Wilder Maker // Male Models LP
Wilder Maker // Male Models LP
¥3,530
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アメリカ・NYのジャズ・ポップバンドWilder Makerが、2022年に同国老舗レーベルWestern Vinylからリリースしたレコードです。
アダルト・ポップ〜アンビエント・ジャズ12曲を収録。
レーベルその他作品はこちら /// Click here to see more Western Vinyl releases available at Tobira.
------------------------------------------
12" black vinyl.
Tracklist:
1. Letter of Apology 04:34
2. A Professional (ft. Felicia Douglass) 03:47
3. New Anxiety (ft. Mutual Benefit) 01:50
4. Static (ft. V.V. Lightbody) 03:42
5. Surfers Trace (ft. Yellow Ostrich) 02:24
6. All Power Must Remain Hidden 04:25
7. Scam Likely 02:08
8. Silver Car (ft. Katie Von Schleicher) 04:16
9. 5 Train 04:11
10. Oh Anna (ft. Adam Duritz) 03:08
11. Against Numbers (ft. Katie Von Schleicher) 04:35
12. Jason 02:40
Artist : Wilder Maker
Label : Western Vinyl
cat no : WV235lp-C1
アメリカ・NYのジャズ・ポップバンドWilder Makerが、2022年に同国老舗レーベルWestern Vinylからリリースしたレコードです。
アダルト・ポップ〜アンビエント・ジャズ12曲を収録。
レーベルその他作品はこちら /// Click here to see more Western Vinyl releases available at Tobira.
------------------------------------------
12" black vinyl.
Tracklist:
1. Letter of Apology 04:34
2. A Professional (ft. Felicia Douglass) 03:47
3. New Anxiety (ft. Mutual Benefit) 01:50
4. Static (ft. V.V. Lightbody) 03:42
5. Surfers Trace (ft. Yellow Ostrich) 02:24
6. All Power Must Remain Hidden 04:25
7. Scam Likely 02:08
8. Silver Car (ft. Katie Von Schleicher) 04:16
9. 5 Train 04:11
10. Oh Anna (ft. Adam Duritz) 03:08
11. Against Numbers (ft. Katie Von Schleicher) 04:35
12. Jason 02:40
Artist : Wilder Maker
Label : Western Vinyl
cat no : WV235lp-C1
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{"id":8951650713850,"title":"Joseph Shabason \/\/ The Fellowship CD","handle":"joseph-shabason-the-fellowship-cd","description":"\u003cp\u003eカナダ・トロントのサックス奏者Joseph Shabasonが、2021年4月にWestern Vinylからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズ8曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3251703443\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003ehere\u003c\/a\u003e to see more Western Vinyl releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCD in gatefold wallet.\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Life With My Grandparents 04:50\u003cbr\u003e2. Escape From North York 03:37\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. The Fellowship 05:14\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. 0-13 02:37\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. 13-15 05:10\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. 15-19 07:01\u003cbr\u003e\u003c\/span\u003e7. Comparative World Religions 03:00\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. So Long 07:06\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText by Western Vinyl:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAcross eight tracks that mesh jazz-laced, emotive, and spacious composition with fourth-world and adult-contemporary tonality, Toronto saxophonist Joseph Shabason sketches an auditory map of the transcendence, unity, conditioning, and eventual renunciation of his upbringing in an Islamic and Jewish dual-faith household. The resulting album The Fellowship bears the name of the insular Islamic community Shabason’s traditionally Jewish parents belonged to from a time before he was even born; a mental and spiritual push-pull which continued shaping, even controlling, his outlook well into his adulthood. As a listening experience The Fellowship follows a chronological arc that spans three generations covering his parents’ early lives, his own spiritual and physical adolescence, and his subsequent struggle to eschew the problematic habituations of such a conflicted past.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“Life With My Grandparents” commences The Fellowship in overcast hues. A cassette recording of a child’s voice pops in and out of a murmuring brass tone as both elements drift like memories receding forever into the past. “My parents grew up in really difficult households. Both of my father’s parents had just survived the Holocaust only six years before he was born.” Shabason\u003cspan class=\"bcTruncateMore\"\u003e explains, cutting right to the root of what might have led his parents to diverge from their inherited spiritual conventions. \"My grandparents were deeply traumatized from having lost so many friends and family members, and even if the war hadn’t happened I don’t think they would have been particularly emotionally available.” Exchanging the gloom for tension, the anxiously experimental “Escape From North York” jolts the cadence forwards and backwards by way of skittering jazz percussion as a nauseated synth melody balloons into full-on terror, all while the melodic elements are ambushed from below by a flash flood of air-rending texture. The title (a play on John Carpenter’s Escape From New York) refers to the area of Toronto where Shabason’s parents were raised, and rebelliously fled in their twenties against their own parents’ wishes. The title track of The Fellowship swings toward relief and reflection, and buoys the mood up to something childlike. It is suffused with saxophone, upright bass, chorus-drenched guitar, and digitized pan flute; the kinds of 90’s jazz timbres that mark a time in Shabason’s adolescence when the dilemmas of his family’s faith were still obscured by comfort, community, and a dash of the forgivable naivete of early youth. At the same time, the piece shows Shabason at his most melodically athletic, darting around chord changes with fervor for the subject at hand.\u003cbr\u003e\u003cbr\u003eFrom here the perspective moves from third to first person as Shabason unpacks his teenage years across a three song suite, the titles of which mark the exact years they are meant to sonically illustrate. Where the previous track floated ever upward on innocence and clarity, “0-13” dispenses with both by its final third at which point things have unraveled into aleatoric unease representing “the first chink in the armour,” as Joseph admits, “and the first time I really started to question everything I’d been taught.” By “13-15” the pendulum is fully back on the side of apprehension as galloping percussion, an unrelenting synthetic marimba, an off-key wood flute, and jittering electric guitar tell a story of doubt and anger, dressed in fourth-world atonality. “By that time,” says Shabason, referring to the age denoted in the track name, “I was smoking weed and really getting into my head. According to my religion, smoking weed was gonna land me in hell, and all my friends who drank were also on the path to hell. The whole thing seemed totally absurd. The idea of a God that was that petty and vengeful made no sense. Those thoughts just swirled and created this background dissonance that existed all throughout my early teens. Middle school was fucked.”