Hainbach / Todd Barton // split TAPE

¥1,298

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Seil Recordsからも作品を発表しているHainbachと、80年代から活動しているBuchlaモジュラースペシャリストTodd Bartonによるスプリット作品。DLコード付属。

Ultraviolet Lightその他作品はこちら /// Click here to see more Ultraviolet Light releases available at Tobira.

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"Both pieces are composed/improvised in real time using a Buchla Music Easel and a TC Electronic Ditto x4 looper. Angya is a journey that follows sounds as they unfold into various sonic universes. Texture III explores creating an ever-changing timbral drone."- Todd Barton

"Its a clichè that every composer travelling to Bali must be influenced by the Gamelan orchestra. I am not the exception. There is a magic to the Gamelan that conforms with what electronic music is to me, both in sound and composition. Using Adam Morford's cut down version of the Gamelan, the rough but beautiful Gamelan Strips, I composed the first piece of this collaborative album. The second uses modular synthesizers to mimic the layering techniques of the Gamelan. The final track, Antics, explores a different but similarly influential idiophone, the African mbira. Together, these three tell a story of immersion and disintegration, folding percussive sounds into ambient timbres." - Hainbach

3 color Risograph. Hand labeled edition of 150 tapes. Download codes included.

artist : HAINBACH / TODD BARTON
label : Ultraviolet Light

Ultraviolet Lightその他作品はこちら /// Click here to see more Ultraviolet Light releases available at Tobira.

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3 color Risograph. Hand labeled edition of 150 tapes. Download codes included.

