Jimmy Joe Roche // Flicker Film In The Summer Breeze 12"
![Mads Emil Nielsen // Framework 3 10" + CD + PRINTS [COLOR]](//tobirarecords.com/cdn/shop/files/a2295572783_16_medium.jpg?v=1715161899)
Jimmy Joe Roche // Flicker Film In The Summer Breeze 12"
¥3,580
- Item no:
- Availability:
アメリカ・ボルチモアの実験レーベルUltraviolet Light主宰Jimmy Joe Rocheが、2022年10月に100部限定でリリースしたレコードです。
レーベルカラーを体現するコラージュ〜ストレンジビーツ〜ノイズ〜ドローン2曲を収録。DLコードとシルクスクリーンプリント付属。
Ultraviolet Lightその他作品はこちら /// Click here to see more Ultraviolet Light releases available at Tobira.
--------------------------------------------
Includes DL code. Hand numbered edition of 100.
Artist statement by Jimmy Joe Roche:
"In the first year of the pandemic, I started creating with and occasionally recording my modular synth at the end of the day between nine and ten at night. It was my way of decompressing and tuning out the stress of that period. Most of these tracks came out of that ritual of exploring my instrument. I usually only record something if the sound produces the same level of joy and excitement that I received from the process of discovering it, and I usually only release something if I feel that months later the recording is still interesting once the memory of and tactile imprint of the creative act is gone.”
Artist : JIMMY JOE ROCHE
Label : Ultraviolet Light
アメリカ・ボルチモアの実験レーベルUltraviolet Light主宰Jimmy Joe Rocheが、2022年10月に100部限定でリリースしたレコードです。
レーベルカラーを体現するコラージュ〜ストレンジビーツ〜ノイズ〜ドローン2曲を収録。DLコードとシルクスクリーンプリント付属。
Ultraviolet Lightその他作品はこちら /// Click here to see more Ultraviolet Light releases available at Tobira.
--------------------------------------------
Includes DL code. Hand numbered edition of 100.
Artist statement by Jimmy Joe Roche:
"In the first year of the pandemic, I started creating with and occasionally recording my modular synth at the end of the day between nine and ten at night. It was my way of decompressing and tuning out the stress of that period. Most of these tracks came out of that ritual of exploring my instrument. I usually only record something if the sound produces the same level of joy and excitement that I received from the process of discovering it, and I usually only release something if I feel that months later the recording is still interesting once the memory of and tactile imprint of the creative act is gone.”
Artist : JIMMY JOE ROCHE
Label : Ultraviolet Light
Related Products
![Mads Emil Nielsen // Framework 3 10" + CD + PRINTS [COLOR]](http://tobirarecords.com/cdn/shop/files/a2295572783_16_medium.jpg?v=1715161899)
Quickview
{"id":8421684117754,"title":"Mads Emil Nielsen \/\/ Framework 3 10\" + CD + PRINTS [COLOR]","handle":"mads-emil-nielsen-framework-3","description":"\u003cp\u003eデンマーク・コペンハーゲンの実験レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003earbitrary主宰\u003c\/span\u003eMads Emil Nielsenによる、手書きグラフィックスコアを音像化するFrameworkシリーズ第3弾です。\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e10\"クリア盤にMads Emil Nielsenの音源を2曲、CDにはNicola Rattiの音源を収録しています。18枚のリゾグラフプリント、超厚手のカードボードケース、DLコードが付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/1175931532\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"450\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"arbitrary\" href=\"https:\/\/soundcloud.com\/arbitraryproject\" target=\"_blank\"\u003earbitrary\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Mads Emil Nielsen, Nicola Ratti: Framework 3 (arbitrary11)\" href=\"https:\/\/soundcloud.com\/arbitraryproject\/sets\/framework-3\" target=\"_blank\"\u003eMads Emil Nielsen, Nicola Ratti: Framework 3 (arbitrary11)\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eEdition of 300. \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHardcover \/ limited edition art print folder, includes 10\" + scores (18 risograph prints) \u0026amp; fold-out info\/index + CD\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFoil embossed cover\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan class=\"lightweightBreak\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eVinyl: 45 rpm, transparent\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"The Danish label\/imprint arbitrary announces the release of Framework 3 (arbitrary11) by Mads Emil Nielsen. Framework 3 is the latest instalment in Nielsen’s sequence of graphic scores and recordings. The series includes the Danish composer’s own subjective translations of visual materials and sound pieces accompanied by visual notations.