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{"id":7448556404986,"title":"Anaïs Tuerlinckx \/\/ Dissection lente d'un piano rouillé LP","handle":"atdl","description":"\u003cp\u003eドイツ・ベルリンの実験ピアニストAnaïs Tuerlinckxが、2021年4月にベルギー・ブリュッセルの実験レーベルVlekからリリースしたレコード。\u003c\/p\u003e\n\u003cp\u003eグランドピアノにあれこれ貼り付けまくったプレペアードピアノでのインプロ4曲を収録。意図していない扱われ方でグランドピアノも相当落ち込んだことでしょう。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3428437409\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/vlek\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/vlek\"\u003ehere\u003c\/a\u003e to see more vlek releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTotal running time: 40-mins. \u003cbr\u003eEach sleeve holds a piece of piano wire that was used during the recording. Each record comes with an insert.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eLiner notes by Sixto:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cem\u003eExplorations from within the frame of a broken piano. \u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRubbing and tickling strings - with drone-based undercurrents in leviathanic apparitions; squeals of insects,- molluscs and intriguing shells; underwater singing and moaning - the work of Belgian musician and performer Anaïs Tuerlinckx entangles us into a captivating constellation of sound, full of roaring tensions, squeaky flashes and the occasional deep, resounding backwash wave.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFour pieces recorded in one afternoon at the Delta in Namur.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSteel breaker waves collapse into a seemingly endless rebounding fall, straight into the bowels of the earth or hell. It is a totally absorbing acoustic approach supported on certain tracks by a bass amp and a monotron synthesizer and a bewildering and fantastically anguishing dynamic richness.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEnding the record with the \"false\" lull of \"Exploration finale d’un corps abîmé\" resonating like the last trace of the fall, a sort of end of the total collapse surrounded by various scattered sounds, before the pipe organs of the abyss resonate with the surviving strings remaining from this wonderfully mistreated piano.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA 40 minutes long record by Anaïs Tuerlinckx, the perfect insight into her dense sound\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cem\u003e universe.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003eText by Vlek:\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"\u003cem\u003eOur encounter with Anaïs was not \"at the end of the world\" but was one of the most unusual we ever had. It concerns mail, trains and an old piano.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDavid met Anaïs on a train, during a journey back from Milano. At the Köln station, he had to change platforms and when he was about to jump on the train, David helped a mother put her child's pram on the train.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHe sat a few seats from them.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAfter hours of listening to music on his headphones, he took a break. The wagon was quiet.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWhile looking out of the window, he heard the child asking about mom’s next day’s schedule. The mom mentioned a trip to her grandparents to be able to go to the studio and record some music.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA little light switched on in my head.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTwo minutes before arriving at the Brussels Nord station, David took his courage in both hands and asked her what music she was doing and told her that he was co-running a label.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAnaïs told him she improvises and plays prepared piano. They exchanged emails.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eQuite fast, she sent them tracks but they couldn’t find something they all agreed on. A few months later, they received a letter from her, like in the good old days.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe letter was accompanied not by an old cassette but by a USB containing new pieces of music.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThey listened to it many many times and discussed a lot but unfortunately, once again, they didn’t find a selection in order to make everyone happy.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOne day, Thomas proposed a residency at Le Delta, in Namur. He found her an old piano that she could treat the way she wanted and on which she could work on some new material for 3 days.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe piano’s body had been stored outside for months, but the beast was not dead yet and was appropriate to exhaust it ‘till it’s core.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis album is a selection of Anaïs’ work during her residency in Le Delta. No edits, no overdub. 40 minutes of pure improvisation.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eNote: even after the residency, the piano was still breathing and its strings will be used to print the sleeve’s artwork.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003eArtist bio:\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"\u003cem\u003eAnaïs Tuerlinckx is an experimental pianist who desarticulates the instrument and takes its core, the frame and strings, as the main sonic material for her practice. She has roots in free improvisation and is inspired by aesthetics from contemporary music, free jazz, noise and electro-acoustic music. While following her intuition, an intimate relationship with the piano frame is being established allowing her hands and body to dance with the strings.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHaving studied piano since childhood in Brussels and inspired by her teachers’ interest in contemporary music and improvisation, she slowly began to develop her own sound while residing in Berlin, as she encountered a very rich scene of musicians playing noise, free improv or abstract reductionism,... most of them playing under the umbrella of \"echtzeitmusik\" real-time music.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eShe has been part of different projects in big band formation, duos and has been working solo since 2008, leading to two solo releases (2012 and 2020) on internet label \"Audition Records\". In spring 2021, her first solo LP for piano frame will be released on Vlek.