artist : HAINBACH / TODD BARTON
label : Ultraviolet Light

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Quickview {"id":8186016039162,"title":"Various Artists (Ultraviolet Light) \/\/ FEEDBACK TAPE","handle":"various-artists-feedback-tape","description":"\u003cp\u003eアメリカ・ボルチモアの実験／コラージュレーベル\u003cspan data-mce-fragment=\"1\"\u003eUltraviolet Light\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eが、2023年12月に300本限定でリリースしたコンピレーションカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eタイトルの通り、参加アーティスト全員がno inputミキシングやリカーシブパッチング等のフィードバック技法を用いて制作したドローン〜ノイズ9曲を収録。DLコード付属。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1755072666\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1755072666\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=4053952707\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1755072666\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3974159028\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eUltraviolet Lightその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/uvl\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/uvl\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/uvl\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/uvl\"\u003ehere\u003c\/a\u003e to see more Ultraviolet Light releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case. Edition of 300. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDan Deacon - Wascally 08:00\u003c\/li\u003e\n\u003cli\u003eTodd Barton - Relentless 06:05\u003c\/li\u003e\n\u003cli\u003eDoug Lynner - Circuitous Cycling Sonorities 06:46\u003c\/li\u003e\n\u003cli\u003eJimmy Joe Roche - Happy Void Exploration 03:06\u003c\/li\u003e\n\u003cli\u003eToshimaru Nakamura - Nimb #76 08:47\u003c\/li\u003e\n\u003cli\u003eKeith Fullerton Whitman - The Blues Scale 11:30\u003c\/li\u003e\n\u003cli\u003eDani Dobkin - Burnout 08:56\u003c\/li\u003e\n\u003cli\u003eSarah Belle Reid \u0026amp; Ryan Gaston - The Chairs' Inexorable Absence 04:31\u003c\/li\u003e\n\u003cli\u003eRobert Aiki Aubrey Lowe - As Tempests Ululate 07:29\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eTodd Barton and Jimmy Joe Roche :\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Cassette label Ultraviolet Light is ecstatic to announce Feedback, a compilation of new works from Todd Barton, Dan Deacon, Dani Dobkin, Robert Aiki Aubrey Lowe, Doug Lynner, Toshimaru Nakamura, Sarah Belle Reid, Ryan Gaston, Jimmy Joe Roche, and Keith Fullerton Whitman. Each track utilizes some form of acoustic feedback, no-input mixing or recursive patching techniques as the central compositional principle.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eClosed circuit and acoustic feedback have been prominent features within experimental electronic compositions for well over 50 years. In 1968 Steve Reich made extensive use of audio Feedback in his work “Pendulum Music”. David Tudor and Alvin Lucier incorporated feedback systems in many iconic compositions. Much of John Cage's interest and questions of noise and its relation to music could be seen as an extension of concepts explored when artists introduce feedback into their performances and recording. Arguably the most prolific and influential artist who integrated feedback into her compositions is the French composer Éliane Radigue.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFeedback is released as a 300-copy limited edition cassette with 4-color risograph printed artwork by Never Brush my Teeth. A digital download card is included with each cassette. 60% of the digital sales of the album will be donated to Earth Justice annually.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Various\u003c\/p\u003e\n\u003cp\u003eLabel : Ultraviolet Light\u003c\/p\u003e","published_at":"2024-02-26T14:08:09+09:00","created_at":"2024-02-26T13:06:26+09:00","vendor":"Tobira Records","type":"","tags":["monooto","new","noise","tape","Ultraviolet Light"],"price":228600,"price_min":228600,"price_max":228600,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45231827878138,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Various Artists (Ultraviolet Light) \/\/ FEEDBACK TAPE","public_title":null,"options":["Default