Samuel Goff/Camila Nebbia/Patrick Shiroishi // Diminished Borders TAPE / CD

Samuel Goff/Camila Nebbia/Patrick Shiroishi // Diminished Borders TAPE / CD

¥1,980

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アメリカのジャズ奏者Samuel GoffとCamila Nebbia、Patrick Shiroishiが、2023年11月に同国地下ジャズレーベルCacophonous Revival Recordingsからリリースした共作アルバムです。

サックス2本とドラムによるアグレッシブなフリージャズ8曲を収録。

※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします

レーベルその他作品はこちら /// Click here to see more Cacophonous Revival Recordings releases available at Tobira.

----------------------

Ask us for digital files. Available on cassette in norelco case or CD in digipack.

Tracklist:

Chaos Control 02:58
Esperando Que Todo Desaparezca 05:33
Where Borders Shift 05:12
Listening To Quasars 03:35
Broken Song 08:13
Metaphors In Space 10:58
Spit Temple 04:40
A Thousand Tiny Fibers Dissolving In Air 03:11

Cacophonous Revival Recordings:

" Cacophonous Revival is proud to present another strong entry into our growing jazz influenced catalog. Diminished Borders by Samuel Goff, Camila Nebbia and Patrick Shiroishi presents a powerful drums/sax/sax trio that provides a wide spectrum of diverging moods and genres. Contained within the 8 pieces are styles ranging from chaotic free jazz to introspective and almost tender pieces where Nebbia and Shiroishi articulate a deep and emotional framework to carry the listener into melancholic dreams. These tender songs buffer some of the more atonal, avant garde selections. There is also an almost playful piece where Nebbia and Shiroishi lay down some beautiful solos over Goff’s polyrhythmic drumming. This is in stark contrast with the chaotic spazz jazz toward the end of the album.
“Diminished Borders” was recorded at vastly different parts of the world or across borders with musicians with divergent backgrounds. Recorded in Richmond, VA, Lyon, France and Los Angeles, CA. the three musicians here have long been entrenched in the experimental and jazz underground music scene and this album shows the strength in both unity and individual performances of that experience. Also the album is loosely based on “Spit Temple” by Chilean poet Cecilia Vicuña who wrote often about borders having crossed many herself. Borders mean so much in this world. The piece of land you currently stand on dictates the fate of your life. Crossing borders oftentimes means life or death. We would like to see the importance of borders….”diminished.” "

Artist : Samuel Goff/Camila Nebbia/Patrick Shiroishi

Label : Cacophonous Revival Recordings

Quantity

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サックス2本とドラムによるアグレッシブなフリージャズ8曲を収録。

※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします

レーベルその他作品はこちら /// Click here to see more Cacophonous Revival Recordings releases available at Tobira.

----------------------

Ask us for digital files. Available on cassette in norelco case or CD in digipack.

Tracklist:

Chaos Control 02:58
Esperando Que Todo Desaparezca 05:33
Where Borders Shift 05:12
Listening To Quasars 03:35
Broken Song 08:13
Metaphors In Space 10:58
Spit Temple 04:40
A Thousand Tiny Fibers Dissolving In Air 03:11

Cacophonous Revival Recordings:

