle:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eBlack Truffle is thrilled to announce ViewFinder \/ Hide \u0026amp; Seek, a new release from acclaimed American experimental composer David Behrman, presenting recordings made in collaboration with Jon Gibson and Werner Durand between 1989 and 2020. Last heard from on Black Truffle as part of the collaborative art song\/live electronics madness of She’s More Wild, these recordings find Behrman continuing the pioneering work in interactive electronics that have established him as one of the major living experimental composers.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSide A presents excerpts from two live realisations of Unforeseen Events (1989), the fourth in a series of pieces focussing on the interactions between instrumental performers and responsive software. Like the classic earlier works in the series, On the Other Ocean (1977), Interspecies Smalltalk (1984) and Leapday Night (1986), Unforeseen Events is an “unfinished composition” in which a computer system listens for and responds to specific pitch cues from an instrumentalist. Performed by the composer on electronics and Werner Durand on soprano saxophone in Berlin in 1989, the first realisation immediately ushers the listener into an environment of long soprano notes, lush, sustained synth harmonies, randomised percussive interjections and distantly burbling arpeggiated\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e patterns.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe 1999 realisation recorded in New York with Jon Gibson on soprano shows how much room for the instrumentalist to affect the course of the music exists in Behrman’s interactive pieces, in which, as he notes, ‘performers have options rather than instructions’. Beginning in a roughly similar area to the version with Durand, this later recording eventually becomes substantially more active, as polyrhythmically layered arpeggios and percussive patterns respond to fast chromatic lines and dynamic phrases from the saxophone, moving Gibson in turn to respond with cycling figures and moments of extended technique that touch on the soprano languages pioneered by players like Steve Lacy and Evan Parker. Yet even at its most active, the lack of conventional forward movement in the music allows it to retain what Behrman’s friend Jacques Bekaert called its ‘fragile tranquillity’, as episodes of activity appear only as momentary disruptions of an underlying calm.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOn the B side, we are treated to a new collaborative work from Behrman and Werner Durand, building on the 2002 installation work ViewFinder, in which a camera detecting physical motion triggered changes to electronic sound. The piece presented here is a long-distance studio construction, recorded by Behrman in the Hudson Valley and Durand in Berlin, offering up an expansive duet between Behrman’s lush, gliding synth tones and the alien, untempered tones of Durand’s invented and adapted wind instruments. Presented in a stunning gatefold sleeve with art from Terri Hanlon, archival photographs and new liner notes from Behrman and Durand,ViewFinder \/ Hide \u0026amp; Seek is an essential release showcasing the continuing vitality of a legendary figure in experimental music.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : David Behrman\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e"}
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アメリカの大御所実験音楽家David Behrmanが、Jon GibsonとWerner Durandとコラボレーションした作品です。 レーベルその他作品はこちら /// Click here to see more Black Truffle releases available at Tobira. ...
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{"id":7510591701242,"title":"Ale Hop \/\/ Why Is It They Say A City Like Any City? LP","handle":"ale-hop-why-is-it-they-say-a-city-like-any-city-lp","description":"\u003cp\u003eペルーの実験音楽家Ale Hopが、2022年2月にドイツ・ベルリンの実験レーベルKarlrecordsからリリースした最新作です。\u003c\/p\u003e\n\u003cp\u003eペルーの大御所音楽家\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMANONGO MUJICAやケニア・ナイロビのアンビエント作家KMRUも参加リモート・コラボレーションアルバムです。全6曲を収録。180g重量盤、DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1165895302\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/karlrecords\" title=\"Karlrecords\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eKarlrecords\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/karlrecords\/ale-hop-the-mountain-that-eats-men-with-collabs-by-raul-jardin-sukitoa-o-namau\" title=\"ALE HOP - The Mountain That Eats Men (collab. with Raul Jardín \u0026amp; Sukitoa o Namau\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eALE HOP - The Mountain That Eats Men (collab. with Raul Jardín \u0026amp; Sukitoa o Namau\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/karlrecords\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/karlrecords\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/karlrecords\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/karlrecords\"\u003ehere\u003c\/a\u003e to see more Karl Records\/Zehra releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"group\"\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe Mountain That Eats Men\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eMayu Islapi\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eLatitud 0\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eThey Thought Of Themselves\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eChiapas Y Phinaya\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eOnce Upon A Time\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCredits\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul class=\"list_1HutQ\"\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan class=\"role_2ga14\"\u003eArtwork\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e–\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"link_15cpV\"\u003e\u003ca class=\"link_1ctor link_15cpV\" hreflang=\"en\" href=\"https:\/\/www.discogs.com\/artist\/1149543-Jos%C3%A9-Vera\"\u003eJosé Vera\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan class=\"role_2ga14\"\u003eCharango, Field Recording\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e–\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"link_15cpV\"\u003e\u003ca class=\"link_1ctor link_15cpV\" hreflang=\"en\" href=\"https:\/\/www.discogs.com\/artist\/2042248-Tom%C3%A1s-Tello\"\u003eTomás Tello\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e(tracks: B2)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan class=\"role_2ga14\"\u003eComposed By, Mixed By, Producer\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e–\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"link_15cpV\"\u003e\u003ca class=\"link_1ctor link_15cpV\" hreflang=\"en\" href=\"https:\/\/www.discogs.com\/artist\/3806172-Ale-Hop\"\u003eAle Hop\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan class=\"role_2ga14\"\u003eField Recording, Synthesizer\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e–\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"link_15cpV\"\u003e\u003ca class=\"link_1ctor link_15cpV\" hreflang=\"en\" href=\"https:\/\/www.discogs.com\/artist\/856378-Felicity-Mangan\"\u003eFelicity Mangan\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e(tracks: B1),\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"link_15cpV\"\u003e\u003ca class=\"link_1ctor link_15cpV\" hreflang=\"en\" href=\"https:\/\/www.discogs.com\/artist\/7020237-KMRU\"\u003eKMRU\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e(tracks: B1)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan class=\"role_2ga14\"\u003eField Recording, Synthesizer, Sampler\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e–\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"link_15cpV\"\u003e\u003ca class=\"link_1ctor link_15cpV\" hreflang=\"en\" href=\"https:\/\/www.discogs.com\/artist\/3240857-Daniela-Huerta\"\u003eDaniela Huerta\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e(tracks: A3)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan class=\"role_2ga14\"\u003eField Recording, Tape\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e–\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"link_15cpV\"\u003e\u003ca class=\"link_1ctor link_15cpV\" hreflang=\"en\" href=\"https:\/\/www.discogs.com\/artist\/5919412-Concepci%C3%B3n-Huerta\"\u003eConcepción Huerta\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e(tracks: B2)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan class=\"role_2ga14\"\u003eField Recording, Voice\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e–\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"link_15cpV\"\u003e\u003ca class=\"link_1ctor link_15cpV\" hreflang=\"en\" href=\"https:\/\/www.discogs.com\/artist\/6406511-Sukitoa-o-Namau\"\u003eSukitoa o Namau\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e(tracks: A1)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan class=\"role_2ga14\"\u003eMastered By, Lacquer Cut By\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e–\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"link_15cpV\"\u003e\u003ca class=\"link_1ctor link_15cpV\" hreflang=\"en\" href=\"https:\/\/www.discogs.com\/artist\/793598-Kassian-Troyer\"\u003eKassian Troyer\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan class=\"role_2ga14\"\u003eSampler\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e–\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"link_15cpV\"\u003e\u003ca class=\"link_1ctor link_15cpV\" hreflang=\"en\" href=\"https:\/\/www.discogs.com\/artist\/8060573-Nicole-LHuillier\"\u003eNicole L'Huillier\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e(tracks: B3)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan class=\"role_2ga14\"\u003eSynthesizer\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e–\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"link_15cpV\"\u003e\u003ca class=\"link_1ctor link_15cpV\" hreflang=\"en\" href=\"https:\/\/www.discogs.com\/artist\/8017233-Ana-Quiroga\"\u003eAna Quiroga\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e(tracks: A2),\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"link_15cpV\"\u003e\u003ca class=\"link_1ctor link_15cpV\" hreflang=\"en\" href=\"https:\/\/www.discogs.com\/artist\/2169318-Ignacio-Brice%C3%B1o\"\u003eIgnacio Briceño\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e(tracks: A2),\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"link_15cpV\"\u003e\u003ca class=\"link_1ctor link_15cpV\" hreflang=\"en\" href=\"https:\/\/www.discogs.com\/artist\/1290730-Ra%C3%BAl-Jard%C3%ADn\"\u003eRaúl Jardín\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e(tracks: A1)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan class=\"role_2ga14\"\u003eUdu, Voice\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e–\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"link_15cpV\"\u003e\u003ca class=\"link_1ctor link_15cpV\" hreflang=\"en\" href=\"https:\/\/www.discogs.com\/artist\/2978080-Manongo-Mujica\"\u003eManongo Mujica\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e(tracks: A3)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan class=\"role_2ga14\"\u003eVoice, Cello\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e–\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"link_15cpV\"\u003e\u003ca class=\"link_1ctor link_15cpV\" hreflang=\"en\" href=\"https:\/\/www.discogs.com\/artist\/10457569-Fil-Uno\"\u003eFil Uno\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e(tracks: A2)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan class=\"role_2ga14\"\u003eVoice, Synthesizer, Sampler\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e–\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"link_15cpV\"\u003e\u003ca class=\"link_1ctor link_15cpV\" hreflang=\"en\" href=\"https:\/\/www.discogs.com\/artist\/10457572-Elsa-MBalla\"\u003eElsa M'Balla\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e(tracks: B3)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eArtist : Ale Hop \u003c\/p\u003e\n\u003cp\u003eLabel : Karlrecords\u003c\/p\u003e","published_at":"2022-01-09T15:13:14+09:00","created_at":"2022-01-09T11:37:31+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","karlrecords","lp","monooto"],"price":299000,"price_min":299000,"price_max":299000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42294560293114,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Ale Hop \/\/ Why Is It They Say A City Like Any City? LP","public_title":null,"options":["Default Title"],"price":299000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/al1_4836847e-5aee-422e-a8a5-41953632046f.jpg?v=1641695854","\/\/tobirarecords.com\/cdn\/shop\/products\/al2_5124c028-c02a-4107-8457-9445eceba6ef.jpg?v=1641695853"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/al1_4836847e-5aee-422e-a8a5-41953632046f.jpg?v=1641695854","options":["Title"],"media":[{"alt":null,"id":28978725880058,"position":1,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/al1_4836847e-5aee-422e-a8a5-41953632046f.jpg?v=1641695854"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/al1_4836847e-5aee-422e-a8a5-41953632046f.jpg?v=1641695854","width":600},{"alt":null,"id":28978725912826,"position":2,"preview_image":{"aspect_ratio":1.333,"height":450,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/al2_5124c028-c02a-4107-8457-9445eceba6ef.jpg?v=1641695853"},"aspect_ratio":1.333,"height":450,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/al2_5124c028-c02a-4107-8457-9445eceba6ef.jpg?v=1641695853","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eペルーの実験音楽家Ale Hopが、2022年2月にドイツ・ベルリンの実験レーベルKarlrecordsからリリースした最新作です。\u003c\/p\u003e\n\u003cp\u003eペルーの大御所音楽家\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMANONGO MUJICAやケニア・ナイロビのアンビエント作家KMRUも参加リモート・コラボレーションアルバムです。全6曲を収録。180g重量盤、DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1165895302\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/karlrecords\" title=\"Karlrecords\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eKarlrecords\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/karlrecords\/ale-hop-the-mountain-that-eats-men-with-collabs-by-raul-jardin-sukitoa-o-namau\" title=\"ALE HOP - The Mountain That Eats Men (collab. with Raul Jardín \u0026amp; Sukitoa o Namau\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eALE HOP - The Mountain That Eats Men (collab. with Raul Jardín \u0026amp; Sukitoa o Namau\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/karlrecords\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/karlrecords\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/karlrecords\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/karlrecords\"\u003ehere\u003c\/a\u003e to see more Karl Records\/Zehra releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"group\"\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe Mountain That Eats Men\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eMayu Islapi\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eLatitud 0\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eThey Thought Of Themselves\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eChiapas Y Phinaya\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eOnce Upon A Time\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCredits\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul class=\"list_1HutQ\"\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan class=\"role_2ga14\"\u003eArtwork\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e–\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"link_15cpV\"\u003e\u003ca class=\"link_1ctor link_15cpV\" hreflang=\"en\" href=\"https:\/\/www.discogs.com\/artist\/1149543-Jos%C3%A9-Vera\"\u003eJosé Vera\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan class=\"role_2ga14\"\u003eCharango, Field Recording\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e–\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"link_15cpV\"\u003e\u003ca class=\"link_1ctor link_15cpV\" hreflang=\"en\" href=\"https:\/\/www.discogs.com\/artist\/2042248-Tom%C3%A1s-Tello\"\u003eTomás Tello\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e(tracks: B2)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan class=\"role_2ga14\"\u003eComposed By, Mixed By, Producer\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e–\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"link_15cpV\"\u003e\u003ca class=\"link_1ctor link_15cpV\" hreflang=\"en\" href=\"https:\/\/www.discogs.com\/artist\/3806172-Ale-Hop\"\u003eAle Hop\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan class=\"role_2ga14\"\u003eField Recording, Synthesizer\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e–\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"link_15cpV\"\u003e\u003ca class=\"link_1ctor link_15cpV\" hreflang=\"en\" href=\"https:\/\/www.discogs.com\/artist\/856378-Felicity-Mangan\"\u003eFelicity Mangan\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e(tracks: B1),\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"link_15cpV\"\u003e\u003ca class=\"link_1ctor link_15cpV\" hreflang=\"en\" href=\"https:\/\/www.discogs.com\/artist\/7020237-KMRU\"\u003eKMRU\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e(tracks: B1)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan class=\"role_2ga14\"\u003eField Recording, Synthesizer, Sampler\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e–\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"link_15cpV\"\u003e\u003ca class=\"link_1ctor link_15cpV\" hreflang=\"en\" href=\"https:\/\/www.discogs.com\/artist\/3240857-Daniela-Huerta\"\u003eDaniela Huerta\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e(tracks: A3)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan class=\"role_2ga14\"\u003eField Recording, Tape\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e–\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"link_15cpV\"\u003e\u003ca class=\"link_1ctor link_15cpV\" hreflang=\"en\" href=\"https:\/\/www.discogs.com\/artist\/5919412-Concepci%C3%B3n-Huerta\"\u003eConcepción Huerta\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e(tracks: B2)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan class=\"role_2ga14\"\u003eField Recording, Voice\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e–\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"link_15cpV\"\u003e\u003ca class=\"link_1ctor link_15cpV\" hreflang=\"en\" href=\"https:\/\/www.discogs.com\/artist\/6406511-Sukitoa-o-Namau\"\u003eSukitoa o Namau\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e(tracks: A1)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan class=\"role_2ga14\"\u003eMastered By, Lacquer Cut By\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e–\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"link_15cpV\"\u003e\u003ca class=\"link_1ctor link_15cpV\" hreflang=\"en\" href=\"https:\/\/www.discogs.com\/artist\/793598-Kassian-Troyer\"\u003eKassian Troyer\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan class=\"role_2ga14\"\u003eSampler\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e–\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"link_15cpV\"\u003e\u003ca class=\"link_1ctor link_15cpV\" hreflang=\"en\" href=\"https:\/\/www.discogs.com\/artist\/8060573-Nicole-LHuillier\"\u003eNicole L'Huillier\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e(tracks: B3)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan class=\"role_2ga14\"\u003eSynthesizer\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e–\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"link_15cpV\"\u003e\u003ca class=\"link_1ctor link_15cpV\" hreflang=\"en\" href=\"https:\/\/www.discogs.com\/artist\/8017233-Ana-Quiroga\"\u003eAna Quiroga\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e(tracks: A2),\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"link_15cpV\"\u003e\u003ca class=\"link_1ctor link_15cpV\" hreflang=\"en\" href=\"https:\/\/www.discogs.com\/artist\/2169318-Ignacio-Brice%C3%B1o\"\u003eIgnacio Briceño\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e(tracks: A2),\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"link_15cpV\"\u003e\u003ca class=\"link_1ctor link_15cpV\" hreflang=\"en\" href=\"https:\/\/www.discogs.com\/artist\/1290730-Ra%C3%BAl-Jard%C3%ADn\"\u003eRaúl Jardín\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e(tracks: A1)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan class=\"role_2ga14\"\u003eUdu, Voice\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e–\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"link_15cpV\"\u003e\u003ca class=\"link_1ctor link_15cpV\" hreflang=\"en\" href=\"https:\/\/www.discogs.com\/artist\/2978080-Manongo-Mujica\"\u003eManongo Mujica\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e(tracks: A3)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan class=\"role_2ga14\"\u003eVoice, Cello\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e–\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"link_15cpV\"\u003e\u003ca class=\"link_1ctor link_15cpV\" hreflang=\"en\" href=\"https:\/\/www.discogs.com\/artist\/10457569-Fil-Uno\"\u003eFil Uno\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e(tracks: A2)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan class=\"role_2ga14\"\u003eVoice, Synthesizer, Sampler\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e–\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"link_15cpV\"\u003e\u003ca class=\"link_1ctor link_15cpV\" hreflang=\"en\" href=\"https:\/\/www.discogs.com\/artist\/10457572-Elsa-MBalla\"\u003eElsa M'Balla\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e(tracks: B3)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eArtist : Ale Hop \u003c\/p\u003e\n\u003cp\u003eLabel : Karlrecords\u003c\/p\u003e"}
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ペルーの実験音楽家Ale Hopが、2022年2月にドイツ・ベルリンの実験レーベルKarlrecordsからリリースした最新作です。 ペルーの大御所音楽家MANONGO MUJICAやケニア・ナイロビのアンビエント作家KMRUも参加リモート・コラボレーションアルバムです。全6曲を収録。180g重量盤、DLコード付属。 Karlrecords · ALE HOP - The Mountain That Eats Men...
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{"id":7510042411258,"title":"Matthew Hayes \u0026 Charlie Perry \/\/ Barricade LP","handle":"matthew-hayes-charlie-perry-barricade-lp","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eオーストラリア・メルボルンのベーシストMatthew Hayesと詩人Charlie Perryが、2020年11月に同国メルボルンのレーベルbedroom suckから150部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eベースによるアンビエントジャズ＋スポークンワードのありそうでなかった組み合わせがクセになります。スローコアリスナーにもおすすめします。DLコード付属。\u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4250767032\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=747773278\/transparent=true\/\" seamless\u003e\u003c\/iframe\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4250767032\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/bedroom-suck\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/bedroom-suck\"\u003ehere\u003c\/a\u003e to see more Bedroom Suck Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 150.\u003c\/p\u003e\n\u003cp\u003ebedroom suck:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Matthew Hayes and Charlie Perry come together to present Barricade, a record that instills hope and softness with a delicate balance of intricate bass guitar, electronic ambience and spoken word. The fusing of these elements imbues a sense of vulnerability, introspection and hopefulness throughout the entirety of the record, inspiring a calmness and beauty that emerges from amongst the ceaseless din of the world around us.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHayes approached fellow musician and spoken word artist Charlie Perry at the beginning of 2020, to collaborate on some recordings originally written while on tour in Europe. The pair instantly hit it off and the idea to complete a record together was formed, not to be set back by the shutdown of the world almost immediately after. Hayes, caught in Europe mid-tour, based himself in the south of France, while Perry retreated to Australia’s southern coastline in the small beachside town of Fairhaven. This cross continental collaboration continued over many months as the world around them reeled from the results of the ongoing COVID-19 pandemic.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe album features other notable collaborations, such as the guest appearance of renowned saxophonist and JK Group bandleader Joshua Kelly on 'Introduction'; the one and only Allysha Joy\u003cspan class=\"bcTruncateMore\"\u003e delivers her unique talent with a soft yet powerful performance on 'I Can Hear You', and the versatile brilliance of Aarti Jadu shines in 'You Care I Know'.\u003cbr\u003e\u003cbr\u003eAs a whole, this record is a document of the power of creativity, community and hopefulness in a world that stands disjointed. It is a record that embraces rawness and vulnerability, and is executed with a sophisticated nuance and ease.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Matthew Hayes \u0026amp; Charlie Perry\u003c\/p\u003e\n\u003cp\u003eLabel : bedroom suck records\u003c\/p\u003e","published_at":"2022-01-09T07:56:42+09:00","created_at":"2022-01-08T08:42:48+09:00","vendor":"Tobira Records","type":"","tags":["ambient","bedroom suck","contemporary \/ sound poetry","folk \/ left-field pop","jazz","lp"],"price":389000,"price_min":389000,"price_max":389000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42291630440698,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Matthew Hayes \u0026 Charlie Perry \/\/ Barricade LP","public_title":null,"options":["Default Title"],"price":389000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ba1_03ee9d30-40af-40d6-8bef-d5f2347b7b6b.jpg?v=1641598970","\/\/tobirarecords.com\/cdn\/shop\/products\/ba2_35309442-8b27-4f29-9331-637e8f85c808.jpg?v=1641598970"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ba1_03ee9d30-40af-40d6-8bef-d5f2347b7b6b.jpg?v=1641598970","options":["Title"],"media":[{"alt":null,"id":28974599831802,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ba1_03ee9d30-40af-40d6-8bef-d5f2347b7b6b.jpg?v=1641598970"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ba1_03ee9d30-40af-40d6-8bef-d5f2347b7b6b.jpg?v=1641598970","width":700},{"alt":null,"id":28974599864570,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ba2_35309442-8b27-4f29-9331-637e8f85c808.jpg?v=1641598970"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ba2_35309442-8b27-4f29-9331-637e8f85c808.jpg?v=1641598970","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eオーストラリア・メルボルンのベーシストMatthew Hayesと詩人Charlie Perryが、2020年11月に同国メルボルンのレーベルbedroom suckから150部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eベースによるアンビエントジャズ＋スポークンワードのありそうでなかった組み合わせがクセになります。スローコアリスナーにもおすすめします。DLコード付属。\u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4250767032\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=747773278\/transparent=true\/\" seamless\u003e\u003c\/iframe\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4250767032\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/bedroom-suck\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/bedroom-suck\"\u003ehere\u003c\/a\u003e to see more Bedroom Suck Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 150.\u003c\/p\u003e\n\u003cp\u003ebedroom suck:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Matthew Hayes and Charlie Perry come together to present Barricade, a record that instills hope and softness with a delicate balance of intricate bass guitar, electronic ambience and spoken word. The fusing of these elements imbues a sense of vulnerability, introspection and hopefulness throughout the entirety of the record, inspiring a calmness and beauty that emerges from amongst the ceaseless din of the world around us.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHayes approached fellow musician and spoken word artist Charlie Perry at the beginning of 2020, to collaborate on some recordings originally written while on tour in Europe. The pair instantly hit it off and the idea to complete a record together was formed, not to be set back by the shutdown of the world almost immediately after. Hayes, caught in Europe mid-tour, based himself in the south of France, while Perry retreated to Australia’s southern coastline in the small beachside town of Fairhaven. This cross continental collaboration continued over many months as the world around them reeled from the results of the ongoing COVID-19 pandemic.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe album features other notable collaborations, such as the guest appearance of renowned saxophonist and JK Group bandleader Joshua Kelly on 'Introduction'; the one and only Allysha Joy\u003cspan class=\"bcTruncateMore\"\u003e delivers her unique talent with a soft yet powerful performance on 'I Can Hear You', and the versatile brilliance of Aarti Jadu shines in 'You Care I Know'.\u003cbr\u003e\u003cbr\u003eAs a whole, this record is a document of the power of creativity, community and hopefulness in a world that stands disjointed. It is a record that embraces rawness and vulnerability, and is executed with a sophisticated nuance and ease.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Matthew Hayes \u0026amp; Charlie Perry\u003c\/p\u003e\n\u003cp\u003eLabel : bedroom suck records\u003c\/p\u003e"}
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{"id":7509587067130,"title":"Iannis Xenakis \/\/ .Electroacoustic Works 5xLP \/ 5xCD BOX","handle":"iannis-xenakis-electroacoustic-works-5xlp-5xcd","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e20世紀アヴァンギャルド音楽を代表するギリシャの\u003c\/span\u003e作曲家Iannis Xenakis(\u003cspan data-mce-fragment=\"1\"\u003e1922-2001)\u003c\/span\u003e生誕100周年を記念した超豪華5枚組ボックスです。\u003c\/p\u003e\n\u003cp\u003e彼が制作したエレクトロアコースティックの名作をコンパイルした永久保存版です。マスタリングはrashad beckerが担当しています。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e180g重量盤レコードには8ページのブックレットとポストカード、インサートが付属。廃盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eCDには24ページのブックレットとライナーノートが付属。\u003c\/p\u003e\n\u003cp\u003e※ボックスの形状上、佐川急便（550円)での発送となります\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3546258801\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/karlrecords\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/karlrecords\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/karlrecords\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/karlrecords\"\u003ehere\u003c\/a\u003e to see more Karl Records\/Zehra releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eThe 5 LP \/ 5 CD box set „Electroacoustic Works“ celebrates the 100th anniversary of IANNIS XENAKIS (on May 29th, 2022), one of the most influential 20th century avantgarde composers. All tracks have been newly mixed by longtime zeitkratzer sound engineer MARTIN WURMNEST and mastered by RASHAD BECKER and finally reveal their full sonic range and dynamics. Booklet with English \/ German liner notes by REINHOLD FRIEDL (zeitkratzer) and rare photos from the Xenakis archive.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIANNIS XENAKIS (1922-2001) is one of the most important composers of the 20th century avantgarde whose influence on music can be traced to the present day – not only in the world of conservatory-trained composers but also in various streams of current non-academic underground aesthetics such as experimental electronic music, noise and industrial.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAfter he arrived in Paris in 1947, XENAKIS not only studied composition with MESSIAEN and later became a member of the famous GRM (Groupe de recherches musicales), he also\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e worked as assistant to the famous architect LE CORBUSIER and realized a.o. the Philips Pavilion for the\u003cbr data-mce-fragment=\"1\"\u003eWorld Exhibition in Brussels 1958. His compositions often are based on mathematical principles which give his music an unprecedented aesthetic and “shocking otherness” (The Guardian).\u003cbr data-mce-fragment=\"1\"\u003eAlthough XENAKIS also composed for orchestra (his most famous works are “Metastasis“, “Pithoprakta” and “Terretektorh”), electronic music became his way for exploring new ideas and concepts and to develop new techniques like a graphic interface for sound synthesis or later, when\u003cbr data-mce-fragment=\"1\"\u003ecomputers were easier accessible, his so-called \"stochastic synthesis\" (Gendy 3, S.709 \u0026gt; Disc V, Late Works).\u003cbr data-mce-fragment=\"1\"\u003eXENAKIS’ first electroacoustic pieces (Disc I) like “Diamorphoses” or “Bohor” turned out groundbreaking works while the latter even caused, as MICHEL CHION put it, the “greatest scandal of electroacoustic music” on the occasion of its performance 1968 at the GRM in Paris.\u003cbr data-mce-fragment=\"1\"\u003eHis so-called „Polytopes“ (Discs II - IV) were overwhelming multimedia performances with especially designed architectures, laser and light shows etc. where sometimes up to several hundred loudspeakers were used to move the sounds in space. For example his most famous\u003cbr data-mce-fragment=\"1\"\u003ecomposition “Persepolis”, commissioned by the Persian Shah, premiered in 1971 in Shiraz-Persepolis (Iran) as a performance including light-tracks, laser beams, groups of children walking around with torches and 59 loudspeakers to project the music in an open-air situation.\u003cbr data-mce-fragment=\"1\"\u003eThe most radical aspects of sound can be found in Xenakis' late work and its merciless reduction to harsh, almost ruthless sound synthesis. In the early nineties, he devoted himself to the concept of a composing machine: a machine that designs everything independently and calculates the finished piece, the algorithm is the work.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFor the first time, the complete electroacoustic works of XENAKIS are now available on record – the truly overdue testimony and legacy of a restless investigator and explorer of sound. Years of source studies and comparative research by zeitkratzer director REINHOLD FRIEDL, in\u003cbr data-mce-fragment=\"1\"\u003ecollaboration with sound engineer MARTIN WURMNEST, made these critically reflected stereo mixes possible, which were appropriately mastered by RASHAD BECKER and which, in addition to the aspect of fidelity to the source, put the listener in the center. Xenakis' adventurous music can now finally be enjoyed in its full sonic range and dynamic.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eartist : G.A.M.S. \u003c\/p\u003e\n\u003cp\u003elabel : karlrecords\u003c\/p\u003e","published_at":"2022-01-07T16:39:42+09:00","created_at":"2022-01-07T16:39:42+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","drone","karlrecords","lp","monooto"],"price":789000,"price_min":789000,"price_max":1649000,"available":false,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42288303243514,"title":"LP","option1":"LP","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Iannis Xenakis \/\/ .Electroacoustic Works 5xLP \/ 5xCD BOX - LP","public_title":"LP","options":["LP"],"price":1649000,"weight":1700,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":42288303276282,"title":"CD","option1":"CD","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Iannis Xenakis \/\/ .Electroacoustic Works 5xLP \/ 5xCD BOX - CD","public_title":"CD","options":["CD"],"price":789000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a0370379488_16.jpg?v=1641542045","\/\/tobirarecords.com\/cdn\/shop\/products\/0026809124_10.jpg?v=1641542045","\/\/tobirarecords.com\/cdn\/shop\/products\/0026809075_10.jpg?v=1641542045"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0370379488_16.jpg?v=1641542045","options":["Format"],"media":[{"alt":null,"id":28971112595706,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0370379488_16.jpg?v=1641542045"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0370379488_16.jpg?v=1641542045","width":700},{"alt":null,"id":28971112464634,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0026809124_10.jpg?v=1641542045"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0026809124_10.jpg?v=1641542045","width":1200},{"alt":null,"id":28971112497402,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0026809075_10.jpg?v=1641542045"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0026809075_10.jpg?v=1641542045","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e20世紀アヴァンギャルド音楽を代表するギリシャの\u003c\/span\u003e作曲家Iannis Xenakis(\u003cspan data-mce-fragment=\"1\"\u003e1922-2001)\u003c\/span\u003e生誕100周年を記念した超豪華5枚組ボックスです。\u003c\/p\u003e\n\u003cp\u003e彼が制作したエレクトロアコースティックの名作をコンパイルした永久保存版です。マスタリングはrashad beckerが担当しています。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e180g重量盤レコードには8ページのブックレットとポストカード、インサートが付属。廃盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eCDには24ページのブックレットとライナーノートが付属。\u003c\/p\u003e\n\u003cp\u003e※ボックスの形状上、佐川急便（550円)での発送となります\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3546258801\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/karlrecords\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/karlrecords\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/karlrecords\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/karlrecords\"\u003ehere\u003c\/a\u003e to see more Karl Records\/Zehra releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eThe 5 LP \/ 5 CD box set „Electroacoustic Works“ celebrates the 100th anniversary of IANNIS XENAKIS (on May 29th, 2022), one of the most influential 20th century avantgarde composers. All tracks have been newly mixed by longtime zeitkratzer sound engineer MARTIN WURMNEST and mastered by RASHAD BECKER and finally reveal their full sonic range and dynamics. Booklet with English \/ German liner notes by REINHOLD FRIEDL (zeitkratzer) and rare photos from the Xenakis archive.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIANNIS XENAKIS (1922-2001) is one of the most important composers of the 20th century avantgarde whose influence on music can be traced to the present day – not only in the world of conservatory-trained composers but also in various streams of current non-academic underground aesthetics such as experimental electronic music, noise and industrial.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAfter he arrived in Paris in 1947, XENAKIS not only studied composition with MESSIAEN and later became a member of the famous GRM (Groupe de recherches musicales), he also\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e worked as assistant to the famous architect LE CORBUSIER and realized a.o. the Philips Pavilion for the\u003cbr data-mce-fragment=\"1\"\u003eWorld Exhibition in Brussels 1958. His compositions often are based on mathematical principles which give his music an unprecedented aesthetic and “shocking otherness” (The Guardian).\u003cbr data-mce-fragment=\"1\"\u003eAlthough XENAKIS also composed for orchestra (his most famous works are “Metastasis“, “Pithoprakta” and “Terretektorh”), electronic music became his way for exploring new ideas and concepts and to develop new techniques like a graphic interface for sound synthesis or later, when\u003cbr data-mce-fragment=\"1\"\u003ecomputers were easier accessible, his so-called \"stochastic synthesis\" (Gendy 3, S.709 \u0026gt; Disc V, Late Works).\u003cbr data-mce-fragment=\"1\"\u003eXENAKIS’ first electroacoustic pieces (Disc I) like “Diamorphoses” or “Bohor” turned out groundbreaking works while the latter even caused, as MICHEL CHION put it, the “greatest scandal of electroacoustic music” on the occasion of its performance 1968 at the GRM in Paris.\u003cbr data-mce-fragment=\"1\"\u003eHis so-called „Polytopes“ (Discs II - IV) were overwhelming multimedia performances with especially designed architectures, laser and light shows etc. where sometimes up to several hundred loudspeakers were used to move the sounds in space. For example his most famous\u003cbr data-mce-fragment=\"1\"\u003ecomposition “Persepolis”, commissioned by the Persian Shah, premiered in 1971 in Shiraz-Persepolis (Iran) as a performance including light-tracks, laser beams, groups of children walking around with torches and 59 loudspeakers to project the music in an open-air situation.\u003cbr data-mce-fragment=\"1\"\u003eThe most radical aspects of sound can be found in Xenakis' late work and its merciless reduction to harsh, almost ruthless sound synthesis. In the early nineties, he devoted himself to the concept of a composing machine: a machine that designs everything independently and calculates the finished piece, the algorithm is the work.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFor the first time, the complete electroacoustic works of XENAKIS are now available on record – the truly overdue testimony and legacy of a restless investigator and explorer of sound. Years of source studies and comparative research by zeitkratzer director REINHOLD FRIEDL, in\u003cbr data-mce-fragment=\"1\"\u003ecollaboration with sound engineer MARTIN WURMNEST, made these critically reflected stereo mixes possible, which were appropriately mastered by RASHAD BECKER and which, in addition to the aspect of fidelity to the source, put the listener in the center. Xenakis' adventurous music can now finally be enjoyed in its full sonic range and dynamic.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eartist : G.A.M.S. \u003c\/p\u003e\n\u003cp\u003elabel : karlrecords\u003c\/p\u003e"}
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20世紀アヴァンギャルド音楽を代表するギリシャの作曲家Iannis Xenakis(1922-2001)生誕100周年を記念した超豪華5枚組ボックスです。 彼が制作したエレクトロアコースティックの名作をコンパイルした永久保存版です。マスタリングはrashad beckerが担当しています。 180g重量盤レコードには8ページのブックレットとポストカード、インサートが付属。廃盤です。 CDには24ページのブックレットとライナーノートが付属。 ※ボックスの形状上、佐川急便（550円)での発送となります レーベルその他作品はこちら /// Click here to see more Karl Records/Zehra...