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOn this release he collaborates with Katja Gretzinger and Nicola Ratti. Published as a limited edition art print folder, Framework 3 consists of risographed scores and recordings on 10” vinyl and CD – with recordings by Nielsen, along with graphic scores by Gretzinger and contributions by Ratti.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRaised in a family of architects Nielsen has for several years been occupied with the question of “how do you\u003cspan class=\"bcTruncateMore\"\u003e intuitively sonify an image?” along with the complementary processes of translating sounds and music into illustrations and scores. In early 2019, he produced various drawings and sound pieces which formed the starting point for the three tracks on this 10” vinyl EP. The audio is derived from synthesizer recordings and basic electronic sound sources (sine waves, feedback, noise) and percussive loops combined with recordings made in the studios at EMS (Elektronmusikstudion, Stockholm).\u003cbr\u003e\u003cbr\u003eThe audio material was translated by graphic designer Katja Gretzinger into a series of visual notations made while listening to the music. Gretzinger developed various symbols, forms and structures, such as points, bars, 3D balls, irregular patterns \/ “swarms” and regular patterns (vertical hatchings). These were combined with found image materials and cut-outs from old prints and layered with large geometric forms, which define the individual character of each of the three parts. The resulting 18-page graphic score is included in the release in the form of risograph printed sheets.\u003cbr\u003e\u003cbr\u003eNielsen then invited musician Nicola Ratti, who is also trained as an architect, to create sonic re-interpretations of the graphic score. Ratti reinterpreted the imagery as a selection of sound elements positioned in a three-dimensional area; which he visualized as the space between the composer \/ artist, Ratti himself and the loudspeakers. These recordings are included on the CD.\u003cbr\u003e\u003cbr\u003eVinyl side A: Mads Emil Nielsen: 1, 2\u003cbr\u003eVinyl side B: Mads Emil Nielsen: 3\u003cbr\u003eCD (Disc 2): Nicola Ratti: 1, 2, 3\"\u003cbr\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e- \u003c\/em\u003eArbitrary\u003c\/p\u003e\n\u003cp\u003eArtist : Mads Emil Nielsen\u003c\/p\u003e\n\u003cp\u003eLabel : Arbitrary\u003c\/p\u003e","published_at":"2024-05-08T18:52:18+09:00","created_at":"2024-05-08T18:51:29+09:00","vendor":"Tobira Records","type":"","tags":["arbitrary","cd","lp","monooto","new","recommended","strange beats"],"price":379000,"price_min":379000,"price_max":379000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45871693889786,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Mads Emil Nielsen \/\/ Framework 3 10\" + CD + PRINTS [COLOR]","public_title":null,"options":["Default Title"],"price":379000,"weight":650,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a2295572783_16.jpg?v=1715161899","\/\/tobirarecords.com\/cdn\/shop\/files\/0022889058_10.jpg?v=1715161899","\/\/tobirarecords.com\/cdn\/shop\/files\/0022889063_10.jpg?v=1715161899","\/\/tobirarecords.com\/cdn\/shop\/files\/0022299129_10.jpg?v=1715161899","\/\/tobirarecords.com\/cdn\/shop\/files\/0022889061_10.jpg?v=1715161899"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a2295572783_16.jpg?v=1715161899","options":["Title"],"media":[{"alt":null,"id":33961683124474,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a2295572783_16.jpg?v=1715161899"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a2295572783_16.jpg?v=1715161899","width":700},{"alt":null,"id":33961683157242,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0022889058_10.jpg?v=1715161899"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0022889058_10.jpg?v=1715161899","width":1200},{"alt":null,"id":33961683190010,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0022889063_10.jpg?v=1715161899"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0022889063_10.jpg?v=1715161899","width":1200},{"alt":null,"id":33961683222778,"position":4,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0022299129_10.jpg?v=1715161899"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0022299129_10.jpg?v=1715161899","width":1200},{"alt":null,"id":33961683255546,"position":5,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0022889061_10.jpg?v=1715161899"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0022889061_10.jpg?v=1715161899","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eデンマーク・コペンハーゲンの実験レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003earbitrary主宰\u003c\/span\u003eMads Emil Nielsenによる、手書きグラフィックスコアを音像化するFrameworkシリーズ第3弾です。