Artist : Samuel Goff/Camila Nebbia/Patrick Shiroishi

Label : Cacophonous Revival Recordings

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A timeless fugue state spent playing arpeggios on a Spanish guitar, the PA system ebbing out phasing loops across benevolent waters. Layering, occasionally faulting, stopping, recording, starting again. The phosphorescent glow atop the obelisk ever-present.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePerhaps the first release on Archaic Vaults to feature (at least prominent) use of the guitar, these six compositions feel sketch-like and yet burned into the retina, like that of a passing car’s headlights leaving an impressionistic imprint of the source material. To mention this is Grady Steele’s debut release is not to imply he is new to working with sound, having been the proprietor of one of London’s most important soundsystems for the last decade. An obsession with fidelity can be heard and and at times deliberately perverted amongst the body of work. The warm and melancholic tones of the Spanish guitar evident in almost all songs are juxtaposed\u003cspan class=\"bcTruncateMore\"\u003e with various collaged material, including what sounds like hastily captured iPhone recordings and drum machines neglected at the back of the studio, dragged out for one or two stubborn, lurching takes and then once more committed to storage. The 90s voice-imitator pads glowing with undulance are reminiscent of John T. Gast’s early studio takes, and the synergy and precision in guitar layering could lend a clue as to what Fuck Buttons would have sounded like had they sold off their studio equipment for a couple of wooden 12-stringers. Stare long enough at those Windows screensaver-esque rolling hills, and one might witness some miniscule movement in the growth.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Grady Steele\u003c\/p\u003e\n\u003cp\u003eLabel : Archaic Vaults\u003c\/p\u003e","published_at":"2024-05-07T18:55:17+09:00","created_at":"2024-05-07T11:03:08+09:00","vendor":"Tobira Records","type":"","tags":["ambient","archaic vaults","new","recommended","tape"],"price":199800,"price_min":199800,"price_max":199800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45864004616442,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Grady Steele \/\/ Marsaskala TAPE","public_title":null,"options":["Default Title"],"price":199800,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/mar1.jpg?v=1715047390","\/\/tobirarecords.com\/cdn\/shop\/files\/mar2.jpg?v=1715047390"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/mar1.jpg?v=1715047390","options":["Title"],"media":[{"alt":null,"id":33952819740922,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mar1.jpg?v=1715047390"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mar1.jpg?v=1715047390","width":700},{"alt":null,"id":33952819773690,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mar2.jpg?v=1715047390"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mar2.jpg?v=1715047390","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eドイツ・ベルリンの実験テクノ作家Nape主宰レーベルArchaic Vaults最新作を入荷しました。レーベル初となるギター作品です。\u003c\/p\u003e\n\u003cp\u003e本作は、イギリス・ロンドンのアンビエント・フォーク作家Grady Steeleが、2024年4月にリリースしたデビューカセットです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eメランコリックなギターのアルペジオとフィールドレコーディングによるアンビエント・フォーク6曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"霧に包まれた海岸線に打ち上げられた瓦礫の破片。慰めを永遠に探し求めることで得られる満足感。名もない小島のどこかの灯台のてっぺんに閉じこもり、グラディ・スティールはビーコンが届く範囲の人々に放送している。流木と廃車になったカーステレオで作られたサウンドシステムは、正確につなぎ合わされ、苦労してオベリスクの頂上まで運ばれる。スパニッシュギターでアルペジオを弾きながら、PAシステムが慈悲深い海をフェイジング・ループで流れていく。レイヤーを重ね、時に断層を作り、止め、録音し、また始める。オベリスクの上には燐光の輝きが常に存在する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eArchaic Vaultsからリリースされた、ギターを（少なくとも顕著に）フィーチャーした最初の作品であるこの6曲は、スケッチのようでありながら、まるで通り過ぎる車のヘッドライトのように網膜に焼き付き、音源の印象的な痕跡を残す。本作がグラディ・スティールのデビュー作であると言っても、過去10年間、ロンドンで最も重要なサウンドシステムのひとつを経営してきた彼が、音に携わるのが初めてというわけではない。忠実さへの執着は、作品群の中でも聴くことができるし、時には意図的に曲解されていることもある。スパニッシュギターのあたたかくメランコリックな音色は、ほとんどすべての曲で聴くことができるが、コラージュされた様々な素材と並置されている。その中には、急遽iPhoneで録音したようなものや、スタジオの奥で放置され、1、2テイクのために引っ張り出され、再びお蔵入りになったドラムマシンが含まれている。90年代のボイスイミテーターパッドがアンデュランスに光る様子は、ジョン・T・ガストの初期のスタジオテイクを彷彿とさせるし、ギターのレイヤリングの相乗効果と正確さは、ファックバトンズがスタジオ機材を売り払って木製の12弦を2、3本手に入れていたらどんなサウンドになっていたかを知る手がかりになるだろう。ウィンドウズのスクリーンセーバーのようななだらかな丘陵地帯をじっくりと眺めていると、その成長に微かな動きが見られるかもしれない。 \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/4A3YQ6HByaU?si=uxatkNEHP_mxXFwe\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/52nkUniNHoQ?si=iz3QIWufrkyI7sFa\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/PqXVS2CumT0?si=2bUkzbv3LEHGqZ_Z\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/ZQeNOVPWy68?si=qGx1qy2VX3xLvNtq\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/lquNlPh19gI?si=HcMIpxXSYv3W74C8\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/Av4-LOHGqkE?si=9xDdt-Hch90R0Fa0\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/archaic-vaults\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/archaic-vaults\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/archaic-vaults\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/archaic-vaults\"\u003ehere\u003c\/a\u003e to see more Archaic Vaults releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Cassette in norelco case.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Sybille 05:15\u003cbr\u003e2. 192 ft 03:16\u003cbr\u003e3. Jolimont 04:24\u003cbr\u003e4. Saint-Lazare 03:50\u003cbr\u003e5. Bahrija 02:22\u003cbr\u003e6. Larghetto 04:26\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArchaic Vaults:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePieces of debris washed up on a coastline shrouded in mist. Gratification comes from an eternal search for solace. Locked away at the top of a lighthouse somewhere on an unnamed isle, Grady Steele broadcasts to those within the beacon’s reach. A soundsystem built of driftwood and salvaged car stereos is pieced together with precision and laboriously dragged to the top of the obelisk. A timeless fugue state spent playing arpeggios on a Spanish guitar, the PA system ebbing out phasing loops across benevolent waters. Layering, occasionally faulting, stopping, recording, starting again. The phosphorescent glow atop the obelisk ever-present.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePerhaps the first release on Archaic Vaults to feature (at least prominent) use of the guitar, these six compositions feel sketch-like and yet burned into the retina, like that of a passing car’s headlights leaving an impressionistic imprint of the source material. To mention this is Grady Steele’s debut release is not to imply he is new to working with sound, having been the proprietor of one of London’s most important soundsystems for the last decade. An obsession with fidelity can be heard and and at times deliberately perverted amongst the body of work. The warm and melancholic tones of the Spanish guitar evident in almost all songs are juxtaposed\u003cspan class=\"bcTruncateMore\"\u003e with various collaged material, including what sounds like hastily captured iPhone recordings and drum machines neglected at the back of the studio, dragged out for one or two stubborn, lurching takes and then once more committed to storage. The 90s voice-imitator pads glowing with undulance are reminiscent of John T. Gast’s early studio takes, and the synergy and precision in guitar layering could lend a clue as to what Fuck Buttons would have sounded like had they sold off their studio equipment for a couple of wooden 12-stringers. Stare long enough at those Windows screensaver-esque rolling hills, and one might witness some miniscule movement in the growth.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Grady Steele\u003c\/p\u003e\n\u003cp\u003eLabel : Archaic Vaults\u003c\/p\u003e"}