Title"],"price":228600,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/fee1_d401908f-a709-4a1b-9393-35092a371527.jpg?v=1708920398","\/\/tobirarecords.com\/cdn\/shop\/files\/0034436994_10.jpg?v=1708929709","\/\/tobirarecords.com\/cdn\/shop\/files\/0034436996_10.jpg?v=1708929709","\/\/tobirarecords.com\/cdn\/shop\/files\/fee2_491710ec-8b88-4348-8d35-34e294bf44dd.jpg?v=1708929709"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/fee1_d401908f-a709-4a1b-9393-35092a371527.jpg?v=1708920398","options":["Title"],"media":[{"alt":null,"id":33239022633210,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fee1_d401908f-a709-4a1b-9393-35092a371527.jpg?v=1708920398"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fee1_d401908f-a709-4a1b-9393-35092a371527.jpg?v=1708920398","width":700},{"alt":null,"id":33239170941178,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034436994_10.jpg?v=1708929709"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034436994_10.jpg?v=1708929709","width":1200},{"alt":null,"id":33239171203322,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034436996_10.jpg?v=1708929709"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034436996_10.jpg?v=1708929709","width":1200},{"alt":null,"id":33239022665978,"position":4,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fee2_491710ec-8b88-4348-8d35-34e294bf44dd.jpg?v=1708929709"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fee2_491710ec-8b88-4348-8d35-34e294bf44dd.jpg?v=1708929709","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・ボルチモアの実験／コラージュレーベル\u003cspan data-mce-fragment=\"1\"\u003eUltraviolet Light\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eが、2023年12月に300本限定でリリースしたコンピレーションカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eタイトルの通り、参加アーティスト全員がno inputミキシングやリカーシブパッチング等のフィードバック技法を用いて制作したドローン〜ノイズ9曲を収録。DLコード付属。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1755072666\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1755072666\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=4053952707\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1755072666\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3974159028\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eUltraviolet Lightその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/uvl\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/uvl\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/uvl\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/uvl\"\u003ehere\u003c\/a\u003e to see more Ultraviolet Light releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case. Edition of 300. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDan Deacon - Wascally 08:00\u003c\/li\u003e\n\u003cli\u003eTodd Barton - Relentless 06:05\u003c\/li\u003e\n\u003cli\u003eDoug Lynner - Circuitous Cycling Sonorities 06:46\u003c\/li\u003e\n\u003cli\u003eJimmy Joe Roche - Happy Void Exploration 03:06\u003c\/li\u003e\n\u003cli\u003eToshimaru Nakamura - Nimb #76 08:47\u003c\/li\u003e\n\u003cli\u003eKeith Fullerton Whitman - The Blues Scale 11:30\u003c\/li\u003e\n\u003cli\u003eDani Dobkin - Burnout 08:56\u003c\/li\u003e\n\u003cli\u003eSarah Belle Reid \u0026amp; Ryan Gaston - The Chairs' Inexorable Absence 04:31\u003c\/li\u003e\n\u003cli\u003eRobert Aiki Aubrey Lowe - As Tempests Ululate 07:29\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eTodd Barton and Jimmy Joe Roche :\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Cassette label Ultraviolet Light is ecstatic to announce Feedback, a compilation of new works from Todd Barton, Dan Deacon, Dani Dobkin, Robert Aiki Aubrey Lowe, Doug Lynner, Toshimaru Nakamura, Sarah Belle Reid, Ryan Gaston, Jimmy Joe Roche, and Keith Fullerton Whitman. Each track utilizes some form of acoustic feedback, no-input mixing or recursive patching techniques as the central compositional principle.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eClosed circuit and acoustic feedback have been prominent features within experimental electronic compositions for well over 50 years. In 1968 Steve Reich made extensive use of audio Feedback in his work “Pendulum Music”. David Tudor and Alvin Lucier incorporated feedback systems in many iconic compositions. Much of John Cage's interest and questions of noise and its relation to music could be seen as an extension of concepts explored when artists introduce feedback into their performances and recording. Arguably the most prolific and influential artist who integrated feedback into her compositions is the French composer Éliane Radigue.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFeedback is released as a 300-copy limited edition cassette with 4-color risograph printed artwork by Never Brush my Teeth. A digital download card is included with each cassette. 60% of the digital sales of the album will be donated to Earth Justice annually.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Various\u003c\/p\u003e\n\u003cp\u003eLabel : Ultraviolet Light\u003c\/p\u003e"}