\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e10\"クリア盤にMads Emil Nielsenの音源を2曲、CDにはNicola Rattiの音源を収録しています。18枚のリゾグラフプリント、超厚手のカードボードケース、DLコードが付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/1175931532\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"450\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"arbitrary\" href=\"https:\/\/soundcloud.com\/arbitraryproject\" target=\"_blank\"\u003earbitrary\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Mads Emil Nielsen, Nicola Ratti: Framework 3 (arbitrary11)\" href=\"https:\/\/soundcloud.com\/arbitraryproject\/sets\/framework-3\" target=\"_blank\"\u003eMads Emil Nielsen, Nicola Ratti: Framework 3 (arbitrary11)\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eEdition of 300. \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHardcover \/ limited edition art print folder, includes 10\" + scores (18 risograph prints) \u0026amp; fold-out info\/index + CD\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFoil embossed cover\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan class=\"lightweightBreak\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eVinyl: 45 rpm, transparent\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"The Danish label\/imprint arbitrary announces the release of Framework 3 (arbitrary11) by Mads Emil Nielsen. Framework 3 is the latest instalment in Nielsen’s sequence of graphic scores and recordings. The series includes the Danish composer’s own subjective translations of visual materials and sound pieces accompanied by visual notations.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOn this release he collaborates with Katja Gretzinger and Nicola Ratti. Published as a limited edition art print folder, Framework 3 consists of risographed scores and recordings on 10” vinyl and CD – with recordings by Nielsen, along with graphic scores by Gretzinger and contributions by Ratti.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRaised in a family of architects Nielsen has for several years been occupied with the question of “how do you\u003cspan class=\"bcTruncateMore\"\u003e intuitively sonify an image?” along with the complementary processes of translating sounds and music into illustrations and scores. In early 2019, he produced various drawings and sound pieces which formed the starting point for the three tracks on this 10” vinyl EP. The audio is derived from synthesizer recordings and basic electronic sound sources (sine waves, feedback, noise) and percussive loops combined with recordings made in the studios at EMS (Elektronmusikstudion, Stockholm).\u003cbr\u003e\u003cbr\u003eThe audio material was translated by graphic designer Katja Gretzinger into a series of visual notations made while listening to the music. Gretzinger developed various symbols, forms and structures, such as points, bars, 3D balls, irregular patterns \/ “swarms” and regular patterns (vertical hatchings). These were combined with found image materials and cut-outs from old prints and layered with large geometric forms, which define the individual character of each of the three parts. The resulting 18-page graphic score is included in the release in the form of risograph printed sheets.\u003cbr\u003e\u003cbr\u003eNielsen then invited musician Nicola Ratti, who is also trained as an architect, to create sonic re-interpretations of the graphic score. Ratti reinterpreted the imagery as a selection of sound elements positioned in a three-dimensional area; which he visualized as the space between the composer \/ artist, Ratti himself and the loudspeakers. These recordings are included on the CD.\u003cbr\u003e\u003cbr\u003eVinyl side A: Mads Emil Nielsen: 1, 2\u003cbr\u003eVinyl side B: Mads Emil Nielsen: 3\u003cbr\u003eCD (Disc 2): Nicola Ratti: 1, 2, 3\"\u003cbr\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e- \u003c\/em\u003eArbitrary\u003c\/p\u003e\n\u003cp\u003eArtist : Mads Emil Nielsen\u003c\/p\u003e\n\u003cp\u003eLabel : Arbitrary\u003c\/p\u003e"}
You may also like:
デンマーク・コペンハーゲンの実験レーベルarbitrary主宰Mads Emil Nielsenによる、手書きグラフィックスコアを音像化するFrameworkシリーズ第3弾です。 10"クリア盤にMads Emil Nielsenの音源を2曲、CDにはNicola Rattiの音源を収録しています。18枚のリゾグラフプリント、超厚手のカードボードケース、DLコードが付属。 arbitrary · Mads Emil Nielsen, Nicola Ratti:...