\u003cbr\u003e\u003cbr\u003e“15-19” is the sadness that follows outrage, when the dust settles and the pieces need putting back together, yet they simply won’t fit in light of a new found perspective. As such, this final movement is bathed in tragic, futile optimism. Under a bed of half-tempo RnB, muted trumpets glow like dying embers catching the wind. Shabason elucidates, “at that point, I’d discovered punk and hardcore and decided to be straight edge. It provided me with a community and a great cover for why I didn’t drink or do drugs. It felt like this really cool disguise. It kept me from questioning why I was doing it in the first place, but underlying it all was sadness. Why were my gay friends going to hell? Why did women have to be modest and not men? Why did God want to punish me for so many things? Was I going to hell because I had sex with my girlfriend? None of it made sense, but I was so completely brainwashed that I never thought to seriously question it. Instead, I just slipped up more and more, did drugs, fooled around, and tried to put the divine ramifications of my actions out of my head.”\u003cbr\u003e\u003cbr\u003e“Comparative World Religions” is a caffeinated gamelan named for the college course that caused Joseph-- and so many other young people engrossed in inherited repressive ideologies-- to see the irreconcilable nature of his beliefs from the outside in. Like the class itself, it stands apart from the backdrop of The Fellowship by replacing the seesaw of religious ecstasy and uncertainty with the type of transcendence that can only be arrived at through factual illumination. Using mournful brass and glassy keys, the aptly titled “So Long” represents the slow walking away that Shabason had to do mentally and emotionally, even long after the illusion had been cracked open. “It took me at least another twelve to fifteen years to fully deprogram myself from all the guilt and shame that was bred into me by religion, but I think that I’m finally free from it,” says Shabason of his present-day outlook. “This song is a final goodbye to that life… an exhale and deep inhale before I start a new chapter.” On The Fellowship, as on prior albums that bear his name, Joseph Shabason does what only the best instrumental music makers can: tell a story with emotional clarity that conveys even the subtlest of feelings, all without singing a single word. As wordless as ever-- with as complex a theme as ever-- this album may be his most emotionally articulate yet. Most importantly, those lost in the woods of repression and self-doubt that organized religion can be at its worst now have The Fellowship to help guide them into a softer light.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Joseph Shabason\u003c\/p\u003e\n\u003cp\u003eLabel : Western Vinyl\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWV226cd\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-10-11T12:34:27+09:00","created_at":"2025-10-10T09:11:42+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","jazz","new","western vinyl"],"price":219400,"price_min":219400,"price_max":219400,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47808155746554,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Joseph Shabason \/\/ The Fellowship CD","public_title":null,"options":["Default Title"],"price":219400,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"843563134016","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/fe1_d81ef0c3-9b5b-46bc-bd54-58ac07d51793.jpg?v=1635742810","\/\/tobirarecords.com\/cdn\/shop\/products\/fe3.jpg?v=1635742810"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/fe1_d81ef0c3-9b5b-46bc-bd54-58ac07d51793.jpg?v=1635742810","options":["Title"],"media":[{"alt":null,"id":25676598640890,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fe1_d81ef0c3-9b5b-46bc-bd54-58ac07d51793.jpg?v=1635742810"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fe1_d81ef0c3-9b5b-46bc-bd54-58ac07d51793.jpg?v=1635742810","width":700},{"alt":null,"id":25676598706426,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fe3.jpg?v=1635742810"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fe3.jpg?v=1635742810","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eカナダ・トロントのサックス奏者Joseph Shabasonが、2021年4月にWestern Vinylからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズ8曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3251703443\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003ehere\u003c\/a\u003e to see more Western Vinyl releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCD in gatefold wallet.\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Life With My Grandparents 04:50\u003cbr\u003e2. Escape From North York 03:37\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. The Fellowship 05:14\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. 0-13 02:37\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. 13-15 05:10\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. 15-19 07:01\u003cbr\u003e\u003c\/span\u003e7. Comparative World Religions 03:00\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. So Long 07:06\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText by Western Vinyl:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAcross eight tracks that mesh jazz-laced, emotive, and spacious composition with fourth-world and adult-contemporary tonality, Toronto saxophonist Joseph Shabason sketches an auditory map of the transcendence, unity, conditioning, and eventual renunciation of his upbringing in an Islamic and Jewish dual-faith household. The resulting album The Fellowship bears the name of the insular Islamic community Shabason’s traditionally Jewish parents belonged to from a time before he was even born; a mental and spiritual push-pull which continued shaping, even controlling, his outlook well into his adulthood. As a listening experience The Fellowship follows a chronological arc that spans three generations covering his parents’ early lives, his own spiritual and physical adolescence, and his subsequent struggle to eschew the problematic habituations of such a conflicted past.