Venoztks // How It's Not Meant To Be TAPE
英国老舗音響レーベルTouchのカセットラインTapeworm諸作を多数入荷しました。本作は、英国新人作家Venoztksのデビュー作品です。コラージュアンビエント9曲、1時間収録。2020年12月リリース。
tobirarecs · Venoztks // How It's Not Meant To Be 1 tobirarecs · Venoztks // How It's Not Meant To Be 2 tobirarecs · Venoztks // How It's Not Meant To Be 3レーベルその他作品はこちら /// Click here to see more The Tapeworm releases available at Tobira.
Artist : Venoztks
Label : The Tapeworm
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{"id":7977870557434,"title":"Carl Michael von Hausswolff \/\/ Still Life - Requiem LP","handle":"carl-michael-von-hausswolff-still-life-requiem-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eスイスの\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eドローン作家Carl Michael von Hausswolffが、2017年にイギリスの老舗実験レーベルTouchからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eロングフォームなミニマルドローン2曲\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eを収録。DLコード付属。 \u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4026861260\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/tapeworm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/tapeworm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/tapeworm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/tapeworm\"\u003ehere\u003c\/a\u003e to see more Touch \/ The Tapeworm \/ Wormhole releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cstrong\u003eTrack listing:\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e1. Still Life - Requiem l\u003cbr\u003e2. Still Life - Requiem ll\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eTouch:\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cem\u003e\u003c\/em\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cem\u003e\"Conceptualised (2010–2013), composed and produced (2014–2017) by Carl Michael von Hausswolff in Palma (Majorca) and Stockholm. This musical piece consists only of sounds emitted and extracted from physical matter using emission spectroscopy as the sole basic technology. Acknowledgements to Linköping University (IFM), Sweden.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e'Still Life - Requiem' consists of one piece with the same title and is divided up into two to fit the LP format. The piece is, as the title suggests, a requiem and it’s contents are solely composed by sounds captured from a specific physical solid state material. The composer has used a technique called 'emission spectroscopy' whereby the frequencies generated from the material was analysed and transferred into, for humans, a listenable pitch (between 15 and\u003cspan class=\"bcTruncateMore\"\u003e 14000Hz). This captured organic sound material has been stretched, looped, equalised and composed to produce the recording.\u003cbr\u003e\u003cbr\u003eA requiem is a piece of music dedicated to certain sole or several restless souls that wander our worlds looking for a place to call home. A requiem radiates calm, peace and perhaps comfort for tormented spiritual beings - it’s a piece dedicated to promote and insert tranquility and transcendence.\u003cbr\u003e\u003cbr\u003eThis requiem also provides the listener with a certain feeling of connection - perhaps a connection with the unknown and with the energy field clusters and mental abilities of post-mortem life forms that would be the incorporeal essence of a living being.\u003cbr\u003e\u003cbr\u003eCMvH (born 1956 in Linköping , Sweden) has a long history within the communities of contemporary music and visual art. His first records was released in early 80s while the most recent saw the light just a few years ago (‘Squared' [CD - Auf Abwegen, 2015]). In recent years he has been collaborating with Leslie Winer ('1' [LP - Monotype 2016]) and Hans-Joachim Roedelius ('Nordlicht' [LP - Curious Music, 2017]).\u003cbr\u003e\u003cbr\u003eHe has also instigated and curated the collective sound-installation 'freq_out' during 2003 - 2017, which includes artists such as Jana Winderen, JG Thirlwell, Finnbogi Petursson, Christine Ödlund and others.