Cool Maritime // Big Earth Energy LP
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Cool Maritime // Big Earth Energy LP
¥3,350
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アメリカのポストニューエイジ・アンビエント作家／映像作家Cool Maritimeが、2022年5月に同国Western Vinylからリリースしたレコードです。
躍動感のあるポストニューエイジ・アンビエント7曲を収録。
レーベルその他作品はこちら /// Click here to see more Western Vinyl releases available at Tobira.
----------------------------
Artist : Cool Maritime
Label : Western Vinyl
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{"id":8206167572730,"title":"Lamplight \/\/ Lamplight LP","handle":"lamplight-lamplight-lp","description":"\u003cp\u003e\u003cspan\u003eアメリカ・バージニアのインディーフォーク作家Lamplightが、2024年3月に同国老舗レーベルWestern Vinylからリリースしたデビューレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eインディー・フォークロック9曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/A32ea6uaGIM?si=H8CidRkic_F9VLwf\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/KhI_En3cGeI?si=aIznDR2bUWyPJvZb\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1111231400\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003ehere\u003c\/a\u003e to see more Western Vinyl releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Ask us for digital files.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePlay\u003c\/li\u003e\n\u003cli\u003eConfrontation 04:43\u003c\/li\u003e\n\u003cli\u003eStillness\u003c\/li\u003e\n\u003cli\u003eLamplight 02:48\u003c\/li\u003e\n\u003cli\u003eCall Your Mom 04:59\u003c\/li\u003e\n\u003cli\u003eHouse Rules 03:52\u003c\/li\u003e\n\u003cli\u003eSoft Blue\u003c\/li\u003e\n\u003cli\u003eEmpathy\u003c\/li\u003e\n\u003cli\u003eHoney\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003eText excerpt by Western Vinyl:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e\"\u003cem\u003eIn the sway of a rural breeze, Ian Hatcher-Williams’ vocals soothe and enchant the listener on his self-titled debut album as Lamplight, which recounts his odyssey from a child raised in a Virginia cult, to a burned out tech worker in New York, and then back to Virginia, happily married to his childhood friend. Throughout the album, Hatcher-Williams explores identity as it relates to where a person is from and evolves with where they live, and how that facet of self is further compounded by the amount of agency one has over where they call home. To some extent, Lamplight is about learning when to take the reins, and when to let go—discovering what parts of yourself should be pruned, so new branches can grow.\u003c\/em\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e[...]\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003eThe dreamlike Lamplight feels at once familiar and new; it’s a room you recognize but can’t quite place, the fragment of a memory that you can’t pin down. There’s love but also panic attacks, realizations and reckonings, questionings alongside resignations, and confrontation as well as avoidance. With a brushed and skittering 6\/8 shuffle, opening track \"Play\" emerges over the horizon like a sunrise full of hope and potential, as Hatcher-Williams contemplates the uncertainties of returning to Appalachia. The album's title track, in a few spare lines, traces his and his partner's history from meeting at age 11, to getting married and moving to the big city, and then back to Virginia for the next stage of their lifelong relationship. In the song he weeps, knowing that one way or another their remarkable cosmic braid will come to an end. A drunken moment in a piss-soaked Brooklyn bar bathroom led to the idea for lead single \"Call Your Mom\"—a song that beautifully articulates the modern struggle to keep in touch with those who matter to us most. As the list of people he's drifted away from grows, so does the paralyzing inertia that keeps him from reaching out to reconnect.\u003cbr\u003e\u003cbr\u003eLamplight winds down with a lump-in-the-throat tenderness and spartan clarity on \"Honey.\" Initially written to express sentiments of support and acceptance from his father, the song ends up feeling like Hatcher-Williams’ loving message to the listener: \"Be kind to yourself. I'm here if you wanna talk.\" By the end of the album, you get the sense that Ian Hatcher-Williams has learned that he's not the dogma that over-promised and under-delivered, and he's not the youthful ambition that led him to the brink of self-destruction. He's a soft machine with limitations, improvising and adapting, seeking balance and a sense of place, just like everyone else.