contemporary / sound poetry
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{"id":7657950511354,"title":"Roméo Poirier \/\/ Kystwerk LP","handle":"romeo-poirier-kystwerk-lp","description":"\u003cp\u003eベルギー・ブリュッセルのアンビエント作家Roméo Poirierが、2019年にイギリス・ロンドンのレーベルKitからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e没入感のあるアンビエントドローンに詩の朗読が重なる7曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2396386962\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/kitrecs\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/kitrecs\"\u003ehere\u003c\/a\u003e to see more Kit Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 300.\u003c\/p\u003e\n\u003cp\u003eKit Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eA sonic expedition that traces the serrated coastline of Norway and briny depths of the North Sea, Kystwerk sees Kit's resident lifeguard and aqua aficionado Roméo Poirier joining forces with the poet Lars Haga Raavand.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe result feels intoxicatingly vast: a sighing mass in turns opaque and rich with life. Swells of strings, ocean recordings and electronics plunging fathoms deep amongst the clicks and whirrs of creatures unknown. Intimate yet alien, Raavand lilts like some menacing flotsam before he too is swallowed up.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Roméo Poirier\u003c\/p\u003e\n\u003cp\u003eLabel : Kit Records\u003c\/p\u003e","published_at":"2022-06-27T18:07:53+09:00","created_at":"2022-06-27T14:49:56+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","kit records","lp"],"price":274000,"price_min":274000,"price_max":274000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42926536851706,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Roméo Poirier \/\/ Kystwerk LP","public_title":null,"options":["Default Title"],"price":274000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ky1_b20524f5-425f-4140-8631-94b3ed6b8d0a.jpg?v=1656308998","\/\/tobirarecords.com\/cdn\/shop\/products\/ky2_6ead1eb5-ff98-4d3a-acef-ff5781be8ffd.jpg?v=1656308998"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ky1_b20524f5-425f-4140-8631-94b3ed6b8d0a.jpg?v=1656308998","options":["Title"],"media":[{"alt":null,"id":29995099652346,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ky1_b20524f5-425f-4140-8631-94b3ed6b8d0a.jpg?v=1656308998"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ky1_b20524f5-425f-4140-8631-94b3ed6b8d0a.jpg?v=1656308998","width":700},{"alt":null,"id":29995099685114,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ky2_6ead1eb5-ff98-4d3a-acef-ff5781be8ffd.jpg?v=1656308998"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ky2_6ead1eb5-ff98-4d3a-acef-ff5781be8ffd.jpg?v=1656308998","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eベルギー・ブリュッセルのアンビエント作家Roméo Poirierが、2019年にイギリス・ロンドンのレーベルKitからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e没入感のあるアンビエントドローンに詩の朗読が重なる7曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2396386962\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/kitrecs\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/kitrecs\"\u003ehere\u003c\/a\u003e to see more Kit Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 300.\u003c\/p\u003e\n\u003cp\u003eKit Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eA sonic expedition that traces the serrated coastline of Norway and briny depths of the North Sea, Kystwerk sees Kit's resident lifeguard and aqua aficionado Roméo Poirier joining forces with the poet Lars Haga Raavand.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe result feels intoxicatingly vast: a sighing mass in turns opaque and rich with life. Swells of strings, ocean recordings and electronics plunging fathoms deep amongst the clicks and whirrs of creatures unknown. Intimate yet alien, Raavand lilts like some menacing flotsam before he too is swallowed up.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Roméo Poirier\u003c\/p\u003e\n\u003cp\u003eLabel : Kit Records\u003c\/p\u003e"}
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ベルギー・ブリュッセルのアンビエント作家Roméo Poirierが、2019年にイギリス・ロンドンのレーベルKitからリリースしたレコードです。 没入感のあるアンビエントドローンに詩の朗読が重なる7曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Kit Records releases available at Tobira. ----------------------------...
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{"id":7656890106106,"title":"Linda Smith \/\/ Workshop Meditation : Music by Linda Smith for the Theatre of Laure Drogoul TAPE","handle":"linda-smith-workshop-meditation-music-by-linda-smith-for-the-theatre-of-laure-drogoul-tape","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e80年代から活動しているアメリカ・ボルチモアの大御所フォーク作家Linda Smithが、2022年6月に同国ペンシルバニアの実験レーベルSaga Houseから\u003cmeta charset=\"utf-8\"\u003e100本限定でリリースした\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e1990-1997年の間にLaure Drogoulの実験演劇用に制作したアヴァンベッドルームポップ〜コラージュ16曲を収録。\u003cmeta charset=\"utf-8\"\u003eDLコード付属。廃盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3308690636\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100. Includes DL code.\u003c\/p\u003e\n\u003cp\u003eSaga House:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWorkshop Meditation has little in common with the stripped down, lo-fi cry fans have come to expect from twee songstress Linda Smith. It's probably more in line with a walk down the abandoned pier in Heck Harvey’s Carnival of Souls, but Smith working in a loose, meditiative, almost free-associative idiom makes it clear that her participation in the international tape trading circuit of the 80's and 90's was not just a case of the right place at the right time.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e As redolent of the contemporaneous micro-edition recordings of Roberta Eklund or Mauve Sideshow as it is the post-Kosmische stylings of Martin Rev’s 1980 solo debut, Smith hits a stride here both charmingly familiar and lost in another world entirely. Synths wheeze, budget drum machines rattle, self help tapes loop ad infinitum…somewhere on the planet tectonic plates shift. These pieces create a strange dreamworld in and of themselves, expansive miniatures not unlike the theater works they were prepared for.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e It's a playfully transcendent ride, and one that's still infused with what makes Smith's music so unique. Initially scored for performances concerning speculative reproductive experiments and amnesia staged by fellow Baltimore conspirator Laure Drogul, Workshop Meditation sees Smith far\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e from serving simply as an atmospheric backdrop. These pieces were recorded between 1990-1997 and re-edited specifically for this release to a degree not specified, though broad editorial brush strokes inflect her new direction the last two decades. Bedroom pop eclecticist turned painter breathing new life into archival material was just what the doctor ordered. \"It is recommended that you listen to this tape at least once a day, for 30 days.\"\u003c\/span\u003e \"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Linda Smith\u003c\/p\u003e\n\u003cp\u003eLabel : Saga House\u003c\/p\u003e","published_at":"2022-08-12T12:07:39+09:00","created_at":"2022-06-26T10:27:34+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","folk \/ left-field pop","monooto","saga house","tape"],"price":198000,"price_min":198000,"price_max":198000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42923774640378,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Linda Smith \/\/ Workshop Meditation : Music by Linda Smith for the Theatre of Laure Drogoul TAPE","public_title":null,"options":["Default Title"],"price":198000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/me1_a38f9c11-cd3b-4483-96a6-0575359571dd.jpg?v=1656206855","\/\/tobirarecords.com\/cdn\/shop\/products\/me2_7e852803-f9a3-44e7-b4e6-0798cf71c62b.jpg?v=1656206855"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/me1_a38f9c11-cd3b-4483-96a6-0575359571dd.jpg?v=1656206855","options":["Title"],"media":[{"alt":null,"id":29987240935674,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/me1_a38f9c11-cd3b-4483-96a6-0575359571dd.jpg?v=1656206855"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/me1_a38f9c11-cd3b-4483-96a6-0575359571dd.jpg?v=1656206855","width":700},{"alt":null,"id":29987240968442,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/me2_7e852803-f9a3-44e7-b4e6-0798cf71c62b.jpg?v=1656206855"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/me2_7e852803-f9a3-44e7-b4e6-0798cf71c62b.jpg?v=1656206855","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e80年代から活動しているアメリカ・ボルチモアの大御所フォーク作家Linda Smithが、2022年6月に同国ペンシルバニアの実験レーベルSaga Houseから\u003cmeta charset=\"utf-8\"\u003e100本限定でリリースした\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e1990-1997年の間にLaure Drogoulの実験演劇用に制作したアヴァンベッドルームポップ〜コラージュ16曲を収録。\u003cmeta charset=\"utf-8\"\u003eDLコード付属。廃盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3308690636\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100. Includes DL code.\u003c\/p\u003e\n\u003cp\u003eSaga House:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWorkshop Meditation has little in common with the stripped down, lo-fi cry fans have come to expect from twee songstress Linda Smith. It's probably more in line with a walk down the abandoned pier in Heck Harvey’s Carnival of Souls, but Smith working in a loose, meditiative, almost free-associative idiom makes it clear that her participation in the international tape trading circuit of the 80's and 90's was not just a case of the right place at the right time.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e As redolent of the contemporaneous micro-edition recordings of Roberta Eklund or Mauve Sideshow as it is the post-Kosmische stylings of Martin Rev’s 1980 solo debut, Smith hits a stride here both charmingly familiar and lost in another world entirely. Synths wheeze, budget drum machines rattle, self help tapes loop ad infinitum…somewhere on the planet tectonic plates shift. These pieces create a strange dreamworld in and of themselves, expansive miniatures not unlike the theater works they were prepared for.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e It's a playfully transcendent ride, and one that's still infused with what makes Smith's music so unique. Initially scored for performances concerning speculative reproductive experiments and amnesia staged by fellow Baltimore conspirator Laure Drogul, Workshop Meditation sees Smith far\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e from serving simply as an atmospheric backdrop. These pieces were recorded between 1990-1997 and re-edited specifically for this release to a degree not specified, though broad editorial brush strokes inflect her new direction the last two decades. Bedroom pop eclecticist turned painter breathing new life into archival material was just what the doctor ordered. \"It is recommended that you listen to this tape at least once a day, for 30 days.\"\u003c\/span\u003e \"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Linda Smith\u003c\/p\u003e\n\u003cp\u003eLabel : Saga House\u003c\/p\u003e"}
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80年代から活動しているアメリカ・ボルチモアの大御所フォーク作家Linda Smithが、2022年6月に同国ペンシルバニアの実験レーベルSaga Houseから100本限定でリリースしたカセットです。 1990-1997年の間にLaure Drogoulの実験演劇用に制作したアヴァンベッドルームポップ〜コラージュ16曲を収録。DLコード付属。廃盤です。 -------------------------------- Edition of 100. Includes DL code. Saga House:...
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{"id":7656889417978,"title":"Various Artists \/\/ The Gold and Purple Sceptre TAPE","handle":"vtgap","description":"\u003cp\u003eアメリカ・ペンシルバニアの実験レーベルSaga Houseが、2022年6月に\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e140本限定で\u003c\/span\u003eリリースしたウクライナ支援コンピレーションカセットです。当店でもおなじみの作家24名が参加しています。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2407298712\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3939961091\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2407298712\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1811310445\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2407298712\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 140. Includes DL code.\u003c\/p\u003e\n\u003cp\u003eText by Saga House:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLife during wartime does not operate at a single affective frequency. Just as the physics of collision echo in reverse, war's acoustics, too, have always reflected the contrast between death and its opposites. Children sound their first words in bomb shelters, ravers still gather on clandestine dance-floors, and silence can billow like symphony. It is a fully human experience, as unifying and alienating as our day to day.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e In a small apartment of a brutalist housing complex in eastern Dnipro, during the first month of the invasion, Ukrainian net-label We Have No Zen! began compiling the massive WHNZ:74:WAR digital release as an exercise in international solidarity, dedicated to their neighbors defending the places they call home. WHNZ carved a route for a wide variety of sound adjacent artists to channel their sentiments and not before long an all-star cast was assembled: Tori Kudo, Richard Youngs, Alastair Galbraith, Ashtray Navigations, Daniel Higgs, Arnold Dreyblatt along with many other humble heroes of the no-audience underground contributed offerings. The Gold and Purple Sceptre is the physical edition of that material curated and mastered for 92 minute tape.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e The music encompasses a broad\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e swathe of what is sometimes generically referred to as the experimental music\/sound art\/post-noise diaspora, but channeled as an outstretched hand during crisis it transmits as folksong: A reflection of the dire situation, defiantly grounded not only in the grey areas between song, poem and abstraction, but also in the self-determination of the people against the threat of imperialist blitzkrieg.\u003cbr data-mce-fragment=\"1\"\u003e While the multiplicitous nature of these recordings lends itself well to considering the quotidian struggle so many on this deeply disturbed planet face, it's a remarkably literal testament to the synchronistic beauty found in singing about what Brecht would call \"the dark times.\" Though in this case, there's no glamour, romanticism, or hollow moralizing on display—simply the will to go on reproducing daily life.\"\u003c\/span\u003e\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Various Artists\u003c\/p\u003e\n\u003cp\u003eLabel : Saga House\u003c\/p\u003e","published_at":"2022-06-26T13:12:24+09:00","created_at":"2022-06-26T10:25:24+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","drone","monooto","recommended","saga house","tape"],"price":215000,"price_min":215000,"price_max":215000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42923770020090,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Various Artists \/\/ The Gold and Purple Sceptre TAPE","public_title":null,"options":["Default Title"],"price":215000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/go1_803b64ed-f84b-41ee-9f12-5b09577087f5.jpg?v=1656206726","\/\/tobirarecords.com\/cdn\/shop\/products\/go2_92126d57-6c54-4ac9-831a-d062b884d792.jpg?v=1656206726"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/go1_803b64ed-f84b-41ee-9f12-5b09577087f5.jpg?v=1656206726","options":["Title"],"media":[{"alt":null,"id":29987232284922,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/go1_803b64ed-f84b-41ee-9f12-5b09577087f5.jpg?v=1656206726"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/go1_803b64ed-f84b-41ee-9f12-5b09577087f5.jpg?v=1656206726","width":700},{"alt":null,"id":29987232317690,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/go2_92126d57-6c54-4ac9-831a-d062b884d792.jpg?v=1656206726"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/go2_92126d57-6c54-4ac9-831a-d062b884d792.jpg?v=1656206726","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・ペンシルバニアの実験レーベルSaga Houseが、2022年6月に\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e140本限定で\u003c\/span\u003eリリースしたウクライナ支援コンピレーションカセットです。当店でもおなじみの作家24名が参加しています。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2407298712\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3939961091\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2407298712\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1811310445\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2407298712\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 140. Includes DL code.\u003c\/p\u003e\n\u003cp\u003eText by Saga House:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLife during wartime does not operate at a single affective frequency. Just as the physics of collision echo in reverse, war's acoustics, too, have always reflected the contrast between death and its opposites. Children sound their first words in bomb shelters, ravers still gather on clandestine dance-floors, and silence can billow like symphony. It is a fully human experience, as unifying and alienating as our day to day.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e In a small apartment of a brutalist housing complex in eastern Dnipro, during the first month of the invasion, Ukrainian net-label We Have No Zen! began compiling the massive WHNZ:74:WAR digital release as an exercise in international solidarity, dedicated to their neighbors defending the places they call home. WHNZ carved a route for a wide variety of sound adjacent artists to channel their sentiments and not before long an all-star cast was assembled: Tori Kudo, Richard Youngs, Alastair Galbraith, Ashtray Navigations, Daniel Higgs, Arnold Dreyblatt along with many other humble heroes of the no-audience underground contributed offerings. The Gold and Purple Sceptre is the physical edition of that material curated and mastered for 92 minute tape.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e The music encompasses a broad\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e swathe of what is sometimes generically referred to as the experimental music\/sound art\/post-noise diaspora, but channeled as an outstretched hand during crisis it transmits as folksong: A reflection of the dire situation, defiantly grounded not only in the grey areas between song, poem and abstraction, but also in the self-determination of the people against the threat of imperialist blitzkrieg.\u003cbr data-mce-fragment=\"1\"\u003e While the multiplicitous nature of these recordings lends itself well to considering the quotidian struggle so many on this deeply disturbed planet face, it's a remarkably literal testament to the synchronistic beauty found in singing about what Brecht would call \"the dark times.\" Though in this case, there's no glamour, romanticism, or hollow moralizing on display—simply the will to go on reproducing daily life.\"\u003c\/span\u003e\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Various Artists\u003c\/p\u003e\n\u003cp\u003eLabel : Saga House\u003c\/p\u003e"}
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アメリカ・ペンシルバニアの実験レーベルSaga Houseが、2022年6月に140本限定でリリースしたウクライナ支援コンピレーションカセットです。当店でもおなじみの作家24名が参加しています。DLコード付属。 ------------------------------ Edition of 140. Includes DL code. Text by Saga House: "Life...
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{"id":7650604187898,"title":"Christine Schörkhuber \/ Zorka Wollny \/\/ Lullabies To Wake Up CD","handle":"christine-schorkhuber-zorka-wollny-lullabies-to-wake-up-cd","description":"\u003cp\u003eオーストリアのChristine SchörkhuberとポーランドのZorka Wollny美術家2名が、スロベニアの実験レーベル\u003cspan data-mce-fragment=\"1\"\u003eInexhaustable Editionsから100部限定でリリースした共作です。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e50人が参加しており、実存している恐怖や日々の悩み、自己不信、道徳的な反省、希望、革命的なユートピアや夢、アイデンティティの問題、怒り、政治的状況などを語る声が洪水のように降ってくるサウンドポエトリー作品です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e6面デジパック、シュリンク仕様です。以下、作家による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e子守唄という歌の形式は、夢と集団的トラウマの接点にある古代の口承伝統です。心地よいメロディーは、しばしば非常に不穏な、あるいは喚起的なメッセージと対照をなし、歌い手と聴き手を潜在意識の処理のより深いレベルへと中間的な精神状態に同伴させます。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e集団的な合唱は音楽的かつ社会的な現象であり、社会力学の最も内側にある、隠れた、主観的な核心を強調し、公的領域と私的領域の両方における政治の次元を反映しているといえます。\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3945305255\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Inexhaustable Editions releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e---------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCD edition of 100.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Christine Schörkhuber \/ Zorka Wollny\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eInexhaustable Editions\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-08-09T18:54:39+09:00","created_at":"2022-06-22T13:50:43+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","Inexhaustible Editions"],"price":184000,"price_min":184000,"price_max":184000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42907958575354,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Christine Schörkhuber \/ Zorka Wollny \/\/ Lullabies To Wake Up CD","public_title":null,"options":["Default Title"],"price":184000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/up1_ecad3def-b53d-4e56-bf85-625cd122ff83.jpg?v=1655873445","\/\/tobirarecords.com\/cdn\/shop\/products\/wa2_86b63a41-516c-44f3-ae41-b52c1dfc763e.jpg?v=1655873445"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/up1_ecad3def-b53d-4e56-bf85-625cd122ff83.jpg?v=1655873445","options":["Title"],"media":[{"alt":null,"id":29949540401402,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/up1_ecad3def-b53d-4e56-bf85-625cd122ff83.jpg?v=1655873445"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/up1_ecad3def-b53d-4e56-bf85-625cd122ff83.jpg?v=1655873445","width":700},{"alt":null,"id":29949540434170,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/wa2_86b63a41-516c-44f3-ae41-b52c1dfc763e.jpg?v=1655873445"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/wa2_86b63a41-516c-44f3-ae41-b52c1dfc763e.jpg?v=1655873445","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストリアのChristine SchörkhuberとポーランドのZorka Wollny美術家2名が、スロベニアの実験レーベル\u003cspan data-mce-fragment=\"1\"\u003eInexhaustable Editionsから100部限定でリリースした共作です。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e50人が参加しており、実存している恐怖や日々の悩み、自己不信、道徳的な反省、希望、革命的なユートピアや夢、アイデンティティの問題、怒り、政治的状況などを語る声が洪水のように降ってくるサウンドポエトリー作品です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e6面デジパック、シュリンク仕様です。以下、作家による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e子守唄という歌の形式は、夢と集団的トラウマの接点にある古代の口承伝統です。心地よいメロディーは、しばしば非常に不穏な、あるいは喚起的なメッセージと対照をなし、歌い手と聴き手を潜在意識の処理のより深いレベルへと中間的な精神状態に同伴させます。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e集団的な合唱は音楽的かつ社会的な現象であり、社会力学の最も内側にある、隠れた、主観的な核心を強調し、公的領域と私的領域の両方における政治の次元を反映しているといえます。\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3945305255\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Inexhaustable Editions releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e---------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCD edition of 100.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Christine Schörkhuber \/ Zorka Wollny\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eInexhaustable Editions\u003c\/span\u003e\u003c\/p\u003e"}
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オーストリアのChristine SchörkhuberとポーランドのZorka Wollny美術家2名が、スロベニアの実験レーベルInexhaustable Editionsから100部限定でリリースした共作です。 50人が参加しており、実存している恐怖や日々の悩み、自己不信、道徳的な反省、希望、革命的なユートピアや夢、アイデンティティの問題、怒り、政治的状況などを語る声が洪水のように降ってくるサウンドポエトリー作品です。 6面デジパック、シュリンク仕様です。以下、作家による解説です。 子守唄という歌の形式は、夢と集団的トラウマの接点にある古代の口承伝統です。心地よいメロディーは、しばしば非常に不穏な、あるいは喚起的なメッセージと対照をなし、歌い手と聴き手を潜在意識の処理のより深いレベルへと中間的な精神状態に同伴させます。集団的な合唱は音楽的かつ社会的な現象であり、社会力学の最も内側にある、隠れた、主観的な核心を強調し、公的領域と私的領域の両方における政治の次元を反映しているといえます。 レーベルその他作品はこちら /// Click here to see more Inexhaustable Editions releases...
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{"id":7642131267834,"title":"Francisco Meirino \u0026 Gerritt Wittmer \/\/ The Confidence of Being Lost CD","handle":"francisco-meirino-gerritt-wittmer-the-confidence-of-being-lost-cd","description":"\u003cp\u003eスイス・ローザンヌの実験音楽家Francisco Meirino本人からデッドストック作品を多数入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、2014年に彼がアメリカの実験レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMisanthropic Agenda主宰Gerritt Wittmerと\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eリリースした共作CDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/172458861\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Misanthropic Agenda\" href=\"https:\/\/soundcloud.com\/misanthropic-agenda\" target=\"_blank\"\u003eMisanthropic Agenda\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title='Francisco Meirino \u0026amp; Gerritt Wittmer \"The Confidence of Being Lost\" Hachoir - Edit' href=\"https:\/\/soundcloud.com\/misanthropic-agenda\/francisco-meirino-gerritt-wittmer-the-confidence-of-being-lost-hachoir-edit\" target=\"_blank\"\u003eFrancisco Meirino \u0026amp; Gerritt Wittmer \"The Confidence of Being Lost\" Hachoir - Edit\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/miag\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/miag\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/miag\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/miag\"\u003ehere\u003c\/a\u003e to see more Misanthropic Agenda releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eアーティスト\u003c\/span\u003e\u003cspan\u003eその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/francisco-meirino\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/francisco-meirino\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/francisco-meirino\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/francisco-meirino\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Francisco Meirino releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e--------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003epart 1: The Sacrifice\u003c\/em\u003e\u003cbr\u003e\u003cem\u003epart 2: The Incredulity\u003c\/em\u003e\u003cbr\u003e\u003cem\u003epart 3: The Crowning\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTo be listened to in a continuous session.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRecorded and assembled by Francisco Meirino and Gerritt Wittmer in 2014.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eMastered at Shiver Mobile by Francisco Meirino.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Francisco Meirino \u0026amp; Gerritt Wittmer \/\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Misanthropic Agenda\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-06-15T09:25:42+09:00","created_at":"2022-06-14T15:46:59+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","drone","francisco meirino","Misanthropic Agenda","monooto"],"price":198000,"price_min":198000,"price_max":198000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42876878717178,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Francisco Meirino \u0026 Gerritt Wittmer \/\/ The Confidence of Being Lost CD","public_title":null,"options":["Default Title"],"price":198000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ScreenShot2022-06-14at3.45.07pm.png?v=1655189220"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ScreenShot2022-06-14at3.45.07pm.png?v=1655189220","options":["Title"],"media":[{"alt":null,"id":29898839687418,"position":1,"preview_image":{"aspect_ratio":0.998,"height":500,"width":499,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ScreenShot2022-06-14at3.45.07pm.png?v=1655189220"},"aspect_ratio":0.998,"height":500,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ScreenShot2022-06-14at3.45.07pm.png?v=1655189220","width":499}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eスイス・ローザンヌの実験音楽家Francisco Meirino本人からデッドストック作品を多数入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、2014年に彼がアメリカの実験レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMisanthropic Agenda主宰Gerritt Wittmerと\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eリリースした共作CDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/172458861\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Misanthropic Agenda\" href=\"https:\/\/soundcloud.com\/misanthropic-agenda\" target=\"_blank\"\u003eMisanthropic Agenda\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title='Francisco Meirino \u0026amp; Gerritt Wittmer \"The Confidence of Being Lost\" Hachoir - Edit' href=\"https:\/\/soundcloud.com\/misanthropic-agenda\/francisco-meirino-gerritt-wittmer-the-confidence-of-being-lost-hachoir-edit\" target=\"_blank\"\u003eFrancisco Meirino \u0026amp; Gerritt Wittmer \"The Confidence of Being Lost\" Hachoir - Edit\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/miag\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/miag\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/miag\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/miag\"\u003ehere\u003c\/a\u003e to see more Misanthropic Agenda releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eアーティスト\u003c\/span\u003e\u003cspan\u003eその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/francisco-meirino\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/francisco-meirino\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/francisco-meirino\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/francisco-meirino\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Francisco Meirino releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e--------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003epart 1: The Sacrifice\u003c\/em\u003e\u003cbr\u003e\u003cem\u003epart 2: The Incredulity\u003c\/em\u003e\u003cbr\u003e\u003cem\u003epart 3: The Crowning\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTo be listened to in a continuous session.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRecorded and assembled by Francisco Meirino and Gerritt Wittmer in 2014.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eMastered at Shiver Mobile by Francisco Meirino.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Francisco Meirino \u0026amp; Gerritt Wittmer \/\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Misanthropic Agenda\u003c\/span\u003e\u003c\/p\u003e"}
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スイス・ローザンヌの実験音楽家Francisco Meirino本人からデッドストック作品を多数入荷しました。 本作は、2014年に彼がアメリカの実験レーベルMisanthropic Agenda主宰Gerritt Wittmerとリリースした共作CDです。 Misanthropic Agenda · Francisco Meirino & Gerritt Wittmer "The...
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{"id":7637752938746,"title":"Ákos Rózmann \/\/ MASS \/ MÄSSA - 7xCD BOXSET","handle":"akos-rozmann-mass-massa-7xcd-boxset","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eハンガリー・ブダペストの実験音楽家Akos Rozmannの7CD BOXセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベル解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eÁkos RózmannのMassは、1989年から2004年の間に作曲家のスタジオとストックホルムのEMSで制作された12の電子音響作品から構成されています。ロズマンが作曲したほとんどの作品と同様に、『ミサ』は約7時間の長大な作品である。\u003cbr\u003eロズマンの《ミサ》は、カトリックのミサの第一部である「キリー」と「グローリア」についての個人的な観察による巨大なフレスコ画であると表現することができる。ミサのテキストに対する極めて主観的な視点は、ロズマン自身の言葉で言うところの「トロペ」、つまりミサのテキストの特定の言葉やそれとの関連に対するスウェーデン語、ハンガリー語、ラテン語による瞑想のイメージを凍らせることで強調されている。いくつかのパッセージはミサ文とは無関係である。グローリアIのオルガン曲VI(銀と踊りの夜想曲という副題もついている)は、「Natten gråter」(夜が泣いている)というフレーズに基づく一種の哀歌である。グローリアIに続く間奏曲は、スウェーデンのコンサートホールでよく見られる、コーヒーカップの衝突や官僚的な音楽関係者の空虚なおしゃべりを盛り込んだ構成になっており、作曲者の独特のユーモアが感じられる。\u003cbr\u003e\u003cbr\u003eミサ曲の全体的な形式構造は複雑で、さまざまなパートが独立した曲として、また曲の全体構造の中で小グループの一部として同時に機能している。独立した曲として、オルガン曲という名前で演奏されるものもある。例えば、ミサの最初のグローリア部分に含まれる3つの曲は、トリプティコンという別の独立した作品を形成しており、1996年に独立した作品として初演されている。\u003cbr\u003eミサ曲の前半では、ミサ文の言葉によって表される「正の力」と、軽蔑的な笑い、うなり声、ゲップ、吐き気をもよおす窒息音、嘔吐音など、さまざまな挑戦的音によって表される「負の力」の戦いが繰り広げられる。まず、ネガティブな力がポジティブな力を「ブラックホール」あるいはポケットの中に引きずり込みます。その後、ポジティブな力が戻ってきて、グロリアの残りの部分を支配する。この形式的な物語は、作曲者のインタビューによると、このミサの中心的な対立について、より二元的でなく、より複雑な視点をもってニュアンスを表現している。\u003cbr\u003e\u003cbr\u003e「一般的な感覚では、世の中のものはすべてポジティブかネガティブかという概念で成り立っていると思われる。しかし、トリプティク(グローリア曲集の最初の3曲)では、そう単純ではありません。異なる力が互いに対立しているのだが、その相互関係は善と悪のそれよりも複雑なのである。\"\u003cbr\u003e\u003cbr\u003e作品の中で最も目立つ音源は、オルガン、ハンガリーチター、そして人の声である。全曲を通して、コルシカ島の村の教会の声楽グループが、ラテン語のミサ文を独唱と合唱で歌っている。その他、ヴィヴェッカ・セルヴァティウス指揮のスコラ・グレゴリアーナ・ホルミエ、ドイツのベネディクト派修道士たち、そしてトーマス・ハマーが、ある種の儀式の主役として参加している。\u003cbr\u003e\u003cbr\u003e1939年、ハンガリーのブダペストで生まれたアコス・ロズマンは、バルトーク音楽院とリスト音楽院で作曲を学んだ。1971年に奨学金を得てストックホルムに渡り、ストックホルム王立音楽大学でイングヴァル・リドホルムに作曲を師事して修了し、スウェーデンに定住する。ストックホルムのカトリック大聖堂のオルガニストを長く務めた。早くから電子音響音楽に出会い、彼の作曲に新たな方向性を与えた。初期の数曲を除いて、ロズマンが作曲したのはもっぱら電気音響音楽であり、しばしば記念碑的な形式を好み、通常はオルガンと人間の声を最も重要な音源として、記号を満載した複雑で浸透性のある音楽言語を用いている。作曲家として、彼は不本意ながら隠遁生活を送り、妥協することなく、優れた独創性を発揮した。ロズマンの音楽は、存在の根本的な疑問について、しばしば倫理的または宗教的(カトリックや仏教)な根拠に基づいており、例えば、以前Ideologic Organからリリースされた巨大な組曲『夢と死のイメージ』と『12の駅』では、そのような疑問が示されている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2309218720\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e7 CD’s packaged in a hardcover slipcase with a pull ribbon, 12 and 20 pages booklets.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBoxset contains an extensive essay on the composition by Gergely Loch and additional texts by Göran Bergendal and Mats Lindström, and visual documentation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e***\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eText \/ artist bio by Ideologic Organ:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eÁkos Rózmann (1939-2005) - Mass\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eÁkos Rózmann’s Mass consists of twelve electroacoustic compositions created between 1989 and 2004 in the composer’s studio and at EMS in Stockholm. Like most of Rózmann’s compositions, Mass is a long-form work with a duration of around seven hours. \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWe can describe Rózmann’s Mass as an enormous fresco of personal observations on the two first parts of the Catholic Mass, Kyrie and Gloria. The intensely subjective perspective on the texts of the Mass is underlined by Rózmann’s freezing images – in his own words – “tropes”, i.e. meditations in Swedish, Hungarian and Latin over particular words in the mass text or connection to it. A few passages have nothing to do with the mass text: Organ piece VI in Gloria I (also performed with the subtitle Nocturne in silver and dance) is a sort of lament based on the phrase “Natten gråter” (the night is crying). We find the composer’s peculiar sense of humour in the intermezzo following Gloria I – a composed version of the intermission common in Swedish concert houses, complete with clashing coffee cups and empty chatter from the bureaucratic music\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e establishment. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe overarching formal structure of Mass is an intricate one, with the various parts functioning simultaneously as independent pieces and as parts of sub-groups within the whole structure of the piece. As independent pieces, some of them go under the name Organ piece. For example, the three pieces included in the first Gloria part of mass form another independent composition named Triptykon, first performed as a separate work in 1996.\u003cbr data-mce-fragment=\"1\"\u003eIn the earlier parts of Mass, a battle fought between Positive forces is represented by the words in the Mass text and Negative forces represented by various challenging sounds, such as scornful laughter, grunts, burps, nauseous choking and vomiting sounds. First, the Negative powers drag down the Positive forces into a “black hole” or in pockets. Then the Positive forces return to dominate the remaining parts of Gloria. This formal narrative is nuanced by the composer, who, in interviews, offer a less dualistic, more complex viewpoint on the conflict central to the Mass: \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“It’s presumable that everything in the general sense is about the notion of positive or negative because everything in the world is structured like that. But it’s not that simple in the Triptych [the first three pieces of the Gloria-cycle]. Different forces stand against each other, but their interrelation is more complex than that of good and evil.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe most prominent sound sources in the work are the organ, a Hungarian zither and human voices. Throughout the whole piece, there is a vocal group from a village church in Corsica, singing the Latin mass texts solo and chorally. Other participants are Schola Gregoriana Holmiae under the direction of Viveca Servatius, a group of German Benedictine monks and – in the role of a sort of master of ceremonies, Thomas Hammar.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eÁkos Rózmann was born in 1939 in Budapest, Hungary, where he studied composition at the Bartók Conservatory and the Liszt Academy. In 1971 he received a scholarship to come to Stockholm and completed his compositional studies with Ingvar Lidholm at the Royal College of Music in Stockholm and then settled down in Sweden. He was the organist at the Catholic Cathedral in Stockholm for a long time. His early encounter with electroacoustic music gave a new direction to his composing. Except for a few early pieces, Rózmann composed solely electroacoustic music – often preferring a monumental form, usually with the organ and the human voice as the most crucial sound sources in a complex, penetrating musical language loaded with symbols. As a composer, he worked involuntary seclusion, uncompromisingly and with great originality. Rózmann’s music is about the fundamental questions of existence, often on an ethical or religious (Catholic or Buddhist) basis, for example, in the enormous suites Images of the Dream and Death and Twelve Stations, both previously released on Ideologic Organ.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ákos Rózmann\u003c\/p\u003e\n\u003cp\u003eLabel : Ideologic Organ\u003c\/p\u003e","published_at":"2022-06-12T08:01:57+09:00","created_at":"2022-06-11T13:55:02+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","monooto","shelter press"],"price":798000,"price_min":798000,"price_max":798000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42862367473914,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Ákos Rózmann \/\/ MASS \/ MÄSSA - 7xCD BOXSET","public_title":null,"options":["Default Title"],"price":798000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ma1_e661f73f-f625-4c69-b54d-c0e756bbe563.jpg?v=1654923303","\/\/tobirarecords.com\/cdn\/shop\/products\/ma2_fb5e1f6f-5e66-4b94-be50-fd5c14c677b1.jpg?v=1654923304"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma1_e661f73f-f625-4c69-b54d-c0e756bbe563.jpg?v=1654923303","options":["Title"],"media":[{"alt":null,"id":29869711196410,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma1_e661f73f-f625-4c69-b54d-c0e756bbe563.jpg?v=1654923303"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma1_e661f73f-f625-4c69-b54d-c0e756bbe563.jpg?v=1654923303","width":700},{"alt":null,"id":29869711229178,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma2_fb5e1f6f-5e66-4b94-be50-fd5c14c677b1.jpg?v=1654923304"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma2_fb5e1f6f-5e66-4b94-be50-fd5c14c677b1.jpg?v=1654923304","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eハンガリー・ブダペストの実験音楽家Akos Rozmannの7CD BOXセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベル解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eÁkos RózmannのMassは、1989年から2004年の間に作曲家のスタジオとストックホルムのEMSで制作された12の電子音響作品から構成されています。ロズマンが作曲したほとんどの作品と同様に、『ミサ』は約7時間の長大な作品である。\u003cbr\u003eロズマンの《ミサ》は、カトリックのミサの第一部である「キリー」と「グローリア」についての個人的な観察による巨大なフレスコ画であると表現することができる。ミサのテキストに対する極めて主観的な視点は、ロズマン自身の言葉で言うところの「トロペ」、つまりミサのテキストの特定の言葉やそれとの関連に対するスウェーデン語、ハンガリー語、ラテン語による瞑想のイメージを凍らせることで強調されている。いくつかのパッセージはミサ文とは無関係である。グローリアIのオルガン曲VI(銀と踊りの夜想曲という副題もついている)は、「Natten gråter」(夜が泣いている)というフレーズに基づく一種の哀歌である。グローリアIに続く間奏曲は、スウェーデンのコンサートホールでよく見られる、コーヒーカップの衝突や官僚的な音楽関係者の空虚なおしゃべりを盛り込んだ構成になっており、作曲者の独特のユーモアが感じられる。\u003cbr\u003e\u003cbr\u003eミサ曲の全体的な形式構造は複雑で、さまざまなパートが独立した曲として、また曲の全体構造の中で小グループの一部として同時に機能している。独立した曲として、オルガン曲という名前で演奏されるものもある。例えば、ミサの最初のグローリア部分に含まれる3つの曲は、トリプティコンという別の独立した作品を形成しており、1996年に独立した作品として初演されている。\u003cbr\u003eミサ曲の前半では、ミサ文の言葉によって表される「正の力」と、軽蔑的な笑い、うなり声、ゲップ、吐き気をもよおす窒息音、嘔吐音など、さまざまな挑戦的音によって表される「負の力」の戦いが繰り広げられる。まず、ネガティブな力がポジティブな力を「ブラックホール」あるいはポケットの中に引きずり込みます。その後、ポジティブな力が戻ってきて、グロリアの残りの部分を支配する。この形式的な物語は、作曲者のインタビューによると、このミサの中心的な対立について、より二元的でなく、より複雑な視点をもってニュアンスを表現している。\u003cbr\u003e\u003cbr\u003e「一般的な感覚では、世の中のものはすべてポジティブかネガティブかという概念で成り立っていると思われる。しかし、トリプティク(グローリア曲集の最初の3曲)では、そう単純ではありません。異なる力が互いに対立しているのだが、その相互関係は善と悪のそれよりも複雑なのである。\"\u003cbr\u003e\u003cbr\u003e作品の中で最も目立つ音源は、オルガン、ハンガリーチター、そして人の声である。全曲を通して、コルシカ島の村の教会の声楽グループが、ラテン語のミサ文を独唱と合唱で歌っている。その他、ヴィヴェッカ・セルヴァティウス指揮のスコラ・グレゴリアーナ・ホルミエ、ドイツのベネディクト派修道士たち、そしてトーマス・ハマーが、ある種の儀式の主役として参加している。\u003cbr\u003e\u003cbr\u003e1939年、ハンガリーのブダペストで生まれたアコス・ロズマンは、バルトーク音楽院とリスト音楽院で作曲を学んだ。1971年に奨学金を得てストックホルムに渡り、ストックホルム王立音楽大学でイングヴァル・リドホルムに作曲を師事して修了し、スウェーデンに定住する。ストックホルムのカトリック大聖堂のオルガニストを長く務めた。早くから電子音響音楽に出会い、彼の作曲に新たな方向性を与えた。初期の数曲を除いて、ロズマンが作曲したのはもっぱら電気音響音楽であり、しばしば記念碑的な形式を好み、通常はオルガンと人間の声を最も重要な音源として、記号を満載した複雑で浸透性のある音楽言語を用いている。作曲家として、彼は不本意ながら隠遁生活を送り、妥協することなく、優れた独創性を発揮した。ロズマンの音楽は、存在の根本的な疑問について、しばしば倫理的または宗教的(カトリックや仏教)な根拠に基づいており、例えば、以前Ideologic Organからリリースされた巨大な組曲『夢と死のイメージ』と『12の駅』では、そのような疑問が示されている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2309218720\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e7 CD’s packaged in a hardcover slipcase with a pull ribbon, 12 and 20 pages booklets.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBoxset contains an extensive essay on the composition by Gergely Loch and additional texts by Göran Bergendal and Mats Lindström, and visual documentation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e***\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eText \/ artist bio by Ideologic Organ:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eÁkos Rózmann (1939-2005) - Mass\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eÁkos Rózmann’s Mass consists of twelve electroacoustic compositions created between 1989 and 2004 in the composer’s studio and at EMS in Stockholm. Like most of Rózmann’s compositions, Mass is a long-form work with a duration of around seven hours. \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWe can describe Rózmann’s Mass as an enormous fresco of personal observations on the two first parts of the Catholic Mass, Kyrie and Gloria. The intensely subjective perspective on the texts of the Mass is underlined by Rózmann’s freezing images – in his own words – “tropes”, i.e. meditations in Swedish, Hungarian and Latin over particular words in the mass text or connection to it. A few passages have nothing to do with the mass text: Organ piece VI in Gloria I (also performed with the subtitle Nocturne in silver and dance) is a sort of lament based on the phrase “Natten gråter” (the night is crying). We find the composer’s peculiar sense of humour in the intermezzo following Gloria I – a composed version of the intermission common in Swedish concert houses, complete with clashing coffee cups and empty chatter from the bureaucratic music\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e establishment. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe overarching formal structure of Mass is an intricate one, with the various parts functioning simultaneously as independent pieces and as parts of sub-groups within the whole structure of the piece. As independent pieces, some of them go under the name Organ piece. For example, the three pieces included in the first Gloria part of mass form another independent composition named Triptykon, first performed as a separate work in 1996.\u003cbr data-mce-fragment=\"1\"\u003eIn the earlier parts of Mass, a battle fought between Positive forces is represented by the words in the Mass text and Negative forces represented by various challenging sounds, such as scornful laughter, grunts, burps, nauseous choking and vomiting sounds. First, the Negative powers drag down the Positive forces into a “black hole” or in pockets. Then the Positive forces return to dominate the remaining parts of Gloria. This formal narrative is nuanced by the composer, who, in interviews, offer a less dualistic, more complex viewpoint on the conflict central to the Mass: \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“It’s presumable that everything in the general sense is about the notion of positive or negative because everything in the world is structured like that. But it’s not that simple in the Triptych [the first three pieces of the Gloria-cycle]. Different forces stand against each other, but their interrelation is more complex than that of good and evil.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe most prominent sound sources in the work are the organ, a Hungarian zither and human voices. Throughout the whole piece, there is a vocal group from a village church in Corsica, singing the Latin mass texts solo and chorally. Other participants are Schola Gregoriana Holmiae under the direction of Viveca Servatius, a group of German Benedictine monks and – in the role of a sort of master of ceremonies, Thomas Hammar.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eÁkos Rózmann was born in 1939 in Budapest, Hungary, where he studied composition at the Bartók Conservatory and the Liszt Academy. In 1971 he received a scholarship to come to Stockholm and completed his compositional studies with Ingvar Lidholm at the Royal College of Music in Stockholm and then settled down in Sweden. He was the organist at the Catholic Cathedral in Stockholm for a long time. His early encounter with electroacoustic music gave a new direction to his composing. Except for a few early pieces, Rózmann composed solely electroacoustic music – often preferring a monumental form, usually with the organ and the human voice as the most crucial sound sources in a complex, penetrating musical language loaded with symbols. As a composer, he worked involuntary seclusion, uncompromisingly and with great originality. Rózmann’s music is about the fundamental questions of existence, often on an ethical or religious (Catholic or Buddhist) basis, for example, in the enormous suites Images of the Dream and Death and Twelve Stations, both previously released on Ideologic Organ.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ákos Rózmann\u003c\/p\u003e\n\u003cp\u003eLabel : Ideologic Organ\u003c\/p\u003e"}
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ハンガリー・ブダペストの実験音楽家Akos Rozmannの7CD BOXセットです。 以下、レーベル解説です。 Ákos RózmannのMassは、1989年から2004年の間に作曲家のスタジオとストックホルムのEMSで制作された12の電子音響作品から構成されています。ロズマンが作曲したほとんどの作品と同様に、『ミサ』は約7時間の長大な作品である。ロズマンの《ミサ》は、カトリックのミサの第一部である「キリー」と「グローリア」についての個人的な観察による巨大なフレスコ画であると表現することができる。ミサのテキストに対する極めて主観的な視点は、ロズマン自身の言葉で言うところの「トロペ」、つまりミサのテキストの特定の言葉やそれとの関連に対するスウェーデン語、ハンガリー語、ラテン語による瞑想のイメージを凍らせることで強調されている。いくつかのパッセージはミサ文とは無関係である。グローリアIのオルガン曲VI(銀と踊りの夜想曲という副題もついている)は、「Natten gråter」(夜が泣いている)というフレーズに基づく一種の哀歌である。グローリアIに続く間奏曲は、スウェーデンのコンサートホールでよく見られる、コーヒーカップの衝突や官僚的な音楽関係者の空虚なおしゃべりを盛り込んだ構成になっており、作曲者の独特のユーモアが感じられる。ミサ曲の全体的な形式構造は複雑で、さまざまなパートが独立した曲として、また曲の全体構造の中で小グループの一部として同時に機能している。独立した曲として、オルガン曲という名前で演奏されるものもある。例えば、ミサの最初のグローリア部分に含まれる3つの曲は、トリプティコンという別の独立した作品を形成しており、1996年に独立した作品として初演されている。ミサ曲の前半では、ミサ文の言葉によって表される「正の力」と、軽蔑的な笑い、うなり声、ゲップ、吐き気をもよおす窒息音、嘔吐音など、さまざまな挑戦的音によって表される「負の力」の戦いが繰り広げられる。まず、ネガティブな力がポジティブな力を「ブラックホール」あるいはポケットの中に引きずり込みます。その後、ポジティブな力が戻ってきて、グロリアの残りの部分を支配する。この形式的な物語は、作曲者のインタビューによると、このミサの中心的な対立について、より二元的でなく、より複雑な視点をもってニュアンスを表現している。「一般的な感覚では、世の中のものはすべてポジティブかネガティブかという概念で成り立っていると思われる。しかし、トリプティク(グローリア曲集の最初の3曲)では、そう単純ではありません。異なる力が互いに対立しているのだが、その相互関係は善と悪のそれよりも複雑なのである。"作品の中で最も目立つ音源は、オルガン、ハンガリーチター、そして人の声である。全曲を通して、コルシカ島の村の教会の声楽グループが、ラテン語のミサ文を独唱と合唱で歌っている。その他、ヴィヴェッカ・セルヴァティウス指揮のスコラ・グレゴリアーナ・ホルミエ、ドイツのベネディクト派修道士たち、そしてトーマス・ハマーが、ある種の儀式の主役として参加している。1939年、ハンガリーのブダペストで生まれたアコス・ロズマンは、バルトーク音楽院とリスト音楽院で作曲を学んだ。1971年に奨学金を得てストックホルムに渡り、ストックホルム王立音楽大学でイングヴァル・リドホルムに作曲を師事して修了し、スウェーデンに定住する。ストックホルムのカトリック大聖堂のオルガニストを長く務めた。早くから電子音響音楽に出会い、彼の作曲に新たな方向性を与えた。初期の数曲を除いて、ロズマンが作曲したのはもっぱら電気音響音楽であり、しばしば記念碑的な形式を好み、通常はオルガンと人間の声を最も重要な音源として、記号を満載した複雑で浸透性のある音楽言語を用いている。作曲家として、彼は不本意ながら隠遁生活を送り、妥協することなく、優れた独創性を発揮した。ロズマンの音楽は、存在の根本的な疑問について、しばしば倫理的または宗教的(カトリックや仏教)な根拠に基づいており、例えば、以前Ideologic Organからリリースされた巨大な組曲『夢と死のイメージ』と『12の駅』では、そのような疑問が示されている。" レーベルその他作品はこちら /// Click here to see more Shelter Press...