\u003c\/span\u003e \"\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003eArtist : Carl Michael von Hausswolff\u003c\/p\u003e\n\u003cp\u003eLabel : Touch\u003c\/p\u003e","published_at":"2023-05-27T14:48:29+09:00","created_at":"2023-05-22T20:20:18+09:00","vendor":"Tobira Records","type":"","tags":["drone","lp","new","touch"],"price":348000,"price_min":348000,"price_max":348000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44247715414266,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Carl Michael von Hausswolff \/\/ Still Life - Requiem LP","public_title":null,"options":["Default Title"],"price":348000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/re1_afc5456c-5a2d-41c9-8fd2-841605028a10.jpg?v=1684754420","\/\/tobirarecords.com\/cdn\/shop\/files\/re2_7716ecd8-6554-4b42-8e75-41bd972b76d4.jpg?v=1684754420"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/re1_afc5456c-5a2d-41c9-8fd2-841605028a10.jpg?v=1684754420","options":["Title"],"media":[{"alt":null,"id":32003230925050,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/re1_afc5456c-5a2d-41c9-8fd2-841605028a10.jpg?v=1684754420"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/re1_afc5456c-5a2d-41c9-8fd2-841605028a10.jpg?v=1684754420","width":700},{"alt":null,"id":32003230957818,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/re2_7716ecd8-6554-4b42-8e75-41bd972b76d4.jpg?v=1684754420"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/re2_7716ecd8-6554-4b42-8e75-41bd972b76d4.jpg?v=1684754420","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eスイスの\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eドローン作家Carl Michael von Hausswolffが、2017年にイギリスの老舗実験レーベルTouchからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eロングフォームなミニマルドローン2曲\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eを収録。DLコード付属。 \u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4026861260\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/tapeworm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/tapeworm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/tapeworm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/tapeworm\"\u003ehere\u003c\/a\u003e to see more Touch \/ The Tapeworm \/ Wormhole releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cstrong\u003eTrack listing:\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e1. Still Life - Requiem l\u003cbr\u003e2. Still Life - Requiem ll\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eTouch:\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cem\u003e\u003c\/em\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cem\u003e\"Conceptualised (2010–2013), composed and produced (2014–2017) by Carl Michael von Hausswolff in Palma (Majorca) and Stockholm. This musical piece consists only of sounds emitted and extracted from physical matter using emission spectroscopy as the sole basic technology. Acknowledgements to Linköping University (IFM), Sweden.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e'Still Life - Requiem' consists of one piece with the same title and is divided up into two to fit the LP format. The piece is, as the title suggests, a requiem and it’s contents are solely composed by sounds captured from a specific physical solid state material. The composer has used a technique called 'emission spectroscopy' whereby the frequencies generated from the material was analysed and transferred into, for humans, a listenable pitch (between 15 and\u003cspan class=\"bcTruncateMore\"\u003e 14000Hz). This captured organic sound material has been stretched, looped, equalised and composed to produce the recording.\u003cbr\u003e\u003cbr\u003eA requiem is a piece of music dedicated to certain sole or several restless souls that wander our worlds looking for a place to call home. A requiem radiates calm, peace and perhaps comfort for tormented spiritual beings - it’s a piece dedicated to promote and insert tranquility and transcendence.\u003cbr\u003e\u003cbr\u003eThis requiem also provides the listener with a certain feeling of connection - perhaps a connection with the unknown and with the energy field clusters and mental abilities of post-mortem life forms that would be the incorporeal essence of a living being.\u003cbr\u003e\u003cbr\u003eCMvH (born 1956 in Linköping , Sweden) has a long history within the communities of contemporary music and visual art. His first records was released in early 80s while the most recent saw the light just a few years ago (‘Squared' [CD - Auf Abwegen, 2015]). In recent years he has been collaborating with Leslie Winer ('1' [LP - Monotype 2016]) and Hans-Joachim Roedelius ('Nordlicht' [LP - Curious Music, 2017]).\u003cbr\u003e\u003cbr\u003eHe has also instigated and curated the collective sound-installation 'freq_out' during 2003 - 2017, which includes artists such as Jana Winderen, JG Thirlwell, Finnbogi Petursson, Christine Ödlund and others.\u003c\/span\u003e \"\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003eArtist : Carl Michael von Hausswolff\u003c\/p\u003e\n\u003cp\u003eLabel : Touch\u003c\/p\u003e"}
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スイスのドローン作家Carl Michael von Hausswolffが、2017年にイギリスの老舗実験レーベルTouchからリリースしたレコードです。 ロングフォームなミニマルドローン2曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Touch / The Tapeworm /...
