fuvk // goodnight, moon TAPE
![orchid mantis // Possession Pact LP [COLOR]](//tobirarecords.com/cdn/shop/files/poss1_a4a9c76a-c4cb-4bd4-9a33-373718a054d0_medium.jpg?v=1754622502)
fuvk // goodnight, moon TAPE
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アメリカ・テキサスのシンガーソングライターfuvkが、2023年1月にスロバキアのポップレーベルZ Tapesから150本限定でリリースしたカセットです。
アコースティックギターと声をメインソースとした、シンプルですが味わい深いエモ・インディーフォーク6曲を収録。DLコード付属。既に廃盤です。
Z Tapes その他作品はこちら /// Click here to see more Z Tapes releases available at Tobira.
-----------------------------
Edition of 150. Includes DL code.
Artist : fuvk
Label : Z Tapes
アメリカ・テキサスのシンガーソングライターfuvkが、2023年1月にスロバキアのポップレーベルZ Tapesから150本限定でリリースしたカセットです。
アコースティックギターと声をメインソースとした、シンプルですが味わい深いエモ・インディーフォーク6曲を収録。DLコード付属。既に廃盤です。
Z Tapes その他作品はこちら /// Click here to see more Z Tapes releases available at Tobira.
-----------------------------
Edition of 150. Includes DL code.
Artist : fuvk
Label : Z Tapes
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{"id":9186439758074,"title":"orchid mantis \/\/ In Airports TAPE","handle":"orchid-mantis-in-airports-tape","description":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※6月上旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eアメリカ・アトランタのドリームポップ作家orchid mantisが、2025年12月にスロバキア・ブラティスラバのインディーレーベルStart-trackから100本限定でリリースしたカセットです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eドリームポップ〜スローコア15曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e※Z TapesまたはStart-trackの全作品3作以上ご注文で\u003ca href=\"https:\/\/tobirarecords.com\/collections\/zsale\"\u003eこちら\u003c\/a\u003eのページのカセットを1本無料で差し上げます\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3434233742\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2254865485\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3434233742\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/sttr\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/sttr\"\u003ehere\u003c\/a\u003e to see more Start-track.com releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003eCassette in norelco case.\u003cbr\u003eCassette edition of 100. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Generation Loss (ft. Lillie Weeks)\u003cbr\u003e2. Comedown Phase 03:04\u003cbr\u003e3. Something You Said\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. On Your Mind (ft. Marina Yozora)\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Falling Back Asleep\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Talk In Technicolor\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Blissful Moon\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. In Airports\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. Highway Pileup\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e10. It Takes A While\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e11. Heart Still Hangs\u003cbr\u003e\u003c\/span\u003e12. In The Dawn\u003cbr\u003e13. I'll Wake Up Soon\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e14. Orbiting Your Head\u003cbr\u003e\u003c\/span\u003e15. Strange Heaven 03:56\u003c\/p\u003e\n\u003cp\u003eStart-track:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"The first line of In Airports, Howard’s second full-length album in 2025, references data degradation or “generation loss” as a metaphor for the fragility of memory and mental experience of aging into adulthood. In the context of his greater catalogue, this comparison could serve as a mission statement, a central conceit of his songs. Fittingly, In Airports is a retrospective synthesis of the many disparate genres and sonic ideas that have been explored in his earlier work: Four-track cassette recording, deformed samples and a surrealist approach to production, adjoined with nostalgic and introspective songwriting.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThere are hints of a newly confessional approach to lyricism that is plainspoken and direct. On the title track, Howard directly examines his relationship to music-making and how it has changed: “I made it all about me \/ Is that a tragedy \/ Used to put my headphones on \/ Escape into a new song.” This sort of self-interrogation emerges from an obsessive devotion to recording music that now spans more than half of Howard’s life. The omnivorous instrumental approach of his production has only deepened from several years spent taking detours into focused genre experiments. And so, In Airports attempts to re-establish Howard’s core musical affect as it\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e stands today, filtering his older signature through a lens of dubby dream pop, sparse slowcore, and maximalist shoegaze. [...]\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003eFrom the artist:\u003cbr\u003e\u003cbr\u003e\"\u003cem\u003eA few years ago I found myself stuck in an airport for about a week, spending every day walking around the terminals, watching people come and go. I'd always liked the transient feeling of temporary spaces like that. Being there for such a long time didn't detract from the magic, it only strengthened it. For almost a week, I had no purpose or goals beyond waiting for my flight. I didn't have to do anything, or change anything. Thinking back, I'm not sure I fully wanted it to end.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI think a lot of people live their life in airports. Stuck, waiting for something just over the horizon. Travelers come into their life, and leave when the time is right, but they just keep waiting. I've had a lot of conversations recently about agency and preserving your passions. About not letting yourself drift. Living with a purpose, and avoiding that sense of complacency that creeps in as you age. There's so much we can't control. So much so that it can blind us to how easily we could change. Tomorrow, you could catch that flight. You could go anywhere. You could be a new person. You could leave the airport.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhere does the time go? Everywhere.