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{"id":7637751726330,"title":"Akos Rozmann \/\/ 12 Stations\/Tolv Stationer (1978-2001) 7xCD BOXSET","handle":"akos-rozmann-12-stations-tolv-stationer-1978-2001-7xcd-boxset","description":"\u003cp\u003eハンガリー・ブダペストの実験音楽家Akos Rozmannの7CD BOXセットがこの度再発。\u003c\/p\u003e\n\u003cp\u003e以下、Mark Harwoodによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eアコス・ロズマン(1939-2005)はブダペストで生まれ、リスト音楽院でオルガンと作曲を学んだ。1971年から1974年までストックホルム王立音楽大学で作曲を学び、1978年からはストックホルムのカソリック大聖堂のオルガニストとして活躍した。生涯を通じてムジーク・コンクレートに専念し、あらゆる音楽のジャンルの中で最も錬金術的なこのジャンルにおいて、最も大規模で実りある作品群を作り上げた。80年代初頭には、カトリック大聖堂の地下に電子音響スタジオを建設し、その一方で、初期の傑作を生み出したEMS(Elektronmusikstudion スウェーデン)でも活動を継続した。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e音楽創作への揺るぎないこだわりを持つロズマン氏は、望む結果を得るために、窓のないスタジオに閉じこもって夜通し作業をすることもしばしばあった。彼は、自分のビジョンを完璧に表現することだけを考え、仲間からの承認や聴衆の満足は求めなかった。このようなビジョン、情熱、頑固さの組み合わせが、ミュージック・コンクリートという分野で最も特異なカタログを生み出すことになった。ハンガリーの作曲家ミクローシュ・マロスから、ピアノと声のための5分間の作品を依頼された。ロズマンは、ミクローシュの妻でソプラノ歌手のイロナ・マロスの録音と、彼自身のプリペアド・ピアノの実験からなるテープ作品を書くつもりで、この申し出を受けた。ここで録音された要素が「12 Stations」の素材となった。この作品は、当初の5分という短い時間から大きく飛び出し、20年後に6時間半を超える精神の旅路として着地したのである。この作曲プロセスは、初期段階から最終作品の完成まで18年間のギャップがあるため、ロズマン作品の中でもユニークなものとなっている。1978年から1980年にかけて作られた最初の段階は、スピードアップ、スローダウン、テープのカットやスプライシングといった伝統的なミュジック・コンクレートの技法の探求で構成されています。1998年から2001年にかけて制作された最後の4つのステーションは、デジタル技術を取り入れ、1978年のオリジナル録音の小さなセクションをエフェクト・プロセッサーにかけ、サンプラーキーボードで即興演奏しています。このようなギャップや、それぞれの制作期間で展開された異なる技術にもかかわらず、記念碑的な結果は完全で驚異的な全体として収まっている。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eロズマンは、音源の制限の中で、オリジナルのピアノと声の録音から柔軟な音の世界を引き出す不思議な才能を発揮している。その結果、ダイナミックな音の渦が生まれ、20世紀における最も大胆で挑戦的、かつ見応えのあるムジーク・コンクレートの作品のひとつとなったのである。プロパティ・ルームパートIとIIは、シュトゥルム・ウント・ドランの広大な風景で始まる。ピアノと声のオリジナル素材は、攻撃的な異世界の雰囲気を呼び起こす手段として、分解・再構築されている。The Contents and Life of the Black Pit'は、重く堕落した声と狂乱したエレクトロニクスが最も不穏な方法で踊る広がりのある味付けでさらに外へとシフトしていく。The Abandonment of Hell'は、リスナーを洗練された衝撃的なオーディオの混乱に導き、明確な「音楽」の質を持つものである。この作品には、職人が静かに個々の要素を削ぎ落とし、以前は手に入れることのできなかった世界を手に入れようとしているのが感じられる。パートV「The Awakening」では、序盤のうなり声、腹鳴、不穏な声が、より天の声となり、下の異形のものを昇天させるように、ミックスに女性の形を埋め込んでいる。ロズマン氏は、「Twelve Stations」の最初の部分が「チベットの生命の輪」の解釈であることを以前に示唆していたが、作品の背後にある意味について典型的に曖昧な態度をとっていた。チベット仏教への関心と並行して、彼はカソリック教会への信仰を持ち続けていた。その結果、高揚したモチーフを持つこの曲は、地獄から天国への上昇と読むこともできるだろう。ロズマンが演奏する「The Celebrators」は、エンディングというより、ある種の継続として提示されている。短い音楽のリフレインは、声と音の屈折が鏡の回廊のように現れ、果てしなく螺旋状に広がっていくプリズムを思い起こさせる。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eスケール、音色、テクニック、ムード、動きにおいて叙事詩的なこの作品は、20世紀のムジーク・コンクレーテのユニークな傑作であり、強烈にパーソナルで大胆な音の領域として、万人に開かれた過激なミサのような捧げ物として提示されている。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e人間は放浪の旅を通して、さまざまな困難や苦しみに出会う。これらは、絶え間なく続く闘争の間にある力である。彼はこれらの力を制御し、主宰することはできない。嵐の中の雪片のように、上下に翻弄され、無力である。混沌とした思考と感情、喜びと苦しみは、始まりも終わりもない川のように途切れることなく流れている。これらはすべて自分の行いの結果である。しかし、この人生では、これらのことを簡単にするチャンスがある。 \u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1312392139\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eFinal pressing edition of 300.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e7 CD’s packaged in a hardcover slipcase with a pull ribbon, 20-page booklet containing an extensive essay on the composition by the scholar Gergely Loch, photos from the process and of scores and the composer\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e***\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText \/ artist bio by \u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eMark Harwood\u003c\/span\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"Ákos Rózmann (1939-2005) was born in Budapest where he studied organ and composition at the Liszt Academy. From 1971 to 1974 he studied composition at the Royal College of Music in Stockholm and from 1978 he was an organist at the catholic cathedral in Stockholm. Throughout his life Rózmann dedicated himself to musique concrète developing one of the largest and most rewarding bodies of work in this, the most alchemical of all musical genres. In the early eighties, Rózmann started to build a private electroacoustic studio which he installed in the basement of the Catholic Cathedral whilst continuing to work in tandem at the Elektronmusikstudion (EMS Sweden) where he produced his earlier masterpieces.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWith an unwavering commitment to the creation of music Rózmann would often lock himself up in his windowless studio working into the night in order to achieve the results he desired. He did not seek the approval of his peers nor the satisfaction of his audience with the only concern being the perfect articulation of his vision. This combination of vision, passion and stubbornness resulted in one of the most singular catalogues within the field of musique concrete. Commissioned by the Hungarian composer\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e Miklós Maros who requested a five-minute work for piano and voice. Rózmann accepted the offer with the intention of writing a tape piece made from recordings of Miklós’ wife, the soprano singer Ilona Maros’ and his own experiments with prepared piano. The elements recorded here became the source material for Twelve Stations, a work which flew far from the initial five minute brief to land 20 years later as a spirit stretching journey of more than 6 1\/2 hours. The compositional process is unique in Rózmann’s output due to the 18 year gap between the initial phase and completion of the final work. The first phase made between 1978-1980 consists of an exploration of traditional musique concrète techniques such as speeding up, slowing down, cutting and splicing tape. The last four stations made between 1998-2001 embrace digital technology where small sections of the original recordings from 1978 were fed through an effects processor and improvised on a sampler keyboard. Despite this gap and the different techniques deployed at each period of creation the monumental result sits as a complete and staggering whole.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWithin the set limitations of the source material Rózmann’s skill unfolds in an uncanny ability to coax a vast world of flexible sound from the original piano and voice recordings. The result is a maelstrom of dynamic audio and one of the most daring, challenging and rewarding works of musique concrète from the 20th Century. ‘Property – Room’ parts I and II initiate proceedings with a vast landscape of Sturm und Drang. The original material of piano and voice are dissected and reconstructed as a means of evoking an aggressive otherworldly atmosphere. ‘The Contents and Life of the Black Pit’ shifts further outside with an expansive palate of heavily corrupted voice and frenzied electronics dancing in a most unsettling fashion. ‘The Abandonment of Hell’ leads the listener into a sophisticated and shocking melange of audio disorientation, one with a distinct ‘musical’ quality. One senses a master craftsman quietly whittling away at the individual elements in order to harness the previously unobtainable world within. Part V ‘The Awakening’ implants female forms in the mix as the growling, belching, disturbing voices of the early sequences are replaced with more heavenly voices ascending the malformed matter below. Rózmann was typically ambiguous about the meaning behind his work despite suggesting earlier that the first part of ‘Twelve Stations’ was an interpretation of the ‘Tibetan Wheel of Life’. Alongside his interest in Tibetan Buddhism he maintained his following of the catholic church and as a consequence one may also read this sequence, with its uplifting motifs as an ascent from hell into heaven. Rózmann concludes proceedings with ‘The Celebrators’, which presents itself not as an ending but rather a continuation of sorts. A short musical refrain conjures a prism where refractions of voice and sound appear like a hall of mirrors, spiralling onwards and outwards, without end.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEpic in scale, timbre, technique, mood and movement, Twelve Stations is a unique masterpiece of 20th Century musique concrète and presents itself as an intensely personal and bold realm of sound, an offering as such, a radical mass open to all.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMan meets different difficulties and sufferings through his wandering. These are forces between which a continuous struggle is going on. He cannot control and preside over these forces. He is being tossed up and down, powerless, like snowflakes in the storm: chaotic thoughts and feelings, gladness and suffering, which flow without intermission like a river that has no beginning nor end. All these are the fruits of our own deeds. However, in this life you have the chance to make easier those life wanderings that are to come. - Rózmann (from the programme notes for the 1984 premiere of the first seven stations).\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Akos Rozmann\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIdeologic Organ\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-06-12T07:55:49+09:00","created_at":"2022-06-11T13:52:21+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","monooto","shelter press"],"price":798000,"price_min":798000,"price_max":798000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42862353383674,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Akos Rozmann \/\/ 12 Stations\/Tolv Stationer (1978-2001) 7xCD BOXSET","public_title":null,"options":["Default Title"],"price":798000,"weight":180,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/akos-rozmann-12-stations-tolv-statione.jpg.250.jpg?v=1654923142","\/\/tobirarecords.com\/cdn\/shop\/products\/av.jpg?v=1654923143"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/akos-rozmann-12-stations-tolv-statione.jpg.250.jpg?v=1654923142","options":["Title"],"media":[{"alt":null,"id":29869699989754,"position":1,"preview_image":{"aspect_ratio":1.0,"height":250,"width":250,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/akos-rozmann-12-stations-tolv-statione.jpg.250.jpg?v=1654923142"},"aspect_ratio":1.0,"height":250,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/akos-rozmann-12-stations-tolv-statione.jpg.250.jpg?v=1654923142","width":250},{"alt":null,"id":29869700022522,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/av.jpg?v=1654923143"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/av.jpg?v=1654923143","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eハンガリー・ブダペストの実験音楽家Akos Rozmannの7CD BOXセットがこの度再発。\u003c\/p\u003e\n\u003cp\u003e以下、Mark Harwoodによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eアコス・ロズマン(1939-2005)はブダペストで生まれ、リスト音楽院でオルガンと作曲を学んだ。1971年から1974年までストックホルム王立音楽大学で作曲を学び、1978年からはストックホルムのカソリック大聖堂のオルガニストとして活躍した。生涯を通じてムジーク・コンクレートに専念し、あらゆる音楽のジャンルの中で最も錬金術的なこのジャンルにおいて、最も大規模で実りある作品群を作り上げた。80年代初頭には、カトリック大聖堂の地下に電子音響スタジオを建設し、その一方で、初期の傑作を生み出したEMS(Elektronmusikstudion スウェーデン)でも活動を継続した。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e音楽創作への揺るぎないこだわりを持つロズマン氏は、望む結果を得るために、窓のないスタジオに閉じこもって夜通し作業をすることもしばしばあった。彼は、自分のビジョンを完璧に表現することだけを考え、仲間からの承認や聴衆の満足は求めなかった。このようなビジョン、情熱、頑固さの組み合わせが、ミュージック・コンクリートという分野で最も特異なカタログを生み出すことになった。ハンガリーの作曲家ミクローシュ・マロスから、ピアノと声のための5分間の作品を依頼された。ロズマンは、ミクローシュの妻でソプラノ歌手のイロナ・マロスの録音と、彼自身のプリペアド・ピアノの実験からなるテープ作品を書くつもりで、この申し出を受けた。ここで録音された要素が「12 Stations」の素材となった。この作品は、当初の5分という短い時間から大きく飛び出し、20年後に6時間半を超える精神の旅路として着地したのである。この作曲プロセスは、初期段階から最終作品の完成まで18年間のギャップがあるため、ロズマン作品の中でもユニークなものとなっている。1978年から1980年にかけて作られた最初の段階は、スピードアップ、スローダウン、テープのカットやスプライシングといった伝統的なミュジック・コンクレートの技法の探求で構成されています。1998年から2001年にかけて制作された最後の4つのステーションは、デジタル技術を取り入れ、1978年のオリジナル録音の小さなセクションをエフェクト・プロセッサーにかけ、サンプラーキーボードで即興演奏しています。このようなギャップや、それぞれの制作期間で展開された異なる技術にもかかわらず、記念碑的な結果は完全で驚異的な全体として収まっている。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eロズマンは、音源の制限の中で、オリジナルのピアノと声の録音から柔軟な音の世界を引き出す不思議な才能を発揮している。その結果、ダイナミックな音の渦が生まれ、20世紀における最も大胆で挑戦的、かつ見応えのあるムジーク・コンクレートの作品のひとつとなったのである。プロパティ・ルームパートIとIIは、シュトゥルム・ウント・ドランの広大な風景で始まる。ピアノと声のオリジナル素材は、攻撃的な異世界の雰囲気を呼び起こす手段として、分解・再構築されている。The Contents and Life of the Black Pit'は、重く堕落した声と狂乱したエレクトロニクスが最も不穏な方法で踊る広がりのある味付けでさらに外へとシフトしていく。The Abandonment of Hell'は、リスナーを洗練された衝撃的なオーディオの混乱に導き、明確な「音楽」の質を持つものである。この作品には、職人が静かに個々の要素を削ぎ落とし、以前は手に入れることのできなかった世界を手に入れようとしているのが感じられる。パートV「The Awakening」では、序盤のうなり声、腹鳴、不穏な声が、より天の声となり、下の異形のものを昇天させるように、ミックスに女性の形を埋め込んでいる。ロズマン氏は、「Twelve Stations」の最初の部分が「チベットの生命の輪」の解釈であることを以前に示唆していたが、作品の背後にある意味について典型的に曖昧な態度をとっていた。チベット仏教への関心と並行して、彼はカソリック教会への信仰を持ち続けていた。その結果、高揚したモチーフを持つこの曲は、地獄から天国への上昇と読むこともできるだろう。ロズマンが演奏する「The Celebrators」は、エンディングというより、ある種の継続として提示されている。短い音楽のリフレインは、声と音の屈折が鏡の回廊のように現れ、果てしなく螺旋状に広がっていくプリズムを思い起こさせる。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eスケール、音色、テクニック、ムード、動きにおいて叙事詩的なこの作品は、20世紀のムジーク・コンクレーテのユニークな傑作であり、強烈にパーソナルで大胆な音の領域として、万人に開かれた過激なミサのような捧げ物として提示されている。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e人間は放浪の旅を通して、さまざまな困難や苦しみに出会う。これらは、絶え間なく続く闘争の間にある力である。彼はこれらの力を制御し、主宰することはできない。嵐の中の雪片のように、上下に翻弄され、無力である。混沌とした思考と感情、喜びと苦しみは、始まりも終わりもない川のように途切れることなく流れている。これらはすべて自分の行いの結果である。しかし、この人生では、これらのことを簡単にするチャンスがある。 \u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1312392139\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eFinal pressing edition of 300.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e7 CD’s packaged in a hardcover slipcase with a pull ribbon, 20-page booklet containing an extensive essay on the composition by the scholar Gergely Loch, photos from the process and of scores and the composer\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e***\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText \/ artist bio by \u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eMark Harwood\u003c\/span\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"Ákos Rózmann (1939-2005) was born in Budapest where he studied organ and composition at the Liszt Academy. From 1971 to 1974 he studied composition at the Royal College of Music in Stockholm and from 1978 he was an organist at the catholic cathedral in Stockholm. Throughout his life Rózmann dedicated himself to musique concrète developing one of the largest and most rewarding bodies of work in this, the most alchemical of all musical genres. In the early eighties, Rózmann started to build a private electroacoustic studio which he installed in the basement of the Catholic Cathedral whilst continuing to work in tandem at the Elektronmusikstudion (EMS Sweden) where he produced his earlier masterpieces.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWith an unwavering commitment to the creation of music Rózmann would often lock himself up in his windowless studio working into the night in order to achieve the results he desired. He did not seek the approval of his peers nor the satisfaction of his audience with the only concern being the perfect articulation of his vision. This combination of vision, passion and stubbornness resulted in one of the most singular catalogues within the field of musique concrete. Commissioned by the Hungarian composer\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e Miklós Maros who requested a five-minute work for piano and voice. Rózmann accepted the offer with the intention of writing a tape piece made from recordings of Miklós’ wife, the soprano singer Ilona Maros’ and his own experiments with prepared piano. The elements recorded here became the source material for Twelve Stations, a work which flew far from the initial five minute brief to land 20 years later as a spirit stretching journey of more than 6 1\/2 hours. The compositional process is unique in Rózmann’s output due to the 18 year gap between the initial phase and completion of the final work. The first phase made between 1978-1980 consists of an exploration of traditional musique concrète techniques such as speeding up, slowing down, cutting and splicing tape. The last four stations made between 1998-2001 embrace digital technology where small sections of the original recordings from 1978 were fed through an effects processor and improvised on a sampler keyboard. Despite this gap and the different techniques deployed at each period of creation the monumental result sits as a complete and staggering whole.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWithin the set limitations of the source material Rózmann’s skill unfolds in an uncanny ability to coax a vast world of flexible sound from the original piano and voice recordings. The result is a maelstrom of dynamic audio and one of the most daring, challenging and rewarding works of musique concrète from the 20th Century. ‘Property – Room’ parts I and II initiate proceedings with a vast landscape of Sturm und Drang. The original material of piano and voice are dissected and reconstructed as a means of evoking an aggressive otherworldly atmosphere. ‘The Contents and Life of the Black Pit’ shifts further outside with an expansive palate of heavily corrupted voice and frenzied electronics dancing in a most unsettling fashion. ‘The Abandonment of Hell’ leads the listener into a sophisticated and shocking melange of audio disorientation, one with a distinct ‘musical’ quality. One senses a master craftsman quietly whittling away at the individual elements in order to harness the previously unobtainable world within. Part V ‘The Awakening’ implants female forms in the mix as the growling, belching, disturbing voices of the early sequences are replaced with more heavenly voices ascending the malformed matter below. Rózmann was typically ambiguous about the meaning behind his work despite suggesting earlier that the first part of ‘Twelve Stations’ was an interpretation of the ‘Tibetan Wheel of Life’. Alongside his interest in Tibetan Buddhism he maintained his following of the catholic church and as a consequence one may also read this sequence, with its uplifting motifs as an ascent from hell into heaven. Rózmann concludes proceedings with ‘The Celebrators’, which presents itself not as an ending but rather a continuation of sorts. A short musical refrain conjures a prism where refractions of voice and sound appear like a hall of mirrors, spiralling onwards and outwards, without end.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEpic in scale, timbre, technique, mood and movement, Twelve Stations is a unique masterpiece of 20th Century musique concrète and presents itself as an intensely personal and bold realm of sound, an offering as such, a radical mass open to all.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMan meets different difficulties and sufferings through his wandering. These are forces between which a continuous struggle is going on. He cannot control and preside over these forces. He is being tossed up and down, powerless, like snowflakes in the storm: chaotic thoughts and feelings, gladness and suffering, which flow without intermission like a river that has no beginning nor end. All these are the fruits of our own deeds. However, in this life you have the chance to make easier those life wanderings that are to come. - Rózmann (from the programme notes for the 1984 premiere of the first seven stations).\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Akos Rozmann\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIdeologic Organ\u003c\/span\u003e\u003c\/p\u003e"}
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ハンガリー・ブダペストの実験音楽家Akos Rozmannの7CD BOXセットがこの度再発。 以下、Mark Harwoodによる解説です。 アコス・ロズマン(1939-2005)はブダペストで生まれ、リスト音楽院でオルガンと作曲を学んだ。1971年から1974年までストックホルム王立音楽大学で作曲を学び、1978年からはストックホルムのカソリック大聖堂のオルガニストとして活躍した。生涯を通じてムジーク・コンクレートに専念し、あらゆる音楽のジャンルの中で最も錬金術的なこのジャンルにおいて、最も大規模で実りある作品群を作り上げた。80年代初頭には、カトリック大聖堂の地下に電子音響スタジオを建設し、その一方で、初期の傑作を生み出したEMS(Elektronmusikstudion スウェーデン)でも活動を継続した。音楽創作への揺るぎないこだわりを持つロズマン氏は、望む結果を得るために、窓のないスタジオに閉じこもって夜通し作業をすることもしばしばあった。彼は、自分のビジョンを完璧に表現することだけを考え、仲間からの承認や聴衆の満足は求めなかった。このようなビジョン、情熱、頑固さの組み合わせが、ミュージック・コンクリートという分野で最も特異なカタログを生み出すことになった。ハンガリーの作曲家ミクローシュ・マロスから、ピアノと声のための5分間の作品を依頼された。ロズマンは、ミクローシュの妻でソプラノ歌手のイロナ・マロスの録音と、彼自身のプリペアド・ピアノの実験からなるテープ作品を書くつもりで、この申し出を受けた。ここで録音された要素が「12 Stations」の素材となった。この作品は、当初の5分という短い時間から大きく飛び出し、20年後に6時間半を超える精神の旅路として着地したのである。この作曲プロセスは、初期段階から最終作品の完成まで18年間のギャップがあるため、ロズマン作品の中でもユニークなものとなっている。1978年から1980年にかけて作られた最初の段階は、スピードアップ、スローダウン、テープのカットやスプライシングといった伝統的なミュジック・コンクレートの技法の探求で構成されています。1998年から2001年にかけて制作された最後の4つのステーションは、デジタル技術を取り入れ、1978年のオリジナル録音の小さなセクションをエフェクト・プロセッサーにかけ、サンプラーキーボードで即興演奏しています。このようなギャップや、それぞれの制作期間で展開された異なる技術にもかかわらず、記念碑的な結果は完全で驚異的な全体として収まっている。ロズマンは、音源の制限の中で、オリジナルのピアノと声の録音から柔軟な音の世界を引き出す不思議な才能を発揮している。その結果、ダイナミックな音の渦が生まれ、20世紀における最も大胆で挑戦的、かつ見応えのあるムジーク・コンクレートの作品のひとつとなったのである。プロパティ・ルームパートIとIIは、シュトゥルム・ウント・ドランの広大な風景で始まる。ピアノと声のオリジナル素材は、攻撃的な異世界の雰囲気を呼び起こす手段として、分解・再構築されている。The Contents and Life of the Black...
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{"id":7636158021882,"title":"C.F.G. 意识反馈团 \/\/ Killed As Time TAPE","handle":"c-f-g-意识反馈团-killed-as-time-tape","description":"\u003cp\u003e中国の即興トリオ\u003cmeta charset=\"utf-8\"\u003eConscious Feedback Group (C.F.G.)が、2022年6月に同国実験レーベルZoomin Nightからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eスポークンワード〜物音〜コラージュを用いたライブ音源2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2261985302\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eZoomin' Nightその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/zoni\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/zoni\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/zoni\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/zoni\"\u003ehere\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e to see more Zoomin' Night releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------------ \u003c\/p\u003e\n\u003cp\u003eZoomin' Night:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eConscious Feedback Group (C.F.G.) is a gang of three formed in 2018 by MAI mai, Xu Cheng and Jun-Y Ciao. Improvisation is their way. They use mediums of music, sound, text and performance to explore a non-identifiable style that has nothing to do with fancy illusions.'\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e***\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrack information:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"Tune of Heart\"\u003cem\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eRecorded live at NEXTMIXING, Shanghai, 3 May 2021.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eJun-Y Ciao: Vocal, Chinese Flute\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMAI mai: Vocal, Tocante Karper\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eXu Cheng: Vocal, Relay Synth, Bialitti Brikka\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis live recording is C.F.G.'s iterative improvisation between semantic, phonetic, vocal and musical sounds, based on a two-page fragment of text from Yang Sao's poetic drama \"Tune of Heart\", written in 1924.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e***\u003cbr\u003e\u003cbr\u003e\u003c\/em\u003e\"From Empty\"\u003cem\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eRecorded live at the Ming Room, Shanghai, on 29 August 2021.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eJun-Y Ciao: Clarinet\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMAI mai: Guitar\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eXu Cheng: Gong and Bowls\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eLive recording from one of the \"Voice of Turtle\" series organized by Zhu Songjie.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe first half is based on a very \"Post-Garde\" concept: when a C pentatonic (C, D, E, G, A) is superimposed on a D pentatonic (D, E, F#, A, B), a 雅乐调 (C Lydian Mode) is formed: C, D, E, F#, G, A, B. Each of the three performers improvises on one of the scale bases, gradually adding notes.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe second half is an improvisation without any arrangement.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : C.F.G. 意识反馈团\u003c\/p\u003e\n\u003cp\u003eLabel : Zoomin' Night\u003c\/p\u003e","published_at":"2022-06-10T10:35:52+09:00","created_at":"2022-06-10T10:29:33+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","jazz","monooto","tape","Zoomin’ night"],"price":158000,"price_min":158000,"price_max":158000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42854338560250,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"C.F.G. 意识反馈团 \/\/ Killed As Time TAPE","public_title":null,"options":["Default Title"],"price":158000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ki1_93fc69c7-200c-4146-ad0e-8ff89345c2e4.jpg?v=1654824574","\/\/tobirarecords.com\/cdn\/shop\/products\/ki2_e3bf2d08-2607-4e47-bb30-c9ade82d5dd0.jpg?v=1654824574"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ki1_93fc69c7-200c-4146-ad0e-8ff89345c2e4.jpg?v=1654824574","options":["Title"],"media":[{"alt":null,"id":29858564079866,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ki1_93fc69c7-200c-4146-ad0e-8ff89345c2e4.jpg?v=1654824574"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ki1_93fc69c7-200c-4146-ad0e-8ff89345c2e4.jpg?v=1654824574","width":700},{"alt":null,"id":29858564112634,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ki2_e3bf2d08-2607-4e47-bb30-c9ade82d5dd0.jpg?v=1654824574"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ki2_e3bf2d08-2607-4e47-bb30-c9ade82d5dd0.jpg?v=1654824574","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e中国の即興トリオ\u003cmeta charset=\"utf-8\"\u003eConscious Feedback Group (C.F.G.)が、2022年6月に同国実験レーベルZoomin Nightからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eスポークンワード〜物音〜コラージュを用いたライブ音源2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2261985302\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eZoomin' Nightその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/zoni\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/zoni\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/zoni\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/zoni\"\u003ehere\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e to see more Zoomin' Night releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------------ \u003c\/p\u003e\n\u003cp\u003eZoomin' Night:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eConscious Feedback Group (C.F.G.) is a gang of three formed in 2018 by MAI mai, Xu Cheng and Jun-Y Ciao. Improvisation is their way. They use mediums of music, sound, text and performance to explore a non-identifiable style that has nothing to do with fancy illusions.'\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e***\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrack information:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"Tune of Heart\"\u003cem\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eRecorded live at NEXTMIXING, Shanghai, 3 May 2021.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eJun-Y Ciao: Vocal, Chinese Flute\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMAI mai: Vocal, Tocante Karper\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eXu Cheng: Vocal, Relay Synth, Bialitti Brikka\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis live recording is C.F.G.'s iterative improvisation between semantic, phonetic, vocal and musical sounds, based on a two-page fragment of text from Yang Sao's poetic drama \"Tune of Heart\", written in 1924.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e***\u003cbr\u003e\u003cbr\u003e\u003c\/em\u003e\"From Empty\"\u003cem\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eRecorded live at the Ming Room, Shanghai, on 29 August 2021.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eJun-Y Ciao: Clarinet\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMAI mai: Guitar\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eXu Cheng: Gong and Bowls\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eLive recording from one of the \"Voice of Turtle\" series organized by Zhu Songjie.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe first half is based on a very \"Post-Garde\" concept: when a C pentatonic (C, D, E, G, A) is superimposed on a D pentatonic (D, E, F#, A, B), a 雅乐调 (C Lydian Mode) is formed: C, D, E, F#, G, A, B. Each of the three performers improvises on one of the scale bases, gradually adding notes.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe second half is an improvisation without any arrangement.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : C.F.G. 意识反馈团\u003c\/p\u003e\n\u003cp\u003eLabel : Zoomin' Night\u003c\/p\u003e"}
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中国の即興トリオConscious Feedback Group (C.F.G.)が、2022年6月に同国実験レーベルZoomin Nightからリリースしたカセットです。 スポークンワード〜物音〜コラージュを用いたライブ音源2曲を収録。DLコード付属。 Zoomin' Nightその他作品はこちら /// Click here to see more Zoomin' Night releases...