¥3,790
Quickview
{"id":8416184434938,"title":"Modrá \/\/ Bohemian Blue TAPE","handle":"modra-bohemian-blue-tape","description":"\u003cp\u003e1990-1991年にひっそりと活動していたチェコ・プラハの実験アンビエントトリオModráが、2024年5月にイギリスの再発専門レーベルInfinite Expanseからリリースした再発カセットです。（オリジナルは2018年リリース）\u003c\/p\u003e\n\u003cp\u003e手作りのカリンバやプリペアードギター、テープコラージュなど用いた実験アンビエント〜ストレンジビーツ曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"90年代のプラハは変化と新しいエネルギーに満ちていた。ギャラリーでコンサートが企画され、人々は新進のバンドに興味をもって耳を傾け、新しい音楽の方向性が追求された。この時期、オルタナティヴアートへの関心が高まり、アンビエント、ニューエイジ、瞑想音楽の境界で活動する代表的なオルタナティヴバンド、リヒターバンドが登場した。80年代後半、控えめなギグを何年も続けた後、彼らのライブを見ることへの関心が高まり始め、バンドはチェコ地方だけでなく、海外にもツアーを敢行するようになった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e同じ頃、バイオリンとパーカッション奏者のヤロスラフ・コジャーンがグループを脱退し、独自の音楽を試み始めた。彼は、オルタナティヴロックグループのヴィーシ・ポプラールやアンビエント音楽のリヒターバンドで演奏し、手作りの楽器を作って演奏するなど、さまざまな音楽経験を持ち込んだ。フィドラーフォンは、アルミニウムのポットを組み立て、バネのついたスタンドに取り付けたユニークな楽器で、パヴェル・リヒターのエレキギターの繊細な音とユニゾンで演奏されると、リヒターバンドの特徴的なサウンドを形成した。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eすでにサンプラーを所有し、ピアノも演奏していたが、ドラマーとして、水ガラスやポットから磁器の皿やサラダボウルまで、常に新しいパーカッシブな楽器や音を求めていた。1990年の夏、チェコ共和国の南ボヘミア地方にある国立公園、シュマヴァで木に釘を打ち込む実験を行い、最初の「シュマヴァ（村）・カリンバ」が誕生した。弟のミハエルとともに、カリンバを改良し、反復するメロディーをカリンバで試し、それを自宅で録音し、サンプラーのループやスローダウンしたテープで補った。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eリズム、録音済みループ、ミハエル・コジャンのシンセサイザーが満載の新録音材は、1990年4月、ブラチスラヴァのクラリスキーコンサートホールで初めて人前で披露された。その直後、ヤロスラフは、プラハを拠点とする別のバンド、ディ・アルカのギタリスト、マレク・ハンズリークと出会い、Modrá（「青」）と名付けられた新しい音楽トリオの結成につながった。マレクのプリペアードギターが微妙なハーモニーと珍しいサウンドをリズム構造にもたらし、ヤロスラフ・コジャンのスローダウンされた録音済みテープ、サンプリングされたループや声がそれを補完する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e1990年11月から1991年6月にかけて、Modráはヤロスラフの自宅スタジオで数多くのレコーディングを行った。Bohemian Blueでは、この時期の最も興味深い作品を選び、1991年2月のホームコンサートでライヴ録音された2曲を加えた。このグループは1991年後半に解散し、短命に終わったが、音楽的実験の重要な時期であり、ヤロスラフ・コジャーンが現在も共演している新生オルロジ・スニヴチュ（「夢追い人の時計」）の幕開けとなった。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=794851547\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=794851547\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3831189848\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=794851547\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1956944553\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=794851547\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1670915447\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=794851547\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2242299244\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inex\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inex\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inex\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inex\"\u003ehere\u003c\/a\u003e to see more Infinite Expanse releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. C60 cassette in norelco case.\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecorded and mixed by Jaroslav Kořán, 1990-91, Pagoda Studio, Prague. \u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eRemastered by Michal Kořán, 2018. \u003c\/span\u003e\u003cspan id=\"package_description_0\" class=\"peekaboo-text\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Smalt Blue 05:20\u003cbr\u003e2. Coffee Dark Blue 06:44\u003cbr\u003e3. Afternoon Ultramarine (Ta naše jediná a nejlepší) 06:03\u003cbr\u003e4. Evening Indigo 07:26\u003cbr\u003e5. Prague Blue 03:06\u003cbr\u003e6. Pub Cobalt 03:12\u003cbr\u003e7. Smoke Green Blue 04:41\u003cbr\u003e8. Night Denim 03:29\u003cbr\u003e9. Morning Azure 05:22\u003cbr\u003e10. Hyacinth Blue 01:48\u003cbr\u003e11. Metal Blue 04:09\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText by Infinite