\"\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : orchid mantis\u003c\/p\u003e\n\u003cp\u003eLabel : Start-track\u003c\/p\u003e\n\u003cp\u003ecat no : S-T053\u003c\/p\u003e","published_at":"2026-04-12T12:43:06+09:00","created_at":"2026-04-12T12:42:35+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","new","orchid mantis","recommended","start-track","tape"],"price":237700,"price_min":237700,"price_max":237700,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48647541162234,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"orchid mantis \/\/ In Airports TAPE","public_title":null,"options":["Default Title"],"price":237700,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/air1_113dc2ee-9068-45d5-a78f-6e425049c5b9.jpg?v=1761613565","\/\/tobirarecords.com\/cdn\/shop\/files\/air2_cff632d8-b80a-4b7d-b79c-1963cc812518.jpg?v=1761613564"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/air1_113dc2ee-9068-45d5-a78f-6e425049c5b9.jpg?v=1761613565","options":["Title"],"media":[{"alt":null,"id":37298384503034,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/air1_113dc2ee-9068-45d5-a78f-6e425049c5b9.jpg?v=1761613565"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/air1_113dc2ee-9068-45d5-a78f-6e425049c5b9.jpg?v=1761613565","width":700},{"alt":null,"id":37298384535802,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/air2_cff632d8-b80a-4b7d-b79c-1963cc812518.jpg?v=1761613564"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/air2_cff632d8-b80a-4b7d-b79c-1963cc812518.jpg?v=1761613564","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※6月上旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eアメリカ・アトランタのドリームポップ作家orchid mantisが、2025年12月にスロバキア・ブラティスラバのインディーレーベルStart-trackから100本限定でリリースしたカセットです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eドリームポップ〜スローコア15曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e※Z TapesまたはStart-trackの全作品3作以上ご注文で\u003ca href=\"https:\/\/tobirarecords.com\/collections\/zsale\"\u003eこちら\u003c\/a\u003eのページのカセットを1本無料で差し上げます\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3434233742\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2254865485\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3434233742\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/sttr\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/sttr\"\u003ehere\u003c\/a\u003e to see more Start-track.com releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003eCassette in norelco case.\u003cbr\u003eCassette edition of 100. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Generation Loss (ft. Lillie Weeks)\u003cbr\u003e2. Comedown Phase 03:04\u003cbr\u003e3. Something You Said\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. On Your Mind (ft. Marina Yozora)\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Falling Back Asleep\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Talk In Technicolor\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Blissful Moon\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. In Airports\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. Highway Pileup\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e10. It Takes A While\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e11. Heart Still Hangs\u003cbr\u003e\u003c\/span\u003e12. In The Dawn\u003cbr\u003e13. I'll Wake Up Soon\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e14. Orbiting Your Head\u003cbr\u003e\u003c\/span\u003e15. Strange Heaven 03:56\u003c\/p\u003e\n\u003cp\u003eStart-track:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"The first line of In Airports, Howard’s second full-length album in 2025, references data degradation or “generation loss” as a metaphor for the fragility of memory and mental experience of aging into adulthood. In the context of his greater catalogue, this comparison could serve as a mission statement, a central conceit of his songs. Fittingly, In Airports is a retrospective synthesis of the many disparate genres and sonic ideas that have been explored in his earlier work: Four-track cassette recording, deformed samples and a surrealist approach to production, adjoined with nostalgic and introspective songwriting.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThere are hints of a newly confessional approach to lyricism that is plainspoken and direct. On the title track, Howard directly examines his relationship to music-making and how it has changed: “I made it all about me \/ Is that a tragedy \/ Used to put my headphones on \/ Escape into a new song.” This sort of self-interrogation emerges from an obsessive devotion to recording music that now spans more than half of Howard’s life. The omnivorous instrumental approach of his production has only deepened from several years spent taking detours into focused genre experiments. And so, In Airports attempts to re-establish Howard’s core musical affect as it\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e stands today, filtering his older signature through a lens of dubby dream pop, sparse slowcore, and maximalist shoegaze. [...]\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003eFrom the artist:\u003cbr\u003e\u003cbr\u003e\"\u003cem\u003eA few years ago I found myself stuck in an airport for about a week, spending every day walking around the terminals, watching people come and go. I'd always liked the transient feeling of temporary spaces like that. Being there for such a long time didn't detract from the magic, it only strengthened it. For almost a week, I had no purpose or goals beyond waiting for my flight. I didn't have to do anything, or change anything. Thinking back, I'm not sure I fully wanted it to end.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI think a lot of people live their life in airports. Stuck, waiting for something just over the horizon. Travelers come into their life, and leave when the time is right, but they just keep waiting. I've had a lot of conversations recently about agency and preserving your passions. About not letting yourself drift. Living with a purpose, and avoiding that sense of complacency that creeps in as you age. There's so much we can't control. So much so that it can blind us to how easily we could change. Tomorrow, you could catch that flight. You could go anywhere. You could be a new person. You could leave the airport.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhere does the time go? Everywhere.\"\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : orchid mantis\u003c\/p\u003e\n\u003cp\u003eLabel : Start-track\u003c\/p\u003e\n\u003cp\u003ecat no : S-T053\u003c\/p\u003e"}