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{"id":7509245395194,"title":"Cloud Circuit \/\/ Bur sting brea k'r 7\"","handle":"cloud-circuit-bur-sting-brea-kr-8","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e詩人Deanna Radfordと、Sontag Shogunとしても活動しているJeremy YoungのプロジェクトCloud Circuitが、2020年4月にカナダ・モントリオール\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eArchive Officielleから100部限定でリリースした共作7\"です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eマスタリングはLawrence Englishが担当しています。ブックレットとDLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1987735904\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/aop\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/aop\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eArchive Officielle Publications releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eFirst edition of 100.\u003cbr\u003e\u003cspan\u003eDuration : 09:55 Min\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTransparent vinyl 45rpm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePackaging: 2 pages booklet + matte laminated rigid card inserted in pvc sleeve\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e4 Tracks\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e~\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eArchive Officielle:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"Bur sting brea k’r is the début EP by Montreal's Cloud Circuit.\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eCloud Circuit is Deanna Radford (poetry) and Jeremy Young (electronics.) The Cloud Circuit Ensemble includes Philippe Vandal (saxophone) and Alexandre St-Onge (bass \u0026amp; laptop.)\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis project is inspired by the failures of communication technologies as they are tied to human experiences of communication. All efforts are put in place to transport the listener into the grey areas of connection; a space where de-synchronized signals, dropped data packets, repetition and\/or deterioration of information is observed.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eYoung develops a magnetic soundscape in which Radford's voice transmits from. Produced using sine wave oscillators and physical interventions on amplified surfaces with saxophone (Vandal) and bass (St-Onge), Bur sting brea k’r evokes the sense that one can hear when the sounds, recognizable and unrecognizable, fall away into particles.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eUsing the soundscape as infrastructure and atmosphere, Radford delivers her poetry guided by the process of deep listening and semi-improvisation. As in live Cloud Circuit performances, her words are spoken in response to sound by Young, Vandal and St-Onge. At the same time, she deconstructs word order so we might\u003cspan class=\"bcTruncateMore\"\u003e question typically intended meanings and better feel the presence of the machines and software which surround us. This demonstrates the ironies that; first, we observe a text deliberately deconstructed by a human to represent the shortcomings of a technology set up to meet an essential and very human need; communication. Second, words sometimes shift from the technical to the emotional as a result of repetition and this process of scattering.\u003cbr\u003e\u003cbr\u003eHere lies the strength of Cloud Circuit; the ability to create in the listener the desire to re-synchronize disorganized blocks of information and at the same time, accept the tragic end reserved to them.\u003cbr\u003e\u003cbr\u003eIn some ways, Bur sting brea k’r is an invitation to appreciate the failure of our connected world and the void left by it's loss of meaning.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Cloud Circuit\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eArchive Officielle Publications\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-01-09T11:06:28+09:00","created_at":"2022-01-07T09:33:55+09:00","vendor":"Tobira Records","type":"","tags":["Archive Officielle Publications","drone","lp","monooto","sound poetry"],"price":206800,"price_min":206800,"price_max":206800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42286475804922,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Cloud Circuit \/\/ Bur sting brea k'r 7\"","public_title":null,"options":["Default Title"],"price":206800,"weight":230,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/bu1_29a237d3-b9ae-49da-9d2c-ab139a4e351a.jpg?v=1641515637","\/\/tobirarecords.com\/cdn\/shop\/products\/bu2_5545c73b-d53b-4b72-a962-419b1fb37b23.jpg?v=1641515637"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/bu1_29a237d3-b9ae-49da-9d2c-ab139a4e351a.jpg?v=1641515637","options":["Title"],"media":[{"alt":null,"id":28969847914746,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bu1_29a237d3-b9ae-49da-9d2c-ab139a4e351a.jpg?v=1641515637"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bu1_29a237d3-b9ae-49da-9d2c-ab139a4e351a.jpg?v=1641515637","width":700},{"alt":null,"id":28969847947514,"position":2,"preview_image":{"aspect_ratio":1.504,"height":798,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bu2_5545c73b-d53b-4b72-a962-419b1fb37b23.jpg?v=1641515637"},"aspect_ratio":1.504,"height":798,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bu2_5545c73b-d53b-4b72-a962-419b1fb37b23.jpg?v=1641515637","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e詩人Deanna Radfordと、Sontag Shogunとしても活動しているJeremy YoungのプロジェクトCloud Circuitが、2020年4月にカナダ・モントリオール\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eArchive Officielleから100部限定でリリースした共作7\"です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eマスタリングはLawrence Englishが担当しています。ブックレットとDLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1987735904\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/aop\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/aop\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eArchive Officielle Publications releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eFirst edition of 100.\u003cbr\u003e\u003cspan\u003eDuration : 09:55 Min\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTransparent vinyl 45rpm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePackaging: 2 pages booklet + matte laminated rigid card inserted in pvc sleeve\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e4 Tracks\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e~\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eArchive Officielle:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"Bur sting brea k’r is the début EP by Montreal's Cloud Circuit.\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eCloud Circuit is Deanna Radford (poetry) and Jeremy Young (electronics.) The Cloud Circuit Ensemble includes Philippe Vandal (saxophone) and Alexandre St-Onge (bass \u0026amp; laptop.)\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis project is inspired by the failures of communication technologies as they are tied to human experiences of communication. All efforts are put in place to transport the listener into the grey areas of connection; a space where de-synchronized signals, dropped data packets, repetition and\/or deterioration of information is observed.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eYoung develops a magnetic soundscape in which Radford's voice transmits from. Produced using sine wave oscillators and physical interventions on amplified surfaces with saxophone (Vandal) and bass (St-Onge), Bur sting brea k’r evokes the sense that one can hear when the sounds, recognizable and unrecognizable, fall away into particles.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eUsing the soundscape as infrastructure and atmosphere, Radford delivers her poetry guided by the process of deep listening and semi-improvisation. As in live Cloud Circuit performances, her words are spoken in response to sound by Young, Vandal and St-Onge. At the same time, she deconstructs word order so we might\u003cspan class=\"bcTruncateMore\"\u003e question typically intended meanings and better feel the presence of the machines and software which surround us. This demonstrates the ironies that; first, we observe a text deliberately deconstructed by a human to represent the shortcomings of a technology set up to meet an essential and very human need; communication. Second, words sometimes shift from the technical to the emotional as a result of repetition and this process of scattering.\u003cbr\u003e\u003cbr\u003eHere lies the strength of Cloud Circuit; the ability to create in the listener the desire to re-synchronize disorganized blocks of information and at the same time, accept the tragic end reserved to them.\u003cbr\u003e\u003cbr\u003eIn some ways, Bur sting brea k’r is an invitation to appreciate the failure of our connected world and the void left by it's loss of meaning.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Cloud Circuit\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eArchive Officielle Publications\u003c\/span\u003e\u003c\/p\u003e"}
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詩人Deanna Radfordと、Sontag Shogunとしても活動しているJeremy YoungのプロジェクトCloud Circuitが、2020年4月にカナダ・モントリオールArchive Officielleから100部限定でリリースした共作7"です。 マスタリングはLawrence Englishが担当しています。ブックレットとDLコード付属。 レーベルその他作品はこちら /// Click here to see more Archive Officielle Publications...
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{"id":7508722155770,"title":"Pauline Oliveros \/\/ Tara's Room TAPE","handle":"pauline-oliveros-taras-room-cd","description":"\u003cp\u003eアメリカの大御所実験音楽家Pauline Oliverosが、1987年に自主リリースしたカセットの再発盤です。アコーディオンによるネオクラシカル25分、声をソースとしたコラージュ27分を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/633329610\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\" height=\"300\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/imprec\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/imprec\"\u003ehere\u003c\/a\u003e to see more Important Records (Imprec) releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTwo Meditations on Transition and Change\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eReleased on Deep Listening as DL-22-2004\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist bio :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e\"This LP features two long sides of infinite depth and sensitivity. Oliveros performs these pieces using a Just Intonation accordion and her Expanded Instrument System in order to bend both time and pitch.\u003cbr\u003e\u003cbr\u003ePauline Oliveros, composer, performer and humanitarian is an important pioneer in American Music. Acclaimed internationally, for four decades she has explored sound - forging new ground for herself and others. Through improvisation, electronic music, ritual, teaching and meditation she has created a body of work with such breadth of vision that it profoundly effects those who experience it, and eludes many who try to write about it. Oliveros has been honored with awards, grants and concerts internationally. Whether performing at the John F. Kennedy Center in Washington D.C., in an underground cavern, or in the studios of West German Radio, Oliveros' commitment to interaction with the moment is unchanged. She can make the sound of a sweeping siren into another instrument of the ensemble.\"\u003cbr\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Pauline Oliveros\u003c\/p\u003e\n\u003cp\u003eLabel : Deep Listening\u003c\/p\u003e","published_at":"2022-01-07T20:12:39+09:00","created_at":"2022-01-06T17:26:09+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","neo classical","tape"],"price":156000,"price_min":156000,"price_max":156000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42282840719610,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Pauline Oliveros \/\/ Tara's Room TAPE","public_title":null,"options":["Default Title"],"price":156000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/pa_1164ed1f-d972-4cee-8aba-fddb24e0df28.jpg?v=1642209852"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa_1164ed1f-d972-4cee-8aba-fddb24e0df28.jpg?v=1642209852","options":["Title"],"media":[{"alt":null,"id":29005116834042,"position":1,"preview_image":{"aspect_ratio":1.333,"height":360,"width":480,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa_1164ed1f-d972-4cee-8aba-fddb24e0df28.jpg?v=1642209852"},"aspect_ratio":1.333,"height":360,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa_1164ed1f-d972-4cee-8aba-fddb24e0df28.jpg?v=1642209852","width":480}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカの大御所実験音楽家Pauline Oliverosが、1987年に自主リリースしたカセットの再発盤です。アコーディオンによるネオクラシカル25分、声をソースとしたコラージュ27分を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/633329610\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\" height=\"300\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/imprec\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/imprec\"\u003ehere\u003c\/a\u003e to see more Important Records (Imprec) releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTwo Meditations on Transition and Change\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eReleased on Deep Listening as DL-22-2004\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist bio :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e\"This LP features two long sides of infinite depth and sensitivity. Oliveros performs these pieces using a Just Intonation accordion and her Expanded Instrument System in order to bend both time and pitch.\u003cbr\u003e\u003cbr\u003ePauline Oliveros, composer, performer and humanitarian is an important pioneer in American Music. Acclaimed internationally, for four decades she has explored sound - forging new ground for herself and others. Through improvisation, electronic music, ritual, teaching and meditation she has created a body of work with such breadth of vision that it profoundly effects those who experience it, and eludes many who try to write about it. Oliveros has been honored with awards, grants and concerts internationally. Whether performing at the John F. Kennedy Center in Washington D.C., in an underground cavern, or in the studios of West German Radio, Oliveros' commitment to interaction with the moment is unchanged. She can make the sound of a sweeping siren into another instrument of the ensemble.\"\u003cbr\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Pauline Oliveros\u003c\/p\u003e\n\u003cp\u003eLabel : Deep Listening\u003c\/p\u003e"}
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アメリカの大御所実験音楽家Pauline Oliverosが、1987年に自主リリースしたカセットの再発盤です。アコーディオンによるネオクラシカル25分、声をソースとしたコラージュ27分を収録。 レーベルその他作品はこちら /// Click here to see more Important Records (Imprec) releases available at Tobira. -------------------------------...
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{"id":7508720025850,"title":"Pauline Oliveros \/\/ Ghost Dance CD","handle":"pauline-oliveros-ghost-dance-cd","description":"\u003cp\u003eアメリカの大御所実験音楽家Pauline Oliverosが1998年にリリースしたアルバムをデッドストック入荷しました。ダンサーとのコラボレーション作品です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3513114119\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003ehere\u003c\/a\u003e to see more Shame File Music releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------\u003c\/p\u003e\n\u003cp\u003eShame File Music:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"The long awaited soundtrack of the Ghostdance music and dance collaboration between Oliveros and Paula Josa-Jones. The Expanded Instrument System (EIS) used in this recording is an evolving electronic sound processing environment dedicated to providing improvising musicians control over various interesting parameters of electronic transformation of their acoustic instruments. Performers each have their own setup which includes their delay and ambience processors, microphones, signal routing and mixing, and a computer which translates and displays control information from foot pedals and switches.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Pauline Oliveros\u003c\/p\u003e\n\u003cp\u003eLabel : Self released\u003c\/p\u003e","published_at":"2022-01-07T20:39:55+09:00","created_at":"2022-01-06T17:22:26+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry"],"price":195000,"price_min":195000,"price_max":195000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42282803429626,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Pauline Oliveros \/\/ Ghost Dance CD","public_title":null,"options":["Default Title"],"price":195000,"weight":0,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a0947770671_16.jpg?v=1641555459"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0947770671_16.jpg?v=1641555459","options":["Title"],"media":[{"alt":null,"id":28971868422394,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0947770671_16.jpg?v=1641555459"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0947770671_16.jpg?v=1641555459","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカの大御所実験音楽家Pauline Oliverosが1998年にリリースしたアルバムをデッドストック入荷しました。ダンサーとのコラボレーション作品です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3513114119\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003ehere\u003c\/a\u003e to see more Shame File Music releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------\u003c\/p\u003e\n\u003cp\u003eShame File Music:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"The long awaited soundtrack of the Ghostdance music and dance collaboration between Oliveros and Paula Josa-Jones. The Expanded Instrument System (EIS) used in this recording is an evolving electronic sound processing environment dedicated to providing improvising musicians control over various interesting parameters of electronic transformation of their acoustic instruments. Performers each have their own setup which includes their delay and ambience processors, microphones, signal routing and mixing, and a computer which translates and displays control information from foot pedals and switches.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Pauline Oliveros\u003c\/p\u003e\n\u003cp\u003eLabel : Self released\u003c\/p\u003e"}
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アメリカの大御所実験音楽家Pauline Oliverosが1998年にリリースしたアルバムをデッドストック入荷しました。ダンサーとのコラボレーション作品です。 レーベルその他作品はこちら /// Click here to see more Shame File Music releases available at Tobira. -----------------------...
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{"id":7508696891642,"title":"Marina Rosenfeld \/\/ Teenage Lontano LP","handle":"marina-rosenfeld-teenage-lontano-lp","description":"\u003cp\u003e過去にShelter PressやiDEALなどから発表しているアメリカの音響作家Marina Rosenfeldが、2021年10月にオーストラリア・ブリスベンの音響作家Lawrence English主宰レーベルroom40からリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Teenage Lontano \"と \"roygbiv\u0026amp;b \"は、それぞれ2008年と2011年の作品で、作曲家でありアーティストであるMarina Rosenfeldの2つの主要作品から構成されています。両作品は、10代の若者のために想像され、演じられた合唱曲です。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eニューヨークの巨大なパーク・アヴェニュー・アーモリーで初演された『ティーンエイジ・ロンターノ』は、ハンガリーの作曲家ギョルジ・リゲティの1960年代の名作をローゼンフェルドが「カバーバージョン」でオーケストラ用に作曲した画期的な作品です。ティーンエイジ・ロンターノは、ヘッドフォンをつけたティーンエイジャーの列によって二分される没入型サウンド環境として再構築されています。33 1\/3回転のラウドスピーカーの下で、10代の若者たちの声が、リゲティの不協和音の多和音を、心にしみるほど弱々しく響かせます。ティーンエイジ・ロンターノは3大陸で上演されており、2020年にはムジカ・ストラスブールの一環としてフランスで初演される予定です。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eroygbiv\u0026amp;b』では、非同期で時に騒々しい歌の断片の呪文が、ROYGBIVという頭字語の意図的な聞き間違いを中心にゆるやかに構成されて、うねったり消えたりする。ローゼンフェルドのバージョンでは、「r」が「are」（「あなたはあの誰か？ ローゼンフェルドのバージョンでは、「r」は「are」（「Are you that somebody...」）、「o」は「oh」（「Oh, oh, oh...」）、「y」は「why」（「Why should my heart...」）、「g」は「je (sus)」 などと、「are」を連想させる。タイトルにある「b」は、R\u0026amp;Bの「blue(s)」へのオマージュです。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eローゼンフェルドの洒落たスペクタクルな構成は、2011年に近代美術館で初演された。このエディションに収録された録音は、2014年にサウス・ロンドン・ギャラリーで行われたもので、地元サウス・ロンドンの人々によって実現され、録音は彼らのスタイルとジャンルへの帰属を強調するものとなっています。両作品とも、これまで未発表のままでした。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1879783853\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eRoom40:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTeenage Lontano and roygbiv\u0026amp;b, from 2008 and 2011 respectively, comprise two key works by composer and artist Marina Rosenfeld. Both works are choral compositions imagined for and enacted by teenagers.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePremiered in New York’s immense Park Avenue Armory, Teenage Lontano is Rosenfeld’s groundbreaking \"cover version\" of Hungarian composer György Ligeti’s 1960s classic for orchestra. Teenage Lontano is reimagined as an immersive sound environment bisected by a column of teenagers in headphones. Beneath a loudspeaker rotating at the phonographic speed of 33 1\/3 rpm, the teens' collective voices produce a hauntingly vulnerable account of Ligeti’s dissonant polychords. Teenage Lontano has been performed on three continents, including a French premiere in 2020 as part of Musica Strasbourg.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn roygbiv\u0026amp;b, asynchronous, sometimes raucous incantations of song fragments swell and dissipate, loosely organized around a purposeful mis-hearing of the acronym ROYGBIV: in Rosenfeld’s version, “r” evokes ‘are' (as in, \"Are you that somebody...”);, o is 'oh' (“Oh, oh, oh…”); y becomes 'why' (“Why should my heart...); g is 'je (sus)', and so on. The extra 'b' in the work’s title pays homage to the\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e ‘blue(s)’ of r\u0026amp;b.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRosenfeld’s punning, spectral composition had its debut performance at the Museum of Modern Art in 2011. The recording featured on this edition took place at the South London Gallery in 2014 realised by local south Londoners, the recording highlighting their style and genre affiliations. Both works have remained unpublished until now.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Marina Rosenfeld\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2022-01-06T16:10:58+09:00","created_at":"2022-01-06T15:32:00+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","drone","lp","room40"],"price":298000,"price_min":298000,"price_max":298000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42282475913466,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Marina Rosenfeld \/\/ Teenage Lontano LP","public_title":null,"options":["Default Title"],"price":298000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/te1_eac446ca-e15c-44c2-ab2c-e8a8bd30b328.jpg?v=1641450721","\/\/tobirarecords.com\/cdn\/shop\/products\/te2_e6de1829-1381-45da-b3e1-5b8f554707a7.jpg?v=1641450721"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/te1_eac446ca-e15c-44c2-ab2c-e8a8bd30b328.jpg?v=1641450721","options":["Title"],"media":[{"alt":null,"id":28965879415034,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/te1_eac446ca-e15c-44c2-ab2c-e8a8bd30b328.jpg?v=1641450721"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/te1_eac446ca-e15c-44c2-ab2c-e8a8bd30b328.jpg?v=1641450721","width":700},{"alt":null,"id":28965879447802,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/te2_e6de1829-1381-45da-b3e1-5b8f554707a7.jpg?v=1641450721"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/te2_e6de1829-1381-45da-b3e1-5b8f554707a7.jpg?v=1641450721","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去にShelter PressやiDEALなどから発表しているアメリカの音響作家Marina Rosenfeldが、2021年10月にオーストラリア・ブリスベンの音響作家Lawrence English主宰レーベルroom40からリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Teenage Lontano \"と \"roygbiv\u0026amp;b \"は、それぞれ2008年と2011年の作品で、作曲家でありアーティストであるMarina Rosenfeldの2つの主要作品から構成されています。両作品は、10代の若者のために想像され、演じられた合唱曲です。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eニューヨークの巨大なパーク・アヴェニュー・アーモリーで初演された『ティーンエイジ・ロンターノ』は、ハンガリーの作曲家ギョルジ・リゲティの1960年代の名作をローゼンフェルドが「カバーバージョン」でオーケストラ用に作曲した画期的な作品です。ティーンエイジ・ロンターノは、ヘッドフォンをつけたティーンエイジャーの列によって二分される没入型サウンド環境として再構築されています。33 1\/3回転のラウドスピーカーの下で、10代の若者たちの声が、リゲティの不協和音の多和音を、心にしみるほど弱々しく響かせます。ティーンエイジ・ロンターノは3大陸で上演されており、2020年にはムジカ・ストラスブールの一環としてフランスで初演される予定です。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eroygbiv\u0026amp;b』では、非同期で時に騒々しい歌の断片の呪文が、ROYGBIVという頭字語の意図的な聞き間違いを中心にゆるやかに構成されて、うねったり消えたりする。ローゼンフェルドのバージョンでは、「r」が「are」（「あなたはあの誰か？ ローゼンフェルドのバージョンでは、「r」は「are」（「Are you that somebody...」）、「o」は「oh」（「Oh, oh, oh...」）、「y」は「why」（「Why should my heart...」）、「g」は「je (sus)」 などと、「are」を連想させる。タイトルにある「b」は、R\u0026amp;Bの「blue(s)」へのオマージュです。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eローゼンフェルドの洒落たスペクタクルな構成は、2011年に近代美術館で初演された。このエディションに収録された録音は、2014年にサウス・ロンドン・ギャラリーで行われたもので、地元サウス・ロンドンの人々によって実現され、録音は彼らのスタイルとジャンルへの帰属を強調するものとなっています。両作品とも、これまで未発表のままでした。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1879783853\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eRoom40:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTeenage Lontano and roygbiv\u0026amp;b, from 2008 and 2011 respectively, comprise two key works by composer and artist Marina Rosenfeld. Both works are choral compositions imagined for and enacted by teenagers.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePremiered in New York’s immense Park Avenue Armory, Teenage Lontano is Rosenfeld’s groundbreaking \"cover version\" of Hungarian composer György Ligeti’s 1960s classic for orchestra. Teenage Lontano is reimagined as an immersive sound environment bisected by a column of teenagers in headphones. Beneath a loudspeaker rotating at the phonographic speed of 33 1\/3 rpm, the teens' collective voices produce a hauntingly vulnerable account of Ligeti’s dissonant polychords. Teenage Lontano has been performed on three continents, including a French premiere in 2020 as part of Musica Strasbourg.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn roygbiv\u0026amp;b, asynchronous, sometimes raucous incantations of song fragments swell and dissipate, loosely organized around a purposeful mis-hearing of the acronym ROYGBIV: in Rosenfeld’s version, “r” evokes ‘are' (as in, \"Are you that somebody...”);, o is 'oh' (“Oh, oh, oh…”); y becomes 'why' (“Why should my heart...); g is 'je (sus)', and so on. The extra 'b' in the work’s title pays homage to the\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e ‘blue(s)’ of r\u0026amp;b.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRosenfeld’s punning, spectral composition had its debut performance at the Museum of Modern Art in 2011. The recording featured on this edition took place at the South London Gallery in 2014 realised by local south Londoners, the recording highlighting their style and genre affiliations. Both works have remained unpublished until now.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Marina Rosenfeld\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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過去にShelter PressやiDEALなどから発表しているアメリカの音響作家Marina Rosenfeldが、2021年10月にオーストラリア・ブリスベンの音響作家Lawrence English主宰レーベルroom40からリリースしたレコードです。 以下、レーベルによる解説です。 "Teenage Lontano "と "roygbiv&b "は、それぞれ2008年と2011年の作品で、作曲家でありアーティストであるMarina Rosenfeldの2つの主要作品から構成されています。両作品は、10代の若者のために想像され、演じられた合唱曲です。ニューヨークの巨大なパーク・アヴェニュー・アーモリーで初演された『ティーンエイジ・ロンターノ』は、ハンガリーの作曲家ギョルジ・リゲティの1960年代の名作をローゼンフェルドが「カバーバージョン」でオーケストラ用に作曲した画期的な作品です。ティーンエイジ・ロンターノは、ヘッドフォンをつけたティーンエイジャーの列によって二分される没入型サウンド環境として再構築されています。33 1/3回転のラウドスピーカーの下で、10代の若者たちの声が、リゲティの不協和音の多和音を、心にしみるほど弱々しく響かせます。ティーンエイジ・ロンターノは3大陸で上演されており、2020年にはムジカ・ストラスブールの一環としてフランスで初演される予定です。roygbiv&b』では、非同期で時に騒々しい歌の断片の呪文が、ROYGBIVという頭字語の意図的な聞き間違いを中心にゆるやかに構成されて、うねったり消えたりする。ローゼンフェルドのバージョンでは、「r」が「are」（「あなたはあの誰か？ ローゼンフェルドのバージョンでは、「r」は「are」（「Are you...
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{"id":7508695286010,"title":"Magda Mayas \u0026 Tina Douglas \/\/ Objects Of Interest CD + BOOKLET","handle":"magda-mayas-tina-douglas-objects-of-interest-cd-booklet","description":"\u003cp\u003e過去に\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAnother Timbre\u003c\/span\u003eなどから発表しているオーストラリア・メルボルンの音響作家Magda MayasとTina Douglasが、2021年11月に同国ブリスベンの音響作家Lawrence English主宰レーベルroom40からリリースした共作です。ブックレットにはスコアと対話、写真が掲載されています。\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e \u003cem\u003e「ティナとは10年ほど前、メルボルンで共通のミュージシャン仲間を通じて知り合いました。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eティナは様々な場面で私の演奏を聴き、私は彼女のスタジオを訪れ、何度も彼女の演奏を見てきました。すぐに個人的な、そして美的なつながりができ、何年にもわたる会話の中で、仕事のやり方を共有していることが明らかになりました。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e私たちは二人とも即興的で直感的なプロセスに惹かれ、個性的なオブジェや道具を使って作品を作り、それらと密接な関係を築いています。モノがアイデアを生み出し、私の行動を制限し、作品を根本的に構成してくれるのです。ティナの楽譜は非常に彫刻的で触覚的です。ピアノと私のオブジェとその中の準備も同様に、彫刻的、触覚的、体現的な感じがします。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eティナの楽譜に反応するために音楽を録音し始めたとき、私は物事をスローダウンさせ、ある種の脆さや不完全さを露出させ、一つのメロディー、一つのコード、一つの小さな音で十分でありたいという願いがあったのです。ピアノでは、オーケストラのようなアプローチも可能で、私もよくそうします。しかし、今回のコラボレーションでは、このような複雑さは必要ないと感じました。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこのプロジェクトや楽譜には、私が好きなある種の壊れやすさがあります。薄い紙の楽譜で、オーストラリアからベルリンまで運んだこと、切り抜きなど、すべてが非常に壊れやすくて美しく、音楽もそのようにしたいと感じたのです。」\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4088593411\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMatte laminated and embossed CD with insert card plus extensive book featuring an in conversation between Magda Mayas and Tina Douglas, plus scores, documentation and photographs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist statement by Magda Mayas:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\"Tina and I met around 10 years ago in Melbourne through mutual musician friends.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTina has heard me perform in various context and I have visited her studio and seen her perform on multiple occasions. There was an immediate personal and aesthetic connection and conversations over the years revealed shared ways of working - a collaboration seemed natural and exciting.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWe are both drawn to improvisational and intuitive processes and we both use individualised objects or tools to create and develop close relationships with these. For me, it’s a symbiotic process: the objects generate ideas, they afford and limit what I do and structure a piece in a fundamental way. Tina’s scores are very sculptural and tactile - the piano and my objects and preparations in them likewise feel sculptural, tactile, embodied -objects, materials and relationships crossing over.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhen I started recording music to respond to Tina’s scores, I had a wish to slowing things down, to expose a certain fragility or imperfection and to let one melody or one chord or one little noise be enough. With the piano you can have such an orchestral\u003cspan class=\"bcTruncateMore\"\u003e approach, and I often do that, but with this collaboration I didn’t feel like I wanted this kind of complexity.\u003cbr\u003e\u003cbr\u003eThere is a certain fragility that I like about the project and the scores: the fact that they are thin paper scores and I transported them from Australia to Berlin, the cut-outs… it’s all very fragile and beautiful and I kind of felt that I wanted to allow the music to be like that too.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Magda Mayas \u0026amp; Tina Douglas\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2022-01-06T16:08:41+09:00","created_at":"2022-01-06T15:21:15+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","room40"],"price":285000,"price_min":285000,"price_max":285000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42282467885306,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Magda Mayas \u0026 Tina Douglas \/\/ Objects Of Interest CD + BOOKLET","public_title":null,"options":["Default Title"],"price":285000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ob1_e7f28225-7c4a-4fc7-b64d-c0d7ea34e1be.jpg?v=1641450077","\/\/tobirarecords.com\/cdn\/shop\/products\/ob2_b3995e9b-6046-4126-a4b3-47dd4d1e4c10.jpg?v=1641450077","\/\/tobirarecords.com\/cdn\/shop\/products\/ob3_3a811b1e-ff61-45c1-8e0d-9b5e65d294fe.jpg?v=1641450077","\/\/tobirarecords.com\/cdn\/shop\/products\/ob4.jpg?v=1641450077"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ob1_e7f28225-7c4a-4fc7-b64d-c0d7ea34e1be.jpg?v=1641450077","options":["Title"],"media":[{"alt":null,"id":28965867225338,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ob1_e7f28225-7c4a-4fc7-b64d-c0d7ea34e1be.jpg?v=1641450077"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ob1_e7f28225-7c4a-4fc7-b64d-c0d7ea34e1be.jpg?v=1641450077","width":700},{"alt":null,"id":28965867258106,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ob2_b3995e9b-6046-4126-a4b3-47dd4d1e4c10.jpg?v=1641450077"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ob2_b3995e9b-6046-4126-a4b3-47dd4d1e4c10.jpg?v=1641450077","width":1200},{"alt":null,"id":28965867290874,"position":3,"preview_image":{"aspect_ratio":2.878,"height":417,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ob3_3a811b1e-ff61-45c1-8e0d-9b5e65d294fe.jpg?v=1641450077"},"aspect_ratio":2.878,"height":417,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ob3_3a811b1e-ff61-45c1-8e0d-9b5e65d294fe.jpg?v=1641450077","width":1200},{"alt":null,"id":28965867323642,"position":4,"preview_image":{"aspect_ratio":2.878,"height":417,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ob4.jpg?v=1641450077"},"aspect_ratio":2.878,"height":417,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ob4.jpg?v=1641450077","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去に\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAnother Timbre\u003c\/span\u003eなどから発表しているオーストラリア・メルボルンの音響作家Magda MayasとTina Douglasが、2021年11月に同国ブリスベンの音響作家Lawrence English主宰レーベルroom40からリリースした共作です。ブックレットにはスコアと対話、写真が掲載されています。\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e \u003cem\u003e「ティナとは10年ほど前、メルボルンで共通のミュージシャン仲間を通じて知り合いました。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eティナは様々な場面で私の演奏を聴き、私は彼女のスタジオを訪れ、何度も彼女の演奏を見てきました。すぐに個人的な、そして美的なつながりができ、何年にもわたる会話の中で、仕事のやり方を共有していることが明らかになりました。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e私たちは二人とも即興的で直感的なプロセスに惹かれ、個性的なオブジェや道具を使って作品を作り、それらと密接な関係を築いています。モノがアイデアを生み出し、私の行動を制限し、作品を根本的に構成してくれるのです。ティナの楽譜は非常に彫刻的で触覚的です。ピアノと私のオブジェとその中の準備も同様に、彫刻的、触覚的、体現的な感じがします。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eティナの楽譜に反応するために音楽を録音し始めたとき、私は物事をスローダウンさせ、ある種の脆さや不完全さを露出させ、一つのメロディー、一つのコード、一つの小さな音で十分でありたいという願いがあったのです。ピアノでは、オーケストラのようなアプローチも可能で、私もよくそうします。しかし、今回のコラボレーションでは、このような複雑さは必要ないと感じました。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこのプロジェクトや楽譜には、私が好きなある種の壊れやすさがあります。薄い紙の楽譜で、オーストラリアからベルリンまで運んだこと、切り抜きなど、すべてが非常に壊れやすくて美しく、音楽もそのようにしたいと感じたのです。」\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4088593411\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMatte laminated and embossed CD with insert card plus extensive book featuring an in conversation between Magda Mayas and Tina Douglas, plus scores, documentation and photographs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist statement by Magda Mayas:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\"Tina and I met around 10 years ago in Melbourne through mutual musician friends.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTina has heard me perform in various context and I have visited her studio and seen her perform on multiple occasions. There was an immediate personal and aesthetic connection and conversations over the years revealed shared ways of working - a collaboration seemed natural and exciting.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWe are both drawn to improvisational and intuitive processes and we both use individualised objects or tools to create and develop close relationships with these. For me, it’s a symbiotic process: the objects generate ideas, they afford and limit what I do and structure a piece in a fundamental way. Tina’s scores are very sculptural and tactile - the piano and my objects and preparations in them likewise feel sculptural, tactile, embodied -objects, materials and relationships crossing over.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhen I started recording music to respond to Tina’s scores, I had a wish to slowing things down, to expose a certain fragility or imperfection and to let one melody or one chord or one little noise be enough. With the piano you can have such an orchestral\u003cspan class=\"bcTruncateMore\"\u003e approach, and I often do that, but with this collaboration I didn’t feel like I wanted this kind of complexity.\u003cbr\u003e\u003cbr\u003eThere is a certain fragility that I like about the project and the scores: the fact that they are thin paper scores and I transported them from Australia to Berlin, the cut-outs… it’s all very fragile and beautiful and I kind of felt that I wanted to allow the music to be like that too.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Magda Mayas \u0026amp; Tina Douglas\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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過去にAnother Timbreなどから発表しているオーストラリア・メルボルンの音響作家Magda MayasとTina Douglasが、2021年11月に同国ブリスベンの音響作家Lawrence English主宰レーベルroom40からリリースした共作です。ブックレットにはスコアと対話、写真が掲載されています。 以下、作家本人による解説です。 「ティナとは10年ほど前、メルボルンで共通のミュージシャン仲間を通じて知り合いました。ティナは様々な場面で私の演奏を聴き、私は彼女のスタジオを訪れ、何度も彼女の演奏を見てきました。すぐに個人的な、そして美的なつながりができ、何年にもわたる会話の中で、仕事のやり方を共有していることが明らかになりました。私たちは二人とも即興的で直感的なプロセスに惹かれ、個性的なオブジェや道具を使って作品を作り、それらと密接な関係を築いています。モノがアイデアを生み出し、私の行動を制限し、作品を根本的に構成してくれるのです。ティナの楽譜は非常に彫刻的で触覚的です。ピアノと私のオブジェとその中の準備も同様に、彫刻的、触覚的、体現的な感じがします。ティナの楽譜に反応するために音楽を録音し始めたとき、私は物事をスローダウンさせ、ある種の脆さや不完全さを露出させ、一つのメロディー、一つのコード、一つの小さな音で十分でありたいという願いがあったのです。ピアノでは、オーケストラのようなアプローチも可能で、私もよくそうします。しかし、今回のコラボレーションでは、このような複雑さは必要ないと感じました。このプロジェクトや楽譜には、私が好きなある種の壊れやすさがあります。薄い紙の楽譜で、オーストラリアからベルリンまで運んだこと、切り抜きなど、すべてが非常に壊れやすくて美しく、音楽もそのようにしたいと感じたのです。」 レーベルその他作品はこちら /// Click here to see more Room40 releases available...