アメリカ・ボルチモアの実験／コラージュレーベルUltraviolet Lightが、2023年12月に300本限定でリリースしたコンピレーションカセットです。タイトルの通り、参加アーティスト全員がno inputミキシングやリカーシブパッチング等のフィードバック技法を用いて制作したドローン〜ノイズ9曲を収録。DLコード付属。 Ultraviolet Lightその他作品はこちら /// Click here to see more Ultraviolet Light releases available...

¥2,286

Quickview {"id":8186014499066,"title":"Max Eilbacher \/\/ Max Eilbacher TAPE","handle":"max-eilbacher-max-eilbacher-tape-1","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e過去にNNAやUnifactorなどから発表しているアメリカ・ボルチモアの実験音楽家Max Eilbacherが、2023年5月にボルチモアの\u003cspan data-mce-fragment=\"1\"\u003e実験／コラージュレーベル\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eUltraviolet Lightから100本限定で\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eリリースした再発カセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eコンピューターによるサイケデリックな電子トリップ2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"弦楽器 \"のためのデジタルスケッチ\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eある朝、私は弦楽器の作曲を思いつきました。弦楽器の音色は、変化するイントネーションの間で常に変容しています。様々なソノリティのスペクトルが上昇し、下降することで、鼓動する生きた全体が構築されます。弦楽器の集積のジェスチャーと知覚の質は、氷河期と絶え間ない動きの間のどこかに存在するでしょう。結局、弦楽器のサンプルやアコースティック楽器の代わりに、ノコギリの波を使いました。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eスペクトラル・マスク・ルーム・コンストラクション\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eオーディオの知覚とスペクトラルマスキングにおけるオンセットパーシャルを探求した作品です。私は木版画のサンプルから始めました。私にとって、木版画の厳しくも美しい打撃音は複雑です。この短い音は、極めて顕著で、恐怖を感じさせる音の手がかりとして機能します。1つの打音を何時間も聴き続け、徹底的なスペクトル分析を行った結果、私は打音の複雑な物質的複合が、その短い時間的寿命を超えて広がっていると聞き、理解するようになりました。バーストはインパルス応答として存在するようになりました。打鍵のたびに、木版の素材がレコーディングのために存在した空間についての情報が伝達されました。木が叩かれた部屋は、木がぶつかり合うのと同じように、聴こえる音素材の一部となりました。木版の音をゼロから合成するために、個々のパーシャルのアタックタイムとディケイタイムを細かく調べることになりました。スペクトル解析の結果をもとに、最初の短い打音を中心に作曲しました。サンプルの基音と倍音を構成するピッチを様々なクラスターで抽出し、数種類のデジタルシンセサイザーを作成するのに使用しました。サンプリングされたストライクと合成されたストライクのタイミング構造は、単純なカウント変換によって制御されています。そうすることで、打鍵音のバリエーションに概念的なスルーラインを設定しました。ハイライトされたり、オーディオの背景に送られる部分音の多くのバリエーションは、これらの音が存在する「偽」の空間を模倣し、リスナーに微妙な建築情報を伝える役割を果たします。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/501788263\" width=\"640\" height=\"360\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003ciframe width=\"100%\" height=\"300\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/973857622\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eUltraviolet Lightその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/uvl\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/uvl\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eUltraviolet Light releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case. Edition of 150. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSketch for Digital Strings 20:05\u003c\/li\u003e\n\u003cli\u003eSpectral Masking Room Construction 20:08\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eArtist statement by Max Eilbacher:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Digital Sketch For Strings\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eOne morning I had an idea for a string composition. The tonal colors of the strings would be constantly morphing between shifting intonations. A rising and falling spectrum of many different sonorities would construct a throbbing, living whole. The gestural and perceptive qualities of the stringed accumulation would exist somewhere between glacial and in constant motion. I ended up using saw waves instead of string samples or acoustic instruments, as I found the harmonics of a saw wave helped achieve what I was hearing in my head that morning.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSpectral Masking Room Construction\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eA work exploring onset partials on audio perception and spectral masking. I started with a woodblock sample. For me, the woodblock's harsh yet beautiful striking sound is complex. The short burst acts as an extremely salient and trepidatious sonic cue. After listening for hours to a single strike and performing in-depth spectral analysis, I began to hear and comprehend the strike’s intricate material composite as extending beyond its short temporal life. The burst started to exist as an impulse response. With each strike, information about the space in which the woodblock’s material existed for the recording was communicated. The room in which the wood was struck was just as much a part of the sonic material being heard as the wooden material colliding with one another. Synthesizing the woodblock sound from scratch turned into a minute study of individual partial’s attack and decay times. I used the results of spectral analysis and composed around the initial short strike. The pitches comprising the fundamentals and overtones in the sample were extracted in various clusters and used to create a few different digital synths. The timing structure of the sampled and synthesized strikes are controlled by a simple counting transform. By doing so I set conceptual throughlines for the variants of struck sounds. The many variations of partials being highlighted or sent to the audio background serve to imitate “fake” spaces in which these sounds exist and convey subtle architectural information to the listener.