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※6月上旬再入荷後発送します アメリカ・アトランタのドリームポップ作家orchid mantisが、2025年12月にスロバキア・ブラティスラバのインディーレーベルStart-trackから100本限定でリリースしたカセットです。 ドリームポップ〜スローコア15曲を収録。DLコード付属。 ※Z TapesまたはStart-trackの全作品3作以上ご注文でこちらのページのカセットを1本無料で差し上げます レーベルその他作品はこちら /// Click here to see more Start-track.com releases available at...
¥2,377
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{"id":8972479594746,"title":"Orchid Mantis \/\/ In Airports CD","handle":"orchid-mantis-in-airports-cd","description":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※5月下旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eアメリカ・アトランタのドリームポップ作家orchid mantisが、2025年11月にスロバキア・ブラティスラバのインディーレーベルStart-trackからリリースしたCDです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eドリームポップ15曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3434233742\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2254865485\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3434233742\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/sttr\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/sttr\"\u003ehere\u003c\/a\u003e to see more Start-track.com releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eCD in jewel case. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Generation Loss (ft. Lillie Weeks)\u003cbr\u003e2. Comedown Phase 03:04\u003cbr\u003e3. Something You Said\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. On Your Mind (ft. Marina Yozora)\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Falling Back Asleep\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Talk In Technicolor\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Blissful Moon\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. In Airports\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. Highway Pileup\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e10. It Takes A While\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e11. Heart Still Hangs\u003cbr\u003e\u003c\/span\u003e12. In The Dawn\u003cbr\u003e13. I'll Wake Up Soon\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e14. Orbiting Your Head\u003cbr\u003e\u003c\/span\u003e15. Strange Heaven 03:56\u003c\/p\u003e\n\u003cp\u003eStart-track:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"The first line of In Airports, Howard’s second full-length album in 2025, references data degradation or “generation loss” as a metaphor for the fragility of memory and mental experience of aging into adulthood. In the context of his greater catalogue, this comparison could serve as a mission statement, a central conceit of his songs. Fittingly, In Airports is a retrospective synthesis of the many disparate genres and sonic ideas that have been explored in his earlier work: Four-track cassette recording, deformed samples and a surrealist approach to production, adjoined with nostalgic and introspective songwriting.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThere are hints of a newly confessional approach to lyricism that is plainspoken and direct. On the title track, Howard directly examines his relationship to music-making and how it has changed: “I made it all about me \/ Is that a tragedy \/ Used to put my headphones on \/ Escape into a new song.” This sort of self-interrogation emerges from an obsessive devotion to recording music that now spans more than half of Howard’s life. The omnivorous instrumental approach of his production has only deepened from several years spent taking detours into focused genre experiments. And so, In Airports attempts to re-establish Howard’s core musical affect as it\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e stands today, filtering his older signature through a lens of dubby dream pop, sparse slowcore, and maximalist shoegaze. [...]\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003eFrom the artist:\u003cbr\u003e\u003cbr\u003e\"\u003cem\u003eA few years ago I found myself stuck in an airport for about a week, spending every day walking around the terminals, watching people come and go. I'd always liked the transient feeling of temporary spaces like that. Being there for such a long time didn't detract from the magic, it only strengthened it. For almost a week, I had no purpose or goals beyond waiting for my flight. I didn't have to do anything, or change anything. Thinking back, I'm not sure I fully wanted it to end.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI think a lot of people live their life in airports. Stuck, waiting for something just over the horizon. Travelers come into their life, and leave when the time is right, but they just keep waiting. I've had a lot of conversations recently about agency and preserving your passions. About not letting yourself drift. Living with a purpose, and avoiding that sense of complacency that creeps in as you age. There's so much we can't control. So much so that it can blind us to how easily we could change. Tomorrow, you could catch that flight. You could go anywhere. You could be a new person. You could leave the airport.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhere does the time go? Everywhere.