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{"id":7977870196986,"title":"Bana Haffar \/\/ intimaa' إنتماء LP","handle":"bana-haffar-intimaa-إنتماء-lp","description":"\u003cp\u003eカナダ・モントリオールのシンセ奏者Bana Haffarが、2023年5月にイギリスの老舗実験レーベルTouchからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eアンビエント〜ストレンジビーツ〜フロア棒立ち系テクノ7曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3380830389\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/tapeworm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/tapeworm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/tapeworm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/tapeworm\"\u003ehere\u003c\/a\u003e to see more Touch \/ The Tapeworm \/ Wormhole releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Includes DL code.\u003c\/p\u003e\n\u003cp\u003etext via Touch:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Intimaa’\u003c\/em\u003e\u003cbr\u003e\u003cem\u003efrom a deep place of un-belonging \u003c\/em\u003e\u003cbr\u003e\u003cem\u003esearching and searching\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRecorded and mixed by Bana Haffar in Asheville, North Carolina between June 6th and July 18th, 2022\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eIntimaa’ (belonging in Arabic) is a documentation of pieces composed for Touch’s 40th anniversary celebrations in Los Angeles and Santa Cruz in the Spring of 2022. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePulling from ongoing research in weaving and textiles, the pieces are informed by the interchangeability of the weaver's process with the sequencing of sound – from sourcing and preparing materials to be woven (recording, editing, and formatting samples), preparing the loom (programming the sequencer), and finally, weaving the cloth (playing back, manipulating, and recording the sequence). \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThank you to Touch for their ongoing mentorship and friendship. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSurvival is change\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bana Haffar\u003c\/p\u003e\n\u003cp\u003eLabel : Touch\u003c\/p\u003e","published_at":"2023-05-23T05:32:13+09:00","created_at":"2023-05-22T20:13:53+09:00","vendor":"Tobira Records","type":"","tags":["ambient","lp","new","recommended","strange beats","techno \/ house","touch"],"price":348000,"price_min":348000,"price_max":348000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44247711088890,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Bana Haffar \/\/ intimaa' إنتماء LP","public_title":null,"options":["Default Title"],"price":348000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/bana1.jpg?v=1684754034"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/bana1.jpg?v=1684754034","options":["Title"],"media":[{"alt":null,"id":32003219521786,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bana1.jpg?v=1684754034"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bana1.jpg?v=1684754034","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eカナダ・モントリオールのシンセ奏者Bana Haffarが、2023年5月にイギリスの老舗実験レーベルTouchからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eアンビエント〜ストレンジビーツ〜フロア棒立ち系テクノ7曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3380830389\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/tapeworm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/tapeworm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/tapeworm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/tapeworm\"\u003ehere\u003c\/a\u003e to see more Touch \/ The Tapeworm \/ Wormhole releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Includes DL code.\u003c\/p\u003e\n\u003cp\u003etext via Touch:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Intimaa’\u003c\/em\u003e\u003cbr\u003e\u003cem\u003efrom a deep place of un-belonging \u003c\/em\u003e\u003cbr\u003e\u003cem\u003esearching and searching\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRecorded and mixed by Bana Haffar in Asheville, North Carolina between June 6th and July 18th, 2022\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eIntimaa’ (belonging in Arabic) is a documentation of pieces composed for Touch’s 40th anniversary celebrations in Los Angeles and Santa Cruz in the Spring of 2022. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePulling from ongoing research in weaving and textiles, the pieces are informed by the interchangeability of the weaver's process with the sequencing of sound – from sourcing and preparing materials to be woven (recording, editing, and formatting samples), preparing the loom (programming the sequencer), and finally, weaving the cloth (playing back, manipulating, and recording the sequence). \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThank you to Touch for their ongoing mentorship and friendship. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSurvival is change\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bana Haffar\u003c\/p\u003e\n\u003cp\u003eLabel : Touch\u003c\/p\u003e"}