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“Life With My Grandparents” commences The Fellowship in overcast hues. A cassette recording of a child’s voice pops in and out of a murmuring brass tone as both elements drift like memories receding forever into the past. “My parents grew up in really difficult households. Both of my father’s parents had just survived the Holocaust only six years before he was born.” Shabason\u003cspan class=\"bcTruncateMore\"\u003e explains, cutting right to the root of what might have led his parents to diverge from their inherited spiritual conventions. \"My grandparents were deeply traumatized from having lost so many friends and family members, and even if the war hadn’t happened I don’t think they would have been particularly emotionally available.” Exchanging the gloom for tension, the anxiously experimental “Escape From North York” jolts the cadence forwards and backwards by way of skittering jazz percussion as a nauseated synth melody balloons into full-on terror, all while the melodic elements are ambushed from below by a flash flood of air-rending texture. The title (a play on John Carpenter’s Escape From New York) refers to the area of Toronto where Shabason’s parents were raised, and rebelliously fled in their twenties against their own parents’ wishes. The title track of The Fellowship swings toward relief and reflection, and buoys the mood up to something childlike. It is suffused with saxophone, upright bass, chorus-drenched guitar, and digitized pan flute; the kinds of 90’s jazz timbres that mark a time in Shabason’s adolescence when the dilemmas of his family’s faith were still obscured by comfort, community, and a dash of the forgivable naivete of early youth. At the same time, the piece shows Shabason at his most melodically athletic, darting around chord changes with fervor for the subject at hand.\u003cbr\u003e\u003cbr\u003eFrom here the perspective moves from third to first person as Shabason unpacks his teenage years across a three song suite, the titles of which mark the exact years they are meant to sonically illustrate. Where the previous track floated ever upward on innocence and clarity, “0-13” dispenses with both by its final third at which point things have unraveled into aleatoric unease representing “the first chink in the armour,” as Joseph admits, “and the first time I really started to question everything I’d been taught.” By “13-15” the pendulum is fully back on the side of apprehension as galloping percussion, an unrelenting synthetic marimba, an off-key wood flute, and jittering electric guitar tell a story of doubt and anger, dressed in fourth-world atonality. “By that time,” says Shabason, referring to the age denoted in the track name, “I was smoking weed and really getting into my head. According to my religion, smoking weed was gonna land me in hell, and all my friends who drank were also on the path to hell. The whole thing seemed totally absurd. The idea of a God that was that petty and vengeful made no sense. Those thoughts just swirled and created this background dissonance that existed all throughout my early teens. Middle school was fucked.”\u003cbr\u003e\u003cbr\u003e“15-19” is the sadness that follows outrage, when the dust settles and the pieces need putting back together, yet they simply won’t fit in light of a new found perspective. As such, this final movement is bathed in tragic, futile optimism. Under a bed of half-tempo RnB, muted trumpets glow like dying embers catching the wind. Shabason elucidates, “at that point, I’d discovered punk and hardcore and decided to be straight edge. It provided me with a community and a great cover for why I didn’t drink or do drugs. It felt like this really cool disguise. It kept me from questioning why I was doing it in the first place, but underlying it all was sadness. Why were my gay friends going to hell? Why did women have to be modest and not men? Why did God want to punish me for so many things? Was I going to hell because I had sex with my girlfriend? None of it made sense, but I was so completely brainwashed that I never thought to seriously question it. Instead, I just slipped up more and more, did drugs, fooled around, and tried to put the divine ramifications of my actions out of my head.”\u003cbr\u003e\u003cbr\u003e“Comparative World Religions” is a caffeinated gamelan named for the college course that caused Joseph-- and so many other young people engrossed in inherited repressive ideologies-- to see the irreconcilable nature of his beliefs from the outside in. Like the class itself, it stands apart from the backdrop of The Fellowship by replacing the seesaw of religious ecstasy and uncertainty with the type of transcendence that can only be arrived at through factual illumination. Using mournful brass and glassy keys, the aptly titled “So Long” represents the slow walking away that Shabason had to do mentally and emotionally, even long after the illusion had been cracked open. “It took me at least another twelve to fifteen years to fully deprogram myself from all the guilt and shame that was bred into me by religion, but I think that I’m finally free from it,” says Shabason of his present-day outlook. “This song is a final goodbye to that life… an exhale and deep inhale before I start a new chapter.” On The Fellowship, as on prior albums that bear his name, Joseph Shabason does what only the best instrumental music makers can: tell a story with emotional clarity that conveys even the subtlest of feelings, all without singing a single word. As wordless as ever-- with as complex a theme as ever-- this album may be his most emotionally articulate yet. Most importantly, those lost in the woods of repression and self-doubt that organized religion can be at its worst now have The Fellowship to help guide them into a softer light.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Joseph Shabason\u003c\/p\u003e\n\u003cp\u003eLabel : Western Vinyl\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWV226cd\u003c\/span\u003e\u003c\/p\u003e"}
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カナダ・トロントのサックス奏者Joseph Shabasonが、2021年4月にWestern Vinylからリリースしたアルバムです。 アンビエント・ジャズ8曲を収録。 レーベルその他作品はこちら /// Click here to see more Western Vinyl releases available at Tobira. ...