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{"id":7623004979450,"title":"Malcolm Goldstein \/\/ Early Electronic \/ Tape Collage Music LP","handle":"malcolm-goldstein-early-electronic-tape-collage-music-lp","description":"\u003cp\u003eイタリアの実験レーベルAlga Marghen諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、アメリカのバイオリニストMalcolm Goldsteinの作品集です。\u003c\/p\u003e\n\u003cp\u003eアコースティック・ドローン〜コラージュ5曲を収録。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/w0XDRM0jM1Y\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLimited edition of 350 copies.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eComes with 4 page insert with the score for \"Illuminations from Fantastic Gardens\".\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e***\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 Sheep Meadow 6:34\u003cbr\u003eA2 Images Of Cheng Hsieh 15:51\u003cbr\u003eB1 It Seemed To Me 5:42\u003cbr\u003eB2 Judson # 6 Piece 6:43\u003cbr\u003eB3 Illuminations From Fantastic Gardens\u003c\/p\u003e\n\u003cp\u003eText By – Arthur Rimbaud\u003cbr\u003e\u003cspan\u003eTranslated By – Louise Varèse\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNotes:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"Sheep Meadow\" (1966)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\"Images of Cheng Hsieh\" (1967) for a dance by Carol Marcy at Judson Church\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\"it seemed to me\" (1963) composed for a dance by Arlene Rothlein; created at Columbia-Princeton Electronic Music Center\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\"Judson # 6 Piece\" (1963) for Ruth Emerson; created at Columbia-Princeton Electronic Music Center\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\"Illuminations from Fantastic Gardens\" (1964) for vocal ensemble [for Elaine Summers, \"Fantastic Gardens: An Evening of Dance\"; 1964, Judson Dance Theater]\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Malcolm Goldstein\u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e","published_at":"2022-06-01T15:52:39+09:00","created_at":"2022-06-01T15:09:51+09:00","vendor":"Tobira Records","type":"","tags":["Alga Marghen","contemporary \/ sound poetry","drone","lp"],"price":339000,"price_min":339000,"price_max":339000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42812385853690,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Malcolm Goldstein \/\/ Early Electronic \/ Tape Collage Music LP","public_title":null,"options":["Default Title"],"price":339000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ea1_6cd608b1-2464-4fc9-a6d0-0fdd3fbff005.jpg?v=1654063792"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ea1_6cd608b1-2464-4fc9-a6d0-0fdd3fbff005.jpg?v=1654063792","options":["Title"],"media":[{"alt":null,"id":29787848048890,"position":1,"preview_image":{"aspect_ratio":1.007,"height":595,"width":599,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ea1_6cd608b1-2464-4fc9-a6d0-0fdd3fbff005.jpg?v=1654063792"},"aspect_ratio":1.007,"height":595,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ea1_6cd608b1-2464-4fc9-a6d0-0fdd3fbff005.jpg?v=1654063792","width":599}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイタリアの実験レーベルAlga Marghen諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、アメリカのバイオリニストMalcolm Goldsteinの作品集です。\u003c\/p\u003e\n\u003cp\u003eアコースティック・ドローン〜コラージュ5曲を収録。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/w0XDRM0jM1Y\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLimited edition of 350 copies.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eComes with 4 page insert with the score for \"Illuminations from Fantastic Gardens\".\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e***\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 Sheep Meadow 6:34\u003cbr\u003eA2 Images Of Cheng Hsieh 15:51\u003cbr\u003eB1 It Seemed To Me 5:42\u003cbr\u003eB2 Judson # 6 Piece 6:43\u003cbr\u003eB3 Illuminations From Fantastic Gardens\u003c\/p\u003e\n\u003cp\u003eText By – Arthur Rimbaud\u003cbr\u003e\u003cspan\u003eTranslated By – Louise Varèse\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNotes:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"Sheep Meadow\" (1966)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\"Images of Cheng Hsieh\" (1967) for a dance by Carol Marcy at Judson Church\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\"it seemed to me\" (1963) composed for a dance by Arlene Rothlein; created at Columbia-Princeton Electronic Music Center\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\"Judson # 6 Piece\" (1963) for Ruth Emerson; created at Columbia-Princeton Electronic Music Center\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\"Illuminations from Fantastic Gardens\" (1964) for vocal ensemble [for Elaine Summers, \"Fantastic Gardens: An Evening of Dance\"; 1964, Judson Dance Theater]\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Malcolm Goldstein\u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e"}
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イタリアの実験レーベルAlga Marghen諸作を入荷しました。 本作は、アメリカのバイオリニストMalcolm Goldsteinの作品集です。 アコースティック・ドローン〜コラージュ5曲を収録。 レーベルその他作品はこちら /// Click here to see more Alga Marghen releases available at...
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{"id":7623002161402,"title":"Walter Marchetti \/\/ Per La Sete Dell'Orecchio LP","handle":"walter-marchetti-per-la-sete-dellorecchio-lp","description":"\u003cp\u003eイタリアの実験レーベルAlga Marghen諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、フランス・パリの実験音楽家Jean-Louis Braunの1981-1984年作品です。\u003c\/p\u003e\n\u003cp\u003e様々なサイズの石を貯水槽にひたすら放り込む作品など2曲を収録。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/XufbgsgAchY\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eTracklist:\u003c\/p\u003e\n\u003cp\u003eA - \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDa Nulla E Verso Nulla\u003cbr\u003eB - Song For Cage\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e***\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe LP includes 'Per La Sete Dell'Orecchio' (1981), previously privately issued on the LP with the same title as well as 'Song for John Cage' (1985), never available on vinyl before. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe LP sleeve reproduces the 'Song for John Cage' score. The full color inner sleeve reproduces the original Per La Sete Dell'Orecchio LP layout. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Walter Marchetti \u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAlga Marghen\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-06-01T15:28:49+09:00","created_at":"2022-06-01T15:05:42+09:00","vendor":"Tobira Records","type":"","tags":["Alga Marghen","contemporary \/ sound poetry","lp","monooto"],"price":349000,"price_min":349000,"price_max":349000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42812377497850,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Walter Marchetti \/\/ Per La Sete Dell'Orecchio LP","public_title":null,"options":["Default Title"],"price":349000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_55692.jpg?v=1710473259"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_55692.jpg?v=1710473259","options":["Title"],"media":[{"alt":null,"id":33384819654906,"position":1,"preview_image":{"aspect_ratio":0.927,"height":2336,"width":2165,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_55692.jpg?v=1710473259"},"aspect_ratio":0.927,"height":2336,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_55692.jpg?v=1710473259","width":2165}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイタリアの実験レーベルAlga Marghen諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、フランス・パリの実験音楽家Jean-Louis Braunの1981-1984年作品です。\u003c\/p\u003e\n\u003cp\u003e様々なサイズの石を貯水槽にひたすら放り込む作品など2曲を収録。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/XufbgsgAchY\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eTracklist:\u003c\/p\u003e\n\u003cp\u003eA - \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDa Nulla E Verso Nulla\u003cbr\u003eB - Song For Cage\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e***\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe LP includes 'Per La Sete Dell'Orecchio' (1981), previously privately issued on the LP with the same title as well as 'Song for John Cage' (1985), never available on vinyl before. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe LP sleeve reproduces the 'Song for John Cage' score. The full color inner sleeve reproduces the original Per La Sete Dell'Orecchio LP layout. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Walter Marchetti \u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAlga Marghen\u003c\/span\u003e\u003c\/p\u003e"}
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イタリアの実験レーベルAlga Marghen諸作を入荷しました。 本作は、フランス・パリの実験音楽家Jean-Louis Braunの1981-1984年作品です。 様々なサイズの石を貯水槽にひたすら放り込む作品など2曲を収録。 レーベルその他作品はこちら /// Click here to see more Alga Marghen releases available at...
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{"id":7622973554938,"title":"Ben Patterson \/\/ Born In The State Of FLUX\/us 2xCD","handle":"ben-patterson-born-in-the-state-of-flux-us-2xcd","description":"\u003cp\u003eイタリアの実験レーベルAlga Marghen諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、アメリカ・フルクサス一派Ben Pattersonのレア音源集です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/ugVISHVNn-M\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTrack 1-1 composed 1960, performed and recorded at Via Telesio 19, Milan, Italy, May 5th 2010.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTracks 1-2 \u0026amp; 1-3 composed 1961, recorded at Galerie Parnass, Wuppertal, Germany, June 9th 1962.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTracks 1-4 (comp. 1960), 1-5 (comp.1962) \u0026amp; 2-1 (comp. 1995) recorded at Massive Arts, Milano, Italy, April 15h 1999.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTrack 2-2 composed in 2003, recorded in Paris, France, May 4th 2003.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTrack 2-3 composed in 2006, recorded in Wiesbaden, Germany, 2006.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTracks 1-2 to 2-1 previously released on Alga Marghen – P 8NMN.028\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTrack 2-2 previously released on Alga Marghen – plana-P alga16\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTrack 2-3 previously released on Alga Marghen – plana-P 17VocSon061\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTrack 1-1 previously unreleased.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ben Patterson\u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e","published_at":"2022-06-01T15:50:00+09:00","created_at":"2022-06-01T14:43:55+09:00","vendor":"Tobira Records","type":"","tags":["Alga Marghen","cd","contemporary \/ sound poetry","monooto"],"price":538000,"price_min":538000,"price_max":538000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42812301082874,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Ben Patterson \/\/ Born In The State Of FLUX\/us 2xCD","public_title":null,"options":["Default Title"],"price":538000,"weight":180,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/be1_af273d2f-ce47-4498-8cef-6d82944b92fc.jpg?v=1654062236","\/\/tobirarecords.com\/cdn\/shop\/products\/be2_64d497a5-d4d7-4e54-93da-904427268845.jpg?v=1654062236","\/\/tobirarecords.com\/cdn\/shop\/products\/be3_a984418f-51f7-4ba4-a415-fb6a3295a420.jpg?v=1654062236"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/be1_af273d2f-ce47-4498-8cef-6d82944b92fc.jpg?v=1654062236","options":["Title"],"media":[{"alt":null,"id":29787676803322,"position":1,"preview_image":{"aspect_ratio":1.075,"height":465,"width":500,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/be1_af273d2f-ce47-4498-8cef-6d82944b92fc.jpg?v=1654062236"},"aspect_ratio":1.075,"height":465,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/be1_af273d2f-ce47-4498-8cef-6d82944b92fc.jpg?v=1654062236","width":500},{"alt":null,"id":29787676836090,"position":2,"preview_image":{"aspect_ratio":0.977,"height":599,"width":585,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/be2_64d497a5-d4d7-4e54-93da-904427268845.jpg?v=1654062236"},"aspect_ratio":0.977,"height":599,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/be2_64d497a5-d4d7-4e54-93da-904427268845.jpg?v=1654062236","width":585},{"alt":null,"id":29787676868858,"position":3,"preview_image":{"aspect_ratio":0.967,"height":599,"width":579,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/be3_a984418f-51f7-4ba4-a415-fb6a3295a420.jpg?v=1654062236"},"aspect_ratio":0.967,"height":599,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/be3_a984418f-51f7-4ba4-a415-fb6a3295a420.jpg?v=1654062236","width":579}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイタリアの実験レーベルAlga Marghen諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、アメリカ・フルクサス一派Ben Pattersonのレア音源集です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/ugVISHVNn-M\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTrack 1-1 composed 1960, performed and recorded at Via Telesio 19, Milan, Italy, May 5th 2010.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTracks 1-2 \u0026amp; 1-3 composed 1961, recorded at Galerie Parnass, Wuppertal, Germany, June 9th 1962.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTracks 1-4 (comp. 1960), 1-5 (comp.1962) \u0026amp; 2-1 (comp. 1995) recorded at Massive Arts, Milano, Italy, April 15h 1999.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTrack 2-2 composed in 2003, recorded in Paris, France, May 4th 2003.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTrack 2-3 composed in 2006, recorded in Wiesbaden, Germany, 2006.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTracks 1-2 to 2-1 previously released on Alga Marghen – P 8NMN.028\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTrack 2-2 previously released on Alga Marghen – plana-P alga16\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTrack 2-3 previously released on Alga Marghen – plana-P 17VocSon061\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTrack 1-1 previously unreleased.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ben Patterson\u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e"}
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イタリアの実験レーベルAlga Marghen諸作を入荷しました。 本作は、アメリカ・フルクサス一派Ben Pattersonのレア音源集です。 レーベルその他作品はこちら /// Click here to see more Alga Marghen releases available at Tobira. ...
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{"id":7622970048762,"title":"François Dufrêne \/\/ Oeuvre Désintégrale 3xCD BOX","handle":"francois-dufrene-oeuvre-desintegrale-3xcd-box","description":"\u003cp\u003eイタリアの実験レーベルAlga Marghen諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、ヌーヴォー・レアリスム一派フランス・パリの音響詩人〜コラージュ作家François Dufrêneが、1976年にリリースした3本組カセットの再発盤です。怒涛の18曲を収録。ライナーノート、ブックレット付属。\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/W6O3iIeVSDM\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003eTracklist: \u003cbr\u003e1. Crirythme Pour Un Double Anniversaire Dedicated To Ginetta And Anouj\u003c\/span\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003e\u003cbr\u003e2. Kochel Que J'Aime\u003c\/span\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003e\u003cbr\u003e3. Le Chaval Lie A L'Art Rose \u003c\/span\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003e\u003cbr\u003e4. Est-Ouest \u003c\/span\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003e\u003cbr\u003e5. Tete A Terre Et Ventre Au Ciel (\u003c\/span\u003e\u003ca dir=\"auto\" href=\"https:\/\/www.youtube.com\/watch?v=W6O3iIeVSDM\u0026amp;t=2933s\" spellcheck=\"false\" class=\"yt-simple-endpoint style-scope yt-formatted-string\"\u003e48:53\u003c\/a\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003e) \u003cbr\u003e6. Eryximatique, Suite Choregaroni - Que Tombeau De Pierre Larousse \u003c\/span\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003e\u003cbr\u003e7. Les Joyeux Sisyphe \u003c\/span\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003e\u003cbr\u003e8. Sature, Nain! (Crirythme) \u003cbr\u003e9. Cacochyme (Crirythme) \u003cbr\u003e10. Sature, Nain! (Crirythme) \u003c\/span\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003e\u003cbr\u003e11. La Ressource Du Petit Peuple \u0026amp; Tenilom By Jean Molinet \u003c\/span\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003e\u003cbr\u003e12. Dit Du Vieux Marin By Coleridge \u003c\/span\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003e\u003cbr\u003e13. Belles Nuisances, Hantaz Nos Nuits \u003c\/span\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003e\u003cbr\u003e14. Sequences (Crirythme) \u003c\/span\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003e\u003cbr\u003e15. Comptinuum (Extraits I) \u003c\/span\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003e\u003cbr\u003e16. La Guitare En Long\u003c\/span\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003e\u003cbr\u003e17. PostcriRHYTHptum \u003c\/span\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003e\u003cbr\u003e18: Comptinuum (Extraits II) \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : François Dufrêne\u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e","published_at":"2022-06-01T15:46:02+09:00","created_at":"2022-06-01T14:39:33+09:00","vendor":"Tobira Records","type":"","tags":["Alga Marghen","cd","contemporary \/ sound poetry","monooto","new","recommended"],"price":889000,"price_min":889000,"price_max":889000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42812282896634,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"François Dufrêne \/\/ Oeuvre Désintégrale 3xCD BOX","public_title":null,"options":["Default Title"],"price":889000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/du1_4361136b-f609-4f7f-acd9-c3983ccef0b4.jpg?v=1654061975"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/du1_4361136b-f609-4f7f-acd9-c3983ccef0b4.jpg?v=1654061975","options":["Title"],"media":[{"alt":null,"id":29787661467898,"position":1,"preview_image":{"aspect_ratio":1.13,"height":177,"width":200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/du1_4361136b-f609-4f7f-acd9-c3983ccef0b4.jpg?v=1654061975"},"aspect_ratio":1.13,"height":177,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/du1_4361136b-f609-4f7f-acd9-c3983ccef0b4.jpg?v=1654061975","width":200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイタリアの実験レーベルAlga Marghen諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、ヌーヴォー・レアリスム一派フランス・パリの音響詩人〜コラージュ作家François Dufrêneが、1976年にリリースした3本組カセットの再発盤です。怒涛の18曲を収録。ライナーノート、ブックレット付属。\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/W6O3iIeVSDM\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003eTracklist: \u003cbr\u003e1. Crirythme Pour Un Double Anniversaire Dedicated To Ginetta And Anouj\u003c\/span\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003e\u003cbr\u003e2. Kochel Que J'Aime\u003c\/span\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003e\u003cbr\u003e3. Le Chaval Lie A L'Art Rose \u003c\/span\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003e\u003cbr\u003e4. Est-Ouest \u003c\/span\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003e\u003cbr\u003e5. Tete A Terre Et Ventre Au Ciel (\u003c\/span\u003e\u003ca dir=\"auto\" href=\"https:\/\/www.youtube.com\/watch?v=W6O3iIeVSDM\u0026amp;t=2933s\" spellcheck=\"false\" class=\"yt-simple-endpoint style-scope yt-formatted-string\"\u003e48:53\u003c\/a\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003e) \u003cbr\u003e6. Eryximatique, Suite Choregaroni - Que Tombeau De Pierre Larousse \u003c\/span\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003e\u003cbr\u003e7. Les Joyeux Sisyphe \u003c\/span\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003e\u003cbr\u003e8. Sature, Nain! (Crirythme) \u003cbr\u003e9. Cacochyme (Crirythme) \u003cbr\u003e10. Sature, Nain! (Crirythme) \u003c\/span\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003e\u003cbr\u003e11. La Ressource Du Petit Peuple \u0026amp; Tenilom By Jean Molinet \u003c\/span\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003e\u003cbr\u003e12. Dit Du Vieux Marin By Coleridge \u003c\/span\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003e\u003cbr\u003e13. Belles Nuisances, Hantaz Nos Nuits \u003c\/span\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003e\u003cbr\u003e14. Sequences (Crirythme) \u003c\/span\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003e\u003cbr\u003e15. Comptinuum (Extraits I) \u003c\/span\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003e\u003cbr\u003e16. La Guitare En Long\u003c\/span\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003e\u003cbr\u003e17. PostcriRHYTHptum \u003c\/span\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003e\u003cbr\u003e18: Comptinuum (Extraits II) \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : François Dufrêne\u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e"}
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{"id":7622963069178,"title":"Jean-Louis Brau \/\/ Instrumentation Verbales LP","handle":"jean-louis-brau-instrumentation-verbales-lp","description":"\u003cp\u003eイタリアの実験レーベルAlga Marghen諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、フランス・パリの実験音楽家Jean-Louis Brau(1930-1985)が、1961-1973年に録音した音源集です。\u003c\/p\u003e\n\u003cp\u003eサウンドポエトリー〜コラージュ5曲を収録。350部限定の片面レコードです。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/PCY14N27jsY\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 350. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"Elégie Elémentaire\" and \"Ataloche Roche\": recorded in 1961. 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{"id":7622961725690,"title":"Luc Ferrari, GOL, Brunhild Ferrari \/\/ Exercices D'Improvisation LP","handle":"luc-ferrari-gol-brunhild-ferrari-exercices-dimprovisation-lp","description":"\u003cp\u003eイタリアの実験レーベルAlga Marghen諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、フランス・パリの実験音楽家Luc Ferrariの未発表曲を収録したレコードです。\u003c\/p\u003e\n\u003cp\u003e1977年に、テープと任意の楽器または楽器群のための、個人または集団による7つの即興の練習曲のシーケンスとして構想した作品です。10枚組CD BOXにも収録されていない幻の音源集です。\u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1278954511\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/user-297960592\" title=\"tobirarecs4\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003etobirarecs4\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/user-297960592\/golferrari\" title=\"fer_pre\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003efer_pre\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eEdition of 350. \u003cmeta charset=\"utf-8\"\u003eIncludes an insert with full score.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003erom the liner notes):\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\"\u003cem\u003eA sequence of exercises (5-7' each) [for stereo magnetic tape and instruments] that can be individual or collective improvisation for any instrument or group of instruments (maximum 8). Each exercise is based on continuity: harmonic or melodic color, rhythm, etc. They are intended for amateurs, professionals or students and may take place in concerts.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Luc Ferrari, GOL, Brunhild Ferrari\u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e","published_at":"2022-06-01T14:56:23+09:00","created_at":"2022-06-01T14:25:28+09:00","vendor":"Tobira Records","type":"","tags":["Alga Marghen","contemporary \/ sound poetry","drone","lp","monooto"],"price":339000,"price_min":339000,"price_max":339000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42812189638906,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Luc Ferrari, GOL, Brunhild Ferrari \/\/ Exercices D'Improvisation LP","public_title":null,"options":["Default Title"],"price":339000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/lu1_0f00814d-5ca3-417c-9777-bddd78f52671.jpg?v=1654061129","\/\/tobirarecords.com\/cdn\/shop\/products\/lu2_53981f68-4c23-4515-9745-d67f629b94fa.jpg?v=1654061130","\/\/tobirarecords.com\/cdn\/shop\/products\/lu3_c301983f-c7a9-4e3e-a300-70b958b331d4.jpg?v=1654061130"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/lu1_0f00814d-5ca3-417c-9777-bddd78f52671.jpg?v=1654061129","options":["Title"],"media":[{"alt":null,"id":29787618869498,"position":1,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lu1_0f00814d-5ca3-417c-9777-bddd78f52671.jpg?v=1654061129"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lu1_0f00814d-5ca3-417c-9777-bddd78f52671.jpg?v=1654061129","width":600},{"alt":null,"id":29787618902266,"position":2,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lu2_53981f68-4c23-4515-9745-d67f629b94fa.jpg?v=1654061130"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lu2_53981f68-4c23-4515-9745-d67f629b94fa.jpg?v=1654061130","width":600},{"alt":null,"id":29787618935034,"position":3,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lu3_c301983f-c7a9-4e3e-a300-70b958b331d4.jpg?v=1654061130"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lu3_c301983f-c7a9-4e3e-a300-70b958b331d4.jpg?v=1654061130","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイタリアの実験レーベルAlga Marghen諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、フランス・パリの実験音楽家Luc Ferrariの未発表曲を収録したレコードです。\u003c\/p\u003e\n\u003cp\u003e1977年に、テープと任意の楽器または楽器群のための、個人または集団による7つの即興の練習曲のシーケンスとして構想した作品です。10枚組CD BOXにも収録されていない幻の音源集です。\u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1278954511\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/user-297960592\" title=\"tobirarecs4\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003etobirarecs4\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/user-297960592\/golferrari\" title=\"fer_pre\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003efer_pre\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eEdition of 350. \u003cmeta charset=\"utf-8\"\u003eIncludes an insert with full score.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003erom the liner notes):\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\"\u003cem\u003eA sequence of exercises (5-7' each) [for stereo magnetic tape and instruments] that can be individual or collective improvisation for any instrument or group of instruments (maximum 8). Each exercise is based on continuity: harmonic or melodic color, rhythm, etc. They are intended for amateurs, professionals or students and may take place in concerts.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Luc Ferrari, GOL, Brunhild Ferrari\u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e"}
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イタリアの実験レーベルAlga Marghen諸作を入荷しました。 本作は、フランス・パリの実験音楽家Luc Ferrariの未発表曲を収録したレコードです。 1977年に、テープと任意の楽器または楽器群のための、個人または集団による7つの即興の練習曲のシーケンスとして構想した作品です。10枚組CD BOXにも収録されていない幻の音源集です。 tobirarecs4 · fer_pre レーベルその他作品はこちら /// Click here to see more Alga...
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{"id":7620250566906,"title":"Beatriz Ferreyra and Natasha Barrett \/\/ Souvenirs cachés \/ Innermost LP","handle":"beatriz-ferreyra-and-natasha-barrett-souvenirs-caches-innermost-lp","description":"\u003cp\u003eイギリス・ロンドンのミュージックコンクレートバンドLangham Research Centre中心人物Iain Chambersが主宰する\u003cspan data-mce-fragment=\"1\"\u003e物音レーベル\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePersistence of Sounds諸作を入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e本作は、同国エレクトロアコースティック作家Beatriz FerreyraとNatasha Barrettによるスプリットレコードです。コンクレート3曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=593543491\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/persistenceofsound\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/persistenceofsound\"\u003ehere\u003c\/a\u003e to see more Persistence of Sound releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003ePersistence of Sound:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eIt would be hard to find a better-suited combination of contemporary acousmatica on one record. Beatriz Ferreyra and Natasha Barrett are known for their intense exploration of the movement of sounds through space.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFerreyra has been at the cutting edge of developments in acousmatic music and sound morphology since she joined Pierre Schaeffer’s small team of researchers in his tape experiments at the GRM Paris studios in 1963. She continues to compose and perform internationally.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSchaeffer’s concept of ‘allure’ (the unique quality of any sound according to how it behaves) features as an influence in Barrett’s development of the concept of the ‘gait’ of her sounds, identified by how they move, change shape and occupy space rather than by their source. Her multi-dimensional installations and concerts have featured in museums and festivals globally since the 1990s.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFerreyra and Barrett share an interest in musique concrète over pure electronics. Ferreyra prefers the ‘aliveness’ of natural or environmental sound recordings, and Barrett talks of ‘hovering in that point between something from the real-world and the totally abstract.’\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBoth composers focus on recreating the most\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e natural listening experience possible during performance. For Barrett, this is a question of using higher order ambisonics (the encoding or recording of spatial information which is then decoded across multi-loudspeaker configurations). For Ferreyra, it is a question of playing her stereo recordings live from the mixing console across eight or more loudspeakers depending on the space.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Beatriz Ferreyra and Natasha Barrett\u003c\/p\u003e\n\u003cp\u003eLabel : Persistence of Sound\u003c\/p\u003e","published_at":"2022-05-27T18:54:01+09:00","created_at":"2022-05-27T18:14:13+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","lp","monooto","persistence of sound"],"price":335000,"price_min":335000,"price_max":335000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42801193943290,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Beatriz Ferreyra and Natasha Barrett \/\/ Souvenirs cachés \/ Innermost LP","public_title":null,"options":["Default Title"],"price":335000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/in1_2c9990e7-e974-47a3-85a7-09a13d51c338.jpg?v=1653642855","\/\/tobirarecords.com\/cdn\/shop\/products\/in2_ed357555-2e67-4d14-b816-34c92b929b9d.jpg?v=1653642855"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/in1_2c9990e7-e974-47a3-85a7-09a13d51c338.jpg?v=1653642855","options":["Title"],"media":[{"alt":null,"id":29771446518010,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/in1_2c9990e7-e974-47a3-85a7-09a13d51c338.jpg?v=1653642855"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/in1_2c9990e7-e974-47a3-85a7-09a13d51c338.jpg?v=1653642855","width":700},{"alt":null,"id":29771446550778,"position":2,"preview_image":{"aspect_ratio":1.478,"height":812,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/in2_ed357555-2e67-4d14-b816-34c92b929b9d.jpg?v=1653642855"},"aspect_ratio":1.478,"height":812,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/in2_ed357555-2e67-4d14-b816-34c92b929b9d.jpg?v=1653642855","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリス・ロンドンのミュージックコンクレートバンドLangham Research Centre中心人物Iain Chambersが主宰する\u003cspan data-mce-fragment=\"1\"\u003e物音レーベル\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePersistence of Sounds諸作を入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e本作は、同国エレクトロアコースティック作家Beatriz FerreyraとNatasha Barrettによるスプリットレコードです。コンクレート3曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=593543491\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/persistenceofsound\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/persistenceofsound\"\u003ehere\u003c\/a\u003e to see more Persistence of Sound releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003ePersistence of Sound:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eIt would be hard to find a better-suited combination of contemporary acousmatica on one record. Beatriz Ferreyra and Natasha Barrett are known for their intense exploration of the movement of sounds through space.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFerreyra has been at the cutting edge of developments in acousmatic music and sound morphology since she joined Pierre Schaeffer’s small team of researchers in his tape experiments at the GRM Paris studios in 1963. She continues to compose and perform internationally.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSchaeffer’s concept of ‘allure’ (the unique quality of any sound according to how it behaves) features as an influence in Barrett’s development of the concept of the ‘gait’ of her sounds, identified by how they move, change shape and occupy space rather than by their source. Her multi-dimensional installations and concerts have featured in museums and festivals globally since the 1990s.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFerreyra and Barrett share an interest in musique concrète over pure electronics. Ferreyra prefers the ‘aliveness’ of natural or environmental sound recordings, and Barrett talks of ‘hovering in that point between something from the real-world and the totally abstract.’\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBoth composers focus on recreating the most\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e natural listening experience possible during performance. For Barrett, this is a question of using higher order ambisonics (the encoding or recording of spatial information which is then decoded across multi-loudspeaker configurations). For Ferreyra, it is a question of playing her stereo recordings live from the mixing console across eight or more loudspeakers depending on the space.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Beatriz Ferreyra and Natasha Barrett\u003c\/p\u003e\n\u003cp\u003eLabel : Persistence of Sound\u003c\/p\u003e"}
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イギリス・ロンドンのミュージックコンクレートバンドLangham Research Centre中心人物Iain Chambersが主宰する物音レーベルPersistence of Sounds諸作を入荷しました。 本作は、同国エレクトロアコースティック作家Beatriz FerreyraとNatasha Barrettによるスプリットレコードです。コンクレート3曲を収録。 レーベルその他作品はこちら /// Click here to see more Persistence...
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{"id":7617660715258,"title":"Primitive Structures \/\/ Your Event Is Our Rehearsal CD","handle":"primitive-structures-your-event-is-our-rehearsal-cd","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eドイツ・フランコニアのコラージュ・フォークバンドPrimitive Structuresが、2022年5月に同国ベルリンの実験レーベル\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eKashual Plastikからリリースした最新作です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eストレンジビーツ・ジャズ〜コラージュ・フォーク11曲を収録。フルカラーのミニZINEとDLコード付属。ベルベット仕様の特殊ケースです。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1649515861\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/kapl\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/kapl\"\u003ehere\u003c\/a\u003e to see more Kashual Plastik releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHand-screen-printed black velvet sleeves with 8 page booklet.\u003cbr\u003eIncludes DL code.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eText by Kashual Plastik:\u003c\/p\u003e\n\u003cp\u003e\"...\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThey vibrate in a sublime blend of wave abstractions, Le Théâtre Du Chêne Noir jazz, sliding folk blues, otherworldly reverberations, gut instinct electronica, and droning psychedelia, casually eclipsed by witched drama voices. We are linked to Primitive Structures, a dazed Australian-Franconian trio from Berlin, that electrifies the musical data spheres with “Your event is our rehearsal”, a debut long player that only comes real, when all auditors are ready for some Naïve utopia. It’s a dance of gloomy atoms, elaborated by the heart-piercing analogue gymnastics, improvisatory guitar-playing, darkish dub hints, strange cultural rhythms and interweaving strung-out psychedelics. An erratically tripping passage with an expansive sense of space and emotional richness, beyond our reach and experience...\"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Primitive Structures\u003c\/p\u003e\n\u003cp\u003eLabel : Kashual Plastik\u003c\/p\u003e","published_at":"2022-05-25T13:50:54+09:00","created_at":"2022-05-24T11:57:48+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","jazz","kashual plastik","monooto","sale22","strange beats"],"price":189000,"price_min":189000,"price_max":189000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42789007294714,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Primitive Structures \/\/ Your Event Is Our Rehearsal CD","public_title":null,"options":["Default Title"],"price":189000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ou1_95d14886-ce99-4f92-af31-346581b6cfd9.jpg?v=1653361070","\/\/tobirarecords.com\/cdn\/shop\/products\/ou2_bff8e62c-8f79-406d-84ae-cd3f6935bb80.jpg?v=1653361070"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ou1_95d14886-ce99-4f92-af31-346581b6cfd9.jpg?v=1653361070","options":["Title"],"media":[{"alt":null,"id":29754420592890,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ou1_95d14886-ce99-4f92-af31-346581b6cfd9.jpg?v=1653361070"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ou1_95d14886-ce99-4f92-af31-346581b6cfd9.jpg?v=1653361070","width":700},{"alt":null,"id":29754420625658,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ou2_bff8e62c-8f79-406d-84ae-cd3f6935bb80.jpg?v=1653361070"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ou2_bff8e62c-8f79-406d-84ae-cd3f6935bb80.jpg?v=1653361070","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eドイツ・フランコニアのコラージュ・フォークバンドPrimitive Structuresが、2022年5月に同国ベルリンの実験レーベル\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eKashual Plastikからリリースした最新作です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eストレンジビーツ・ジャズ〜コラージュ・フォーク11曲を収録。フルカラーのミニZINEとDLコード付属。ベルベット仕様の特殊ケースです。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1649515861\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/kapl\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/kapl\"\u003ehere\u003c\/a\u003e to see more Kashual Plastik releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHand-screen-printed black velvet sleeves with 8 page booklet.\u003cbr\u003eIncludes DL code.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eText by Kashual Plastik:\u003c\/p\u003e\n\u003cp\u003e\"...\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThey vibrate in a sublime blend of wave abstractions, Le Théâtre Du Chêne Noir jazz, sliding folk blues, otherworldly reverberations, gut instinct electronica, and droning psychedelia, casually eclipsed by witched drama voices. We are linked to Primitive Structures, a dazed Australian-Franconian trio from Berlin, that electrifies the musical data spheres with “Your event is our rehearsal”, a debut long player that only comes real, when all auditors are ready for some Naïve utopia. It’s a dance of gloomy atoms, elaborated by the heart-piercing analogue gymnastics, improvisatory guitar-playing, darkish dub hints, strange cultural rhythms and interweaving strung-out psychedelics. An erratically tripping passage with an expansive sense of space and emotional richness, beyond our reach and experience...\"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Primitive Structures\u003c\/p\u003e\n\u003cp\u003eLabel : Kashual Plastik\u003c\/p\u003e"}
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ドイツ・フランコニアのコラージュ・フォークバンドPrimitive Structuresが、2022年5月に同国ベルリンの実験レーベルKashual Plastikからリリースした最新作です。 ストレンジビーツ・ジャズ〜コラージュ・フォーク11曲を収録。フルカラーのミニZINEとDLコード付属。ベルベット仕様の特殊ケースです。 レーベルその他作品はこちら /// Click here to see more Kashual Plastik releases available at Tobira....
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{"id":7608395530490,"title":"Warm Currency \/\/ Returns 10\"+BOOKLET","handle":"warm-currency-returns-10-booklet","description":"\u003cp\u003eオーストラリア・シドニーの実験音楽家\u003cmeta charset=\"utf-8\"\u003eMP HopkinsとMary MacDougallによるフォークデュオWarm Currencyが、2022年4月にイギリスの実験レーベルHorn of Plentyからリリースしたデビューレコードです。\u003c\/p\u003e\n\u003cp\u003e物音コラージュ〜実験フォーク8曲を収録。フルカラーブックレット写真集が付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2792495629\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/horn-of-plenty\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/horn-of-plenty\"\u003ehere\u003c\/a\u003e to see more Horn of Plenty releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eHorn of Plenty:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eWarm Currency is a new project by Sydney-based friends, artists and musicians MP Hopkins and Mary MacDougall. Mary began working with MP Hopkins and Christopher Schueler in 2008 as Vincent Over the Sink morphed into The Bowles. Returns was recorded in Mary’s home during 2020-2021 and is their first release since 2012’s The Bowles EP (Kye).\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eQuietly intense folk music, song-poems, and concrète collages built from seemingly simple and delicate arrangements for guitar, keyboards, voice and tape.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRecommended if you like Flaming Tunes, Nico, Alistair Galbraith, The Garbage and the Flowers.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Warm Currency\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHorn of Plenty\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-05-11T14:28:56+09:00","created_at":"2022-05-11T14:28:56+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","folk \/ left-field pop","horn of plenty","lp","monooto","recommended"],"price":345000,"price_min":345000,"price_max":345000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42746183614714,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Warm Currency \/\/ Returns 10\"+BOOKLET","public_title":null,"options":["Default Title"],"price":345000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a3419686986_16.jpg?v=1652247152","\/\/tobirarecords.com\/cdn\/shop\/products\/0028195213_10.jpg?v=1652247153","\/\/tobirarecords.com\/cdn\/shop\/products\/0028195216_10.jpg?v=1652247154","\/\/tobirarecords.com\/cdn\/shop\/products\/0028195220_10.jpg?v=1652247155"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a3419686986_16.jpg?v=1652247152","options":["Title"],"media":[{"alt":null,"id":29698345828602,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a3419686986_16.jpg?v=1652247152"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a3419686986_16.jpg?v=1652247152","width":700},{"alt":null,"id":29698345926906,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0028195213_10.jpg?v=1652247153"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0028195213_10.jpg?v=1652247153","width":1200},{"alt":null,"id":29698345959674,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0028195216_10.jpg?v=1652247154"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0028195216_10.jpg?v=1652247154","width":1200},{"alt":null,"id":29698345992442,"position":4,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0028195220_10.jpg?v=1652247155"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0028195220_10.jpg?v=1652247155","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリア・シドニーの実験音楽家\u003cmeta charset=\"utf-8\"\u003eMP HopkinsとMary MacDougallによるフォークデュオWarm Currencyが、2022年4月にイギリスの実験レーベルHorn of Plentyからリリースしたデビューレコードです。\u003c\/p\u003e\n\u003cp\u003e物音コラージュ〜実験フォーク8曲を収録。フルカラーブックレット写真集が付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2792495629\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/horn-of-plenty\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/horn-of-plenty\"\u003ehere\u003c\/a\u003e to see more Horn of Plenty releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eHorn of Plenty:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eWarm Currency is a new project by Sydney-based friends, artists and musicians MP Hopkins and Mary MacDougall. Mary began working with MP Hopkins and Christopher Schueler in 2008 as Vincent Over the Sink morphed into The Bowles. Returns was recorded in Mary’s home during 2020-2021 and is their first release since 2012’s The Bowles EP (Kye).\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eQuietly intense folk music, song-poems, and concrète collages built from seemingly simple and delicate arrangements for guitar, keyboards, voice and tape.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRecommended if you like Flaming Tunes, Nico, Alistair Galbraith, The Garbage and the Flowers.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Warm Currency\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHorn of Plenty\u003c\/span\u003e\u003c\/p\u003e"}
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{"id":7607545626874,"title":"Rick Myers \/\/ Obstacle #79: Memory Is Current LP","handle":"rick-myers-obstacle-79-memory-is-current-lp","description":"\u003cp\u003eイギリス・マンチェスターの美術家/ライターRick Myersが、2022年5月に\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ・フィラデルフィアの実験レーベルOpen Mouthから250部限定でリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e数学的な測定と直感的な描画システムから方法を割り出し、粘着テープを使って\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e自動演奏ピアノ\u003c\/span\u003eを誤使用したコンテンポラリー2曲約40分を収録。展開が全く読めません。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1288790204\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003ehere\u003c\/a\u003e to see more Open Mouth releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 250.\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003eMatt Krefting\u003cbr data-mce-fragment=\"1\"\u003eHolyoke, MA, 2022\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eObstacle #79: MEMORY IS CURRENT offers a sequence of works for player piano, a device which captured Rick Myers’ imagination in 2017. Divining a method from mathematical measurements and intuitive drawing systems, Myers obstructed piano rolls using adhesive tape. Performed in this altered state on a player piano in the hallway of Easthampton Machine and Tool in Easthampton, Massachusetts, the music embedded in the rolls was extricated from its history and given fresh life. Restriction forged a pathway to expanse. Here are the enchanting results.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe workings of the machine are evident throughout, wistfully recalling music box fantasias, even as the tumbling notes confound expectations. The meticulously constructed scenarios invariably run amok, and in between chaos and melody, frustration and freedom, an impossible helix fashions its own celestial music. The sounds grumble against one another, summoning subterranean promises and unearthing unexpected delights.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAs the tracks run into one another, Myers interposes spoken dispatches, detailing aspects of the story behind the record. Like the sounds of the piano, they transcend mere reportage. Increasingly obscured over the course of the two sides, these ghostly\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cem\u003e interjections are part of the sonic fabric, enhancing both the narrative and acousmatic aspects of the project.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRick Myers is an artist whose decades-long career has studiously disregarded the confines of medium – there are books, drawings, sculptures, installations, exhibitions, videos, performances, design projects, texts, and combinations thereof. Sound, as evidenced by his recent focus on recorded material, is but another potent arrow in his quiver. Plus, it’s nothing new – he cut his teeth as a DJ.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis record is an interior travelogue shot through with ecstatic truth. In furthering the process of obstruction by which the player piano makes its music possible, Myers is, in his own words, looking to “cast and dislodge time.” Like God or Loss or Love, Time is one of the bedeviling bottomless wells from which the most affecting art springs. This is the real thing.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRick Myers is not in search of lost time, he is attempting to lose it, and in so doing to chart the inevitable trajectory of that loss, of its apparent disappearance, its peculiar habit of hiding in plain sight.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Rick Myers\u003c\/p\u003e\n\u003cp\u003eLabel : Open Mouth\u003c\/p\u003e","published_at":"2022-05-10T16:09:59+09:00","created_at":"2022-05-10T08:57:59+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","lp","monooto","open mouth"],"price":348000,"price_min":348000,"price_max":348000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42741175091450,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Rick Myers \/\/ Obstacle #79: Memory Is Current LP","public_title":null,"options":["Default Title"],"price":348000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ob1_8b01d2c2-438a-4fa8-b833-d4b0bd2a2e51.jpg?v=1652140681","\/\/tobirarecords.com\/cdn\/shop\/products\/ob2_35de6377-40b2-49d3-ac2e-c29144d99f78.jpg?v=1652140681"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ob1_8b01d2c2-438a-4fa8-b833-d4b0bd2a2e51.jpg?v=1652140681","options":["Title"],"media":[{"alt":null,"id":29692197175546,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ob1_8b01d2c2-438a-4fa8-b833-d4b0bd2a2e51.jpg?v=1652140681"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ob1_8b01d2c2-438a-4fa8-b833-d4b0bd2a2e51.jpg?v=1652140681","width":700},{"alt":null,"id":29692197208314,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ob2_35de6377-40b2-49d3-ac2e-c29144d99f78.jpg?v=1652140681"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ob2_35de6377-40b2-49d3-ac2e-c29144d99f78.jpg?v=1652140681","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリス・マンチェスターの美術家/ライターRick Myersが、2022年5月に\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ・フィラデルフィアの実験レーベルOpen Mouthから250部限定でリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e数学的な測定と直感的な描画システムから方法を割り出し、粘着テープを使って\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e自動演奏ピアノ\u003c\/span\u003eを誤使用したコンテンポラリー2曲約40分を収録。展開が全く読めません。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1288790204\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003ehere\u003c\/a\u003e to see more Open Mouth releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 250.\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003eMatt Krefting\u003cbr data-mce-fragment=\"1\"\u003eHolyoke, MA, 2022\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eObstacle #79: MEMORY IS CURRENT offers a sequence of works for player piano, a device which captured Rick Myers’ imagination in 2017. Divining a method from mathematical measurements and intuitive drawing systems, Myers obstructed piano rolls using adhesive tape. Performed in this altered state on a player piano in the hallway of Easthampton Machine and Tool in Easthampton, Massachusetts, the music embedded in the rolls was extricated from its history and given fresh life. Restriction forged a pathway to expanse. Here are the enchanting results.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe workings of the machine are evident throughout, wistfully recalling music box fantasias, even as the tumbling notes confound expectations. The meticulously constructed scenarios invariably run amok, and in between chaos and melody, frustration and freedom, an impossible helix fashions its own celestial music. The sounds grumble against one another, summoning subterranean promises and unearthing unexpected delights.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAs the tracks run into one another, Myers interposes spoken dispatches, detailing aspects of the story behind the record. Like the sounds of the piano, they transcend mere reportage. Increasingly obscured over the course of the two sides, these ghostly\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cem\u003e interjections are part of the sonic fabric, enhancing both the narrative and acousmatic aspects of the project.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRick Myers is an artist whose decades-long career has studiously disregarded the confines of medium – there are books, drawings, sculptures, installations, exhibitions, videos, performances, design projects, texts, and combinations thereof. Sound, as evidenced by his recent focus on recorded material, is but another potent arrow in his quiver. Plus, it’s nothing new – he cut his teeth as a DJ.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis record is an interior travelogue shot through with ecstatic truth. In furthering the process of obstruction by which the player piano makes its music possible, Myers is, in his own words, looking to “cast and dislodge time.” Like God or Loss or Love, Time is one of the bedeviling bottomless wells from which the most affecting art springs. This is the real thing.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRick Myers is not in search of lost time, he is attempting to lose it, and in so doing to chart the inevitable trajectory of that loss, of its apparent disappearance, its peculiar habit of hiding in plain sight.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Rick Myers\u003c\/p\u003e\n\u003cp\u003eLabel : Open Mouth\u003c\/p\u003e"}
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イギリス・マンチェスターの美術家/ライターRick Myersが、2022年5月にアメリカ・フィラデルフィアの実験レーベルOpen Mouthから250部限定でリリースしたレコードです。 数学的な測定と直感的な描画システムから方法を割り出し、粘着テープを使って自動演奏ピアノを誤使用したコンテンポラリー2曲約40分を収録。展開が全く読めません。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Open Mouth releases available at Tobira. ...