\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Anaïs Tuerlinckx\u003c\/p\u003e\n\u003cp\u003eLabel : Vlek\u003c\/p\u003e","published_at":"2021-11-18T11:46:24+09:00","created_at":"2021-11-14T12:17:36+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","monooto","noise","vlek"],"price":268000,"price_min":268000,"price_max":268000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42052711121146,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Anaïs Tuerlinckx \/\/ Dissection lente d'un piano rouillé LP","public_title":null,"options":["Default Title"],"price":268000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/di1_37d124e7-c54b-40f0-acf2-50fbbd2ada88.jpg?v=1636859857","\/\/tobirarecords.com\/cdn\/shop\/products\/tumblr_p8qo6ddE5Z1xtw98ro1_r2_1280.jpg?v=1637203241","\/\/tobirarecords.com\/cdn\/shop\/products\/di2_22c9eab6-e299-4df7-ab06-c19768a4fc5e.jpg?v=1637203241","\/\/tobirarecords.com\/cdn\/shop\/products\/di3.jpg?v=1637203239"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/di1_37d124e7-c54b-40f0-acf2-50fbbd2ada88.jpg?v=1636859857","options":["Title"],"media":[{"alt":null,"id":26924224938234,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/di1_37d124e7-c54b-40f0-acf2-50fbbd2ada88.jpg?v=1636859857"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/di1_37d124e7-c54b-40f0-acf2-50fbbd2ada88.jpg?v=1636859857","width":700},{"alt":null,"id":28623355117818,"position":2,"preview_image":{"aspect_ratio":1.501,"height":853,"width":1280,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/tumblr_p8qo6ddE5Z1xtw98ro1_r2_1280.jpg?v=1637203241"},"aspect_ratio":1.501,"height":853,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/tumblr_p8qo6ddE5Z1xtw98ro1_r2_1280.jpg?v=1637203241","width":1280},{"alt":null,"id":26924224971002,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/di2_22c9eab6-e299-4df7-ab06-c19768a4fc5e.jpg?v=1637203241"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/di2_22c9eab6-e299-4df7-ab06-c19768a4fc5e.jpg?v=1637203241","width":1200},{"alt":null,"id":26924225003770,"position":4,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/di3.jpg?v=1637203239"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/di3.jpg?v=1637203239","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eドイツ・ベルリンの実験ピアニストAnaïs Tuerlinckxが、2021年4月にベルギー・ブリュッセルの実験レーベルVlekからリリースしたレコード。\u003c\/p\u003e\n\u003cp\u003eグランドピアノにあれこれ貼り付けまくったプレペアードピアノでのインプロ4曲を収録。意図していない扱われ方でグランドピアノも相当落ち込んだことでしょう。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3428437409\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/vlek\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/vlek\"\u003ehere\u003c\/a\u003e to see more vlek releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTotal running time: 40-mins. \u003cbr\u003eEach sleeve holds a piece of piano wire that was used during the recording. Each record comes with an insert.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eLiner notes by Sixto:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cem\u003eExplorations from within the frame of a broken piano. \u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRubbing and tickling strings - with drone-based undercurrents in leviathanic apparitions; squeals of insects,- molluscs and intriguing shells; underwater singing and moaning - the work of Belgian musician and performer Anaïs Tuerlinckx entangles us into a captivating constellation of sound, full of roaring tensions, squeaky flashes and the occasional deep, resounding backwash wave.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFour pieces recorded in one afternoon at the Delta in Namur.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSteel breaker waves collapse into a seemingly endless rebounding fall, straight into the bowels of the earth or hell. It is a totally absorbing acoustic approach supported on certain tracks by a bass amp and a monotron synthesizer and a bewildering and fantastically anguishing dynamic richness.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEnding the record with the \"false\" lull of \"Exploration finale d’un corps abîmé\" resonating like the last trace of the fall, a sort of end of the total collapse surrounded by various scattered sounds, before the pipe organs of the abyss resonate with the surviving strings remaining from this wonderfully mistreated piano.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA 40 minutes long record by Anaïs Tuerlinckx, the perfect insight into her dense sound\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cem\u003e universe.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003eText by Vlek:\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"\u003cem\u003eOur encounter with Anaïs was not \"at the end of the world\" but was one of the most unusual we ever had. It concerns mail, trains and an old piano.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDavid met Anaïs on a train, during a journey back from Milano. At the Köln station, he had to change platforms and when he was about to jump on the train, David helped a mother put her child's pram on the train.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHe sat a few seats from them.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAfter hours of listening to music on his headphones, he took a break. The wagon was quiet.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWhile looking out of the window, he heard the child asking about mom’s next day’s schedule. The mom mentioned a trip to her grandparents to be able to go to the studio and record some music.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA little light switched on in my head.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTwo minutes before arriving at the Brussels Nord station, David took his courage in both hands and asked her what music she was doing and told her that he was co-running a label.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAnaïs told him she improvises and plays prepared piano. They exchanged emails.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eQuite fast, she sent them tracks but they couldn’t find something they all agreed on. A few months later, they received a letter from her, like in the good old days.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe letter was accompanied not by an old cassette but by a USB containing new pieces of music.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThey listened to it many many times and discussed a lot but unfortunately, once again, they didn’t find a selection in order to make everyone happy.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOne day, Thomas proposed a residency at Le Delta, in Namur. He found her an old piano that she could treat the way she wanted and on which she could work on some new material for 3 days.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe piano’s body had been stored outside for months, but the beast was not dead yet and was appropriate to exhaust it ‘till it’s core.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis album is a selection of Anaïs’ work during her residency in Le Delta. No edits, no overdub. 40 minutes of pure improvisation.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eNote: even after the residency, the piano was still breathing and its strings will be used to print the sleeve’s artwork.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003eArtist bio:\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"\u003cem\u003eAnaïs Tuerlinckx is an experimental pianist who desarticulates the instrument and takes its core, the frame and strings, as the main sonic material for her practice. She has roots in free improvisation and is inspired by aesthetics from contemporary music, free jazz, noise and electro-acoustic music. While following her intuition, an intimate relationship with the piano frame is being established allowing her hands and body to dance with the strings.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHaving studied piano since childhood in Brussels and inspired by her teachers’ interest in contemporary music and improvisation, she slowly began to develop her own sound while residing in Berlin, as she encountered a very rich scene of musicians playing noise, free improv or abstract reductionism,... most of them playing under the umbrella of \"echtzeitmusik\" real-time music.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eShe has been part of different projects in big band formation, duos and has been working solo since 2008, leading to two solo releases (2012 and 2020) on internet label \"Audition Records\". In spring 2021, her first solo LP for piano frame will be released on Vlek.\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Anaïs Tuerlinckx\u003c\/p\u003e\n\u003cp\u003eLabel : Vlek\u003c\/p\u003e"}