¥2,194
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{"id":8951649403130,"title":"Joseph Shabason \/\/ Anne CD","handle":"joseph-shabason-anne-cd","description":"\u003cp\u003eカナダ・トロントのサックス奏者Joseph Shabasonが、2018年にアメリカの老舗レーベルWestern Vinylからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズ〜\u003cspan\u003eアンビエント\u003c\/span\u003e・ポップ9曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2942634866\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003ehere\u003c\/a\u003e to see more Western Vinyl releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. I Thought That I Could Get Away with It 04:45\u003cbr\u003e2. Deep Dark Divide 07:00\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Dangerous Chemicals 06:31\u003cbr\u003e\u003c\/span\u003e4. Donna Lee 04:50\u003cbr\u003e5. Forest Run 04:28\u003cbr\u003e6. Fred and Lil 06:52\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Toh Koh 03:08\u003cbr\u003e\u003c\/span\u003e8. November (feat. Gigi Masin) 05:09\u003cbr\u003e9. Treat It Like a Wine Bar 06:13\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eWestern Vinyl:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAnne, the second album By Toronto saxophonist and composer Joseph Shabason, is a tonal essay on degenerative illness. Delicately and compassionately woven with interviews of Shabason’s mother from whom the album takes its name, Anne finds its creator navigating a labyrinth of subtle and tragic emotions arising from his mother's struggle with Parkinson’s disease. Across the nine vivid postcards of jazz-laden ambience that comprise the album, Shabason unwraps these difficult themes with great care and focus revealing the unseen aspects of degenerative diseases that force us to re-examine common notions of self, identity, and mortality.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eShabason’s uncanny ability to manoeuvre through such microscopic feelings is mirrored by his capacity to execute a similar tightrope-walk through musical genres. His music occupies a specific space that is as palpable as it is difficult to pin labels to. On Anne’s second track “Deep Dark Divide” rays of effected saxophone shine behind clouds of digital synthesizer that echoes the sound of jazz in the late 80s, but with a Jon Hassell-esque depth of sensibility that consciously subverts the stylistic inoffensiveness of that era. There is detail and idiosyncrasy beneath Shabason’s dawn-of-the-CD-era sheen that elevates the album far beyond a mere aesthetic\u003cspan class=\"bcTruncateMore\"\u003e exercise.\u003cbr\u003e\u003cbr\u003eStill, the sounds on Anne are not so experimentally opaque as to stand in the way of the album’s through-line of sincerity and emotionality. When dissonance is employed it is punctual and meaningful, like on album-middler “Fred and Lil” where a six-minute cascade of breathy textures builds suddenly to an agitated growl, only to abruptly give way to Anne Shabason speaking intimately about her relationship to her own parents. Snippets of such conversations see her taking on something like a narrator role across Anne while the sound of her voice itself is sometimes effected to become a musical texture entwined into the fabric of the songs without always being present or audible. The subsequent piece “Toh Koh” then drifts into playful disorientation as a lone female voice echoes the two syllables of the title, recalling the vocal techniques of composer Joan La Barbara, or even the light-hearted mantras of Lucky Dragons. From here the album veers back onto its aesthetic thoroughfare with “November” where Shabason lays muted brass textures atop a wavepool of electric chords provided by none other than the ambient cult-hero Gigi Masin, one of Anne’s many integral collaborators.\u003cbr\u003e\u003cbr\u003eThe serene tragedy of the album distils itself gracefully into the ironically titled album closer “Treat it Like a Wine Bar” wherein flutters of piano and mournfully whispered woodwinds seem to evaporate particle by delicate particle, leaving the listener with a faint emotional afterglow like a dream upon waking. There is a corollary to be drawn here with what it must be like to feel one’s own mind and body drift away slowly until nothing remains, while the collection of memories and abilities that we use to denote the “self” softens into eternity. On Anne, it is precisely this fragile exchange of tranquillity and anguish that Joseph Shabason has proven his singular ability to articulate.\u003c\/span\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Joseph Shabason\u003c\/p\u003e\n\u003cp\u003eLabel : Western Vinyl\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWV182cd\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-10-12T06:14:23+09:00","created_at":"2025-10-10T09:06:55+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","jazz","new","western vinyl"],"price":219400,"price_min":219400,"price_max":219400,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47808148373754,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Joseph Shabason \/\/ Anne CD","public_title":null,"options":["Default