Expanse:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\u003cspan class=\"peekaboo-text\" id=\"package_description_0\"\u003e\"The nineties were full of changes and new energies\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan class=\"peekaboo-text\" id=\"package_description_0\"\u003e in Prague. Concerts were organized in galleries, people listened with interest to emerging bands and new musical directions were followed. In this period, there was a growing interest in alternative art, and Richter Band, one of the leading alternative bands operating in the borders between ambient, new age and meditative music, was in its accession. After years of modest gigging in the late 80s, interest in seeing them perform live began to increase and the band started to tour not just the Czech regions but also ventured abroad.\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003eAt the same time, Jaroslav Kořán, a fiddlerophone and percussion player, left the group and began to experiment with his own music. With him, he brought a range of musical experience from playing in the alternative rock group, Vyšší Populár, and the ambient outfit, Richter Band, as well as building and playing hand-made instruments. The fidlerophone, a unique instrument assembled using aluminium pots and mounted on sprung stands, formed the characteristic sound of Richter Band when played in unison with the subtle sounds of Pavel Richter’s electric guitar, and would later inspire Jaroslav to experiment in creating his own instruments.\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003eAlthough he already owned a sampler and played the piano, as a drummer, he was constantly seeking new percussive instruments and sounds, ranging from water glasses and pots to porcelain plates and salad bowls. In the summer of 1990, he experimented with nails hammered into wood in Šumava, a national park in the South Bohemian regions of the Czech Republic, and the first \"Šumava (or village) kalimbas\" were created. Together with his brother Michal, they refined the kalimbas, trying out repetitive melodies on them, which they would then record at home and supplement with loops from a sampler and slowed-down tapes.\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003eThe newly recorded material, full of rhythms, pre-recorded loops and Michal Kořán's synthesizer, was presented for the first time in public in April 1990 at the Klarisky concert hall in Bratislava. Soon after, Jaroslav met Marek Hanzlík, a guitarist from another Prague-based band, Die Archa, leading to the formation of a new musical trio named Modrá (“Blue”). This led to a fundamental musical shift, with Marek’s prepared guitar bringing subtle harmonies and an unusual sound to the rhythmic structures, complemented by Jaroslav Kořán's slowed-down pre-recorded tapes, sampled loops and voices.\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003eOver November 1990 to June 1991, Modrá made a number of recordings in Jaroslav’s home studio. For “Bohemian Blue”, the most interesting pieces from this period were selected and supplemented with two compositions recorded live at a home concert in February 1991. Although the group was only short-lived, disbanding in the second half of 1991, it represents an important period of musical experimentation and marked the dawn of the nascent Orloj Snivců (“Horologe of Dreamers”), with whom Jaroslav Kořán still performs today.