\"\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : orchid mantis\u003c\/p\u003e\n\u003cp\u003eLabel : Start-track\u003c\/p\u003e\n\u003cp\u003ecat no : S-T053\u003c\/p\u003e","published_at":"2025-10-28T14:10:05+09:00","created_at":"2025-10-28T10:08:55+09:00","vendor":"Tobira Records","type":"","tags":["cd","folk \/ left-field pop","new","orchid mantis","recommended","start-track"],"price":237700,"price_min":237700,"price_max":237700,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47875384869114,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Orchid Mantis \/\/ In Airports CD","public_title":null,"options":["Default Title"],"price":237700,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/air1_a3e92454-d1f2-46c9-bfee-efe6e4205bac.jpg?v=1761613778","\/\/tobirarecords.com\/cdn\/shop\/files\/air3_03eb9ac3-d14c-49dd-a5c4-e4543c4cddd4.jpg?v=1761613778"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/air1_a3e92454-d1f2-46c9-bfee-efe6e4205bac.jpg?v=1761613778","options":["Title"],"media":[{"alt":null,"id":37298404622586,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/air1_a3e92454-d1f2-46c9-bfee-efe6e4205bac.jpg?v=1761613778"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/air1_a3e92454-d1f2-46c9-bfee-efe6e4205bac.jpg?v=1761613778","width":700},{"alt":null,"id":37298404655354,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/air3_03eb9ac3-d14c-49dd-a5c4-e4543c4cddd4.jpg?v=1761613778"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/air3_03eb9ac3-d14c-49dd-a5c4-e4543c4cddd4.jpg?v=1761613778","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※5月下旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eアメリカ・アトランタのドリームポップ作家orchid mantisが、2025年11月にスロバキア・ブラティスラバのインディーレーベルStart-trackからリリースしたCDです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eドリームポップ15曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3434233742\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2254865485\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3434233742\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/sttr\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/sttr\"\u003ehere\u003c\/a\u003e to see more Start-track.com releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eCD in jewel case. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Generation Loss (ft. Lillie Weeks)\u003cbr\u003e2. Comedown Phase 03:04\u003cbr\u003e3. Something You Said\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. On Your Mind (ft. Marina Yozora)\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Falling Back Asleep\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Talk In Technicolor\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Blissful Moon\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. In Airports\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. Highway Pileup\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e10. It Takes A While\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e11. Heart Still Hangs\u003cbr\u003e\u003c\/span\u003e12. In The Dawn\u003cbr\u003e13. I'll Wake Up Soon\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e14. Orbiting Your Head\u003cbr\u003e\u003c\/span\u003e15. Strange Heaven 03:56\u003c\/p\u003e\n\u003cp\u003eStart-track:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"The first line of In Airports, Howard’s second full-length album in 2025, references data degradation or “generation loss” as a metaphor for the fragility of memory and mental experience of aging into adulthood. In the context of his greater catalogue, this comparison could serve as a mission statement, a central conceit of his songs. Fittingly, In Airports is a retrospective synthesis of the many disparate genres and sonic ideas that have been explored in his earlier work: Four-track cassette recording, deformed samples and a surrealist approach to production, adjoined with nostalgic and introspective songwriting.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThere are hints of a newly confessional approach to lyricism that is plainspoken and direct. On the title track, Howard directly examines his relationship to music-making and how it has changed: “I made it all about me \/ Is that a tragedy \/ Used to put my headphones on \/ Escape into a new song.” This sort of self-interrogation emerges from an obsessive devotion to recording music that now spans more than half of Howard’s life. The omnivorous instrumental approach of his production has only deepened from several years spent taking detours into focused genre experiments. And so, In Airports attempts to re-establish Howard’s core musical affect as it\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e stands today, filtering his older signature through a lens of dubby dream pop, sparse slowcore, and maximalist shoegaze. [...]\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003eFrom the artist:\u003cbr\u003e\u003cbr\u003e\"\u003cem\u003eA few years ago I found myself stuck in an airport for about a week, spending every day walking around the terminals, watching people come and go. I'd always liked the transient feeling of temporary spaces like that. Being there for such a long time didn't detract from the magic, it only strengthened it. For almost a week, I had no purpose or goals beyond waiting for my flight. I didn't have to do anything, or change anything. Thinking back, I'm not sure I fully wanted it to end.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI think a lot of people live their life in airports. Stuck, waiting for something just over the horizon. Travelers come into their life, and leave when the time is right, but they just keep waiting. I've had a lot of conversations recently about agency and preserving your passions. About not letting yourself drift. Living with a purpose, and avoiding that sense of complacency that creeps in as you age. There's so much we can't control. So much so that it can blind us to how easily we could change. Tomorrow, you could catch that flight. You could go anywhere. You could be a new person. You could leave the airport.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhere does the time go? Everywhere.\"\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : orchid mantis\u003c\/p\u003e\n\u003cp\u003eLabel : Start-track\u003c\/p\u003e\n\u003cp\u003ecat no : S-T053\u003c\/p\u003e"}
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※5月下旬再入荷後発送します アメリカ・アトランタのドリームポップ作家orchid mantisが、2025年11月にスロバキア・ブラティスラバのインディーレーベルStart-trackからリリースしたCDです。 ドリームポップ15曲を収録。 レーベルその他作品はこちら /// Click here to see more Start-track.com releases available at Tobira. ----------------------...