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{"id":7606674882810,"title":"Jordan Dykstra \/\/ Found Clouds CD","handle":"jordan-dykstra-found-clouds-cd","description":"\u003cp\u003eアメリカ・NYの作曲家Jordan Dykstra主宰レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEditions Verde諸作を入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e本作は、Jordanが2018年にリリースしたアルバムです。ビブラフォン、ペダルハープ、オルガン、ピアノで制作したアコースティックドローン4曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3769043210\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/editions-verde\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/editions-verde\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/editions-verde\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/editions-verde\"\u003ehere\u003c\/a\u003e to see more Editions Verde releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"With \"Found Clouds\" — the inaugural release in Edition Verde's new series \"Seeing the Forest in a Tree\" — Jordan Dykstra explores one conceptual idea with four radically different realizations through arrangements for vibraphone, pedal harp, organ, and piano.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e***\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJ. P. A. Falzone:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"\u003cem\u003eThe series explores an unconventional notion of the musical work. [These are not] mere collection(s) of pieces in a suite nor a set of movements illustrating some notion of development. Rather, each individual piece manifests the structural logic of the project as a whole; correspondingly, the pieces taken together coalesce around the structural principle inherent in each. Any individual track, a piece in its own right, is a realization of the central inherent concept. Such an approach goes beyond interpretation. It is rather like pursuing the same idea from multiple perspectives. It is perhaps worth noting that four is the smallest composite number.\"\u003c\/em\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e***\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLiner Notes by \u003cmeta charset=\"utf-8\"\u003eMatt Marble (2018):\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eStars are the seeds of the Universe. Within and beyond our own galaxy, they are forever dying and giving birth to themselves. When very massive stars die, they sometimes dramatically explode, becoming supernovae. Riding the shock wave of these massive explosions, chemical elements and electromagnetic\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e radiation are scattered across the Universe. It is by this process that other stars, planets, suns, moons, and entire galaxies are formed—not to mention the atoms in our bodies. The Earth is wrapped in an astral blanket of electromagnetic radiation, made from the entrails of exploded stars from distant galaxies. It is from this electromagnetic envelope that cosmic rays meet with hail-strewn clouds to form earth’s lightning. While at every moment, these same cosmic rays silently rain down upon every inch of the earth. They are falling upon you now, as you read this. We know this is true, because one man, Charles Thomson Rees Wilson, fell in love with clouds and made this cosmic rain visible.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWilson’s love of clouds intensified as he began studying “glories.” A so-called “glory” is the rainbowed halo occasionally seen surrounding objects, often at sunrise, when the air is damp. It’s a bit of an optical trick on the eyes—light from the sun refracting through the vapors of the moistened atmosphere—and it’s undeniably beautiful. In order to better understand glory phenomena, Wilson sought to create and study clouds in his laboratory. And in 1911, he invented the first “cloud chamber” to do just that. Infusing an enclosed chamber with water vapor, he then expanded and cooled the air inside. Like a comet in a wine glass, ionized particles, including cosmic rays, flashed into view and disappeared after a few seconds, becoming visible as condensed water vapor latched onto the ever-falling cosmic rain. These experiments with home-made clouds accidentally advanced the foundation of modern particle physics, which helped win Wilson a Nobel Prize in 1927.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eI couldn’t help but think about Wilson’s work when I first listened to Jordan Dykstra’s Found Clouds, the inaugural release of the Seeing a Forest in a Tree series by Editions Verde. The music was initially inspired by the microtonal tuning system that composer Ben Johnston used for his Suite for Microtonal Piano (1977), as Dykstra found himself near a so-tuned piano while studying at Cal Arts in 2016. Inspired, he devised a series of “cloud scale patterns” to compose for the instrument.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDykstra’s cloud scales do not feature repeating pitches across the octaves, as in traditional scales. Instead they are based on repeating interval modes applied to the chromatic spectrum. This gives rise to scales whose fundamental pitch and other scale tones vary from one octave to the next, forming “non-one-octave-repeating” patterns. When composing, Dykstra layers a sustained fundamental pitch with other non-sustained cloud scale tones into abstract atmospheres. This approach allows the listener to savor the cumulous harmonies and the unique shimmer of the microtonal tunings of the instruments employed. Each track offers a different instrument and tuning: vibraphone (equal temperament), pedal harp (just intonation), Farfisa organ (ditone tuning), and piano (Johnston’s tuning).\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThrough bowing, plucking, and gently percussing, ephemeral tones emerge and disappear, softly flashing through a sustained haze—not unlike the cosmic particles seen in Wilson’s “cloud chamber.” With Found Clouds, Dykstra stretches time, evaporates expectation, and immerses the listener in vaporous abstraction. Close your eyes, and drift among the clouds.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jordan Dykstra\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEditions Verde\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-05-13T14:15:32+09:00","created_at":"2022-05-08T08:57:43+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","drone","editions verde"],"price":189000,"price_min":189000,"price_max":189000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42735917367546,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Jordan Dykstra \/\/ Found Clouds CD","public_title":null,"options":["Default Title"],"price":189000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/cl1_906f57c1-0bb1-4ed6-b519-bb184c4a158d.jpg?v=1651967864","\/\/tobirarecords.com\/cdn\/shop\/products\/cl2_107b0ca0-6154-4971-a3af-1837500e2e7a.jpg?v=1651967865"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/cl1_906f57c1-0bb1-4ed6-b519-bb184c4a158d.jpg?v=1651967864","options":["Title"],"media":[{"alt":null,"id":29685534425338,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/cl1_906f57c1-0bb1-4ed6-b519-bb184c4a158d.jpg?v=1651967864"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/cl1_906f57c1-0bb1-4ed6-b519-bb184c4a158d.jpg?v=1651967864","width":700},{"alt":null,"id":29685534458106,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/cl2_107b0ca0-6154-4971-a3af-1837500e2e7a.jpg?v=1651967865"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/cl2_107b0ca0-6154-4971-a3af-1837500e2e7a.jpg?v=1651967865","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・NYの作曲家Jordan Dykstra主宰レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEditions Verde諸作を入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e本作は、Jordanが2018年にリリースしたアルバムです。ビブラフォン、ペダルハープ、オルガン、ピアノで制作したアコースティックドローン4曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3769043210\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/editions-verde\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/editions-verde\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/editions-verde\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/editions-verde\"\u003ehere\u003c\/a\u003e to see more Editions Verde releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"With \"Found Clouds\" — the inaugural release in Edition Verde's new series \"Seeing the Forest in a Tree\" — Jordan Dykstra explores one conceptual idea with four radically different realizations through arrangements for vibraphone, pedal harp, organ, and piano.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e***\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJ. P. A. Falzone:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"\u003cem\u003eThe series explores an unconventional notion of the musical work. [These are not] mere collection(s) of pieces in a suite nor a set of movements illustrating some notion of development. Rather, each individual piece manifests the structural logic of the project as a whole; correspondingly, the pieces taken together coalesce around the structural principle inherent in each. Any individual track, a piece in its own right, is a realization of the central inherent concept. Such an approach goes beyond interpretation. It is rather like pursuing the same idea from multiple perspectives. It is perhaps worth noting that four is the smallest composite number.\"\u003c\/em\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e***\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLiner Notes by \u003cmeta charset=\"utf-8\"\u003eMatt Marble (2018):\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eStars are the seeds of the Universe. Within and beyond our own galaxy, they are forever dying and giving birth to themselves. When very massive stars die, they sometimes dramatically explode, becoming supernovae. Riding the shock wave of these massive explosions, chemical elements and electromagnetic\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e radiation are scattered across the Universe. It is by this process that other stars, planets, suns, moons, and entire galaxies are formed—not to mention the atoms in our bodies. The Earth is wrapped in an astral blanket of electromagnetic radiation, made from the entrails of exploded stars from distant galaxies. It is from this electromagnetic envelope that cosmic rays meet with hail-strewn clouds to form earth’s lightning. While at every moment, these same cosmic rays silently rain down upon every inch of the earth. They are falling upon you now, as you read this. We know this is true, because one man, Charles Thomson Rees Wilson, fell in love with clouds and made this cosmic rain visible.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWilson’s love of clouds intensified as he began studying “glories.” A so-called “glory” is the rainbowed halo occasionally seen surrounding objects, often at sunrise, when the air is damp. It’s a bit of an optical trick on the eyes—light from the sun refracting through the vapors of the moistened atmosphere—and it’s undeniably beautiful. In order to better understand glory phenomena, Wilson sought to create and study clouds in his laboratory. And in 1911, he invented the first “cloud chamber” to do just that. Infusing an enclosed chamber with water vapor, he then expanded and cooled the air inside. Like a comet in a wine glass, ionized particles, including cosmic rays, flashed into view and disappeared after a few seconds, becoming visible as condensed water vapor latched onto the ever-falling cosmic rain. These experiments with home-made clouds accidentally advanced the foundation of modern particle physics, which helped win Wilson a Nobel Prize in 1927.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eI couldn’t help but think about Wilson’s work when I first listened to Jordan Dykstra’s Found Clouds, the inaugural release of the Seeing a Forest in a Tree series by Editions Verde. The music was initially inspired by the microtonal tuning system that composer Ben Johnston used for his Suite for Microtonal Piano (1977), as Dykstra found himself near a so-tuned piano while studying at Cal Arts in 2016. Inspired, he devised a series of “cloud scale patterns” to compose for the instrument.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDykstra’s cloud scales do not feature repeating pitches across the octaves, as in traditional scales. Instead they are based on repeating interval modes applied to the chromatic spectrum. This gives rise to scales whose fundamental pitch and other scale tones vary from one octave to the next, forming “non-one-octave-repeating” patterns. When composing, Dykstra layers a sustained fundamental pitch with other non-sustained cloud scale tones into abstract atmospheres. This approach allows the listener to savor the cumulous harmonies and the unique shimmer of the microtonal tunings of the instruments employed. Each track offers a different instrument and tuning: vibraphone (equal temperament), pedal harp (just intonation), Farfisa organ (ditone tuning), and piano (Johnston’s tuning).\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThrough bowing, plucking, and gently percussing, ephemeral tones emerge and disappear, softly flashing through a sustained haze—not unlike the cosmic particles seen in Wilson’s “cloud chamber.” With Found Clouds, Dykstra stretches time, evaporates expectation, and immerses the listener in vaporous abstraction. Close your eyes, and drift among the clouds.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jordan Dykstra\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEditions Verde\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・NYの作曲家Jordan Dykstra主宰レーベルEditions Verde諸作を入荷しました。 本作は、Jordanが2018年にリリースしたアルバムです。ビブラフォン、ペダルハープ、オルガン、ピアノで制作したアコースティックドローン4曲を収録。 レーベルその他作品はこちら /// Click here to see more Editions Verde releases available at Tobira. ----------------------------...
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{"id":7605134426362,"title":"Rufus Isabel Elliot \/\/ A\/am\/ams (come ashore, turn over) TAPE","handle":"rufus-isabel-elliot-a-am-ams-come-ashore-turn-over-tape","description":"\u003cp\u003eイギリス・グラスゴーの作曲家Rufus Isabel Elliotが、2021年11月に同国GLARCからリリースしたデビューカセットです。\u003c\/p\u003e\n\u003cp\u003eギターやバイオリン、ベース、そして声を用いたスモールミュージック8曲を収録。DLコード付属。手製のケース仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1296484488\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/glarc\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/glarc\"\u003ehere\u003c\/a\u003e to see more GLARC releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eCassettes comes in a specially designed and handmade fabric pouch.\u003cbr\u003eWith an accompanying text in Gaelic by Cass Ezeji, and artwork by Jamie Crewe.\u003c\/p\u003e\n\u003cp\u003eGLARC:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"A\/am\/ams is the debut solo release by composer Rufus Isabel Elliot of the OVER \/ AT project and label: a trans music-making world that released FOLK SONGS E.P. in March 2021 to much critical acclaim. Recorded live in one evening in Glasgow in September 2021, A\/am\/ams arrives here in cassette form with the help of GLARC, the Greater Lanarkshire Auricular Research Council (GLARC) as a limited edition tape and digital release.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eA\/am\/ams (come ashore, turn over) is the story of two characters, A\/am\/ams and E\/e\/e, walking forever down an eternal beach, spiralling down and down and down. There’s a mystery – who are these characters, and what happened between them? It is an expansive piece about apocalyptic love and loss, and a kind of raw, dead anger.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe music features Scots traditional singer and GLARC alumni Josie Vallely, a.k.a. Quinie, and a small supporting cast of instruments with their own characters, played by three other musicians whose work spans traditional, experimental, and classical modes – Stevie Jones (Sound of Yell), Harry Gorski-Brown, and Andrew Herrington (Awkward Family Portraits).\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Rufus Isabel Elliot\u003c\/p\u003e\n\u003cp\u003eLabel : GLARC\u003c\/p\u003e","published_at":"2022-05-14T14:26:52+09:00","created_at":"2022-05-06T13:09:27+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","folk \/ left-field pop","glarc","tape"],"price":148000,"price_min":148000,"price_max":148000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42729909485818,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Rufus Isabel Elliot \/\/ A\/am\/ams (come ashore, turn over) TAPE","public_title":null,"options":["Default Title"],"price":148000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/am1_b678fd14-1ab1-46eb-8372-c1cc571dddce.jpg?v=1651810168","\/\/tobirarecords.com\/cdn\/shop\/products\/am2_cdad380a-b3b7-4242-af97-8391465841e9.jpg?v=1651810169"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/am1_b678fd14-1ab1-46eb-8372-c1cc571dddce.jpg?v=1651810168","options":["Title"],"media":[{"alt":null,"id":29675704484090,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/am1_b678fd14-1ab1-46eb-8372-c1cc571dddce.jpg?v=1651810168"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/am1_b678fd14-1ab1-46eb-8372-c1cc571dddce.jpg?v=1651810168","width":700},{"alt":null,"id":29675704516858,"position":2,"preview_image":{"aspect_ratio":0.715,"height":1200,"width":858,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/am2_cdad380a-b3b7-4242-af97-8391465841e9.jpg?v=1651810169"},"aspect_ratio":0.715,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/am2_cdad380a-b3b7-4242-af97-8391465841e9.jpg?v=1651810169","width":858}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリス・グラスゴーの作曲家Rufus Isabel Elliotが、2021年11月に同国GLARCからリリースしたデビューカセットです。\u003c\/p\u003e\n\u003cp\u003eギターやバイオリン、ベース、そして声を用いたスモールミュージック8曲を収録。DLコード付属。手製のケース仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1296484488\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/glarc\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/glarc\"\u003ehere\u003c\/a\u003e to see more GLARC releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eCassettes comes in a specially designed and handmade fabric pouch.\u003cbr\u003eWith an accompanying text in Gaelic by Cass Ezeji, and artwork by Jamie Crewe.\u003c\/p\u003e\n\u003cp\u003eGLARC:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"A\/am\/ams is the debut solo release by composer Rufus Isabel Elliot of the OVER \/ AT project and label: a trans music-making world that released FOLK SONGS E.P. in March 2021 to much critical acclaim. Recorded live in one evening in Glasgow in September 2021, A\/am\/ams arrives here in cassette form with the help of GLARC, the Greater Lanarkshire Auricular Research Council (GLARC) as a limited edition tape and digital release.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eA\/am\/ams (come ashore, turn over) is the story of two characters, A\/am\/ams and E\/e\/e, walking forever down an eternal beach, spiralling down and down and down. There’s a mystery – who are these characters, and what happened between them? It is an expansive piece about apocalyptic love and loss, and a kind of raw, dead anger.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe music features Scots traditional singer and GLARC alumni Josie Vallely, a.k.a. Quinie, and a small supporting cast of instruments with their own characters, played by three other musicians whose work spans traditional, experimental, and classical modes – Stevie Jones (Sound of Yell), Harry Gorski-Brown, and Andrew Herrington (Awkward Family Portraits).\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Rufus Isabel Elliot\u003c\/p\u003e\n\u003cp\u003eLabel : GLARC\u003c\/p\u003e"}
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イギリス・グラスゴーの作曲家Rufus Isabel Elliotが、2021年11月に同国GLARCからリリースしたデビューカセットです。 ギターやバイオリン、ベース、そして声を用いたスモールミュージック8曲を収録。DLコード付属。手製のケース仕様です。 レーベルその他作品はこちら /// Click here to see more GLARC releases available at Tobira. ----------------------------...
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{"id":7604976615674,"title":"Max Syedtollan\/ Plus-Minus Ensemble \/\/ Four Assignments (\u0026 Other Pieces) TAPE","handle":"max-syedtollan-plus-minus-ensemble-four-assignments-other-pieces-tape","description":"\u003cp\u003eスコットランド・グラスゴーの実験音楽家Max Syedtollanが、2021年11月にグラスゴーの実験レーベルGLARCから150本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e実験ポップ〜スポークンワード3曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1638301243\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/glarc\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/glarc\"\u003ehere\u003c\/a\u003e to see more GLARC releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 150.\u003c\/p\u003e\n\u003cp\u003eGLARC:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThis collection of music from autodidact composer Max Syedtollan (fka Horse Whisperer) sees him elaborating upon the chamber music approach of 2019’s ‘Planctae’, in collaboration with London\/Brussels collective ‘Plus-Minus Ensemble’ - presenting three new pieces all written in the last year.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFreewheeling narratives unravel to mutant, agile and often weirdly funny music - the everyday and the historical colliding in joyous ostranenie. Fractured string and woodwind arrangements vie with almost teenage-punk-bandy guitar ‘n’ drums, in an idiosyncratic yet irresistable explosion of virtuoso amateurism. Researches into esoteric archaeology leak into dissociative autobiography, the presence of ‘text’ flooding every corner of these strange and intricate musical microcosms.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Max Syedtollan\/ Plus-Minus Ensemble\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGLARC\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-05-08T07:38:10+09:00","created_at":"2022-05-06T11:27:53+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","glarc","tape"],"price":159000,"price_min":159000,"price_max":159000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42729375203578,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Max Syedtollan\/ Plus-Minus Ensemble \/\/ Four Assignments (\u0026 Other Pieces) TAPE","public_title":null,"options":["Default Title"],"price":159000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/fo1_d8543010-a84e-4f88-8cd1-2ce3e5f9cee5.jpg?v=1651804074","\/\/tobirarecords.com\/cdn\/shop\/products\/fo2_a1590ac3-00e6-4813-96ae-d41badb48ac6.jpg?v=1651804074"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo1_d8543010-a84e-4f88-8cd1-2ce3e5f9cee5.jpg?v=1651804074","options":["Title"],"media":[{"alt":null,"id":29675177738490,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo1_d8543010-a84e-4f88-8cd1-2ce3e5f9cee5.jpg?v=1651804074"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo1_d8543010-a84e-4f88-8cd1-2ce3e5f9cee5.jpg?v=1651804074","width":700},{"alt":null,"id":29675177771258,"position":2,"preview_image":{"aspect_ratio":0.674,"height":1200,"width":809,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo2_a1590ac3-00e6-4813-96ae-d41badb48ac6.jpg?v=1651804074"},"aspect_ratio":0.674,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo2_a1590ac3-00e6-4813-96ae-d41badb48ac6.jpg?v=1651804074","width":809}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eスコットランド・グラスゴーの実験音楽家Max Syedtollanが、2021年11月にグラスゴーの実験レーベルGLARCから150本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e実験ポップ〜スポークンワード3曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1638301243\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/glarc\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/glarc\"\u003ehere\u003c\/a\u003e to see more GLARC releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 150.\u003c\/p\u003e\n\u003cp\u003eGLARC:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThis collection of music from autodidact composer Max Syedtollan (fka Horse Whisperer) sees him elaborating upon the chamber music approach of 2019’s ‘Planctae’, in collaboration with London\/Brussels collective ‘Plus-Minus Ensemble’ - presenting three new pieces all written in the last year.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFreewheeling narratives unravel to mutant, agile and often weirdly funny music - the everyday and the historical colliding in joyous ostranenie. Fractured string and woodwind arrangements vie with almost teenage-punk-bandy guitar ‘n’ drums, in an idiosyncratic yet irresistable explosion of virtuoso amateurism. Researches into esoteric archaeology leak into dissociative autobiography, the presence of ‘text’ flooding every corner of these strange and intricate musical microcosms.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Max Syedtollan\/ Plus-Minus Ensemble\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGLARC\u003c\/span\u003e\u003c\/p\u003e"}
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スコットランド・グラスゴーの実験音楽家Max Syedtollanが、2021年11月にグラスゴーの実験レーベルGLARCから150本限定でリリースしたカセットです。 実験ポップ〜スポークンワード3曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more GLARC releases available at Tobira. ---------------------------- Edition...
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{"id":7599336030458,"title":"Asha Sheshadri \/\/ Interior Monologues TAPE","handle":"asha-sheshadri-interior-monologues-tape","description":"\u003cp\u003e過去にRecitalやAnomiaなどから発表しているアメリカ・NYの音響作家Asha Sheshadriが、2022年3月に同国Hold Recordsからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eスポークンワード〜コラージュ2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4209162032\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hold\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hold\"\u003ehere\u003c\/a\u003e to see more Hold Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eHold Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAsha Sheshadri’s work involves investigative narration of observational occurrences, seeming ordinary in content at times, while deeply puzzling. Where there is context to be found, the listener may find themselves transported to someplace familiar for a moment before being dissected again, reanalyzed and exported into the continuation of an unsettling environment.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWith “Interior Monologues” we find ourselves being escorted by Sheshadri’s voice into a room in a museum, hidden from its observers. Our surroundings are being described to us by a nauseous announcement, consistently interjected by it’s own thought-loops that shift in fidelity to adjust the contrast of what is being conveyed and what is yet to understand about where we are. However disorienting, it is clear that there is a depth of information to consume in this place. Memories of an old radio tune emerge and dissipate while we sift through a collage of explanations and recounts of something cryptic but also vivid. There is an intoxicating cipher falling out of the reach of our awareness, as we conclude our visit with a sudden resolve.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSheshadri is a NYC based artist with various releases via Anomia, Recital Program, Stellage, and more.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Asha Sheshadri\u003c\/p\u003e\n\u003cp\u003eLabel : Hold Records\u003c\/p\u003e","published_at":"2022-05-01T08:32:26+09:00","created_at":"2022-04-28T08:53:24+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","hold records","monooto","tape"],"price":178000,"price_min":178000,"price_max":178000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42701069975802,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Asha Sheshadri \/\/ Interior Monologues TAPE","public_title":null,"options":["Default Title"],"price":178000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/mo1_e56a7729-41ca-405b-8e28-abb482480b1c.jpg?v=1651103606","\/\/tobirarecords.com\/cdn\/shop\/products\/mo2_26ab2f35-83f1-4a5e-9429-06448a55c02e.jpg?v=1651103606"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/mo1_e56a7729-41ca-405b-8e28-abb482480b1c.jpg?v=1651103606","options":["Title"],"media":[{"alt":null,"id":29627844362490,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mo1_e56a7729-41ca-405b-8e28-abb482480b1c.jpg?v=1651103606"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mo1_e56a7729-41ca-405b-8e28-abb482480b1c.jpg?v=1651103606","width":700},{"alt":null,"id":29627844395258,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mo2_26ab2f35-83f1-4a5e-9429-06448a55c02e.jpg?v=1651103606"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mo2_26ab2f35-83f1-4a5e-9429-06448a55c02e.jpg?v=1651103606","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去にRecitalやAnomiaなどから発表しているアメリカ・NYの音響作家Asha Sheshadriが、2022年3月に同国Hold Recordsからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eスポークンワード〜コラージュ2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4209162032\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hold\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hold\"\u003ehere\u003c\/a\u003e to see more Hold Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eHold Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAsha Sheshadri’s work involves investigative narration of observational occurrences, seeming ordinary in content at times, while deeply puzzling. Where there is context to be found, the listener may find themselves transported to someplace familiar for a moment before being dissected again, reanalyzed and exported into the continuation of an unsettling environment.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWith “Interior Monologues” we find ourselves being escorted by Sheshadri’s voice into a room in a museum, hidden from its observers. Our surroundings are being described to us by a nauseous announcement, consistently interjected by it’s own thought-loops that shift in fidelity to adjust the contrast of what is being conveyed and what is yet to understand about where we are. However disorienting, it is clear that there is a depth of information to consume in this place. Memories of an old radio tune emerge and dissipate while we sift through a collage of explanations and recounts of something cryptic but also vivid. There is an intoxicating cipher falling out of the reach of our awareness, as we conclude our visit with a sudden resolve.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSheshadri is a NYC based artist with various releases via Anomia, Recital Program, Stellage, and more.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Asha Sheshadri\u003c\/p\u003e\n\u003cp\u003eLabel : Hold Records\u003c\/p\u003e"}
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過去にRecitalやAnomiaなどから発表しているアメリカ・NYの音響作家Asha Sheshadriが、2022年3月に同国Hold Recordsからリリースしたカセットです。 スポークンワード〜コラージュ2曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Hold Records releases available at Tobira. ...
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{"id":7594640081146,"title":"Fred Moten \/ Brandon López \/ Gerald Cleaver \/\/ s\/t LP","handle":"fred-moten-brandon-lopez-gerald-cleaver-s-t-lp","description":"\u003cp\u003eアメリカ・NYのジャズトリオFred Moten \/ Brandon López \/ Gerald Cleaverが、2022年4月に同州実験音楽家Derek Baron主宰レーベルReading Groupからリリースしたデビューレコードです。\u003c\/p\u003e\n\u003cp\u003e声とコントラバス、ドラムによるフリージャズ7曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2987994786\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/rg\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/rg\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/rg\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/rg\"\u003ehere\u003c\/a\u003e to see more Reading Group releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 500.\u003c\/p\u003e\n\u003cp\u003eReading Group:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eReading Group is thrilled to introduce the debut LP from a new improvising group of three singular artists: Fred Moten (voice), Brandon López (double bass), and Gerald Cleaver (drums). López and Cleaver have been improvising together as a duo for a number of years, over which they’ve developed a secret, unspoken language of organically growing repetitive figures in a wide range of sonic palettes. López and Cleaver have long been recognized as some of the most vital voices in contemporary experimental improvised music, each with dozens of recordings and frequent performances in New York and abroad. They are joined here by Fred Moten, the inimitable poet, theorist, critic, and 2020 MacArthur Fellow. Moten’s presence, voicing poetry in an improvisatory syncopation with the instrumentalists, raises the music to third plane, putting the record in a broader collection of legendary spoken-word jazz records from Gil Scott-Heron and Amiri Baraka to the contemporary energies of Moor Mother and Irreversible Entanglements.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRecorded at GSI Studios in Manhattan at the height of the pandemic and in the immediate wake of the George Floyd Rebellion, this self-titled LP represents only the first time the trio had improvised together in a studio setting, after a one-off performance at the\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e 2019 Vision Festival. The record is a shimmering image of the lightning that resulted in the meeting of these three minds. The dark timbres and churning pulses stay at a perpetually restrained simmer, only seldom disturbing the rolling surface of the record’s seven pieces. This constant interplay between the music’s turbulent growth and the momentary flashes of bright aliveness are reflected brilliantly in the original painting by artist\/writer Renee Gladman that graces the record’s cover. A mysterious, vital work from three brilliant artists.\u003c\/span\u003e '\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Fred Moten \/ Brandon López \/ Gerald Cleaver\u003c\/p\u003e\n\u003cp\u003eLabel : Reading Group\u003c\/p\u003e","published_at":"2022-04-25T13:18:00+09:00","created_at":"2022-04-22T10:36:24+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","jazz","lp","reading group"],"price":289000,"price_min":289000,"price_max":289000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42672767009018,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Fred Moten \/ Brandon López \/ Gerald Cleaver \/\/ s\/t LP","public_title":null,"options":["Default Title"],"price":289000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/cl1_8900241c-24fa-48da-ae72-fb901c53438b.jpg?v=1650591386","\/\/tobirarecords.com\/cdn\/shop\/products\/cl2_576617b1-4bb4-4119-b9e0-aadea235ced2.jpg?v=1650591386"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/cl1_8900241c-24fa-48da-ae72-fb901c53438b.jpg?v=1650591386","options":["Title"],"media":[{"alt":null,"id":29587774800122,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/cl1_8900241c-24fa-48da-ae72-fb901c53438b.jpg?v=1650591386"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/cl1_8900241c-24fa-48da-ae72-fb901c53438b.jpg?v=1650591386","width":700},{"alt":null,"id":29587774832890,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/cl2_576617b1-4bb4-4119-b9e0-aadea235ced2.jpg?v=1650591386"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/cl2_576617b1-4bb4-4119-b9e0-aadea235ced2.jpg?v=1650591386","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・NYのジャズトリオFred Moten \/ Brandon López \/ Gerald Cleaverが、2022年4月に同州実験音楽家Derek Baron主宰レーベルReading Groupからリリースしたデビューレコードです。\u003c\/p\u003e\n\u003cp\u003e声とコントラバス、ドラムによるフリージャズ7曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2987994786\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/rg\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/rg\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/rg\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/rg\"\u003ehere\u003c\/a\u003e to see more Reading Group releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 500.\u003c\/p\u003e\n\u003cp\u003eReading Group:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eReading Group is thrilled to introduce the debut LP from a new improvising group of three singular artists: Fred Moten (voice), Brandon López (double bass), and Gerald Cleaver (drums). López and Cleaver have been improvising together as a duo for a number of years, over which they’ve developed a secret, unspoken language of organically growing repetitive figures in a wide range of sonic palettes. López and Cleaver have long been recognized as some of the most vital voices in contemporary experimental improvised music, each with dozens of recordings and frequent performances in New York and abroad. They are joined here by Fred Moten, the inimitable poet, theorist, critic, and 2020 MacArthur Fellow. Moten’s presence, voicing poetry in an improvisatory syncopation with the instrumentalists, raises the music to third plane, putting the record in a broader collection of legendary spoken-word jazz records from Gil Scott-Heron and Amiri Baraka to the contemporary energies of Moor Mother and Irreversible Entanglements.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRecorded at GSI Studios in Manhattan at the height of the pandemic and in the immediate wake of the George Floyd Rebellion, this self-titled LP represents only the first time the trio had improvised together in a studio setting, after a one-off performance at the\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e 2019 Vision Festival. The record is a shimmering image of the lightning that resulted in the meeting of these three minds. The dark timbres and churning pulses stay at a perpetually restrained simmer, only seldom disturbing the rolling surface of the record’s seven pieces. This constant interplay between the music’s turbulent growth and the momentary flashes of bright aliveness are reflected brilliantly in the original painting by artist\/writer Renee Gladman that graces the record’s cover. A mysterious, vital work from three brilliant artists.\u003c\/span\u003e '\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Fred Moten \/ Brandon López \/ Gerald Cleaver\u003c\/p\u003e\n\u003cp\u003eLabel : Reading Group\u003c\/p\u003e"}
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{"id":7589017944314,"title":"Patrick Farmer \/\/ wild horses think of nothing else the sea - tape readings 2xTAPE","handle":"patrick-farmer-wild-horses-think-of-nothing-else-the-sea-tape-readings-2xtape","description":"\u003cp\u003eイギリス・シェフィールドの音響作家Patrick Farmerが、2016年にアメリカ・NYの実験レーベルWinds Measureからリリースした2本組カセットです。\u003c\/p\u003e\n\u003cp\u003eフィールドレコーディング〜スポークンワード〜物音7曲、100分以上を収録。Consumer Waste主宰Samuel Rodgersがマスタリングを担当しています。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e参加アーティスト\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAntoine Beuger\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eJeph Jerman\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBruno Guastalla\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSally Ann McIntyre\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHolly Pester\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDaniela Cascella\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMichael Pisaro\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/254272538\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Patrick Farmer\" href=\"https:\/\/soundcloud.com\/patrick-farmer-pig\" target=\"_blank\"\u003ePatrick Farmer\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Wild horses think of nothing else the sea, tape excerpts\" href=\"https:\/\/soundcloud.com\/patrick-farmer-pig\/wild-horses-think-of-nothing-else-the-sea-tape-excerpts\" target=\"_blank\"\u003eWild horses think of nothing else the sea, tape excerpts\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWinds Measure Recordingsその他作品は\u003c\/span\u003e\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/winds-measure-recordings\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/winds-measure-recordings\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/winds-measure-recordings\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/winds-measure-recordings\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWinds Measure Recordings releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTAPE ONLY. No digital.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdition of 106.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003ecassette x2 cs67, cs43\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003etracklist:\u003cbr\u003ecassette I\u003cbr\u003eI: antoine beuger 32:22\u003cbr\u003eII-I: jeph jerman 7:03\u003cbr\u003eII-II: bruno guastalla 25:17\u003cbr\u003e\u003cbr\u003ecassette II\u003cbr\u003eIII-I: sally ann mcintyre 8:39\u003cbr\u003eIII-II: holly pester 9:41\u003cbr\u003eIV-I: daniela cascella 5:10\u003cbr\u003eIV-II: michael pisaro 15:18\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : patrick farmer\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Winds Measure Recordings\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-04-14T18:35:51+09:00","created_at":"2022-04-13T12:01:08+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","field recording","monooto","recommended","tape","winds measure recordings"],"price":275000,"price_min":275000,"price_max":275000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42633794715898,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Patrick Farmer \/\/ wild horses think of nothing else the sea - tape readings 2xTAPE","public_title":null,"options":["Default Title"],"price":275000,"weight":120,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/pa1_74e338ec-a75a-498a-bb18-23b9fd19f5ed.jpg?v=1649818870","\/\/tobirarecords.com\/cdn\/shop\/products\/pa2_561b029d-f88c-49b3-8036-bc5dcf86c824.jpg?v=1649818870","\/\/tobirarecords.com\/cdn\/shop\/products\/pa3_dc599be5-d34b-4e5e-8604-df334eb6c8b7.jpg?v=1649818870"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa1_74e338ec-a75a-498a-bb18-23b9fd19f5ed.jpg?v=1649818870","options":["Title"],"media":[{"alt":null,"id":29531062010106,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa1_74e338ec-a75a-498a-bb18-23b9fd19f5ed.jpg?v=1649818870"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa1_74e338ec-a75a-498a-bb18-23b9fd19f5ed.jpg?v=1649818870","width":700},{"alt":null,"id":29531062042874,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa2_561b029d-f88c-49b3-8036-bc5dcf86c824.jpg?v=1649818870"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa2_561b029d-f88c-49b3-8036-bc5dcf86c824.jpg?v=1649818870","width":1200},{"alt":null,"id":29531062075642,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa3_dc599be5-d34b-4e5e-8604-df334eb6c8b7.jpg?v=1649818870"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa3_dc599be5-d34b-4e5e-8604-df334eb6c8b7.jpg?v=1649818870","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリス・シェフィールドの音響作家Patrick Farmerが、2016年にアメリカ・NYの実験レーベルWinds Measureからリリースした2本組カセットです。\u003c\/p\u003e\n\u003cp\u003eフィールドレコーディング〜スポークンワード〜物音7曲、100分以上を収録。Consumer Waste主宰Samuel Rodgersがマスタリングを担当しています。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e参加アーティスト\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAntoine Beuger\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eJeph Jerman\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBruno Guastalla\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSally Ann McIntyre\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHolly Pester\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDaniela Cascella\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMichael Pisaro\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/254272538\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Patrick Farmer\" href=\"https:\/\/soundcloud.com\/patrick-farmer-pig\" target=\"_blank\"\u003ePatrick Farmer\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Wild horses think of nothing else the sea, tape excerpts\" href=\"https:\/\/soundcloud.com\/patrick-farmer-pig\/wild-horses-think-of-nothing-else-the-sea-tape-excerpts\" target=\"_blank\"\u003eWild horses think of nothing else the sea, tape excerpts\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWinds Measure Recordingsその他作品は\u003c\/span\u003e\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/winds-measure-recordings\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/winds-measure-recordings\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/winds-measure-recordings\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/winds-measure-recordings\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWinds Measure Recordings releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTAPE ONLY. No digital.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdition of 106.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003ecassette x2 cs67, cs43\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003etracklist:\u003cbr\u003ecassette I\u003cbr\u003eI: antoine beuger 32:22\u003cbr\u003eII-I: jeph jerman 7:03\u003cbr\u003eII-II: bruno guastalla 25:17\u003cbr\u003e\u003cbr\u003ecassette II\u003cbr\u003eIII-I: sally ann mcintyre 8:39\u003cbr\u003eIII-II: holly pester 9:41\u003cbr\u003eIV-I: daniela cascella 5:10\u003cbr\u003eIV-II: michael pisaro 15:18\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : patrick farmer\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Winds Measure Recordings\u003c\/span\u003e\u003c\/p\u003e"}
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イギリス・シェフィールドの音響作家Patrick Farmerが、2016年にアメリカ・NYの実験レーベルWinds Measureからリリースした2本組カセットです。 フィールドレコーディング〜スポークンワード〜物音7曲、100分以上を収録。Consumer Waste主宰Samuel Rodgersがマスタリングを担当しています。DLコード付属。 参加アーティスト Antoine BeugerJeph JermanBruno GuastallaSally Ann McIntyreHolly PesterDaniela...