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Max Eilbacher \u003c\/p\u003e\n\u003cp\u003elabel : Ultraviolet Light \u003c\/p\u003e","published_at":"2024-02-26T13:50:32+09:00","created_at":"2024-02-26T12:57:36+09:00","vendor":"Tobira Records","type":"","tags":["monooto","new","recommended","strange beats","tape","Ultraviolet Light"],"price":193900,"price_min":193900,"price_max":193900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45231819358458,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Max Eilbacher \/\/ Max Eilbacher TAPE","public_title":null,"options":["Default Title"],"price":193900,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/MAX_2021_1_f3c16763-b99c-48c5-a3b4-71cb31b3c425.jpg?v=1708919857"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/MAX_2021_1_f3c16763-b99c-48c5-a3b4-71cb31b3c425.jpg?v=1708919857","options":["Title"],"media":[{"alt":null,"id":33238989799674,"position":1,"preview_image":{"aspect_ratio":1.265,"height":419,"width":530,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/MAX_2021_1_f3c16763-b99c-48c5-a3b4-71cb31b3c425.jpg?v=1708919857"},"aspect_ratio":1.265,"height":419,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/MAX_2021_1_f3c16763-b99c-48c5-a3b4-71cb31b3c425.jpg?v=1708919857","width":530}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e過去にNNAやUnifactorなどから発表しているアメリカ・ボルチモアの実験音楽家Max Eilbacherが、2023年5月にボルチモアの\u003cspan data-mce-fragment=\"1\"\u003e実験／コラージュレーベル\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eUltraviolet Lightから100本限定で\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eリリースした再発カセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eコンピューターによるサイケデリックな電子トリップ2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"弦楽器 \"のためのデジタルスケッチ\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eある朝、私は弦楽器の作曲を思いつきました。弦楽器の音色は、変化するイントネーションの間で常に変容しています。様々なソノリティのスペクトルが上昇し、下降することで、鼓動する生きた全体が構築されます。弦楽器の集積のジェスチャーと知覚の質は、氷河期と絶え間ない動きの間のどこかに存在するでしょう。結局、弦楽器のサンプルやアコースティック楽器の代わりに、ノコギリの波を使いました。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eスペクトラル・マスク・ルーム・コンストラクション\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eオーディオの知覚とスペクトラルマスキングにおけるオンセットパーシャルを探求した作品です。私は木版画のサンプルから始めました。私にとって、木版画の厳しくも美しい打撃音は複雑です。この短い音は、極めて顕著で、恐怖を感じさせる音の手がかりとして機能します。1つの打音を何時間も聴き続け、徹底的なスペクトル分析を行った結果、私は打音の複雑な物質的複合が、その短い時間的寿命を超えて広がっていると聞き、理解するようになりました。バーストはインパルス応答として存在するようになりました。打鍵のたびに、木版の素材がレコーディングのために存在した空間についての情報が伝達されました。木が叩かれた部屋は、木がぶつかり合うのと同じように、聴こえる音素材の一部となりました。木版の音をゼロから合成するために、個々のパーシャルのアタックタイムとディケイタイムを細かく調べることになりました。スペクトル解析の結果をもとに、最初の短い打音を中心に作曲しました。サンプルの基音と倍音を構成するピッチを様々なクラスターで抽出し、数種類のデジタルシンセサイザーを作成するのに使用しました。サンプリングされたストライクと合成されたストライクのタイミング構造は、単純なカウント変換によって制御されています。そうすることで、打鍵音のバリエーションに概念的なスルーラインを設定しました。ハイライトされたり、オーディオの背景に送られる部分音の多くのバリエーションは、これらの音が存在する「偽」の空間を模倣し、リスナーに微妙な建築情報を伝える役割を果たします。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/501788263\" width=\"640\" height=\"360\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003ciframe width=\"100%\" height=\"300\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/973857622\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eUltraviolet Lightその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/uvl\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/uvl\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eUltraviolet Light releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case. Edition of 150. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSketch for Digital Strings 20:05\u003c\/li\u003e\n\u003cli\u003eSpectral Masking Room Construction 20:08\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eArtist statement by Max Eilbacher:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Digital Sketch For Strings\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eOne morning I had an idea for a string composition. The tonal colors of the strings would be constantly morphing between shifting intonations. A rising and falling spectrum of many different sonorities would construct a throbbing, living whole. The gestural and perceptive qualities of the stringed accumulation would exist somewhere between glacial and in constant motion. I ended up using saw waves instead of string samples or acoustic instruments, as I found the harmonics of a saw wave helped achieve what I was hearing in my head that morning.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSpectral Masking Room Construction\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eA work exploring onset partials on audio perception and spectral masking. I started with a woodblock sample. For me, the woodblock's harsh yet beautiful striking sound is complex. The short burst acts as an extremely salient and trepidatious sonic cue. After listening for hours to a single strike and performing in-depth spectral analysis, I began to hear and comprehend the strike’s intricate material composite as extending beyond its short temporal life. The burst started to exist as an impulse response. With each strike, information about the space in which the woodblock’s material existed for the recording was communicated. The room in which the wood was struck was just as much a part of the sonic material being heard as the wooden material colliding with one another. Synthesizing the woodblock sound from scratch turned into a minute study of individual partial’s attack and decay times. I used the results of spectral analysis and composed around the initial short strike. The pitches comprising the fundamentals and overtones in the sample were extracted in various clusters and used to create a few different digital synths. The timing structure of the sampled and synthesized strikes are controlled by a simple counting transform. By doing so I set conceptual throughlines for the variants of struck sounds. The many variations of partials being highlighted or sent to the audio background serve to imitate “fake” spaces in which these sounds exist and convey subtle architectural information to the listener.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Max Eilbacher \u003c\/p\u003e\n\u003cp\u003elabel : Ultraviolet Light \u003c\/p\u003e"}