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{"id":9038926840058,"title":"orchid mantis \/\/ i only remember the good parts CD","handle":"orchid-mantis-i-only-remember-the-good-parts-cd","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアメリカ・アトランタのドリームポップ作家orchid mantisが、2024年6月にスロバキア・ブラティスラバのインディーレーベルStart-trackからリリースしたアルバムです。（レコードはDaydream Recordsからのリリースです）\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e切ないLo-Fiドリームポップ14曲を収録。\u003c\/p\u003e\n\u003cp\u003e彼の作品の中でも最もエモい作品です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/Ew7r0lMy_U8?si=kYw26Hi44QUf-lGI\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/sttr\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/sttr\"\u003ehere\u003c\/a\u003e to see more Start-track.com releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCD in jewel case.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e1. good news 01:41\u003cbr\u003e2. wasted energy 02:09\u003cbr\u003e3. another life (ft. sign crushes motorist) 02:11 \u003cbr\u003e4. high time 02:00\u003cbr\u003e5. only here for you 02:09\u003cbr\u003e6. get back 01:34 \u003cbr\u003e7. in my head 02:04 \u003cbr\u003e8. signal breaks 01:35\u003cbr\u003e9. heartache 02:12\u003cbr\u003e10. it feels so far away now 02:08\u003cbr\u003e11. didn't mean (ft. mei semones) 01:28\u003cbr\u003e12. my forever (ft. jordana) 03:22\u003cbr\u003e13. two weeks (and i miss you) 01:36\u003cbr\u003e14. drove back 01:44 \u003c\/p\u003e\n\u003cp\u003eStart-track:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"This buried gem of the late 90s Atlanta DIY scene marks a very special release for the Orchid Mantis label. Recorded in '96 by reclusive lo-fi artist Blue Noon, 'i only remember the good parts' is a collection of muted, introspective lullabies assembled and delicately restored from their original master tapes. This is a remarkable discovery considering most of Blue Noon's catalogue had been lost in the aftermath of a foreclosure on the artist's residence due to their infamous disappearance in '97. \u003cbr\u003e\u003cbr\u003eFortunately, the artist's former home was recently sold by its subsequent owners, resulting in an auction which miraculously included a large cardboard box marked only by the cryptic phrase \"two weeks left\" scrawled hastily in black sharpie. An unnamed music journalist who attended the auction quickly realized its significance, knowing the residence's previous history. Sure enough, the box had been pulled from a shelf in the attic, untouched for over 15 years. The additional presence of a Tascam 4-track tape\u003cspan class=\"bcTruncateMore\"\u003e machine and condenser mic suggested this attic had been the recording space where much of Blue Noon's catalogue was recorded. \u003cbr\u003e\u003cbr\u003eThe conspiratorial types attracted by this enigmatic artist will no doubt find further lyrical material to support the strange and far-fetched theories that have circulated regarding Blue Noon's disappearance, which include debt evasion, a desperate PR hoax, or even the involvement of an esoteric procedure from obscure early-internet forums called the \"Possession Pact.\" Audio restoration hobbyist Thomas Howard, who mixed and mastered the release, can attest that there is a haunting aura embedded within the original tapes. \u003cbr\u003e\u003cbr\u003eHoward asserts that the audio began to affect his dreams, among other bizarre claims. In his own words, \"I spent about 6 hours straight one night mixing the album, and after a while, I could swear the lyrics changed entirely, almost as if they'd been reversed. I couldn't make anything out, but as crazy as it sounds, it started to feel as if they were responding to my thoughts.\" Curiously, Howard cut ties with the label shortly after conveying this to our staff, and has been unreachable since. \u003cbr\u003e\u003cbr\u003eWe're delighted to share that in loving tribute to Blue Noon's legacy, a selection of notable indie musicians have built upon three unfinished instrumentals from the era to bring them into 2024, almost as if the anonymous artist had never left.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : orchid mantis\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Start-track.com\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCAT No.: S-T016\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-12-24T09:07:24+09:00","created_at":"2025-12-24T09:05:45+09:00","vendor":"Tobira Records","type":"","tags":["cd","folk \/ left-field pop","new","orchid mantis","recommended","start-track"],"price":237700,"price_min":237700,"price_max":237700,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48153749127418,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"orchid mantis \/\/ i only remember the good parts CD","public_title":null,"options":["Default