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{"id":7508694663418,"title":"Steve Roden \/\/ Oionos CD + BOOKLET","handle":"steve-roden-oionos-cd-booklet","description":"\u003cp\u003eアメリカの音響作家Steve Rodenが、2022年1月にリリースする最新作です。\u003c\/p\u003e\n\u003cp\u003e本作は、ギリシャのアテネで開催された展覧会「The Grand Promenade」のために制作したインスタレーション作品です。ブックレットにはエッセイが掲載されています。以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの展覧会は、アテネ中心部のさまざまな遺跡や歴史的な場所で開催され、サイトスペシフィックな現代作品が歴史的な環境と対話する状況を作り出しました。\u2028\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u2028当初は候補地として提示されていませんでしたが、私はキュレーターに懇願し、グランドプロムナードのメインパスから徒歩10分ほどのところにある建築家ディミトリス・ピキオニスの聖ディミトリス・ルンバルディアディス教会で作品を制作することを許可してもらいました。ピキオニスが設計したオリジナルのプロムナードは、今でもいくつかのエリアで見ることができますが、2004年のオリンピック前の「修復」の際に、このエリアのオリジナルのデザインの多くが変更されています。教会に続く小道は、プロムナード全体に対するピキオニスのビジョンをより強く印象づけるものであり、私は自分の作品を通じて、見る人、聴く人を彼の世界に引き込みたいと思いました。\u2028\u2028\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e初めてこの小さな教会を見たとき、私はすっかり息を呑み、すぐに、この教会と共鳴し合いながら、しかしそれを邪魔しないような作品を考え始めました。教会自体はまだ使われているので、そこで礼拝をする人たちの邪魔にならないような、優しい作品にしたいと思いました。そこで、教会の正面にある大きな木を使って、視覚的な存在感と、虫の音やこの辺りの静けさと調和するような音を出す吊り下げ型の作品にすることにしました。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u2028\u2028オーディオは、フィールドレコーディングと、ブリキの口笛やおもちゃのハーモニカなど、小さな「貧しい」ものから作られました。これらの「楽器」は、アテネの楽器博物館から提案されたもので、ちゃんとした楽器が博物館の大部分を占めていますが、地下には音楽のおもちゃや宗教的なもの、その他楽器とみなされない音の出る装置などが素晴らしい展示ケースに収められています。こうした素朴なものが、ピキオニスの建築や工芸に関する考え方や、土着文化と知的・近代的な文化との関連に関心を寄せていることに関係していると感じたのです。関係がありそうな気がしたのです。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/639776243?h=1b348e4b00\" width=\"640\" height=\"360\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1889487145\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMonochrome, matte laminate and embossed jacket with insert card plus perfect bound book including artworks, images, documents and texts from Steve, as well as an essay from his long time collaborator Stephen Vitiello. The edition also features an interview conducted by Robert Crouch.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist statement Steve Roden on Oionos:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\"Oionos was created for the exhibition The Grand Promenade, in Athens, Greece.\u2028\u2028\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe exhibition took place in various archaeological and historical sites in central Athens, creating a situation for contemporary site specific works to be in dialogue with their historical surroundings.\u2028\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u2028While it was not originally offered as a possible site, I pleaded with the curator to allow me to work with architect Dimitris Pikionis’s Church of St. Dimitris Loumbardiardis, about a 10-minute walk from the main path of the Grand Promenade. Pikionis designed the original promenade which is still visible in several areas, but much of the area’s original designs were altered during the “restoration” before the 2004 Olympics. The small path that leads to the church gives a much stronger impression of Pikionis’s vision for the entire promenade as it was; so i wanted to use my work to draw viewers\/listeners into his world.\u2028\u2028\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhen I first saw the small church it totally took my breath away, and I immediately began to think about a work that could exist in resonance with it — but not distract from it. The church itself is still in use, and I wanted to the work to be gentle and out of the way of the\u003cspan class=\"bcTruncateMore\"\u003e people who worship there. I decided to use the large tree in the front of the church for a hanging work that would a little bit of visual presence as well as sound which could blend with all of the insect noises and the overall quiet of the area.\u003cbr\u003e\u003cbr\u003e\u2028\u2028The audio was built from field recordings and small “poor” objects such as tin whistles, toy harmonicas, and the like. These “instruments” suggested by the museum of musical instruments in Athens, where the proper instruments take up most of the museum, but there is a wonderful display case in the basement with musical toys, religious objects, and other sounding devices not considered musical instruments. I felt that these simple things related to Pikionis’s ideas about architecture and craft, and his interests in indigenous culture in conjunction with intellectual and modern culture. I felt there could be a relationship.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : steve roden\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2022-01-06T16:11:31+09:00","created_at":"2022-01-06T15:15:10+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","drone","monooto","room40"],"price":285000,"price_min":285000,"price_max":285000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42282461724922,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Steve Roden \/\/ Oionos CD + BOOKLET","public_title":null,"options":["Default Title"],"price":285000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/oi1_6817163a-cba4-483f-a80b-e3e394c65cb2.jpg?v=1641449713","\/\/tobirarecords.com\/cdn\/shop\/products\/oi2_a5ec851e-fa51-46dd-8d1d-bdce59cd8d46.jpg?v=1641449712","\/\/tobirarecords.com\/cdn\/shop\/products\/oi3.jpg?v=1641449712","\/\/tobirarecords.com\/cdn\/shop\/products\/oi4.jpg?v=1641449712"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/oi1_6817163a-cba4-483f-a80b-e3e394c65cb2.jpg?v=1641449713","options":["Title"],"media":[{"alt":null,"id":28965852315898,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/oi1_6817163a-cba4-483f-a80b-e3e394c65cb2.jpg?v=1641449713"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/oi1_6817163a-cba4-483f-a80b-e3e394c65cb2.jpg?v=1641449713","width":700},{"alt":null,"id":28965852348666,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/oi2_a5ec851e-fa51-46dd-8d1d-bdce59cd8d46.jpg?v=1641449712"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/oi2_a5ec851e-fa51-46dd-8d1d-bdce59cd8d46.jpg?v=1641449712","width":1200},{"alt":null,"id":28965852381434,"position":3,"preview_image":{"aspect_ratio":3.0,"height":400,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/oi3.jpg?v=1641449712"},"aspect_ratio":3.0,"height":400,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/oi3.jpg?v=1641449712","width":1200},{"alt":null,"id":28965852414202,"position":4,"preview_image":{"aspect_ratio":3.0,"height":400,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/oi4.jpg?v=1641449712"},"aspect_ratio":3.0,"height":400,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/oi4.jpg?v=1641449712","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカの音響作家Steve Rodenが、2022年1月にリリースする最新作です。\u003c\/p\u003e\n\u003cp\u003e本作は、ギリシャのアテネで開催された展覧会「The Grand Promenade」のために制作したインスタレーション作品です。ブックレットにはエッセイが掲載されています。以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの展覧会は、アテネ中心部のさまざまな遺跡や歴史的な場所で開催され、サイトスペシフィックな現代作品が歴史的な環境と対話する状況を作り出しました。\u2028\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u2028当初は候補地として提示されていませんでしたが、私はキュレーターに懇願し、グランドプロムナードのメインパスから徒歩10分ほどのところにある建築家ディミトリス・ピキオニスの聖ディミトリス・ルンバルディアディス教会で作品を制作することを許可してもらいました。ピキオニスが設計したオリジナルのプロムナードは、今でもいくつかのエリアで見ることができますが、2004年のオリンピック前の「修復」の際に、このエリアのオリジナルのデザインの多くが変更されています。教会に続く小道は、プロムナード全体に対するピキオニスのビジョンをより強く印象づけるものであり、私は自分の作品を通じて、見る人、聴く人を彼の世界に引き込みたいと思いました。\u2028\u2028\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e初めてこの小さな教会を見たとき、私はすっかり息を呑み、すぐに、この教会と共鳴し合いながら、しかしそれを邪魔しないような作品を考え始めました。教会自体はまだ使われているので、そこで礼拝をする人たちの邪魔にならないような、優しい作品にしたいと思いました。そこで、教会の正面にある大きな木を使って、視覚的な存在感と、虫の音やこの辺りの静けさと調和するような音を出す吊り下げ型の作品にすることにしました。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u2028\u2028オーディオは、フィールドレコーディングと、ブリキの口笛やおもちゃのハーモニカなど、小さな「貧しい」ものから作られました。これらの「楽器」は、アテネの楽器博物館から提案されたもので、ちゃんとした楽器が博物館の大部分を占めていますが、地下には音楽のおもちゃや宗教的なもの、その他楽器とみなされない音の出る装置などが素晴らしい展示ケースに収められています。こうした素朴なものが、ピキオニスの建築や工芸に関する考え方や、土着文化と知的・近代的な文化との関連に関心を寄せていることに関係していると感じたのです。関係がありそうな気がしたのです。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/639776243?h=1b348e4b00\" width=\"640\" height=\"360\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1889487145\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMonochrome, matte laminate and embossed jacket with insert card plus perfect bound book including artworks, images, documents and texts from Steve, as well as an essay from his long time collaborator Stephen Vitiello. The edition also features an interview conducted by Robert Crouch.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist statement Steve Roden on Oionos:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\"Oionos was created for the exhibition The Grand Promenade, in Athens, Greece.\u2028\u2028\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe exhibition took place in various archaeological and historical sites in central Athens, creating a situation for contemporary site specific works to be in dialogue with their historical surroundings.\u2028\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u2028While it was not originally offered as a possible site, I pleaded with the curator to allow me to work with architect Dimitris Pikionis’s Church of St. Dimitris Loumbardiardis, about a 10-minute walk from the main path of the Grand Promenade. Pikionis designed the original promenade which is still visible in several areas, but much of the area’s original designs were altered during the “restoration” before the 2004 Olympics. The small path that leads to the church gives a much stronger impression of Pikionis’s vision for the entire promenade as it was; so i wanted to use my work to draw viewers\/listeners into his world.\u2028\u2028\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhen I first saw the small church it totally took my breath away, and I immediately began to think about a work that could exist in resonance with it — but not distract from it. The church itself is still in use, and I wanted to the work to be gentle and out of the way of the\u003cspan class=\"bcTruncateMore\"\u003e people who worship there. I decided to use the large tree in the front of the church for a hanging work that would a little bit of visual presence as well as sound which could blend with all of the insect noises and the overall quiet of the area.\u003cbr\u003e\u003cbr\u003e\u2028\u2028The audio was built from field recordings and small “poor” objects such as tin whistles, toy harmonicas, and the like. These “instruments” suggested by the museum of musical instruments in Athens, where the proper instruments take up most of the museum, but there is a wonderful display case in the basement with musical toys, religious objects, and other sounding devices not considered musical instruments. I felt that these simple things related to Pikionis’s ideas about architecture and craft, and his interests in indigenous culture in conjunction with intellectual and modern culture. I felt there could be a relationship.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : steve roden\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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アメリカの音響作家Steve Rodenが、2022年1月にリリースする最新作です。 本作は、ギリシャのアテネで開催された展覧会「The Grand Promenade」のために制作したインスタレーション作品です。ブックレットにはエッセイが掲載されています。以下、作家本人による解説です。 この展覧会は、アテネ中心部のさまざまな遺跡や歴史的な場所で開催され、サイトスペシフィックな現代作品が歴史的な環境と対話する状況を作り出しました。
当初は候補地として提示されていませんでしたが、私はキュレーターに懇願し、グランドプロムナードのメインパスから徒歩10分ほどのところにある建築家ディミトリス・ピキオニスの聖ディミトリス・ルンバルディアディス教会で作品を制作することを許可してもらいました。ピキオニスが設計したオリジナルのプロムナードは、今でもいくつかのエリアで見ることができますが、2004年のオリンピック前の「修復」の際に、このエリアのオリジナルのデザインの多くが変更されています。教会に続く小道は、プロムナード全体に対するピキオニスのビジョンをより強く印象づけるものであり、私は自分の作品を通じて、見る人、聴く人を彼の世界に引き込みたいと思いました。
初めてこの小さな教会を見たとき、私はすっかり息を呑み、すぐに、この教会と共鳴し合いながら、しかしそれを邪魔しないような作品を考え始めました。教会自体はまだ使われているので、そこで礼拝をする人たちの邪魔にならないような、優しい作品にしたいと思いました。そこで、教会の正面にある大きな木を使って、視覚的な存在感と、虫の音やこの辺りの静けさと調和するような音を出す吊り下げ型の作品にすることにしました。
オーディオは、フィールドレコーディングと、ブリキの口笛やおもちゃのハーモニカなど、小さな「貧しい」ものから作られました。これらの「楽器」は、アテネの楽器博物館から提案されたもので、ちゃんとした楽器が博物館の大部分を占めていますが、地下には音楽のおもちゃや宗教的なもの、その他楽器とみなされない音の出る装置などが素晴らしい展示ケースに収められています。こうした素朴なものが、ピキオニスの建築や工芸に関する考え方や、土着文化と知的・近代的な文化との関連に関心を寄せていることに関係していると感じたのです。関係がありそうな気がしたのです。 レーベルその他作品はこちら /// Click here to see more Room40 releases available...
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{"id":7505117839610,"title":"Taku Sugimoto \/\/ Snare Drum + TAPE","handle":"taku-sugimoto-snare-drum-tape","description":"\u003cp\u003e東京の実験音楽家Taku Sugimotoが、2021年6月に中国の実験レーベルZoomin Nightからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eスネアを叩いた直後に別の楽器を奏でるというコンセプチュアルな作品です。DLコード付属。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/1FDOW6rsukM\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2185512557\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eZoomin' Nightその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/zoni\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/zoni\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Zoomin' Night releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e---------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eZoomin Night:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eSnare Drum + is the latest piece by legend composer\/guitarist Taku Sugimoto in 2021, containing some variations of his snare drum solo piece which was written in 2011. \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn Snare Drum +, three or more additional performers try to follow the sound of snare drum as immediately as possible with percussion instruments or objects which decay quickly, while walking around the snare drum. In the recordings, different walking routes were used for each take.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e~\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003ecomposed by Taku Sugimoto 杉本拓\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eperformed by Takeshi Ikeda 池田武史 (snare drum), Katsuaki iida 飯田克明 (found objects), Yuka Yasukawa 安川有果 (found objects), and Ikuhiro Yamagata 山形育弘 (found objects).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003erecorded by Taku Sugimoto under Inagi-Ohashi Bridge 稲城大橋 on March 22, 2021\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Taku Sugimoto\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eZoomin' Night\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-01-02T17:42:04+09:00","created_at":"2021-12-30T15:17:30+09:00","vendor":"Tobira Records","type":"","tags":["asia","contemporary \/ sound poetry","monooto","tape","Zoomin’ night"],"price":145000,"price_min":145000,"price_max":145000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42261172584698,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Taku Sugimoto \/\/ Snare Drum + TAPE","public_title":null,"options":["Default Title"],"price":145000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/dr1_20a7b599-adfc-486a-8c49-a77b6b23f36c.jpg?v=1640845052","\/\/tobirarecords.com\/cdn\/shop\/products\/dr2_2b16b4ef-77e6-4612-9168-c15c54c3aadd.jpg?v=1640845052"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/dr1_20a7b599-adfc-486a-8c49-a77b6b23f36c.jpg?v=1640845052","options":["Title"],"media":[{"alt":null,"id":28940106039546,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/dr1_20a7b599-adfc-486a-8c49-a77b6b23f36c.jpg?v=1640845052"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/dr1_20a7b599-adfc-486a-8c49-a77b6b23f36c.jpg?v=1640845052","width":700},{"alt":null,"id":28940106072314,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/dr2_2b16b4ef-77e6-4612-9168-c15c54c3aadd.jpg?v=1640845052"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/dr2_2b16b4ef-77e6-4612-9168-c15c54c3aadd.jpg?v=1640845052","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e東京の実験音楽家Taku Sugimotoが、2021年6月に中国の実験レーベルZoomin Nightからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eスネアを叩いた直後に別の楽器を奏でるというコンセプチュアルな作品です。DLコード付属。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/1FDOW6rsukM\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2185512557\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eZoomin' Nightその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/zoni\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/zoni\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Zoomin' Night releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e---------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eZoomin Night:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eSnare Drum + is the latest piece by legend composer\/guitarist Taku Sugimoto in 2021, containing some variations of his snare drum solo piece which was written in 2011. \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn Snare Drum +, three or more additional performers try to follow the sound of snare drum as immediately as possible with percussion instruments or objects which decay quickly, while walking around the snare drum. In the recordings, different walking routes were used for each take.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e~\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003ecomposed by Taku Sugimoto 杉本拓\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eperformed by Takeshi Ikeda 池田武史 (snare drum), Katsuaki iida 飯田克明 (found objects), Yuka Yasukawa 安川有果 (found objects), and Ikuhiro Yamagata 山形育弘 (found objects).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003erecorded by Taku Sugimoto under Inagi-Ohashi Bridge 稲城大橋 on March 22, 2021\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Taku Sugimoto\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eZoomin' Night\u003c\/span\u003e\u003c\/p\u003e"}
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東京の実験音楽家Taku Sugimotoが、2021年6月に中国の実験レーベルZoomin Nightからリリースしたカセットです。 スネアを叩いた直後に別の楽器を奏でるというコンセプチュアルな作品です。DLコード付属。 Zoomin' Nightその他作品はこちら /// Click here to see more Zoomin' Night releases available at...
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{"id":7503657861370,"title":"Máquina Magnética \/\/ Máquina Magnética CD","handle":"maquina-magnetica-maquina-magnetica-cd","description":"\u003cp\u003eポルトガルのエレクトロアコースティックバンドMáquina Magnéticaが、2021年11月に同国実験レーベルCronicaからリリースしたデビューアルバムです。\u003c\/p\u003e\n\u003cp\u003eパーカッションと2台のコンピューター、インタラクティブな映像によるストレンジビーツ〜エレクトロアコースティック・ドローン6曲を収録。デジパック、シュリンク仕様です。12ページのブックレットが付属。\u003c\/p\u003e\n\u003ciframe height=\"360\" width=\"640\" src=\"https:\/\/player.vimeo.com\/video\/583345455?h=1ca96b1e7f\" allowfullscreen=\"\" allow=\"autoplay; fullscreen; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/vimeo.com\/583345455\"\u003eMáquina Mágnetica\u003c\/a\u003e from \u003ca href=\"https:\/\/vimeo.com\/visiophone\"\u003evisiophone\u003c\/a\u003e on \u003ca href=\"https:\/\/vimeo.com\"\u003eVimeo\u003c\/a\u003e.\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=57823785\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cronica\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cronica\"\u003ehere\u003c\/a\u003e to see more Cronica releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCD includes a 12-page booklet.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCronica:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eMáquina Magnética was born from the meeting of four experimental artists with consolidated practices across both solo and collective work: Gustavo Costa, drummer, percussionist, and one of the heads of the Sonoscopia collective, on acoustic and electro-mechanic percussion; Pedro Tudela and Miguel Carvalhais, of the @c project and the Crónica label, on computers; and Rodrigo Carvalho, of the Openfield and Boris Chimp 504 collectives, on generative visuals and interactive lights.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMáquina Magnética explores the synergies and boundaries of each artist’s territory, intersecting the organic, the mechanical and the synthetic; studio and live recordings; free improvisation and composition; musical gestures and acousmatic sounds; audiovisual performance and visual music. These tensions build a cathartic space for performance developed across six pieces in an album recorded and mixed between two live settings — O’culto da Ajuda in Lisbon and gnration in Braga — and two studios — Sonoscopia and Crónica, both in Porto — in an ongoing creative process.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Máquina Magnética\u003c\/p\u003e\n\u003cp\u003eLabel : Cronica\u003c\/p\u003e","published_at":"2021-12-31T13:25:37+09:00","created_at":"2021-12-28T13:55:22+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","cronica","drone","monooto","strange beats"],"price":148000,"price_min":148000,"price_max":148000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42252455182586,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Máquina Magnética \/\/ Máquina Magnética CD","public_title":null,"options":["Default Title"],"price":148000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ma1_609ab3c4-d6da-493d-a747-ded926d7aae3.jpg?v=1640667324","\/\/tobirarecords.com\/cdn\/shop\/products\/ma2_32d08268-37eb-4606-9a5e-7d1ae17076f5.jpg?v=1640667324"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma1_609ab3c4-d6da-493d-a747-ded926d7aae3.jpg?v=1640667324","options":["Title"],"media":[{"alt":null,"id":28932256727290,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma1_609ab3c4-d6da-493d-a747-ded926d7aae3.jpg?v=1640667324"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma1_609ab3c4-d6da-493d-a747-ded926d7aae3.jpg?v=1640667324","width":700},{"alt":null,"id":28932256760058,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma2_32d08268-37eb-4606-9a5e-7d1ae17076f5.jpg?v=1640667324"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma2_32d08268-37eb-4606-9a5e-7d1ae17076f5.jpg?v=1640667324","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eポルトガルのエレクトロアコースティックバンドMáquina Magnéticaが、2021年11月に同国実験レーベルCronicaからリリースしたデビューアルバムです。\u003c\/p\u003e\n\u003cp\u003eパーカッションと2台のコンピューター、インタラクティブな映像によるストレンジビーツ〜エレクトロアコースティック・ドローン6曲を収録。デジパック、シュリンク仕様です。12ページのブックレットが付属。\u003c\/p\u003e\n\u003ciframe height=\"360\" width=\"640\" src=\"https:\/\/player.vimeo.com\/video\/583345455?h=1ca96b1e7f\" allowfullscreen=\"\" allow=\"autoplay; fullscreen; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/vimeo.com\/583345455\"\u003eMáquina Mágnetica\u003c\/a\u003e from \u003ca href=\"https:\/\/vimeo.com\/visiophone\"\u003evisiophone\u003c\/a\u003e on \u003ca href=\"https:\/\/vimeo.com\"\u003eVimeo\u003c\/a\u003e.\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=57823785\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cronica\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cronica\"\u003ehere\u003c\/a\u003e to see more Cronica releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCD includes a 12-page booklet.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCronica:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eMáquina Magnética was born from the meeting of four experimental artists with consolidated practices across both solo and collective work: Gustavo Costa, drummer, percussionist, and one of the heads of the Sonoscopia collective, on acoustic and electro-mechanic percussion; Pedro Tudela and Miguel Carvalhais, of the @c project and the Crónica label, on computers; and Rodrigo Carvalho, of the Openfield and Boris Chimp 504 collectives, on generative visuals and interactive lights.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMáquina Magnética explores the synergies and boundaries of each artist’s territory, intersecting the organic, the mechanical and the synthetic; studio and live recordings; free improvisation and composition; musical gestures and acousmatic sounds; audiovisual performance and visual music. These tensions build a cathartic space for performance developed across six pieces in an album recorded and mixed between two live settings — O’culto da Ajuda in Lisbon and gnration in Braga — and two studios — Sonoscopia and Crónica, both in Porto — in an ongoing creative process.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Máquina Magnética\u003c\/p\u003e\n\u003cp\u003eLabel : Cronica\u003c\/p\u003e"}
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{"id":7499417518330,"title":"Bridget Ferrill \/\/ Only TAPE","handle":"bridget-ferrill-only-tape","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eドイツ・ベルリンの実験音楽家／サウンドエンジニアBridget Ferrillが、2021年12月にenmossed x psychic liberationから120本限定でリリースした最新作です。\u003c\/p\u003e\n\u003cp\u003eブクラとハープ、チター、\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eヴィオラ・ダ・ガンバ\u003c\/span\u003eの楽器の音色を最大限引き出したアレンジ4曲を収録。アンビエント的にも楽しめる一本です。DLコード付属。廃盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1879883425\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/emsd\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/emsd\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/emsd\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/emsd\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Enmossed releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003erecycled heavyweight paper j-cards\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ehot foil stamped artwork\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003erecycled plastic cassette shells + cases\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eduplicated at a carbon-neutral facility\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText and artist bio by Enmossed:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eComposed during a whirlwind period of touring and sound engineering in 2019, 𝑂𝑛𝑙𝑦 functions as both a tranquil refuge and as a heartfelt appreciation for the source instruments' timbres. Berlin-based Bridget Ferrill crystallizes her professional recording experience and artist residencies into a singular focus on Buchla modular, harp, zither, and viola da gamba. Rather than an exercise in technical mastery, Ferrill's careful arrangements invite us to linger with each instrument; in her words, fulfilling the longing to \"listen a little longer, a little slower\". Every contour of the instruments is lovingly traced, a warm invite for us to join her in the exuberance of exploring their inner life.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e---\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBridget Ferrill (USA\/DE) is a producer and composer of electronic music whose work plays between pattern and noise, exploring augmented instruments, handmade electronics, and experimental computer music. She has participated in residencies at EMS in Stockholm, LungA in Iceland, and the Dirt Palace in Providence, Rhode Island. Recent projects include composing for Staatstheater Cottbus, engineering and performing electronics for Bendik Giske’s live show, designing the Anglerfish drone synthesizer\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e for Common Ground, and creating multimedia installations with composer Áslaug Magnúsdóttir.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFerrill is also a live and studio engineer with experience working in studios and venues such as Greenhouse Studios in Reykjavik, Machines with Magnets in Providence RI, and at Real Surreal, her own mixing and mastering studio in Berlin.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bridget Ferrill\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEnmossed\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-12-20T14:51:41+09:00","created_at":"2021-12-20T11:26:57+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","drone","enmossed","monooto","Psychic Liberation","recommended","tape","techno \/ house"],"price":215000,"price_min":215000,"price_max":215000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42223901802746,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Bridget Ferrill \/\/ Only TAPE","public_title":null,"options":["Default Title"],"price":215000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/on1_19a113db-0e89-485c-ae8d-2b84aad5c075.jpg?v=1639967218","\/\/tobirarecords.com\/cdn\/shop\/products\/on2_15e8eb58-6241-4223-8e06-61bb9ed70615.jpg?v=1639967218"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/on1_19a113db-0e89-485c-ae8d-2b84aad5c075.jpg?v=1639967218","options":["Title"],"media":[{"alt":null,"id":28898576728314,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/on1_19a113db-0e89-485c-ae8d-2b84aad5c075.jpg?v=1639967218"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/on1_19a113db-0e89-485c-ae8d-2b84aad5c075.jpg?v=1639967218","width":700},{"alt":null,"id":28898576761082,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/on2_15e8eb58-6241-4223-8e06-61bb9ed70615.jpg?v=1639967218"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/on2_15e8eb58-6241-4223-8e06-61bb9ed70615.jpg?v=1639967218","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eドイツ・ベルリンの実験音楽家／サウンドエンジニアBridget Ferrillが、2021年12月にenmossed x psychic liberationから120本限定でリリースした最新作です。\u003c\/p\u003e\n\u003cp\u003eブクラとハープ、チター、\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eヴィオラ・ダ・ガンバ\u003c\/span\u003eの楽器の音色を最大限引き出したアレンジ4曲を収録。アンビエント的にも楽しめる一本です。DLコード付属。廃盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1879883425\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/emsd\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/emsd\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/emsd\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/emsd\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Enmossed releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003erecycled heavyweight paper j-cards\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ehot foil stamped artwork\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003erecycled plastic cassette shells + cases\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eduplicated at a carbon-neutral facility\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText and artist bio by Enmossed:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eComposed during a whirlwind period of touring and sound engineering in 2019, 𝑂𝑛𝑙𝑦 functions as both a tranquil refuge and as a heartfelt appreciation for the source instruments' timbres. Berlin-based Bridget Ferrill crystallizes her professional recording experience and artist residencies into a singular focus on Buchla modular, harp, zither, and viola da gamba. Rather than an exercise in technical mastery, Ferrill's careful arrangements invite us to linger with each instrument; in her words, fulfilling the longing to \"listen a little longer, a little slower\". Every contour of the instruments is lovingly traced, a warm invite for us to join her in the exuberance of exploring their inner life.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e---\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBridget Ferrill (USA\/DE) is a producer and composer of electronic music whose work plays between pattern and noise, exploring augmented instruments, handmade electronics, and experimental computer music. She has participated in residencies at EMS in Stockholm, LungA in Iceland, and the Dirt Palace in Providence, Rhode Island. Recent projects include composing for Staatstheater Cottbus, engineering and performing electronics for Bendik Giske’s live show, designing the Anglerfish drone synthesizer\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e for Common Ground, and creating multimedia installations with composer Áslaug Magnúsdóttir.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFerrill is also a live and studio engineer with experience working in studios and venues such as Greenhouse Studios in Reykjavik, Machines with Magnets in Providence RI, and at Real Surreal, her own mixing and mastering studio in Berlin.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bridget Ferrill\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEnmossed\u003c\/span\u003e\u003c\/p\u003e"}
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ドイツ・ベルリンの実験音楽家／サウンドエンジニアBridget Ferrillが、2021年12月にenmossed x psychic liberationから120本限定でリリースした最新作です。 ブクラとハープ、チター、ヴィオラ・ダ・ガンバの楽器の音色を最大限引き出したアレンジ4曲を収録。アンビエント的にも楽しめる一本です。DLコード付属。廃盤です。 レーベルその他作品はこちら /// Click here to see more Enmossed releases available at...
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{"id":7494960414970,"title":"René Margraff \/\/ Just\/Just Birds TAPE","handle":"rene-margraff-just-just-birds-tape","description":"\u003cp\u003eギリシャの物音作家\u003cspan data-mce-fragment=\"1\"\u003eSavvas Metaxas主宰レーベルDasa Tapesの2021年10月最新バッチを入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e本作は、過去に12kやPatient Soundsなどから発表しているpillowdiver aka René Margraffが、\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e50本限定で\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eリリースした最新作です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eフルートやバイオリン、ヴィオラなどのアコースティック楽器とフィールドレコーディングをミックスしたエレクトロアコースティック2曲を収録。\u003c\/p\u003e\n\u003cp\u003eDLコード付属。廃盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1534520804\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dasa\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dasa\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dasa\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dasa\"\u003ehere\u003c\/a\u003e to see more Dasa Tapes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 50.\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eJust birds contains field recordings of birds during sunrise, captured in Warnemünde in June 2020\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eArtist notes:\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“Just\" (Strings \u0026amp; Flute - Side A)“ was created in June 2019 during “Composing with Intonations: Microtonal Sound\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWorkshop“ led by Marc Sabat at ACUD MACHT NEU, Berlin.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“Just (Strings \u0026amp; Flute)“ is a dialogue between “pure“ but beating sinewaves and acoustic instruments (Abigail Toll - flute, Thomas Nicholson – violin, Marc Sabat – viola, Cenk Ergün – recording) and other recordings (closely miced fermentation, a distant washing machine, a “frozen“ guitar chord recorded in a room with squeaky floor boards.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eJust Birds (Side B) was created with the same setup but\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e no acoustic instruments were harmed, the birds woke me so early on a trip to Warnemünde. I only manipulated the speed of the recording. At the same time I noticed lots of negative discussions of \"too many birdsounds in \"ambient\" music\" and thought, the problem might just be the music. I enjoyed the dialogue between the sines and how the birdsounds are just opening everything up so much more.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn the tradition of Flying Saucer Attack I consider this album as an end of \"phase 3\u003c\/em\u003e\".\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : René Margraff\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDasa Tapes\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-12-15T13:32:00+09:00","created_at":"2021-12-15T11:11:27+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","dasa tapes","drone","tape"],"price":169500,"price_min":169500,"price_max":169500,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42201116213498,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"René Margraff \/\/ Just\/Just Birds TAPE","public_title":null,"options":["Default Title"],"price":169500,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/bi1_c37b3bb3-6e3a-4f0e-b31f-e4cdce516a96.jpg?v=1639534288"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/bi1_c37b3bb3-6e3a-4f0e-b31f-e4cdce516a96.jpg?v=1639534288","options":["Title"],"media":[{"alt":null,"id":28872975024378,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bi1_c37b3bb3-6e3a-4f0e-b31f-e4cdce516a96.jpg?v=1639534288"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bi1_c37b3bb3-6e3a-4f0e-b31f-e4cdce516a96.jpg?v=1639534288","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eギリシャの物音作家\u003cspan data-mce-fragment=\"1\"\u003eSavvas Metaxas主宰レーベルDasa Tapesの2021年10月最新バッチを入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e本作は、過去に12kやPatient Soundsなどから発表しているpillowdiver aka René Margraffが、\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e50本限定で\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eリリースした最新作です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eフルートやバイオリン、ヴィオラなどのアコースティック楽器とフィールドレコーディングをミックスしたエレクトロアコースティック2曲を収録。\u003c\/p\u003e\n\u003cp\u003eDLコード付属。廃盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1534520804\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dasa\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dasa\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dasa\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dasa\"\u003ehere\u003c\/a\u003e to see more Dasa Tapes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 50.\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eJust birds contains field recordings of birds during sunrise, captured in Warnemünde in June 2020\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eArtist notes:\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“Just\" (Strings \u0026amp; Flute - Side A)“ was created in June 2019 during “Composing with Intonations: Microtonal Sound\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWorkshop“ led by Marc Sabat at ACUD MACHT NEU, Berlin.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“Just (Strings \u0026amp; Flute)“ is a dialogue between “pure“ but beating sinewaves and acoustic instruments (Abigail Toll - flute, Thomas Nicholson – violin, Marc Sabat – viola, Cenk Ergün – recording) and other recordings (closely miced fermentation, a distant washing machine, a “frozen“ guitar chord recorded in a room with squeaky floor boards.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eJust Birds (Side B) was created with the same setup but\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e no acoustic instruments were harmed, the birds woke me so early on a trip to Warnemünde. I only manipulated the speed of the recording. At the same time I noticed lots of negative discussions of \"too many birdsounds in \"ambient\" music\" and thought, the problem might just be the music. I enjoyed the dialogue between the sines and how the birdsounds are just opening everything up so much more.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn the tradition of Flying Saucer Attack I consider this album as an end of \"phase 3\u003c\/em\u003e\".\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : René Margraff\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDasa Tapes\u003c\/span\u003e\u003c\/p\u003e"}
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ギリシャの物音作家Savvas Metaxas主宰レーベルDasa Tapesの2021年10月最新バッチを入荷しました。 本作は、過去に12kやPatient Soundsなどから発表しているpillowdiver aka René Margraffが、50本限定でリリースした最新作です。 フルートやバイオリン、ヴィオラなどのアコースティック楽器とフィールドレコーディングをミックスしたエレクトロアコースティック2曲を収録。 DLコード付属。廃盤です。 レーベルその他作品はこちら /// Click here to see more Dasa...