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lamplight\u003c\/p\u003e\n\u003cp\u003eLabel : Western Vinyl\u003c\/p\u003e\n\u003cp\u003eCAT No.: \u003cspan data-mce-fragment=\"1\"\u003eWV262\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-03-06T20:20:40+09:00","created_at":"2024-03-05T15:39:53+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","new","western vinyl"],"price":329000,"price_min":329000,"price_max":329000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45286226723066,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Lamplight \/\/ Lamplight LP","public_title":null,"options":["Default Title"],"price":329000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/lam1_a31c68cb-e571-4bf1-b579-9dda31d5fa8c.jpg?v=1709620795","\/\/tobirarecords.com\/cdn\/shop\/files\/lam2.jpg?v=1709620794"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/lam1_a31c68cb-e571-4bf1-b579-9dda31d5fa8c.jpg?v=1709620795","options":["Title"],"media":[{"alt":null,"id":33307162935546,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lam1_a31c68cb-e571-4bf1-b579-9dda31d5fa8c.jpg?v=1709620795"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lam1_a31c68cb-e571-4bf1-b579-9dda31d5fa8c.jpg?v=1709620795","width":700},{"alt":null,"id":33307163001082,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lam2.jpg?v=1709620794"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lam2.jpg?v=1709620794","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eアメリカ・バージニアのインディーフォーク作家Lamplightが、2024年3月に同国老舗レーベルWestern Vinylからリリースしたデビューレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eインディー・フォークロック9曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/A32ea6uaGIM?si=H8CidRkic_F9VLwf\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/KhI_En3cGeI?si=aIznDR2bUWyPJvZb\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1111231400\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003ehere\u003c\/a\u003e to see more Western Vinyl releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Ask us for digital files.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePlay\u003c\/li\u003e\n\u003cli\u003eConfrontation 04:43\u003c\/li\u003e\n\u003cli\u003eStillness\u003c\/li\u003e\n\u003cli\u003eLamplight 02:48\u003c\/li\u003e\n\u003cli\u003eCall Your Mom 04:59\u003c\/li\u003e\n\u003cli\u003eHouse Rules 03:52\u003c\/li\u003e\n\u003cli\u003eSoft Blue\u003c\/li\u003e\n\u003cli\u003eEmpathy\u003c\/li\u003e\n\u003cli\u003eHoney\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003eText excerpt by Western Vinyl:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e\"\u003cem\u003eIn the sway of a rural breeze, Ian Hatcher-Williams’ vocals soothe and enchant the listener on his self-titled debut album as Lamplight, which recounts his odyssey from a child raised in a Virginia cult, to a burned out tech worker in New York, and then back to Virginia, happily married to his childhood friend. Throughout the album, Hatcher-Williams explores identity as it relates to where a person is from and evolves with where they live, and how that facet of self is further compounded by the amount of agency one has over where they call home. To some extent, Lamplight is about learning when to take the reins, and when to let go—discovering what parts of yourself should be pruned, so new branches can grow.\u003c\/em\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e[...]\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003eThe dreamlike Lamplight feels at once familiar and new; it’s a room you recognize but can’t quite place, the fragment of a memory that you can’t pin down. There’s love but also panic attacks, realizations and reckonings, questionings alongside resignations, and confrontation as well as avoidance. With a brushed and skittering 6\/8 shuffle, opening track \"Play\" emerges over the horizon like a sunrise full of hope and potential, as Hatcher-Williams contemplates the uncertainties of returning to Appalachia. The album's title track, in a few spare lines, traces his and his partner's history from meeting at age 11, to getting married and moving to the big city, and then back to Virginia for the next stage of their lifelong relationship. In the song he weeps, knowing that one way or another their remarkable cosmic braid will come to an end. A drunken moment in a piss-soaked Brooklyn bar bathroom led to the idea for lead single \"Call Your Mom\"—a song that beautifully articulates the modern struggle to keep in touch with those who matter to us most. As the list of people he's drifted away from grows, so does the paralyzing inertia that keeps him from reaching out to reconnect.\u003cbr\u003e\u003cbr\u003eLamplight winds down with a lump-in-the-throat tenderness and spartan clarity on \"Honey.\" Initially written to express sentiments of support and acceptance from his father, the song ends up feeling like Hatcher-Williams’ loving message to the listener: \"Be kind to yourself. I'm here if you wanna talk.\" By the end of the album, you get the sense that Ian Hatcher-Williams has learned that he's not the dogma that over-promised and under-delivered, and he's not the youthful ambition that led him to the brink of self-destruction. He's a soft machine with limitations, improvising and adapting, seeking balance and a sense of place, just like everyone else.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lamplight\u003c\/p\u003e\n\u003cp\u003eLabel : Western Vinyl\u003c\/p\u003e\n\u003cp\u003eCAT No.: \u003cspan data-mce-fragment=\"1\"\u003eWV262\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・バージニアのインディーフォーク作家Lamplightが、2024年3月に同国老舗レーベルWestern Vinylからリリースしたデビューレコードです。 インディー・フォークロック9曲を収録。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします レーベルその他作品はこちら /// Click here to see more Western Vinyl releases available at Tobira. ...