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{"id":7546147045626,"title":"IHVH \/\/ The Agnostic CD","handle":"ihvh-the-agnostic-cd","description":"\u003cp\u003e過去にEditions MegoやTouchなどから発表している\u003cmeta charset=\"utf-8\"\u003eMark Van Hoenとバイオリン奏者Zachary PaulによるデュオIHVHが、2022年3月にTouch傘下Ash InternationalからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eアンビエントアプローチのエレクトロアコースティック10曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2391627737\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e----------------------------------\u003c\/p\u003e\n\u003cp\u003eAsh International:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIHVH are a duo composed of Touch artists Mark Van Hoen of Locust fame, and violinist Zachary Paul.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis album is an electro-acoustic excursion of sorts into the often obscure worlds of mystical religions of our times. The Kabbalah, the Indian mystics, the Christian church…the moods of these belief systems and more, and their sounds as well, are sampled and referenced throughout these 10 tracks. With a mix of real instrumentation, including the violin playing of Zachary Paul and the cello, bass and viola played by guest musicians on some of the tracks, and the many electronic treatments created by Mark Van Hoen including the sounds of insects, African drumming, liturgical droning, and classical and operatic samples…this portentous and mysterious, at times dark, but overall spiritually absorbing album is an imaginary voyage into the realms of Agnosticism, and it’s insinuations into the other major religions of the world.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eZachary’s violin is multi layered and processed, often rendered unrecognizable – with minimal ghostly and decayed electronics added by Mark. Most of the tracks were recorded in an improvisation session at Mark’s studio in Los Angeles. Two of the pieces “Black Angels” and “Sister Ferdinande (Kolkata)” were recorded at film sound maestro Charlie Campagne’s studio – and feature him on double bass as well as Katt Newlon of LA’s Sonic Open Orchestra on cello.\"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : IHVH\u003c\/p\u003e\n\u003cp\u003eLabel : Ash International\u003c\/p\u003e","published_at":"2022-02-20T16:37:01+09:00","created_at":"2022-02-20T10:32:00+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","contemporary \/ sound poetry","sale22","touch"],"price":179000,"price_min":179000,"price_max":179000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42445791625466,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"IHVH \/\/ The Agnostic CD","public_title":null,"options":["Default Title"],"price":179000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ag1_8f10c796-259b-4ab6-bf4d-01bb7105ca0e.jpg?v=1645320722","\/\/tobirarecords.com\/cdn\/shop\/products\/ag2_0be604fe-0d47-4078-9785-0d5e856d4607.jpg?v=1645320722","\/\/tobirarecords.com\/cdn\/shop\/products\/ag3_78d84541-9931-4592-9c37-1d5190b5be10.jpg?v=1645320722"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ag1_8f10c796-259b-4ab6-bf4d-01bb7105ca0e.jpg?v=1645320722","options":["Title"],"media":[{"alt":null,"id":29179745763578,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ag1_8f10c796-259b-4ab6-bf4d-01bb7105ca0e.jpg?v=1645320722"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ag1_8f10c796-259b-4ab6-bf4d-01bb7105ca0e.jpg?v=1645320722","width":700},{"alt":null,"id":29179745796346,"position":2,"preview_image":{"aspect_ratio":1.455,"height":825,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ag2_0be604fe-0d47-4078-9785-0d5e856d4607.jpg?v=1645320722"},"aspect_ratio":1.455,"height":825,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ag2_0be604fe-0d47-4078-9785-0d5e856d4607.jpg?v=1645320722","width":1200},{"alt":null,"id":29179745829114,"position":3,"preview_image":{"aspect_ratio":1.434,"height":837,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ag3_78d84541-9931-4592-9c37-1d5190b5be10.jpg?v=1645320722"},"aspect_ratio":1.434,"height":837,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ag3_78d84541-9931-4592-9c37-1d5190b5be10.jpg?v=1645320722","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去にEditions MegoやTouchなどから発表している\u003cmeta charset=\"utf-8\"\u003eMark Van Hoenとバイオリン奏者Zachary PaulによるデュオIHVHが、2022年3月にTouch傘下Ash InternationalからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eアンビエントアプローチのエレクトロアコースティック10曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2391627737\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e----------------------------------\u003c\/p\u003e\n\u003cp\u003eAsh International:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIHVH are a duo composed of Touch artists Mark Van Hoen of Locust fame, and violinist Zachary Paul.