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{"id":7488488898810,"title":"Death Is Not The End \/\/ London Pirate Radio Adverts 1984-1993, Vol. 1 TAPE","handle":"death-is-not-the-end-london-pirate-radio-adverts-1984-1993-vol-1-tape","description":"\u003cp\u003e1980-1990年代のイギリス・ロンドンで放送された海賊ラジオの広告のみを用いたミックステープです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1572180677\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003ehere\u003c\/a\u003e to see more Death Is Not The End releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe first volume in a two-part collection of pirate radio adverts \u0026amp; idents, taken from recordings of London stations between 1984 \u0026amp; 1993.\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Death Is Not The End\u003c\/p\u003e\n\u003cp\u003eLabel : Death Is Not The End\u003c\/p\u003e","published_at":"2021-12-13T20:15:22+09:00","created_at":"2021-12-10T11:53:40+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","death is not the end","field recording","tape"],"price":198000,"price_min":198000,"price_max":198000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42171148534010,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Death Is Not The End \/\/ London Pirate Radio Adverts 1984-1993, Vol. 1 TAPE","public_title":null,"options":["Default Title"],"price":198000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ra.jpg?v=1639104822","\/\/tobirarecords.com\/cdn\/shop\/products\/ra1_e49cf9f0-780a-4df8-9b5d-09ca31887367.jpg?v=1639104822"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ra.jpg?v=1639104822","options":["Title"],"media":[{"alt":null,"id":28846078722298,"position":1,"preview_image":{"aspect_ratio":1.341,"height":895,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ra.jpg?v=1639104822"},"aspect_ratio":1.341,"height":895,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ra.jpg?v=1639104822","width":1200},{"alt":null,"id":28846078755066,"position":2,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ra1_e49cf9f0-780a-4df8-9b5d-09ca31887367.jpg?v=1639104822"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ra1_e49cf9f0-780a-4df8-9b5d-09ca31887367.jpg?v=1639104822","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e1980-1990年代のイギリス・ロンドンで放送された海賊ラジオの広告のみを用いたミックステープです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1572180677\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003ehere\u003c\/a\u003e to see more Death Is Not The End releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe first volume in a two-part collection of pirate radio adverts \u0026amp; idents, taken from recordings of London stations between 1984 \u0026amp; 1993.\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Death Is Not The End\u003c\/p\u003e\n\u003cp\u003eLabel : Death Is Not The End\u003c\/p\u003e"}
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1980-1990年代のイギリス・ロンドンで放送された海賊ラジオの広告のみを用いたミックステープです。 レーベルその他作品はこちら /// Click here to see more Death Is Not The End releases available at Tobira....
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{"id":7488466845946,"title":"Julian Sartorius \/\/ Locked Grooves LP","handle":"julian-sartorius-locked-grooves-lp","description":"\u003cp\u003eスイスのパーカッション奏者Julian Sartoriusが、2021年7月にリリースしたロックド・グルーブ集です。\u003c\/p\u003e\n\u003cp\u003e1.8秒という制約の中で探究したループ溝112種を収録。サンプリングネタにもどうぞ。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=718011821\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 200.\u003c\/p\u003e\n\u003cp\u003eText and artist bio by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e-OUS:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e«These highly condensed compositions can be explored like land-scapes: distinct places defined by the forces at play.» - Julian Sartorius\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eJulian Sartorius aims to test infinity. Focussing on reduction and repetition, the versatile artist, drummer, and percussionist has recorded an album capable of suspending time. Exploring the potential of a repertoire performed under rigorous conditions and regulated by a loop length of 1.8 seconds, Sartorius responds with a disciplined focus on tonal nuances, micro expressions and shifting time signatures.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe 112 locked grooves of this album — or 112 one-minute loops on the digital release — unveil an abundance of rhythmic forms, some vigorous, some frail, others impulsive, alluring, and adrift. 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Sartorius explains: «I hope listeners will experience these compositions like they would explore a painting at a museum - letting the work unfold in depth, revealing layer after layer.»\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJulian Sartorius has made a name for himself with a series of extraordinary conceptual projects: «Morph» was a 7.5 year-long series of 8-second audio loops combined with handmade imagery, eventually incorporated into a 5-hour film, while the 12” LP box set «Beat Diary» comprised 365 beat tracks, each of them recorded daily, irrespective of any surrounding circumstances.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJulian Sartorius has collaborated with a diverse, illustrious circle of musicians and producers, including the likes of Sophie Hunger, Valentina Magaletti (Tomaga, Vanishing Twin), Matthew Herbert, Sylvie Courvoisier, Gyda Valtysdottir, Dimlite, Shahzad Ismaily and Dan Carey (Speedy Wunderground).\u003c\/span\u003e \"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Julian Sartorius\u003c\/p\u003e\n\u003cp\u003eLabel : -OUS\u003c\/p\u003e","published_at":"2021-12-13T19:23:55+09:00","created_at":"2021-12-10T11:41:20+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","lp","strange beats"],"price":289000,"price_min":289000,"price_max":289000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42171097153786,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Julian Sartorius \/\/ Locked Grooves LP","public_title":null,"options":["Default Title"],"price":289000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/lo1_9d03ab7f-b447-43c1-8798-ad7f97b98959.jpg?v=1639104082","\/\/tobirarecords.com\/cdn\/shop\/products\/lo2_b6bc4b5b-9e10-466f-a65d-ba5b47338125.jpg?v=1639104082"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/lo1_9d03ab7f-b447-43c1-8798-ad7f97b98959.jpg?v=1639104082","options":["Title"],"media":[{"alt":null,"id":28846025867514,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lo1_9d03ab7f-b447-43c1-8798-ad7f97b98959.jpg?v=1639104082"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lo1_9d03ab7f-b447-43c1-8798-ad7f97b98959.jpg?v=1639104082","width":700},{"alt":null,"id":28846025900282,"position":2,"preview_image":{"aspect_ratio":1.444,"height":831,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lo2_b6bc4b5b-9e10-466f-a65d-ba5b47338125.jpg?v=1639104082"},"aspect_ratio":1.444,"height":831,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lo2_b6bc4b5b-9e10-466f-a65d-ba5b47338125.jpg?v=1639104082","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eスイスのパーカッション奏者Julian Sartoriusが、2021年7月にリリースしたロックド・グルーブ集です。\u003c\/p\u003e\n\u003cp\u003e1.8秒という制約の中で探究したループ溝112種を収録。サンプリングネタにもどうぞ。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=718011821\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 200.\u003c\/p\u003e\n\u003cp\u003eText and artist bio by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e-OUS:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e«These highly condensed compositions can be explored like land-scapes: distinct places defined by the forces at play.» - Julian Sartorius\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eJulian Sartorius aims to test infinity. Focussing on reduction and repetition, the versatile artist, drummer, and percussionist has recorded an album capable of suspending time. Exploring the potential of a repertoire performed under rigorous conditions and regulated by a loop length of 1.8 seconds, Sartorius responds with a disciplined focus on tonal nuances, micro expressions and shifting time signatures.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe 112 locked grooves of this album — or 112 one-minute loops on the digital release — unveil an abundance of rhythmic forms, some vigorous, some frail, others impulsive, alluring, and adrift. 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Sartorius explains: «I hope listeners will experience these compositions like they would explore a painting at a museum - letting the work unfold in depth, revealing layer after layer.»\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJulian Sartorius has made a name for himself with a series of extraordinary conceptual projects: «Morph» was a 7.5 year-long series of 8-second audio loops combined with handmade imagery, eventually incorporated into a 5-hour film, while the 12” LP box set «Beat Diary» comprised 365 beat tracks, each of them recorded daily, irrespective of any surrounding circumstances.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJulian Sartorius has collaborated with a diverse, illustrious circle of musicians and producers, including the likes of Sophie Hunger, Valentina Magaletti (Tomaga, Vanishing Twin), Matthew Herbert, Sylvie Courvoisier, Gyda Valtysdottir, Dimlite, Shahzad Ismaily and Dan Carey (Speedy Wunderground).\u003c\/span\u003e \"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Julian Sartorius\u003c\/p\u003e\n\u003cp\u003eLabel : -OUS\u003c\/p\u003e"}
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{"id":7472074490106,"title":"Georgia Rodgers \/\/ September CD","handle":"georgia-rodgers-september-cd","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eイギリスの作曲家／音響学者Georgia Rodgersが、2021年11月に同国コンテンポラリーレーベルAnother TimbreからリリースしたCD\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eApartment House、\u003cmeta charset=\"utf-8\"\u003eZubin Kanga、そして彼女自身が演奏した楽曲8曲を収録。ネオクラシカルリスナーにもおすすめします。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=467200093\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------- \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e8 chamber works by Georgia Rodgers, six pieces performed by Apartment House, one by Zubin Kanga, and one by the composer\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Georgia Rodgers\u003c\/p\u003e\n\u003cp\u003eLabel : Another Timbre\u003c\/p\u003e","published_at":"2021-11-29T10:30:14+09:00","created_at":"2021-11-29T10:04:51+09:00","vendor":"Tobira Records","type":"","tags":["another timbre","cd","contemporary \/ sound poetry","neo classical"],"price":205000,"price_min":205000,"price_max":205000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42120789295354,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Georgia Rodgers \/\/ September CD","public_title":null,"options":["Default Title"],"price":205000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/se2_01dbfd35-037b-4597-a256-b3461885375a.jpg?v=1638149723","\/\/tobirarecords.com\/cdn\/shop\/products\/se1_40a2358f-560c-4fe6-96d4-bf59fc13110c.jpg?v=1638149723"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/se2_01dbfd35-037b-4597-a256-b3461885375a.jpg?v=1638149723","options":["Title"],"media":[{"alt":null,"id":28762680197370,"position":1,"preview_image":{"aspect_ratio":0.928,"height":1200,"width":1114,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/se2_01dbfd35-037b-4597-a256-b3461885375a.jpg?v=1638149723"},"aspect_ratio":0.928,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/se2_01dbfd35-037b-4597-a256-b3461885375a.jpg?v=1638149723","width":1114},{"alt":null,"id":28762680164602,"position":2,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/se1_40a2358f-560c-4fe6-96d4-bf59fc13110c.jpg?v=1638149723"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/se1_40a2358f-560c-4fe6-96d4-bf59fc13110c.jpg?v=1638149723","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eイギリスの作曲家／音響学者Georgia Rodgersが、2021年11月に同国コンテンポラリーレーベルAnother TimbreからリリースしたCD\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eApartment House、\u003cmeta charset=\"utf-8\"\u003eZubin Kanga、そして彼女自身が演奏した楽曲8曲を収録。ネオクラシカルリスナーにもおすすめします。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=467200093\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------- \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e8 chamber works by Georgia Rodgers, six pieces performed by Apartment House, one by Zubin Kanga, and one by the composer\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Georgia Rodgers\u003c\/p\u003e\n\u003cp\u003eLabel : Another Timbre\u003c\/p\u003e"}
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{"id":7450461208826,"title":"Iannis Xenakis \/\/ GRM Works 1957-1962 LP","handle":"iannis-xenakis-grm-works-1957-1962-lp","description":"\u003cp\u003eコンクレート音楽では最重要作家の一人Iannis Xenakisの1957-1962年楽曲の復刻盤です。現在のマスタリングを通して聴くと新たな発見があります。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=602786264\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eInfo about each track:\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eConcret PH, 1958 (2'41)\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBrussels World Fair, 1958 : The industrialist Philips commissioned Le Corbusier's famous \"Philips Pavilion\": \"I'll create an electronic poem for you, he said. Everything will happen inside: sound, light, colour and rhythm.\" Iannis Xenakis designed the architectural blueprint and composed \"Concret PH\", meant to psychologically prepare the public to the show created inside, accompanied by a musical piece by Varese.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe 400 speakers that lined the inner shell were meant to fill the space through the sound sparkles of \"Concret PH\" and achieve a joint emanation of architecture and music, conceived as a whole: the roughness of the concrete and its internal friction coefficient found an echo in the timbre of the sparkles.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eOrient-Occident, 1960 (11'10)\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe work was originally composed for a film by Enrico Fulchignoni for UNESCO. The film describes a visit to the museum suggesting to compare artefacts produced by various cultures and highlighting their interaction that dates back to the most ancient times.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFrom an abstract point of view, the composer regards this\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e work as a solution to the problem of finding highly diversified means of transition, meant to link a type of material to another. One indeed witnesses a varied gradation of mutations, interplays, overlaps, cross-fading, sudden shifts and hidden junction points.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eDiamorphoses, 1957-58 (7'00)\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eContinuity and discontinuity within evolution, here are two aspects of the being, whether in opposition or in communion. In \"Diamorphoses\" this antithesis was worked on in the sections of some sounds strongly opposed to others, and particularly in organisations of continuous variations of average or \"statistical\" heights.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eBohor, 1962 (21'50)\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBohor (referring to Bors the Younger, Lancelot's cousin), is a character from the medieval cycle of King Arthur and the Knights of the Round Table. “Bohor” is dedicated to Pierre Schaeffer. The author deliberately abstained from giving and descriptive information on his piece, letting the listener choose an imaginary route for himself. For this release, we have chosen the 1968 version, revised by Iannis Xenakis himself and as yet not made available to the public.\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Iannis Xenakis\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-11-17T09:13:15+09:00","created_at":"2021-11-15T16:31:13+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","lp","monooto","shelter press"],"price":315000,"price_min":315000,"price_max":315000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42057985786106,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Iannis Xenakis \/\/ GRM Works 1957-1962 LP","public_title":null,"options":["Default Title"],"price":315000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/wo1_ebc845b8-b8ec-4097-b2b0-2af2d6d63e3c.jpg?v=1636961475","\/\/tobirarecords.com\/cdn\/shop\/products\/wo2_74f7a1c7-bc0f-4c6f-85fe-6e4a4caa32af.jpg?v=1636961475"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/wo1_ebc845b8-b8ec-4097-b2b0-2af2d6d63e3c.jpg?v=1636961475","options":["Title"],"media":[{"alt":null,"id":26931309936890,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/wo1_ebc845b8-b8ec-4097-b2b0-2af2d6d63e3c.jpg?v=1636961475"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/wo1_ebc845b8-b8ec-4097-b2b0-2af2d6d63e3c.jpg?v=1636961475","width":700},{"alt":null,"id":26931309969658,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/wo2_74f7a1c7-bc0f-4c6f-85fe-6e4a4caa32af.jpg?v=1636961475"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/wo2_74f7a1c7-bc0f-4c6f-85fe-6e4a4caa32af.jpg?v=1636961475","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eコンクレート音楽では最重要作家の一人Iannis Xenakisの1957-1962年楽曲の復刻盤です。現在のマスタリングを通して聴くと新たな発見があります。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=602786264\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eInfo about each track:\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eConcret PH, 1958 (2'41)\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBrussels World Fair, 1958 : The industrialist Philips commissioned Le Corbusier's famous \"Philips Pavilion\": \"I'll create an electronic poem for you, he said. Everything will happen inside: sound, light, colour and rhythm.\" Iannis Xenakis designed the architectural blueprint and composed \"Concret PH\", meant to psychologically prepare the public to the show created inside, accompanied by a musical piece by Varese.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe 400 speakers that lined the inner shell were meant to fill the space through the sound sparkles of \"Concret PH\" and achieve a joint emanation of architecture and music, conceived as a whole: the roughness of the concrete and its internal friction coefficient found an echo in the timbre of the sparkles.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eOrient-Occident, 1960 (11'10)\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe work was originally composed for a film by Enrico Fulchignoni for UNESCO. The film describes a visit to the museum suggesting to compare artefacts produced by various cultures and highlighting their interaction that dates back to the most ancient times.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFrom an abstract point of view, the composer regards this\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e work as a solution to the problem of finding highly diversified means of transition, meant to link a type of material to another. One indeed witnesses a varied gradation of mutations, interplays, overlaps, cross-fading, sudden shifts and hidden junction points.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eDiamorphoses, 1957-58 (7'00)\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eContinuity and discontinuity within evolution, here are two aspects of the being, whether in opposition or in communion. In \"Diamorphoses\" this antithesis was worked on in the sections of some sounds strongly opposed to others, and particularly in organisations of continuous variations of average or \"statistical\" heights.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eBohor, 1962 (21'50)\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBohor (referring to Bors the Younger, Lancelot's cousin), is a character from the medieval cycle of King Arthur and the Knights of the Round Table. “Bohor” is dedicated to Pierre Schaeffer. The author deliberately abstained from giving and descriptive information on his piece, letting the listener choose an imaginary route for himself. For this release, we have chosen the 1968 version, revised by Iannis Xenakis himself and as yet not made available to the public.\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Iannis Xenakis\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e\u003c\/p\u003e"}
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コンクレート音楽では最重要作家の一人Iannis Xenakisの1957-1962年楽曲の復刻盤です。現在のマスタリングを通して聴くと新たな発見があります。 レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM / Ideologic Organ releases available at...
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{"id":7444530200826,"title":"Peter Ablinger \/\/ An den Mond CD","handle":"peter-ablinger-an-den-mond-cd","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eオーストリアの実験音楽家／ピアニストPeter Ablingerが、\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2021年9月に\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eスロベニアのインプロレーベル\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eInexhaustible EditionsからリリースしたCDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eブルガリアのバイオリニスト\u003cmeta charset=\"utf-8\"\u003eBiliana Voutchkovaが声とバイオリンで演奏したコンテンポラリー・ドローン作品です\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e。デジパック、シュリンク仕様です。\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2952563781\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Inexhaustable Editions releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e--------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdition of 300.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"bcTruncateMore\"\u003eThe composition “An den Mond \/ To the Moon” consists of 16 short items, magic spells, for voice and violin, most of them layered (up to 31 layers; and in item 9 also an old zither plays a role).\u003cbr\u003e\u003cbr\u003eArtist statement by Peter Ablinger:\u003cbr\u003e\u003cbr\u003e\"\u003cem\u003eIt was winter in Berlin, in the midst of the dark days of the Covid pandemic, a period of intense lockdown. Globally, we were learning how to adapt, to remain flexible, how to preserve our health and spirits. Laszlo and I were in touch regarding something unrelated to this release when he mentioned Peter Ablinger. He knew that we had worked together on multiple occasions, and asked me “…by any chance, do you have anything recorded from the time you were playing the music of Peter Ablinger? I would be extremely interested…” Such perfect timing, as Peter and I had been considering a new collaboration, the creation of a solo piece, this time for violin and voice. I visited him in his studio and, quite naturally, we confirmed our mutual interest to start the work and plan the recording of the new composition in April. We reserved the entire month for us, and Peter prepared this amazing self-made recording booth where, without my knowing it, I was going to be playing and chanting magic spells. By the end of March, the microphones and accompanying equipment were in place and we looked forward to beginning the process. Just a few days before our first meeting, I fell ill. Being conscious of avoiding contact was a must, so sadly, I had to postpone our beginning. Covid thoughts were in the air, and although I wasn’t diagnosed with the virus, it was clear we’d have to wait. Soon after, my son contracted the disease, fortunately, in a light form. Two weeks passed slowly by, half of our designated working time. It was an insular period of care, reflection, acceptance, of longing to reach the other side. And finally, with the illness behind, we began the long awaited process of creation. Peter surprised me with the idea of chanting his realtime, improvised, magic spells. Each day on arrival, he would write them on small scraps of paper. We’d exchange ideas and suggestions, prior to my peacefully playing and chanting for hours in the recording booth. This sequence of short pieces was completed on the day of the so-called “super moon” and, as it has been from the very beginning, clearly we were in symbiosis with a form of intuited universal order. The name of the completed piece, suggested by Peter, came easily to him. I had nothing more to add but smile and embrace “An den Mond” – magic spells for a healthier life.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003eArtist bio by Biliana Voutchkova:\u003cbr\u003e\u003cbr\u003e\"\u003cem\u003ePeter Ablinger (1959) belongs to the group of contemporary composers who are always searching for the new and unusual in their work and do not understand music as an insular system. Born in Schwanenstadt in Upper Austria, he first attended a school for higher technical education in Linz before he decided to study jazz piano in Graz. A central component of the work of Ablinger, who has been working since 1992 at various universities and institutes as a visiting lecturer-professor, is formed by 'investigation of basic conditions of listening'. Currently he lives in Berlin.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eViolinist Biliana Voutchkova (1972) is a devoted interdisciplinary performer, composer, improviser and curator. Her constant creative research spans the widest possible range of sound, movement and vision. Her extended sonic, technical and physical capacities evolved into the development of a highly individual artistic language. Based between Berlin and her rural residency on the Black Sea coast of Bulgaria, she works internationally as a soloist, in group and collaborative settings, and with renowned ensembles such as Ensemble Modern or Zeitkratzer.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Peter Ablinger\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eInexhaustable Editions\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-11-12T16:15:33+09:00","created_at":"2021-11-12T10:46:39+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","drone","Inexhaustible Editions","jazz","recommended"],"price":196000,"price_min":196000,"price_max":196000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42043323646202,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Peter Ablinger \/\/ An den Mond CD","public_title":null,"options":["Default Title"],"price":196000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/an1_83308c77-cd0c-4a6f-9aa2-f3f2a04210d9.jpg?v=1636681601","\/\/tobirarecords.com\/cdn\/shop\/products\/an2_734c2b3d-631b-4070-ae9b-92f5ea22d1d3.jpg?v=1636681602"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/an1_83308c77-cd0c-4a6f-9aa2-f3f2a04210d9.jpg?v=1636681601","options":["Title"],"media":[{"alt":null,"id":26906268664058,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/an1_83308c77-cd0c-4a6f-9aa2-f3f2a04210d9.jpg?v=1636681601"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/an1_83308c77-cd0c-4a6f-9aa2-f3f2a04210d9.jpg?v=1636681601","width":700},{"alt":null,"id":26906268696826,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/an2_734c2b3d-631b-4070-ae9b-92f5ea22d1d3.jpg?v=1636681602"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/an2_734c2b3d-631b-4070-ae9b-92f5ea22d1d3.jpg?v=1636681602","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eオーストリアの実験音楽家／ピアニストPeter Ablingerが、\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2021年9月に\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eスロベニアのインプロレーベル\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eInexhaustible EditionsからリリースしたCDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eブルガリアのバイオリニスト\u003cmeta charset=\"utf-8\"\u003eBiliana Voutchkovaが声とバイオリンで演奏したコンテンポラリー・ドローン作品です\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e。デジパック、シュリンク仕様です。\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2952563781\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Inexhaustable Editions releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e--------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdition of 300.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"bcTruncateMore\"\u003eThe composition “An den Mond \/ To the Moon” consists of 16 short items, magic spells, for voice and violin, most of them layered (up to 31 layers; and in item 9 also an old zither plays a role).\u003cbr\u003e\u003cbr\u003eArtist statement by Peter Ablinger:\u003cbr\u003e\u003cbr\u003e\"\u003cem\u003eIt was winter in Berlin, in the midst of the dark days of the Covid pandemic, a period of intense lockdown. Globally, we were learning how to adapt, to remain flexible, how to preserve our health and spirits. Laszlo and I were in touch regarding something unrelated to this release when he mentioned Peter Ablinger. He knew that we had worked together on multiple occasions, and asked me “…by any chance, do you have anything recorded from the time you were playing the music of Peter Ablinger? I would be extremely interested…” Such perfect timing, as Peter and I had been considering a new collaboration, the creation of a solo piece, this time for violin and voice. I visited him in his studio and, quite naturally, we confirmed our mutual interest to start the work and plan the recording of the new composition in April. We reserved the entire month for us, and Peter prepared this amazing self-made recording booth where, without my knowing it, I was going to be playing and chanting magic spells. By the end of March, the microphones and accompanying equipment were in place and we looked forward to beginning the process. Just a few days before our first meeting, I fell ill. Being conscious of avoiding contact was a must, so sadly, I had to postpone our beginning. Covid thoughts were in the air, and although I wasn’t diagnosed with the virus, it was clear we’d have to wait. Soon after, my son contracted the disease, fortunately, in a light form. Two weeks passed slowly by, half of our designated working time. It was an insular period of care, reflection, acceptance, of longing to reach the other side. And finally, with the illness behind, we began the long awaited process of creation. Peter surprised me with the idea of chanting his realtime, improvised, magic spells. Each day on arrival, he would write them on small scraps of paper. We’d exchange ideas and suggestions, prior to my peacefully playing and chanting for hours in the recording booth. This sequence of short pieces was completed on the day of the so-called “super moon” and, as it has been from the very beginning, clearly we were in symbiosis with a form of intuited universal order. The name of the completed piece, suggested by Peter, came easily to him. I had nothing more to add but smile and embrace “An den Mond” – magic spells for a healthier life.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003eArtist bio by Biliana Voutchkova:\u003cbr\u003e\u003cbr\u003e\"\u003cem\u003ePeter Ablinger (1959) belongs to the group of contemporary composers who are always searching for the new and unusual in their work and do not understand music as an insular system. Born in Schwanenstadt in Upper Austria, he first attended a school for higher technical education in Linz before he decided to study jazz piano in Graz. A central component of the work of Ablinger, who has been working since 1992 at various universities and institutes as a visiting lecturer-professor, is formed by 'investigation of basic conditions of listening'. Currently he lives in Berlin.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eViolinist Biliana Voutchkova (1972) is a devoted interdisciplinary performer, composer, improviser and curator. Her constant creative research spans the widest possible range of sound, movement and vision. Her extended sonic, technical and physical capacities evolved into the development of a highly individual artistic language. Based between Berlin and her rural residency on the Black Sea coast of Bulgaria, she works internationally as a soloist, in group and collaborative settings, and with renowned ensembles such as Ensemble Modern or Zeitkratzer.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Peter Ablinger\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eInexhaustable Editions\u003c\/span\u003e\u003c\/p\u003e"}
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オーストリアの実験音楽家／ピアニストPeter Ablingerが、2021年9月にスロベニアのインプロレーベルInexhaustible EditionsからリリースしたCDです。 ブルガリアのバイオリニストBiliana Voutchkovaが声とバイオリンで演奏したコンテンポラリー・ドローン作品です。デジパック、シュリンク仕様です。 レーベルその他作品はこちら /// Click here to see more Inexhaustable Editions releases available at...
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{"id":7444488454394,"title":"Judith Wegmann \/ Bruno Duplant \/\/ Univers Parallèles CD","handle":"judith-wegmann-bruno-duplant-univers-paralleles-cd","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eスイスのピアニストJudith Wegmannと、フランスのドローン作家Bruno Duplantが、\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2021年8月に\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eスロベニアのインプロレーベル\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eInexhaustible Editionsからリリースした共作CD。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eピアノとドローンが融和した23分のセット2曲を収録。6面デジパック、シュリンク仕様です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=707752903\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Inexhaustable Editions releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e--------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdition of 300.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist bio:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eJudith Wegmann: piano\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBruno Duplant: sounds and electronics\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSwiss pianist Judith Wegmann (1975) started to play the piano at the age of six. As a classical player she performs on stage on a regular basis and in different chamber music formations. Her ability to switch between different genres allows her to engage in classical, contemporary as well as improvisation-based projects. She frequently conceptualizes concert programs, taking management responsibilities from the early stages of planning to the public performance\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e. Her first three critically acclaimed solo piano releases were issued by hat[now]ART\/ezz-thetics.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFor prolific composer, improviser and multi-instrumentalist Bruno Duplant (1968) composing, improvising and playing music is similar to imagining, creating, and sometimes decomposing new spaces\/realities and new entities. But it is also a reflection on memory, not the historic one, but memories of things, spaces and moments. His music – strongly inspired by writings of Gaston Bachelard and Francis Ponge, and by composers such as Cage, Luc Ferrari, Eliane Radigue or Rolf Julius – is imbued with sweet melancholy. For some time, his photographic practice and poetry join his musical practice – in many crossings, for many exchanges.\"\u003c\/span\u003e\u003c\/em\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Judith Wegmann \/ Bruno Duplant\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eInexhaustable Editions\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-11-12T15:55:50+09:00","created_at":"2021-11-12T10:38:31+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","drone","Inexhaustible Editions","jazz"],"price":196000,"price_min":196000,"price_max":196000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42043250278650,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Judith Wegmann \/ Bruno Duplant \/\/ Univers Parallèles CD","public_title":null,"options":["Default Title"],"price":196000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/pa1_5a86ea5e-c88e-4818-92f0-0cf90c6cb5c1.jpg?v=1636681113","\/\/tobirarecords.com\/cdn\/shop\/products\/pa2_c1a7ef62-160c-4214-8225-a5b73c71533a.jpg?v=1636681114","\/\/tobirarecords.com\/cdn\/shop\/products\/pa3_a5351cbc-8d5c-4e4b-a035-84f764fa89b5.jpg?v=1636681113"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa1_5a86ea5e-c88e-4818-92f0-0cf90c6cb5c1.jpg?v=1636681113","options":["Title"],"media":[{"alt":null,"id":26906218070266,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa1_5a86ea5e-c88e-4818-92f0-0cf90c6cb5c1.jpg?v=1636681113"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa1_5a86ea5e-c88e-4818-92f0-0cf90c6cb5c1.jpg?v=1636681113","width":700},{"alt":null,"id":26906218103034,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa2_c1a7ef62-160c-4214-8225-a5b73c71533a.jpg?v=1636681114"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa2_c1a7ef62-160c-4214-8225-a5b73c71533a.jpg?v=1636681114","width":1200},{"alt":null,"id":26906218135802,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa3_a5351cbc-8d5c-4e4b-a035-84f764fa89b5.jpg?v=1636681113"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa3_a5351cbc-8d5c-4e4b-a035-84f764fa89b5.jpg?v=1636681113","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eスイスのピアニストJudith Wegmannと、フランスのドローン作家Bruno Duplantが、\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2021年8月に\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eスロベニアのインプロレーベル\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eInexhaustible Editionsからリリースした共作CD。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eピアノとドローンが融和した23分のセット2曲を収録。6面デジパック、シュリンク仕様です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=707752903\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Inexhaustable Editions releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e--------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdition of 300.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist bio:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eJudith Wegmann: piano\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBruno Duplant: sounds and electronics\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSwiss pianist Judith Wegmann (1975) started to play the piano at the age of six. As a classical player she performs on stage on a regular basis and in different chamber music formations. Her ability to switch between different genres allows her to engage in classical, contemporary as well as improvisation-based projects. She frequently conceptualizes concert programs, taking management responsibilities from the early stages of planning to the public performance\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e. Her first three critically acclaimed solo piano releases were issued by hat[now]ART\/ezz-thetics.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFor prolific composer, improviser and multi-instrumentalist Bruno Duplant (1968) composing, improvising and playing music is similar to imagining, creating, and sometimes decomposing new spaces\/realities and new entities. But it is also a reflection on memory, not the historic one, but memories of things, spaces and moments. His music – strongly inspired by writings of Gaston Bachelard and Francis Ponge, and by composers such as Cage, Luc Ferrari, Eliane Radigue or Rolf Julius – is imbued with sweet melancholy. For some time, his photographic practice and poetry join his musical practice – in many crossings, for many exchanges.\"\u003c\/span\u003e\u003c\/em\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Judith Wegmann \/ Bruno Duplant\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eInexhaustable Editions\u003c\/span\u003e\u003c\/p\u003e"}
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スイスのピアニストJudith Wegmannと、フランスのドローン作家Bruno Duplantが、2021年8月にスロベニアのインプロレーベルInexhaustible Editionsからリリースした共作CD。 ピアノとドローンが融和した23分のセット2曲を収録。6面デジパック、シュリンク仕様です。 レーベルその他作品はこちら /// Click here to see more Inexhaustable Editions releases available at...
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{"id":7440173203706,"title":"Of Habit \/\/ Viable Device LP","handle":"of-habit-viable-device-lp","description":"\u003cp\u003eオーストラリア・メルボルンの実験レーベルIndex Clean作品を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、過去にEntr'acteなどから発表しているイギリスの音響作家Of Habit\u003cspan data-mce-fragment=\"1\"\u003eが、2019年に100部限定でリリースしたレコードです\u003c\/span\u003e。\u003c\/p\u003e\n\u003cp\u003eスポークンワード〜コラージュドローン・テクノ11曲を収録。DLコード付属。マスタリングはJoe Taliaが担当しています。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=451216620\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/indcl\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/indcl\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/indcl\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/indcl\"\u003ehere\u003c\/a\u003e to see more Index Clean releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e2017-18 work from Gary Myles (Spoils \u0026amp; Relics). Viable Device follows Extended Technique (Entr’acte 2017) and Empty Gesture (in collaboration with Dane Law) (Opal Tapes 2018). Cover art by Kieron Piercy. Mastered by Joe Talia. 12\" regular weight black vinyl.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Of Habit\u003c\/p\u003e\n\u003cp\u003eLabel :\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e Index Clean\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-11-10T15:16:26+09:00","created_at":"2021-11-10T13:01:50+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","index clean","lp","monooto","techno \/ house"],"price":328000,"price_min":328000,"price_max":328000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42031780299002,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Of Habit \/\/ Viable Device LP","public_title":null,"options":["Default Title"],"price":328000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/de1_039f8e6c-2465-4513-b8b9-efc833cc2823.jpg?v=1636516911","\/\/tobirarecords.com\/cdn\/shop\/products\/de2_ac97728c-e99c-4e0d-9bee-61643cd523a0.jpg?v=1636516912"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/de1_039f8e6c-2465-4513-b8b9-efc833cc2823.jpg?v=1636516911","options":["Title"],"media":[{"alt":null,"id":26890728931578,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/de1_039f8e6c-2465-4513-b8b9-efc833cc2823.jpg?v=1636516911"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/de1_039f8e6c-2465-4513-b8b9-efc833cc2823.jpg?v=1636516911","width":700},{"alt":null,"id":26890728964346,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/de2_ac97728c-e99c-4e0d-9bee-61643cd523a0.jpg?v=1636516912"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/de2_ac97728c-e99c-4e0d-9bee-61643cd523a0.jpg?v=1636516912","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリア・メルボルンの実験レーベルIndex Clean作品を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、過去にEntr'acteなどから発表しているイギリスの音響作家Of Habit\u003cspan data-mce-fragment=\"1\"\u003eが、2019年に100部限定でリリースしたレコードです\u003c\/span\u003e。\u003c\/p\u003e\n\u003cp\u003eスポークンワード〜コラージュドローン・テクノ11曲を収録。DLコード付属。マスタリングはJoe Taliaが担当しています。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=451216620\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/indcl\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/indcl\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/indcl\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/indcl\"\u003ehere\u003c\/a\u003e to see more Index Clean releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e2017-18 work from Gary Myles (Spoils \u0026amp; Relics). Viable Device follows Extended Technique (Entr’acte 2017) and Empty Gesture (in collaboration with Dane Law) (Opal Tapes 2018). Cover art by Kieron Piercy. Mastered by Joe Talia. 12\" regular weight black vinyl.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Of Habit\u003c\/p\u003e\n\u003cp\u003eLabel :\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e Index Clean\u003c\/span\u003e\u003c\/p\u003e"}
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オーストラリア・メルボルンの実験レーベルIndex Clean作品を入荷しました。 本作は、過去にEntr'acteなどから発表しているイギリスの音響作家Of Habitが、2019年に100部限定でリリースしたレコードです。 スポークンワード〜コラージュドローン・テクノ11曲を収録。DLコード付属。マスタリングはJoe Taliaが担当しています。 レーベルその他作品はこちら /// Click here to see more Index Clean releases available...