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クイックビュー
{"id":7580658598138,"title":"Ken Clinger \/\/ KC. 09 - 12 2xTAPE","handle":"ken-clinger-kc-09-12-2xtape","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e1980年代から活動しているペンシルベニア州のベテランシンセ作家Ken Clingerが、1985-1986年にリリースした作品の再発2本組カセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e妖しいビンテージシンセの響きと、ボソボソと呟く詩が独特の世界観を築き上げるサスペンスポップ全45曲を収録。40本限定、DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2717297372\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベル\u003c\/span\u003eその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/tribe\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/tribe\"\u003ehere\u003c\/a\u003e to see more Tribe Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecycled cassettes with pro-printed labels in a soft vinyl clamshell case with double-sided artwork.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTribe Tapes:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eReleased during 1985 - 86 as a series of four cassettes, Ken Clinger's \"KC. 09 - 12\" is a cryptic vessel of obscure electronics, rural magic, and tape fuzz... Spoken tales of animal espionage and barnyard mythos articulated through the post boxes of 1980s America.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003cspan class=\"lightweightBreak\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003eAudio and Arrangements by Ken Clinger\u003cbr data-mce-fragment=\"1\"\u003ew\/ Beeg Srakhra, Belinda Subraman, and Cat Fish\u003cbr data-mce-fragment=\"1\"\u003eArtwork and Mastered for Tape by Max Julian Eastman\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ken Clinger\u003c\/p\u003e\n\u003cp\u003eLabel : Tribe Tapes\u003c\/p\u003e","published_at":"2022-04-05T16:33:34+09:00","created_at":"2022-04-05T15:37:20+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","recommended","strange beats","tape","tribe tapes"],"price":256000,"price_min":256000,"price_max":256000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42601522790650,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Ken Clinger \/\/ KC. 09 - 12 2xTAPE","public_title":null,"options":["Default Title"],"price":256000,"weight":180,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ke1_a91f7e3c-c442-4e4e-8458-c88fa4fa89e1.jpg?v=1649140642","\/\/tobirarecords.com\/cdn\/shop\/products\/ke2_445c7417-e290-4666-8e82-7ee328a4857c.jpg?v=1649140643","\/\/tobirarecords.com\/cdn\/shop\/products\/ke3_bba1e2bf-8d6d-40df-8c10-b379b74987cc.jpg?v=1649140642"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ke1_a91f7e3c-c442-4e4e-8458-c88fa4fa89e1.jpg?v=1649140642","options":["Title"],"media":[{"alt":null,"id":29458485674234,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ke1_a91f7e3c-c442-4e4e-8458-c88fa4fa89e1.jpg?v=1649140642"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ke1_a91f7e3c-c442-4e4e-8458-c88fa4fa89e1.jpg?v=1649140642","width":700},{"alt":null,"id":29458485707002,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ke2_445c7417-e290-4666-8e82-7ee328a4857c.jpg?v=1649140643"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ke2_445c7417-e290-4666-8e82-7ee328a4857c.jpg?v=1649140643","width":1200},{"alt":null,"id":29458485739770,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ke3_bba1e2bf-8d6d-40df-8c10-b379b74987cc.jpg?v=1649140642"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ke3_bba1e2bf-8d6d-40df-8c10-b379b74987cc.jpg?v=1649140642","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e1980年代から活動しているペンシルベニア州のベテランシンセ作家Ken Clingerが、1985-1986年にリリースした作品の再発2本組カセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e妖しいビンテージシンセの響きと、ボソボソと呟く詩が独特の世界観を築き上げるサスペンスポップ全45曲を収録。40本限定、DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2717297372\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベル\u003c\/span\u003eその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/tribe\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/tribe\"\u003ehere\u003c\/a\u003e to see more Tribe Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecycled cassettes with pro-printed labels in a soft vinyl clamshell case with double-sided artwork.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTribe Tapes:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eReleased during 1985 - 86 as a series of four cassettes, Ken Clinger's \"KC. 09 - 12\" is a cryptic vessel of obscure electronics, rural magic, and tape fuzz... Spoken tales of animal espionage and barnyard mythos articulated through the post boxes of 1980s America.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003cspan class=\"lightweightBreak\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003eAudio and Arrangements by Ken Clinger\u003cbr data-mce-fragment=\"1\"\u003ew\/ Beeg Srakhra, Belinda Subraman, and Cat Fish\u003cbr data-mce-fragment=\"1\"\u003eArtwork and Mastered for Tape by Max Julian Eastman\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ken Clinger\u003c\/p\u003e\n\u003cp\u003eLabel : Tribe Tapes\u003c\/p\u003e"}
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1980年代から活動しているペンシルベニア州のベテランシンセ作家Ken Clingerが、1985-1986年にリリースした作品の再発2本組カセットです。 妖しいビンテージシンセの響きと、ボソボソと呟く詩が独特の世界観を築き上げるサスペンスポップ全45曲を収録。40本限定、DLコード付属。 レーベルその他作品はこちら /// Click here to see more Tribe Tapes releases available at Tobira. --------------------------...
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{"id":7579971485946,"title":"Harry Partch \/\/ And on the Seventh Day Petals Fell in Petaluma LP","handle":"harry-partch-and-on-the-seventh-day-petals-fell-in-petaluma-lp","description":"\u003cp\u003eアメリカの大御所音楽家Harry Partchが1960年代に発表した作品のレコード再発です。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=811853446\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e----------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 500.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eText by Jon Szanto, The Harry Partch Foundation:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"In late 1962 Harry Partch returned to California and began a project that would not only become the bones of a masterwork, Delusion of the Fury, but have a life of its own. In a too-small space within an abandoned Petaluma chick hatchery, Partch gathered the instruments he had designed and built--new and old--eager to once again \u003cspan class=\"peekaboo-text\" id=\"package_description_0\" data-mce-fragment=\"1\"\u003eexpand the boundaries of his compositional fabric. He learned each individual part as he composed, establishing that it could\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"peekaboo-text\" id=\"package_description_0\" data-mce-fragment=\"1\"\u003e be played.\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan class=\"lightweightBreak\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003eAnd on the Seventh Day Petals Fell in Petaluma (1963-64, rev. 1966) was born of his exploration and assembled with that \"minimum of players\" over a three-year period. In spite of rough conditions and meager resources Partch's dogged persistence, along with the efforts of his dedicated assistants, eventually succeeded in realizing the 34 verses of expansional duets. With this album we revisit an important work and turning-point, guided by the original \"Statement\" Partch wrote for the first commercial release of the piece. Previously only excerpted, it is a voicing of his beliefs that transcends one project to illuminate an entire purpose. We also reprise exquisite notes by the late Bob Gilmore, who distills and explains the story of Petals so clearly and eloquently.\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan class=\"lightweightBreak\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003eNo one wants a dead reissue, so by digging into the archives, I am pleased to offer hidden gems. First, The Petals Sessions is an aural glance into the cramped quarters of the recording space, as composer and players labor to bring new notes to life, Harry himself giving direction. The montage ends with a \"test take\" by Danlee Mitchell and Michael Ranta that could have easily been a keeper! Finally, we present the original Verse 17. In 1964 Partch wrote two duets that used the Adapted Viola; by the time the piece was finished in 1967, he had excised them. The ending track--never before released--brings Harry back to life, playing and recording Adapted Viola for one of the last times. I was completely unaware of this recording until I examined the outtakes and it glows, fifty years on. That Petals ever came to be, like much of Partch's story, stands somewhere between determination and miracle.\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Harry Partch\u003c\/p\u003e\n\u003cp\u003eLabel : New World Recordings\u003c\/p\u003e","published_at":"2022-04-08T10:02:34+09:00","created_at":"2022-04-04T12:18:57+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","lp"],"price":368000,"price_min":368000,"price_max":368000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42598402326778,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Harry Partch \/\/ And on the Seventh Day Petals Fell in Petaluma LP","public_title":null,"options":["Default Title"],"price":368000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/pe1_deafdf2d-ccba-48a0-bbad-f4e7fe457139.jpg?v=1649042339","\/\/tobirarecords.com\/cdn\/shop\/products\/pe2_645795a9-401e-42b4-aa60-280e60ce9b41.jpg?v=1649042339"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/pe1_deafdf2d-ccba-48a0-bbad-f4e7fe457139.jpg?v=1649042339","options":["Title"],"media":[{"alt":null,"id":29450767204602,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pe1_deafdf2d-ccba-48a0-bbad-f4e7fe457139.jpg?v=1649042339"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pe1_deafdf2d-ccba-48a0-bbad-f4e7fe457139.jpg?v=1649042339","width":700},{"alt":null,"id":29450767270138,"position":2,"preview_image":{"aspect_ratio":0.973,"height":1200,"width":1168,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pe2_645795a9-401e-42b4-aa60-280e60ce9b41.jpg?v=1649042339"},"aspect_ratio":0.973,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pe2_645795a9-401e-42b4-aa60-280e60ce9b41.jpg?v=1649042339","width":1168}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカの大御所音楽家Harry Partchが1960年代に発表した作品のレコード再発です。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=811853446\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e----------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 500.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eText by Jon Szanto, The Harry Partch Foundation:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"In late 1962 Harry Partch returned to California and began a project that would not only become the bones of a masterwork, Delusion of the Fury, but have a life of its own. In a too-small space within an abandoned Petaluma chick hatchery, Partch gathered the instruments he had designed and built--new and old--eager to once again \u003cspan class=\"peekaboo-text\" id=\"package_description_0\" data-mce-fragment=\"1\"\u003eexpand the boundaries of his compositional fabric. He learned each individual part as he composed, establishing that it could\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"peekaboo-text\" id=\"package_description_0\" data-mce-fragment=\"1\"\u003e be played.\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan class=\"lightweightBreak\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003eAnd on the Seventh Day Petals Fell in Petaluma (1963-64, rev. 1966) was born of his exploration and assembled with that \"minimum of players\" over a three-year period. In spite of rough conditions and meager resources Partch's dogged persistence, along with the efforts of his dedicated assistants, eventually succeeded in realizing the 34 verses of expansional duets. With this album we revisit an important work and turning-point, guided by the original \"Statement\" Partch wrote for the first commercial release of the piece. Previously only excerpted, it is a voicing of his beliefs that transcends one project to illuminate an entire purpose. We also reprise exquisite notes by the late Bob Gilmore, who distills and explains the story of Petals so clearly and eloquently.\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan class=\"lightweightBreak\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003eNo one wants a dead reissue, so by digging into the archives, I am pleased to offer hidden gems. First, The Petals Sessions is an aural glance into the cramped quarters of the recording space, as composer and players labor to bring new notes to life, Harry himself giving direction. The montage ends with a \"test take\" by Danlee Mitchell and Michael Ranta that could have easily been a keeper! Finally, we present the original Verse 17. In 1964 Partch wrote two duets that used the Adapted Viola; by the time the piece was finished in 1967, he had excised them. The ending track--never before released--brings Harry back to life, playing and recording Adapted Viola for one of the last times. I was completely unaware of this recording until I examined the outtakes and it glows, fifty years on. That Petals ever came to be, like much of Partch's story, stands somewhere between determination and miracle.\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Harry Partch\u003c\/p\u003e\n\u003cp\u003eLabel : New World Recordings\u003c\/p\u003e"}
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アメリカの大御所音楽家Harry Partchが1960年代に発表した作品のレコード再発です。 ---------------------------------- Edition of 500. Text by Jon Szanto, The Harry Partch Foundation:...
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{"id":7579958935802,"title":"David Tudor \/\/ Neural Synthesis Nos. 6-9 2xCD","handle":"david-tudor-neural-synthesis-nos-6-9-2xcd","description":"\u003cp\u003e大御所実験音楽家David Tudorの1995年リリース作品。電子音で構築されたジャングルです。DISC1はバイノーラル、DISC2はステレオ仕様です。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/v5R8r-iTp6M\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e-----------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e2xCD includes 12-page booklet.\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe cover drawing represents the neural-network synthesizer portion of David Tudor's setup. Tudor has added extensive additional circuitry both in front and behind the synthesizer.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eProduced using the facilities of The Banff Center for the Arts; October\/November 1993.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003eForrest Warthman, Palo Alto 1995:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"This recording combines the art of music, the engineering of electronics, and the inspiration of biology. In it, David Tudor orchestrates electronic sound in ways analogous to our biological bodies' orchestration of consciousness.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe performance originates from a neural-network synthesizer conceived and built especially for David. He surrounds this synthesizer with his own unique collection of electronic devices, and in the recording on this CD made for headphone playback, he uses a new binaural technique for translating sound into out-of-head localizations in which sound seems to originate from specific, changing points within a space around the listener.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe concept for the neural-network synthesizer grew out of a collaborative effort that began in 1989 at Berkeley where David was performing with the Merce Cunningham Dance Company. I listened from the front row as David moved among interconnected electronic devices that filled two tables. He created a stream of remarkable sounds, overlaid them, filtered them, and fed them back upon themselves until the stream became a river. His attention moved from device to device, tasting and adjusting the mixture of sound like a chef composing a fine sauce of the most aromatic ingredients. I was spellbound. At the intermission I proposed to him that we create a computer system capable of enveloping and integrating the sounds of his performances.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWe began meeting in New York to explore ideas. David had collaborated with a great many artists, scientists and engineers over the past decades to create performances on both an intimate and a grand scale. He put me in touch with many of them as our ideas took shape—people like John Driscoll, Phil Edelstein, Ron Kuivila, Billy Klüver, Max Neuhaus, Nic Collins, Lowell Cross, Carson Jefferies, Ivan and Serge Tcherepnin, Pauline Oliveros, Larry Shaw, Bob Bielecki, Bill Viola, Bill Hearn, Dana Massie, and—just months before their passing—John Cage and Fred Waldhauer. All of them contributed ideas enthusiastically. All said essentially the same thing about David's approach to music: he seeks to shape sound in all its dimensions, without limitation.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe unfolding of our ideas was an adventure in discovery and like all real adventures it led to unexpected places. What began as an effort to integrate the proliferation of electronic devices in David's performance environment ended in the addition of yet another device. In an early phase, Ron Clapman of Bell Labs and I explored designs using PBXs and pen-on-screen interfaces to switch a broadband matrix of analog and digital signals, including not only audio but video and performance-hall control signals. This led us to think about parallel processors with rich feedback paths.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eIn 1990, the project took a fundamental turn when I met Mark Holler from Intel at a computer architecture conference near Carmel, California. Mark was introducing a new analog neural-network microchip whose design he had recently managed. The chip electronically emulates neuron cells in our brains and can process many analog signals in parallel. It seemed a perfect basis for an audio-signal router, so I approached Mark with the idea during a walk along the Pacific coast beach. He thought it could work, offered a chip for experimentation, and we struck up an immediate friendship. Soon after, another colleague, Mark Thorson, joined us to work out the first hardware design for what was to become not only a signal router but also the analog audio synthesizer that David uses in this performance. Throughout our research and development, David provided a guiding light. His artistic intuition and his experience with electronic performance helped shape our thinking at each step.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe neural-network chip forms the heart of the synthesizer. It consists of 64 non-linear amplifiers (the electronic neurons on the chip) with 10240 programmable connections. Any input signal can be connected to any neuron, the output of which can be fed back to any input via on-chip or off-chip paths, each with variable connection strength. The same floating-gate devices used in EEPROMs (electrically erasable, programmable, read-only memories) are used in an analog mode of operation to store the strengths of the connections. The synthesizer adds R-C (resistance-capacitance) tank circuits on feedback paths for 16 of the 64 neurons to control the frequencies of oscillation. The R-C circuits produce relaxation oscillations. Interconnecting many relaxation oscillators rapidly produces complex sounds. Global gain and bias signals on the chip control the relative amplitudes of neuron oscillations. Near the onset of oscillation the neurons are sensitive to inherent thermal noise produced by random motions of electron groups moving through the monolithic silicon lattice. This thermal noise adds unpredictability to the synthesizer’s outputs, something David found especially appealing.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe synthesizer’s performance console controls the neural-network chip. R-C circuits, external feedback paths and output channels. The chip itself is not used to its full potential in this first synthesizer. It generates sound and routes signals but the role of learner, pattern-recognizer and responder is played by David, himself a vastly more complex neural network than the chip. During performances David chooses from up to 14 channels of synthesizer output, modifying each of them with his other electronic devices to create the final signals. He debuted the synthesizer at the Paris Opera (Garnier) in November 1992 in performances of Enter, with the Merce Cunningham Dance Company. In the 1994 recording for this CD, made during later experiments with the synthesizer in Banff, four discrete channels representing 12 recorded tracks are mixed to stereo.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAudio oscillators have a subtle but long history in Silicon Valley. Many local engineers date the beginning of the semiconductor industry to the 1938 development by Bill Hewlett and David Packard of their first product, an audio oscillator, in a downtown Palo Alto garage just a few blocks from the studio in which this synthesizer was built. Our work in 1993 and 1994 with David Tudor has led to the development, principally by Mark Holler, of a second-generation synthesizer built around multiple neural-network chips. It is a hybrid system using the analog neural-network chips to produce audio waveforms and a small digital computer to control neuron interconnections. The analog waveforms have frequency components ranging up to 100kHz and are much more complex than can be produced by a digital computer in real time. The performer will use the computer to change tens of thousands of interneuron connections during performance. The space of possible interneuron configurations is so large that it is difficult to reproduce the behavior of the synthesizer, which can evolve sound on its own over time. Searching for the regions of configurations that produce captivating sound becomes the challenge. It is possible that, with further development, the computer may be useful in finding these regions. Until then, there is no substitute for David.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe second synthesizer is still in its developmental stage. David and other colleagues continue their work with it. The recording on this CD presents the more mature first synthesizer. Its ability to generate captivating sound has become integral with David’s handling of it in so many live performances throughout the world.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : David Tudor\u003c\/p\u003e\n\u003cp\u003eLabel : Lovely Music Ltd. \u003c\/p\u003e","published_at":"2022-04-08T12:06:16+09:00","created_at":"2022-04-04T12:08:45+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","drone"],"price":398000,"price_min":398000,"price_max":398000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42598383550714,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"David Tudor \/\/ Neural Synthesis Nos. 6-9 2xCD","public_title":null,"options":["Default Title"],"price":398000,"weight":180,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ne1_b4191e44-c252-4e89-b995-44d784e358ad.jpg?v=1649041727"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ne1_b4191e44-c252-4e89-b995-44d784e358ad.jpg?v=1649041727","options":["Title"],"media":[{"alt":null,"id":29450729554170,"position":1,"preview_image":{"aspect_ratio":1.182,"height":330,"width":390,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ne1_b4191e44-c252-4e89-b995-44d784e358ad.jpg?v=1649041727"},"aspect_ratio":1.182,"height":330,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ne1_b4191e44-c252-4e89-b995-44d784e358ad.jpg?v=1649041727","width":390}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e大御所実験音楽家David Tudorの1995年リリース作品。電子音で構築されたジャングルです。DISC1はバイノーラル、DISC2はステレオ仕様です。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/v5R8r-iTp6M\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e-----------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e2xCD includes 12-page booklet.\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe cover drawing represents the neural-network synthesizer portion of David Tudor's setup. Tudor has added extensive additional circuitry both in front and behind the synthesizer.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eProduced using the facilities of The Banff Center for the Arts; October\/November 1993.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003eForrest Warthman, Palo Alto 1995:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"This recording combines the art of music, the engineering of electronics, and the inspiration of biology. In it, David Tudor orchestrates electronic sound in ways analogous to our biological bodies' orchestration of consciousness.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe performance originates from a neural-network synthesizer conceived and built especially for David. He surrounds this synthesizer with his own unique collection of electronic devices, and in the recording on this CD made for headphone playback, he uses a new binaural technique for translating sound into out-of-head localizations in which sound seems to originate from specific, changing points within a space around the listener.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe concept for the neural-network synthesizer grew out of a collaborative effort that began in 1989 at Berkeley where David was performing with the Merce Cunningham Dance Company. I listened from the front row as David moved among interconnected electronic devices that filled two tables. He created a stream of remarkable sounds, overlaid them, filtered them, and fed them back upon themselves until the stream became a river. His attention moved from device to device, tasting and adjusting the mixture of sound like a chef composing a fine sauce of the most aromatic ingredients. I was spellbound. At the intermission I proposed to him that we create a computer system capable of enveloping and integrating the sounds of his performances.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWe began meeting in New York to explore ideas. David had collaborated with a great many artists, scientists and engineers over the past decades to create performances on both an intimate and a grand scale. He put me in touch with many of them as our ideas took shape—people like John Driscoll, Phil Edelstein, Ron Kuivila, Billy Klüver, Max Neuhaus, Nic Collins, Lowell Cross, Carson Jefferies, Ivan and Serge Tcherepnin, Pauline Oliveros, Larry Shaw, Bob Bielecki, Bill Viola, Bill Hearn, Dana Massie, and—just months before their passing—John Cage and Fred Waldhauer. All of them contributed ideas enthusiastically. All said essentially the same thing about David's approach to music: he seeks to shape sound in all its dimensions, without limitation.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe unfolding of our ideas was an adventure in discovery and like all real adventures it led to unexpected places. What began as an effort to integrate the proliferation of electronic devices in David's performance environment ended in the addition of yet another device. In an early phase, Ron Clapman of Bell Labs and I explored designs using PBXs and pen-on-screen interfaces to switch a broadband matrix of analog and digital signals, including not only audio but video and performance-hall control signals. This led us to think about parallel processors with rich feedback paths.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eIn 1990, the project took a fundamental turn when I met Mark Holler from Intel at a computer architecture conference near Carmel, California. Mark was introducing a new analog neural-network microchip whose design he had recently managed. The chip electronically emulates neuron cells in our brains and can process many analog signals in parallel. It seemed a perfect basis for an audio-signal router, so I approached Mark with the idea during a walk along the Pacific coast beach. He thought it could work, offered a chip for experimentation, and we struck up an immediate friendship. Soon after, another colleague, Mark Thorson, joined us to work out the first hardware design for what was to become not only a signal router but also the analog audio synthesizer that David uses in this performance. Throughout our research and development, David provided a guiding light. His artistic intuition and his experience with electronic performance helped shape our thinking at each step.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe neural-network chip forms the heart of the synthesizer. It consists of 64 non-linear amplifiers (the electronic neurons on the chip) with 10240 programmable connections. Any input signal can be connected to any neuron, the output of which can be fed back to any input via on-chip or off-chip paths, each with variable connection strength. The same floating-gate devices used in EEPROMs (electrically erasable, programmable, read-only memories) are used in an analog mode of operation to store the strengths of the connections. The synthesizer adds R-C (resistance-capacitance) tank circuits on feedback paths for 16 of the 64 neurons to control the frequencies of oscillation. The R-C circuits produce relaxation oscillations. Interconnecting many relaxation oscillators rapidly produces complex sounds. Global gain and bias signals on the chip control the relative amplitudes of neuron oscillations. Near the onset of oscillation the neurons are sensitive to inherent thermal noise produced by random motions of electron groups moving through the monolithic silicon lattice. This thermal noise adds unpredictability to the synthesizer’s outputs, something David found especially appealing.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe synthesizer’s performance console controls the neural-network chip. R-C circuits, external feedback paths and output channels. The chip itself is not used to its full potential in this first synthesizer. It generates sound and routes signals but the role of learner, pattern-recognizer and responder is played by David, himself a vastly more complex neural network than the chip. During performances David chooses from up to 14 channels of synthesizer output, modifying each of them with his other electronic devices to create the final signals. He debuted the synthesizer at the Paris Opera (Garnier) in November 1992 in performances of Enter, with the Merce Cunningham Dance Company. In the 1994 recording for this CD, made during later experiments with the synthesizer in Banff, four discrete channels representing 12 recorded tracks are mixed to stereo.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAudio oscillators have a subtle but long history in Silicon Valley. Many local engineers date the beginning of the semiconductor industry to the 1938 development by Bill Hewlett and David Packard of their first product, an audio oscillator, in a downtown Palo Alto garage just a few blocks from the studio in which this synthesizer was built. Our work in 1993 and 1994 with David Tudor has led to the development, principally by Mark Holler, of a second-generation synthesizer built around multiple neural-network chips. It is a hybrid system using the analog neural-network chips to produce audio waveforms and a small digital computer to control neuron interconnections. The analog waveforms have frequency components ranging up to 100kHz and are much more complex than can be produced by a digital computer in real time. The performer will use the computer to change tens of thousands of interneuron connections during performance. The space of possible interneuron configurations is so large that it is difficult to reproduce the behavior of the synthesizer, which can evolve sound on its own over time. Searching for the regions of configurations that produce captivating sound becomes the challenge. It is possible that, with further development, the computer may be useful in finding these regions. Until then, there is no substitute for David.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe second synthesizer is still in its developmental stage. David and other colleagues continue their work with it. The recording on this CD presents the more mature first synthesizer. Its ability to generate captivating sound has become integral with David’s handling of it in so many live performances throughout the world.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : David Tudor\u003c\/p\u003e\n\u003cp\u003eLabel : Lovely Music Ltd. \u003c\/p\u003e"}
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大御所実験音楽家David Tudorの1995年リリース作品。電子音で構築されたジャングルです。DISC1はバイノーラル、DISC2はステレオ仕様です。 ----------------------------------- 2xCD includes 12-page booklet.The cover drawing represents the neural-network synthesizer portion...
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{"id":7579950678266,"title":"David Tudor \/\/ Three Works for Live Electronics CD","handle":"david-tudor-three-works-for-live-electronics-cd","description":"\u003cp\u003e \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e大御所実験音楽家David Tudorの1981年リリース作品です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/kijFn_yxiLk\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e----------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Tracks 1 and 2 were released on LP in 1984; track 3 has been added to them for the release of this CD.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis recording of Pulsers, composed in 1976, incorporates an improvised tape by Takehisa Kosugi with his \"electronic violin\", made in collaboration with this work.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eUntitled, composed in 1972, was designed for simultaneous performance with John Cage's vocalization of \"Mesostics re Merce Cunningham\". The work was revived in 1982, and performed with improvised vocals by Takehisa Kosugi.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePhonemes was commissioned by the Merce Cunningham Dance Company for Cunningham's dance \"Channels\/Inserts\", a work made both as a \"filmdance\" and for the stage. The first stage performance took place at City Center Theater on March 24, 1981.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTracks 1 and 2 recorded at Airshaft Studio, NYC.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : David Tudor\u003c\/p\u003e\n\u003cp\u003eLabel : Lovely Music Ltd.\u003c\/p\u003e","published_at":"2022-04-08T12:07:41+09:00","created_at":"2022-04-04T12:02:28+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","drone"],"price":198000,"price_min":198000,"price_max":198000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42598373425402,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"David Tudor \/\/ Three Works for Live Electronics CD","public_title":null,"options":["Default Title"],"price":198000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/el1_321e29a2-368a-4c46-951c-ceb0f2e170b6.jpg?v=1649041350"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/el1_321e29a2-368a-4c46-951c-ceb0f2e170b6.jpg?v=1649041350","options":["Title"],"media":[{"alt":null,"id":29450704978170,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/el1_321e29a2-368a-4c46-951c-ceb0f2e170b6.jpg?v=1649041350"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/el1_321e29a2-368a-4c46-951c-ceb0f2e170b6.jpg?v=1649041350","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e大御所実験音楽家David Tudorの1981年リリース作品です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/kijFn_yxiLk\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e----------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Tracks 1 and 2 were released on LP in 1984; track 3 has been added to them for the release of this CD.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis recording of Pulsers, composed in 1976, incorporates an improvised tape by Takehisa Kosugi with his \"electronic violin\", made in collaboration with this work.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eUntitled, composed in 1972, was designed for simultaneous performance with John Cage's vocalization of \"Mesostics re Merce Cunningham\". The work was revived in 1982, and performed with improvised vocals by Takehisa Kosugi.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePhonemes was commissioned by the Merce Cunningham Dance Company for Cunningham's dance \"Channels\/Inserts\", a work made both as a \"filmdance\" and for the stage. The first stage performance took place at City Center Theater on March 24, 1981.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTracks 1 and 2 recorded at Airshaft Studio, NYC.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : David Tudor\u003c\/p\u003e\n\u003cp\u003eLabel : Lovely Music Ltd.\u003c\/p\u003e"}
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大御所実験音楽家David Tudorの1981年リリース作品です。 ---------------------------------- "Tracks 1 and 2 were released on LP in 1984; track 3 has...
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{"id":7579839987962,"title":"Debit \/\/ The Long Count LP","handle":"debit-the-long-count-lp","description":"\u003cp\u003eメキシコ系アメリカ人Debit aka \u003cmeta charset=\"utf-8\"\u003eDelia Beatrizが、2022年2月にModern loveからリリースした最新作です。\u003c\/p\u003e\n\u003cp\u003eメキシコ国立大学マヤ研究所の管楽器(口笛、オカリナ、フルート、トランペット)\u003cspan data-mce-fragment=\"1\"\u003eをAIを通してミュージックコンクレートに落とし込んだ意欲作です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1169432059\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"modernlove\" href=\"https:\/\/soundcloud.com\/modernlove\" target=\"_blank\"\u003emodernlove\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Debit - 2nd Day\" href=\"https:\/\/soundcloud.com\/modernlove\/debit-2nd-day\" target=\"_blank\"\u003eDebit - 2nd Day\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e----------------------------------------\u003c\/p\u003e\n\u003cp\u003eSilver 12\" vinyl.\u003c\/p\u003e\n\u003cp\u003eText by Modern Love:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eDelia Beatriz’s musical output straddles two distinct artistic poles; her debut solo album, 2017’s acclaimed “Animus”, oozed from sensual, beatless soundscapes to high-octane club music, while her 2019-released EP “SYSTEM” harnessed tribal guarachero elements while simultaneously scraping ideas from industrial techno.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eOn “The Long Count”, the Mexican-American producer has inked her most rigorous statement to date, sublimating opaque ancestral knowledge into vaporous AI-stirred fog banks, activating an ancient rite that reaches into tomorrow. 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Developing a set of digital instruments that could be played using different types of temperaments and scales, Delia processed these sounds using machine learning techniques to shuttle the distant past into our extant artistic universe, peering into Mexico’s pre-colonial history and weaving those ideas into complex tonalities gleaned from musique concrète and contemporary electro-acoustic music.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe ten tracks of ‘The Long Count’ form a ritual that’s a few footsteps out of time – neither a part of our present, nor the past. Beatriz describes the Mayan instrumentation as ancestral technology, part of a world that’s not so much been forgotten, but purposefully erased. And although it’s impossible to know exactly how Mayan music may have sounded, it’s feasible to converse with history using modern technology to conduct a ceremony of remembrance.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBeatriz’s soundscapes are haunted by indistinct, shared memories and centuries of pent-up emotion, and are as intentional, direct and meticulously crafted as the work of Deathprod or Thomas Köner. Her microtonal compositions are psychedelic to their core, shapeshifting through dimensions and painting complex mental images, while retaining a stylistic focus and lucidity that’s all too rare. Although “The Long Count” was nurtured by machines, human experience is coded into its DNA – an ancient-future heirloom that whispers through countless generations.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Debit\u003c\/p\u003e\n\u003cp\u003eLabel : Modern Love\u003c\/p\u003e","published_at":"2022-04-04T11:52:53+09:00","created_at":"2022-04-04T10:46:12+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","drone","lp","monooto"],"price":397000,"price_min":397000,"price_max":397000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42598165315834,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Debit \/\/ The Long Count LP","public_title":null,"options":["Default Title"],"price":397000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ScreenShot2022-04-04at10.43.25am.png?v=1649036774","\/\/tobirarecords.com\/cdn\/shop\/products\/ScreenShot2022-04-04at10.43.38am.png?v=1649036774"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ScreenShot2022-04-04at10.43.25am.png?v=1649036774","options":["Title"],"media":[{"alt":null,"id":29450337517818,"position":1,"preview_image":{"aspect_ratio":1.051,"height":428,"width":450,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ScreenShot2022-04-04at10.43.25am.png?v=1649036774"},"aspect_ratio":1.051,"height":428,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ScreenShot2022-04-04at10.43.25am.png?v=1649036774","width":450},{"alt":null,"id":29450337550586,"position":2,"preview_image":{"aspect_ratio":0.712,"height":653,"width":465,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ScreenShot2022-04-04at10.43.38am.png?v=1649036774"},"aspect_ratio":0.712,"height":653,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ScreenShot2022-04-04at10.43.38am.png?v=1649036774","width":465}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eメキシコ系アメリカ人Debit aka \u003cmeta charset=\"utf-8\"\u003eDelia Beatrizが、2022年2月にModern loveからリリースした最新作です。\u003c\/p\u003e\n\u003cp\u003eメキシコ国立大学マヤ研究所の管楽器(口笛、オカリナ、フルート、トランペット)\u003cspan data-mce-fragment=\"1\"\u003eをAIを通してミュージックコンクレートに落とし込んだ意欲作です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1169432059\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"modernlove\" href=\"https:\/\/soundcloud.com\/modernlove\" target=\"_blank\"\u003emodernlove\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Debit - 2nd Day\" href=\"https:\/\/soundcloud.com\/modernlove\/debit-2nd-day\" target=\"_blank\"\u003eDebit - 2nd Day\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e----------------------------------------\u003c\/p\u003e\n\u003cp\u003eSilver 12\" vinyl.\u003c\/p\u003e\n\u003cp\u003eText by Modern Love:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eDelia Beatriz’s musical output straddles two distinct artistic poles; her debut solo album, 2017’s acclaimed “Animus”, oozed from sensual, beatless soundscapes to high-octane club music, while her 2019-released EP “SYSTEM” harnessed tribal guarachero elements while simultaneously scraping ideas from industrial techno.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eOn “The Long Count”, the Mexican-American producer has inked her most rigorous statement to date, sublimating opaque ancestral knowledge into vaporous AI-stirred fog banks, activating an ancient rite that reaches into tomorrow. It’s audacious electro-acoustic archaeology that sounds disorientating, anachronistic and arcane.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“The Long Count” is rooted in research Beatriz made into Mayan wind instruments – whistles, ocarinas, flutes and trumpets – using the archive of the Mayan Studies Institute at the Universidad Nacional Autonoma de Mexico, the oldest and largest collection of its kind. Developing a set of digital instruments that could be played using different types of temperaments and scales, Delia processed these sounds using machine learning techniques to shuttle the distant past into our extant artistic universe, peering into Mexico’s pre-colonial history and weaving those ideas into complex tonalities gleaned from musique concrète and contemporary electro-acoustic music.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe ten tracks of ‘The Long Count’ form a ritual that’s a few footsteps out of time – neither a part of our present, nor the past. Beatriz describes the Mayan instrumentation as ancestral technology, part of a world that’s not so much been forgotten, but purposefully erased. And although it’s impossible to know exactly how Mayan music may have sounded, it’s feasible to converse with history using modern technology to conduct a ceremony of remembrance.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBeatriz’s soundscapes are haunted by indistinct, shared memories and centuries of pent-up emotion, and are as intentional, direct and meticulously crafted as the work of Deathprod or Thomas Köner. Her microtonal compositions are psychedelic to their core, shapeshifting through dimensions and painting complex mental images, while retaining a stylistic focus and lucidity that’s all too rare. Although “The Long Count” was nurtured by machines, human experience is coded into its DNA – an ancient-future heirloom that whispers through countless generations.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Debit\u003c\/p\u003e\n\u003cp\u003eLabel : Modern Love\u003c\/p\u003e"}
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メキシコ系アメリカ人Debit aka Delia Beatrizが、2022年2月にModern loveからリリースした最新作です。 メキシコ国立大学マヤ研究所の管楽器(口笛、オカリナ、フルート、トランペット)をAIを通してミュージックコンクレートに落とし込んだ意欲作です。 modernlove · Debit - 2nd Day ---------------------------------------- Silver 12"...