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis album is an electro-acoustic excursion of sorts into the often obscure worlds of mystical religions of our times. The Kabbalah, the Indian mystics, the Christian church…the moods of these belief systems and more, and their sounds as well, are sampled and referenced throughout these 10 tracks. With a mix of real instrumentation, including the violin playing of Zachary Paul and the cello, bass and viola played by guest musicians on some of the tracks, and the many electronic treatments created by Mark Van Hoen including the sounds of insects, African drumming, liturgical droning, and classical and operatic samples…this portentous and mysterious, at times dark, but overall spiritually absorbing album is an imaginary voyage into the realms of Agnosticism, and it’s insinuations into the other major religions of the world.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eZachary’s violin is multi layered and processed, often rendered unrecognizable – with minimal ghostly and decayed electronics added by Mark. Most of the tracks were recorded in an improvisation session at Mark’s studio in Los Angeles. Two of the pieces “Black Angels” and “Sister Ferdinande (Kolkata)” were recorded at film sound maestro Charlie Campagne’s studio – and feature him on double bass as well as Katt Newlon of LA’s Sonic Open Orchestra on cello.\"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : IHVH\u003c\/p\u003e\n\u003cp\u003eLabel : Ash International\u003c\/p\u003e"}
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過去にEditions MegoやTouchなどから発表しているMark Van Hoenとバイオリン奏者Zachary PaulによるデュオIHVHが、2022年3月にTouch傘下Ash InternationalからリリースしたCDです。 アンビエントアプローチのエレクトロアコースティック10曲を収録。デジパック、シュリンク仕様です。 ---------------------------------- Ash International: "IHVH are a duo...
¥1,790
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{"id":7518173561082,"title":"Tears|Ov \/\/ A Hopeless Place LP","handle":"tears-ov-a-hopeless-place-lp","description":"\u003cp\u003eコラージュバンドTears|Ovが、2019年にイギリスの実験レーベルTapewormからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eコラージュ・ジャズ〜ドローンなどカテゴライズが難しい8曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1306833354\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/tapeworm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/tapeworm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/tapeworm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/tapeworm\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eThe Tapeworm releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 200.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe Tapeworm:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFounded in 2015, Tears|Ov are sound artist\/self-taught musician Lori E Allen, classically trained cellist\/mixed media artist Katie Spafford and illustrator\/prison psychotherapist Deborah Wale. The trio first collaborated on Lori E Allen’s ‘Tears of the Material Vulture’ cassette on The Tapeworm, a re-imagination of a brief collaboration with Madame Chaos of cut-up cablecasts, 1995-1996, on Manhattan Neighborhood Network and Television in New York City. That release served to resurrect a hibernating creative practice between the three friends.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTheir writing process takes the form of structured improvisation. Allen will create a bed of loops, field recordings or a full framework. She then shares this base with Wale and Spafford who embellish or delete, the three building the pieces through long improvised sessions in London, playing late into the night. During these sessions, the feeling of a songs’ words or the emotional tone of a sound can spark sudden mood changes, altering the arc of the compositions. ‘Crucially the music is improvised – it is never the same twice. There are triggers and moments that signal moving to another part of the music, but the timings and lengths largely depend on our moods and interpretation on a given day\/performance. Because of this, the\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e album was recorded with ambient mics capturing multiple instruments. It wasn’t possible to record all the instruments separately as we respond to each others improvisation. Even if the changes are very minor, they really affect the emotion of each piece’ Spafford says.