\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Modrá\u003c\/p\u003e\n\u003cp\u003eLabel : Infinite Expanse\u003c\/p\u003e\n\u003cp\u003eCAT No: IE12\u003c\/p\u003e","published_at":"2024-05-05T14:18:39+09:00","created_at":"2024-05-05T10:48:26+09:00","vendor":"Tobira Records","type":"","tags":["ambient","Infinite Expanse","new","recommended","strange beats","tape"],"price":219000,"price_min":219000,"price_max":219000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45851580727546,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Modrá \/\/ Bohemian Blue TAPE","public_title":null,"options":["Default Title"],"price":219000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/bo1_03f9df6d-fab1-4386-92ed-7f9038444d1b.jpg?v=1714873709","\/\/tobirarecords.com\/cdn\/shop\/files\/bo2.jpg?v=1714873709"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/bo1_03f9df6d-fab1-4386-92ed-7f9038444d1b.jpg?v=1714873709","options":["Title"],"media":[{"alt":null,"id":33938249548026,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bo1_03f9df6d-fab1-4386-92ed-7f9038444d1b.jpg?v=1714873709"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bo1_03f9df6d-fab1-4386-92ed-7f9038444d1b.jpg?v=1714873709","width":700},{"alt":null,"id":33938249580794,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bo2.jpg?v=1714873709"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bo2.jpg?v=1714873709","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e1990-1991年にひっそりと活動していたチェコ・プラハの実験アンビエントトリオModráが、2024年5月にイギリスの再発専門レーベルInfinite Expanseからリリースした再発カセットです。（オリジナルは2018年リリース）\u003c\/p\u003e\n\u003cp\u003e手作りのカリンバやプリペアードギター、テープコラージュなど用いた実験アンビエント〜ストレンジビーツ曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"90年代のプラハは変化と新しいエネルギーに満ちていた。ギャラリーでコンサートが企画され、人々は新進のバンドに興味をもって耳を傾け、新しい音楽の方向性が追求された。この時期、オルタナティヴアートへの関心が高まり、アンビエント、ニューエイジ、瞑想音楽の境界で活動する代表的なオルタナティヴバンド、リヒターバンドが登場した。80年代後半、控えめなギグを何年も続けた後、彼らのライブを見ることへの関心が高まり始め、バンドはチェコ地方だけでなく、海外にもツアーを敢行するようになった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e同じ頃、バイオリンとパーカッション奏者のヤロスラフ・コジャーンがグループを脱退し、独自の音楽を試み始めた。彼は、オルタナティヴロックグループのヴィーシ・ポプラールやアンビエント音楽のリヒターバンドで演奏し、手作りの楽器を作って演奏するなど、さまざまな音楽経験を持ち込んだ。フィドラーフォンは、アルミニウムのポットを組み立て、バネのついたスタンドに取り付けたユニークな楽器で、パヴェル・リヒターのエレキギターの繊細な音とユニゾンで演奏されると、リヒターバンドの特徴的なサウンドを形成した。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eすでにサンプラーを所有し、ピアノも演奏していたが、ドラマーとして、水ガラスやポットから磁器の皿やサラダボウルまで、常に新しいパーカッシブな楽器や音を求めていた。1990年の夏、チェコ共和国の南ボヘミア地方にある国立公園、シュマヴァで木に釘を打ち込む実験を行い、最初の「シュマヴァ（村）・カリンバ」が誕生した。弟のミハエルとともに、カリンバを改良し、反復するメロディーをカリンバで試し、それを自宅で録音し、サンプラーのループやスローダウンしたテープで補った。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eリズム、録音済みループ、ミハエル・コジャンのシンセサイザーが満載の新録音材は、1990年4月、ブラチスラヴァのクラリスキーコンサートホールで初めて人前で披露された。その直後、ヤロスラフは、プラハを拠点とする別のバンド、ディ・アルカのギタリスト、マレク・ハンズリークと出会い、Modrá（「青」）と名付けられた新しい音楽トリオの結成につながった。マレクのプリペアードギターが微妙なハーモニーと珍しいサウンドをリズム構造にもたらし、ヤロスラフ・コジャンのスローダウンされた録音済みテープ、サンプリングされたループや声がそれを補完する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e1990年11月から1991年6月にかけて、Modráはヤロスラフの自宅スタジオで数多くのレコーディングを行った。Bohemian Blueでは、この時期の最も興味深い作品を選び、1991年2月のホームコンサートでライヴ録音された2曲を加えた。このグループは1991年後半に解散し、短命に終わったが、音楽的実験の重要な時期であり、ヤロスラフ・コジャーンが現在も共演している新生オルロジ・スニヴチュ（「夢追い人の時計」）の幕開けとなった。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=794851547\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=794851547\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3831189848\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=794851547\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1956944553\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=794851547\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1670915447\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=794851547\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2242299244\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inex\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inex\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inex\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inex\"\u003ehere\u003c\/a\u003e to see more Infinite Expanse releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. C60 cassette in norelco case.