Title"],"price":237700,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a0109724364_16.jpg?v=1717902020","\/\/tobirarecords.com\/cdn\/shop\/files\/0041733694_10_fe463768-8778-4ed4-bb5e-fe0ac912f4bd.jpg?v=1766535074"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0109724364_16.jpg?v=1717902020","options":["Title"],"media":[{"alt":null,"id":34283991007482,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0109724364_16.jpg?v=1717902020"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0109724364_16.jpg?v=1717902020","width":700},{"alt":null,"id":37885057302778,"position":2,"preview_image":{"aspect_ratio":1.0,"height":900,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0041733694_10_fe463768-8778-4ed4-bb5e-fe0ac912f4bd.jpg?v=1766535074"},"aspect_ratio":1.0,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0041733694_10_fe463768-8778-4ed4-bb5e-fe0ac912f4bd.jpg?v=1766535074","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアメリカ・アトランタのドリームポップ作家orchid mantisが、2024年6月にスロバキア・ブラティスラバのインディーレーベルStart-trackからリリースしたアルバムです。（レコードはDaydream Recordsからのリリースです）\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e切ないLo-Fiドリームポップ14曲を収録。\u003c\/p\u003e\n\u003cp\u003e彼の作品の中でも最もエモい作品です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/Ew7r0lMy_U8?si=kYw26Hi44QUf-lGI\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/sttr\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/sttr\"\u003ehere\u003c\/a\u003e to see more Start-track.com releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCD in jewel case.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e1. good news 01:41\u003cbr\u003e2. wasted energy 02:09\u003cbr\u003e3. another life (ft. sign crushes motorist) 02:11 \u003cbr\u003e4. high time 02:00\u003cbr\u003e5. only here for you 02:09\u003cbr\u003e6. get back 01:34 \u003cbr\u003e7. in my head 02:04 \u003cbr\u003e8. signal breaks 01:35\u003cbr\u003e9. heartache 02:12\u003cbr\u003e10. it feels so far away now 02:08\u003cbr\u003e11. didn't mean (ft. mei semones) 01:28\u003cbr\u003e12. my forever (ft. jordana) 03:22\u003cbr\u003e13. two weeks (and i miss you) 01:36\u003cbr\u003e14. drove back 01:44 \u003c\/p\u003e\n\u003cp\u003eStart-track:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"This buried gem of the late 90s Atlanta DIY scene marks a very special release for the Orchid Mantis label. Recorded in '96 by reclusive lo-fi artist Blue Noon, 'i only remember the good parts' is a collection of muted, introspective lullabies assembled and delicately restored from their original master tapes. This is a remarkable discovery considering most of Blue Noon's catalogue had been lost in the aftermath of a foreclosure on the artist's residence due to their infamous disappearance in '97. \u003cbr\u003e\u003cbr\u003eFortunately, the artist's former home was recently sold by its subsequent owners, resulting in an auction which miraculously included a large cardboard box marked only by the cryptic phrase \"two weeks left\" scrawled hastily in black sharpie. An unnamed music journalist who attended the auction quickly realized its significance, knowing the residence's previous history. Sure enough, the box had been pulled from a shelf in the attic, untouched for over 15 years. The additional presence of a Tascam 4-track tape\u003cspan class=\"bcTruncateMore\"\u003e machine and condenser mic suggested this attic had been the recording space where much of Blue Noon's catalogue was recorded. \u003cbr\u003e\u003cbr\u003eThe conspiratorial types attracted by this enigmatic artist will no doubt find further lyrical material to support the strange and far-fetched theories that have circulated regarding Blue Noon's disappearance, which include debt evasion, a desperate PR hoax, or even the involvement of an esoteric procedure from obscure early-internet forums called the \"Possession Pact.\" Audio restoration hobbyist Thomas Howard, who mixed and mastered the release, can attest that there is a haunting aura embedded within the original tapes. \u003cbr\u003e\u003cbr\u003eHoward asserts that the audio began to affect his dreams, among other bizarre claims. In his own words, \"I spent about 6 hours straight one night mixing the album, and after a while, I could swear the lyrics changed entirely, almost as if they'd been reversed. I couldn't make anything out, but as crazy as it sounds, it started to feel as if they were responding to my thoughts.\" Curiously, Howard cut ties with the label shortly after conveying this to our staff, and has been unreachable since. \u003cbr\u003e\u003cbr\u003eWe're delighted to share that in loving tribute to Blue Noon's legacy, a selection of notable indie musicians have built upon three unfinished instrumentals from the era to bring them into 2024, almost as if the anonymous artist had never left.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : orchid mantis\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Start-track.com\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCAT No.: S-T016\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・アトランタのドリームポップ作家orchid mantisが、2024年6月にスロバキア・ブラティスラバのインディーレーベルStart-trackからリリースしたアルバムです。（レコードはDaydream Recordsからのリリースです） 切ないLo-Fiドリームポップ14曲を収録。 彼の作品の中でも最もエモい作品です。 レーベルその他作品はこちら /// Click here to see more Start-track.com releases available at Tobira....