Title"],"price":219400,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"843563106280","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ann_6108a022-530a-4728-b898-caef00101ff8.jpg?v=1760054943","\/\/tobirarecords.com\/cdn\/shop\/files\/ann1_c33876ea-fd6b-4ffc-b54e-5e5e8a55940a.jpg?v=1760054943"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ann_6108a022-530a-4728-b898-caef00101ff8.jpg?v=1760054943","options":["Title"],"media":[{"alt":null,"id":37049514787066,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ann_6108a022-530a-4728-b898-caef00101ff8.jpg?v=1760054943"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ann_6108a022-530a-4728-b898-caef00101ff8.jpg?v=1760054943","width":700},{"alt":null,"id":37049514819834,"position":2,"preview_image":{"aspect_ratio":1.402,"height":856,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ann1_c33876ea-fd6b-4ffc-b54e-5e5e8a55940a.jpg?v=1760054943"},"aspect_ratio":1.402,"height":856,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ann1_c33876ea-fd6b-4ffc-b54e-5e5e8a55940a.jpg?v=1760054943","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eカナダ・トロントのサックス奏者Joseph Shabasonが、2018年にアメリカの老舗レーベルWestern Vinylからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズ〜\u003cspan\u003eアンビエント\u003c\/span\u003e・ポップ9曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2942634866\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003ehere\u003c\/a\u003e to see more Western Vinyl releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. I Thought That I Could Get Away with It 04:45\u003cbr\u003e2. Deep Dark Divide 07:00\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Dangerous Chemicals 06:31\u003cbr\u003e\u003c\/span\u003e4. Donna Lee 04:50\u003cbr\u003e5. Forest Run 04:28\u003cbr\u003e6. Fred and Lil 06:52\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Toh Koh 03:08\u003cbr\u003e\u003c\/span\u003e8. November (feat. Gigi Masin) 05:09\u003cbr\u003e9. Treat It Like a Wine Bar 06:13\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eWestern Vinyl:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAnne, the second album By Toronto saxophonist and composer Joseph Shabason, is a tonal essay on degenerative illness. Delicately and compassionately woven with interviews of Shabason’s mother from whom the album takes its name, Anne finds its creator navigating a labyrinth of subtle and tragic emotions arising from his mother's struggle with Parkinson’s disease. Across the nine vivid postcards of jazz-laden ambience that comprise the album, Shabason unwraps these difficult themes with great care and focus revealing the unseen aspects of degenerative diseases that force us to re-examine common notions of self, identity, and mortality.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eShabason’s uncanny ability to manoeuvre through such microscopic feelings is mirrored by his capacity to execute a similar tightrope-walk through musical genres. His music occupies a specific space that is as palpable as it is difficult to pin labels to. On Anne’s second track “Deep Dark Divide” rays of effected saxophone shine behind clouds of digital synthesizer that echoes the sound of jazz in the late 80s, but with a Jon Hassell-esque depth of sensibility that consciously subverts the stylistic inoffensiveness of that era. There is detail and idiosyncrasy beneath Shabason’s dawn-of-the-CD-era sheen that elevates the album far beyond a mere aesthetic\u003cspan class=\"bcTruncateMore\"\u003e exercise.\u003cbr\u003e\u003cbr\u003eStill, the sounds on Anne are not so experimentally opaque as to stand in the way of the album’s through-line of sincerity and emotionality. When dissonance is employed it is punctual and meaningful, like on album-middler “Fred and Lil” where a six-minute cascade of breathy textures builds suddenly to an agitated growl, only to abruptly give way to Anne Shabason speaking intimately about her relationship to her own parents. Snippets of such conversations see her taking on something like a narrator role across Anne while the sound of her voice itself is sometimes effected to become a musical texture entwined into the fabric of the songs without always being present or audible. The subsequent piece “Toh Koh” then drifts into playful disorientation as a lone female voice echoes the two syllables of the title, recalling the vocal techniques of composer Joan La Barbara, or even the light-hearted mantras of Lucky Dragons. From here the album veers back onto its aesthetic thoroughfare with “November” where Shabason lays muted brass textures atop a wavepool of electric chords provided by none other than the ambient cult-hero Gigi Masin, one of Anne’s many integral collaborators.\u003cbr\u003e\u003cbr\u003eThe serene tragedy of the album distils itself gracefully into the ironically titled album closer “Treat it Like a Wine Bar” wherein flutters of piano and mournfully whispered woodwinds seem to evaporate particle by delicate particle, leaving the listener with a faint emotional afterglow like a dream upon waking. There is a corollary to be drawn here with what it must be like to feel one’s own mind and body drift away slowly until nothing remains, while the collection of memories and abilities that we use to denote the “self” softens into eternity. On Anne, it is precisely this fragile exchange of tranquillity and anguish that Joseph Shabason has proven his singular ability to articulate.\u003c\/span\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Joseph Shabason\u003c\/p\u003e\n\u003cp\u003eLabel : Western Vinyl\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWV182cd\u003c\/span\u003e\u003c\/p\u003e"}
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カナダ・トロントのサックス奏者Joseph Shabasonが、2018年にアメリカの老舗レーベルWestern Vinylからリリースしたアルバムです。 アンビエント・ジャズ〜アンビエント・ポップ9曲を収録。 レーベルその他作品はこちら /// Click here to see more Western Vinyl releases available at Tobira. ...