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{"id":7574977675514,"title":"Nikolaus Gerszewski \/\/ ART CD","handle":"nikolaus-gerszewski-art-cd","description":"\u003cp\u003eドイツの現代音楽家Nikolaus Gerszewskiが、2022年3月にアメリカ・NYの実験音楽家Jack Callahan主宰レーベルFLEAからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eフェルドマンリスナーにおすすめの、ストリングカルテットによる楽曲10曲を収録。廃盤です。 \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eCDのみでの発表となります。\u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1239975760\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/user-297960592\" title=\"tobirarecs4\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003etobirarecs4\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/user-297960592\/nikolaus-gerszewski-art-preview\" title=\"Nikolaus Gerszewski - ART Preview\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eNikolaus Gerszewski - ART Preview\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/flea\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/flea\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/flea\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/flea\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more FLEA releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eFeldmanesque string quartet in 10 parts from contemporary German composer.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e----------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : \u003cmeta charset=\"utf-8\"\u003eNikolaus Gerszewski\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : FLEA\u003c\/p\u003e","published_at":"2022-03-28T14:07:55+09:00","created_at":"2022-03-28T11:51:37+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","flea"],"price":225000,"price_min":225000,"price_max":225000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42574520746234,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Nikolaus Gerszewski \/\/ ART CD","public_title":null,"options":["Default Title"],"price":225000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ge1.webp?v=1648435899"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ge1.webp?v=1648435899","options":["Title"],"media":[{"alt":null,"id":29400761598202,"position":1,"preview_image":{"aspect_ratio":1.333,"height":1080,"width":1440,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ge1.webp?v=1648435899"},"aspect_ratio":1.333,"height":1080,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ge1.webp?v=1648435899","width":1440}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eドイツの現代音楽家Nikolaus Gerszewskiが、2022年3月にアメリカ・NYの実験音楽家Jack Callahan主宰レーベルFLEAからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eフェルドマンリスナーにおすすめの、ストリングカルテットによる楽曲10曲を収録。廃盤です。 \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eCDのみでの発表となります。\u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1239975760\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/user-297960592\" title=\"tobirarecs4\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003etobirarecs4\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/user-297960592\/nikolaus-gerszewski-art-preview\" title=\"Nikolaus Gerszewski - ART Preview\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eNikolaus Gerszewski - ART Preview\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/flea\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/flea\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/flea\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/flea\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more FLEA releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eFeldmanesque string quartet in 10 parts from contemporary German composer.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e----------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : \u003cmeta charset=\"utf-8\"\u003eNikolaus Gerszewski\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : FLEA\u003c\/p\u003e"}
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ドイツの現代音楽家Nikolaus Gerszewskiが、2022年3月にアメリカ・NYの実験音楽家Jack Callahan主宰レーベルFLEAからリリースしたCDです。 フェルドマンリスナーにおすすめの、ストリングカルテットによる楽曲10曲を収録。廃盤です。 CDのみでの発表となります。 tobirarecs4 · Nikolaus Gerszewski - ART Preview レーベルその他作品はこちら /// Click here to...
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{"id":7574977282298,"title":"Kieran Daly \/\/ Total Orderings for FLEA CD","handle":"kieran-daly-total-orderings-for-flea-cd","description":"\u003cp\u003eアメリカ・ペンシルベニアの現代音楽家Kieran Dalyが、2022年3月に同国NYの実験音楽家Jack Callahan主宰レーベルFLEAからリリースした最新作です。\u003c\/p\u003e\n\u003cp\u003e思わずクスッとしてしまう音に溢れた7曲を収録。\u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1239977479\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/user-297960592\" title=\"tobirarecs4\" style=\"color: #cccccc; 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{"id":7574976397562,"title":"Clarence Barlow \/\/ Talkmaster's Choice - Three Versions CD","handle":"clarence-barlow-talkmasters-choice-three-versions-cd","description":"\u003cp\u003eインド・コルカタ出身の大御所現代音楽家Clarence Barlowが、2022年3月にアメリカ・NYの実験音楽家Jack Callahan主宰レーベルFLEAからリリースした最新作です。\u003c\/p\u003e\n\u003cp\u003e彼が90年代に制作した、Atariのコンピューターを用いたカットアップ・コラージュ5曲、50分を収録。 \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1239968071\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"tobirarecs4\" href=\"https:\/\/soundcloud.com\/user-297960592\" target=\"_blank\"\u003etobirarecs4\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Sample Flea1\" href=\"https:\/\/soundcloud.com\/user-297960592\/sample-flea1\" target=\"_blank\"\u003eSample Flea1\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/flea\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/flea\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/flea\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/flea\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more FLEA releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003ePreviously unreleased recordings from the early '90s featuring voice recordings manipulated by an Atari computer from the legendary Computer Music pioneer.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e----------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Clarence Barlow \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : FLEA\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-03-28T13:58:55+09:00","created_at":"2022-03-28T11:48:21+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","flea","monooto"],"price":225000,"price_min":225000,"price_max":225000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42574514716922,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Clarence Barlow \/\/ Talkmaster's Choice - Three Versions CD","public_title":null,"options":["Default Title"],"price":225000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ba1.webp?v=1648435703"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ba1.webp?v=1648435703","options":["Title"],"media":[{"alt":null,"id":29400748130554,"position":1,"preview_image":{"aspect_ratio":1.333,"height":1080,"width":1440,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ba1.webp?v=1648435703"},"aspect_ratio":1.333,"height":1080,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ba1.webp?v=1648435703","width":1440}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eインド・コルカタ出身の大御所現代音楽家Clarence Barlowが、2022年3月にアメリカ・NYの実験音楽家Jack Callahan主宰レーベルFLEAからリリースした最新作です。\u003c\/p\u003e\n\u003cp\u003e彼が90年代に制作した、Atariのコンピューターを用いたカットアップ・コラージュ5曲、50分を収録。 \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1239968071\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"tobirarecs4\" href=\"https:\/\/soundcloud.com\/user-297960592\" target=\"_blank\"\u003etobirarecs4\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Sample Flea1\" href=\"https:\/\/soundcloud.com\/user-297960592\/sample-flea1\" target=\"_blank\"\u003eSample Flea1\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/flea\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/flea\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/flea\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/flea\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more FLEA releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003ePreviously unreleased recordings from the early '90s featuring voice recordings manipulated by an Atari computer from the legendary Computer Music pioneer.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e----------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Clarence Barlow \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : FLEA\u003c\/span\u003e\u003c\/p\u003e"}
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インド・コルカタ出身の大御所現代音楽家Clarence Barlowが、2022年3月にアメリカ・NYの実験音楽家Jack Callahan主宰レーベルFLEAからリリースした最新作です。 彼が90年代に制作した、Atariのコンピューターを用いたカットアップ・コラージュ5曲、50分を収録。 tobirarecs4 · Sample Flea1 レーベルその他作品はこちら /// Click here to see more FLEA releases...
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{"id":7574696100090,"title":"Volodymyr Bystriakov \/\/ Alice Through the Looking Glass, 1982 LP","handle":"volodymyr-bystriakov-alice-through-the-looking-glass-1982-lp","description":"\u003cp\u003eウクライナの映画音楽家Volodymyr Bystriakovが1982に録音したアニメ映画「アリス」のサントラを、同国実験レーベルMuscutのソ連音楽再発ラインShukaiがバイナルリリース。\u003c\/p\u003e\n\u003cp\u003e哀愁系から爽やか系まで幅広い電子音楽22曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1708960857\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1293082902\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/muscut\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/muscut\"\u003eこちら\u003cspan\u003e \u003c\/span\u003e\u003c\/a\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/muscut\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/muscut\"\u003ehere \u003c\/a\u003eto see more Muscut releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eShukai is psyched to announce our second release - music for the animated television film Alice Through the Looking Glass, which has never been released before.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe music was recorded in 1981 and the film was broadcasted on Soviet television in 1982.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAlice Through the Looking Glass created by Kyivnauchfilm studio and directed by Efim Pruzhansky is a colour animated film based on the novel by Lewis Carroll.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLimited edition of 300 copies.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Valentina Goncharova \u003c\/p\u003e\n\u003cp\u003elabel : Muscut\u003c\/p\u003e","published_at":"2022-03-27T08:04:28+09:00","created_at":"2022-03-27T08:04:28+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","jazz","lp","muscut","recommended"],"price":349000,"price_min":349000,"price_max":349000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42572740034810,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Volodymyr Bystriakov \/\/ Alice Through the Looking Glass, 1982 LP","public_title":null,"options":["Default Title"],"price":349000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a2203517793_16.jpg?v=1648336127"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a2203517793_16.jpg?v=1648336127","options":["Title"],"media":[{"alt":null,"id":29395659489530,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a2203517793_16.jpg?v=1648336127"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a2203517793_16.jpg?v=1648336127","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eウクライナの映画音楽家Volodymyr Bystriakovが1982に録音したアニメ映画「アリス」のサントラを、同国実験レーベルMuscutのソ連音楽再発ラインShukaiがバイナルリリース。\u003c\/p\u003e\n\u003cp\u003e哀愁系から爽やか系まで幅広い電子音楽22曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1708960857\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1293082902\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/muscut\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/muscut\"\u003eこちら\u003cspan\u003e \u003c\/span\u003e\u003c\/a\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/muscut\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/muscut\"\u003ehere \u003c\/a\u003eto see more Muscut releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eShukai is psyched to announce our second release - music for the animated television film Alice Through the Looking Glass, which has never been released before.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe music was recorded in 1981 and the film was broadcasted on Soviet television in 1982.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAlice Through the Looking Glass created by Kyivnauchfilm studio and directed by Efim Pruzhansky is a colour animated film based on the novel by Lewis Carroll.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLimited edition of 300 copies.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Valentina Goncharova \u003c\/p\u003e\n\u003cp\u003elabel : Muscut\u003c\/p\u003e"}
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{"id":7556720263418,"title":"andPlay \u0026 Victoria Cheah \/\/ A Butterfly On Your Shoulder Into Years And Years To Come TAPE","handle":"andplay-victoria-cheah-a-butterfly-on-your-shoulder-into-years-and-years-to-come-tape","description":"\u003cp\u003eアメリカ・NYのVictoria Cheahと\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eandPlay\u003c\/span\u003eが、2022年2月にアメリカ・LAのDinzu Artefactsから100本限定でリリースした共作カセットです。\u003c\/p\u003e\n\u003cp\u003eヴィオラとバイオリンによるアコースティックドローン2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=286446260\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003ehere\u003c\/a\u003e to see more Dinzu Artefacts releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003eArtist statement by \u003cspan data-mce-fragment=\"1\"\u003eVictoria Cheah:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eThe permanence of a whim, like a casual decision to make your first tattoo a butterfly;\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ea choice you regret, or forget, or evolve with over time; a whim for which you needed frivolity in order to take yourself seriously.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe superficial nature of standardized beauty can contain contradictory depths - scars are decoration, desire can be destructive, and beauty can be offensive, rough.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eClarity and noise aren’t opposites; both exist within the other and provide context for the work of intentional attention.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : andPlay \u0026amp; Victoria Cheah\u003c\/p\u003e\n\u003cp\u003eLabel : Dinzy Artefacts\u003c\/p\u003e","published_at":"2022-03-05T15:05:08+09:00","created_at":"2022-03-05T14:09:23+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","dinzu artefacts","drone","tape"],"price":158000,"price_min":158000,"price_max":158000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42490189283578,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"andPlay \u0026 Victoria Cheah \/\/ A Butterfly On Your Shoulder Into Years And Years To Come TAPE","public_title":null,"options":["Default Title"],"price":158000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/bu1_be258493-cded-4bee-8ac3-9cc910c1963d.jpg?v=1646456965"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/bu1_be258493-cded-4bee-8ac3-9cc910c1963d.jpg?v=1646456965","options":["Title"],"media":[{"alt":null,"id":29243820966138,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bu1_be258493-cded-4bee-8ac3-9cc910c1963d.jpg?v=1646456965"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bu1_be258493-cded-4bee-8ac3-9cc910c1963d.jpg?v=1646456965","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・NYのVictoria Cheahと\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eandPlay\u003c\/span\u003eが、2022年2月にアメリカ・LAのDinzu Artefactsから100本限定でリリースした共作カセットです。\u003c\/p\u003e\n\u003cp\u003eヴィオラとバイオリンによるアコースティックドローン2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=286446260\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003ehere\u003c\/a\u003e to see more Dinzu Artefacts releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003eArtist statement by \u003cspan data-mce-fragment=\"1\"\u003eVictoria Cheah:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eThe permanence of a whim, like a casual decision to make your first tattoo a butterfly;\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ea choice you regret, or forget, or evolve with over time; a whim for which you needed frivolity in order to take yourself seriously.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe superficial nature of standardized beauty can contain contradictory depths - scars are decoration, desire can be destructive, and beauty can be offensive, rough.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eClarity and noise aren’t opposites; both exist within the other and provide context for the work of intentional attention.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : andPlay \u0026amp; Victoria Cheah\u003c\/p\u003e\n\u003cp\u003eLabel : Dinzy Artefacts\u003c\/p\u003e"}
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{"id":7556719935738,"title":"Nat Baldwin \/\/ Blind Field TAPE","handle":"nat-baldwin-blind-field-tape","description":"\u003cp\u003eアメリカ・メインのコントラバス奏者Nat Baldwinが、2022年2月にアメリカ・LAのDinzu Artefactsから100本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eコントラバスと声\u003c\/span\u003eによるアコースティックドローン3曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3432159013\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003ehere\u003c\/a\u003e to see more Dinzu Artefacts releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDinzu Artefacts:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Works for double bass ensemble and voices, multitracked with all materials played and sung by the composer. Each piece presents a distinct environment exploring contrast and tension to sculpt a dense collage of focused textures.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eA quartet engaging with a limited set of gestures and articulations, each avoiding rise or decay. Vocals, microtonal and layered atop sparse plucks and spiccato fragments. Bowed swells of delicate, double stop harmonics, detuned yet melodic, a brief sense of serenity emerging from disquieting depths.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Nat Baldwin\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDinzu Artefacts \u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-03-05T15:08:36+09:00","created_at":"2022-03-05T14:03:18+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","dinzu artefacts","drone","tape"],"price":158000,"price_min":158000,"price_max":158000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42490186006778,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Nat Baldwin \/\/ Blind Field TAPE","public_title":null,"options":["Default Title"],"price":158000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/fi_5af1231a-cb96-4bfb-a8de-5c469eeb5c0e.jpg?v=1646456600"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/fi_5af1231a-cb96-4bfb-a8de-5c469eeb5c0e.jpg?v=1646456600","options":["Title"],"media":[{"alt":null,"id":29243814641914,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fi_5af1231a-cb96-4bfb-a8de-5c469eeb5c0e.jpg?v=1646456600"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fi_5af1231a-cb96-4bfb-a8de-5c469eeb5c0e.jpg?v=1646456600","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・メインのコントラバス奏者Nat Baldwinが、2022年2月にアメリカ・LAのDinzu Artefactsから100本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eコントラバスと声\u003c\/span\u003eによるアコースティックドローン3曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3432159013\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003ehere\u003c\/a\u003e to see more Dinzu Artefacts releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDinzu Artefacts:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Works for double bass ensemble and voices, multitracked with all materials played and sung by the composer. Each piece presents a distinct environment exploring contrast and tension to sculpt a dense collage of focused textures.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eA quartet engaging with a limited set of gestures and articulations, each avoiding rise or decay. Vocals, microtonal and layered atop sparse plucks and spiccato fragments. Bowed swells of delicate, double stop harmonics, detuned yet melodic, a brief sense of serenity emerging from disquieting depths.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Nat Baldwin\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDinzu Artefacts \u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・メインのコントラバス奏者Nat Baldwinが、2022年2月にアメリカ・LAのDinzu Artefactsから100本限定でリリースしたカセットです。 コントラバスと声によるアコースティックドローン3曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Dinzu Artefacts releases available at Tobira....
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{"id":7554849308922,"title":"Mark Ellestad \/\/ Discreet Angel CD","handle":"mark-ellestad-discreet-angel-cd","description":"\u003cp\u003eカナダの作曲家Mark Ellestadが、2022年2月にイギリスのコンテンポラリーレーベルAnother Timbreからリリースした最新作です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eアンビエントリスナーにもアプローチする室内楽3曲を収録。\u003cspan data-mce-fragment=\"1\"\u003eデジパック、シュリンク仕様。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=556396568\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eAnother Timbre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThree chamber works by the Canadian composer Mark Ellestad. These pieces were composed between 1988 and 1994, and were recently retrieved by the composer, who had given up composing in the mid-1990s. Two of the pieces have been recorded in new realisations, and the music sounds totally contemporary.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mark Ellestad\u003c\/p\u003e\n\u003cp\u003eLabel : Another Timbre\u003c\/p\u003e","published_at":"2022-03-03T11:21:57+09:00","created_at":"2022-03-03T10:56:38+09:00","vendor":"Tobira Records","type":"","tags":["ambient","another timbre","cd","contemporary \/ sound poetry"],"price":192500,"price_min":192500,"price_max":192500,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42481723703546,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Mark Ellestad \/\/ Discreet Angel CD","public_title":null,"options":["Default Title"],"price":192500,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/an1_460c8fa4-9798-4724-8f6a-a6b7eec0d257.jpg?v=1646272600"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/an1_460c8fa4-9798-4724-8f6a-a6b7eec0d257.jpg?v=1646272600","options":["Title"],"media":[{"alt":null,"id":29228811092218,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/an1_460c8fa4-9798-4724-8f6a-a6b7eec0d257.jpg?v=1646272600"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/an1_460c8fa4-9798-4724-8f6a-a6b7eec0d257.jpg?v=1646272600","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eカナダの作曲家Mark Ellestadが、2022年2月にイギリスのコンテンポラリーレーベルAnother Timbreからリリースした最新作です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eアンビエントリスナーにもアプローチする室内楽3曲を収録。\u003cspan data-mce-fragment=\"1\"\u003eデジパック、シュリンク仕様。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=556396568\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eAnother Timbre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThree chamber works by the Canadian composer Mark Ellestad. These pieces were composed between 1988 and 1994, and were recently retrieved by the composer, who had given up composing in the mid-1990s. Two of the pieces have been recorded in new realisations, and the music sounds totally contemporary.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mark Ellestad\u003c\/p\u003e\n\u003cp\u003eLabel : Another Timbre\u003c\/p\u003e"}
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カナダの作曲家Mark Ellestadが、2022年2月にイギリスのコンテンポラリーレーベルAnother Timbreからリリースした最新作です。 アンビエントリスナーにもアプローチする室内楽3曲を収録。デジパック、シュリンク仕様。 レーベルその他作品はこちら /// Click here to see more Another Timbre releases available at Tobira....
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{"id":7554038956282,"title":"Joana Gama \u0026 Luís Fernandes \/\/ There's No Knowing CD","handle":"joana-gama-luis-fernandes-theres-no-knowing-cd","description":"\u003cp\u003eポルトガルのピアニストJoana Gamaと音響作家Luís Fernandesが、2022年1月に同国Holuzamからリリースした共作CDです。\u003c\/p\u003e\n\u003cp\u003e緊張と緩和がバランス良くミックスされた5曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=931078187\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/holuzam\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/holuzam\"\u003ehere\u003c\/a\u003e to see more Holuzam releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 300.\u003c\/p\u003e\n\u003cp\u003eHoluzam:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eStarting with an open dialogue seems like a good way to approach a collaboration. Almost a decade ago, that’s how Joana Gama (piano) and Luís Fernandes (electronics) started to work together, and both quickly understood that it was an ideal moment to develop and explore new paths in their music. “There’s no knowing” is their fifth album, 50 minute piece in which the two artists' have a dialogue while interacting with the void and silence around them.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe origin of this work explains the frequent tension in this piece; Invited by Nuno M. Cardoso to compose the soundtrack for a TV series, “Cassandra”, Joana and Luís found themselves with the material and inspiration to extend this work into a long piece. At times, “There’s no knowing” feels like a tense and knife cutting soundtrack to a thriller. Joana’s tempo adds to a well-architected sound-design by Luís that pushes the boundaries of what the duo can achieve. The ambition, always present in their music, provides a fascinating backdrop - the focus in the moment coupled with the feeling of latent anxiety pushing each other to their limits.That tremendous momentum can be felt while listening to any of their records. As they push each other, we are invited to other realms of contemporary electronics and modern classical. “There’s no knowing” is their finest to date. But that’s no surprise, their work is based on that continuous progression.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Joana Gama \u0026amp; Luís Fernandes\u003c\/p\u003e\n\u003cp\u003eLabel : Holuzam\u003c\/p\u003e","published_at":"2022-03-04T15:40:45+09:00","created_at":"2022-03-02T16:39:39+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","contemporary \/ sound poetry","holuzam","neo classical"],"price":215000,"price_min":215000,"price_max":215000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42479560720634,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Joana Gama \u0026 Luís Fernandes \/\/ There's No Knowing CD","public_title":null,"options":["Default Title"],"price":215000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/kn1_d63c01f3-35e7-4f12-939a-0f7421cb104c.jpg?v=1646206781","\/\/tobirarecords.com\/cdn\/shop\/products\/kn2.jpg?v=1646206781"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/kn1_d63c01f3-35e7-4f12-939a-0f7421cb104c.jpg?v=1646206781","options":["Title"],"media":[{"alt":null,"id":29225001222394,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/kn1_d63c01f3-35e7-4f12-939a-0f7421cb104c.jpg?v=1646206781"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/kn1_d63c01f3-35e7-4f12-939a-0f7421cb104c.jpg?v=1646206781","width":700},{"alt":null,"id":29225001255162,"position":2,"preview_image":{"aspect_ratio":1.573,"height":763,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/kn2.jpg?v=1646206781"},"aspect_ratio":1.573,"height":763,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/kn2.jpg?v=1646206781","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eポルトガルのピアニストJoana Gamaと音響作家Luís Fernandesが、2022年1月に同国Holuzamからリリースした共作CDです。\u003c\/p\u003e\n\u003cp\u003e緊張と緩和がバランス良くミックスされた5曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=931078187\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/holuzam\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/holuzam\"\u003ehere\u003c\/a\u003e to see more Holuzam releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 300.\u003c\/p\u003e\n\u003cp\u003eHoluzam:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eStarting with an open dialogue seems like a good way to approach a collaboration. Almost a decade ago, that’s how Joana Gama (piano) and Luís Fernandes (electronics) started to work together, and both quickly understood that it was an ideal moment to develop and explore new paths in their music. “There’s no knowing” is their fifth album, 50 minute piece in which the two artists' have a dialogue while interacting with the void and silence around them.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe origin of this work explains the frequent tension in this piece; Invited by Nuno M. Cardoso to compose the soundtrack for a TV series, “Cassandra”, Joana and Luís found themselves with the material and inspiration to extend this work into a long piece. At times, “There’s no knowing” feels like a tense and knife cutting soundtrack to a thriller. Joana’s tempo adds to a well-architected sound-design by Luís that pushes the boundaries of what the duo can achieve. 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{"id":7550551195898,"title":"Linien II \/\/ Linien II 1948-49 LP + BOOKLET","handle":"linien-ii-linien-ii-1948-49-lp-booklet","description":"\u003cp\u003eデンマークの美術家たちが1848年に録音したものの、コペンハーゲン国立美術館の収蔵庫に眠っていた幻の楽曲がこの度レコードで初となるリリース。以下、レーベルにより解説です。DLコードとブックレットが付属。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLinien IIの音の実験の物語は、1948年に一握りの若く理想主義的で自己顕示欲の強い愚かなデンマークのアーティスト・\u003cmeta charset=\"utf-8\"\u003eRichard Winther, Hans “Bamse” Kragh-Jacobsen, Niels Macholm, Ib Geertsenたちが、回り道をして独自の具体的な音の芸術を発明した物語であり、ラジオ技師で作曲家のピエール・シェフェールがパリでムジーク・コンクレートの開発に取り組んだのとほぼ同時期である--シェフェールの最初の画期的な、ミュージックコンクレート作品「Cinq études de bruits」がフランスのラジオで初演される以前にコペンハーゲンでは彼らの具象音作品を一般公開までしている--。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこのリリースでは、具体美術に関連する一連の形式的な美学的関心事を音という媒体に置き換えることで、新たな解決策を見出そうとする作家の試みを、異なる方法で表現した5つの実験的サウンド作品が紹介されている。これまで作品は、壊れやすいラッカー盤のオリジナルレコードにコピーされた2組の作品しか存在せず、いずれも美術館のアーカイブの奥深くに閉じ込められていたため、これまで語られることのなかった物語である。今回、デンマーク音響考古学研究所が、録音から約75年を経てLPでリリースすることで、ようやくその歴史的な音源を聴くことができるようになった。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこのリリースに伴い、包括的な美術史のテキストが作成された。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこのリリースは、コペンハーゲン国立美術館 、ヨーン美術館の協力のもと、アーティストの相続人の支援と協力を得て実現した。\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=342942962\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ifdsa\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ifdsa\"\u003ehere\u003c\/a\u003e to see more Institute for Danish Sound Archaeology releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e-------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eEdition of 300.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eInstitute for Danish Sound Archaeology:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"This release presents the earliest known Danish works of sound art. Five works from 1948-49 created by the visual artists Richard Winther (1926-2007), Hans “Bamse” Kragh-Jacobsen (1913-92), Niels Macholm (1915-1997), Ib Geertsen (1919-2009) and Gunnar Aagaard Andersen ( 1919-1982), all of whom were part of the artist group Linien II.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cem\u003e_\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eThe story of Linien II's sound experiments is a story about how a handful of young, idealistic, self-aggrandizing and silly Danish artist dandies in 1948 by a detour invented their own concrete sound art, almost exactly at the same time as radio technician and composer Pierre Schaeffer worked on developing his musique concréte in Paris – and even presented their concrete sound works to the public at an exhibition in Copenhagen before Schaeffer's first and landmark musique concréte work 'Cinq études de bruits' was\u003cspan class=\"bcTruncateMore\"\u003e premiered on French radio.\u003cbr\u003e\u003cbr\u003eThe release presents five experimental sound works that in different ways represent the artists’ attempts at finding new solutions to a set of formal aesthetic concerns in relation to concrete art by transposing them into the medium of sound. It is a story that hasn’t been told before, as the works until now have only existed in two sets of copies on the original fragile lacquer records, both of which have been locked deep inside museum archives. Now the historical sound works can finally be heard when the Institute for Danish Sound Archeology are releasing them on LP almost 75 years after their recording.\u003cbr\u003e\u003cbr\u003eAccompanying the release, a comprehensive art historical text knits\u003cbr\u003etogether the story about the creation and context of the experimental sound works.\u003cbr\u003e\u003cbr\u003eThe release is made in collaboration with SMK National Gallery of Denmark, Museum Jorn, and with the support and invaluable help of the heirs of the artists.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eArtist : Linien II\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eInstitute for Danish Sound Archaeology\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-02-25T11:31:40+09:00","created_at":"2022-02-25T10:52:57+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","Institute for Danish Sound Archaeology","lp"],"price":328000,"price_min":328000,"price_max":328000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42464989511930,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Linien II \/\/ Linien II 1948-49 LP + BOOKLET","public_title":null,"options":["Default Title"],"price":328000,"weight":500,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/li1_eb539b36-61c1-4511-bf56-e2fdc2ba27e8.jpg?v=1645753979","\/\/tobirarecords.com\/cdn\/shop\/products\/li2_71322991-a089-4556-b719-653c55cc4e95.jpg?v=1645753978","\/\/tobirarecords.com\/cdn\/shop\/products\/li3_24c216d6-c485-4ae8-a11c-21c711551f1e.jpg?v=1645753979"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/li1_eb539b36-61c1-4511-bf56-e2fdc2ba27e8.jpg?v=1645753979","options":["Title"],"media":[{"alt":null,"id":29204991246586,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/li1_eb539b36-61c1-4511-bf56-e2fdc2ba27e8.jpg?v=1645753979"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/li1_eb539b36-61c1-4511-bf56-e2fdc2ba27e8.jpg?v=1645753979","width":700},{"alt":null,"id":29204991279354,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/li2_71322991-a089-4556-b719-653c55cc4e95.jpg?v=1645753978"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/li2_71322991-a089-4556-b719-653c55cc4e95.jpg?v=1645753978","width":1200},{"alt":null,"id":29204991312122,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/li3_24c216d6-c485-4ae8-a11c-21c711551f1e.jpg?v=1645753979"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/li3_24c216d6-c485-4ae8-a11c-21c711551f1e.jpg?v=1645753979","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eデンマークの美術家たちが1848年に録音したものの、コペンハーゲン国立美術館の収蔵庫に眠っていた幻の楽曲がこの度レコードで初となるリリース。以下、レーベルにより解説です。DLコードとブックレットが付属。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLinien IIの音の実験の物語は、1948年に一握りの若く理想主義的で自己顕示欲の強い愚かなデンマークのアーティスト・\u003cmeta charset=\"utf-8\"\u003eRichard Winther, Hans “Bamse” Kragh-Jacobsen, Niels Macholm, Ib Geertsenたちが、回り道をして独自の具体的な音の芸術を発明した物語であり、ラジオ技師で作曲家のピエール・シェフェールがパリでムジーク・コンクレートの開発に取り組んだのとほぼ同時期である--シェフェールの最初の画期的な、ミュージックコンクレート作品「Cinq études de bruits」がフランスのラジオで初演される以前にコペンハーゲンでは彼らの具象音作品を一般公開までしている--。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこのリリースでは、具体美術に関連する一連の形式的な美学的関心事を音という媒体に置き換えることで、新たな解決策を見出そうとする作家の試みを、異なる方法で表現した5つの実験的サウンド作品が紹介されている。これまで作品は、壊れやすいラッカー盤のオリジナルレコードにコピーされた2組の作品しか存在せず、いずれも美術館のアーカイブの奥深くに閉じ込められていたため、これまで語られることのなかった物語である。今回、デンマーク音響考古学研究所が、録音から約75年を経てLPでリリースすることで、ようやくその歴史的な音源を聴くことができるようになった。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこのリリースに伴い、包括的な美術史のテキストが作成された。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこのリリースは、コペンハーゲン国立美術館 、ヨーン美術館の協力のもと、アーティストの相続人の支援と協力を得て実現した。\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=342942962\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ifdsa\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ifdsa\"\u003ehere\u003c\/a\u003e to see more Institute for Danish Sound Archaeology releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e-------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eEdition of 300.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eInstitute for Danish Sound Archaeology:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"This release presents the earliest known Danish works of sound art. Five works from 1948-49 created by the visual artists Richard Winther (1926-2007), Hans “Bamse” Kragh-Jacobsen (1913-92), Niels Macholm (1915-1997), Ib Geertsen (1919-2009) and Gunnar Aagaard Andersen ( 1919-1982), all of whom were part of the artist group Linien II.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cem\u003e_\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eThe story of Linien II's sound experiments is a story about how a handful of young, idealistic, self-aggrandizing and silly Danish artist dandies in 1948 by a detour invented their own concrete sound art, almost exactly at the same time as radio technician and composer Pierre Schaeffer worked on developing his musique concréte in Paris – and even presented their concrete sound works to the public at an exhibition in Copenhagen before Schaeffer's first and landmark musique concréte work 'Cinq études de bruits' was\u003cspan class=\"bcTruncateMore\"\u003e premiered on French radio.\u003cbr\u003e\u003cbr\u003eThe release presents five experimental sound works that in different ways represent the artists’ attempts at finding new solutions to a set of formal aesthetic concerns in relation to concrete art by transposing them into the medium of sound. It is a story that hasn’t been told before, as the works until now have only existed in two sets of copies on the original fragile lacquer records, both of which have been locked deep inside museum archives. Now the historical sound works can finally be heard when the Institute for Danish Sound Archeology are releasing them on LP almost 75 years after their recording.\u003cbr\u003e\u003cbr\u003eAccompanying the release, a comprehensive art historical text knits\u003cbr\u003etogether the story about the creation and context of the experimental sound works.\u003cbr\u003e\u003cbr\u003eThe release is made in collaboration with SMK National Gallery of Denmark, Museum Jorn, and with the support and invaluable help of the heirs of the artists.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eArtist : Linien II\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eInstitute for Danish Sound Archaeology\u003c\/span\u003e\u003c\/p\u003e"}
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デンマークの美術家たちが1848年に録音したものの、コペンハーゲン国立美術館の収蔵庫に眠っていた幻の楽曲がこの度レコードで初となるリリース。以下、レーベルにより解説です。DLコードとブックレットが付属。 Linien IIの音の実験の物語は、1948年に一握りの若く理想主義的で自己顕示欲の強い愚かなデンマークのアーティスト・Richard Winther, Hans “Bamse” Kragh-Jacobsen, Niels Macholm, Ib Geertsenたちが、回り道をして独自の具体的な音の芸術を発明した物語であり、ラジオ技師で作曲家のピエール・シェフェールがパリでムジーク・コンクレートの開発に取り組んだのとほぼ同時期である--シェフェールの最初の画期的な、ミュージックコンクレート作品「Cinq études de bruits」がフランスのラジオで初演される以前にコペンハーゲンでは彼らの具象音作品を一般公開までしている--。このリリースでは、具体美術に関連する一連の形式的な美学的関心事を音という媒体に置き換えることで、新たな解決策を見出そうとする作家の試みを、異なる方法で表現した5つの実験的サウンド作品が紹介されている。これまで作品は、壊れやすいラッカー盤のオリジナルレコードにコピーされた2組の作品しか存在せず、いずれも美術館のアーカイブの奥深くに閉じ込められていたため、これまで語られることのなかった物語である。今回、デンマーク音響考古学研究所が、録音から約75年を経てLPでリリースすることで、ようやくその歴史的な音源を聴くことができるようになった。このリリースに伴い、包括的な美術史のテキストが作成された。このリリースは、コペンハーゲン国立美術館 、ヨーン美術館の協力のもと、アーティストの相続人の支援と協力を得て実現した。...
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{"id":7546543341818,"title":"Anthony Pateras \/\/ Collected Works Vol. I (2002-2012) 5xCD","handle":"anthony-pateras-collected-works-vol-i-2002-2012-5xcd","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eオーストラリア・メルボルンのピアニストAnthony Paterasによる2002年-2012年までの作品をまとめたCD BOXです。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3821159685\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eDisc and track information:\u003c\/p\u003e\n\u003cp class=\"tralbumData tralbum-about\"\u003e\u003cstrong\u003eVOL 1 (Tracks 1-5):\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eA comprehensive overview of Pateras chamber and orchestra pieces written between 2009 and 2011. Features performances by Brett Dean, Richard Tognetti, Golden Fur, Early Warning System, Timothy Munro and the ANAM orchestra.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eVOL 2 (tracks 6-9):\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eReissue of 2007's Chasms, originally on Sirr, with the bonus track Delirioso, featuring 3 prepared pianos.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eVOL 3 (tracks 10-13):\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe centerpiece of the collection features an extended work for the Melbourne Town Hall Pipe Organ, the largest instrument of its kind in the southern hemisphere, played by the composer. Also features 3 brief studies in analogue synthesis and 1\/4 inch tape, made in Coburg.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eVOL 4 (tracks 14 \u0026amp; 15):\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eTwo live solo piano performances from the 2012 Sydney Festival, opening for Mondo Cane at the State Theatre.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eVOL 5 (tracks 16-33):\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003ePercussion works for soloists, sextet and 12-tet spanning the decade of 2002 to 2012.\u003c\/p\u003e\n \n\u003cp\u003eArtist : Anthony Pateras\u003c\/p\u003e\n\u003cp\u003eLabel : Immediata\u003c\/p\u003e","published_at":"2022-02-21T15:12:28+09:00","created_at":"2022-02-21T14:18:48+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","Immediata","monooto"],"price":698000,"price_min":698000,"price_max":698000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42447862989050,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Anthony Pateras \/\/ Collected Works Vol. I (2002-2012) 5xCD","public_title":null,"options":["Default Title"],"price":698000,"weight":120,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/an1_8ebe0236-cc04-4b93-b6ec-098dcb936c30.jpg?v=1645420729"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/an1_8ebe0236-cc04-4b93-b6ec-098dcb936c30.jpg?v=1645420729","options":["Title"],"media":[{"alt":null,"id":29182635835642,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/an1_8ebe0236-cc04-4b93-b6ec-098dcb936c30.jpg?v=1645420729"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/an1_8ebe0236-cc04-4b93-b6ec-098dcb936c30.jpg?v=1645420729","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eオーストラリア・メルボルンのピアニストAnthony Paterasによる2002年-2012年までの作品をまとめたCD BOXです。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3821159685\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eDisc and track information:\u003c\/p\u003e\n\u003cp class=\"tralbumData tralbum-about\"\u003e\u003cstrong\u003eVOL 1 (Tracks 1-5):\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eA comprehensive overview of Pateras chamber and orchestra pieces written between 2009 and 2011. Features performances by Brett Dean, Richard Tognetti, Golden Fur, Early Warning System, Timothy Munro and the ANAM orchestra.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eVOL 2 (tracks 6-9):\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eReissue of 2007's Chasms, originally on Sirr, with the bonus track Delirioso, featuring 3 prepared pianos.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eVOL 3 (tracks 10-13):\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe centerpiece of the collection features an extended work for the Melbourne Town Hall Pipe Organ, the largest instrument of its kind in the southern hemisphere, played by the composer. Also features 3 brief studies in analogue synthesis and 1\/4 inch tape, made in Coburg.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eVOL 4 (tracks 14 \u0026amp; 15):\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eTwo live solo piano performances from the 2012 Sydney Festival, opening for Mondo Cane at the State Theatre.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eVOL 5 (tracks 16-33):\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003ePercussion works for soloists, sextet and 12-tet spanning the decade of 2002 to 2012.\u003c\/p\u003e\n \n\u003cp\u003eArtist : Anthony Pateras\u003c\/p\u003e\n\u003cp\u003eLabel : Immediata\u003c\/p\u003e"}
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オーストラリア・メルボルンのピアニストAnthony Paterasによる2002年-2012年までの作品をまとめたCD BOXです。 ---------------------------- Disc and track information: VOL 1 (Tracks 1-5):A comprehensive overview...