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{"id":7440166093050,"title":"Red Wine and Sugar \/\/ Donkeys Are Led by Donkeys 10\"","handle":"red-wine-and-sugar-donkeys-are-led-by-donkeys-lp","description":"\u003cp\u003eオーストラリア・メルボルンの実験レーベルIndex Clean作品を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、レーベルオーナーMark Grovesと音響作家Samaan Fieckによる物音スポークンワードデュオRed Wine and Sugarが\u003cspan data-mce-fragment=\"1\"\u003e、2021年7月にリリースした10\"です\u003c\/span\u003e。\u003c\/p\u003e\n\u003cp\u003eスポークンワード・コラージュドローン2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1160467595\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/indcl\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/indcl\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/indcl\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/indcl\"\u003ehere\u003c\/a\u003e to see more Index Clean releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eNew work from the duo of Samaan Fieck and Mark Groves, generated during Victoria's extended COVID-19 lockdowns in 2020. 'Donkeys Are Led by Donkeys' is mixed and manipulated on the B-side by Mattias Gustafsson (Altar of Flies).\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e_____\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Red Wine and Sugar is the collaborative project of Samaan Fieck (music\/sound) and Mark Groves (voice\/text). Both have been active as part of innumerable projects in the Australian underground music scene for many years: Groves as frontman for noise punks True Radical Miracle, in power electronics projects such as Dead Boomers and Absoluten Calfeutrail, and, most recently, in the woozy tape loops and colloquial soliloquies of his solo project Absurd Cosmos Late Nite; Fieck as a shadowy presence on guitar and sundries, shaping the explosive noise outbursts of Smash Tennis, the post-Dead C basement jams of outfits such as Ghost Gums, and the deconstructed rock moves of Where Were You at Lunch.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs gratifying as these projects have been, Red Wine and Sugar is where Fieck and Groves follow their respective muses furthest down the rabbit hole, occasionally surfacing to offer up another slice of their radically idiosyncratic combination of drily delivered\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e text and concrète sound. Groves’ close-miked voice delivers a fragmentary litany of closely-observed suburban aperçus, touching on diets quickly abandoned, insomnia, peak-hour commutes, and the anxiety of the everyday. Occupying an uncomfortable position somewhere between ironic distance and earnest confession, his words capture the lowest rung of a ‘general all-purpose experience – like those stretch socks that fit all sizes’ (John Ashbery). These words are woven into Fieck’s intricate sound works, meticulously edited and detail-rich environments that touch on classic electroacoustic techniques, gritty tape-trader underground moves, and distant strains of drum machines and synth that pay tribute to the great works of 80’s art pop (Kate Bush, Peter Gabriel, Jane Siberry).\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e-Francis Plagne\u003cbr\u003eSeptember 2019\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Red Wine and Sugar\u003c\/p\u003e\n\u003cp\u003eLabel : Index Clean\u003c\/p\u003e","published_at":"2021-11-10T15:25:06+09:00","created_at":"2021-11-10T12:53:22+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","drone","index clean","lp","monooto"],"price":228000,"price_min":228000,"price_max":228000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42031771713786,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Red Wine and Sugar \/\/ Donkeys Are Led by Donkeys 10\"","public_title":null,"options":["Default Title"],"price":228000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/do1_c43039f4-d14a-4196-9a77-ca09a50b46ea.jpg?v=1636516404","\/\/tobirarecords.com\/cdn\/shop\/products\/do2_afa52245-4fd6-4a21-9783-41c0cd62b0b6.jpg?v=1636516404"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/do1_c43039f4-d14a-4196-9a77-ca09a50b46ea.jpg?v=1636516404","options":["Title"],"media":[{"alt":null,"id":26890683384058,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/do1_c43039f4-d14a-4196-9a77-ca09a50b46ea.jpg?v=1636516404"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/do1_c43039f4-d14a-4196-9a77-ca09a50b46ea.jpg?v=1636516404","width":700},{"alt":null,"id":26890683416826,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/do2_afa52245-4fd6-4a21-9783-41c0cd62b0b6.jpg?v=1636516404"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/do2_afa52245-4fd6-4a21-9783-41c0cd62b0b6.jpg?v=1636516404","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリア・メルボルンの実験レーベルIndex Clean作品を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、レーベルオーナーMark Grovesと音響作家Samaan Fieckによる物音スポークンワードデュオRed Wine and Sugarが\u003cspan data-mce-fragment=\"1\"\u003e、2021年7月にリリースした10\"です\u003c\/span\u003e。\u003c\/p\u003e\n\u003cp\u003eスポークンワード・コラージュドローン2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1160467595\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/indcl\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/indcl\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/indcl\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/indcl\"\u003ehere\u003c\/a\u003e to see more Index Clean releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eNew work from the duo of Samaan Fieck and Mark Groves, generated during Victoria's extended COVID-19 lockdowns in 2020. 'Donkeys Are Led by Donkeys' is mixed and manipulated on the B-side by Mattias Gustafsson (Altar of Flies).\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e_____\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Red Wine and Sugar is the collaborative project of Samaan Fieck (music\/sound) and Mark Groves (voice\/text). Both have been active as part of innumerable projects in the Australian underground music scene for many years: Groves as frontman for noise punks True Radical Miracle, in power electronics projects such as Dead Boomers and Absoluten Calfeutrail, and, most recently, in the woozy tape loops and colloquial soliloquies of his solo project Absurd Cosmos Late Nite; Fieck as a shadowy presence on guitar and sundries, shaping the explosive noise outbursts of Smash Tennis, the post-Dead C basement jams of outfits such as Ghost Gums, and the deconstructed rock moves of Where Were You at Lunch.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs gratifying as these projects have been, Red Wine and Sugar is where Fieck and Groves follow their respective muses furthest down the rabbit hole, occasionally surfacing to offer up another slice of their radically idiosyncratic combination of drily delivered\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e text and concrète sound. Groves’ close-miked voice delivers a fragmentary litany of closely-observed suburban aperçus, touching on diets quickly abandoned, insomnia, peak-hour commutes, and the anxiety of the everyday. Occupying an uncomfortable position somewhere between ironic distance and earnest confession, his words capture the lowest rung of a ‘general all-purpose experience – like those stretch socks that fit all sizes’ (John Ashbery). These words are woven into Fieck’s intricate sound works, meticulously edited and detail-rich environments that touch on classic electroacoustic techniques, gritty tape-trader underground moves, and distant strains of drum machines and synth that pay tribute to the great works of 80’s art pop (Kate Bush, Peter Gabriel, Jane Siberry).\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e-Francis Plagne\u003cbr\u003eSeptember 2019\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Red Wine and Sugar\u003c\/p\u003e\n\u003cp\u003eLabel : Index Clean\u003c\/p\u003e"}
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オーストラリア・メルボルンの実験レーベルIndex Clean作品を入荷しました。 本作は、レーベルオーナーMark Grovesと音響作家Samaan Fieckによる物音スポークンワードデュオRed Wine and Sugarが、2021年7月にリリースした10"です。 スポークンワード・コラージュドローン2曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Index...
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{"id":7348777910522,"title":"Roberta Lazo Valenzuela \/\/ Indoors TAPE","handle":"roberta-lazo-valenzuela-indoors-tape","description":"\u003cp\u003eチリの実験音楽家Roberta Lazo Valenzuelaが、2021年10月に\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eノルウェー・オスロの実験レーベルBreton Cassetteから\u003c\/span\u003e30部限定でリリースした最新カセット。\u003c\/p\u003e\n\u003cp\u003e身近な生活用品や声などを用いた物音〜コンテンポラリー9曲を収録。\u003c\/p\u003e\n\u003cp\u003e一点一点異なる\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e彫刻作品\u003c\/span\u003e、 木箱、DLコードが付属。廃盤です。\u003c\/p\u003e\n\u003cp\u003e※作品の形状上、佐川急便（550円)での発送となります。レコードやカセット、CD等いくら追加いただいても同額にて発送いたします。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=19466081\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/breton\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/breton\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eBreton Cassette releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e“Indoors” comes in a limited edition of 30. The cassette slides into the slot of a hand-made wooden box, which exposes through a cavity in the backside a small sculpture. Each sculpture and wooden box is unique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by \u003cmeta charset=\"utf-8\"\u003eBreton Cassette:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e“Indoors” is a sight for the eye and a good listen for the ears! The release consists of a 9 track cassette and a hand-made wooden box containing a unique sculpture. The tracks alternate between voice pieces and field recordings, where we are immersed in Roberta’s inner and outer world.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWhile listening to washing machines, walks in the garden and kitchen sounds, the music transports us to different rooms in a home. Abruptly, the thick and yet fragile masses of voices take over and we are taken out of this state and into an abstract train of thoughts. “Indoors” deals with this inner and outer world, jumping from one to the other in an intimate sound experience that encourages us to connect with our own routine and the inner-self.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRoberta is a Chilean composer and visual artist living in Austria. Her studies include: bachelor's degree in composition in Chile, a master's degree in Composition in Linz, a master's degree in TransArts in Vienna, and exchange semester in Oslo. It was during the exchange semester at the Oslo Academy of the Arts that we met and started working\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e together.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRoberta works with music, sound art, installation, video, animation, paper art, painting and collage. She is interested in the relationship with the self, our background and the context we live in. In her research she is concerned with the things that are hidden in the repetitive and trivial of everyday life activities. The subtlety of everyday events: moments, daily routines and activities give her motives for her diverse practice where intertwining events provides inspiration for images and sound.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Indoors” comes in a limited edition of 30. The cassette slides into the slot of a hand-made wooden box, which exposes through a cavity in the backside a small sculpture. Each sculpture and wooden box is unique.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Roberta Lazo Valenzuela\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBreton Cassette\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-10-30T18:17:05+09:00","created_at":"2021-10-30T10:41:04+09:00","vendor":"Tobira Records","type":"","tags":["ambient","Breton Cassette","contemporary \/ sound poetry","monooto","recommended","tape"],"price":598000,"price_min":598000,"price_max":598000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":41938701910266,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Roberta Lazo Valenzuela \/\/ Indoors TAPE","public_title":null,"options":["Default Title"],"price":598000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/in1_aeae5e47-6f8a-47ea-abc5-c3d971707f95.jpg?v=1635558066","\/\/tobirarecords.com\/cdn\/shop\/products\/in2_58da7391-2d9e-4036-befe-76af564ad167.jpg?v=1635558066","\/\/tobirarecords.com\/cdn\/shop\/products\/in3_91106b0a-e9f0-4f04-a9ab-8cea1baa8657.jpg?v=1635558065","\/\/tobirarecords.com\/cdn\/shop\/products\/in4.jpg?v=1635558065"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/in1_aeae5e47-6f8a-47ea-abc5-c3d971707f95.jpg?v=1635558066","options":["Title"],"media":[{"alt":null,"id":25550188904698,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/in1_aeae5e47-6f8a-47ea-abc5-c3d971707f95.jpg?v=1635558066"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/in1_aeae5e47-6f8a-47ea-abc5-c3d971707f95.jpg?v=1635558066","width":700},{"alt":null,"id":25550188937466,"position":2,"preview_image":{"aspect_ratio":0.667,"height":1200,"width":800,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/in2_58da7391-2d9e-4036-befe-76af564ad167.jpg?v=1635558066"},"aspect_ratio":0.667,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/in2_58da7391-2d9e-4036-befe-76af564ad167.jpg?v=1635558066","width":800},{"alt":null,"id":25550188970234,"position":3,"preview_image":{"aspect_ratio":0.667,"height":1200,"width":800,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/in3_91106b0a-e9f0-4f04-a9ab-8cea1baa8657.jpg?v=1635558065"},"aspect_ratio":0.667,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/in3_91106b0a-e9f0-4f04-a9ab-8cea1baa8657.jpg?v=1635558065","width":800},{"alt":null,"id":25550189003002,"position":4,"preview_image":{"aspect_ratio":0.667,"height":1200,"width":800,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/in4.jpg?v=1635558065"},"aspect_ratio":0.667,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/in4.jpg?v=1635558065","width":800}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eチリの実験音楽家Roberta Lazo Valenzuelaが、2021年10月に\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eノルウェー・オスロの実験レーベルBreton Cassetteから\u003c\/span\u003e30部限定でリリースした最新カセット。\u003c\/p\u003e\n\u003cp\u003e身近な生活用品や声などを用いた物音〜コンテンポラリー9曲を収録。\u003c\/p\u003e\n\u003cp\u003e一点一点異なる\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e彫刻作品\u003c\/span\u003e、 木箱、DLコードが付属。廃盤です。\u003c\/p\u003e\n\u003cp\u003e※作品の形状上、佐川急便（550円)での発送となります。レコードやカセット、CD等いくら追加いただいても同額にて発送いたします。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=19466081\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/breton\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/breton\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eBreton Cassette releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e“Indoors” comes in a limited edition of 30. The cassette slides into the slot of a hand-made wooden box, which exposes through a cavity in the backside a small sculpture. Each sculpture and wooden box is unique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by \u003cmeta charset=\"utf-8\"\u003eBreton Cassette:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e“Indoors” is a sight for the eye and a good listen for the ears! The release consists of a 9 track cassette and a hand-made wooden box containing a unique sculpture. The tracks alternate between voice pieces and field recordings, where we are immersed in Roberta’s inner and outer world.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWhile listening to washing machines, walks in the garden and kitchen sounds, the music transports us to different rooms in a home. Abruptly, the thick and yet fragile masses of voices take over and we are taken out of this state and into an abstract train of thoughts. “Indoors” deals with this inner and outer world, jumping from one to the other in an intimate sound experience that encourages us to connect with our own routine and the inner-self.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRoberta is a Chilean composer and visual artist living in Austria. Her studies include: bachelor's degree in composition in Chile, a master's degree in Composition in Linz, a master's degree in TransArts in Vienna, and exchange semester in Oslo. It was during the exchange semester at the Oslo Academy of the Arts that we met and started working\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e together.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRoberta works with music, sound art, installation, video, animation, paper art, painting and collage. She is interested in the relationship with the self, our background and the context we live in. In her research she is concerned with the things that are hidden in the repetitive and trivial of everyday life activities. The subtlety of everyday events: moments, daily routines and activities give her motives for her diverse practice where intertwining events provides inspiration for images and sound.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Indoors” comes in a limited edition of 30. The cassette slides into the slot of a hand-made wooden box, which exposes through a cavity in the backside a small sculpture. Each sculpture and wooden box is unique.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Roberta Lazo Valenzuela\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBreton Cassette\u003c\/span\u003e\u003c\/p\u003e"}
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チリの実験音楽家Roberta Lazo Valenzuelaが、2021年10月にノルウェー・オスロの実験レーベルBreton Cassetteから30部限定でリリースした最新カセット。 身近な生活用品や声などを用いた物音〜コンテンポラリー9曲を収録。 一点一点異なる彫刻作品、 木箱、DLコードが付属。廃盤です。 ※作品の形状上、佐川急便（550円)での発送となります。レコードやカセット、CD等いくら追加いただいても同額にて発送いたします。 レーベルその他作品はこちら /// Click here to see more Breton Cassette releases...
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{"id":7348557218042,"title":"Dj Marcelle \/ Another Nice Mess \/\/ European Union Discussing Vaccine Distribution TAPE+3D PRINT","handle":"djmar","description":"\u003cp\u003eオランダ・アムステルダムの鬼才DJ Marcelle \/ Another Nice Messが、2021年9月にドイツ・フランクフルトの新生レーベルWheel Of Fortuneからリリースしたミックステープ。\u003c\/p\u003e\n\u003cp\u003eターンテーブル3台とオープンリール1台で一発録りした激ヤバミックスです。コラージュからノイズ〜サウンドポエトリーへと変な音楽が紡がれていく60分を収録。DLコード付属。特殊3Dプリントケース仕様です。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e※ケースの形状上、佐川急便（550円)での発送となります。レコードやCD、カセットいくらでも同梱可能ですのでまとめ買いがおトクです。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1150138828\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"tobirec4\" href=\"https:\/\/soundcloud.com\/user-249530843\" target=\"_blank\"\u003etobirec4\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Djmarpreview\" href=\"https:\/\/soundcloud.com\/user-249530843\/djmarpreview\" target=\"_blank\"\u003eDjmarpreview\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecorded in one take with three turntables and one reel-to-reel machine.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eA comissioned work for \"Tonfunktion - Festival für Gebrauchsmusik\" Mousonturm Frankfurt, 2021\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Dj Marcelle \/ Another Nice Mess\u003c\/p\u003e\n\u003cp\u003elabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWheel Of Fortune\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-10-29T19:26:51+09:00","created_at":"2021-10-29T19:19:46+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","monooto","strange beats","tape"],"price":195000,"price_min":195000,"price_max":195000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":41937645666554,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Dj Marcelle \/ Another Nice Mess \/\/ European Union Discussing Vaccine Distribution TAPE+3D PRINT","public_title":null,"options":["Default Title"],"price":195000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a2503530062_16.jpg?v=1635502788","\/\/tobirarecords.com\/cdn\/shop\/products\/0026156513_10.jpg?v=1635502788"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a2503530062_16.jpg?v=1635502788","options":["Title"],"media":[{"alt":null,"id":25547496423674,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a2503530062_16.jpg?v=1635502788"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a2503530062_16.jpg?v=1635502788","width":700},{"alt":null,"id":25547496456442,"position":2,"preview_image":{"aspect_ratio":2.0,"height":600,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0026156513_10.jpg?v=1635502788"},"aspect_ratio":2.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0026156513_10.jpg?v=1635502788","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオランダ・アムステルダムの鬼才DJ Marcelle \/ Another Nice Messが、2021年9月にドイツ・フランクフルトの新生レーベルWheel Of Fortuneからリリースしたミックステープ。\u003c\/p\u003e\n\u003cp\u003eターンテーブル3台とオープンリール1台で一発録りした激ヤバミックスです。コラージュからノイズ〜サウンドポエトリーへと変な音楽が紡がれていく60分を収録。DLコード付属。特殊3Dプリントケース仕様です。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e※ケースの形状上、佐川急便（550円)での発送となります。レコードやCD、カセットいくらでも同梱可能ですのでまとめ買いがおトクです。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1150138828\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"tobirec4\" href=\"https:\/\/soundcloud.com\/user-249530843\" target=\"_blank\"\u003etobirec4\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Djmarpreview\" href=\"https:\/\/soundcloud.com\/user-249530843\/djmarpreview\" target=\"_blank\"\u003eDjmarpreview\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecorded in one take with three turntables and one reel-to-reel machine.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eA comissioned work for \"Tonfunktion - Festival für Gebrauchsmusik\" Mousonturm Frankfurt, 2021\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Dj Marcelle \/ Another Nice Mess\u003c\/p\u003e\n\u003cp\u003elabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWheel Of Fortune\u003c\/span\u003e\u003c\/p\u003e"}
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オランダ・アムステルダムの鬼才DJ Marcelle / Another Nice Messが、2021年9月にドイツ・フランクフルトの新生レーベルWheel Of Fortuneからリリースしたミックステープ。 ターンテーブル3台とオープンリール1台で一発録りした激ヤバミックスです。コラージュからノイズ〜サウンドポエトリーへと変な音楽が紡がれていく60分を収録。DLコード付属。特殊3Dプリントケース仕様です。DLコード付属。 ※ケースの形状上、佐川急便（550円)での発送となります。レコードやCD、カセットいくらでも同梱可能ですのでまとめ買いがおトクです。 tobirec4 · Djmarpreview Recorded...
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{"id":7342588690682,"title":"The Gerogerigegege \/\/ 直美のオナニーと若草寮案内 TAPE (IN WOODEN BOX)","handle":"the-gerogerigegege-直美のオナニーと若草寮案内-tape","description":"\u003cp\u003e ※ボックスの形状上、佐川急便（550円)での発送となります。レコード何枚でも同額にて発送いたします。\u003c\/p\u003e\n\u003cp\u003e東京の大御所ノイズ〜ロック作家The Gerogerigegegeによる幻の作品をイタリアのノイズレーベルUrashimaがカセットで再発。既成のエロテープをほぼ加工無しで使用しているそうですが、彼のサウンドになっているのはその卑猥さのせいかもしれません。\u003c\/p\u003e\n\u003cp\u003e レーザー彫刻入りの木製ボックスにEIJI YAGINUMAによる英語\u0026amp;日本語ライナーノートが付属。ナンバリング入り。\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eUrashimaその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/urashima\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/urashima\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/urashima\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/urashima\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eUrashima releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 200. \u003cbr\u003eSingle side C-60 cassette comes inside an elegant black wooden box with laser engraving and magnetic closure with numbered certificate. Includes extensive liner notes in English and Japanese by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEiji Yaginuma and a double face A4 insert.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eText by Urashima:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eAlways ahead of the curve, bringing seminal lost works back into centre of our consciousness, we have done it again. A true joy in listening and historically as important as they come, their first ever reissue of \u003cstrong data-mce-fragment=\"1\"\u003eThe Gerogerigegege\u003c\/strong\u003e, 直美のオナニーと若草寮案内 RE-ISSUE'' (\"Naomi's Masturbation and Wakakusa Dormitory Guide RE-ISSUE'), turns everything on its head (and not only that) and is not to be missed. This carelessness and the unintentionally time-deteriorated, rough sound quality, all of these barbaric elements, are inevitably related and composed in an orderly manner.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis is where I find the perfection of this form of expression. There is no doubt that this work is filled with the creepiness and stench that can appear only because there is no artifice, intentional design, manipulation of information, or any unnaturalness at all.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e‘’The sound source for this album was pre-existing ero cassettes. Apparently, Yamanouchi did not change the sound of the cassettes at all, and yet the sound of the album is the sound of GeroGeri. The first reason is that the ‘obscenity’ that can be felt in Gerogeri's worldview and the obscene worldview of the ero cassette are very similar. As we look over Gerogeri's catalogue of past work, it is clear that obscenity is one of the major elements that make up Gerogeri's world. The many empty and meaningless sounds contained in the ero cassettes are also distorted by the 'noise' that is a byproduct of poor recording conditions. In addition, the mental pictures conjured by 'closed rooms' and 'men and women' combine to transform the sound into something mysterious and obscene.’’ Eiji Yaginuma 2021\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis single side C-60 cassette is conveniently placed in a foam rubber seat and comes inside an elegant black wooden box with laser engraving and magnetic closure with a numbered certificate in 200 copies, two folding with extensive liner notes in English and Japanese by Eiji Yaginuma and a doble face A4 insert. A seminal document, writhing with energy and often primeval animalistic energy, stayed by the control of the narrator, that offers a crucial insight into \u003cstrong data-mce-fragment=\"1\"\u003eGero\u003c\/strong\u003e’s early actions, whether in practice or source, when it can not be easily defined.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : The Gerogerigegege\u003c\/p\u003e\n\u003cp\u003eLabel : Urashima\u003c\/p\u003e","published_at":"2021-10-23T15:59:25+09:00","created_at":"2021-10-23T15:09:48+09:00","vendor":"Tobira Records","type":"","tags":["asia","contemporary \/ sound poetry","field recording","tape","urashima"],"price":615800,"price_min":615800,"price_max":615800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":41913402491130,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"The Gerogerigegege \/\/ 直美のオナニーと若草寮案内 TAPE (IN WOODEN BOX)","public_title":null,"options":["Default Title"],"price":615800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ge1_73033ee5-688c-4107-98d8-11532b669b6c.jpg?v=1634969390","\/\/tobirarecords.com\/cdn\/shop\/products\/ge2_fc3e5205-9162-42d8-9fd5-228ae0b8fe97.jpg?v=1634969390","\/\/tobirarecords.com\/cdn\/shop\/products\/ge3_44d12c0f-e5d9-4870-bfa5-3de1680efd75.jpg?v=1634969390"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ge1_73033ee5-688c-4107-98d8-11532b669b6c.jpg?v=1634969390","options":["Title"],"media":[{"alt":null,"id":25333326807290,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1654,"width":1654,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ge1_73033ee5-688c-4107-98d8-11532b669b6c.jpg?v=1634969390"},"aspect_ratio":1.0,"height":1654,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ge1_73033ee5-688c-4107-98d8-11532b669b6c.jpg?v=1634969390","width":1654},{"alt":null,"id":25333326840058,"position":2,"preview_image":{"aspect_ratio":1.333,"height":450,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ge2_fc3e5205-9162-42d8-9fd5-228ae0b8fe97.jpg?v=1634969390"},"aspect_ratio":1.333,"height":450,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ge2_fc3e5205-9162-42d8-9fd5-228ae0b8fe97.jpg?v=1634969390","width":600},{"alt":null,"id":25333326872826,"position":3,"preview_image":{"aspect_ratio":1.333,"height":450,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ge3_44d12c0f-e5d9-4870-bfa5-3de1680efd75.jpg?v=1634969390"},"aspect_ratio":1.333,"height":450,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ge3_44d12c0f-e5d9-4870-bfa5-3de1680efd75.jpg?v=1634969390","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e ※ボックスの形状上、佐川急便（550円)での発送となります。レコード何枚でも同額にて発送いたします。\u003c\/p\u003e\n\u003cp\u003e東京の大御所ノイズ〜ロック作家The Gerogerigegegeによる幻の作品をイタリアのノイズレーベルUrashimaがカセットで再発。既成のエロテープをほぼ加工無しで使用しているそうですが、彼のサウンドになっているのはその卑猥さのせいかもしれません。\u003c\/p\u003e\n\u003cp\u003e レーザー彫刻入りの木製ボックスにEIJI YAGINUMAによる英語\u0026amp;日本語ライナーノートが付属。ナンバリング入り。\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eUrashimaその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/urashima\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/urashima\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/urashima\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/urashima\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eUrashima releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 200. \u003cbr\u003eSingle side C-60 cassette comes inside an elegant black wooden box with laser engraving and magnetic closure with numbered certificate. Includes extensive liner notes in English and Japanese by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEiji Yaginuma and a double face A4 insert.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eText by Urashima:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eAlways ahead of the curve, bringing seminal lost works back into centre of our consciousness, we have done it again. A true joy in listening and historically as important as they come, their first ever reissue of \u003cstrong data-mce-fragment=\"1\"\u003eThe Gerogerigegege\u003c\/strong\u003e, 直美のオナニーと若草寮案内 RE-ISSUE'' (\"Naomi's Masturbation and Wakakusa Dormitory Guide RE-ISSUE'), turns everything on its head (and not only that) and is not to be missed. This carelessness and the unintentionally time-deteriorated, rough sound quality, all of these barbaric elements, are inevitably related and composed in an orderly manner.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis is where I find the perfection of this form of expression. There is no doubt that this work is filled with the creepiness and stench that can appear only because there is no artifice, intentional design, manipulation of information, or any unnaturalness at all.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e‘’The sound source for this album was pre-existing ero cassettes. Apparently, Yamanouchi did not change the sound of the cassettes at all, and yet the sound of the album is the sound of GeroGeri. The first reason is that the ‘obscenity’ that can be felt in Gerogeri's worldview and the obscene worldview of the ero cassette are very similar. As we look over Gerogeri's catalogue of past work, it is clear that obscenity is one of the major elements that make up Gerogeri's world. The many empty and meaningless sounds contained in the ero cassettes are also distorted by the 'noise' that is a byproduct of poor recording conditions. In addition, the mental pictures conjured by 'closed rooms' and 'men and women' combine to transform the sound into something mysterious and obscene.’’ Eiji Yaginuma 2021\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis single side C-60 cassette is conveniently placed in a foam rubber seat and comes inside an elegant black wooden box with laser engraving and magnetic closure with a numbered certificate in 200 copies, two folding with extensive liner notes in English and Japanese by Eiji Yaginuma and a doble face A4 insert. A seminal document, writhing with energy and often primeval animalistic energy, stayed by the control of the narrator, that offers a crucial insight into \u003cstrong data-mce-fragment=\"1\"\u003eGero\u003c\/strong\u003e’s early actions, whether in practice or source, when it can not be easily defined.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : The Gerogerigegege\u003c\/p\u003e\n\u003cp\u003eLabel : Urashima\u003c\/p\u003e"}
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※ボックスの形状上、佐川急便（550円)での発送となります。レコード何枚でも同額にて発送いたします。 東京の大御所ノイズ〜ロック作家The Gerogerigegegeによる幻の作品をイタリアのノイズレーベルUrashimaがカセットで再発。既成のエロテープをほぼ加工無しで使用しているそうですが、彼のサウンドになっているのはその卑猥さのせいかもしれません。 レーザー彫刻入りの木製ボックスにEIJI YAGINUMAによる英語&日本語ライナーノートが付属。ナンバリング入り。 Urashimaその他作品はこちら /// Click here to see more Urashima releases available at Tobira. ...
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{"id":7340967231738,"title":"Joseph Nechvatal \/\/ Selected Sound Works (1981-2021) TAPE","handle":"joseph-nechvatal-selected-sound-works-1981-2021-tape","description":"\u003cp\u003eアメリカ・NYの音響作家Guido Gamboa主宰レーベルPentimentsの2021年10月最新作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同国シカゴの重鎮作家Joseph Nechvatalが過去30年で制作したコラージュ30曲を収録したベストアルバムです。100本限定。DLコード付属。\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/rNPGoXa0lq4\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/0lXuuz2WRFU\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/pentiments%20\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/pentiments%20\"\u003ehere\u003c\/a\u003e to see more Pentiments releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------ \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eEdition of 100. F\u003cspan data-mce-fragment=\"1\"\u003eeaturing extensive track notes by Nechvatal and liner notes by Laurent Fairon. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003eLaurent Fairon, 2021:\u003c\/p\u003e\n\u003cp\u003e“\u003cem\u003eThis is an overview of post-conceptual and multimedia artist Joseph Nechvatal’s sound collages and experimental music, from 1980s tape experiments to 21\u003csup\u003est\u003c\/sup\u003e century polymorphous, digital endeavors. Born in Chicago in 1951, Nechvatal studied art and philosophy before relocating to New York City in 1975. During the 1980s, he co-founded the non-profit cultural space ABC NO Rio and avantgarde music series Tellus Audio Cassette Magazine, and took part in many experimental cassette compilations, installation projects and avant-garde live events taking place seemingly everywhere in Lower Manhattan at the time.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e I got interested around 2005, collecting Tellus Audio Cassettes and later archiving and documenting them on Ubuweb and Wikipedia, as well as on my own blog—eventually meeting Joseph personally in Paris around 2008, where he now lives. In retrospect, Nechvatal’s artistic career seems to have been a long tight-rope walk over a variety of epidemics, from AIDS-ridden NYC in the 1980s, to his viractuality concept coined at the end of the century, to today’s COVID-19 catastrophe. It is perhaps only natural, then, that his art deals with viruses, and his music with aural degeneration and sonic necrosis—his own personal view, perhaps, of the transient state of life on Earth.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e The 1980s were a time of joyous, multifarious sound experiments for Nechvatal, from no wave guitar explorations (Dalychtocracy, 1985), to analog synth music (TRUE and FALSE, 1985), onto multiple tape collages. While all three genres are documented in this anthology, it is in rebus-like, caustic sound collages that Nechvatal reveled and found a vehicle for the shit-loads of flotsam sound detritus in his immediate vicinity. Whether coming from records, radio broadcasts, TV commercials, or political speech, for Nechvatal these aural excreta deserved to be transmogrified and dignified through sound art, just like Antonin Artaud elevated caca, or shit, to mythical, ontological status in his writings from the 1930s and ’40s. It is in this sound art Nigredo—the dark, alchemical art of transmutation, according to Carl Jung—that we might find a key to approach Nechvatal’s recent digital sound works as well.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e During the 1992–2002 period, Nechvatal launched his Computer Virus Project for multimedia works created with programming code and auto-generative routines, which led him to exhibit corrupted data as art. From then on, all his work is deemed viral, being based on data manipulation, data corruption and cellular automata. First applied to computer-assisted paintings and video animations, his viractuality concept also ultimately found its way into his music after 2000, with some sound works merely consisting of the sound of a computer virus at work.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e In 21\u003csup\u003est\u003c\/sup\u003e century works, Joseph Nechvatal’s sound art gained density and complexity as he composed longer and increasingly ambitious works. In this respect, the first version of the viral symphOny in 2006 acted as a manifesto and a blueprint for things to come. The viral symphOny is a vast collage of recycled sounds and corrupted audio data given a life of its own by cellular automata procedures and de-generative algorithms, assembled into a constantly shape-shifting, multisonant sound work. A first version was published on CD in 2006, then reworked and reprocessed at various stages in subsequent years, and finally given a complete reshuffle in 2020 under the title OrlandO et la tempête viral symphOny redux suite. During this long incubation period, a team of programmers, AI specialists and sound engineers contributed to the elaboration of the music, which appears to have been cultivated in a sonic Petri dish of some sort, rather than composed in a traditional way.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e The spoken word is also a common fixture in Nechvatal’s sound works from later years, be it found sounds, text-to-speech readings by an automaton, or collaboration with readers in the flesh. Texts include his own space-filling prose poetry, his own cut-and-paste word collages, and excerpts from Classical literature, from Ancient Greek authors to Virginia Woolf and Antonin Artaud. The last few years have also seen a renewed interest in sound collage in association with found sounds and computer viruses, culminating in pour finir avec le jugement de dieu viral symphOny plague in 2021, a brilliant sonic transmutation of Antonin Artaud’s 1947 suppressed radio art piece. For Joseph Nechvatal, there is still a lot of shit to turn into gold, and the dark art of Nigredo remains a never-ending sonic process.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Joseph Nechvatal\u003c\/p\u003e\n\u003cp\u003eLabel : Pentiments\u003c\/p\u003e","published_at":"2021-10-22T15:55:27+09:00","created_at":"2021-10-22T14:06:02+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","monooto","Pentiments","tape"],"price":169000,"price_min":169000,"price_max":169000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":41910058385658,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Joseph Nechvatal \/\/ Selected Sound Works (1981-2021) TAPE","public_title":null,"options":["Default Title"],"price":169000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/jo1_38c485d9-efbd-495b-b1f8-5d54e5ee27cb.jpg?v=1634879164","\/\/tobirarecords.com\/cdn\/shop\/products\/0026414717_10.jpg?v=1634886487"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/jo1_38c485d9-efbd-495b-b1f8-5d54e5ee27cb.jpg?v=1634879164","options":["Title"],"media":[{"alt":null,"id":25328777855226,"position":1,"preview_image":{"aspect_ratio":1.634,"height":940,"width":1536,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/jo1_38c485d9-efbd-495b-b1f8-5d54e5ee27cb.jpg?v=1634879164"},"aspect_ratio":1.634,"height":940,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/jo1_38c485d9-efbd-495b-b1f8-5d54e5ee27cb.jpg?v=1634879164","width":1536},{"alt":null,"id":25329051500794,"position":2,"preview_image":{"aspect_ratio":1.148,"height":1045,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0026414717_10.jpg?v=1634886487"},"aspect_ratio":1.148,"height":1045,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0026414717_10.jpg?v=1634886487","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・NYの音響作家Guido Gamboa主宰レーベルPentimentsの2021年10月最新作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同国シカゴの重鎮作家Joseph Nechvatalが過去30年で制作したコラージュ30曲を収録したベストアルバムです。100本限定。DLコード付属。\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/rNPGoXa0lq4\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/0lXuuz2WRFU\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/pentiments%20\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/pentiments%20\"\u003ehere\u003c\/a\u003e to see more Pentiments releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------ \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eEdition of 100. F\u003cspan data-mce-fragment=\"1\"\u003eeaturing extensive track notes by Nechvatal and liner notes by Laurent Fairon. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003eLaurent Fairon, 2021:\u003c\/p\u003e\n\u003cp\u003e“\u003cem\u003eThis is an overview of post-conceptual and multimedia artist Joseph Nechvatal’s sound collages and experimental music, from 1980s tape experiments to 21\u003csup\u003est\u003c\/sup\u003e century polymorphous, digital endeavors. Born in Chicago in 1951, Nechvatal studied art and philosophy before relocating to New York City in 1975. During the 1980s, he co-founded the non-profit cultural space ABC NO Rio and avantgarde music series Tellus Audio Cassette Magazine, and took part in many experimental cassette compilations, installation projects and avant-garde live events taking place seemingly everywhere in Lower Manhattan at the time.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e I got interested around 2005, collecting Tellus Audio Cassettes and later archiving and documenting them on Ubuweb and Wikipedia, as well as on my own blog—eventually meeting Joseph personally in Paris around 2008, where he now lives. In retrospect, Nechvatal’s artistic career seems to have been a long tight-rope walk over a variety of epidemics, from AIDS-ridden NYC in the 1980s, to his viractuality concept coined at the end of the century, to today’s COVID-19 catastrophe. It is perhaps only natural, then, that his art deals with viruses, and his music with aural degeneration and sonic necrosis—his own personal view, perhaps, of the transient state of life on Earth.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e The 1980s were a time of joyous, multifarious sound experiments for Nechvatal, from no wave guitar explorations (Dalychtocracy, 1985), to analog synth music (TRUE and FALSE, 1985), onto multiple tape collages. While all three genres are documented in this anthology, it is in rebus-like, caustic sound collages that Nechvatal reveled and found a vehicle for the shit-loads of flotsam sound detritus in his immediate vicinity. Whether coming from records, radio broadcasts, TV commercials, or political speech, for Nechvatal these aural excreta deserved to be transmogrified and dignified through sound art, just like Antonin Artaud elevated caca, or shit, to mythical, ontological status in his writings from the 1930s and ’40s. It is in this sound art Nigredo—the dark, alchemical art of transmutation, according to Carl Jung—that we might find a key to approach Nechvatal’s recent digital sound works as well.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e During the 1992–2002 period, Nechvatal launched his Computer Virus Project for multimedia works created with programming code and auto-generative routines, which led him to exhibit corrupted data as art. From then on, all his work is deemed viral, being based on data manipulation, data corruption and cellular automata. First applied to computer-assisted paintings and video animations, his viractuality concept also ultimately found its way into his music after 2000, with some sound works merely consisting of the sound of a computer virus at work.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e In 21\u003csup\u003est\u003c\/sup\u003e century works, Joseph Nechvatal’s sound art gained density and complexity as he composed longer and increasingly ambitious works. In this respect, the first version of the viral symphOny in 2006 acted as a manifesto and a blueprint for things to come. The viral symphOny is a vast collage of recycled sounds and corrupted audio data given a life of its own by cellular automata procedures and de-generative algorithms, assembled into a constantly shape-shifting, multisonant sound work. A first version was published on CD in 2006, then reworked and reprocessed at various stages in subsequent years, and finally given a complete reshuffle in 2020 under the title OrlandO et la tempête viral symphOny redux suite. During this long incubation period, a team of programmers, AI specialists and sound engineers contributed to the elaboration of the music, which appears to have been cultivated in a sonic Petri dish of some sort, rather than composed in a traditional way.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e The spoken word is also a common fixture in Nechvatal’s sound works from later years, be it found sounds, text-to-speech readings by an automaton, or collaboration with readers in the flesh. Texts include his own space-filling prose poetry, his own cut-and-paste word collages, and excerpts from Classical literature, from Ancient Greek authors to Virginia Woolf and Antonin Artaud. The last few years have also seen a renewed interest in sound collage in association with found sounds and computer viruses, culminating in pour finir avec le jugement de dieu viral symphOny plague in 2021, a brilliant sonic transmutation of Antonin Artaud’s 1947 suppressed radio art piece. For Joseph Nechvatal, there is still a lot of shit to turn into gold, and the dark art of Nigredo remains a never-ending sonic process.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Joseph Nechvatal\u003c\/p\u003e\n\u003cp\u003eLabel : Pentiments\u003c\/p\u003e"}
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アメリカ・NYの音響作家Guido Gamboa主宰レーベルPentimentsの2021年10月最新作を入荷しました。 本作は、同国シカゴの重鎮作家Joseph Nechvatalが過去30年で制作したコラージュ30曲を収録したベストアルバムです。100本限定。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Pentiments releases available at Tobira. ------------------------------ ...