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{"id":8951648911610,"title":"Joseph Shabason \/\/ Aytche CD","handle":"joseph-shabason-aytche-cd","description":"\u003cp\u003eカナダ・トロントのサックス奏者Joseph Shabasonが、2017年にWestern Vinylからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズ9曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2802758574\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003ehere\u003c\/a\u003e to see more Western Vinyl releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Looking Forward to Something, Dude 04:01\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. Aytche 03:48\u003cbr\u003e\u003c\/span\u003e3. Neil McCauley 05:15\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Smokestack 04:12\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Tite Cycle 05:20\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Long Swim 04:54\u003cbr\u003e\u003c\/span\u003e7. Westmeath 04:56\u003cbr\u003e8. Chopping Wood 04:01\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. Belching Smoke 04:14\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eWestern Vinyl:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSaxophonist and composer Joseph Shabason's debut Aytche builds a bridge off of the precipice his forbears established, skirting jazz, ambient, and even new age with the same deliberate genre-ambiguity that made their work so interesting.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAytche is a document of exploration both inward and outward. Every step taken in sound-design mirrors a stride in emotionality, as Shabason employs a variety of effect pedals to coax rich moody textures from his instrument. He explains, \"I feel like robbing the sax of the ability to shred by effecting it and turning it into a dense chordal instrument really helps the instrument become something that it's not usually known for.\" Aytche deals with themes of degenerative illness and assisted suicide with eloquence that instrumental music rarely achieves regarding any subject, much less such difficult ones.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAlbum highlight \"Westmeath\" approaches Aytche's subject of inspiration head-on. Here, the album's only verbalization appears in the form of an interview with a man discussing his father's trauma and eventual suicide after surviving the holocaust. Though we only hear a few obscured words and phrases from the interview, the impact is powerful. For Shabason, whose grandparents survived the holocaust, this selection is anything but frivolous.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Joseph Shabason\u003c\/p\u003e\n\u003cp\u003eLabel : Western Vinyl\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWV165cd\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-10-11T12:32:33+09:00","created_at":"2025-10-10T09:05:39+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","jazz","new","western vinyl"],"price":219400,"price_min":219400,"price_max":219400,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47808147521786,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Joseph Shabason \/\/ Aytche CD","public_title":null,"options":["Default Title"],"price":219400,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"616892491040","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/jo1_ecd915e6-42a5-4f92-9014-9dd5a1fa32b5.jpg?v=1760054369","\/\/tobirarecords.com\/cdn\/shop\/files\/jo2_cf6c5b76-cfb0-4434-874a-77e28c015b1f.jpg?v=1760054369"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/jo1_ecd915e6-42a5-4f92-9014-9dd5a1fa32b5.jpg?v=1760054369","options":["Title"],"media":[{"alt":null,"id":37049491063034,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jo1_ecd915e6-42a5-4f92-9014-9dd5a1fa32b5.jpg?v=1760054369"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jo1_ecd915e6-42a5-4f92-9014-9dd5a1fa32b5.jpg?v=1760054369","width":700},{"alt":null,"id":37049491095802,"position":2,"preview_image":{"aspect_ratio":1.402,"height":856,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jo2_cf6c5b76-cfb0-4434-874a-77e28c015b1f.jpg?v=1760054369"},"aspect_ratio":1.402,"height":856,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jo2_cf6c5b76-cfb0-4434-874a-77e28c015b1f.jpg?v=1760054369","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eカナダ・トロントのサックス奏者Joseph Shabasonが、2017年にWestern Vinylからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズ9曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2802758574\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003ehere\u003c\/a\u003e to see more Western Vinyl releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Looking Forward to Something, Dude 04:01\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. Aytche 03:48\u003cbr\u003e\u003c\/span\u003e3. Neil McCauley 05:15\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Smokestack 04:12\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Tite Cycle 05:20\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Long Swim 04:54\u003cbr\u003e\u003c\/span\u003e7. Westmeath 04:56\u003cbr\u003e8. Chopping Wood 04:01\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. Belching Smoke 04:14\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eWestern Vinyl:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSaxophonist and composer Joseph Shabason's debut Aytche builds a bridge off of the precipice his forbears established, skirting jazz, ambient, and even new age with the same deliberate genre-ambiguity that made their work so interesting.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAytche is a document of exploration both inward and outward. Every step taken in sound-design mirrors a stride in emotionality, as Shabason employs a variety of effect pedals to coax rich moody textures from his instrument. He explains, \"I feel like robbing the sax of the ability to shred by effecting it and turning it into a dense chordal instrument really helps the instrument become something that it's not usually known for.\" Aytche deals with themes of degenerative illness and assisted suicide with eloquence that instrumental music rarely achieves regarding any subject, much less such difficult ones.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAlbum highlight \"Westmeath\" approaches Aytche's subject of inspiration head-on. Here, the album's only verbalization appears in the form of an interview with a man discussing his father's trauma and eventual suicide after surviving the holocaust. Though we only hear a few obscured words and phrases from the interview, the impact is powerful. For Shabason, whose grandparents survived the holocaust, this selection is anything but frivolous.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Joseph Shabason\u003c\/p\u003e\n\u003cp\u003eLabel : Western Vinyl\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWV165cd\u003c\/span\u003e\u003c\/p\u003e"}
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カナダ・トロントのサックス奏者Joseph Shabasonが、2017年にWestern Vinylからリリースしたアルバムです。 アンビエント・ジャズ9曲を収録。 レーベルその他作品はこちら /// Click here to see more Western Vinyl releases available at Tobira. ...