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![Art Feynman // Be Good The Crazy Boys LP [COLOR]](http://tobirarecords.com/cdn/shop/files/be1_6460df52-48c0-4bea-b6ff-b6aba98ae05a_medium.jpg?v=1699091277)
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{"id":8065903591674,"title":"Art Feynman \/\/ Be Good The Crazy Boys LP [COLOR]","handle":"art-feynman-be-good-the-crazy-boys-lp-color","description":"\u003cp\u003e\u003cspan\u003eインディーロックバンドHere We Go Magicとしても活動していたアメリカ・カリフォルニアのポップ作家 Luke Temple aka Art Feynmanが、2023年11月に同国老舗レーベルWestern Vinylからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eファンキーなインディーポップ〜ポストパンク9曲を収録。緑盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1091076523\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3365580285\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003ciframe style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem; border-width: 0px; border-style: initial; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1091076523\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003ehere\u003c\/a\u003e to see more Western Vinyl releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Ask us for digital files.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eEarly Signs of Rhythm 03:37\u003c\/li\u003e\n\u003cli\u003eIn CD\u003c\/li\u003e\n\u003cli\u003eTherapy at 3pm\u003c\/li\u003e\n\u003cli\u003eAll I Can Do 05:31\u003c\/li\u003e\n\u003cli\u003eHe Dances\u003c\/li\u003e\n\u003cli\u003ePassed Over 04:19\u003c\/li\u003e\n\u003cli\u003eChasing My Life\u003c\/li\u003e\n\u003cli\u003eDesperately Free 04:32\u003c\/li\u003e\n\u003cli\u003eI Do\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eWestern Vinyl:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eUntil now, Art Feynman has strictly been a solo act, a way for Temple to explore surprising sonic landscapes without the burdens of identity. Slightly twisted takes on Kosmische musik, worldbeat, and art pop can be found scattered across the Art Feynman discography, but with Be Good The Crazy Boys, Temple fully immerses himself into pools of collective madness.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAfter living in NYC for two decades, Luke Temple moved to a rural part of Northern California for six years in which the first two Art Feynman records were made. It served as a needed decompression. Due to some unexpected life changes, Temple moved to Los Angeles spawning a flurry of writing and wanted to play the new music live. Temple booked a residency at the Permanent Records Roadhouse which went better than expected and made very clear the music needed to be recorded.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eUnlike the first two Art Feynman albums, Be Good The Crazy Boys was recorded live in-studio with a full band. The result captures a spirit of restless anxiety, and recalls the most frenetic work by Talking Heads, or Oingo Boingo at their darkest. \"Sonically, I was inspired by records that were recorded at the late Compass Point Studios in the Bahamas such as Grace Jones' ‘Private\u003cspan class=\"bcTruncateMore\"\u003e Life,’ Lizzy Mercier Descloux's Mambo Nassau, and Talking Heads' Remain in Light.\" Despite these callbacks, Be Good The Crazy Boys remains firmly rooted in modern concerns, with songs about fearing the end of the world and struggling with FOMO — narratives that would be relatable if they didn’t sound so completely unhinged.\u003cbr\u003e\u003cbr\u003eWith Be Good The Crazy Boys, Art Feynman proves to be more than just a character. He represents the part of the modern, collective consciousness that’s struggling to maintain balance in a toxic, chaotic world. In less skilled hands, that concept could result in a very somber listen. Fortunately, when Art Feynman gets his hands on the chaos of the modern age, it simply makes you want to dance.\u003cbr\u003e\u003cbr\u003e“To me,” Temple explains, “there was a lot of energy that needed to be released as the result of living in isolation for six years. It also seems to speak to a general anxiety we’re all holding, but it’s expressed in a cathartic way.” It’s this acknowledgement of general anxiety that separates Feynman from the other fictional personas that have been cropping up in the music world lately. Feynman doesn’t sound suave, confident, or even heartbroken in these songs; it sounds like he’s on the verge of a panic attack.\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e \"\u003c\/em\u003e\u003ca\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cp\u003eArtist : Art Feynman\u003c\/p\u003e\n\u003cp\u003eLabel : Western Vinyl\u003c\/p\u003e","published_at":"2023-11-07T06:35:33+09:00","created_at":"2023-11-04T18:47:55+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","new","western vinyl"],"price":329000,"price_min":329000,"price_max":329000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44728761024762,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Art Feynman \/\/ Be Good The Crazy Boys LP [COLOR]","public_title":null,"options":["Default Title"],"price":329000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/be1_6460df52-48c0-4bea-b6ff-b6aba98ae05a.jpg?v=1699091277","\/\/tobirarecords.com\/cdn\/shop\/files\/be2_1f40798a-3630-4cef-8dcd-1f2dfe95949a.jpg?v=1699091277"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_6460df52-48c0-4bea-b6ff-b6aba98ae05a.jpg?v=1699091277","options":["Title"],"media":[{"alt":null,"id":32642199683322,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_6460df52-48c0-4bea-b6ff-b6aba98ae05a.jpg?v=1699091277"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_6460df52-48c0-4bea-b6ff-b6aba98ae05a.jpg?v=1699091277","width":700},{"alt":null,"id":32642199716090,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be2_1f40798a-3630-4cef-8dcd-1f2dfe95949a.jpg?v=1699091277"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be2_1f40798a-3630-4cef-8dcd-1f2dfe95949a.jpg?v=1699091277","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eインディーロックバンドHere We Go Magicとしても活動していたアメリカ・カリフォルニアのポップ作家 Luke Temple aka Art Feynmanが、2023年11月に同国老舗レーベルWestern Vinylからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eファンキーなインディーポップ〜ポストパンク9曲を収録。緑盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1091076523\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3365580285\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003ciframe style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem; border-width: 0px; border-style: initial; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1091076523\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003ehere\u003c\/a\u003e to see more Western Vinyl releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Ask us for digital files.