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e‘A Hopeless Place’ was initiated by a commission from Wolfgang Tillmans to perform at the Tate Modern’s South Tanks, part of a concert series curated by the artist in parallel to his 2017 retrospective at the gallery. ‘We were asked to play a gig at the Tate in March 2017’ recalls Lori. ‘I’d already started on some of the tracks, but it gave us an opportunity to present them as a composition around their connected themes. Sometime after the gig we decided to capture the work and turn it in to an album.’\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFor Lori, the album is about loss, ‘especially grief around the edges of growing out of something in order to move toward something else. It’s about transformation through love, not knowing how to hold on to everything while wanting desperately to let go of all of it, craving new shapes but feeling warped in the process of shapeshifting. It’s also about how love changes you, if you allow it to. It can’t be apportioned. And this is the biggest mistake of all – which we all joke about in vain grasping for control over the pleasure of losing control – that’s what the gameshow track represents – the compulsion to break taboo.’\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTears|Ov’s debut is presented as a continuous journey, devised to be heard as a whole. ‘Though I’m interested in attaining a peaceful hold on mixing emotions on a personal level, the compositions seem to come out all sideways, morose and capricious,’ Lori says. ‘I like to change the mood slowly and sometimes suddenly – like how it happens in your heart.’\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDebbie notes how the albums’ different movements work for or against each other. ‘“Dancing Without” is about finding a book about nothingness, just lying there on the street, and having gratitude for nothing being nothing yet still somehow falling out of the sky as an object – not just a concept. For “Overstimulated Arcade Rat”, the inspiration was about the feeling of being on a new psychotic substance, endlessly playing video games – a metaphor for being forced into addiction by society, for getting lost in the pressure of finding your way. “Trapdoor Ant” is about the protective survival mechanism of the trapdoor ant. They have the fastest moving predatory appendages within the animal kingdom, used as a catapult to eject intruders or ping themselves backwards to escape threat. The peak force is 300 times the body weight of the ant…’\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn Katie’s opinion the album represents an emotional journey, ‘often one started by Lori and shaped by the band. Through my cello melodies, I seek to create a story throughout the album, like a voice. The way the tracks are stitched together is akin to how a symphony is structured, with its different movements; each one with its own story, building to a greater whole. The emotions that Lori describes – of loss, grief and love – are echoed in the romantic and often heart-rending cello melodies. As I am not the one who creates the initial concepts or ideas, for me it’s much more about how I absorb and feel the raw emotion of each track, then voicing and interpreting what I feel through the cello.’\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tears|Ov\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Tapeworm\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-01-17T14:36:03+09:00","created_at":"2022-01-17T11:18:17+09:00","vendor":"Tobira Records","type":"","tags":["drone","jazz","lp","monooto","strange beats","the tapeworm"],"price":275000,"price_min":275000,"price_max":275000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42328508793082,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Tears|Ov \/\/ A Hopeless Place LP","public_title":null,"options":["Default Title"],"price":275000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ho1_6015172b-95f5-40c1-8e64-b14c78fa3f68.jpg?v=1642385898"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ho1_6015172b-95f5-40c1-8e64-b14c78fa3f68.jpg?v=1642385898","options":["Title"],"media":[{"alt":null,"id":29017970868474,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ho1_6015172b-95f5-40c1-8e64-b14c78fa3f68.jpg?v=1642385898"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ho1_6015172b-95f5-40c1-8e64-b14c78fa3f68.jpg?v=1642385898","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eコラージュバンドTears|Ovが、2019年にイギリスの実験レーベルTapewormからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eコラージュ・ジャズ〜ドローンなどカテゴライズが難しい8曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1306833354\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/tapeworm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/tapeworm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/tapeworm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/tapeworm\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eThe Tapeworm releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 200.