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{"id":7546542620922,"title":"Anthony Pateras \/\/ Collected Works Vol. II (2005-2018) 5xCD","handle":"anthony-pateras-collected-works-vol-ii-2005-2018-5xcd","description":"\u003cp\u003eオーストラリア・メルボルンのピアニストAnthony Paterasによる2005年-2018年までの作品をまとめたCD BOXです。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=378325525\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eImmediata:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eA 5-disc overview of exploratory works written between 2005 and 2018, including long-form ensemble pieces, idiosyncratic trio combinations and a collection of 10 solos investigating various potential interactions between instrument and tape.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMastered by Lachlan Carrick at Moose Mastering, with production generously supported by the Robert D. Bielecki Foundation.\"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003e*****************\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDisc and track information:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDISC 1 (tracks 1-5):\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e1. Jonathan Heilbron: contrabass\u003cbr data-mce-fragment=\"1\"\u003e2. Michael Kieran Harvey: piano\u003cbr data-mce-fragment=\"1\"\u003e3. Rebecca Lane: piccolo\u003cbr data-mce-fragment=\"1\"\u003e4. Samuel Dunscombe: clarinet\u003cbr data-mce-fragment=\"1\"\u003e5. Judith Hamann: cello\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAll recorded \u0026amp; mixed by Anthony Pateras at Akademie Schloss Solitude, Stuttgart, except Sphinx's Riddle, recorded at Church of All Nations, July 2017\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDISC 2 (tracks 6-7):\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e1. ensemble]h[iatus\u003cbr data-mce-fragment=\"1\"\u003e2. Kitchen Orchestra \u0026amp; Anthony Pateras\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAs Long As Breath or Bow recorded by Christophe Germanique, Ferme de Villefavard, July 2018. Mixed by Anthony Pateras, Akademie Schloss Solitude, Stuttgart, August 2018.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDecay of Logic recorded live by Håkon Holmås, Kulturkirken Jakob, Oslo, November 2017. Mixed by Anthony Pateras, Akademie Schloss Solitude, Stuttgart, June 2018.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDISC 3 (tracks 8-14):\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e8-12. Early Warning System\u003cbr data-mce-fragment=\"1\"\u003e13. Sakina Abdou \/ Vincent Debaets \/ Jean-Baptiste Rubin\u003cbr data-mce-fragment=\"1\"\u003e14. Julia Reidy \/ Bree Van Reyk \/ Anthony Pateras\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAll of Your Nightmares At Once recorded by Alex Donovan, Queensland Conservatorium, Brisbane, October 2016.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRecorded live at Glebe Justice Centre, November 2016 and mixed by Anthony Pateras, Sydney, December 2016\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThree mirrors recorded and mixed live by Peter Orins, La Malterie, Lille, October 2014\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDISC 4 (tracks 15-19):\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e15. Lina Andonovska\u003cbr data-mce-fragment=\"1\"\u003e16. Erkki Veltheim\u003cbr data-mce-fragment=\"1\"\u003e17. Anthony Pateras\u003cbr data-mce-fragment=\"1\"\u003e18. Anthony Pateras\/Vanessa Tomlinson\u003cbr data-mce-fragment=\"1\"\u003e19. Jessica Azsodi\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA Reality in Which Everything is Substitution recorded by Declan Kelly, ANAM, South Melbourne, December 2014.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRules of Extraction recorded by Lachlan Carrick, Church of All Nations, Melbourne, July 2016.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe Sound Sings The Speed recorded \u0026amp; mixed at Instants Chavirés \/ La Muse en Circuit, Paris, May 2015.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTamtam+ recorded by Matthew Sorensen, Ian Hangar Recital Hall, Brisbane, October 2016. Co-composed\/improvised with Vanessa Tomlinson.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePrayer For Nil recorded by Samuel Dunscombe, UCSD, January 2015.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAll mixed by Anthony Pateras, Berlin 2017.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDISC 5 (track 20-26)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e20. Australian Art Orchestra\u003cbr data-mce-fragment=\"1\"\u003e21. Le Grand Orchestre Muzzix\u003cbr data-mce-fragment=\"1\"\u003e22-26. Twitch\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOntetradecagon recorded by Jon O’Donnell, Melbourne Town Hall, May 2010, Artefacts of Translation recorded by Peter Orins \u0026amp; Anthony Pateras, La Rose des Vents, Villeneuve-d'Ascq, May 2015, Fragments, Splinters \u0026amp; Shards recorded at What Is Music? Festival, Horti Hall, Melbourne, March 2005\u003c\/p\u003e\n\u003cp\u003eArtist : Anthony Pateras\u003c\/p\u003e\n\u003cp\u003eLabel : Immediata\u003c\/p\u003e","published_at":"2022-02-21T15:10:00+09:00","created_at":"2022-02-21T14:15:12+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","contemporary \/ sound poetry","Immediata"],"price":698000,"price_min":698000,"price_max":698000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42447856369914,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Anthony Pateras \/\/ Collected Works Vol. II (2005-2018) 5xCD","public_title":null,"options":["Default Title"],"price":698000,"weight":180,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/pa_7e1e2134-bd44-43ee-8864-275e4258700d.jpg?v=1645420514"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa_7e1e2134-bd44-43ee-8864-275e4258700d.jpg?v=1645420514","options":["Title"],"media":[{"alt":null,"id":29182627709178,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa_7e1e2134-bd44-43ee-8864-275e4258700d.jpg?v=1645420514"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa_7e1e2134-bd44-43ee-8864-275e4258700d.jpg?v=1645420514","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリア・メルボルンのピアニストAnthony Paterasによる2005年-2018年までの作品をまとめたCD BOXです。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=378325525\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eImmediata:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eA 5-disc overview of exploratory works written between 2005 and 2018, including long-form ensemble pieces, idiosyncratic trio combinations and a collection of 10 solos investigating various potential interactions between instrument and tape.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMastered by Lachlan Carrick at Moose Mastering, with production generously supported by the Robert D. Bielecki Foundation.\"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003e*****************\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDisc and track information:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDISC 1 (tracks 1-5):\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e1. Jonathan Heilbron: contrabass\u003cbr data-mce-fragment=\"1\"\u003e2. Michael Kieran Harvey: piano\u003cbr data-mce-fragment=\"1\"\u003e3. Rebecca Lane: piccolo\u003cbr data-mce-fragment=\"1\"\u003e4. Samuel Dunscombe: clarinet\u003cbr data-mce-fragment=\"1\"\u003e5. Judith Hamann: cello\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAll recorded \u0026amp; mixed by Anthony Pateras at Akademie Schloss Solitude, Stuttgart, except Sphinx's Riddle, recorded at Church of All Nations, July 2017\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDISC 2 (tracks 6-7):\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e1. ensemble]h[iatus\u003cbr data-mce-fragment=\"1\"\u003e2. Kitchen Orchestra \u0026amp; Anthony Pateras\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAs Long As Breath or Bow recorded by Christophe Germanique, Ferme de Villefavard, July 2018. Mixed by Anthony Pateras, Akademie Schloss Solitude, Stuttgart, August 2018.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDecay of Logic recorded live by Håkon Holmås, Kulturkirken Jakob, Oslo, November 2017. Mixed by Anthony Pateras, Akademie Schloss Solitude, Stuttgart, June 2018.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDISC 3 (tracks 8-14):\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e8-12. Early Warning System\u003cbr data-mce-fragment=\"1\"\u003e13. Sakina Abdou \/ Vincent Debaets \/ Jean-Baptiste Rubin\u003cbr data-mce-fragment=\"1\"\u003e14. Julia Reidy \/ Bree Van Reyk \/ Anthony Pateras\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAll of Your Nightmares At Once recorded by Alex Donovan, Queensland Conservatorium, Brisbane, October 2016.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRecorded live at Glebe Justice Centre, November 2016 and mixed by Anthony Pateras, Sydney, December 2016\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThree mirrors recorded and mixed live by Peter Orins, La Malterie, Lille, October 2014\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDISC 4 (tracks 15-19):\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e15. Lina Andonovska\u003cbr data-mce-fragment=\"1\"\u003e16. Erkki Veltheim\u003cbr data-mce-fragment=\"1\"\u003e17. Anthony Pateras\u003cbr data-mce-fragment=\"1\"\u003e18. Anthony Pateras\/Vanessa Tomlinson\u003cbr data-mce-fragment=\"1\"\u003e19. Jessica Azsodi\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA Reality in Which Everything is Substitution recorded by Declan Kelly, ANAM, South Melbourne, December 2014.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRules of Extraction recorded by Lachlan Carrick, Church of All Nations, Melbourne, July 2016.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe Sound Sings The Speed recorded \u0026amp; mixed at Instants Chavirés \/ La Muse en Circuit, Paris, May 2015.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTamtam+ recorded by Matthew Sorensen, Ian Hangar Recital Hall, Brisbane, October 2016. Co-composed\/improvised with Vanessa Tomlinson.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePrayer For Nil recorded by Samuel Dunscombe, UCSD, January 2015.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAll mixed by Anthony Pateras, Berlin 2017.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDISC 5 (track 20-26)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e20. Australian Art Orchestra\u003cbr data-mce-fragment=\"1\"\u003e21. Le Grand Orchestre Muzzix\u003cbr data-mce-fragment=\"1\"\u003e22-26. Twitch\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOntetradecagon recorded by Jon O’Donnell, Melbourne Town Hall, May 2010, Artefacts of Translation recorded by Peter Orins \u0026amp; Anthony Pateras, La Rose des Vents, Villeneuve-d'Ascq, May 2015, Fragments, Splinters \u0026amp; Shards recorded at What Is Music? Festival, Horti Hall, Melbourne, March 2005\u003c\/p\u003e\n\u003cp\u003eArtist : Anthony Pateras\u003c\/p\u003e\n\u003cp\u003eLabel : Immediata\u003c\/p\u003e"}
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オーストラリア・メルボルンのピアニストAnthony Paterasによる2005年-2018年までの作品をまとめたCD BOXです。 -------------------------------- Immediata: "A 5-disc overview of exploratory works written between 2005...
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{"id":7542083420410,"title":"Asger Jorn \u0026 Jean Dubuffet \/\/ Musique phénoménale 2xCD","handle":"asger-jorn-jean-dubuffet-musique-phenomenale-2xcd","description":"\u003cp\u003eデンマークの美術家Asger Jornと、アールブリュット提唱者Jean Dubuffetが、1960-1961年に制作した楽曲のリイシューです。以下、レーベル解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e 600枚限定、2枚組CD、6面デジパック、スリップケース入り、12ページイラスト入りブックレット、アスガー・ヨーンによるフランス語と英語の注釈付き。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e「アスガー・ヨーンとジャン・デュビュッフェが1960年12月から1961年3月にかけてパリで録音した「Musique Phénomenale」は、1961年に10インチレコード4枚組のボックスとしてヴェネツィアのガレリア・デル・カバリーノから50部(+6部H.C)出版されました。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e発売から61年後、パリのデュビュッフェ財団の協力のもと、コペンハーゲンのTochnit Aleph \/ Edition Hans Pumpestokによって600枚が制作された。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e「このような極めて独立した経歴を持つアーティストと一緒に、自発的なオーケストレーションの形式を実行し、テストすることは不思議な感覚です。私たちは、本当に重要で意義深い出来事を体験しているように感じました。その重要性が、私たち自身の喜びよりも大きいかどうかはわかりません。しかし、この音楽が、それまで曖昧だった多くの考えを明らかにしたことは確かです。私たちの作品において、音楽はそれ自身の現象でありながら、他のすべての感覚的な現象と結びついているという意味で、私にとってこの音楽は一種の現象的な音楽であり続けています。(アスガー・ヨーン(ライナーノーツより)」。)\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eアスガー・ヨーン(1914-1973)は、デンマークの画家、彫刻家、陶芸家、作家であり、北欧で最も影響力があり国際的に認められた芸術家の一人である。前衛運動コブラとシチュアシオニスト・インターナショナルの創設メンバーでもある。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eジャン・デュビュッフェ(1901-1985)は、フランスの画家、彫刻家、リトグラフ家、作家。アール・ブリュット」(1945年に彼が発明した言葉)の主要な主人公の一人である。\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/EqbrUcaq_1c\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e --------------------------------\u003c\/p\u003e\n\u003cp\u003eArtist : Asger Jorn \u0026amp; Jean Dubuffet\u003c\/p\u003e\n\u003cp\u003eLabel : Tochnit Aleph\u003c\/p\u003e","published_at":"2022-02-17T14:59:19+09:00","created_at":"2022-02-15T19:25:05+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","monooto","Penultimate Press"],"price":368000,"price_min":368000,"price_max":368000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42429037281530,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Asger Jorn \u0026 Jean Dubuffet \/\/ Musique phénoménale 2xCD","public_title":null,"options":["Default Title"],"price":368000,"weight":180,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/jo1_c4604bbe-3c23-4a87-a54f-7d762fe98916.jpg?v=1644920707","\/\/tobirarecords.com\/cdn\/shop\/products\/jo2_74b71a4f-6b05-44f2-863b-b2d6665c040c.jpg?v=1644920707"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/jo1_c4604bbe-3c23-4a87-a54f-7d762fe98916.jpg?v=1644920707","options":["Title"],"media":[{"alt":null,"id":29155323642106,"position":1,"preview_image":{"aspect_ratio":1.157,"height":300,"width":347,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/jo1_c4604bbe-3c23-4a87-a54f-7d762fe98916.jpg?v=1644920707"},"aspect_ratio":1.157,"height":300,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/jo1_c4604bbe-3c23-4a87-a54f-7d762fe98916.jpg?v=1644920707","width":347},{"alt":null,"id":29155323674874,"position":2,"preview_image":{"aspect_ratio":1.12,"height":300,"width":336,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/jo2_74b71a4f-6b05-44f2-863b-b2d6665c040c.jpg?v=1644920707"},"aspect_ratio":1.12,"height":300,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/jo2_74b71a4f-6b05-44f2-863b-b2d6665c040c.jpg?v=1644920707","width":336}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eデンマークの美術家Asger Jornと、アールブリュット提唱者Jean Dubuffetが、1960-1961年に制作した楽曲のリイシューです。以下、レーベル解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e 600枚限定、2枚組CD、6面デジパック、スリップケース入り、12ページイラスト入りブックレット、アスガー・ヨーンによるフランス語と英語の注釈付き。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e「アスガー・ヨーンとジャン・デュビュッフェが1960年12月から1961年3月にかけてパリで録音した「Musique Phénomenale」は、1961年に10インチレコード4枚組のボックスとしてヴェネツィアのガレリア・デル・カバリーノから50部(+6部H.C)出版されました。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e発売から61年後、パリのデュビュッフェ財団の協力のもと、コペンハーゲンのTochnit Aleph \/ Edition Hans Pumpestokによって600枚が制作された。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e「このような極めて独立した経歴を持つアーティストと一緒に、自発的なオーケストレーションの形式を実行し、テストすることは不思議な感覚です。私たちは、本当に重要で意義深い出来事を体験しているように感じました。その重要性が、私たち自身の喜びよりも大きいかどうかはわかりません。しかし、この音楽が、それまで曖昧だった多くの考えを明らかにしたことは確かです。私たちの作品において、音楽はそれ自身の現象でありながら、他のすべての感覚的な現象と結びついているという意味で、私にとってこの音楽は一種の現象的な音楽であり続けています。(アスガー・ヨーン(ライナーノーツより)」。)\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eアスガー・ヨーン(1914-1973)は、デンマークの画家、彫刻家、陶芸家、作家であり、北欧で最も影響力があり国際的に認められた芸術家の一人である。前衛運動コブラとシチュアシオニスト・インターナショナルの創設メンバーでもある。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eジャン・デュビュッフェ(1901-1985)は、フランスの画家、彫刻家、リトグラフ家、作家。アール・ブリュット」(1945年に彼が発明した言葉)の主要な主人公の一人である。\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/EqbrUcaq_1c\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e --------------------------------\u003c\/p\u003e\n\u003cp\u003eArtist : Asger Jorn \u0026amp; Jean Dubuffet\u003c\/p\u003e\n\u003cp\u003eLabel : Tochnit Aleph\u003c\/p\u003e"}
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デンマークの美術家Asger Jornと、アールブリュット提唱者Jean Dubuffetが、1960-1961年に制作した楽曲のリイシューです。以下、レーベル解説です。 600枚限定、2枚組CD、6面デジパック、スリップケース入り、12ページイラスト入りブックレット、アスガー・ヨーンによるフランス語と英語の注釈付き。「アスガー・ヨーンとジャン・デュビュッフェが1960年12月から1961年3月にかけてパリで録音した「Musique Phénomenale」は、1961年に10インチレコード4枚組のボックスとしてヴェネツィアのガレリア・デル・カバリーノから50部(+6部H.C)出版されました。発売から61年後、パリのデュビュッフェ財団の協力のもと、コペンハーゲンのTochnit Aleph / Edition Hans Pumpestokによって600枚が制作された。「このような極めて独立した経歴を持つアーティストと一緒に、自発的なオーケストレーションの形式を実行し、テストすることは不思議な感覚です。私たちは、本当に重要で意義深い出来事を体験しているように感じました。その重要性が、私たち自身の喜びよりも大きいかどうかはわかりません。しかし、この音楽が、それまで曖昧だった多くの考えを明らかにしたことは確かです。私たちの作品において、音楽はそれ自身の現象でありながら、他のすべての感覚的な現象と結びついているという意味で、私にとってこの音楽は一種の現象的な音楽であり続けています。(アスガー・ヨーン(ライナーノーツより)」。)アスガー・ヨーン(1914-1973)は、デンマークの画家、彫刻家、陶芸家、作家であり、北欧で最も影響力があり国際的に認められた芸術家の一人である。前衛運動コブラとシチュアシオニスト・インターナショナルの創設メンバーでもある。ジャン・デュビュッフェ(1901-1985)は、フランスの画家、彫刻家、リトグラフ家、作家。アール・ブリュット」(1945年に彼が発明した言葉)の主要な主人公の一人である。 -------------------------------- Artist : Asger Jorn...
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{"id":7542081585402,"title":"Henning Christiansen \/\/ Op. 231 Der Mund spricht die Gedanken aus - Die Landschaft gibt ihren Klang \/ The Mouth expresses the Thoughts - The Landscape gives it Sound TAPE","handle":"henning-christiansen-op-231-der-mund-spricht-die-gedanken-aus-die-landschaft-gibt-ihren-klang-the-mouth-expresses-the-thoughts-the-landscape-gives-it-sound-tape","description":"\u003cp\u003e\u003cspan\u003eデンマークのフルクサス作家Henning Christiansen作品の再発レーベルHenning \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eChristiansen \u003c\/span\u003e\u003cspan\u003eArchiveからの最新カセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e本作では、2000年に行ったフィルムインスタレーションの内容を収録しています。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2246560562\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/pepr\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/pepr\"\u003ehere\u003c\/a\u003e to see more Penultimate Press releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eHenning Christiansen Archive:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003ePreviously unreleased work from a film installation at NORDEN, Kunsthalle Wien, Karlsplatz, Vienna, Austria, 2000\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis work focuses on the formation of Scandinavian language, following on from nature. The Swedish and Norwegian language resides in a higher tone, closer to singing whereas the Danish language is more flat, like having a herring in the mouth whilst speaking.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Henning Christiansen\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePenultimate Press\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-02-15T20:32:46+09:00","created_at":"2022-02-15T19:19:45+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","Penultimate Press","tape"],"price":198000,"price_min":198000,"price_max":198000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42429028040954,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Henning Christiansen \/\/ Op. 231 Der Mund spricht die Gedanken aus - Die Landschaft gibt ihren Klang \/ The Mouth expresses the Thoughts - The Landscape gives it Sound TAPE","public_title":null,"options":["Default Title"],"price":198000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/de1_25a3e0fe-2e01-44af-a939-5d9e0dc9b64f.jpg?v=1644920386","\/\/tobirarecords.com\/cdn\/shop\/products\/de2_b4a0aca6-f7a4-4fe2-86e3-27a9ad87b7ac.jpg?v=1644920386"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/de1_25a3e0fe-2e01-44af-a939-5d9e0dc9b64f.jpg?v=1644920386","options":["Title"],"media":[{"alt":null,"id":29155303915770,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/de1_25a3e0fe-2e01-44af-a939-5d9e0dc9b64f.jpg?v=1644920386"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/de1_25a3e0fe-2e01-44af-a939-5d9e0dc9b64f.jpg?v=1644920386","width":700},{"alt":null,"id":29155303948538,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/de2_b4a0aca6-f7a4-4fe2-86e3-27a9ad87b7ac.jpg?v=1644920386"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/de2_b4a0aca6-f7a4-4fe2-86e3-27a9ad87b7ac.jpg?v=1644920386","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eデンマークのフルクサス作家Henning Christiansen作品の再発レーベルHenning \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eChristiansen \u003c\/span\u003e\u003cspan\u003eArchiveからの最新カセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e本作では、2000年に行ったフィルムインスタレーションの内容を収録しています。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2246560562\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/pepr\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/pepr\"\u003ehere\u003c\/a\u003e to see more Penultimate Press releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eHenning Christiansen Archive:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003ePreviously unreleased work from a film installation at NORDEN, Kunsthalle Wien, Karlsplatz, Vienna, Austria, 2000\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis work focuses on the formation of Scandinavian language, following on from nature. 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デンマークのフルクサス作家Henning Christiansen作品の再発レーベルHenning Christiansen Archiveからの最新カセットです。 本作では、2000年に行ったフィルムインスタレーションの内容を収録しています。 レーベルその他作品はこちら /// Click here to see more Penultimate Press releases available at Tobira. ---------------------...
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{"id":7542070345978,"title":"Henning Christiansen \/\/ to look inside music 2xCD","handle":"henning-christiansen-to-look-inside-music-2xcd","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eデンマークのフルクサス作家Henning Christiansen作品の再発レーベル\u003cmeta charset=\"utf-8\"\u003eHenning \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eChristiansen \u003c\/span\u003e\u003cspan\u003eArchiveからの最新2枚組CDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e本作では、1963年から1988年に制作した様々なスタイルの作品を網羅しています。以下、レーベルによる解説です。\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e「このコレクションは、クリスチャンセンがある意味でコンサートホールをターゲットにした音楽を集めたものである。収録されているのはすべて未発表音源。これまで公開されてきたクリスチャンセンの録音は、劇音楽、サウンドトラック、アーティスト・パフォーマンスのための音楽、テープ音楽などに関連するものが大半を占めていた。今回は、まさに作曲家としてのクリスチャンセンが前面に出ている。彼の声は、その表現の幅が驚くほど広いにもかかわらず、常にそれとわかるものであり、そのアプローチは、従来のものから先鋭的なものまで多岐にわたっている。コンサートホールでの技術的な疑問は解決されたが、同時に彼は音楽における形式とジャンルの役割を問い続けている」。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1935508400\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/pepr\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/pepr\"\u003ehere\u003c\/a\u003e to see more Penultimate Press releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 500.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eComes in gatefold digipack with booklet and a new essay by Ben Harper.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eThe Henning Christiansen Archive:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe Henning Christiansen Archive is proud to present a collection of previously unreleased ‘classical works’ by Henning Christiansen, a large part of his oeuvre which has remained out of sight, until now. This 2CD compilation encompasses a variety of stylistic approaches written in the years from 1963 to 1988.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“This collection gathers music by Christiansen targeted on (in one sense or another) the concert hall. All the recordings presented here are previously unreleased. The majority of publicly available Christiansen recordings have focused on music related to dramatic works, soundtrack works, music made for and within artist performance and tape music. This time, Christiansen as composer is truly at the forefront. His voice is always recognisable even as his expressive range is surprisingly broad; his approach ranges from the conventional to the radical. Any niggling concert-hall questions about craft are settled, yet at the same time he continues to question the role of form and genre in music”. From the liner notes written by Ben Harper\"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Henning Christiansen\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePenultimate Press\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-02-15T20:23:22+09:00","created_at":"2022-02-15T19:10:21+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","Penultimate Press"],"price":328000,"price_min":328000,"price_max":328000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42428992880890,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Henning Christiansen \/\/ to look inside music 2xCD","public_title":null,"options":["Default Title"],"price":328000,"weight":180,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/mu1_564ed24d-45c9-4b11-9ac8-e17b1c86d1e1.jpg?v=1644919823","\/\/tobirarecords.com\/cdn\/shop\/products\/mu2_d091785b-652f-44ba-9886-ad60ad863c68.jpg?v=1644919824"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/mu1_564ed24d-45c9-4b11-9ac8-e17b1c86d1e1.jpg?v=1644919823","options":["Title"],"media":[{"alt":null,"id":29155276194042,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mu1_564ed24d-45c9-4b11-9ac8-e17b1c86d1e1.jpg?v=1644919823"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mu1_564ed24d-45c9-4b11-9ac8-e17b1c86d1e1.jpg?v=1644919823","width":700},{"alt":null,"id":29155276226810,"position":2,"preview_image":{"aspect_ratio":1.12,"height":1071,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mu2_d091785b-652f-44ba-9886-ad60ad863c68.jpg?v=1644919824"},"aspect_ratio":1.12,"height":1071,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mu2_d091785b-652f-44ba-9886-ad60ad863c68.jpg?v=1644919824","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eデンマークのフルクサス作家Henning Christiansen作品の再発レーベル\u003cmeta charset=\"utf-8\"\u003eHenning \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eChristiansen \u003c\/span\u003e\u003cspan\u003eArchiveからの最新2枚組CDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e本作では、1963年から1988年に制作した様々なスタイルの作品を網羅しています。以下、レーベルによる解説です。\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e「このコレクションは、クリスチャンセンがある意味でコンサートホールをターゲットにした音楽を集めたものである。収録されているのはすべて未発表音源。これまで公開されてきたクリスチャンセンの録音は、劇音楽、サウンドトラック、アーティスト・パフォーマンスのための音楽、テープ音楽などに関連するものが大半を占めていた。今回は、まさに作曲家としてのクリスチャンセンが前面に出ている。彼の声は、その表現の幅が驚くほど広いにもかかわらず、常にそれとわかるものであり、そのアプローチは、従来のものから先鋭的なものまで多岐にわたっている。コンサートホールでの技術的な疑問は解決されたが、同時に彼は音楽における形式とジャンルの役割を問い続けている」。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1935508400\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/pepr\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/pepr\"\u003ehere\u003c\/a\u003e to see more Penultimate Press releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 500.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eComes in gatefold digipack with booklet and a new essay by Ben Harper.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eThe Henning Christiansen Archive:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe Henning Christiansen Archive is proud to present a collection of previously unreleased ‘classical works’ by Henning Christiansen, a large part of his oeuvre which has remained out of sight, until now. This 2CD compilation encompasses a variety of stylistic approaches written in the years from 1963 to 1988.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“This collection gathers music by Christiansen targeted on (in one sense or another) the concert hall. All the recordings presented here are previously unreleased. The majority of publicly available Christiansen recordings have focused on music related to dramatic works, soundtrack works, music made for and within artist performance and tape music. This time, Christiansen as composer is truly at the forefront. His voice is always recognisable even as his expressive range is surprisingly broad; his approach ranges from the conventional to the radical. Any niggling concert-hall questions about craft are settled, yet at the same time he continues to question the role of form and genre in music”. From the liner notes written by Ben Harper\"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Henning Christiansen\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePenultimate Press\u003c\/span\u003e\u003c\/p\u003e"}
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デンマークのフルクサス作家Henning Christiansen作品の再発レーベルHenning Christiansen Archiveからの最新2枚組CDです。 本作では、1963年から1988年に制作した様々なスタイルの作品を網羅しています。以下、レーベルによる解説です。「このコレクションは、クリスチャンセンがある意味でコンサートホールをターゲットにした音楽を集めたものである。収録されているのはすべて未発表音源。これまで公開されてきたクリスチャンセンの録音は、劇音楽、サウンドトラック、アーティスト・パフォーマンスのための音楽、テープ音楽などに関連するものが大半を占めていた。今回は、まさに作曲家としてのクリスチャンセンが前面に出ている。彼の声は、その表現の幅が驚くほど広いにもかかわらず、常にそれとわかるものであり、そのアプローチは、従来のものから先鋭的なものまで多岐にわたっている。コンサートホールでの技術的な疑問は解決されたが、同時に彼は音楽における形式とジャンルの役割を問い続けている」。 レーベルその他作品はこちら /// Click here to see more Penultimate Press releases available at Tobira. ---------------------...
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{"id":7542066282746,"title":"Henning Christiansen \/\/ Op.1984 (160C) Goodday, Mr Orwell, Green Ear-Year CD","handle":"henning-christiansen-op-1984-160c-goodday-mr-orwell-green-ear-year-cd","description":"\u003cp\u003e\u003cspan\u003eデンマークのフルクサス作家Henning Christiansen作品の再発レーベル\u003cmeta charset=\"utf-8\"\u003eHenning \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eChristiansen \u003c\/span\u003e\u003cspan\u003eArchiveからの最新CDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e本作では、1984年に制作した未発表音源を収録しています。以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eジョージ・オーウェルへ捧げた作品です。1977年、ヘニングはソビエト連邦を訪問し、反スターリン主義者になった。トロツキストでありながら、アメリカを訪れた際、メディアやジャーナリストを通して、ソ連と同じようにアメリカを監視し、大衆を操るビッグブラザーを目の当たりにした。ヘニングはこの年、メディアや政治家ではなく、自然の声に耳を傾けようと、自分の耳を緑色に塗った。1984年、緑色の耳の年に、長男のエスベンとともにMøn Musikfestivalに出演しました。エスベンはロックミュージシャンとして地元の有名人でした。この演奏に出会った人々は、Esbenが有名なロック音楽を演奏していないことに非常に腹を立て、演奏中、火をつけたり、私たち信頼できるデュオに怒鳴ったりしていました。しかし、ヘニングとエスベンは最後まで演奏を続けた。エスベンはこれが最後の演奏となり、これ以後ロックを演奏することも、演奏することもなかった。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこのラジオ曲は、MønのChristiansen家の農場と、Mønの地元で録音されたものです。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=837939907\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/pepr\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/pepr\"\u003ehere\u003c\/a\u003e to see more Penultimate Press releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 500.\u003c\/p\u003e\n\u003cp\u003eText by the Henning Christiansen Archive:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003ePreviously unreleased Henning Christiansen work from 1984. A dedication to George Orwell. Someone he was very fond of. In 1977 Henning visited the USSR only to become a staunch anti Stalinist. A pro Trotskyite who, when visiting the USA, also saw Big Brother watching the US in the same way in the USSR through media and the journalists that worked for each side to manipulate the masses. Henning painted his ear green that year because he wanted to listen to nature and not the media and politicians. Performed at the Møn Musikfestival in the green ear year, 1984 with his first son, Esben, a local celebrity for his work in rock music. Encountering this performance people were very upset that Esben was not playing the rock music he was known for resulting in them setting fires and yelling at our trusty duo throughout the performance. Henning and Esben continued until the end. This was the last performance Esben did, he never played rock music or performed again after this.\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe radio piece here was recorded on the Christiansen family farm on Møn and the also the local surroundings on Møn.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Henning Christiansen\u003c\/p\u003e\n\u003cp\u003eLabel :\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e Penultimate Press\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-02-15T20:28:23+09:00","created_at":"2022-02-15T19:07:27+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","Penultimate Press","The Henning Christiansen Archive"],"price":198000,"price_min":198000,"price_max":198000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42428984885498,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Henning Christiansen \/\/ Op.1984 (160C) Goodday, Mr Orwell, Green Ear-Year CD","public_title":null,"options":["Default Title"],"price":198000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/go1_57aed1da-e024-44cc-9967-fddd0c52a4d6.jpg?v=1644919649"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/go1_57aed1da-e024-44cc-9967-fddd0c52a4d6.jpg?v=1644919649","options":["Title"],"media":[{"alt":null,"id":29155266658554,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/go1_57aed1da-e024-44cc-9967-fddd0c52a4d6.jpg?v=1644919649"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/go1_57aed1da-e024-44cc-9967-fddd0c52a4d6.jpg?v=1644919649","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eデンマークのフルクサス作家Henning Christiansen作品の再発レーベル\u003cmeta charset=\"utf-8\"\u003eHenning \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eChristiansen \u003c\/span\u003e\u003cspan\u003eArchiveからの最新CDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e本作では、1984年に制作した未発表音源を収録しています。以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eジョージ・オーウェルへ捧げた作品です。1977年、ヘニングはソビエト連邦を訪問し、反スターリン主義者になった。トロツキストでありながら、アメリカを訪れた際、メディアやジャーナリストを通して、ソ連と同じようにアメリカを監視し、大衆を操るビッグブラザーを目の当たりにした。ヘニングはこの年、メディアや政治家ではなく、自然の声に耳を傾けようと、自分の耳を緑色に塗った。1984年、緑色の耳の年に、長男のエスベンとともにMøn Musikfestivalに出演しました。エスベンはロックミュージシャンとして地元の有名人でした。この演奏に出会った人々は、Esbenが有名なロック音楽を演奏していないことに非常に腹を立て、演奏中、火をつけたり、私たち信頼できるデュオに怒鳴ったりしていました。しかし、ヘニングとエスベンは最後まで演奏を続けた。エスベンはこれが最後の演奏となり、これ以後ロックを演奏することも、演奏することもなかった。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこのラジオ曲は、MønのChristiansen家の農場と、Mønの地元で録音されたものです。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=837939907\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/pepr\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/pepr\"\u003ehere\u003c\/a\u003e to see more Penultimate Press releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 500.\u003c\/p\u003e\n\u003cp\u003eText by the Henning Christiansen Archive:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003ePreviously unreleased Henning Christiansen work from 1984. A dedication to George Orwell. Someone he was very fond of. In 1977 Henning visited the USSR only to become a staunch anti Stalinist. A pro Trotskyite who, when visiting the USA, also saw Big Brother watching the US in the same way in the USSR through media and the journalists that worked for each side to manipulate the masses. Henning painted his ear green that year because he wanted to listen to nature and not the media and politicians. Performed at the Møn Musikfestival in the green ear year, 1984 with his first son, Esben, a local celebrity for his work in rock music. Encountering this performance people were very upset that Esben was not playing the rock music he was known for resulting in them setting fires and yelling at our trusty duo throughout the performance. Henning and Esben continued until the end. This was the last performance Esben did, he never played rock music or performed again after this.\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe radio piece here was recorded on the Christiansen family farm on Møn and the also the local surroundings on Møn.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Henning Christiansen\u003c\/p\u003e\n\u003cp\u003eLabel :\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e Penultimate Press\u003c\/span\u003e\u003c\/p\u003e"}
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デンマークのフルクサス作家Henning Christiansen作品の再発レーベルHenning Christiansen Archiveからの最新CDです。 本作では、1984年に制作した未発表音源を収録しています。以下、レーベルによる解説です。 ジョージ・オーウェルへ捧げた作品です。1977年、ヘニングはソビエト連邦を訪問し、反スターリン主義者になった。トロツキストでありながら、アメリカを訪れた際、メディアやジャーナリストを通して、ソ連と同じようにアメリカを監視し、大衆を操るビッグブラザーを目の当たりにした。ヘニングはこの年、メディアや政治家ではなく、自然の声に耳を傾けようと、自分の耳を緑色に塗った。1984年、緑色の耳の年に、長男のエスベンとともにMøn Musikfestivalに出演しました。エスベンはロックミュージシャンとして地元の有名人でした。この演奏に出会った人々は、Esbenが有名なロック音楽を演奏していないことに非常に腹を立て、演奏中、火をつけたり、私たち信頼できるデュオに怒鳴ったりしていました。しかし、ヘニングとエスベンは最後まで演奏を続けた。エスベンはこれが最後の演奏となり、これ以後ロックを演奏することも、演奏することもなかった。このラジオ曲は、MønのChristiansen家の農場と、Mønの地元で録音されたものです。 レーベルその他作品はこちら /// Click here to see more Penultimate Press releases available at...