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eEarly Signs of Rhythm 03:37\u003c\/li\u003e\n\u003cli\u003eIn CD\u003c\/li\u003e\n\u003cli\u003eTherapy at 3pm\u003c\/li\u003e\n\u003cli\u003eAll I Can Do 05:31\u003c\/li\u003e\n\u003cli\u003eHe Dances\u003c\/li\u003e\n\u003cli\u003ePassed Over 04:19\u003c\/li\u003e\n\u003cli\u003eChasing My Life\u003c\/li\u003e\n\u003cli\u003eDesperately Free 04:32\u003c\/li\u003e\n\u003cli\u003eI Do\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eWestern Vinyl:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eUntil now, Art Feynman has strictly been a solo act, a way for Temple to explore surprising sonic landscapes without the burdens of identity. Slightly twisted takes on Kosmische musik, worldbeat, and art pop can be found scattered across the Art Feynman discography, but with Be Good The Crazy Boys, Temple fully immerses himself into pools of collective madness.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAfter living in NYC for two decades, Luke Temple moved to a rural part of Northern California for six years in which the first two Art Feynman records were made. It served as a needed decompression. Due to some unexpected life changes, Temple moved to Los Angeles spawning a flurry of writing and wanted to play the new music live. Temple booked a residency at the Permanent Records Roadhouse which went better than expected and made very clear the music needed to be recorded.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eUnlike the first two Art Feynman albums, Be Good The Crazy Boys was recorded live in-studio with a full band. The result captures a spirit of restless anxiety, and recalls the most frenetic work by Talking Heads, or Oingo Boingo at their darkest. \"Sonically, I was inspired by records that were recorded at the late Compass Point Studios in the Bahamas such as Grace Jones' ‘Private\u003cspan class=\"bcTruncateMore\"\u003e Life,’ Lizzy Mercier Descloux's Mambo Nassau, and Talking Heads' Remain in Light.\" Despite these callbacks, Be Good The Crazy Boys remains firmly rooted in modern concerns, with songs about fearing the end of the world and struggling with FOMO — narratives that would be relatable if they didn’t sound so completely unhinged.\u003cbr\u003e\u003cbr\u003eWith Be Good The Crazy Boys, Art Feynman proves to be more than just a character. He represents the part of the modern, collective consciousness that’s struggling to maintain balance in a toxic, chaotic world. In less skilled hands, that concept could result in a very somber listen. Fortunately, when Art Feynman gets his hands on the chaos of the modern age, it simply makes you want to dance.\u003cbr\u003e\u003cbr\u003e“To me,” Temple explains, “there was a lot of energy that needed to be released as the result of living in isolation for six years. It also seems to speak to a general anxiety we’re all holding, but it’s expressed in a cathartic way.” It’s this acknowledgement of general anxiety that separates Feynman from the other fictional personas that have been cropping up in the music world lately. Feynman doesn’t sound suave, confident, or even heartbroken in these songs; it sounds like he’s on the verge of a panic attack.\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e \"\u003c\/em\u003e\u003ca\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cp\u003eArtist : Art Feynman\u003c\/p\u003e\n\u003cp\u003eLabel : Western Vinyl\u003c\/p\u003e"}
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インディーロックバンドHere We Go Magicとしても活動していたアメリカ・カリフォルニアのポップ作家 Luke Temple aka Art Feynmanが、2023年11月に同国老舗レーベルWestern Vinylからリリースしたレコードです。 ファンキーなインディーポップ〜ポストパンク9曲を収録。緑盤です。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします レーベルその他作品はこちら /// Click here to see...
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![Lightning Dust // Nostalgia Killer LP [COLOR]](http://tobirarecords.com/cdn/shop/files/ki1_f4de61bd-8b82-47fe-b9f1-4e9220449388_medium.jpg?v=1686228619)
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{"id":7982963687674,"title":"Lightning Dust \/\/ Nostalgia Killer LP [COLOR]","handle":"lightning-dust-nostalgia-killer-lp-color","description":"\u003cp\u003eカナダ・バンクーバーのフォーク・ロックデュオLightning Dustが、2023年6月にアメリカの老舗インディーレーベルWestern Vinylからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eサイケ・フォーク〜フォーク・ロック10曲を収録。DLコード付属。黒マーブル盤です。 \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1625704389\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003ehere\u003c\/a\u003e to see more Western Vinyl releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" 'COSMIC AMBER' color vinyl. Includes DL code.\u003c\/p\u003e\n\u003cp\u003eWestern Vinyl:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn 2019, Lightning Dust broke up. Not the band, but Amber Webber and Joshua Wells–the couple at the core of it–ended their longtime relationship. In the wake of the split, the two musicians realized that Lightning Dust was still important to them and decided to stay together as an artistic partnership. The experience made them think about nostalgia as a concept and how this sort of longing for the past can be destructive, cancerous, useless. Webber and Wells reconvened virtually in mid-2020 to work together again as creative comrades, sharing some new ideas by correspondence, stitching together their song fragments into the dramatic arrangements now heard across Lightning Dust’s forthcoming new album, Nostalgia Killer.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eNostalgia Killer. The title couldn’t set a more perfect expectation for what the album holds. Hearing those words together, one might anticipate something harder, more chilly and severe. But what happens is quite the opposite: listeners find themselves wandering into someplace warm, guided by familiar sounds and voices. Little do they know they’ll soon be flung into a climate unknown. Throw away the old coat–these songs signal a new season.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLightning Dust have created a world unto itself with\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Nostalgia Killer, one with depth and space, with its own light and air, a humidity you can move through–thick with emotion, sticky with unresolved, living feelings. There’s a sense of refusing to let the past engulf us, and yet there is still so much love for those layers of experience. This is a winding and moving album. Sensual, confessional, and free of fences. Each song builds with inexorable force, often pulling back to a whisper before washing over the listener completely. With their wealth of new imagery and the most incandescent flights, Lightning Dust sweeps you away from wherever you happen to be.