\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecorded and mixed by Jaroslav Kořán, 1990-91, Pagoda Studio, Prague. \u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eRemastered by Michal Kořán, 2018. \u003c\/span\u003e\u003cspan id=\"package_description_0\" class=\"peekaboo-text\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Smalt Blue 05:20\u003cbr\u003e2. Coffee Dark Blue 06:44\u003cbr\u003e3. Afternoon Ultramarine (Ta naše jediná a nejlepší) 06:03\u003cbr\u003e4. Evening Indigo 07:26\u003cbr\u003e5. Prague Blue 03:06\u003cbr\u003e6. Pub Cobalt 03:12\u003cbr\u003e7. Smoke Green Blue 04:41\u003cbr\u003e8. Night Denim 03:29\u003cbr\u003e9. Morning Azure 05:22\u003cbr\u003e10. Hyacinth Blue 01:48\u003cbr\u003e11. Metal Blue 04:09\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText by Infinite Expanse:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\u003cspan class=\"peekaboo-text\" id=\"package_description_0\"\u003e\"The nineties were full of changes and new energies\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan class=\"peekaboo-text\" id=\"package_description_0\"\u003e in Prague. Concerts were organized in galleries, people listened with interest to emerging bands and new musical directions were followed. In this period, there was a growing interest in alternative art, and Richter Band, one of the leading alternative bands operating in the borders between ambient, new age and meditative music, was in its accession. After years of modest gigging in the late 80s, interest in seeing them perform live began to increase and the band started to tour not just the Czech regions but also ventured abroad.\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003eAt the same time, Jaroslav Kořán, a fiddlerophone and percussion player, left the group and began to experiment with his own music. With him, he brought a range of musical experience from playing in the alternative rock group, Vyšší Populár, and the ambient outfit, Richter Band, as well as building and playing hand-made instruments. The fidlerophone, a unique instrument assembled using aluminium pots and mounted on sprung stands, formed the characteristic sound of Richter Band when played in unison with the subtle sounds of Pavel Richter’s electric guitar, and would later inspire Jaroslav to experiment in creating his own instruments.\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003eAlthough he already owned a sampler and played the piano, as a drummer, he was constantly seeking new percussive instruments and sounds, ranging from water glasses and pots to porcelain plates and salad bowls. In the summer of 1990, he experimented with nails hammered into wood in Šumava, a national park in the South Bohemian regions of the Czech Republic, and the first \"Šumava (or village) kalimbas\" were created. Together with his brother Michal, they refined the kalimbas, trying out repetitive melodies on them, which they would then record at home and supplement with loops from a sampler and slowed-down tapes.