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{"id":7339579343098,"title":"Rene Kita \/\/ Rheingold TAPE","handle":"rene-kita-rheingold-tape","description":"\u003cp\u003eフィンランド孤高のサウンドポエトリー作家Rene Kitaが、2021年9月に70本限定でリリースしたカセットです。キューキュー鳴るおもちゃとの対峙作品です。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1120739006\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/artsy\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/artsy\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eArtsy Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLimited edition of 70 cassettes. Two cover art variations: \"serious\" and \"psychedelic\".\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e\"\u003cem\u003eAn improvised rendition for voice and squeaky toys of the libretto to Rheingold by Richard Wagner. Recorded ten years ago, this was found at last on a back-up disk. Originally released as a digital album by the artist in March 2021.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Rene Kita\u003c\/p\u003e\n\u003cp\u003eLabel : Artsy Records\u003c\/p\u003e","published_at":"2021-12-13T06:52:19+09:00","created_at":"2021-10-19T11:07:53+09:00","vendor":"Tobira Records","type":"","tags":["artsy records","contemporary \/ sound poetry","tape"],"price":128000,"price_min":128000,"price_max":128000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":41900704760058,"title":"psychedelic (blue\/purple)","option1":"psychedelic (blue\/purple)","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Rene Kita \/\/ Rheingold TAPE - psychedelic (blue\/purple)","public_title":"psychedelic (blue\/purple)","options":["psychedelic (blue\/purple)"],"price":128000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":41900704792826,"title":"serious (grey\/orange)","option1":"serious (grey\/orange)","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Rene Kita \/\/ Rheingold TAPE - serious (grey\/orange)","public_title":"serious (grey\/orange)","options":["serious (grey\/orange)"],"price":128000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/rh1_a5532d98-6b22-4e7c-ac14-fb44cf1a88e8.jpg?v=1634609275","\/\/tobirarecords.com\/cdn\/shop\/products\/rh2_a728e885-ee8f-4fe6-a4b1-e216faec1d6e.jpg?v=1634609275"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/rh1_a5532d98-6b22-4e7c-ac14-fb44cf1a88e8.jpg?v=1634609275","options":["Color"],"media":[{"alt":null,"id":25319948583162,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/rh1_a5532d98-6b22-4e7c-ac14-fb44cf1a88e8.jpg?v=1634609275"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/rh1_a5532d98-6b22-4e7c-ac14-fb44cf1a88e8.jpg?v=1634609275","width":700},{"alt":null,"id":25319948615930,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/rh2_a728e885-ee8f-4fe6-a4b1-e216faec1d6e.jpg?v=1634609275"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/rh2_a728e885-ee8f-4fe6-a4b1-e216faec1d6e.jpg?v=1634609275","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフィンランド孤高のサウンドポエトリー作家Rene Kitaが、2021年9月に70本限定でリリースしたカセットです。キューキュー鳴るおもちゃとの対峙作品です。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1120739006\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/artsy\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/artsy\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eArtsy Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLimited edition of 70 cassettes. Two cover art variations: \"serious\" and \"psychedelic\".\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e\"\u003cem\u003eAn improvised rendition for voice and squeaky toys of the libretto to Rheingold by Richard Wagner. Recorded ten years ago, this was found at last on a back-up disk. Originally released as a digital album by the artist in March 2021.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Rene Kita\u003c\/p\u003e\n\u003cp\u003eLabel : Artsy Records\u003c\/p\u003e"}
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{"id":7094882992293,"title":"Alvin Curran \/\/ The Works LP","handle":"alvin-curran-the-works-lp","description":"\u003cp\u003eアメリカの大御所実験音楽家Alvin Curranの1980年発表激レア作品が、\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2021年5月に\u003c\/span\u003eドイツのOur Swimmerよりレコードで再発されました。\u003c\/p\u003e\n\u003cp\u003e声やピアノ、シンセなどによるミニマルな作品です。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/hdVsVoJGwwo\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cem\u003e---------------------------\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e'The Works' -- one of the most famous pieces by brilliant American composer Alvin Curran -- was not created by will and direct purpose but, as the composer himself states, as a \"providential accident\" which is to say quite organically. Combining piano and voice with found sound and a custom-built Serge modular synthesizer, 'The Works' is a slowly developing piece where space and ambient tape are eventually overtaken by raga-esque chanting and frenetic piano playing, where synthesizer washes become full-on workouts all leading to a coda where the listener is \"finally carried off on the wheels of the Berlin U-Bahn.\" Curran -- whose initial training and musical education was as a pianist -- had been living in Roma, Italy, in the mid-70s returning to his roots and performing regularly in cocktail lounges on Via Veneto. It was this return to piano and vocals that became the genesis for \u003cu\u003eThe Works\u003c\/u\u003e. In relearning the piano, a five-note \"motive\" took hold. Added to this was \"a recording I had made of our 14 year old dachshund Caspar just before he died. It was, in fact, a love song which he persisted in singing all day after meeting a lovely bitch in heat in Piazza Navona. This I knew would be the beginning of the piece.\" As the piece expands further the listener will hear \"cows munching grass, the Rome-Florence express train, a horse-fly caught against a window pane, my footsteps approaching a Roman fountain and later going up the steps of my old studio, cicadas, an Amsterdam calliope, a tin can being kicked, and a series of sounds from La Serra di Lerici.\" Though 'The Works' has been performed in many incarnations over the years, it's this performance -- captured on February 24, 1980, and originally released that same year by the short-lived Italian avant-garde label Fore -- that is the definitive version, and one of the finest recordings ever made by the celebrated composer.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eArtist : Alvin Curran\u003c\/p\u003e\n\u003cp\u003eLabel : Our Swimmer\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","published_at":"2021-10-11T19:30:54+09:00","created_at":"2021-10-10T10:33:12+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","lp","monooto"],"price":319500,"price_min":319500,"price_max":319500,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40963129409701,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Alvin Curran \/\/ The Works LP","public_title":null,"options":["Default Title"],"price":319500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/wo1_5349b498-a36f-44d6-b662-d65f67b42865.jpg?v=1633829595"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/wo1_5349b498-a36f-44d6-b662-d65f67b42865.jpg?v=1633829595","options":["Title"],"media":[{"alt":null,"id":24002055798949,"position":1,"preview_image":{"aspect_ratio":1.0,"height":300,"width":300,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/wo1_5349b498-a36f-44d6-b662-d65f67b42865.jpg?v=1633829595"},"aspect_ratio":1.0,"height":300,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/wo1_5349b498-a36f-44d6-b662-d65f67b42865.jpg?v=1633829595","width":300}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカの大御所実験音楽家Alvin Curranの1980年発表激レア作品が、\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2021年5月に\u003c\/span\u003eドイツのOur Swimmerよりレコードで再発されました。\u003c\/p\u003e\n\u003cp\u003e声やピアノ、シンセなどによるミニマルな作品です。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/hdVsVoJGwwo\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cem\u003e---------------------------\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e'The Works' -- one of the most famous pieces by brilliant American composer Alvin Curran -- was not created by will and direct purpose but, as the composer himself states, as a \"providential accident\" which is to say quite organically. Combining piano and voice with found sound and a custom-built Serge modular synthesizer, 'The Works' is a slowly developing piece where space and ambient tape are eventually overtaken by raga-esque chanting and frenetic piano playing, where synthesizer washes become full-on workouts all leading to a coda where the listener is \"finally carried off on the wheels of the Berlin U-Bahn.\" Curran -- whose initial training and musical education was as a pianist -- had been living in Roma, Italy, in the mid-70s returning to his roots and performing regularly in cocktail lounges on Via Veneto. It was this return to piano and vocals that became the genesis for \u003cu\u003eThe Works\u003c\/u\u003e. In relearning the piano, a five-note \"motive\" took hold. Added to this was \"a recording I had made of our 14 year old dachshund Caspar just before he died. It was, in fact, a love song which he persisted in singing all day after meeting a lovely bitch in heat in Piazza Navona. This I knew would be the beginning of the piece.\" As the piece expands further the listener will hear \"cows munching grass, the Rome-Florence express train, a horse-fly caught against a window pane, my footsteps approaching a Roman fountain and later going up the steps of my old studio, cicadas, an Amsterdam calliope, a tin can being kicked, and a series of sounds from La Serra di Lerici.\" Though 'The Works' has been performed in many incarnations over the years, it's this performance -- captured on February 24, 1980, and originally released that same year by the short-lived Italian avant-garde label Fore -- that is the definitive version, and one of the finest recordings ever made by the celebrated composer.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eArtist : Alvin Curran\u003c\/p\u003e\n\u003cp\u003eLabel : Our Swimmer\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e"}
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アメリカの大御所実験音楽家Alvin Curranの1980年発表激レア作品が、2021年5月にドイツのOur Swimmerよりレコードで再発されました。 声やピアノ、シンセなどによるミニマルな作品です。 --------------------------- 'The Works' -- one of the most famous pieces by...
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{"id":7066343637157,"title":"Jack Callahan \/ Asha Sheshadri \/\/ Misfired Empathy LP","handle":"jack-callahan-asha-sheshadri-misfired-empathy-lp","description":"\u003cp\u003eロシア・モスクワの実験レーベルStellageが2021年9月にリリースした最新バッチを入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、Die Reihe aka Jack Callahanと、digitalisやanomiaから発表しているNYの音響作家Asha Sheshadriによる共作レコードです。スポークンワード〜物音コラージュ7曲を収録。\u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1052713861\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/jdNE5zpdMbQ\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eStellage その他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/stellage\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/stellage\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/stellage\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/stellage\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eStellage releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e---------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"Jack Callahan \u0026amp; Asha Sheshadri’s 'Misfired Empathy' was recorded and processed in April and May of 2020 in a number of temporarily shuttered venues and the artists’ apartments.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThis is their first record as a duo.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jack Callahan \/ Asha Sheshadri \u003c\/p\u003e\n\u003cp\u003eLabel : Stellage\u003c\/p\u003e","published_at":"2021-09-27T12:37:31+09:00","created_at":"2021-09-27T09:59:17+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","lp","monooto","STELLAGE"],"price":298000,"price_min":298000,"price_max":298000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40886277701797,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Jack Callahan \/ Asha Sheshadri \/\/ Misfired Empathy LP","public_title":null,"options":["Default Title"],"price":298000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ja1_065e28fa-1af0-4255-8d45-13c94dc53f75.jpg?v=1632704359"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ja1_065e28fa-1af0-4255-8d45-13c94dc53f75.jpg?v=1632704359","options":["Title"],"media":[{"alt":null,"id":23855931261093,"position":1,"preview_image":{"aspect_ratio":1.0,"height":480,"width":480,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ja1_065e28fa-1af0-4255-8d45-13c94dc53f75.jpg?v=1632704359"},"aspect_ratio":1.0,"height":480,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ja1_065e28fa-1af0-4255-8d45-13c94dc53f75.jpg?v=1632704359","width":480}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eロシア・モスクワの実験レーベルStellageが2021年9月にリリースした最新バッチを入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、Die Reihe aka Jack Callahanと、digitalisやanomiaから発表しているNYの音響作家Asha Sheshadriによる共作レコードです。スポークンワード〜物音コラージュ7曲を収録。\u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1052713861\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/jdNE5zpdMbQ\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eStellage その他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/stellage\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/stellage\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/stellage\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/stellage\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eStellage releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e---------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"Jack Callahan \u0026amp; Asha Sheshadri’s 'Misfired Empathy' was recorded and processed in April and May of 2020 in a number of temporarily shuttered venues and the artists’ apartments.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThis is their first record as a duo.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jack Callahan \/ Asha Sheshadri \u003c\/p\u003e\n\u003cp\u003eLabel : Stellage\u003c\/p\u003e"}
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ロシア・モスクワの実験レーベルStellageが2021年9月にリリースした最新バッチを入荷しました。 本作は、Die Reihe aka Jack Callahanと、digitalisやanomiaから発表しているNYの音響作家Asha Sheshadriによる共作レコードです。スポークンワード〜物音コラージュ7曲を収録。 Stellage その他作品はこちら /// Click here to see more Stellage releases available...
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{"id":7062746923173,"title":"Pamela Z \/\/ A Secret Code CD","handle":"pamela-z-a-secret-code-cd","description":"\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1338356602\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003ehere\u003c\/a\u003e to see more Neuma Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNeuma Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eEveryday experience is never far from Pamela Z’s musical world. Whether it be a typewriter, birdcall, checking in at the airport, or a mess on the street, her creatively quirky imagination transforms it into a moment of profound questioning and wonder. From sonic trifles to complex numbers, the works on A Secret Code – only her third solo album after Echolocation (1988), and A Delay is Better (2004) – span two decades of redefining song.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAs fellow composer Annea Lockwood writes in the album notes, “I have long treasured Pamela Z’s work for its vigor, inexhaustible ideas, fluid intricacy of texture, and for its sheer joyousness. An infectious, often surreal humor runs through the whole album, brilliantly upending everyday experience. The letter she is typing disintegrates, flare stains on a road become animate, and in Unknown Person even the TSA’s mundane but weighted questions are subverted, and disintegrate in the hilarious list of packed garments and hopes which follows. Voice, the most intimate of instruments, is a shape-shifter in her hands, transformed by gestural control and electronics in her performances and mutating, time-stretched and compressed as Timepiece Triptych, and throughout her work, with a dazzling compositional virtuosity.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIncluding works made for dance, for Kronos Quartet, as\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e well as for Z’s own live-sampled concert performance with bel canto, bubblewrap, and tuning fork options, A Secret Code is not as esoteric as it may sound. Besides, as the ever-philosophical TSA so often asks, “What is the purpose of your travel?”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSan Francisco-based composer\/performer and media artist Pamela Z works primarily with voice, live electronic processing, sampled sound, and video. A pioneer of live digital looping techniques, she processes her voice in real time to create dense, complex sonic layers. Her solo works combine experimental extended vocal techniques, operatic bel canto, found objects, text, digital processing, and wireless MIDI controllers that allow her to manipulate sound with physical gestures\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Pamela Z\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNeuma Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-09-24T17:39:38+09:00","created_at":"2021-09-24T15:46:12+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","neuma records"],"price":198000,"price_min":198000,"price_max":198000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40868341055653,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Pamela Z \/\/ A Secret Code CD","public_title":null,"options":["Default Title"],"price":198000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/pa1_a31bdcb9-4a97-478f-84e7-a529b871a1e1.jpg?v=1632465974","\/\/tobirarecords.com\/cdn\/shop\/products\/pa2_4a20a8a8-9a77-4d49-a1a0-2ad35c5094a5.jpg?v=1632465974"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa1_a31bdcb9-4a97-478f-84e7-a529b871a1e1.jpg?v=1632465974","options":["Title"],"media":[{"alt":null,"id":23819387928741,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa1_a31bdcb9-4a97-478f-84e7-a529b871a1e1.jpg?v=1632465974"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa1_a31bdcb9-4a97-478f-84e7-a529b871a1e1.jpg?v=1632465974","width":700},{"alt":null,"id":23819387961509,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa2_4a20a8a8-9a77-4d49-a1a0-2ad35c5094a5.jpg?v=1632465974"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa2_4a20a8a8-9a77-4d49-a1a0-2ad35c5094a5.jpg?v=1632465974","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1338356602\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003ehere\u003c\/a\u003e to see more Neuma Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNeuma Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eEveryday experience is never far from Pamela Z’s musical world. Whether it be a typewriter, birdcall, checking in at the airport, or a mess on the street, her creatively quirky imagination transforms it into a moment of profound questioning and wonder. From sonic trifles to complex numbers, the works on A Secret Code – only her third solo album after Echolocation (1988), and A Delay is Better (2004) – span two decades of redefining song.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAs fellow composer Annea Lockwood writes in the album notes, “I have long treasured Pamela Z’s work for its vigor, inexhaustible ideas, fluid intricacy of texture, and for its sheer joyousness. An infectious, often surreal humor runs through the whole album, brilliantly upending everyday experience. The letter she is typing disintegrates, flare stains on a road become animate, and in Unknown Person even the TSA’s mundane but weighted questions are subverted, and disintegrate in the hilarious list of packed garments and hopes which follows. Voice, the most intimate of instruments, is a shape-shifter in her hands, transformed by gestural control and electronics in her performances and mutating, time-stretched and compressed as Timepiece Triptych, and throughout her work, with a dazzling compositional virtuosity.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIncluding works made for dance, for Kronos Quartet, as\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e well as for Z’s own live-sampled concert performance with bel canto, bubblewrap, and tuning fork options, A Secret Code is not as esoteric as it may sound. Besides, as the ever-philosophical TSA so often asks, “What is the purpose of your travel?”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSan Francisco-based composer\/performer and media artist Pamela Z works primarily with voice, live electronic processing, sampled sound, and video. A pioneer of live digital looping techniques, she processes her voice in real time to create dense, complex sonic layers. Her solo works combine experimental extended vocal techniques, operatic bel canto, found objects, text, digital processing, and wireless MIDI controllers that allow her to manipulate sound with physical gestures\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Pamela Z\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNeuma Records\u003c\/span\u003e\u003c\/p\u003e"}
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レーベルその他作品はこちら /// Click here to see more Neuma Records releases available at Tobira. -------------------------------- Text by Neuma...
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{"id":7062746136741,"title":"Juraj Kojs \/\/ Imagine CD","handle":"juraj-kojs-imagine-cd","description":"\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1966164947\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003ehere\u003c\/a\u003e to see more Neuma Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNeuma Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eJuraj Kojš’s musical imagination is as wide ranging as his life journey, from his native Slovakia through Denmark, Virginia, and Miami, where he now lives, makes music and art, and teaches. In Imagine – this album of three far-reaching, exploratory ensemble works – traditional, contemporary and experimental ideas converge in a musical amalgam.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFeaturing an eclectic array of performers including Eric Umble (clarinet), Adam Marks (piano), [Switch~ Ensemble], Splinter Reeds, and Kojš himself (electronics and spoken word), and with its easy lines interweaving through complex structures, the music traverses a range of Postmodern and Postclassical expressions. Recounting imaginary stories based on reality, reinterpreting field recordings and enabling open platforms for performers to become creators, the composer’s transformational processes are reminiscent of Magical Realism, in which writers knit their narratives with reality-derived – yet often fantastic – characters, situations, and places.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAs Kojš puts it, “I wrote this music out of pure love for life, nature, people, and music itself. From the Hawaiian soundscape instrumentale to original poetry scores and Peter-and-the-Wolf-like storytelling, the music demanded visiting some\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e far outposts of expression. Each piece exhibits its own multiple time structures, expanding spheres of pitch, and timbral ecosystems. Some music was scored with utmost precision and some invited extensive decision-making from the performers. Thus, my collaborators were essential in creating this labyrinth of connected threads and pulses; a true living sonic organism: unique, sacred and real.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eImagine is dedicated to pianist Adam Marks, a long-time friend, collaborator and musician per excellence who passed over suddenly in May 2021.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e~\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cem\u003eFace Forward. Hawaii “reflects the subtle nuances present in the fantastical ecology of Hawaii.”\u003c\/em\u003e– Adam Marks, pianist\u003cbr\u003e\u003cbr\u003e“\u003cem\u003eThe ecological inspiration for the work [Face Forward. Hawaii] and its sonic results provide both performer and audience the opportunity to reflect on the human experience juxtaposed and intertwined with our natural world.”\u003c\/em\u003e – Eric Umble, clarinetist\u003cbr\u003e\u003cbr\u003e“\u003cem\u003eThe performance [of under the blanket of your lullabies] was one of those special moments that lingers in one’s memory long after the last note.”\u003c\/em\u003e – Zach Sheets, flutist, [Switch~ Ensemble]\u003cbr\u003e\u003cbr\u003e“\u003cem\u003e…his whimsical Where You Are takes the listener through a programmatic tale that is neither fact nor fiction.”\u003c\/em\u003e – Dana Jessen, bassoonist, Splinter Reeds.\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Juraj Kojs\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNeuma Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-09-24T17:40:04+09:00","created_at":"2021-09-24T15:44:16+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","neuma records"],"price":198000,"price_min":198000,"price_max":198000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40868336828581,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Juraj Kojs \/\/ Imagine CD","public_title":null,"options":["Default Title"],"price":198000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/im1_fb2c97bd-a5d6-4ea8-8f21-5ff6abc01820.jpg?v=1632465858","\/\/tobirarecords.com\/cdn\/shop\/products\/im2_4388de6f-aa2f-4bc2-935d-b2ff45ed32b6.jpg?v=1632465858"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/im1_fb2c97bd-a5d6-4ea8-8f21-5ff6abc01820.jpg?v=1632465858","options":["Title"],"media":[{"alt":null,"id":23819362140325,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/im1_fb2c97bd-a5d6-4ea8-8f21-5ff6abc01820.jpg?v=1632465858"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/im1_fb2c97bd-a5d6-4ea8-8f21-5ff6abc01820.jpg?v=1632465858","width":700},{"alt":null,"id":23819362173093,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/im2_4388de6f-aa2f-4bc2-935d-b2ff45ed32b6.jpg?v=1632465858"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/im2_4388de6f-aa2f-4bc2-935d-b2ff45ed32b6.jpg?v=1632465858","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1966164947\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003ehere\u003c\/a\u003e to see more Neuma Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNeuma Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eJuraj Kojš’s musical imagination is as wide ranging as his life journey, from his native Slovakia through Denmark, Virginia, and Miami, where he now lives, makes music and art, and teaches. In Imagine – this album of three far-reaching, exploratory ensemble works – traditional, contemporary and experimental ideas converge in a musical amalgam.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFeaturing an eclectic array of performers including Eric Umble (clarinet), Adam Marks (piano), [Switch~ Ensemble], Splinter Reeds, and Kojš himself (electronics and spoken word), and with its easy lines interweaving through complex structures, the music traverses a range of Postmodern and Postclassical expressions. Recounting imaginary stories based on reality, reinterpreting field recordings and enabling open platforms for performers to become creators, the composer’s transformational processes are reminiscent of Magical Realism, in which writers knit their narratives with reality-derived – yet often fantastic – characters, situations, and places.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAs Kojš puts it, “I wrote this music out of pure love for life, nature, people, and music itself. From the Hawaiian soundscape instrumentale to original poetry scores and Peter-and-the-Wolf-like storytelling, the music demanded visiting some\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e far outposts of expression. Each piece exhibits its own multiple time structures, expanding spheres of pitch, and timbral ecosystems. Some music was scored with utmost precision and some invited extensive decision-making from the performers. Thus, my collaborators were essential in creating this labyrinth of connected threads and pulses; a true living sonic organism: unique, sacred and real.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eImagine is dedicated to pianist Adam Marks, a long-time friend, collaborator and musician per excellence who passed over suddenly in May 2021.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e~\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cem\u003eFace Forward. Hawaii “reflects the subtle nuances present in the fantastical ecology of Hawaii.”\u003c\/em\u003e– Adam Marks, pianist\u003cbr\u003e\u003cbr\u003e“\u003cem\u003eThe ecological inspiration for the work [Face Forward. Hawaii] and its sonic results provide both performer and audience the opportunity to reflect on the human experience juxtaposed and intertwined with our natural world.”\u003c\/em\u003e – Eric Umble, clarinetist\u003cbr\u003e\u003cbr\u003e“\u003cem\u003eThe performance [of under the blanket of your lullabies] was one of those special moments that lingers in one’s memory long after the last note.”\u003c\/em\u003e – Zach Sheets, flutist, [Switch~ Ensemble]\u003cbr\u003e\u003cbr\u003e“\u003cem\u003e…his whimsical Where You Are takes the listener through a programmatic tale that is neither fact nor fiction.”\u003c\/em\u003e – Dana Jessen, bassoonist, Splinter Reeds.\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Juraj Kojs\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNeuma Records\u003c\/span\u003e\u003c\/p\u003e"}
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レーベルその他作品はこちら /// Click here to see more Neuma Records releases available at Tobira. -------------------------------- Text by Neuma...
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{"id":7062741024933,"title":"David Dunn \/\/ Verdant CD","handle":"david-dunn-verdant-cd","description":"\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1015851558\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003ehere\u003c\/a\u003e to see more Neuma Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"As a composer, David Dunn is probably best known for his interdisciplinary work that crosses the boundaries between art and science. This has included the fields of acoustic ecology, bioacoustics, interspecies communication and scientific sonification while creating a body of innovative sound work that has contributed to projects as diverse as sensory enhancement of healthcare environments and intervention strategies for forest and agricultural pests. He has invented microphones to record such phenomena as the sounds of bark beetles in trees, underwater invertebrates in freshwater ponds, and the ultrasonic communication of bats.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn Verdant, Dunn has returned to some of his more traditional musical roots to compose an exploration much closer to home, literally his backyard in Santa Fe, New Mexico. The aural complexity of this urban soundscape is ordinarily masked by layers of ambient city noise but the combination of the Easter Sunday holiday and Covid-19 pandemic shutdown allowed otherwise suppressed sounds to become readily audible. On top of this semi-wild soundscape (recorded at very high resolution), multiple sonic layers have been added that explore and accentuate the unedited ambient recording. Electronic drones and melodies are combined with\u003cspan class=\"bcTruncateMore\"\u003e harmonically rich patterns played by two electric violins. This creates a dense aural fabric interwoven with the prerecorded soundscape as distinct time streams move at different rates but interact with each other through shifting foreground\/background dynamics.\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cbr\u003e\u003cbr\u003eOn its surface Verdant probably seems, in its extreme embrace of tonality, reminiscent of much late 20th century music (Tenney, Riley, Oliveros, Behrman, Budd, Feldman, etc.) and many popular “ambient” genres. However, beneath this veneer there are possibly some other, less familiar ideas. The intent may have more to do with the idyllic and elegiac affect sought by the English Pastoral composers after the violence of World War I and not merely a Post-modern conceit. While the motivation for Verdant was largely a response to the dark circumstances of 2020, it hopefully speaks to a more optimistic future and the favorable attention to that which we might otherwise take for granted. \"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : David Dunn\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNeuma Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-09-24T17:43:38+09:00","created_at":"2021-09-24T15:34:50+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","contemporary \/ sound poetry","neuma records"],"price":198000,"price_min":198000,"price_max":198000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40868303012005,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"David Dunn \/\/ Verdant CD","public_title":null,"options":["Default Title"],"price":198000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ve1_ffc87cb5-1115-486f-8787-17cd11c11ed8.jpg?v=1632465291","\/\/tobirarecords.com\/cdn\/shop\/products\/ve2_f2d7fe47-4ce5-494d-902b-b7630f057b9d.jpg?v=1632465291"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ve1_ffc87cb5-1115-486f-8787-17cd11c11ed8.jpg?v=1632465291","options":["Title"],"media":[{"alt":null,"id":23819253055653,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ve1_ffc87cb5-1115-486f-8787-17cd11c11ed8.jpg?v=1632465291"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ve1_ffc87cb5-1115-486f-8787-17cd11c11ed8.jpg?v=1632465291","width":700},{"alt":null,"id":23819253088421,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ve2_f2d7fe47-4ce5-494d-902b-b7630f057b9d.jpg?v=1632465291"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ve2_f2d7fe47-4ce5-494d-902b-b7630f057b9d.jpg?v=1632465291","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1015851558\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003ehere\u003c\/a\u003e to see more Neuma Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"As a composer, David Dunn is probably best known for his interdisciplinary work that crosses the boundaries between art and science. This has included the fields of acoustic ecology, bioacoustics, interspecies communication and scientific sonification while creating a body of innovative sound work that has contributed to projects as diverse as sensory enhancement of healthcare environments and intervention strategies for forest and agricultural pests. He has invented microphones to record such phenomena as the sounds of bark beetles in trees, underwater invertebrates in freshwater ponds, and the ultrasonic communication of bats.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn Verdant, Dunn has returned to some of his more traditional musical roots to compose an exploration much closer to home, literally his backyard in Santa Fe, New Mexico. The aural complexity of this urban soundscape is ordinarily masked by layers of ambient city noise but the combination of the Easter Sunday holiday and Covid-19 pandemic shutdown allowed otherwise suppressed sounds to become readily audible. On top of this semi-wild soundscape (recorded at very high resolution), multiple sonic layers have been added that explore and accentuate the unedited ambient recording. Electronic drones and melodies are combined with\u003cspan class=\"bcTruncateMore\"\u003e harmonically rich patterns played by two electric violins. This creates a dense aural fabric interwoven with the prerecorded soundscape as distinct time streams move at different rates but interact with each other through shifting foreground\/background dynamics.\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cbr\u003e\u003cbr\u003eOn its surface Verdant probably seems, in its extreme embrace of tonality, reminiscent of much late 20th century music (Tenney, Riley, Oliveros, Behrman, Budd, Feldman, etc.) and many popular “ambient” genres. However, beneath this veneer there are possibly some other, less familiar ideas. The intent may have more to do with the idyllic and elegiac affect sought by the English Pastoral composers after the violence of World War I and not merely a Post-modern conceit. While the motivation for Verdant was largely a response to the dark circumstances of 2020, it hopefully speaks to a more optimistic future and the favorable attention to that which we might otherwise take for granted. \"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : David Dunn\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNeuma Records\u003c\/span\u003e\u003c\/p\u003e"}
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レーベルその他作品はこちら /// Click here to see more Neuma Records releases available at Tobira. -------------------------------- "As a...