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRecorded over three sessions in tiny, self-made home studios in Vancouver (Webber) and Chicago (Wells), Nostalgia Killer churns with thick walls of synths and memorable bass lines that rise to chill-inducing heights. But the production also purposefully maintains space around Webber’s singular voice as she sings of loss, time, and romantic warfare like some kind of cosmic Stevie Nicks. The epic scope becomes instantly apparent on opener “Wrecked,” a song Webber says is about “self-destructing with a hope of landing on my feet,” and which kicks off with nearly a dozen bass tracks that overlap and stumble over each other before locking into a tight homage to “Driver’s Seat.” The first words you hear are her promise “I’m gonna wreck my mind but I’ll get it back in line,” her remarkable vocal performance laden with expertly-crafted harmonies and instant sing-along appeal. The band shifts gears on the lead single “Run,” a propulsive anthem that’s somehow arena-ready and devastatingly intimate all at once. “Hold me under, I’m on my own and numb,” Webber sings, as the track explodes into a dramatic bridge dripping with bombastic synth pads and electric guitar.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Rapids and Rivers” and the stunning “Different War” take an even more confessional tone, and are both so personal that Webber couldn’t bear to revisit them until a year after the demos were recorded. “They were both written as a form of therapy,” she explains, though her songwriting process is generally more conduit-like and less intentionally therapeutic. “But I began to think that they were a crucial part of the album’s story.” Wells’ masterful production and arrangement skills take center stage on songs like the multi-part “Feel That,” which–as one of the few tracks on Nostalgia Killer that isn’t entirely performed by him and Webber–boasts a thrilling orchestral section performed by Meredith Bates and electric guitar from Rob Butterfield (a Lightning Dust touring member). The closing track “Shadows of Verona” guides the listener into an entirely different realm, a sacred space born from a meditative piano piece of Wells and transformed into something dark but uplifting by Webber’s chant-like vocals and a droning organ.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAcross Nostalgia Killer, Lighting Dust introduces a sound that feels vaguely familiar while forming a mythology all of their own. Although this exact work may not have been created if it wasn’t for the duo’s separation, it would be wrong to simply call it a break-up album. The songs here don’t merely travel that well-trod landscape, they reinvent the scene altogether; after all, sometimes love needs reinventing. Nostalgia Killer is about something that affects us all, which is how we make sense of the world and each other over time and across borders. And far out as always, Lightning Dust is reinvented here magnificently.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lightning Dust\u003c\/p\u003e\n\u003cp\u003eLabel : Western Vinyl\u003c\/p\u003e","published_at":"2023-06-09T09:42:24+09:00","created_at":"2023-06-08T21:50:16+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","new","western vinyl"],"price":339000,"price_min":339000,"price_max":339000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44271933325562,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Lightning Dust \/\/ Nostalgia Killer LP [COLOR]","public_title":null,"options":["Default Title"],"price":339000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ki1_f4de61bd-8b82-47fe-b9f1-4e9220449388.jpg?v=1686228619","\/\/tobirarecords.com\/cdn\/shop\/files\/ki2_8a080a3a-b727-4403-b54c-980212f75b70.jpg?v=1686228618","\/\/tobirarecords.com\/cdn\/shop\/files\/ki3_c5ee0ec4-adae-42c8-bec4-310aeea51767.jpg?v=1686228618"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ki1_f4de61bd-8b82-47fe-b9f1-4e9220449388.jpg?v=1686228619","options":["Title"],"media":[{"alt":null,"id":32092903473402,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ki1_f4de61bd-8b82-47fe-b9f1-4e9220449388.jpg?v=1686228619"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ki1_f4de61bd-8b82-47fe-b9f1-4e9220449388.jpg?v=1686228619","width":700},{"alt":null,"id":32092903506170,"position":2,"preview_image":{"aspect_ratio":2.41,"height":498,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ki2_8a080a3a-b727-4403-b54c-980212f75b70.jpg?v=1686228618"},"aspect_ratio":2.41,"height":498,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ki2_8a080a3a-b727-4403-b54c-980212f75b70.jpg?v=1686228618","width":1200},{"alt":null,"id":32092903538938,"position":3,"preview_image":{"aspect_ratio":2.484,"height":483,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ki3_c5ee0ec4-adae-42c8-bec4-310aeea51767.jpg?v=1686228618"},"aspect_ratio":2.484,"height":483,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ki3_c5ee0ec4-adae-42c8-bec4-310aeea51767.jpg?v=1686228618","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eカナダ・バンクーバーのフォーク・ロックデュオLightning Dustが、2023年6月にアメリカの老舗インディーレーベルWestern Vinylからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eサイケ・フォーク〜フォーク・ロック10曲を収録。DLコード付属。黒マーブル盤です。 \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1625704389\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003ehere\u003c\/a\u003e to see more Western Vinyl releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" 'COSMIC AMBER' color vinyl. Includes DL code.\u003c\/p\u003e\n\u003cp\u003eWestern Vinyl:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn 2019, Lightning Dust broke up. Not the band, but Amber Webber and Joshua Wells–the couple at the core of it–ended their longtime relationship. In the wake of the split, the two musicians realized that Lightning Dust was still important to them and decided to stay together as an artistic partnership. The experience made them think about nostalgia as a concept and how this sort of longing for the past can be destructive, cancerous, useless. Webber and Wells reconvened virtually in mid-2020 to work together again as creative comrades, sharing some new ideas by correspondence, stitching together their song fragments into the dramatic arrangements now heard across Lightning Dust’s forthcoming new album, Nostalgia Killer.