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{"id":7536359178490,"title":"Martina Verhoeven \/\/ Gratitude BOOK + CD","handle":"martina-verhoeven-gratitude-book-cd","description":"\u003cp\u003eベルギーのピアニストMartina Verhoevenが、2018年にリリースしたCD+60ページのハードカバー写真集です。コンテンポラリー作品です。 \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2017026937\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eSilentesその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/silentes\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/silentes\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/silentes\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/silentes\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eSilentes releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 300.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eComposed, performed \u0026amp; arranged by Martina Verhoeven.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecorded \u0026amp; mixed at the Sunny Side Inc. studio, Anderlecht (Belgium) on march 17th 2018\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMastered by Dirk Serries\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Martina Verhoeven\u003c\/p\u003e\n\u003cp\u003eLabel : Silentes\u003c\/p\u003e","published_at":"2022-02-11T14:48:27+09:00","created_at":"2022-02-09T13:48:33+09:00","vendor":"Tobira Records","type":"","tags":["books \/ clothing \/ others","cd","contemporary \/ sound poetry","neo classical"],"price":348000,"price_min":348000,"price_max":348000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42407516602618,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Martina Verhoeven \/\/ Gratitude BOOK + CD","public_title":null,"options":["Default Title"],"price":348000,"weight":400,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/gr_5fc9b40a-d7b0-40ca-8609-16af0de67668.jpg?v=1644382116","\/\/tobirarecords.com\/cdn\/shop\/products\/gr2_a9287a5c-04d5-4626-b07d-8aea75d9e2d9.jpg?v=1644382116","\/\/tobirarecords.com\/cdn\/shop\/products\/gr3_a551e85d-2e5f-4904-92f7-c879f9e60141.jpg?v=1644382117","\/\/tobirarecords.com\/cdn\/shop\/products\/gr4_5b856788-fa29-4df7-8994-a91af995d8b0.jpg?v=1644382116","\/\/tobirarecords.com\/cdn\/shop\/products\/gr5.jpg?v=1644382116","\/\/tobirarecords.com\/cdn\/shop\/products\/gr6.jpg?v=1644382116"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/gr_5fc9b40a-d7b0-40ca-8609-16af0de67668.jpg?v=1644382116","options":["Title"],"media":[{"alt":null,"id":29127715881210,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/gr_5fc9b40a-d7b0-40ca-8609-16af0de67668.jpg?v=1644382116"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/gr_5fc9b40a-d7b0-40ca-8609-16af0de67668.jpg?v=1644382116","width":700},{"alt":null,"id":29127715913978,"position":2,"preview_image":{"aspect_ratio":1.327,"height":904,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/gr2_a9287a5c-04d5-4626-b07d-8aea75d9e2d9.jpg?v=1644382116"},"aspect_ratio":1.327,"height":904,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/gr2_a9287a5c-04d5-4626-b07d-8aea75d9e2d9.jpg?v=1644382116","width":1200},{"alt":null,"id":29127715946746,"position":3,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/gr3_a551e85d-2e5f-4904-92f7-c879f9e60141.jpg?v=1644382117"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/gr3_a551e85d-2e5f-4904-92f7-c879f9e60141.jpg?v=1644382117","width":1200},{"alt":null,"id":29127715979514,"position":4,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/gr4_5b856788-fa29-4df7-8994-a91af995d8b0.jpg?v=1644382116"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/gr4_5b856788-fa29-4df7-8994-a91af995d8b0.jpg?v=1644382116","width":1200},{"alt":null,"id":29127716012282,"position":5,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/gr5.jpg?v=1644382116"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/gr5.jpg?v=1644382116","width":1200},{"alt":null,"id":29127716045050,"position":6,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/gr6.jpg?v=1644382116"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/gr6.jpg?v=1644382116","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eベルギーのピアニストMartina Verhoevenが、2018年にリリースしたCD+60ページのハードカバー写真集です。コンテンポラリー作品です。 \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2017026937\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eSilentesその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/silentes\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/silentes\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/silentes\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/silentes\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eSilentes releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 300.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eComposed, performed \u0026amp; arranged by Martina Verhoeven.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecorded \u0026amp; mixed at the Sunny Side Inc. studio, Anderlecht (Belgium) on march 17th 2018\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMastered by Dirk Serries\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Martina Verhoeven\u003c\/p\u003e\n\u003cp\u003eLabel : Silentes\u003c\/p\u003e"}
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{"id":7533854130426,"title":"Delphine Dora \/\/ L'inattingible LP","handle":"dedol","description":"\u003cp\u003eフランス・パリの即興演者/作曲家Delphine Doraが、2020年にリリースしたレコードです。様々な演者とコラボレーションしたドローンポップ〜ジャズドローン21曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eL'Inattingibleで、デルフィーヌ・ドラの音楽は新しい色彩のパレットを駆使して展開される。これまで外国語で、あるいは拡張された発声法で歌ってきた音楽家が、初めてフランス語だけを使うようになったこと、他の作家のテキストや詩をしばしば音楽にしてきた彼女が、ここでは自分のテキストや断片を歌うことを自認していることは、誰の目にも明らかであろう。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eしかし、こうした形式的な充実だけでなく、『L'Inattingible』で展開された新しい音楽的野心は、このレコードの構造そのものに見出すことができる。前作が即興や自然発生的な作曲によって構想されたとすれば、新作は長い時間をかけて照合、書き直し、さまざまな変形を経て、決定的な姿になったのである。さらに、作曲の過程では、テキスト、音、楽器の複雑なモンタージュが行われるようになった。キーボードがレコードの消えない肺であるならば、デルフィーヌの歌声に出会い、それが豊かな楽器編成に反響することはもはや珍しいことではない\u003c\/em\u003e\u003cem\u003e。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e彼女の音楽の新たな魅力は、アルバムに散りばめられた多くの参加者が、作品に独特の色合いを与えていることにあるようだ。管楽器、弦楽器、電子楽器、多数の鍵盤楽器、珍しい楽器、あらゆる種類の不調和な音など、作品ごとに異なる編成の30以上の楽器を聴くことができます。その中には、アビー・ヴリアミーのヴィオラ、アコーディオン、ミュージカル・ソー(Nalle、The One Ensemble.... )、アダム・カデルのヴァイオリン、スーザン・マシューズのハルモニウム、タラリー・ピーターソンのサックス(Spires That In The Sunset Rise)、ル・フルーツ・ヴェールのアナログシンセサイザー、ヴァレリー・ルクレックのパーカッションとフルート(Half Asleep)などがある。パウロ・シャガスのオーボエとクラリネット、ラウラ・ナウッカリネン(ラウ・ナウ)、ケイティ・シェイファー(オルデン・ヨーク)、ジャッキー・マクダウェルの声、トム・ジェームス・スコットの幽玄なピアノ、シルヴィア・ハレットの自転車の車輪やハーディガーディ、ゲイリー・ブロガンの彫刻的な音(Pefkin)などが登場する。つまり、2000年代以降、フォークやサイケデリック音楽、即興音楽や実験音楽の分野からインスピレーションを得て、音の領域を拡大し、実験を続けてきたミュージシャンの集団である。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこのレコードは、これらの異なる参加者の存在によってのみ実現されたことを強調しなければならない。ちなみに、このアルバムの強さのすべては、この \"inattingible \"を形づくるパラドックスにある。それは、存在と不在の間で絶えず流動する一連の行為によってのみ自己主張するように見えるため、いっそう捉えどころがない。常に互いに擦れ合うこれらの音体は,聴きながら,私たちにとって身近でありながら異質でもある「もう一つの」空間の輪郭をなぞるようになる.このように、このアルバムの制作には多くのミュージシャンが参加していることが示唆するのとは逆に、このアルバムは不在のものを聴かせる能力を常に更新することにそのエネルギーを見出すことができる。この不在は確かに演奏されるのではなく、存在として、私たちの知覚の端に位置し、予測できない可能性に満ちた「horizon inconnu」(未知の地平線)のようなものとして作用するのである。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eデルフィーヌは \"Loin\"(Far)という作品において、「私たちの前に現れたことのないものをどう表現したらいいのか」と自問している。もちろん、この問いに明確な答えはない。おそらくは、「不可解なもの」の入り口にいるからこそ、より魅力的な他の生命体を垣間見ることができる「埋もれた感覚」を、音楽家とリスナーの誰もが掘り起こすことを要求する、「なる過程」にある集団への確信だけだろう。\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=422356376\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003ethree:four records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWith L’Inattingible, Delphine Dora’s music unfolds by drawing upon a new palette of colors. It will not escape anyone, that after having sung, in foreign, invented languages, or through extended vocal techniques, the musician resorts for the first time, to solely using the French language; and that after having often set texts and poems by other authors to music, she authorizes herself here to sing her own texts and fragments.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBut beyond these formal enrichments, the new musical ambitions developed through L'Inattingible are to be found in the very fabric of the record. If the previous albums had been conceived through improvisations or spontaneous compositions, the new pieces have found their definitive incarnations through a lengthy process of collation, rewriting, and a multitude of transformations. Moreover, the composition process now involves a complex montage of texts, sounds and instruments. If the keyboard remains the inextinguishable lung of the record, it is no longer rare to come upon Delphine's sung lines and have them echo into a lush instrumentation - where in voices and instruments create a language, and develop dialogues that have never been heard before.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe new charm of her music seems to lie in the many\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e participations that punctuate the album, giving her pieces their very particular colourations. We can hear no less than thirty instruments with configurations that differ from one piece to another: wind and string instruments, electronic instruments, a multitude of keyboard sounds, unusual instruments and all kinds of incongruous sonorities. Among them are Aby Vulliamy’s viola, accordion and musical saw (Nalle, The One Ensemble...), Adam Cadell’s violin, Susan Matthews’ harmonium, Taralie Peterson’s saxophone (Spires That In The Sunset Rise), Le Fruit Vert’s analog synthesizers, Valérie Leclercq’s percussion and flute (Half Asleep), Paulo Chagas' oboe and clarinet, the voices of Laura Naukkkarinen (Lau Nau), Caity Shaffer (Olden Yolk) and Jackie McDowell, Tom James Scott's ghostly piano, Sylvia Hallett's bicycle wheel or hurdy-gurdy, or Gayle Brogan's sculpted sounds (Pefkin). That is: a constellation of musicians who have never ceased to expand their sonic territories, experimenting throughout the years since the 2000s, drawing inspiration from folk or psychedelic music as well as from the field of improvised or experimental music.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt must be highlighted, the extent to which this record could only come into being through the presence of these different participants. Incidentally, all of its strength lies in a paradox that gives shape to this \"inattingible”, which is all the more elusive because it seems to only assert itself only through a series of actions engaged in a continual flux between presence and absence. Constantly brushing against each other, these sound bodies come to trace, as we listen, the contours of an \"other\" space that is both familiar and foreign to us. Thus, and contrary to what might be suggested by the participation of such a large number of musicians in the elaboration of the album, it finds its energy in this constantly renewed capacity to make the absent heard. This absence is certainly not played, but acts as a presence, a kind of “horizon inconnu” (unknown horizon) situated at the edge of our perception, abounding in unpredictable potentialities.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"How to describe what has never appeared to us,\" Delphine asks herself on the piece entitled \"Loin\" (Far). There is, of course, no definitive answer to this question. Perhaps only the belief in a collective that is in the process of becoming, that, through the forms of engagement requires that everyone (musicians and listeners) unearths all of the “sensations enfouies” (buried sensations) that allow us to catch a glimpse of other forms of life that are all the more fascinating, because they remain on the threshold of the “l’inexplicable\".\u003c\/span\u003e \"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Delphine Dora\u003c\/p\u003e\n\u003cp\u003eLabel : three:four records\u003c\/p\u003e","published_at":"2022-02-10T08:05:27+09:00","created_at":"2022-02-06T14:51:24+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","drone","folk \/ left-field pop","jazz","lp","neo classical"],"price":318000,"price_min":318000,"price_max":318000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42398001135866,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Delphine Dora \/\/ L'inattingible LP","public_title":null,"options":["Default Title"],"price":318000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/li1_16b90855-892b-438b-9ca5-2e5a21ba4f50.jpg?v=1644126686","\/\/tobirarecords.com\/cdn\/shop\/products\/li2_a85fa680-1978-499e-a6ad-9154234305d0.jpg?v=1644126686"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/li1_16b90855-892b-438b-9ca5-2e5a21ba4f50.jpg?v=1644126686","options":["Title"],"media":[{"alt":null,"id":29113180291322,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/li1_16b90855-892b-438b-9ca5-2e5a21ba4f50.jpg?v=1644126686"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/li1_16b90855-892b-438b-9ca5-2e5a21ba4f50.jpg?v=1644126686","width":700},{"alt":null,"id":29113180324090,"position":2,"preview_image":{"aspect_ratio":0.981,"height":1200,"width":1177,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/li2_a85fa680-1978-499e-a6ad-9154234305d0.jpg?v=1644126686"},"aspect_ratio":0.981,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/li2_a85fa680-1978-499e-a6ad-9154234305d0.jpg?v=1644126686","width":1177}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランス・パリの即興演者/作曲家Delphine Doraが、2020年にリリースしたレコードです。様々な演者とコラボレーションしたドローンポップ〜ジャズドローン21曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eL'Inattingibleで、デルフィーヌ・ドラの音楽は新しい色彩のパレットを駆使して展開される。これまで外国語で、あるいは拡張された発声法で歌ってきた音楽家が、初めてフランス語だけを使うようになったこと、他の作家のテキストや詩をしばしば音楽にしてきた彼女が、ここでは自分のテキストや断片を歌うことを自認していることは、誰の目にも明らかであろう。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eしかし、こうした形式的な充実だけでなく、『L'Inattingible』で展開された新しい音楽的野心は、このレコードの構造そのものに見出すことができる。前作が即興や自然発生的な作曲によって構想されたとすれば、新作は長い時間をかけて照合、書き直し、さまざまな変形を経て、決定的な姿になったのである。さらに、作曲の過程では、テキスト、音、楽器の複雑なモンタージュが行われるようになった。キーボードがレコードの消えない肺であるならば、デルフィーヌの歌声に出会い、それが豊かな楽器編成に反響することはもはや珍しいことではない\u003c\/em\u003e\u003cem\u003e。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e彼女の音楽の新たな魅力は、アルバムに散りばめられた多くの参加者が、作品に独特の色合いを与えていることにあるようだ。管楽器、弦楽器、電子楽器、多数の鍵盤楽器、珍しい楽器、あらゆる種類の不調和な音など、作品ごとに異なる編成の30以上の楽器を聴くことができます。その中には、アビー・ヴリアミーのヴィオラ、アコーディオン、ミュージカル・ソー(Nalle、The One Ensemble.... )、アダム・カデルのヴァイオリン、スーザン・マシューズのハルモニウム、タラリー・ピーターソンのサックス(Spires That In The Sunset Rise)、ル・フルーツ・ヴェールのアナログシンセサイザー、ヴァレリー・ルクレックのパーカッションとフルート(Half Asleep)などがある。パウロ・シャガスのオーボエとクラリネット、ラウラ・ナウッカリネン(ラウ・ナウ)、ケイティ・シェイファー(オルデン・ヨーク)、ジャッキー・マクダウェルの声、トム・ジェームス・スコットの幽玄なピアノ、シルヴィア・ハレットの自転車の車輪やハーディガーディ、ゲイリー・ブロガンの彫刻的な音(Pefkin)などが登場する。つまり、2000年代以降、フォークやサイケデリック音楽、即興音楽や実験音楽の分野からインスピレーションを得て、音の領域を拡大し、実験を続けてきたミュージシャンの集団である。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこのレコードは、これらの異なる参加者の存在によってのみ実現されたことを強調しなければならない。ちなみに、このアルバムの強さのすべては、この \"inattingible \"を形づくるパラドックスにある。それは、存在と不在の間で絶えず流動する一連の行為によってのみ自己主張するように見えるため、いっそう捉えどころがない。常に互いに擦れ合うこれらの音体は,聴きながら,私たちにとって身近でありながら異質でもある「もう一つの」空間の輪郭をなぞるようになる.このように、このアルバムの制作には多くのミュージシャンが参加していることが示唆するのとは逆に、このアルバムは不在のものを聴かせる能力を常に更新することにそのエネルギーを見出すことができる。この不在は確かに演奏されるのではなく、存在として、私たちの知覚の端に位置し、予測できない可能性に満ちた「horizon inconnu」(未知の地平線)のようなものとして作用するのである。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eデルフィーヌは \"Loin\"(Far)という作品において、「私たちの前に現れたことのないものをどう表現したらいいのか」と自問している。もちろん、この問いに明確な答えはない。おそらくは、「不可解なもの」の入り口にいるからこそ、より魅力的な他の生命体を垣間見ることができる「埋もれた感覚」を、音楽家とリスナーの誰もが掘り起こすことを要求する、「なる過程」にある集団への確信だけだろう。\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=422356376\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003ethree:four records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWith L’Inattingible, Delphine Dora’s music unfolds by drawing upon a new palette of colors. It will not escape anyone, that after having sung, in foreign, invented languages, or through extended vocal techniques, the musician resorts for the first time, to solely using the French language; and that after having often set texts and poems by other authors to music, she authorizes herself here to sing her own texts and fragments.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBut beyond these formal enrichments, the new musical ambitions developed through L'Inattingible are to be found in the very fabric of the record. If the previous albums had been conceived through improvisations or spontaneous compositions, the new pieces have found their definitive incarnations through a lengthy process of collation, rewriting, and a multitude of transformations. Moreover, the composition process now involves a complex montage of texts, sounds and instruments. If the keyboard remains the inextinguishable lung of the record, it is no longer rare to come upon Delphine's sung lines and have them echo into a lush instrumentation - where in voices and instruments create a language, and develop dialogues that have never been heard before.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe new charm of her music seems to lie in the many\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e participations that punctuate the album, giving her pieces their very particular colourations. We can hear no less than thirty instruments with configurations that differ from one piece to another: wind and string instruments, electronic instruments, a multitude of keyboard sounds, unusual instruments and all kinds of incongruous sonorities. Among them are Aby Vulliamy’s viola, accordion and musical saw (Nalle, The One Ensemble...), Adam Cadell’s violin, Susan Matthews’ harmonium, Taralie Peterson’s saxophone (Spires That In The Sunset Rise), Le Fruit Vert’s analog synthesizers, Valérie Leclercq’s percussion and flute (Half Asleep), Paulo Chagas' oboe and clarinet, the voices of Laura Naukkkarinen (Lau Nau), Caity Shaffer (Olden Yolk) and Jackie McDowell, Tom James Scott's ghostly piano, Sylvia Hallett's bicycle wheel or hurdy-gurdy, or Gayle Brogan's sculpted sounds (Pefkin). That is: a constellation of musicians who have never ceased to expand their sonic territories, experimenting throughout the years since the 2000s, drawing inspiration from folk or psychedelic music as well as from the field of improvised or experimental music.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt must be highlighted, the extent to which this record could only come into being through the presence of these different participants. Incidentally, all of its strength lies in a paradox that gives shape to this \"inattingible”, which is all the more elusive because it seems to only assert itself only through a series of actions engaged in a continual flux between presence and absence. Constantly brushing against each other, these sound bodies come to trace, as we listen, the contours of an \"other\" space that is both familiar and foreign to us. Thus, and contrary to what might be suggested by the participation of such a large number of musicians in the elaboration of the album, it finds its energy in this constantly renewed capacity to make the absent heard. This absence is certainly not played, but acts as a presence, a kind of “horizon inconnu” (unknown horizon) situated at the edge of our perception, abounding in unpredictable potentialities.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"How to describe what has never appeared to us,\" Delphine asks herself on the piece entitled \"Loin\" (Far). There is, of course, no definitive answer to this question. Perhaps only the belief in a collective that is in the process of becoming, that, through the forms of engagement requires that everyone (musicians and listeners) unearths all of the “sensations enfouies” (buried sensations) that allow us to catch a glimpse of other forms of life that are all the more fascinating, because they remain on the threshold of the “l’inexplicable\".\u003c\/span\u003e \"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Delphine Dora\u003c\/p\u003e\n\u003cp\u003eLabel : three:four records\u003c\/p\u003e"}
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フランス・パリの即興演者/作曲家Delphine Doraが、2020年にリリースしたレコードです。様々な演者とコラボレーションしたドローンポップ〜ジャズドローン21曲を収録。 以下、レーベルによる解説です。 L'Inattingibleで、デルフィーヌ・ドラの音楽は新しい色彩のパレットを駆使して展開される。これまで外国語で、あるいは拡張された発声法で歌ってきた音楽家が、初めてフランス語だけを使うようになったこと、他の作家のテキストや詩をしばしば音楽にしてきた彼女が、ここでは自分のテキストや断片を歌うことを自認していることは、誰の目にも明らかであろう。しかし、こうした形式的な充実だけでなく、『L'Inattingible』で展開された新しい音楽的野心は、このレコードの構造そのものに見出すことができる。前作が即興や自然発生的な作曲によって構想されたとすれば、新作は長い時間をかけて照合、書き直し、さまざまな変形を経て、決定的な姿になったのである。さらに、作曲の過程では、テキスト、音、楽器の複雑なモンタージュが行われるようになった。キーボードがレコードの消えない肺であるならば、デルフィーヌの歌声に出会い、それが豊かな楽器編成に反響することはもはや珍しいことではない。彼女の音楽の新たな魅力は、アルバムに散りばめられた多くの参加者が、作品に独特の色合いを与えていることにあるようだ。管楽器、弦楽器、電子楽器、多数の鍵盤楽器、珍しい楽器、あらゆる種類の不調和な音など、作品ごとに異なる編成の30以上の楽器を聴くことができます。その中には、アビー・ヴリアミーのヴィオラ、アコーディオン、ミュージカル・ソー(Nalle、The One Ensemble.... )、アダム・カデルのヴァイオリン、スーザン・マシューズのハルモニウム、タラリー・ピーターソンのサックス(Spires That In The Sunset Rise)、ル・フルーツ・ヴェールのアナログシンセサイザー、ヴァレリー・ルクレックのパーカッションとフルート(Half Asleep)などがある。パウロ・シャガスのオーボエとクラリネット、ラウラ・ナウッカリネン(ラウ・ナウ)、ケイティ・シェイファー(オルデン・ヨーク)、ジャッキー・マクダウェルの声、トム・ジェームス・スコットの幽玄なピアノ、シルヴィア・ハレットの自転車の車輪やハーディガーディ、ゲイリー・ブロガンの彫刻的な音(Pefkin)などが登場する。つまり、2000年代以降、フォークやサイケデリック音楽、即興音楽や実験音楽の分野からインスピレーションを得て、音の領域を拡大し、実験を続けてきたミュージシャンの集団である。このレコードは、これらの異なる参加者の存在によってのみ実現されたことを強調しなければならない。ちなみに、このアルバムの強さのすべては、この "inattingible...
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{"id":7529004466426,"title":"Pablo Guerrero \u0026 Finis Africae \/\/ Los Dioses Hablan Por Boca De Los Vecinos LP","handle":"pablo-guerrero-finis-africae-los-dioses-hablan-por-boca-de-los-vecinos-lp","description":"\u003cp\u003eスペインの実験音楽家Pablo GuerreroとFinis Africaeの共作です。\u003c\/p\u003e\n\u003cp\u003eニューエイジ系のトライバル・アンビエント〜スポークンワード14曲を収録。DLコードとブックレット付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3894426569\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/abs\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/abs\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/abs\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/abs\"\u003ehere\u003c\/a\u003e to see more Abstrakce Records \/ B.F.E Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 500.\u003c\/p\u003e\n\u003cp\u003eText by Abstrakce:\u003c\/p\u003e\n\u003cp\u003e\"'\u003cem\u003eI close my eyes, I open my memory, the pages go free: infinite images like a book of sand.' - Pablo Guerrero\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e'Creating collages of avant-garde ambience using instruments from the many corners of the earth, along with tape loops and samples, Finis Africae created a fourth world sound that was both exotic and mysterious.' - Andy Thomas\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFirst vinyl edition ever of this lost experimental Spanish essential album. A delicate work that absorbs specific aspects of different music - minimalism, tribal sounds, new age, ambient, spoken word - to create its particular universe.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWith an absolutely contemplative recording climate, the poems and their sound environments explore the deepest self of the poet and singer from Extremadura, Pablo Guerrero. The work combines memories of childhood through the valleys of his native village, Esparragosa de Lares, with the evolution of life to reach the contemplative state in adulthood. A score written in a collaboration with two old friends, Juan A. Arteche Gual and Juan C. Fdez Puerta (Finis Africae), who weave a beautiful tapestry of electronic sounds so that the deep and serious voice of the poet shells all the images that his ode\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e encloses.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe recording, through fourteen poems, breathes an aroma of maturity, balance and total freedom. Maturity and balance with minimal arrangements, small gestures surrounded by abundant silences. Total freedom with instruments of the most varied, without restrictions or complexes: samplers, synthesizers and field recordings mixed with rattles, self-arches of the Appalachian Mountains, zithers, saxes made with reeds, conches, shortwave radios, plastic pipes, Hindu harmoniums ... beauty can arise from any element and all these minimal arrangements come together to create the perfect ambience that sublimates the poem.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eCompleted in the spring of 1996, the recording was moving in no man's land until the end of 1999 saw the light in book format of poems, accompanied by a CD. A co-edition of Música sin Fin ( Juan A. Arteche own label) and Cicón ediciones (a small Extremaduran editorial) that, when released in book format, went unnoticed. Abstrakce records aims to recover this masterpiece of experimental Spanish music, contributing its bit to place the album where it deserves. Therefore, a very careful edition is presented, with a folder printed in letterpress with lead types, accompanied by an extensive booklet in both English and Spanish containing liner notes, lyrics, an interview with Juan F. Puerta and a text by Juan A. Arteche about of the recording of the album.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e*********\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePablo Guerrero: Recitation, gong, seeds, guitar, choirs, synthesizer and wind claimer.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJuan Alberto Arteche Gual: Marine Saxos, corrugated pvc pipes, jellyfish keys, carillon, tambourines, tar drums, zithers, tanpura, recited, choirs, accordion, tapes, computer composition, shortwave radio, legüero drum, hindu harmonium, Tibetan bells and sharpener pan flutes .\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJuan Carlos Fdez. Puerta: Samplers, cowbells, autoharp, bells, guitar and keyboards.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Pablo Guerrero \u0026amp; Finis Africae\u003c\/p\u003e\n\u003cp\u003eLabel : Abstrakce\u003c\/p\u003e","published_at":"2022-01-31T13:19:10+09:00","created_at":"2022-01-31T12:40:31+09:00","vendor":"Tobira Records","type":"","tags":["Abstrakce Records","ambient","contemporary \/ sound poetry","lp","post newage"],"price":344000,"price_min":344000,"price_max":344000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42379764465914,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Pablo Guerrero \u0026 Finis Africae \/\/ Los Dioses Hablan Por Boca De Los Vecinos LP","public_title":null,"options":["Default Title"],"price":344000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/bo1_03d5874c-1fc4-4c05-9ffb-b5f142b19098.jpg?v=1643600433","\/\/tobirarecords.com\/cdn\/shop\/products\/bo2_33bbfef2-1cec-4d7c-b9cd-c1b29f1d7a8f.jpg?v=1643600432","\/\/tobirarecords.com\/cdn\/shop\/products\/bo3_0aef58a4-2099-442c-bf58-2583e03e85cd.jpg?v=1643600432"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/bo1_03d5874c-1fc4-4c05-9ffb-b5f142b19098.jpg?v=1643600433","options":["Title"],"media":[{"alt":null,"id":29083952316666,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bo1_03d5874c-1fc4-4c05-9ffb-b5f142b19098.jpg?v=1643600433"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bo1_03d5874c-1fc4-4c05-9ffb-b5f142b19098.jpg?v=1643600433","width":700},{"alt":null,"id":29083952349434,"position":2,"preview_image":{"aspect_ratio":1.489,"height":806,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bo2_33bbfef2-1cec-4d7c-b9cd-c1b29f1d7a8f.jpg?v=1643600432"},"aspect_ratio":1.489,"height":806,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bo2_33bbfef2-1cec-4d7c-b9cd-c1b29f1d7a8f.jpg?v=1643600432","width":1200},{"alt":null,"id":29083952382202,"position":3,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bo3_0aef58a4-2099-442c-bf58-2583e03e85cd.jpg?v=1643600432"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bo3_0aef58a4-2099-442c-bf58-2583e03e85cd.jpg?v=1643600432","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eスペインの実験音楽家Pablo GuerreroとFinis Africaeの共作です。\u003c\/p\u003e\n\u003cp\u003eニューエイジ系のトライバル・アンビエント〜スポークンワード14曲を収録。DLコードとブックレット付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3894426569\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/abs\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/abs\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/abs\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/abs\"\u003ehere\u003c\/a\u003e to see more Abstrakce Records \/ B.F.E Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 500.\u003c\/p\u003e\n\u003cp\u003eText by Abstrakce:\u003c\/p\u003e\n\u003cp\u003e\"'\u003cem\u003eI close my eyes, I open my memory, the pages go free: infinite images like a book of sand.' - Pablo Guerrero\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e'Creating collages of avant-garde ambience using instruments from the many corners of the earth, along with tape loops and samples, Finis Africae created a fourth world sound that was both exotic and mysterious.' - Andy Thomas\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFirst vinyl edition ever of this lost experimental Spanish essential album. A delicate work that absorbs specific aspects of different music - minimalism, tribal sounds, new age, ambient, spoken word - to create its particular universe.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWith an absolutely contemplative recording climate, the poems and their sound environments explore the deepest self of the poet and singer from Extremadura, Pablo Guerrero. The work combines memories of childhood through the valleys of his native village, Esparragosa de Lares, with the evolution of life to reach the contemplative state in adulthood. A score written in a collaboration with two old friends, Juan A. Arteche Gual and Juan C. Fdez Puerta (Finis Africae), who weave a beautiful tapestry of electronic sounds so that the deep and serious voice of the poet shells all the images that his ode\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e encloses.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe recording, through fourteen poems, breathes an aroma of maturity, balance and total freedom. Maturity and balance with minimal arrangements, small gestures surrounded by abundant silences. Total freedom with instruments of the most varied, without restrictions or complexes: samplers, synthesizers and field recordings mixed with rattles, self-arches of the Appalachian Mountains, zithers, saxes made with reeds, conches, shortwave radios, plastic pipes, Hindu harmoniums ... beauty can arise from any element and all these minimal arrangements come together to create the perfect ambience that sublimates the poem.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eCompleted in the spring of 1996, the recording was moving in no man's land until the end of 1999 saw the light in book format of poems, accompanied by a CD. A co-edition of Música sin Fin ( Juan A. Arteche own label) and Cicón ediciones (a small Extremaduran editorial) that, when released in book format, went unnoticed. Abstrakce records aims to recover this masterpiece of experimental Spanish music, contributing its bit to place the album where it deserves. Therefore, a very careful edition is presented, with a folder printed in letterpress with lead types, accompanied by an extensive booklet in both English and Spanish containing liner notes, lyrics, an interview with Juan F. Puerta and a text by Juan A. Arteche about of the recording of the album.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e*********\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePablo Guerrero: Recitation, gong, seeds, guitar, choirs, synthesizer and wind claimer.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJuan Alberto Arteche Gual: Marine Saxos, corrugated pvc pipes, jellyfish keys, carillon, tambourines, tar drums, zithers, tanpura, recited, choirs, accordion, tapes, computer composition, shortwave radio, legüero drum, hindu harmonium, Tibetan bells and sharpener pan flutes .\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJuan Carlos Fdez. Puerta: Samplers, cowbells, autoharp, bells, guitar and keyboards.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Pablo Guerrero \u0026amp; Finis Africae\u003c\/p\u003e\n\u003cp\u003eLabel : Abstrakce\u003c\/p\u003e"}
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スペインの実験音楽家Pablo GuerreroとFinis Africaeの共作です。 ニューエイジ系のトライバル・アンビエント〜スポークンワード14曲を収録。DLコードとブックレット付属。 レーベルその他作品はこちら /// Click here to see more Abstrakce Records / B.F.E Records releases...
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{"id":7528944337146,"title":"Nein Rodere \/\/ Catch up with What Party + LP","handle":"nein-rodere-catch-up-with-what-party-lp","description":"\u003cp\u003eドイツ・ベルリンを拠点に活動するNein Rodereが、2022年1月にイギリス実験レーベルHorn of Plentyからリリースしたデビューレコードです。\u003c\/p\u003e\n\u003cp\u003eアンサンブル、ベッドルームポップ、フィールドレコーディング、インプロヴィゼーション、エレクトロニクスなどバラエティーん富んだ23曲を収録。\u003c\/p\u003e\n\u003cp\u003e初期のSmog、Letha Rodman Melchior、Dean Blunt、Peter Jefferiesが好きな方におすすめします。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2783739102\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/horn-of-plenty\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/horn-of-plenty\"\u003ehere\u003c\/a\u003e to see more Horn of Plenty releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eVinyl LP with spot gloss cover, 2-color risograph insert and 20 page full color booklet.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eHorn of Plenty:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003eThe first full-length vinyl outing from Berlin-based musician and visual artist David Roeder. The LP features original and re-worked tracks from his previous self-released tapes as well as new material.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003cem\u003eA gateway to the work of this shape-shifting artist whose Pessoan approach presents us with 23 tracks ranging from ensemble pieces, bedroom pop, field recordings, improvisations and electronics. Disparate elements unified by a layered, textural and DIY approach to sound. Indeed, the whole is something besides the parts. Reminds in places of early Smog, Letha Rodman Melchior, Dean Blunt and Peter Jefferies\u003c\/em\u003e.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Nein Rodere\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHorn of Plenty\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-01-31T11:03:12+09:00","created_at":"2022-01-31T10:41:21+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","folk \/ left-field pop","horn of plenty","lp","monooto","new"],"price":348000,"price_min":348000,"price_max":348000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42379424235770,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Nein Rodere \/\/ Catch up with What Party + LP","public_title":null,"options":["Default Title"],"price":348000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ca1_3a505792-6524-4f9b-bcfa-00b2c277bdcc.jpg?v=1643593283","\/\/tobirarecords.com\/cdn\/shop\/products\/ca2_f9f35b8d-4dd3-4ad5-8e66-2a62ac0c5f0e.jpg?v=1643593283"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ca1_3a505792-6524-4f9b-bcfa-00b2c277bdcc.jpg?v=1643593283","options":["Title"],"media":[{"alt":null,"id":29083662287098,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ca1_3a505792-6524-4f9b-bcfa-00b2c277bdcc.jpg?v=1643593283"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ca1_3a505792-6524-4f9b-bcfa-00b2c277bdcc.jpg?v=1643593283","width":700},{"alt":null,"id":29083662319866,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ca2_f9f35b8d-4dd3-4ad5-8e66-2a62ac0c5f0e.jpg?v=1643593283"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ca2_f9f35b8d-4dd3-4ad5-8e66-2a62ac0c5f0e.jpg?v=1643593283","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eドイツ・ベルリンを拠点に活動するNein Rodereが、2022年1月にイギリス実験レーベルHorn of Plentyからリリースしたデビューレコードです。\u003c\/p\u003e\n\u003cp\u003eアンサンブル、ベッドルームポップ、フィールドレコーディング、インプロヴィゼーション、エレクトロニクスなどバラエティーん富んだ23曲を収録。\u003c\/p\u003e\n\u003cp\u003e初期のSmog、Letha Rodman Melchior、Dean Blunt、Peter Jefferiesが好きな方におすすめします。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2783739102\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/horn-of-plenty\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/horn-of-plenty\"\u003ehere\u003c\/a\u003e to see more Horn of Plenty releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eVinyl LP with spot gloss cover, 2-color risograph insert and 20 page full color booklet.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eHorn of Plenty:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003eThe first full-length vinyl outing from Berlin-based musician and visual artist David Roeder. The LP features original and re-worked tracks from his previous self-released tapes as well as new material.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003cem\u003eA gateway to the work of this shape-shifting artist whose Pessoan approach presents us with 23 tracks ranging from ensemble pieces, bedroom pop, field recordings, improvisations and electronics. Disparate elements unified by a layered, textural and DIY approach to sound. Indeed, the whole is something besides the parts. Reminds in places of early Smog, Letha Rodman Melchior, Dean Blunt and Peter Jefferies\u003c\/em\u003e.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Nein Rodere\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHorn of Plenty\u003c\/span\u003e\u003c\/p\u003e"}
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ドイツ・ベルリンを拠点に活動するNein Rodereが、2022年1月にイギリス実験レーベルHorn of Plentyからリリースしたデビューレコードです。 アンサンブル、ベッドルームポップ、フィールドレコーディング、インプロヴィゼーション、エレクトロニクスなどバラエティーん富んだ23曲を収録。 初期のSmog、Letha Rodman Melchior、Dean Blunt、Peter Jefferiesが好きな方におすすめします。 レーベルその他作品はこちら /// Click here to see more...
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{"id":7527599997178,"title":"The Dead Mauriacs \/\/ Soupirs Magnétiques, Bons Baisers des Emeutes TAPE","handle":"the-dead-mauriacs-soupirs-magnetiques-bons-baisers-des-emeutes-tape","description":"\u003cp\u003eウクライナの実験音楽家Edward Sol主宰レーベル\u003cspan data-mce-fragment=\"1\"\u003eSentimental Productions \/ \u003cmeta charset=\"utf-8\"\u003eQuasi Pop Records諸作を入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e本作は、音響作家The Dead Mauriacs が、2018年に30本限定でリリースしたカセットです。エレクトロアコースティック〜スポークンワード9曲を収録。廃盤です\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1926560573\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/sentimental\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/sentimental\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/sentimental\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/sentimental\"\u003ehere\u003c\/a\u003e to see more Sentimental Productions \/ Edward Sol \/ Quasi Pop Records releases available at Tobira.\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eThe Dead Mauriacs : field recordings, electro-static recordings, larsen, electricity, glass tube, plastic tube, piano : real and fake, computer.\u003c\/p\u003e\n\u003cp\u003eArtist : The Dead Mauriacs\u003c\/p\u003e\n\u003cp\u003eLabel : Sentimental Productions\u003c\/p\u003e","published_at":"2022-02-11T10:04:23+09:00","created_at":"2022-01-28T11:56:43+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","monooto","sentimental productions","tape"],"price":158000,"price_min":158000,"price_max":158000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42371657433338,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"The Dead Mauriacs \/\/ Soupirs Magnétiques, Bons Baisers des Emeutes TAPE","public_title":null,"options":["Default Title"],"price":158000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/bo1_c0339940-b75d-4bf2-b478-37ee42ee5af5.jpg?v=1643338604","\/\/tobirarecords.com\/cdn\/shop\/products\/bo2_c6fb49ea-9830-47ee-b51b-b71ba839a08b.jpg?v=1643338604"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/bo1_c0339940-b75d-4bf2-b478-37ee42ee5af5.jpg?v=1643338604","options":["Title"],"media":[{"alt":null,"id":29071229059322,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bo1_c0339940-b75d-4bf2-b478-37ee42ee5af5.jpg?v=1643338604"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bo1_c0339940-b75d-4bf2-b478-37ee42ee5af5.jpg?v=1643338604","width":700},{"alt":null,"id":29071229092090,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bo2_c6fb49ea-9830-47ee-b51b-b71ba839a08b.jpg?v=1643338604"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bo2_c6fb49ea-9830-47ee-b51b-b71ba839a08b.jpg?v=1643338604","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eウクライナの実験音楽家Edward Sol主宰レーベル\u003cspan data-mce-fragment=\"1\"\u003eSentimental Productions \/ \u003cmeta charset=\"utf-8\"\u003eQuasi Pop Records諸作を入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e本作は、音響作家The Dead Mauriacs が、2018年に30本限定でリリースしたカセットです。エレクトロアコースティック〜スポークンワード9曲を収録。廃盤です\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1926560573\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/sentimental\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/sentimental\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/sentimental\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/sentimental\"\u003ehere\u003c\/a\u003e to see more Sentimental Productions \/ Edward Sol \/ Quasi Pop Records releases available at Tobira.\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eThe Dead Mauriacs : field recordings, electro-static recordings, larsen, electricity, glass tube, plastic tube, piano : real and fake, computer.\u003c\/p\u003e\n\u003cp\u003eArtist : The Dead Mauriacs\u003c\/p\u003e\n\u003cp\u003eLabel : Sentimental Productions\u003c\/p\u003e"}
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ウクライナの実験音楽家Edward Sol主宰レーベルSentimental Productions / Quasi Pop Records諸作を入荷しました。 本作は、音響作家The Dead Mauriacs が、2018年に30本限定でリリースしたカセットです。エレクトロアコースティック〜スポークンワード9曲を収録。廃盤です レーベルその他作品はこちら /// Click here to see more Sentimental...
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{"id":7526880936186,"title":"John Duncan \u0026 TR. Kirstein \/\/ st CD","handle":"john-duncan-tr-kirstein-st-cd","description":"\u003cp\u003eデンマークとアメリカの音響作家John DuncanとTR. Kirsteinが、2021年12月にオランダMoving Furnitureからリリースした共作アルバムです。\u003c\/p\u003e\n\u003cp\u003eミニマルドローン〜スポークンワード2曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3345162911\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mfr\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mfr\"\u003ehere\u003c\/a\u003e to see more Moving Furniture Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 200.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOn May 31st, 2019, the day Roky Erickson from 13th Elevators died (I later found out), I woke up from a dream of sound and text. I dreamt that John Duncan kept repeating the words YOU ARE SAFE entangled with sine waves.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSo I instantly shot him a message asking if it was too weird to do exactly that. He replied: \"not too weird\".\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e-- Tobias R. Kirstein --\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eYOU ARE SAFE and COME TO ME are the first two collaborative tracks by Danish composer\/artist Tobias R. Kirstein and American composer\/artist John Duncan.\u003c\/em\u003e\u003cbr\u003e\u003cspan mce-data-marked=\"1\"\u003e----------------------\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John Duncan \u0026amp; TR. Kirstein\u003c\/p\u003e\n\u003cp\u003eLabel : Moving Furniture Records\u003c\/p\u003e","published_at":"2022-01-27T16:13:15+09:00","created_at":"2022-01-27T16:13:15+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","drone","moving furniture records"],"price":158000,"price_min":158000,"price_max":158000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42369401127162,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"John Duncan \u0026 TR. Kirstein \/\/ st CD","public_title":null,"options":["Default Title"],"price":158000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a3313823561_16.jpg?v=1643267773"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a3313823561_16.jpg?v=1643267773","options":["Title"],"media":[{"alt":null,"id":29068045123834,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a3313823561_16.jpg?v=1643267773"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a3313823561_16.jpg?v=1643267773","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eデンマークとアメリカの音響作家John DuncanとTR. Kirsteinが、2021年12月にオランダMoving Furnitureからリリースした共作アルバムです。\u003c\/p\u003e\n\u003cp\u003eミニマルドローン〜スポークンワード2曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3345162911\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mfr\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mfr\"\u003ehere\u003c\/a\u003e to see more Moving Furniture Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 200.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOn May 31st, 2019, the day Roky Erickson from 13th Elevators died (I later found out), I woke up from a dream of sound and text. I dreamt that John Duncan kept repeating the words YOU ARE SAFE entangled with sine waves.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSo I instantly shot him a message asking if it was too weird to do exactly that. He replied: \"not too weird\".\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e-- Tobias R. Kirstein --\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eYOU ARE SAFE and COME TO ME are the first two collaborative tracks by Danish composer\/artist Tobias R. Kirstein and American composer\/artist John Duncan.\u003c\/em\u003e\u003cbr\u003e\u003cspan mce-data-marked=\"1\"\u003e----------------------\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John Duncan \u0026amp; TR. Kirstein\u003c\/p\u003e\n\u003cp\u003eLabel : Moving Furniture Records\u003c\/p\u003e"}
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デンマークとアメリカの音響作家John DuncanとTR. Kirsteinが、2021年12月にオランダMoving Furnitureからリリースした共作アルバムです。 ミニマルドローン〜スポークンワード2曲を収録。デジパック、シュリンク仕様です。 レーベルその他作品はこちら /// Click here to see more Moving Furniture Records releases available...
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