¥2,377
![orchid mantis // Possession Pact LP [COLOR]](http://tobirarecords.com/cdn/shop/files/poss1_a4a9c76a-c4cb-4bd4-9a33-373718a054d0_medium.jpg?v=1754622502)
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{"id":8881089478906,"title":"orchid mantis \/\/ Possession Pact LP [COLOR]","handle":"orchid-mantis-possession-pact-lp-color","description":"\u003cp\u003eアメリカ・アトランタのドリームポップ作家orchid mantisが、2025年8月に同国インディーレーベルDaydream Recordsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eロードトリップをテーマにした90'sスローコア12曲を収録。ブルーマーブル盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"450\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/1975055389\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/orchid_mantis\" title=\"orchid mantis\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eorchid mantis\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/orchid_mantis\/sets\/possession-pactt\" title=\"Possession Pact\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003ePossession Pact\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/sttr\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/sttr\"\u003ehere\u003c\/a\u003e to see more Start-track.com releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" color vinyl.\u003cbr\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Spirit Circle 02:49\u003cbr\u003e2. Transformer 02:36\u003cbr\u003e3. Thin Light 03:13\u003cbr\u003e4. All The Passing Days 03:35\u003cbr\u003e5. Asleep On A Greyhound 04:03\u003cbr\u003e6. Leaving Tonight 02:38\u003cbr\u003e7. Distant, Without 01:55\u003cbr\u003e8. Night Sky Dozing 01:57\u003cbr\u003e9. Possession Pact 02:11\u003cbr\u003e10. My Epithet 02:17\u003cbr\u003e11. Winding, Unwinding 02:23\u003cbr\u003e12. Firestarter 04:14\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eConor Ryan \u0026amp; Thomas Howard, via the label: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"For over ten years now, Atlanta-based artist Thomas Howard has specialized in capturing nostalgia in all its biting and varied forms. Possession Pact represents a new outgrowth in his catalogue, thoroughly exploring the gloomy 90s slowcore sound pioneered by bands like Low, Bedhead and Codeine. The analog warbles and synthetic tones of previous releases have been replaced by skeletal, winding layers of guitar and minimalist drums, the space in-between commanded by Howard's clearest vocals to date, speaking in whispers and shouts.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHis world is one that’s always in motion - whether dreaming or awake - and meditations on momentum like “Asleep On A Greyhound” serve as a mission statement for the album. Through its reflective lyrical contemplations and long-form centerpieces, Howard conceived this to be a “road trip” record. Songs like “Firestarter” utilize this approach to capture the shifting emotional timbres that resonate within us as we build from stasis to catharsis. Like every Orchid Mantis release, Possession Pact reframes extremely personal moments into an abstract emotional narrative. Every note is tinged with yearning - or the feeling that there’s an unanswered question always floating, with a resolution just out of reach. They dance within contradiction\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e, from nihilist sentiment - \"it's hollow underneath \/ no answers for anything\" - to affirmation of meaning: \"a cipher in there \/ an answer to despair \/ a container to hold \/ and let it all go.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOrchid Mantis first gained a following through a string of bedroom-pop albums released via Z Tapes in the mid-2010s. Over the course of his vast and varied discography, he’s never settled on one genre. Whether it's his ambient works or his more indie pop-indebted releases, he focuses consistently on the beauty of dreamlike states, half-forgotten memories, and the bittersweet warble of tape decay. Although the instrumental arrangements here linger on despondent notes, Possession Pact ultimately acts as an exorcism - tucking away the past while ruminating on rebirth.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : orchid mantis\u003c\/p\u003e\n\u003cp\u003eLabel : Start-track\u003c\/p\u003e\n\u003cp\u003ecat no : S-T048\u003c\/p\u003e","published_at":"2025-08-08T15:35:44+09:00","created_at":"2025-08-08T12:11:26+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","new","orchid mantis","recommended","start-track"],"price":447200,"price_min":447200,"price_max":447200,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47593323233530,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"orchid mantis \/\/ Possession Pact LP [COLOR]","public_title":null,"options":["Default Title"],"price":447200,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/poss1_a4a9c76a-c4cb-4bd4-9a33-373718a054d0.jpg?v=1754622502"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/poss1_a4a9c76a-c4cb-4bd4-9a33-373718a054d0.jpg?v=1754622502","options":["Title"],"media":[{"alt":null,"id":36496881156346,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/poss1_a4a9c76a-c4cb-4bd4-9a33-373718a054d0.jpg?v=1754622502"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/poss1_a4a9c76a-c4cb-4bd4-9a33-373718a054d0.jpg?v=1754622502","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・アトランタのドリームポップ作家orchid mantisが、2025年8月に同国インディーレーベルDaydream Recordsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eロードトリップをテーマにした90'sスローコア12曲を収録。