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eNostalgia Killer. The title couldn’t set a more perfect expectation for what the album holds. Hearing those words together, one might anticipate something harder, more chilly and severe. But what happens is quite the opposite: listeners find themselves wandering into someplace warm, guided by familiar sounds and voices. Little do they know they’ll soon be flung into a climate unknown. Throw away the old coat–these songs signal a new season.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLightning Dust have created a world unto itself with\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Nostalgia Killer, one with depth and space, with its own light and air, a humidity you can move through–thick with emotion, sticky with unresolved, living feelings. There’s a sense of refusing to let the past engulf us, and yet there is still so much love for those layers of experience. This is a winding and moving album. Sensual, confessional, and free of fences. Each song builds with inexorable force, often pulling back to a whisper before washing over the listener completely. With their wealth of new imagery and the most incandescent flights, Lightning Dust sweeps you away from wherever you happen to be.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRecorded over three sessions in tiny, self-made home studios in Vancouver (Webber) and Chicago (Wells), Nostalgia Killer churns with thick walls of synths and memorable bass lines that rise to chill-inducing heights. But the production also purposefully maintains space around Webber’s singular voice as she sings of loss, time, and romantic warfare like some kind of cosmic Stevie Nicks. The epic scope becomes instantly apparent on opener “Wrecked,” a song Webber says is about “self-destructing with a hope of landing on my feet,” and which kicks off with nearly a dozen bass tracks that overlap and stumble over each other before locking into a tight homage to “Driver’s Seat.” The first words you hear are her promise “I’m gonna wreck my mind but I’ll get it back in line,” her remarkable vocal performance laden with expertly-crafted harmonies and instant sing-along appeal. The band shifts gears on the lead single “Run,” a propulsive anthem that’s somehow arena-ready and devastatingly intimate all at once. “Hold me under, I’m on my own and numb,” Webber sings, as the track explodes into a dramatic bridge dripping with bombastic synth pads and electric guitar.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Rapids and Rivers” and the stunning “Different War” take an even more confessional tone, and are both so personal that Webber couldn’t bear to revisit them until a year after the demos were recorded. “They were both written as a form of therapy,” she explains, though her songwriting process is generally more conduit-like and less intentionally therapeutic. “But I began to think that they were a crucial part of the album’s story.” Wells’ masterful production and arrangement skills take center stage on songs like the multi-part “Feel That,” which–as one of the few tracks on Nostalgia Killer that isn’t entirely performed by him and Webber–boasts a thrilling orchestral section performed by Meredith Bates and electric guitar from Rob Butterfield (a Lightning Dust touring member). The closing track “Shadows of Verona” guides the listener into an entirely different realm, a sacred space born from a meditative piano piece of Wells and transformed into something dark but uplifting by Webber’s chant-like vocals and a droning organ.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAcross Nostalgia Killer, Lighting Dust introduces a sound that feels vaguely familiar while forming a mythology all of their own. Although this exact work may not have been created if it wasn’t for the duo’s separation, it would be wrong to simply call it a break-up album. The songs here don’t merely travel that well-trod landscape, they reinvent the scene altogether; after all, sometimes love needs reinventing. Nostalgia Killer is about something that affects us all, which is how we make sense of the world and each other over time and across borders. And far out as always, Lightning Dust is reinvented here magnificently.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lightning Dust\u003c\/p\u003e\n\u003cp\u003eLabel : Western Vinyl\u003c\/p\u003e"}
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カナダ・バンクーバーのフォーク・ロックデュオLightning Dustが、2023年6月にアメリカの老舗インディーレーベルWestern Vinylからリリースしたレコードです。 サイケ・フォーク〜フォーク・ロック10曲を収録。DLコード付属。黒マーブル盤です。 レーベルその他作品はこちら /// Click here to see more Western Vinyl releases available at Tobira. ...
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{"id":7961571524858,"title":"Heather Woods Broderick \/\/ Labyrinth LP [COLOR] \/ CD","handle":"heather-woods-broderick-labyrinth-lp-color-cd","description":"\u003cp\u003eアメリカのドリームポップ作家Heather Woods Broderickが、2023年4月に同国老舗インディーレーベルWestern Vinylからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eDauwからリリースした前作とは打って変わって全面的にボーカルを取り入れたドリームポップ10曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3129551656\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003ehere\u003c\/a\u003e to see more Western Vinyl releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eAvailable on 12\" black vinyl, 12\" 'Cloudburst' vinyl (grey and white vinyl w\/ 'galaxy' effect), or CD in digipak. \u003c\/p\u003e\n\u003cp\u003eText by Western Vinyl:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe word labyrinth is often used interchangeably with the word maze. But unlike a maze — which has multiple branching paths — historians argue that the traditional labyrinth consists of a single path, one that’s been elaborately constructed to unfurl with all of the mystery and incomprehensible beauty of life. Using this definition, completing a labyrinth isn’t about choosing the right path, it’s about choosing to persist at all.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAcross her new album Labyrinth, Heather Woods Broderick serves as our reflective host, subverting expectations of conventional songcraft with impressionistic language and quietly relentless explorations of the human experience that’s at once light and dark, more circular and less linear. “Many of us yearn for stillness and peace, as an escape from the movement all around us,” she explains when asked about the themes of the album. “Yet movement is perpetual, happening all the time on some level. It’s as wild as the wind, yet eternally predictable in its inevitability. It is linear in part, but infinite in its circuitry. Our lives just punctuate it.