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{"id":7036850634917,"title":"Illuminated Paths \/\/ Okinawa Rycom Crystal Hotel Late Night Cable Guide 1989 TAPE","handle":"illuminated-paths-okinawa-rycom-crystal-hotel-late-night-cable-guide-1989-tape","description":"\u003cp\u003eアメリカ・フロリダのヒップホップ〜ヴェイパーウェーブレーベルIlluminated Pathsを大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、当レーベルによる25本限定ヴェイパースクリュー作品です。コピーライトなんて関係ない180曲を収録。\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e※リサイクルケースを使用するコンセプチュアルレーベルのため、ケースに多少のダメージがあるものもございます。ご了承くださいませ。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1275770565\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/illpat\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/illpat\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/illpat\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/illpat\"\u003ehere\u003c\/a\u003e to see more Illuminated Paths releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 25.\u003c\/p\u003e\n\u003cp\u003eArtist : Illuminated Paths\u003c\/p\u003e\n\u003cp\u003eLabel : Illuminated Paths\u003c\/p\u003e","published_at":"2021-09-10T16:31:39+09:00","created_at":"2021-09-09T17:04:28+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","hiphop \/ funk","illuminated paths","tape"],"price":148000,"price_min":148000,"price_max":148000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40780584091813,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Illuminated Paths \/\/ Okinawa Rycom Crystal Hotel Late Night Cable Guide 1989 TAPE","public_title":null,"options":["Default Title"],"price":148000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ok1.jpg?v=1631174669","\/\/tobirarecords.com\/cdn\/shop\/products\/ok2.jpg?v=1631174670"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ok1.jpg?v=1631174669","options":["Title"],"media":[{"alt":null,"id":23660845269157,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ok1.jpg?v=1631174669"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ok1.jpg?v=1631174669","width":700},{"alt":null,"id":23660845301925,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ok2.jpg?v=1631174670"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ok2.jpg?v=1631174670","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・フロリダのヒップホップ〜ヴェイパーウェーブレーベルIlluminated Pathsを大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、当レーベルによる25本限定ヴェイパースクリュー作品です。コピーライトなんて関係ない180曲を収録。\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e※リサイクルケースを使用するコンセプチュアルレーベルのため、ケースに多少のダメージがあるものもございます。ご了承くださいませ。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1275770565\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/illpat\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/illpat\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/illpat\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/illpat\"\u003ehere\u003c\/a\u003e to see more Illuminated Paths releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 25.\u003c\/p\u003e\n\u003cp\u003eArtist : Illuminated Paths\u003c\/p\u003e\n\u003cp\u003eLabel : Illuminated Paths\u003c\/p\u003e"}
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アメリカ・フロリダのヒップホップ〜ヴェイパーウェーブレーベルIlluminated Pathsを大量入荷しました。 本作は、当レーベルによる25本限定ヴェイパースクリュー作品です。コピーライトなんて関係ない180曲を収録。DLコード付属。 ※リサイクルケースを使用するコンセプチュアルレーベルのため、ケースに多少のダメージがあるものもございます。ご了承くださいませ。 レーベルその他作品はこちら /// Click here to see more Illuminated Paths releases available at Tobira. ...
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{"id":7001538855077,"title":"Seiji Nagai \/\/ Electronic Works CD \/ CD+POSTER","handle":"seiji-nagai-electronic-works-cd-cd-poster","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e日本のサイケバンドタージマハル旅行団オリジナルメンバー\u003cmeta charset=\"utf-8\"\u003e永井清治の発掘作品がこの度CDリリースされました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e1979年夏に開催された1週間に\u003cwbr data-mce-fragment=\"1\"\u003eわたるイベント「第五列週間！」\u003cmeta charset=\"utf-8\"\u003eのポスター復刻版（20%縮刷）が付属する限定版もございます。\u003c\/wbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベル解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e永井清治は1969年のタージマハル旅行団結成時のオリジナルメンバーの一人である。タージマハル以後の1970年代後期からはインド音楽に傾倒し、本場でシタールを習得したが、同時期にコンピューターでの音楽制作も始めていた。この作品は交流があった岩手・盛岡在住の即興演奏家ONNYKが保管していた、その当時の作品である。パソコン自体はあったとはいえ、現代の洗練された音楽制作環境とは程遠い状況で作られた30分もの長尺の2曲《ミディアム》と《海》は、彼自身のコンピューター音楽の原点といえるもの。永井氏ほか関係者からの聞き取りを反映したONNYKによるライナーに加え、永井氏も参加した彼の企画のイベントの写真や資料など、それ自体70-80年代実験音楽シーンの一部でもある。\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1112631547\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"tobirec4\" href=\"https:\/\/soundcloud.com\/user-249530843\" target=\"_blank\"\u003etobirec4\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"OP0017 - A\" href=\"https:\/\/soundcloud.com\/user-249530843\/op0017-a\" target=\"_blank\"\u003eOP0017 - A\u003c\/a\u003e\n\u003c\/div\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1112631640\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"tobirec4\" href=\"https:\/\/soundcloud.com\/user-249530843\" target=\"_blank\"\u003etobirec4\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"OP0017 - B\" href=\"https:\/\/soundcloud.com\/user-249530843\/op0017-b\" target=\"_blank\"\u003eOP0017 - B\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cem\u003eBorn in Tokyo in 1948, Nagai studied drums in a music class when he was in junior high school. 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{"id":6986893099173,"title":"Elizabeth Chin, Anetude \"Zaza\" Geffrard, Casey Anderson \/\/ yon ti vizit 12\"","handle":"elizabeth-chin-anetude-zaza-geffrard-casey-anderson-yon-ti-vizit-lp","description":"\u003cp\u003eアメリカ・LAの実験レーベルA Wave Press主宰のサウンドアーティストCasey Andersonが、\u003cspan data-mce-fragment=\"1\"\u003eカリブ海に浮かぶ島ハイチ・ゴナーブ島に継承されるヴードゥー教の霊媒儀式を収録したフィールドレコーディング作品です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eB面はエッチングが施されている、180g重量レッドヴァイナルです。不思議な魅力を感じるミステリアスな一枚。DLコード付属。以下、レーベル解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2019年7月、ハイチのラ・ゴナヴェ島の小さな村、マテヌワで、エリザベス・チンと私は友人のアネチュード・\"ザザ\"・ゲフラールの家で、パーティーが始まるのを待っているところです。このパーティーには地元のヴードゥー・ドラマーが参加しているので、彼らの演奏を録音しようと思ってフィールドレコーダーを持ってきたのです。祖父の家はクモの巣に覆われていて、彼女の家の裏手にあります。私たちは、彼女の娘（ロザリンダ）と幼い息子（ビリー・グラハム、収録の冒頭で泣いている子）を連れて、薄い木の扉から家に入った。子供たちが追い払われた後、ザザは自分の祭壇を見せたいと言って、祭壇の前で祈りを始める。その後すぐに精霊（Ogou Feray）が彼女のところにやってきて、ちょっとしたお参りをする (Yon ti vizit)”\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2093205976\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/awp\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/awp\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/awp\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/awp\"\u003ehere\u003c\/a\u003e to see more A Wave Press releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e----------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEdition of 300.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDeluxe single-sided LP pressed on 180g red vinyl in a red 12\" jacket. A-side is the recording, B-side features etchings designed by Steven Ziadie. \u003cstrong\u003eNote: do not try to play the B-side on your turntable!\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e----\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eDesription by \u003cmeta charset=\"utf-8\"\u003eA Wave Press:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eIt's July, 2019 in Matènwa, a small village on the island of La Gonâve, Haiti, and Elizabeth Chin and I are hanging out at our friend Anetude \"Zaza\" Geffrard's house while we wait for a party to start. This party involves local voudou drummers so I'm carrying my field recorder in the hopes of recording some of their performance later. As we wait Zaza asks us if we want to see her Grandfather's house, an older structure covered in cobwebs tucked behind hers that we didn't know was there. We walk over with her daughter (Rosalinda) and infant son (Billy Graham, crying at the beginning of the recording) and enter the two room house through a thin, wooden door. Once inside, and after the kids have been shooed away, Zaza says she wants to show us her altar and begins praying in front of it. Shortly thereafter a spirit (Ogou Feray) comes to her and we have a little visit (yon ti vizit).\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Elizabeth Chin, Anetude \"Zaza\" Geffrard, Casey Anderson\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eA Wave Press\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-08-19T11:06:33+09:00","created_at":"2021-08-19T10:05:17+09:00","vendor":"Tobira Records","type":"","tags":["a wave press","contemporary \/ sound poetry","field recording","lp","monooto"],"price":485000,"price_min":485000,"price_max":485000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40611541811365,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Elizabeth Chin, Anetude \"Zaza\" Geffrard, Casey Anderson \/\/ yon ti vizit 12\"","public_title":null,"options":["Default Title"],"price":485000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/yo1_80dd631a-126a-4667-8aa9-5fdbc8178c86.jpg?v=1629335119","\/\/tobirarecords.com\/cdn\/shop\/products\/yo2_db97f8dd-b11b-483d-962b-f9156d2f8535.jpg?v=1629335119","\/\/tobirarecords.com\/cdn\/shop\/products\/yo3.jpg?v=1629335121"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/yo1_80dd631a-126a-4667-8aa9-5fdbc8178c86.jpg?v=1629335119","options":["Title"],"media":[{"alt":null,"id":23411330547877,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/yo1_80dd631a-126a-4667-8aa9-5fdbc8178c86.jpg?v=1629335119"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/yo1_80dd631a-126a-4667-8aa9-5fdbc8178c86.jpg?v=1629335119","width":700},{"alt":null,"id":23411330580645,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/yo2_db97f8dd-b11b-483d-962b-f9156d2f8535.jpg?v=1629335119"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/yo2_db97f8dd-b11b-483d-962b-f9156d2f8535.jpg?v=1629335119","width":1200},{"alt":null,"id":23411330613413,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/yo3.jpg?v=1629335121"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/yo3.jpg?v=1629335121","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・LAの実験レーベルA Wave Press主宰のサウンドアーティストCasey Andersonが、\u003cspan data-mce-fragment=\"1\"\u003eカリブ海に浮かぶ島ハイチ・ゴナーブ島に継承されるヴードゥー教の霊媒儀式を収録したフィールドレコーディング作品です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eB面はエッチングが施されている、180g重量レッドヴァイナルです。不思議な魅力を感じるミステリアスな一枚。DLコード付属。以下、レーベル解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2019年7月、ハイチのラ・ゴナヴェ島の小さな村、マテヌワで、エリザベス・チンと私は友人のアネチュード・\"ザザ\"・ゲフラールの家で、パーティーが始まるのを待っているところです。このパーティーには地元のヴードゥー・ドラマーが参加しているので、彼らの演奏を録音しようと思ってフィールドレコーダーを持ってきたのです。祖父の家はクモの巣に覆われていて、彼女の家の裏手にあります。私たちは、彼女の娘（ロザリンダ）と幼い息子（ビリー・グラハム、収録の冒頭で泣いている子）を連れて、薄い木の扉から家に入った。子供たちが追い払われた後、ザザは自分の祭壇を見せたいと言って、祭壇の前で祈りを始める。その後すぐに精霊（Ogou Feray）が彼女のところにやってきて、ちょっとしたお参りをする (Yon ti vizit)”\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2093205976\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/awp\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/awp\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/awp\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/awp\"\u003ehere\u003c\/a\u003e to see more A Wave Press releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e----------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEdition of 300.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDeluxe single-sided LP pressed on 180g red vinyl in a red 12\" jacket. A-side is the recording, B-side features etchings designed by Steven Ziadie. \u003cstrong\u003eNote: do not try to play the B-side on your turntable!\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e----\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eDesription by \u003cmeta charset=\"utf-8\"\u003eA Wave Press:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eIt's July, 2019 in Matènwa, a small village on the island of La Gonâve, Haiti, and Elizabeth Chin and I are hanging out at our friend Anetude \"Zaza\" Geffrard's house while we wait for a party to start. This party involves local voudou drummers so I'm carrying my field recorder in the hopes of recording some of their performance later. As we wait Zaza asks us if we want to see her Grandfather's house, an older structure covered in cobwebs tucked behind hers that we didn't know was there. We walk over with her daughter (Rosalinda) and infant son (Billy Graham, crying at the beginning of the recording) and enter the two room house through a thin, wooden door. Once inside, and after the kids have been shooed away, Zaza says she wants to show us her altar and begins praying in front of it. Shortly thereafter a spirit (Ogou Feray) comes to her and we have a little visit (yon ti vizit).\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Elizabeth Chin, Anetude \"Zaza\" Geffrard, Casey Anderson\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eA Wave Press\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・LAの実験レーベルA Wave Press主宰のサウンドアーティストCasey Andersonが、カリブ海に浮かぶ島ハイチ・ゴナーブ島に継承されるヴードゥー教の霊媒儀式を収録したフィールドレコーディング作品です。 B面はエッチングが施されている、180g重量レッドヴァイナルです。不思議な魅力を感じるミステリアスな一枚。DLコード付属。以下、レーベル解説です。 "2019年7月、ハイチのラ・ゴナヴェ島の小さな村、マテヌワで、エリザベス・チンと私は友人のアネチュード・"ザザ"・ゲフラールの家で、パーティーが始まるのを待っているところです。このパーティーには地元のヴードゥー・ドラマーが参加しているので、彼らの演奏を録音しようと思ってフィールドレコーダーを持ってきたのです。祖父の家はクモの巣に覆われていて、彼女の家の裏手にあります。私たちは、彼女の娘（ロザリンダ）と幼い息子（ビリー・グラハム、収録の冒頭で泣いている子）を連れて、薄い木の扉から家に入った。子供たちが追い払われた後、ザザは自分の祭壇を見せたいと言って、祭壇の前で祈りを始める。その後すぐに精霊（Ogou Feray）が彼女のところにやってきて、ちょっとしたお参りをする (Yon ti vizit)” レーベルその他作品はこちら /// Click here to see more...
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{"id":6983067304101,"title":"Teletopa \/\/ Tokyo 1972 3xLP","handle":"teletopa-tokyo-1972-3xlp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eオーストラリア・シドニーの実験音楽家\u003cmeta charset=\"utf-8\"\u003eDavid Ahern率いる即興グループTeletopaの秘蔵音源が40年の月日を経て初めて3枚組レコードにてリリース。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eDavid AhernはドイツにてStockhausenに師事し、Cornelius CardewとともにLa Monte Youngの演奏を行った人物で、70年代オーストラリアの実験音楽シーンに多大な影響をもたらしました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e本作は、NHKにて行われたインプロパフォーマンスを収録した特大ボリュームの3枚組レコードです。インサート付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3548018686\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/splre\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/splre\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/splre\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/splre\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more - releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------\u003c\/p\u003e\n\u003cp\u003eAccompanying descrition by Splitrec:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn 1968 the young Sydney composer David Ahern studied in Germany with Stockhausen where he met Cornelius Cardew. The next year he travelled onto London attending Cardew’s classes in ‘Experimental Music’ at Morley College and – in a mammoth seven-hour concert at the Roundhouse on 4 May – participated (with Cardew) in performances of La Monte Young’s String Trio and also took part in the realisation of Paragraph 2 of Cardew’s The Great Learning which proved to be the catalyst for the formation of the Scratch Orchestra. These were revolutionary and defining moments in C20th music.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eReturning to Sydney in 1970, one of his aims was to set up an electro-acoustic improvisation group - Teletopa was founded in Sydney in late 1970 by Ahern, Peter Evans and Roger Frampton.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTokyo 1972 - The Triple LP or Double CD release - features two 50min improvisations from a radio session at NHK studios Tokyo. The group was Ahern, Frampton, Evans and Geoffrey Collins and they were completing a 1972 world tour. The group broke up on their return to Sydney. Only a small example of their work has ever been released before.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLiner notes are a manifesto by Ahern from a 1971 pamphlet, and a newly penned Potted History of Teletopa by Geoffrey\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e Barnard, who had been a member of the group from September 1971 until July 1972.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe tapes have sat in boxes for 42 years - with this release we can hear that Sydney in the early 1970's had a group at the forefront of musical experimentation with a unique take on free improvisation.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis document is not just important for Australian music – it should establish them posthumously as one of the most interesting developments in experimental music anywhere in the world at this time.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e------\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003eA Potted History of Teletopa:\u003cbr\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"The electro-acoustic improvisation group Teletopa was founded in Sydney in late 1970 by David Ahern, Peter Evans and Roger Frampton and was one of two sub-groups to emerge out of the parent organisation AZ Music during the period 1970-72. (The other group was the Sunday Ensemble which was formed in mid-1971 comprised of both ‘trained’ and ‘untrained’ musicians, initially to perform such works by Cornelius Cardew as Treatise and Schooltime Special.)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePhillip L Ryan came up with the name ‘Teletopa’ for the group: ‘topa’, from the Greek tópos, meaning ‘the place of the origin of ideas’; ‘tele’, meaning ‘far, distant, an openness to any ideas whatsoever’.1 In this regard, Ryan contended that the activities of the group could (potentially) extend beyond music,2 while Ahern averred that the prefix ‘tele’ was indicative of the group’s willingness to use sound materials which may be found ‘in every corner of the globe.’3 More recently, Ryan has recalled that, at the time he decided upon the name ‘Teletopa’, he was reading the work of the Japanese philosopher Kitaro Nishida and that the name of the group essentially means ‘distant field’, ‘field’ being apposite for the sound of Teletopa.4\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAhern had been in London in 1969 where he attended Cardew’s classes in ‘Experimental Music’ at Morley College and – in a mammoth seven-hour concert at the Roundhouse on 4 May – participated (with Cardew) in performances of La Monte Young’s String Trio and Terry Jennings’ String Quartet and also took part in the realisation of Paragraph 2 of Cardew’s The Great Learning which proved to be the catalyst for the formation of the Scratch Orchestra.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDuring his stint in London, Ahern had the opportunity to hear the English group AMM (the membership of which then comprised Cardew, Lou Gare, Christopher Hobbs, Eddie Prévost and Keith Rowe). In comparison with other improvisation groups which were formed during the 1960s – in particular the Gruppo di Improvvisazione Nuova Consonanza and Musica Elettronica Viva (Rome) and the Taj Mahal Travellers (Tokyo) – AMM was the clear prototype for Teletopa, not only in regard to the type of improvisation Teletopa promulgated, but to the general ethos of the group as well. In fact, much of what has been said about AMM could apply equally to Teletopa. As Michael Nyman has pointed out, the membership of MEV, for instance, ‘frequently changed according to who happened to be around at any time; other musicians sat in and played with the hard-core members (Frederic Rzewski, Richard Teitelbaum, Alvin Curran, Allan Bryant) and were welcomed more openly than they were by AMM, extremely self-contained and private, basically hostile to “outsiders”.’5\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe membership of Teletopa was no less hostile to ‘outsiders’ than was that of AMM. In this way, the group was able to cultivate an identity which developed over time in which that of each of the individual players was subsumed. As a consequence, a viable, open form of music-making came about which hinged on a strong sense of communality and mutual aid within the group, what John Tilbury has referred to (in relation to AMM) as ‘a uniquely collectivist mode of playing.’6\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhile Ahern, Evans and Frampton were the founder members, Linda Wilson also played with the group for the first three months, mostly on bowed cymbal. This culminated in a performance by Teletopa at the Sydney Town Hall on 16 February 1971, simultaneously with a realisation of Paragraph 2 of The Great Learning by an augmented AZ Music Ensemble, as part of that year’s Prom concert series. As local critic Frank Harris reported, the performance ‘was a disaster. Hundreds walked out in the first fifteen minutes and then the mob took over in a howling opposition which turned the concert into a near-riot.’7\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFrom May 1971 until August that year, Ryan was a member of the group, and on 10 August the line-up of Ahern, Evans, Frampton and Ryan performed at the University of Melbourne’s Melba Hall as part of ‘The State of the Art of Electronic Music in Australia’, the first national seminar on electronic music to be held in Australia. Frampton recalled Ryan’s contribution to the group’s overall sound in glowing terms, stipulating that he ‘was a virtuoso of the radio. His playing of this instrument was stimulating, challenging and confront- ing. His “secret” was his ability to memorise the Radio Guide and to tune in to an appropriate station at just the right time.’8\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn September, I joined the group, primarily to replace Peter Evans, who was about to head off to work in Calgary, Canada for the next ten months in his capacity as a computer programmer; then in March 1972, Geoffrey Collins was added as a member. From 15 to 18 May, the group conducted music workshops at the Australian National University in Canberra in conjunction with the UNESCO seminar on ‘Youth and the Arts: Culture and Counter-Culture’. On 22 July, just prior to setting off on an overseas tour, Teletopa (Ahern, Collins, Frampton and myself) performed in Sydney for the last time at the Cell Block Theatre – two fifteen-minute ‘fragments’ of improvisation – in a concert (‘Action Music Theatre’) organised by the English composer and percussionist Bernard Rands, which also featured a realisation of Cardew’s Memories of You by Roger Frampton.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAt virtually the same time that Teletopa was formed, the Inhibodress Gallery was established in the inner-Sydney suburb of Woolloomooloo. Inhibodress was the first artist-run space in Australia, initiated, financed and maintained solely by artists,9 and became the primary venue for post-object art10 in Sydney.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFrom the outset, the members of Teletopa were financial members of the Inhibodress co-operative, contributing on a weekly basis towards rent and other overheads. Consequently, for nearly two years, Teletopa played in the gallery virtually every Monday night. Though these improvisatory sessions were private, conducted behind closed doors, in no sense were they rehearsals of any sort; in spite of the absence of an audience, they were nevertheless full-fledged performances. As Cardew maintained, ‘improvisation cannot be rehearsed. Training is substituted for rehearsal, and a certain moral discipline is an essential part of this training.’11\u003cbr data-mce-fragment=\"1\"\u003eIn an essay Ahern wrote prior to the formation of Teletopa, he insisted that ‘music is now able to be not so much “listened to” but “existed in”. One walks into a set of situations (art) just as one walks down the street (life).’12 While this conviction had obvious implications for developments in the areas of sound environments and installations, it was also directly relevant to the type of improvisation Teletopa propagated: the group would invariably play for at least ninety minutes, often longer, at a fairly high level of amplification,13 with audience members free to come and go as they pleased.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt’s important to bear in mind that Teletopa utilised no electronic technology in performance other than contact microphones, which were used to amplify all sound sources. These sound sources ranged from conventional instruments such as violin (Ahern), saxophone (Frampton) and flute (Collins), to percussive devices such as cymbal (usually bowed or scraped), sheets of tin and masonite, plates of glass, various implements made of plastic, metal or wood and short-wave radio. On his way to Inhibodress, Frampton often collected objects he found lying in the street which he would then use in performance, necessitating the invention of playing methods for these objects. For a time during 1971, Frampton would attach an old alto saxophone to an Electrolux vacuum cleaner and allow the resulting sounds to issue forth unimpededly. In effect, this configuration of saxophone and vacuum cleaner was akin to the addition of another player. The sounds produced ‘were some of the loudest’ Frampton had ever heard. ‘They were completely unpredictable and totally fascinating.’14\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTeletopa’s quest for new or unknown sounds was often fraught with danger, yet such precariousness is an intrinsic part of the very fabric of free improvisation. In a review of Teletopa’s performance at Melba Hall, the Australian composer Ernie Gallagher was compelled to remark that ‘the importance of Teletopa sounds lie not so much with their life but with the nature of their death, their relevancy being moulded by the context in which they are created.\u003cbr data-mce-fragment=\"1\"\u003eThat is, for its purposes, the sound dies after its having been performed – otherwise it would no longer be Improvisation, no longer sound created “at the Instant of Now”.’15\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA little over a week after performing in the concert organised by Rands at the Cell Block Theatre, Teletopa embarked on a two-month overseas tour. The group had been invited by Stanley Lunetta and Arthur Woodbury, editors of the American new music journal SOURCE: music of the avant garde, to participate in ICES, the International Carnival of Experimental Sound, which was held in the UK from 13 to 27 August. However, the group first went to Manila, then to Rome, before linking up with Peter Evans in London, his duties in Calgary having concluded. Teletopa also had non-playing commitments in late August and early September in Munich, Cologne, Kassel, Hamburg and Amsterdam, interacting with composers such as Rzewski, Karlheinz Stockhausen16 and Mauricio Kagel during this time. The group returned to Sydney from Amsterdam via New York and Tokyo.\u003cbr data-mce-fragment=\"1\"\u003eWhile in Manila, Teletopa functioned more as a contemporary ensemble than an improvisation group per se: in a concert at the CCP Little Theatre on 3 August, the group gave performances of Christian Wolff’s Duo for Pianists II and Steve Reich’s Piano Phase (Collins and Frampton, pianos), Ahern’s Stereo\/Mono (Frampton, wind soloist), Frampton’s Things to do for Musicians and Stockhausen’s Set Sail for the Sun (from Aus den Sieben Tagen), in addition to an extended improvisation.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn the UK, Teletopa performed at the Cambridge Union on 16 August and the Round- house on 23 August and also took part in events aboard the ‘Music Train’, an actual train which left King’s Cross Station on 21 August en route to Edinburgh with 600 musicians and artists on board. Regrettably, during the group’s time in England, marked tensions developed between Ahern and Frampton. According to Frampton, Ahern wanted to predetermine how the improvisations should flow, whereas he and Evans ‘felt obligated to improvise without regard to “standards”. We felt it was an inherent risk that improvisation would sometimes be more successful than at other times. David wanted to exercise more control, whereas Peter and I deliberately sabotaged David’s attempts to steer the music in a certain direction. Eventually these differences came to a head and Peter and I decided to leave the group on our return to Australia.’17\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTeletopa was in Tokyo from 14 to 26 September. Of major significance during the time spent there were the two studio improvisations featured on this double CD set, along with a performance by Collins and Frampton of Piano Phase, which were recorded by NHK Radio. Just prior to returning to Sydney, the group played in a ‘pub restaurant’, again in its guise as a contemporary ensemble, with realisations of Set Sail for the Sun, Cardew’s Treatise and How to Play the Piano (Frampton, piano solo) by the Australian composer Robert Irving. Sadly, these were the final performances ever given by Teletopa, with the group disbanding upon its return to Sydney.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e1 Phillip L Ryan, in Barry Lowe, ‘Interview with Teletopa’, in Music Now vol 2, no 1 (April 1972), p 21. 2 Ibid. 3 David Ahern, ‘Teletopa’, in Music Now vol 2, no 1 (April 1972), p 20. 4 Ryan, letter to Geoffrey Barnard, 25 October 2011.\u003cbr data-mce-fragment=\"1\"\u003e5 Michael Nyman, Experimental Music: Cage and beyond (London: Studio Vista, 1974), p 109.\u003cbr data-mce-fragment=\"1\"\u003e6 John Tilbury, Cornelius Cardew (1936-1981): a life unfinished (Matching Tye, UK: Copula, 2008), p 289, original emphasis.\u003cbr data-mce-fragment=\"1\"\u003e7 Frank Harris, ‘“Mods” Took a Thrashing’, in The Daily Mirror, Wednesday, 17 February 1971, p 24.\u003cbr data-mce-fragment=\"1\"\u003e8 Roger Frampton, ‘Teletopa, AZ Music, Free Kata and Free Improvised Music in Australia: an Autobiographical Perspective’, in Sounds Australian: Journal of Australian Music no 32 (Summer 1991-92), p 22.\u003cbr data-mce-fragment=\"1\"\u003e9 See David Bromfield, Identities: A Critical Study of the Work of Mike Parr 1970-1990 (Nedlands WA: University of Western Australia Press, 1991), pp 8-9.\u003cbr data-mce-fragment=\"1\"\u003e10 The term ‘post-object art’ is used here to encompass a diverse range of artistic activity, including conceptual art, process art, installations, mixed-media performance, indeterminate composition, free improvisation, concrete and sound poetry, etc.\u003cbr data-mce-fragment=\"1\"\u003e11 Cornelius Cardew, ‘Towards an Ethic of Improvisation’, in Treatise Handbook (London, Frankfurt and New York: Edition Peters, 1971), p xvii, added emphasis.\u003cbr data-mce-fragment=\"1\"\u003e12 David Ahern, ‘Notes on Expansion’, in Other Voices vol1, no 2 (August\/September 1970), p 35.\u003cbr data-mce-fragment=\"1\"\u003e13 The Australian improviser Jim Denley claims that, at the time, it was the loudest music he had experienced: see Jim Denley, ‘Networks, playfulness and collectivity: Improv in Australia, 1972-2007’, in Gail Priest (ed), Experimental Music: Audio Explorations in Australia (Sydney: UNSW Press, 2009), p 137.\u003cbr data-mce-fragment=\"1\"\u003e14 Frampton, op cit, p 22.\u003cbr data-mce-fragment=\"1\"\u003e15 Ernest Gallagher, ‘The State of the Art: Electronic Music Seminar’, in Music Maker (October 1971), p 28. 16 Ahern had studied with Stockhausen in 1968 at his International New Music Courses in Darmstadt (the Musik für ein Haus project) and Cologne New Music courses. 17 Frampton, op cit, p 23.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Teletopa\u003c\/p\u003e\n\u003cp\u003eLabel : Splitrec\u003c\/p\u003e","published_at":"2021-08-18T17:44:13+09:00","created_at":"2021-08-17T10:43:49+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","lp","monooto"],"price":548000,"price_min":548000,"price_max":548000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40598287548581,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Teletopa \/\/ Tokyo 1972 3xLP","public_title":null,"options":["Default Title"],"price":548000,"weight":580,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/to1_fc4908f7-8ac0-4722-98ae-2b26a0f06913.jpg?v=1629164631"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/to1_fc4908f7-8ac0-4722-98ae-2b26a0f06913.jpg?v=1629164631","options":["Title"],"media":[{"alt":null,"id":23384621318309,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/to1_fc4908f7-8ac0-4722-98ae-2b26a0f06913.jpg?v=1629164631"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/to1_fc4908f7-8ac0-4722-98ae-2b26a0f06913.jpg?v=1629164631","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eオーストラリア・シドニーの実験音楽家\u003cmeta charset=\"utf-8\"\u003eDavid Ahern率いる即興グループTeletopaの秘蔵音源が40年の月日を経て初めて3枚組レコードにてリリース。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eDavid AhernはドイツにてStockhausenに師事し、Cornelius CardewとともにLa Monte Youngの演奏を行った人物で、70年代オーストラリアの実験音楽シーンに多大な影響をもたらしました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e本作は、NHKにて行われたインプロパフォーマンスを収録した特大ボリュームの3枚組レコードです。インサート付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3548018686\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/splre\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/splre\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/splre\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/splre\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more - releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------\u003c\/p\u003e\n\u003cp\u003eAccompanying descrition by Splitrec:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn 1968 the young Sydney composer David Ahern studied in Germany with Stockhausen where he met Cornelius Cardew. The next year he travelled onto London attending Cardew’s classes in ‘Experimental Music’ at Morley College and – in a mammoth seven-hour concert at the Roundhouse on 4 May – participated (with Cardew) in performances of La Monte Young’s String Trio and also took part in the realisation of Paragraph 2 of Cardew’s The Great Learning which proved to be the catalyst for the formation of the Scratch Orchestra. These were revolutionary and defining moments in C20th music.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eReturning to Sydney in 1970, one of his aims was to set up an electro-acoustic improvisation group - Teletopa was founded in Sydney in late 1970 by Ahern, Peter Evans and Roger Frampton.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTokyo 1972 - The Triple LP or Double CD release - features two 50min improvisations from a radio session at NHK studios Tokyo. The group was Ahern, Frampton, Evans and Geoffrey Collins and they were completing a 1972 world tour. The group broke up on their return to Sydney. Only a small example of their work has ever been released before.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLiner notes are a manifesto by Ahern from a 1971 pamphlet, and a newly penned Potted History of Teletopa by Geoffrey\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e Barnard, who had been a member of the group from September 1971 until July 1972.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe tapes have sat in boxes for 42 years - with this release we can hear that Sydney in the early 1970's had a group at the forefront of musical experimentation with a unique take on free improvisation.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis document is not just important for Australian music – it should establish them posthumously as one of the most interesting developments in experimental music anywhere in the world at this time.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e------\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003eA Potted History of Teletopa:\u003cbr\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"The electro-acoustic improvisation group Teletopa was founded in Sydney in late 1970 by David Ahern, Peter Evans and Roger Frampton and was one of two sub-groups to emerge out of the parent organisation AZ Music during the period 1970-72. (The other group was the Sunday Ensemble which was formed in mid-1971 comprised of both ‘trained’ and ‘untrained’ musicians, initially to perform such works by Cornelius Cardew as Treatise and Schooltime Special.)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePhillip L Ryan came up with the name ‘Teletopa’ for the group: ‘topa’, from the Greek tópos, meaning ‘the place of the origin of ideas’; ‘tele’, meaning ‘far, distant, an openness to any ideas whatsoever’.1 In this regard, Ryan contended that the activities of the group could (potentially) extend beyond music,2 while Ahern averred that the prefix ‘tele’ was indicative of the group’s willingness to use sound materials which may be found ‘in every corner of the globe.’3 More recently, Ryan has recalled that, at the time he decided upon the name ‘Teletopa’, he was reading the work of the Japanese philosopher Kitaro Nishida and that the name of the group essentially means ‘distant field’, ‘field’ being apposite for the sound of Teletopa.4\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAhern had been in London in 1969 where he attended Cardew’s classes in ‘Experimental Music’ at Morley College and – in a mammoth seven-hour concert at the Roundhouse on 4 May – participated (with Cardew) in performances of La Monte Young’s String Trio and Terry Jennings’ String Quartet and also took part in the realisation of Paragraph 2 of Cardew’s The Great Learning which proved to be the catalyst for the formation of the Scratch Orchestra.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDuring his stint in London, Ahern had the opportunity to hear the English group AMM (the membership of which then comprised Cardew, Lou Gare, Christopher Hobbs, Eddie Prévost and Keith Rowe). In comparison with other improvisation groups which were formed during the 1960s – in particular the Gruppo di Improvvisazione Nuova Consonanza and Musica Elettronica Viva (Rome) and the Taj Mahal Travellers (Tokyo) – AMM was the clear prototype for Teletopa, not only in regard to the type of improvisation Teletopa promulgated, but to the general ethos of the group as well. In fact, much of what has been said about AMM could apply equally to Teletopa. As Michael Nyman has pointed out, the membership of MEV, for instance, ‘frequently changed according to who happened to be around at any time; other musicians sat in and played with the hard-core members (Frederic Rzewski, Richard Teitelbaum, Alvin Curran, Allan Bryant) and were welcomed more openly than they were by AMM, extremely self-contained and private, basically hostile to “outsiders”.’5\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe membership of Teletopa was no less hostile to ‘outsiders’ than was that of AMM. In this way, the group was able to cultivate an identity which developed over time in which that of each of the individual players was subsumed. As a consequence, a viable, open form of music-making came about which hinged on a strong sense of communality and mutual aid within the group, what John Tilbury has referred to (in relation to AMM) as ‘a uniquely collectivist mode of playing.’6\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhile Ahern, Evans and Frampton were the founder members, Linda Wilson also played with the group for the first three months, mostly on bowed cymbal. This culminated in a performance by Teletopa at the Sydney Town Hall on 16 February 1971, simultaneously with a realisation of Paragraph 2 of The Great Learning by an augmented AZ Music Ensemble, as part of that year’s Prom concert series. As local critic Frank Harris reported, the performance ‘was a disaster. Hundreds walked out in the first fifteen minutes and then the mob took over in a howling opposition which turned the concert into a near-riot.’7\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFrom May 1971 until August that year, Ryan was a member of the group, and on 10 August the line-up of Ahern, Evans, Frampton and Ryan performed at the University of Melbourne’s Melba Hall as part of ‘The State of the Art of Electronic Music in Australia’, the first national seminar on electronic music to be held in Australia. Frampton recalled Ryan’s contribution to the group’s overall sound in glowing terms, stipulating that he ‘was a virtuoso of the radio. His playing of this instrument was stimulating, challenging and confront- ing. His “secret” was his ability to memorise the Radio Guide and to tune in to an appropriate station at just the right time.’8\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn September, I joined the group, primarily to replace Peter Evans, who was about to head off to work in Calgary, Canada for the next ten months in his capacity as a computer programmer; then in March 1972, Geoffrey Collins was added as a member. From 15 to 18 May, the group conducted music workshops at the Australian National University in Canberra in conjunction with the UNESCO seminar on ‘Youth and the Arts: Culture and Counter-Culture’. On 22 July, just prior to setting off on an overseas tour, Teletopa (Ahern, Collins, Frampton and myself) performed in Sydney for the last time at the Cell Block Theatre – two fifteen-minute ‘fragments’ of improvisation – in a concert (‘Action Music Theatre’) organised by the English composer and percussionist Bernard Rands, which also featured a realisation of Cardew’s Memories of You by Roger Frampton.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAt virtually the same time that Teletopa was formed, the Inhibodress Gallery was established in the inner-Sydney suburb of Woolloomooloo. Inhibodress was the first artist-run space in Australia, initiated, financed and maintained solely by artists,9 and became the primary venue for post-object art10 in Sydney.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFrom the outset, the members of Teletopa were financial members of the Inhibodress co-operative, contributing on a weekly basis towards rent and other overheads. Consequently, for nearly two years, Teletopa played in the gallery virtually every Monday night. Though these improvisatory sessions were private, conducted behind closed doors, in no sense were they rehearsals of any sort; in spite of the absence of an audience, they were nevertheless full-fledged performances. As Cardew maintained, ‘improvisation cannot be rehearsed. Training is substituted for rehearsal, and a certain moral discipline is an essential part of this training.’11\u003cbr data-mce-fragment=\"1\"\u003eIn an essay Ahern wrote prior to the formation of Teletopa, he insisted that ‘music is now able to be not so much “listened to” but “existed in”. One walks into a set of situations (art) just as one walks down the street (life).’12 While this conviction had obvious implications for developments in the areas of sound environments and installations, it was also directly relevant to the type of improvisation Teletopa propagated: the group would invariably play for at least ninety minutes, often longer, at a fairly high level of amplification,13 with audience members free to come and go as they pleased.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt’s important to bear in mind that Teletopa utilised no electronic technology in performance other than contact microphones, which were used to amplify all sound sources. These sound sources ranged from conventional instruments such as violin (Ahern), saxophone (Frampton) and flute (Collins), to percussive devices such as cymbal (usually bowed or scraped), sheets of tin and masonite, plates of glass, various implements made of plastic, metal or wood and short-wave radio. On his way to Inhibodress, Frampton often collected objects he found lying in the street which he would then use in performance, necessitating the invention of playing methods for these objects. For a time during 1971, Frampton would attach an old alto saxophone to an Electrolux vacuum cleaner and allow the resulting sounds to issue forth unimpededly. In effect, this configuration of saxophone and vacuum cleaner was akin to the addition of another player. The sounds produced ‘were some of the loudest’ Frampton had ever heard. ‘They were completely unpredictable and totally fascinating.’14\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTeletopa’s quest for new or unknown sounds was often fraught with danger, yet such precariousness is an intrinsic part of the very fabric of free improvisation. In a review of Teletopa’s performance at Melba Hall, the Australian composer Ernie Gallagher was compelled to remark that ‘the importance of Teletopa sounds lie not so much with their life but with the nature of their death, their relevancy being moulded by the context in which they are created.\u003cbr data-mce-fragment=\"1\"\u003eThat is, for its purposes, the sound dies after its having been performed – otherwise it would no longer be Improvisation, no longer sound created “at the Instant of Now”.’15\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA little over a week after performing in the concert organised by Rands at the Cell Block Theatre, Teletopa embarked on a two-month overseas tour. The group had been invited by Stanley Lunetta and Arthur Woodbury, editors of the American new music journal SOURCE: music of the avant garde, to participate in ICES, the International Carnival of Experimental Sound, which was held in the UK from 13 to 27 August. However, the group first went to Manila, then to Rome, before linking up with Peter Evans in London, his duties in Calgary having concluded. Teletopa also had non-playing commitments in late August and early September in Munich, Cologne, Kassel, Hamburg and Amsterdam, interacting with composers such as Rzewski, Karlheinz Stockhausen16 and Mauricio Kagel during this time. The group returned to Sydney from Amsterdam via New York and Tokyo.\u003cbr data-mce-fragment=\"1\"\u003eWhile in Manila, Teletopa functioned more as a contemporary ensemble than an improvisation group per se: in a concert at the CCP Little Theatre on 3 August, the group gave performances of Christian Wolff’s Duo for Pianists II and Steve Reich’s Piano Phase (Collins and Frampton, pianos), Ahern’s Stereo\/Mono (Frampton, wind soloist), Frampton’s Things to do for Musicians and Stockhausen’s Set Sail for the Sun (from Aus den Sieben Tagen), in addition to an extended improvisation.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn the UK, Teletopa performed at the Cambridge Union on 16 August and the Round- house on 23 August and also took part in events aboard the ‘Music Train’, an actual train which left King’s Cross Station on 21 August en route to Edinburgh with 600 musicians and artists on board. Regrettably, during the group’s time in England, marked tensions developed between Ahern and Frampton. According to Frampton, Ahern wanted to predetermine how the improvisations should flow, whereas he and Evans ‘felt obligated to improvise without regard to “standards”. We felt it was an inherent risk that improvisation would sometimes be more successful than at other times. David wanted to exercise more control, whereas Peter and I deliberately sabotaged David’s attempts to steer the music in a certain direction. Eventually these differences came to a head and Peter and I decided to leave the group on our return to Australia.’17\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTeletopa was in Tokyo from 14 to 26 September. Of major significance during the time spent there were the two studio improvisations featured on this double CD set, along with a performance by Collins and Frampton of Piano Phase, which were recorded by NHK Radio. Just prior to returning to Sydney, the group played in a ‘pub restaurant’, again in its guise as a contemporary ensemble, with realisations of Set Sail for the Sun, Cardew’s Treatise and How to Play the Piano (Frampton, piano solo) by the Australian composer Robert Irving. Sadly, these were the final performances ever given by Teletopa, with the group disbanding upon its return to Sydney.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e1 Phillip L Ryan, in Barry Lowe, ‘Interview with Teletopa’, in Music Now vol 2, no 1 (April 1972), p 21. 2 Ibid. 3 David Ahern, ‘Teletopa’, in Music Now vol 2, no 1 (April 1972), p 20. 4 Ryan, letter to Geoffrey Barnard, 25 October 2011.\u003cbr data-mce-fragment=\"1\"\u003e5 Michael Nyman, Experimental Music: Cage and beyond (London: Studio Vista, 1974), p 109.\u003cbr data-mce-fragment=\"1\"\u003e6 John Tilbury, Cornelius Cardew (1936-1981): a life unfinished (Matching Tye, UK: Copula, 2008), p 289, original emphasis.\u003cbr data-mce-fragment=\"1\"\u003e7 Frank Harris, ‘“Mods” Took a Thrashing’, in The Daily Mirror, Wednesday, 17 February 1971, p 24.\u003cbr data-mce-fragment=\"1\"\u003e8 Roger Frampton, ‘Teletopa, AZ Music, Free Kata and Free Improvised Music in Australia: an Autobiographical Perspective’, in Sounds Australian: Journal of Australian Music no 32 (Summer 1991-92), p 22.\u003cbr data-mce-fragment=\"1\"\u003e9 See David Bromfield, Identities: A Critical Study of the Work of Mike Parr 1970-1990 (Nedlands WA: University of Western Australia Press, 1991), pp 8-9.\u003cbr data-mce-fragment=\"1\"\u003e10 The term ‘post-object art’ is used here to encompass a diverse range of artistic activity, including conceptual art, process art, installations, mixed-media performance, indeterminate composition, free improvisation, concrete and sound poetry, etc.\u003cbr data-mce-fragment=\"1\"\u003e11 Cornelius Cardew, ‘Towards an Ethic of Improvisation’, in Treatise Handbook (London, Frankfurt and New York: Edition Peters, 1971), p xvii, added emphasis.\u003cbr data-mce-fragment=\"1\"\u003e12 David Ahern, ‘Notes on Expansion’, in Other Voices vol1, no 2 (August\/September 1970), p 35.\u003cbr data-mce-fragment=\"1\"\u003e13 The Australian improviser Jim Denley claims that, at the time, it was the loudest music he had experienced: see Jim Denley, ‘Networks, playfulness and collectivity: Improv in Australia, 1972-2007’, in Gail Priest (ed), Experimental Music: Audio Explorations in Australia (Sydney: UNSW Press, 2009), p 137.\u003cbr data-mce-fragment=\"1\"\u003e14 Frampton, op cit, p 22.\u003cbr data-mce-fragment=\"1\"\u003e15 Ernest Gallagher, ‘The State of the Art: Electronic Music Seminar’, in Music Maker (October 1971), p 28. 16 Ahern had studied with Stockhausen in 1968 at his International New Music Courses in Darmstadt (the Musik für ein Haus project) and Cologne New Music courses. 17 Frampton, op cit, p 23.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Teletopa\u003c\/p\u003e\n\u003cp\u003eLabel : Splitrec\u003c\/p\u003e"}
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オーストラリア・シドニーの実験音楽家David Ahern率いる即興グループTeletopaの秘蔵音源が40年の月日を経て初めて3枚組レコードにてリリース。 David AhernはドイツにてStockhausenに師事し、Cornelius CardewとともにLa Monte Youngの演奏を行った人物で、70年代オーストラリアの実験音楽シーンに多大な影響をもたらしました。 本作は、NHKにて行われたインプロパフォーマンスを収録した特大ボリュームの3枚組レコードです。インサート付属。 レーベルその他作品はこちら /// Click here to see more - releases...