ブルーマーブル盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"450\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/1975055389\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/orchid_mantis\" title=\"orchid mantis\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eorchid mantis\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/orchid_mantis\/sets\/possession-pactt\" title=\"Possession Pact\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003ePossession Pact\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/sttr\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/sttr\"\u003ehere\u003c\/a\u003e to see more Start-track.com releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" color vinyl.\u003cbr\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Spirit Circle 02:49\u003cbr\u003e2. Transformer 02:36\u003cbr\u003e3. Thin Light 03:13\u003cbr\u003e4. All The Passing Days 03:35\u003cbr\u003e5. Asleep On A Greyhound 04:03\u003cbr\u003e6. Leaving Tonight 02:38\u003cbr\u003e7. Distant, Without 01:55\u003cbr\u003e8. Night Sky Dozing 01:57\u003cbr\u003e9. Possession Pact 02:11\u003cbr\u003e10. My Epithet 02:17\u003cbr\u003e11. Winding, Unwinding 02:23\u003cbr\u003e12. Firestarter 04:14\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eConor Ryan \u0026amp; Thomas Howard, via the label: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"For over ten years now, Atlanta-based artist Thomas Howard has specialized in capturing nostalgia in all its biting and varied forms. Possession Pact represents a new outgrowth in his catalogue, thoroughly exploring the gloomy 90s slowcore sound pioneered by bands like Low, Bedhead and Codeine. The analog warbles and synthetic tones of previous releases have been replaced by skeletal, winding layers of guitar and minimalist drums, the space in-between commanded by Howard's clearest vocals to date, speaking in whispers and shouts.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHis world is one that’s always in motion - whether dreaming or awake - and meditations on momentum like “Asleep On A Greyhound” serve as a mission statement for the album. Through its reflective lyrical contemplations and long-form centerpieces, Howard conceived this to be a “road trip” record. Songs like “Firestarter” utilize this approach to capture the shifting emotional timbres that resonate within us as we build from stasis to catharsis. Like every Orchid Mantis release, Possession Pact reframes extremely personal moments into an abstract emotional narrative. Every note is tinged with yearning - or the feeling that there’s an unanswered question always floating, with a resolution just out of reach. They dance within contradiction\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e, from nihilist sentiment - \"it's hollow underneath \/ no answers for anything\" - to affirmation of meaning: \"a cipher in there \/ an answer to despair \/ a container to hold \/ and let it all go.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOrchid Mantis first gained a following through a string of bedroom-pop albums released via Z Tapes in the mid-2010s. Over the course of his vast and varied discography, he’s never settled on one genre. Whether it's his ambient works or his more indie pop-indebted releases, he focuses consistently on the beauty of dreamlike states, half-forgotten memories, and the bittersweet warble of tape decay. Although the instrumental arrangements here linger on despondent notes, Possession Pact ultimately acts as an exorcism - tucking away the past while ruminating on rebirth.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : orchid mantis\u003c\/p\u003e\n\u003cp\u003eLabel : Start-track\u003c\/p\u003e\n\u003cp\u003ecat no : S-T048\u003c\/p\u003e"}
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アメリカ・アトランタのドリームポップ作家orchid mantisが、2025年8月に同国インディーレーベルDaydream Recordsからリリースしたレコードです。 ロードトリップをテーマにした90'sスローコア12曲を収録。ブルーマーブル盤です。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ orchid mantis · Possession Pact レーベルその他作品はこちら /// Click here to see more...
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