¥2,194
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{"id":8907061035258,"title":"Wilder Maker \/\/ The Streets Like Beds Still Warm LP","handle":"wilder-maker-the-streets-like-beds-still-warm-lp","description":"\u003cp\u003e\u003cspan\u003eアメリカ・NYのジャズ・ポップバンドWilder Makerが、2025年9月に同国老舗レーベルWestern Vinylからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eアダルト・ポップ〜アンビエント・ジャズ17曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3590446895\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003ehere\u003c\/a\u003e to see more Western Vinyl releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Strange Meeting with Owls 02:14\u003cbr\u003e2. Skewered by the Daystar 01:53\u003cbr\u003e3. It Was a Flood\u003cbr\u003e4. Atlas on His Day Off\u003cbr\u003e5. Turn Signal\u003cbr\u003e6. And You Want to Be My Dog\u003cbr\u003e7. Secret Weather\u003cbr\u003e8. A Tavern Poem, Passed From Mouth to Mouth\u003cbr\u003e9. Another Bullshit Rodeo 01:16\u003cbr\u003e10. They Laugh That Win 01:25\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e11. Escape Artist\u003cbr\u003e\u003c\/span\u003e12. Darkness Leaning Like Water Against the Windows\u003cbr\u003e13. The Moon Says\u003cbr\u003e14. Horse \u0026amp; Hero\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e15. Demon Confrontation\u003cbr\u003e\u003c\/span\u003e16. Fixing the Past is a Sucker's Game\u003cbr\u003e17. Sea \u0026amp; Swimmer\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eText excerpt by Western Vinyl:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eBrooklyn band Wilder Maker’s principal songwriter, Gabriel Birnbaum says that the group’s latest full-length, The Streets Like Beds Still Warm follows “an overall formal asymmetry, like dream logic.” It is richly textured, moody, and deep and is as distinctly narrative as it is literally experimental. To call it a concept album, as big as that term is, would actually be to sell it short. It is, in fact, only the first part of a concept trilogy that tells the tale of one long night in the city, from dusk to dawn.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe Streets Like Beds Still Warm follows a lonely narrator as he drifts down avenues and in and out of bars and hospital rooms. He thinks on big questions and bigger questions, gets into some trouble, worries about his sick father, grapples with rivals and competitors who could be his friends but are not; he orders cocktails, dreams he is a genius, thinks about God and fate and so on. The record closes out at around 1:15am, leaving the story to be continued. If this sounds a bit noirish, that’s because it is. “Film noir detectives always start out looking immaculate, but by the end of the film they have a torn collar, a black eye, their slacks are stained, and they’ve started slapping people around in desperation,” Birnbaum says. “Are they the good guy anymore? I find this fascinating and I love the\u003cspan class=\"bcTruncateMore\"\u003e visual cues reflecting the internal landscape.” While there are no visual cues, per se, on The Streets Like Beds Still Warm, the record owes a great debut to cinematography.\u003cbr\u003e\u003cbr\u003eImpressionistic swirls of effected guitar, drums, and saxophone support Birnbaum’s husky and worldweary baritone croon which sometimes echoes Bill Fay. But at times, in all its dim-lit barroom storytelling, one may think of Tom Waits. It’s a comparison that threatens both to mislead and sell short, but it’s difficult not to see things while listening to The Streets Like Beds Still Warm –– perhaps a slowly swinging Tiffany lamp just above the narrator’s head as he’s a little more than half-drunk, scrawling a brilliantly poetic, antiheroic tale on a bar napkin. Be assured, though, this is not The Heart of Saturday Night and it’s not In the Wee Small Hours. In fact, The Streets Like Beds Still Warm’s musical precedents come from distinctly different corners of the musical universe. The band draws direct influence from the work of alt-jazz contemporaries Anna Butterss and Jeff Parker as well as ambient progenitor Brian Eno. One also hears echoes of Birnbaum’s series of mellow and dreamy Nightwater records, quasi-ambient four-track experiments. But while those beautiful recordings were solitary affairs, The Streets Like Beds Still Warm is certainly not[...]\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eArtist : Wilder Maker\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eLabel : Western Vinyl\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003ecat no : \u003cmeta charset=\"utf-8\"\u003eWV287lp\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-09-02T10:36:44+09:00","created_at":"2025-08-29T11:58:27+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","jazz","lp","new","western vinyl"],"price":358000,"price_min":358000,"price_max":358000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47666461475066,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Wilder Maker \/\/ The Streets Like Beds Still Warm LP","public_title":null,"options":["Default