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSo perhaps it’s fitting that Labyrinth begins with an account of the artist on the road. “Driving west at night” she sings on the curtain-raiser \"As I Left,\" “Getting darker at the same time\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e it’s getting light.” This vignette of Broderick escaping the approach of dawn sets the stage for the rest of the album, a collection of beautifully-sung tone poems that pulse with elements of trip hop, true-to-life songcraft, and occasional peaks of electro-pop grandeur. The songs are also among her most spare to date, reflecting a natural, conscious progression towards being more exposed in her music, with her honeyed vocals upfront and the songs’ essence immediate to listeners.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBroderick began crafting Labyrinth in March 2020, when most forms of movement were brought to a screeching halt. The Maine-born, Los Angeles-based songwriter — who, in addition to her work as a solo musician, built a life playing and touring with acts such as Sharon Van Etten, Beth Orton, Damien Jurado, and Efterklang — was suddenly forced off the road for the first time in her career. She used this disruption as an opportunity to pare down her creation process and construct the scaffolding for Labyrinth in her apartment. Employing only the most crucial tools at her disposal, Broderick found herself opening different artistic doors as she focused on sharpening her recording skills, capturing the majority of the album on her own before finishing the remainder with co-producer D. James Goodwin.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis new DIY approach is evident on tracks like “As I Left,” a stripped-down ballad that sees Broderick contemplating the illusory nature of place and memory when one is constantly traveling. In other moments, her rabbit-from-a-hat essentialism results in songs that feel huge despite their sparse palette; “Crashing Against the Sun” may be the most stadium-ready she has ever sounded, complete with romantic synth-lines, splashing arena drums, and a wide sense of sonic-framing. On the richly-produced “I Want To Go,” Broderick employs a Tricky-esque beat and stabs of distortion as she describes the restless quality of her dreams and a longing to return to the natural world. Her lyrics feel almost venomous on the piano and bass-led “Wherever I Go,” in which she describes an empire “...where the dry land cracks beneath the asphalt...and the colonies of supple grubs fill them up one by one.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDespite the evocative, often gorgeous songwriting, it’s clear that Broderick isn’t here to comfort or assuage; she’s a painter depicting a landscape, an observant traveler through realms of memory and thought. This becomes particularly apparent on lead single “Blood Run Through Me,” with its skeletal beat and neon-cloaked bassline helping to build the song to soaring, chill-inducing heights. Goodwin and singer-songwriter Lisa Hannigan join Broderick on vocals, providing a brief moment of camaraderie and unity, even as the lyrics describe how “we're tapped out \/ too much reaching for each other’s lives.” A stillness fills the air on stunning closer “What Does Love Care,\" in which Broderick wakes but stays in bed one morning, listening to birdsong and observing the sunlight. Her mind wanders as she imagines the end of the anthropocene, when “the greens are greener than we’ve ever seen.” She contemplates “how happy the bottom dwellers must be \/ less heavy feet and fewer ships on the sea” amid a landscape of organ and restrained reverberating drums, before asking flatly “it’s all about love, and what does love need?” She answers a moment later, the final words heard on the album: “It doesn’t take much to water the seed.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFor all of Broderick’s sage lyricism and vocal authority, Labyrinth never provides the listener with any easy answers. If the image of the labyrinth represents the enormity of modern life and the difficulty of navigating it, Heather Woods Broderick provides a guide to its endless kinetic wonders — of being present, aware, and connected despite its disconnects. She describes the texture of its walls, its indifferent rhythms, and the inherent poeticism of feeling lost amid the confusion and unexpected turns. At this point in our history, perhaps that’s all we need to keep moving.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Heather Woods Broderick\u003c\/p\u003e\n\u003cp\u003eLabel : Western Vinyl \u003c\/p\u003e","published_at":"2023-04-21T09:38:36+09:00","created_at":"2023-04-20T18:13:24+09:00","vendor":"Tobira Records","type":"","tags":["cd","lp","new","western vinyl"],"price":198000,"price_min":198000,"price_max":348000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44181579235578,"title":"LP [COLOR]","option1":"LP [COLOR]","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":39248224190714,"product_id":7961571524858,"position":4,"created_at":"2023-04-20T18:13:50+09:00","updated_at":"2023-04-20T18:13:51+09:00","alt":null,"width":1200,"height":850,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/he4_59cec818-af67-4194-88e6-83b0449cd4a2.jpg?v=1681982031","variant_ids":[44181579235578]},"available":true,"name":"Heather Woods Broderick \/\/ Labyrinth LP [COLOR] \/ CD - LP [COLOR]","public_title":"LP [COLOR]","options":["LP [COLOR]"],"price":348000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":31856925507834,"position":4,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/he4_59cec818-af67-4194-88e6-83b0449cd4a2.jpg?v=1681982031"}},"requires_selling_plan":false,"selling_plan_allocations":[]},{"id":44181579268346,"title":"LP [BLACK]","option1":"LP [BLACK]","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":39248222945530,"product_id":7961571524858,"position":2,"created_at":"2023-04-20T18:13:24+09:00","updated_at":"2023-04-20T18:13:26+09:00","alt":null,"width":1200,"height":850,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/he2_815b0870-2f15-4b71-b79c-2d3f7414725a.jpg?v=1681982006","variant_ids":[44181579268346]},"available":true,"name":"Heather Woods Broderick \/\/ Labyrinth LP [COLOR] \/ CD - LP [BLACK]","public_title":"LP [BLACK]","options":["LP [BLACK]"],"price":328000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":31856924328186,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/he2_815b0870-2f15-4b71-b79c-2d3f7414725a.jpg?v=1681982006"}},"requires_selling_plan":false,"selling_plan_allocations":[]},{"id":44181579301114,"title":"CD","option1":"CD","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":39248222978298,"product_id":7961571524858,"position":3,"created_at":"2023-04-20T18:13:24+09:00","updated_at":"2023-04-20T18:13:26+09:00","alt":null,"width":1200,"height":850,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/he3_e42f8fd5-d4fb-46a6-aa6d-21b00bfa9587.jpg?v=1681982006","variant_ids":[44181579301114]},"available":true,"name":"Heather Woods Broderick \/\/ Labyrinth LP [COLOR] \/ CD - 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But unlike a maze — which has multiple branching paths — historians argue that the traditional labyrinth consists of a single path, one that’s been elaborately constructed to unfurl with all of the mystery and incomprehensible beauty of life. Using this definition, completing a labyrinth isn’t about choosing the right path, it’s about choosing to persist at all.