アメリカ・ボルチモアの実験レーベルUltraviolet Light主宰Piss Kills Moldが、2017年に150本限定でリリースしたカセットです。モジュラーによるノイズ2曲を収録。DLコード付属。 Ultraviolet Lightその他作品はこちら /// Click here to see more Ultraviolet Light releases available at...

¥1,747

Quickview {"id":7928706793722,"title":"Hainbach \/ Todd Barton \/\/ Split LP","handle":"hainbach-todd-barton-split-12","description":"\u003cp\u003eBuchlaの名手であり、1980年代から活動しているアメリカの実験音楽家Todd Bartonと、ドイツ・ベルリンのアンビエント作家Hainbachが、2023年1月にアメリカ・ボルチモアの実験レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eUltraviolet Lightから300部限定でリリースしたスプリットレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eTodd BartonサイドはBuchlaによるカオスなオーケストラ3曲を、\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHainbachサイドはモジュラーによるドローン〜アンビエントテクノ3曲を\u003c\/span\u003e収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=51662281\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eUltraviolet Lightその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/uvl\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/uvl\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/uvl\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/uvl\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eUltraviolet Light releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e--------------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIncludes DL code. Edition of 300.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eUltraviolet Light:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eUltraviolet Light is proud to announce a split vinyl LP featuring three new tracks of exploratory music apiece by innovative electronic musicians Todd Barton and Hainbach.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003cspan class=\"lightweightBreak\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFour decades into making music in conversation with modern classical, jazz, poetry, ancient music, new age, and the avant-garde, Todd Barton continues to craft sounds that know no boundaries. Berlin-based Hainbach’s side conjures a pulsing and immersive electronic landscape very much in conversation with Barton’s spacious and unfettered compositions. Taken as a whole, the album relocates us into a cerebral yet viscerally affecting cinema of orchestrated chaos and near-future \u003cspan id=\"package_description_0\" class=\"peekaboo-text\" data-mce-fragment=\"1\"\u003enoise.\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan class=\"lightweightBreak\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis release continues Ultraviolet Light’s unique\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan id=\"package_description_0\" class=\"peekaboo-text\" data-mce-fragment=\"1\"\u003e relationship with both artists. Todd Barton curated the artists featured on the label’s sold-old Buchla Now cassette; Barton and Hainbach’s first pairing was on a 2019 Ultraviolet Light split cassette.\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : HAINBACH \/ TODD BARTON\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Ultraviolet Light\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-03-02T18:26:50+09:00","created_at":"2023-03-02T14:41:54+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","lp","monooto","techno \/ house","Ultraviolet Light"],"price":428000,"price_min":428000,"price_max":428000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44038448087290,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Hainbach \/ Todd Barton \/\/ Split LP","public_title":null,"options":["Default Title"],"price":428000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ha1_8978b187-930e-4589-8320-e1d9b020a9f5.jpg?v=1677735716","\/\/tobirarecords.com\/cdn\/shop\/products\/ha2_c59efccf-cd20-42d9-b624-8e8da6c91b42.jpg?v=1677735716"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ha1_8978b187-930e-4589-8320-e1d9b020a9f5.jpg?v=1677735716","options":["Title"],"media":[{"alt":null,"id":31613224517882,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ha1_8978b187-930e-4589-8320-e1d9b020a9f5.jpg?v=1677735716"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ha1_8978b187-930e-4589-8320-e1d9b020a9f5.jpg?v=1677735716","width":700},{"alt":null,"id":31613224550650,"position":2,"preview_image":{"aspect_ratio":1.264,"height":949,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ha2_c59efccf-cd20-42d9-b624-8e8da6c91b42.jpg?v=1677735716"},"aspect_ratio":1.264,"height":949,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ha2_c59efccf-cd20-42d9-b624-8e8da6c91b42.jpg?v=1677735716","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eBuchlaの名手であり、1980年代から活動しているアメリカの実験音楽家Todd Bartonと、ドイツ・ベルリンのアンビエント作家Hainbachが、2023年1月にアメリカ・ボルチモアの実験レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eUltraviolet Lightから300部限定でリリースしたスプリットレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eTodd BartonサイドはBuchlaによるカオスなオーケストラ3曲を、\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHainbachサイドはモジュラーによるドローン〜アンビエントテクノ3曲を\u003c\/span\u003e収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=51662281\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eUltraviolet Lightその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/uvl\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/uvl\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/uvl\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/uvl\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eUltraviolet Light releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e--------------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIncludes DL code. Edition of 300.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eUltraviolet Light:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eUltraviolet Light is proud to announce a split vinyl LP featuring three new tracks of exploratory music apiece by innovative electronic musicians Todd Barton and Hainbach.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003cspan class=\"lightweightBreak\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFour decades into making music in conversation with modern classical, jazz, poetry, ancient music, new age, and the avant-garde, Todd Barton continues to craft sounds that know no boundaries. Berlin-based Hainbach’s side conjures a pulsing and immersive electronic landscape very much in conversation with Barton’s spacious and unfettered compositions. Taken as a whole, the album relocates us into a cerebral yet viscerally affecting cinema of orchestrated chaos and near-future \u003cspan id=\"package_description_0\" class=\"peekaboo-text\" data-mce-fragment=\"1\"\u003enoise.\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan class=\"lightweightBreak\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis release continues Ultraviolet Light’s unique\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan id=\"package_description_0\" class=\"peekaboo-text\" data-mce-fragment=\"1\"\u003e relationship with both artists. Todd Barton curated the artists featured on the label’s sold-old Buchla Now cassette; Barton and Hainbach’s first pairing was on a 2019 Ultraviolet Light split cassette.\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : HAINBACH \/ TODD BARTON\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Ultraviolet Light\u003c\/span\u003e\u003c\/p\u003e"}