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe Tapeworm:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFounded in 2015, Tears|Ov are sound artist\/self-taught musician Lori E Allen, classically trained cellist\/mixed media artist Katie Spafford and illustrator\/prison psychotherapist Deborah Wale. The trio first collaborated on Lori E Allen’s ‘Tears of the Material Vulture’ cassette on The Tapeworm, a re-imagination of a brief collaboration with Madame Chaos of cut-up cablecasts, 1995-1996, on Manhattan Neighborhood Network and Television in New York City. That release served to resurrect a hibernating creative practice between the three friends.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTheir writing process takes the form of structured improvisation. Allen will create a bed of loops, field recordings or a full framework. She then shares this base with Wale and Spafford who embellish or delete, the three building the pieces through long improvised sessions in London, playing late into the night. During these sessions, the feeling of a songs’ words or the emotional tone of a sound can spark sudden mood changes, altering the arc of the compositions. ‘Crucially the music is improvised – it is never the same twice. There are triggers and moments that signal moving to another part of the music, but the timings and lengths largely depend on our moods and interpretation on a given day\/performance. Because of this, the\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e album was recorded with ambient mics capturing multiple instruments. It wasn’t possible to record all the instruments separately as we respond to each others improvisation. Even if the changes are very minor, they really affect the emotion of each piece’ Spafford says.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e‘A Hopeless Place’ was initiated by a commission from Wolfgang Tillmans to perform at the Tate Modern’s South Tanks, part of a concert series curated by the artist in parallel to his 2017 retrospective at the gallery. ‘We were asked to play a gig at the Tate in March 2017’ recalls Lori. ‘I’d already started on some of the tracks, but it gave us an opportunity to present them as a composition around their connected themes. Sometime after the gig we decided to capture the work and turn it in to an album.’\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFor Lori, the album is about loss, ‘especially grief around the edges of growing out of something in order to move toward something else. It’s about transformation through love, not knowing how to hold on to everything while wanting desperately to let go of all of it, craving new shapes but feeling warped in the process of shapeshifting. It’s also about how love changes you, if you allow it to. It can’t be apportioned. And this is the biggest mistake of all – which we all joke about in vain grasping for control over the pleasure of losing control – that’s what the gameshow track represents – the compulsion to break taboo.’\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTears|Ov’s debut is presented as a continuous journey, devised to be heard as a whole. ‘Though I’m interested in attaining a peaceful hold on mixing emotions on a personal level, the compositions seem to come out all sideways, morose and capricious,’ Lori says. ‘I like to change the mood slowly and sometimes suddenly – like how it happens in your heart.’\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDebbie notes how the albums’ different movements work for or against each other. ‘“Dancing Without” is about finding a book about nothingness, just lying there on the street, and having gratitude for nothing being nothing yet still somehow falling out of the sky as an object – not just a concept. 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The emotions that Lori describes – of loss, grief and love – are echoed in the romantic and often heart-rending cello melodies. As I am not the one who creates the initial concepts or ideas, for me it’s much more about how I absorb and feel the raw emotion of each track, then voicing and interpreting what I feel through the cello.’\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tears|Ov\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Tapeworm\u003c\/span\u003e\u003c\/p\u003e"}
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コラージュバンドTears|Ovが、2019年にイギリスの実験レーベルTapewormからリリースしたレコードです。 コラージュ・ジャズ〜ドローンなどカテゴライズが難しい8曲を収録。 レーベルその他作品はこちら /// Click here to see more The Tapeworm releases available at Tobira. ---------------------- Edition of...
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