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{"id":6969865175205,"title":"Gintas K \/\/ Variations In A-Moll For A Granular Synthesis CD","handle":"gintas-k-variations-in-a-moll-for-a-granular-synthesis-cd","description":"\u003cp\u003e1994年から活動しているリトアニアの大御所サウンドアーティストGintas Kが、2019年12月にCronicaからリリースしたCD。\u003c\/p\u003e\n\u003cp\u003eタイトルの通り、グラニュラーシンセシスでのイ短調6曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3152021911\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\"\u003ehere\u003c\/a\u003e to see more Esc.rec. releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 300.\u003c\/p\u003e\n\u003cp\u003eDescription and bio by Esc.rec.:\u003c\/p\u003e\n\u003cp\u003e\"\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003eVariations in a-moll for a granular synthesis' was created by Gintas K in 2016, during an art residency in MoKS\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e, Estonia. The album uses a classical variation form in a-moll and is an extremely overpowering listening experience. Stunning and surprisingly melodic harmonies keep emerging from the granulated and continuously shifting computer generated sounds.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eGintas K (Gintas Kraptavičius) is a Lithuanian sound artist and composer living and working in Lithuania. He has been a part of the Lithuanian experimental music scene since 1994 and was a core member of the first Lithuanian industrial electronic music band 'Modus'. Later Kraptavičius became known for his sound actions, theatrical performances and conceptual art in the manner of Fluxus.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eNowadays Gintas K is exploring experimental, electroacoustic, electronic, computer music aesthetics: from overloaded massive structures, static and physically overwhelming frequencies to melodic ambiences, voice and field recordings. His compositions are based on granulated sounds, improv, new hard digital computer music and small melodies.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eGintas K has released numerous records on other labels such as Cronica, Baskaru, Con-v, Copy for Your Records\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e, Bolt, Creative Sources and Sub Rosa. He took part in various international festivals and symposiums of new media art and sound art (Transmediale, ISEA, ISSTA, IRCAM, xCoAx, ICMC, ICMC-NYCEMF). Winner of the International Sound-Art Contest Broadcasting Art 2010 in Spain and the USF New-Music Consortium International Call for Scores \/ electronic composition category, 2019 USA.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e-----\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan\u003eReview by SSK in Vital Weekly:\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cspan\u003e\"Two things before we dive into the musical subject matter at hand. First: the stellar cover art by Harco Rutgers featuring a deftly shimmering glissando of muted but brightly shining pink into greenish hues cut through with subtle white wave form-like lines. With the inner panels and the disc itself following this tone of visuals closely, Variations... is one heck of a CD with quite the luxurious feel to it, a must-have you want to hold and cherish and give prime place of pride on display in your collection, around the stereo.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAnd secondly, come to speak of stereo: on the sleeve, it doesn't say so, but this album needs to be cranked up to be fully appreciated in all nuance. Just so you know. Often ambient-esque synthesizer experimentation tends to be all hush-hush Feldman volume, but no way with this one, please. The granular synthesis opens up the full level of intensity on myriads of layers of sound processing when the amp gets a thorough workout and the speakers are fed with all the right power to project the microscopic detail(s) across the room. Also: I tried, but cannot think this is supposed to work with headphones, for some reason I prefer the room filling up with sound matter, instead of the head alone and boy does Gintas K deliver here.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eEstonian composer Gintas Kraptavičius presents his variations on the classical form in a-moll not to showcase the possibilities of his machines in this most classical of forms and formats per se, but to take the concept and push beyond with the help of intense granular synthesis; beyond that is, into the realm of deeply immerse en impressive listening experiences. Gintas K doesn't let up, doesn't do a second of ease or peace: his granulated fragments and shifting patterns divide, merge, splinter, coalesce with an unrelenting forward and deep-diving motion, although he manages to keep overpowering blunt force trauma at bay, in fact: Variations... turns out to be – above all – surprisingly melodic and harmonic.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eVariations... is massive – feels like a ton of steel or concrete in a way, but then again, it is light and airy... maybe best described as sweltering heat mixed with a punishing downpour of torrential rains with rather heavy winds too... While that doesn't sound too appealing, it's exactly the push-back from the music, the up-front an centre stage of the forceful projections of exquisite tones that makes for a wall-like focal point against which the listener can lean as we came to know from the best practices from My Bloody Valentine back in the shoegaze days of yonder. Far from unpleasant, that is, in fact: you're hit with blast after blast and still there is air to breathe, moving air that is sound-pressured.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eGintas K doesn't do easy listening, but his Variations... is one of those CD's that keeps rewarding the listener spin after spin. It's not as 'wild' as Mark Fell and\/or Gabór Lazar, but you'd be hard-pressed to remember melodic lines or phrases. This CD doesn't do comfort zone – doesn't allow for the newspaper to be read alongside or a novel. This a full-on attention-grabbing beast, but when you let yourself be hauled into its filigree maelstrom the aural vistas Gintas presents left, right, centre, above as below are all sparkling gems of unfiltered but extremely detailed brilliance. One album not to forget, to be put on the Long List for the 2020 Year lists.\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Gintas K\u003c\/p\u003e\n\u003cp\u003eLabel : Esc.rec. \u003c\/p\u003e","published_at":"2021-08-12T12:30:22+09:00","created_at":"2021-08-12T11:48:22+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","esc.rec.","monooto"],"price":198000,"price_min":198000,"price_max":198000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40561388421285,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Gintas K \/\/ Variations In A-Moll For A Granular Synthesis CD","public_title":null,"options":["Default Title"],"price":198000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/va1_56e377c9-caf8-49b6-ae24-7d588a0d9a50.jpg?v=1628736503","\/\/tobirarecords.com\/cdn\/shop\/products\/va3_c61be616-82d6-48bc-99b4-e198cb4c96c0.jpg?v=1628736503","\/\/tobirarecords.com\/cdn\/shop\/products\/va4.jpg?v=1628736504"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/va1_56e377c9-caf8-49b6-ae24-7d588a0d9a50.jpg?v=1628736503","options":["Title"],"media":[{"alt":null,"id":23317509275813,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/va1_56e377c9-caf8-49b6-ae24-7d588a0d9a50.jpg?v=1628736503"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/va1_56e377c9-caf8-49b6-ae24-7d588a0d9a50.jpg?v=1628736503","width":700},{"alt":null,"id":23317509308581,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/va3_c61be616-82d6-48bc-99b4-e198cb4c96c0.jpg?v=1628736503"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/va3_c61be616-82d6-48bc-99b4-e198cb4c96c0.jpg?v=1628736503","width":1200},{"alt":null,"id":23317509341349,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/va4.jpg?v=1628736504"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/va4.jpg?v=1628736504","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e1994年から活動しているリトアニアの大御所サウンドアーティストGintas Kが、2019年12月にCronicaからリリースしたCD。\u003c\/p\u003e\n\u003cp\u003eタイトルの通り、グラニュラーシンセシスでのイ短調6曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3152021911\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\"\u003ehere\u003c\/a\u003e to see more Esc.rec. releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 300.\u003c\/p\u003e\n\u003cp\u003eDescription and bio by Esc.rec.:\u003c\/p\u003e\n\u003cp\u003e\"\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003eVariations in a-moll for a granular synthesis' was created by Gintas K in 2016, during an art residency in MoKS\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e, Estonia. The album uses a classical variation form in a-moll and is an extremely overpowering listening experience. Stunning and surprisingly melodic harmonies keep emerging from the granulated and continuously shifting computer generated sounds.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eGintas K (Gintas Kraptavičius) is a Lithuanian sound artist and composer living and working in Lithuania. He has been a part of the Lithuanian experimental music scene since 1994 and was a core member of the first Lithuanian industrial electronic music band 'Modus'. Later Kraptavičius became known for his sound actions, theatrical performances and conceptual art in the manner of Fluxus.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eNowadays Gintas K is exploring experimental, electroacoustic, electronic, computer music aesthetics: from overloaded massive structures, static and physically overwhelming frequencies to melodic ambiences, voice and field recordings. His compositions are based on granulated sounds, improv, new hard digital computer music and small melodies.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eGintas K has released numerous records on other labels such as Cronica, Baskaru, Con-v, Copy for Your Records\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e, Bolt, Creative Sources and Sub Rosa. He took part in various international festivals and symposiums of new media art and sound art (Transmediale, ISEA, ISSTA, IRCAM, xCoAx, ICMC, ICMC-NYCEMF). Winner of the International Sound-Art Contest Broadcasting Art 2010 in Spain and the USF New-Music Consortium International Call for Scores \/ electronic composition category, 2019 USA.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e-----\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan\u003eReview by SSK in Vital Weekly:\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cspan\u003e\"Two things before we dive into the musical subject matter at hand. First: the stellar cover art by Harco Rutgers featuring a deftly shimmering glissando of muted but brightly shining pink into greenish hues cut through with subtle white wave form-like lines. With the inner panels and the disc itself following this tone of visuals closely, Variations... is one heck of a CD with quite the luxurious feel to it, a must-have you want to hold and cherish and give prime place of pride on display in your collection, around the stereo.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAnd secondly, come to speak of stereo: on the sleeve, it doesn't say so, but this album needs to be cranked up to be fully appreciated in all nuance. Just so you know. Often ambient-esque synthesizer experimentation tends to be all hush-hush Feldman volume, but no way with this one, please. The granular synthesis opens up the full level of intensity on myriads of layers of sound processing when the amp gets a thorough workout and the speakers are fed with all the right power to project the microscopic detail(s) across the room. Also: I tried, but cannot think this is supposed to work with headphones, for some reason I prefer the room filling up with sound matter, instead of the head alone and boy does Gintas K deliver here.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eEstonian composer Gintas Kraptavičius presents his variations on the classical form in a-moll not to showcase the possibilities of his machines in this most classical of forms and formats per se, but to take the concept and push beyond with the help of intense granular synthesis; beyond that is, into the realm of deeply immerse en impressive listening experiences. Gintas K doesn't let up, doesn't do a second of ease or peace: his granulated fragments and shifting patterns divide, merge, splinter, coalesce with an unrelenting forward and deep-diving motion, although he manages to keep overpowering blunt force trauma at bay, in fact: Variations... turns out to be – above all – surprisingly melodic and harmonic.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eVariations... is massive – feels like a ton of steel or concrete in a way, but then again, it is light and airy... maybe best described as sweltering heat mixed with a punishing downpour of torrential rains with rather heavy winds too... While that doesn't sound too appealing, it's exactly the push-back from the music, the up-front an centre stage of the forceful projections of exquisite tones that makes for a wall-like focal point against which the listener can lean as we came to know from the best practices from My Bloody Valentine back in the shoegaze days of yonder. Far from unpleasant, that is, in fact: you're hit with blast after blast and still there is air to breathe, moving air that is sound-pressured.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eGintas K doesn't do easy listening, but his Variations... is one of those CD's that keeps rewarding the listener spin after spin. It's not as 'wild' as Mark Fell and\/or Gabór Lazar, but you'd be hard-pressed to remember melodic lines or phrases. This CD doesn't do comfort zone – doesn't allow for the newspaper to be read alongside or a novel. This a full-on attention-grabbing beast, but when you let yourself be hauled into its filigree maelstrom the aural vistas Gintas presents left, right, centre, above as below are all sparkling gems of unfiltered but extremely detailed brilliance. One album not to forget, to be put on the Long List for the 2020 Year lists.\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Gintas K\u003c\/p\u003e\n\u003cp\u003eLabel : Esc.rec. \u003c\/p\u003e"}
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1994年から活動しているリトアニアの大御所サウンドアーティストGintas Kが、2019年12月にCronicaからリリースしたCD。 タイトルの通り、グラニュラーシンセシスでのイ短調6曲を収録。デジパック、シュリンク仕様です。 レーベルその他作品はこちら /// Click here to see more Esc.rec. releases available at Tobira. ------------------------- Edition...
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{"id":6961049403557,"title":"Bernard Parmegiani \/\/ Stries (Mode 328) CD","handle":"bernard-parmegiani-stries-mode-328-cd","description":"\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3047596344\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003ehere\u003c\/a\u003e to see more Mode releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003e----------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003eDescription by Mode: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e\n\u003cem\u003eBernard Parmegiani (1927–2013), the grand old man of French electroacoustic music, did not write much music for tape with live performers. Among them is “Stries” for the unusual combi- nation of three live synthesizer players and tape.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eUntil recently, “Stries” had not been played live for some 30 years. This is the first complete recording, only part of it had been previously released on LP on the INA\/GRM label.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“Stries” was written for the three synthesizer players of the Paris- based electroacoustic trio TM+, Yann Geslin, Laurent Cuniot and Denis Dufour, founded at the INA\/GRM. Over the span of the ensem- ble’s lifetime, TM+ used a range of different instruments — analog synthesizers in the late 1970s and early digital synthesizers in the mid-1980s — and amassed a repertoire of about 40 compositions written especially for them.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFortunately, Yann Geslin, of the INA\/GRM, archived the original score by Parmegiani, as well as the parts for the instrumentalists. Also in GRM’s archives was the original analog reel-to-reel tape for the piece, as well as the analog 8-track recordings from the recording session.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eArmed with this material, the electronic music trio of Colette Broeckaert, Martin Lorenz and Sebastian Berweck\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e, together with Yann Geslin, recreated the piece with the aim of bringing it back to the stage as well as producing generic scores that could help get the piece into the repertoire of many instrumentalists. Their work is real- ized on this release.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Stries” (1980) is a work in three parts based on the tapes of Parmegiani’s “Violostries” for violin \u0026amp; tape from 1963. The tape part is derived completely from recordings of the violin which Parmegiani masterfully alters to create an at times extremely dense, at other times pointillist piece of music.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe first part, “Strilento,” is a piece for tape solo and can as such be played alone, while the second and third movements — “Strio” and the eponymous “Stries” — make direct usage of the old tapes and the analog synthesizers of the players.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSebastian Berweck’s liner notes detail the reconstruction of “Stries” for both performance and this recording.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003eArtist : Bernard Parmegiani\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003eLabel : Mode Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-08-10T13:07:59+09:00","created_at":"2021-08-08T12:07:14+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","mode"],"price":228000,"price_min":228000,"price_max":228000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40528781836453,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Bernard Parmegiani \/\/ Stries (Mode 328) CD","public_title":null,"options":["Default Title"],"price":228000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/st1_71736b6b-d899-4051-9bc7-ccef7831d905.jpg?v=1628392036"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/st1_71736b6b-d899-4051-9bc7-ccef7831d905.jpg?v=1628392036","options":["Title"],"media":[{"alt":null,"id":23256472879269,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/st1_71736b6b-d899-4051-9bc7-ccef7831d905.jpg?v=1628392036"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/st1_71736b6b-d899-4051-9bc7-ccef7831d905.jpg?v=1628392036","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3047596344\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003ehere\u003c\/a\u003e to see more Mode releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003e----------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003eDescription by Mode: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e\n\u003cem\u003eBernard Parmegiani (1927–2013), the grand old man of French electroacoustic music, did not write much music for tape with live performers. Among them is “Stries” for the unusual combi- nation of three live synthesizer players and tape.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eUntil recently, “Stries” had not been played live for some 30 years. This is the first complete recording, only part of it had been previously released on LP on the INA\/GRM label.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“Stries” was written for the three synthesizer players of the Paris- based electroacoustic trio TM+, Yann Geslin, Laurent Cuniot and Denis Dufour, founded at the INA\/GRM. Over the span of the ensem- ble’s lifetime, TM+ used a range of different instruments — analog synthesizers in the late 1970s and early digital synthesizers in the mid-1980s — and amassed a repertoire of about 40 compositions written especially for them.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFortunately, Yann Geslin, of the INA\/GRM, archived the original score by Parmegiani, as well as the parts for the instrumentalists. Also in GRM’s archives was the original analog reel-to-reel tape for the piece, as well as the analog 8-track recordings from the recording session.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eArmed with this material, the electronic music trio of Colette Broeckaert, Martin Lorenz and Sebastian Berweck\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e, together with Yann Geslin, recreated the piece with the aim of bringing it back to the stage as well as producing generic scores that could help get the piece into the repertoire of many instrumentalists. Their work is real- ized on this release.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Stries” (1980) is a work in three parts based on the tapes of Parmegiani’s “Violostries” for violin \u0026amp; tape from 1963. The tape part is derived completely from recordings of the violin which Parmegiani masterfully alters to create an at times extremely dense, at other times pointillist piece of music.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe first part, “Strilento,” is a piece for tape solo and can as such be played alone, while the second and third movements — “Strio” and the eponymous “Stries” — make direct usage of the old tapes and the analog synthesizers of the players.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSebastian Berweck’s liner notes detail the reconstruction of “Stries” for both performance and this recording.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003eArtist : Bernard Parmegiani\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003eLabel : Mode Records\u003c\/span\u003e\u003c\/p\u003e"}
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レーベルその他作品はこちら /// Click here to see more Mode releases available at Tobira. ---------------------------- Description by Mode: ...
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{"id":6960124493989,"title":"TD \u0026 SS \/\/ Viva! The Downtown Sound TAPE","handle":"td-ss-viva-the-downtown-sound","description":"\u003cp\u003e2000年代後期のアメリカ地下アンビエントシーンを牽引したレーベルの一つEkhein主宰Matthew Sullivanが新レーベルStaighreを始動しました。\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e本作は、VitrineやMore Marsなどから発表しているデュオTD \u0026amp; SSの最新作です。15分のコラージュ〜スポークンワード2曲、約40分を収録。\u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"300\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1082199628\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/staighre\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/staighre\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Staighre releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : TD \u0026amp; SS \u003c\/p\u003e\n\u003cp\u003eLabel : Staighre\u003c\/p\u003e","published_at":"2021-08-08T09:53:05+09:00","created_at":"2021-08-07T11:26:55+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","monooto","staighre","tape"],"price":168000,"price_min":168000,"price_max":168000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40523767414949,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"TD \u0026 SS \/\/ Viva! The Downtown Sound TAPE","public_title":null,"options":["Default Title"],"price":168000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ScreenShot2021-08-07at11.25.51am.png?v=1628303217"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ScreenShot2021-08-07at11.25.51am.png?v=1628303217","options":["Title"],"media":[{"alt":null,"id":23243992137893,"position":1,"preview_image":{"aspect_ratio":0.988,"height":342,"width":338,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ScreenShot2021-08-07at11.25.51am.png?v=1628303217"},"aspect_ratio":0.988,"height":342,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ScreenShot2021-08-07at11.25.51am.png?v=1628303217","width":338}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e2000年代後期のアメリカ地下アンビエントシーンを牽引したレーベルの一つEkhein主宰Matthew Sullivanが新レーベルStaighreを始動しました。\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e本作は、VitrineやMore Marsなどから発表しているデュオTD \u0026amp; SSの最新作です。15分のコラージュ〜スポークンワード2曲、約40分を収録。\u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"300\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1082199628\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/staighre\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/staighre\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Staighre releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : TD \u0026amp; SS \u003c\/p\u003e\n\u003cp\u003eLabel : Staighre\u003c\/p\u003e"}
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2000年代後期のアメリカ地下アンビエントシーンを牽引したレーベルの一つEkhein主宰Matthew Sullivanが新レーベルStaighreを始動しました。 本作は、VitrineやMore Marsなどから発表しているデュオTD & SSの最新作です。15分のコラージュ〜スポークンワード2曲、約40分を収録。 レーベルその他作品はこちら /// Click here to see more Staighre releases available at...
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{"id":6957543882917,"title":"Cody Brant \/ Thomas LaRoche \/\/ Pathological Demand Avoidance CDr","handle":"cody-brant-thomas-laroche-pathological-demand-avoidance-cdr","description":"\u003cp\u003e過去にchocolate monkなどから発表しており、TNBとも共作を重ねるアメリカ・ラスベガスの実験音楽家Cody Brantと、イギリスの実験レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eResearch Laboratories主宰\u003c\/span\u003eThomas LaRocheが、2021年8月に35部限定でリリースしたスプリットCDRです。\u003c\/p\u003e\n\u003cp\u003eコラージュ〜スカム・コンクレート8曲を収録。廃盤です。\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/w5EibaZTPZM\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e レーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/relab\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/relab\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eResearch Laboratories releases available at Tobira. \n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"This is a collection of audio recordings from found cassettes, found all over the country. Collected from late 90's til 2015.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Cody Brant\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eResearch Laboratories\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-08-06T12:13:41+09:00","created_at":"2021-08-06T12:13:41+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","monooto","research laboratories"],"price":178000,"price_min":178000,"price_max":178000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40516499243173,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Cody Brant \/ Thomas LaRoche \/\/ Pathological Demand Avoidance CDr","public_title":null,"options":["Default Title"],"price":178000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/IMG_3770.jpg?v=1628219763","\/\/tobirarecords.com\/cdn\/shop\/products\/IMG_3771.jpg?v=1628219708"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/IMG_3770.jpg?v=1628219763","options":["Title"],"media":[{"alt":null,"id":23225091358885,"position":1,"preview_image":{"aspect_ratio":0.968,"height":3032,"width":2934,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/IMG_3770.jpg?v=1628219763"},"aspect_ratio":0.968,"height":3032,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/IMG_3770.jpg?v=1628219763","width":2934},{"alt":null,"id":23225091326117,"position":2,"preview_image":{"aspect_ratio":0.75,"height":4032,"width":3024,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/IMG_3771.jpg?v=1628219708"},"aspect_ratio":0.75,"height":4032,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/IMG_3771.jpg?v=1628219708","width":3024}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去にchocolate monkなどから発表しており、TNBとも共作を重ねるアメリカ・ラスベガスの実験音楽家Cody Brantと、イギリスの実験レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eResearch Laboratories主宰\u003c\/span\u003eThomas LaRocheが、2021年8月に35部限定でリリースしたスプリットCDRです。\u003c\/p\u003e\n\u003cp\u003eコラージュ〜スカム・コンクレート8曲を収録。廃盤です。\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/w5EibaZTPZM\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e レーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/relab\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/relab\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eResearch Laboratories releases available at Tobira. \n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"This is a collection of audio recordings from found cassettes, found all over the country. Collected from late 90's til 2015.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Cody Brant\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eResearch Laboratories\u003c\/span\u003e\u003c\/p\u003e"}
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過去にchocolate monkなどから発表しており、TNBとも共作を重ねるアメリカ・ラスベガスの実験音楽家Cody Brantと、イギリスの実験レーベルResearch Laboratories主宰Thomas LaRocheが、2021年8月に35部限定でリリースしたスプリットCDRです。 コラージュ〜スカム・コンクレート8曲を収録。廃盤です。 レーベルその他作品はこちら /// Click here to see more Research Laboratories releases available at...
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{"id":6957521633445,"title":"Andy Heck Boyd \/\/ One Hour Report (incomplete) TAPE","handle":"andy-heck-boyd-one-hour-report-incomplete-tape","description":"\u003cp\u003eアメリカ・ケンタッキーの実験音楽家Andy Heck Boydが、2021年4月にイギリスの実験レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eResearch Laboratoriesから\u003c\/span\u003e25本限定でリリースしたカセットです。スポークンワード・コラージュ2曲を収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3016353112\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/relab\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/relab\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eResearch Laboratories releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 25.\u003c\/p\u003e\n\u003cp\u003eArtist : Andy Heck Boyd\u003c\/p\u003e\n\u003cp\u003eLabel : Research Laboratories\u003c\/p\u003e","published_at":"2021-08-06T12:03:54+09:00","created_at":"2021-08-06T12:03:54+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","monooto","research laboratories","tape"],"price":148000,"price_min":148000,"price_max":148000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40516383670437,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Andy Heck Boyd \/\/ One Hour Report (incomplete) TAPE","public_title":null,"options":["Default Title"],"price":148000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/tumblr_ce8cc1de12675194116158a4b3b6e7ed_21c73577_1280.jpg?v=1628219200"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/tumblr_ce8cc1de12675194116158a4b3b6e7ed_21c73577_1280.jpg?v=1628219200","options":["Title"],"media":[{"alt":null,"id":23224964219045,"position":1,"preview_image":{"aspect_ratio":1.111,"height":1152,"width":1280,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/tumblr_ce8cc1de12675194116158a4b3b6e7ed_21c73577_1280.jpg?v=1628219200"},"aspect_ratio":1.111,"height":1152,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/tumblr_ce8cc1de12675194116158a4b3b6e7ed_21c73577_1280.jpg?v=1628219200","width":1280}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・ケンタッキーの実験音楽家Andy Heck Boydが、2021年4月にイギリスの実験レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eResearch Laboratoriesから\u003c\/span\u003e25本限定でリリースしたカセットです。スポークンワード・コラージュ2曲を収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3016353112\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/relab\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/relab\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eResearch Laboratories releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 25.\u003c\/p\u003e\n\u003cp\u003eArtist : Andy Heck Boyd\u003c\/p\u003e\n\u003cp\u003eLabel : Research Laboratories\u003c\/p\u003e"}
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アメリカ・ケンタッキーの実験音楽家Andy Heck Boydが、2021年4月にイギリスの実験レーベルResearch Laboratoriesから25本限定でリリースしたカセットです。スポークンワード・コラージュ2曲を収録。 レーベルその他作品はこちら /// Click here to see more Research Laboratories releases available at Tobira. ...
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