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAcross her new album Labyrinth, Heather Woods Broderick serves as our reflective host, subverting expectations of conventional songcraft with impressionistic language and quietly relentless explorations of the human experience that’s at once light and dark, more circular and less linear. “Many of us yearn for stillness and peace, as an escape from the movement all around us,” she explains when asked about the themes of the album. “Yet movement is perpetual, happening all the time on some level. It’s as wild as the wind, yet eternally predictable in its inevitability. It is linear in part, but infinite in its circuitry. Our lives just punctuate it.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSo perhaps it’s fitting that Labyrinth begins with an account of the artist on the road. “Driving west at night” she sings on the curtain-raiser \"As I Left,\" “Getting darker at the same time\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e it’s getting light.” This vignette of Broderick escaping the approach of dawn sets the stage for the rest of the album, a collection of beautifully-sung tone poems that pulse with elements of trip hop, true-to-life songcraft, and occasional peaks of electro-pop grandeur. The songs are also among her most spare to date, reflecting a natural, conscious progression towards being more exposed in her music, with her honeyed vocals upfront and the songs’ essence immediate to listeners.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBroderick began crafting Labyrinth in March 2020, when most forms of movement were brought to a screeching halt. The Maine-born, Los Angeles-based songwriter — who, in addition to her work as a solo musician, built a life playing and touring with acts such as Sharon Van Etten, Beth Orton, Damien Jurado, and Efterklang — was suddenly forced off the road for the first time in her career. She used this disruption as an opportunity to pare down her creation process and construct the scaffolding for Labyrinth in her apartment. Employing only the most crucial tools at her disposal, Broderick found herself opening different artistic doors as she focused on sharpening her recording skills, capturing the majority of the album on her own before finishing the remainder with co-producer D. James Goodwin.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis new DIY approach is evident on tracks like “As I Left,” a stripped-down ballad that sees Broderick contemplating the illusory nature of place and memory when one is constantly traveling. In other moments, her rabbit-from-a-hat essentialism results in songs that feel huge despite their sparse palette; “Crashing Against the Sun” may be the most stadium-ready she has ever sounded, complete with romantic synth-lines, splashing arena drums, and a wide sense of sonic-framing. On the richly-produced “I Want To Go,” Broderick employs a Tricky-esque beat and stabs of distortion as she describes the restless quality of her dreams and a longing to return to the natural world. Her lyrics feel almost venomous on the piano and bass-led “Wherever I Go,” in which she describes an empire “...where the dry land cracks beneath the asphalt...and the colonies of supple grubs fill them up one by one.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDespite the evocative, often gorgeous songwriting, it’s clear that Broderick isn’t here to comfort or assuage; she’s a painter depicting a landscape, an observant traveler through realms of memory and thought. This becomes particularly apparent on lead single “Blood Run Through Me,” with its skeletal beat and neon-cloaked bassline helping to build the song to soaring, chill-inducing heights. Goodwin and singer-songwriter Lisa Hannigan join Broderick on vocals, providing a brief moment of camaraderie and unity, even as the lyrics describe how “we're tapped out \/ too much reaching for each other’s lives.” A stillness fills the air on stunning closer “What Does Love Care,\" in which Broderick wakes but stays in bed one morning, listening to birdsong and observing the sunlight. Her mind wanders as she imagines the end of the anthropocene, when “the greens are greener than we’ve ever seen.” She contemplates “how happy the bottom dwellers must be \/ less heavy feet and fewer ships on the sea” amid a landscape of organ and restrained reverberating drums, before asking flatly “it’s all about love, and what does love need?” She answers a moment later, the final words heard on the album: “It doesn’t take much to water the seed.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFor all of Broderick’s sage lyricism and vocal authority, Labyrinth never provides the listener with any easy answers. If the image of the labyrinth represents the enormity of modern life and the difficulty of navigating it, Heather Woods Broderick provides a guide to its endless kinetic wonders — of being present, aware, and connected despite its disconnects. She describes the texture of its walls, its indifferent rhythms, and the inherent poeticism of feeling lost amid the confusion and unexpected turns. At this point in our history, perhaps that’s all we need to keep moving.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Heather Woods Broderick\u003c\/p\u003e\n\u003cp\u003eLabel : Western Vinyl \u003c\/p\u003e"}
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アメリカのドリームポップ作家Heather Woods Broderickが、2023年4月に同国老舗インディーレーベルWestern Vinylからリリースしたアルバムです。 Dauwからリリースした前作とは打って変わって全面的にボーカルを取り入れたドリームポップ10曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Western Vinyl releases available at...
¥1,980