Title"],"price":358000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"843563186763","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/bed1_ca67b5d8-beeb-45cc-89f3-06a7edeb3056.jpg?v=1756436160","\/\/tobirarecords.com\/cdn\/shop\/files\/bed2_0c8b65e6-c913-4fd8-8ab8-1d07564ea36d.jpg?v=1756436160"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/bed1_ca67b5d8-beeb-45cc-89f3-06a7edeb3056.jpg?v=1756436160","options":["Title"],"media":[{"alt":null,"id":36676933517562,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bed1_ca67b5d8-beeb-45cc-89f3-06a7edeb3056.jpg?v=1756436160"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bed1_ca67b5d8-beeb-45cc-89f3-06a7edeb3056.jpg?v=1756436160","width":700},{"alt":null,"id":36676933550330,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bed2_0c8b65e6-c913-4fd8-8ab8-1d07564ea36d.jpg?v=1756436160"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bed2_0c8b65e6-c913-4fd8-8ab8-1d07564ea36d.jpg?v=1756436160","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eアメリカ・NYのジャズ・ポップバンドWilder Makerが、2025年9月に同国老舗レーベルWestern Vinylからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eアダルト・ポップ〜アンビエント・ジャズ17曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3590446895\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003ehere\u003c\/a\u003e to see more Western Vinyl releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Strange Meeting with Owls 02:14\u003cbr\u003e2. Skewered by the Daystar 01:53\u003cbr\u003e3. It Was a Flood\u003cbr\u003e4. Atlas on His Day Off\u003cbr\u003e5. Turn Signal\u003cbr\u003e6. And You Want to Be My Dog\u003cbr\u003e7. Secret Weather\u003cbr\u003e8. A Tavern Poem, Passed From Mouth to Mouth\u003cbr\u003e9. Another Bullshit Rodeo 01:16\u003cbr\u003e10. They Laugh That Win 01:25\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e11. Escape Artist\u003cbr\u003e\u003c\/span\u003e12. Darkness Leaning Like Water Against the Windows\u003cbr\u003e13. The Moon Says\u003cbr\u003e14. Horse \u0026amp; Hero\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e15. Demon Confrontation\u003cbr\u003e\u003c\/span\u003e16. Fixing the Past is a Sucker's Game\u003cbr\u003e17. Sea \u0026amp; Swimmer\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eText excerpt by Western Vinyl:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eBrooklyn band Wilder Maker’s principal songwriter, Gabriel Birnbaum says that the group’s latest full-length, The Streets Like Beds Still Warm follows “an overall formal asymmetry, like dream logic.” It is richly textured, moody, and deep and is as distinctly narrative as it is literally experimental. To call it a concept album, as big as that term is, would actually be to sell it short. It is, in fact, only the first part of a concept trilogy that tells the tale of one long night in the city, from dusk to dawn.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe Streets Like Beds Still Warm follows a lonely narrator as he drifts down avenues and in and out of bars and hospital rooms. He thinks on big questions and bigger questions, gets into some trouble, worries about his sick father, grapples with rivals and competitors who could be his friends but are not; he orders cocktails, dreams he is a genius, thinks about God and fate and so on. The record closes out at around 1:15am, leaving the story to be continued. If this sounds a bit noirish, that’s because it is. “Film noir detectives always start out looking immaculate, but by the end of the film they have a torn collar, a black eye, their slacks are stained, and they’ve started slapping people around in desperation,” Birnbaum says. “Are they the good guy anymore? I find this fascinating and I love the\u003cspan class=\"bcTruncateMore\"\u003e visual cues reflecting the internal landscape.” While there are no visual cues, per se, on The Streets Like Beds Still Warm, the record owes a great debut to cinematography.\u003cbr\u003e\u003cbr\u003eImpressionistic swirls of effected guitar, drums, and saxophone support Birnbaum’s husky and worldweary baritone croon which sometimes echoes Bill Fay. But at times, in all its dim-lit barroom storytelling, one may think of Tom Waits. It’s a comparison that threatens both to mislead and sell short, but it’s difficult not to see things while listening to The Streets Like Beds Still Warm –– perhaps a slowly swinging Tiffany lamp just above the narrator’s head as he’s a little more than half-drunk, scrawling a brilliantly poetic, antiheroic tale on a bar napkin. Be assured, though, this is not The Heart of Saturday Night and it’s not In the Wee Small Hours. In fact, The Streets Like Beds Still Warm’s musical precedents come from distinctly different corners of the musical universe. The band draws direct influence from the work of alt-jazz contemporaries Anna Butterss and Jeff Parker as well as ambient progenitor Brian Eno. One also hears echoes of Birnbaum’s series of mellow and dreamy Nightwater records, quasi-ambient four-track experiments. But while those beautiful recordings were solitary affairs, The Streets Like Beds Still Warm is certainly not[...]\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eArtist : Wilder Maker\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eLabel : Western Vinyl\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003ecat no : \u003cmeta charset=\"utf-8\"\u003eWV287lp\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・NYのジャズ・ポップバンドWilder Makerが、2025年9月に同国老舗レーベルWestern Vinylからリリースしたレコードです。 アダルト・ポップ〜アンビエント・ジャズ17曲を収録。 レーベルその他作品はこちら /// Click here to see more Western Vinyl releases available at Tobira. ...
¥3,580