\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003eThe newly recorded material, full of rhythms, pre-recorded loops and Michal Kořán's synthesizer, was presented for the first time in public in April 1990 at the Klarisky concert hall in Bratislava. Soon after, Jaroslav met Marek Hanzlík, a guitarist from another Prague-based band, Die Archa, leading to the formation of a new musical trio named Modrá (“Blue”). This led to a fundamental musical shift, with Marek’s prepared guitar bringing subtle harmonies and an unusual sound to the rhythmic structures, complemented by Jaroslav Kořán's slowed-down pre-recorded tapes, sampled loops and voices.\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003eOver November 1990 to June 1991, Modrá made a number of recordings in Jaroslav’s home studio. For “Bohemian Blue”, the most interesting pieces from this period were selected and supplemented with two compositions recorded live at a home concert in February 1991. Although the group was only short-lived, disbanding in the second half of 1991, it represents an important period of musical experimentation and marked the dawn of the nascent Orloj Snivců (“Horologe of Dreamers”), with whom Jaroslav Kořán still performs today.\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Modrá\u003c\/p\u003e\n\u003cp\u003eLabel : Infinite Expanse\u003c\/p\u003e\n\u003cp\u003eCAT No: IE12\u003c\/p\u003e"}
You may also like:
1990-1991年にひっそりと活動していたチェコ・プラハの実験アンビエントトリオModráが、2024年5月にイギリスの再発専門レーベルInfinite Expanseからリリースした再発カセットです。（オリジナルは2018年リリース） 手作りのカリンバやプリペアードギター、テープコラージュなど用いた実験アンビエント〜ストレンジビーツ曲を収録。DLコード付属。 以下、レーベルによる解説です。 "90年代のプラハは変化と新しいエネルギーに満ちていた。ギャラリーでコンサートが企画され、人々は新進のバンドに興味をもって耳を傾け、新しい音楽の方向性が追求された。この時期、オルタナティヴアートへの関心が高まり、アンビエント、ニューエイジ、瞑想音楽の境界で活動する代表的なオルタナティヴバンド、リヒターバンドが登場した。80年代後半、控えめなギグを何年も続けた後、彼らのライブを見ることへの関心が高まり始め、バンドはチェコ地方だけでなく、海外にもツアーを敢行するようになった。 同じ頃、バイオリンとパーカッション奏者のヤロスラフ・コジャーンがグループを脱退し、独自の音楽を試み始めた。彼は、オルタナティヴロックグループのヴィーシ・ポプラールやアンビエント音楽のリヒターバンドで演奏し、手作りの楽器を作って演奏するなど、さまざまな音楽経験を持ち込んだ。フィドラーフォンは、アルミニウムのポットを組み立て、バネのついたスタンドに取り付けたユニークな楽器で、パヴェル・リヒターのエレキギターの繊細な音とユニゾンで演奏されると、リヒターバンドの特徴的なサウンドを形成した。 すでにサンプラーを所有し、ピアノも演奏していたが、ドラマーとして、水ガラスやポットから磁器の皿やサラダボウルまで、常に新しいパーカッシブな楽器や音を求めていた。1990年の夏、チェコ共和国の南ボヘミア地方にある国立公園、シュマヴァで木に釘を打ち込む実験を行い、最初の「シュマヴァ（村）・カリンバ」が誕生した。弟のミハエルとともに、カリンバを改良し、反復するメロディーをカリンバで試し、それを自宅で録音し、サンプラーのループやスローダウンしたテープで補った。 リズム、録音済みループ、ミハエル・コジャンのシンセサイザーが満載の新録音材は、1990年4月、ブラチスラヴァのクラリスキーコンサートホールで初めて人前で披露された。その直後、ヤロスラフは、プラハを拠点とする別のバンド、ディ・アルカのギタリスト、マレク・ハンズリークと出会い、Modrá（「青」）と名付けられた新しい音楽トリオの結成につながった。マレクのプリペアードギターが微妙なハーモニーと珍しいサウンドをリズム構造にもたらし、ヤロスラフ・コジャンのスローダウンされた録音済みテープ、サンプリングされたループや声がそれを補完する。 1990年11月から1991年6月にかけて、Modráはヤロスラフの自宅スタジオで数多くのレコーディングを行った。Bohemian Blueでは、この時期の最も興味深い作品を選び、1991年2月のホームコンサートでライヴ録音された2曲を加えた。このグループは1991年後半に解散し、短命に終わったが、音楽的実験の重要な時期であり、ヤロスラフ・コジャーンが現在も共演している新生オルロジ・スニヴチュ（「夢追い人の時計」）の幕開けとなった。" レーベルその他作品はこちら /// Click here to see more...
¥2,190
Quickview
{"id":8414478598394,"title":"Celia Hollander \/\/ Timekeeper LP","handle":"celia-hollander-timekeeper-lp","description":"\u003cp\u003eアメリカ・LAのマルチ奏者Celia Hollanderが、2021年7月にLeaving Recordsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eアンビエント〜アンビエント・ジャズ〜ストレンジビーツ12曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3935874493\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-----------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAsk us for digital files. Black 12\" vinyl edition of 400. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003evia Leaving Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eTimekeeper is a collection of temporal impressions. Each track is entitled with a time of day, mapping the ways that changes in energy and emotion form a continuously shifting sense of time. Using a palette of acoustic recordings and digital synthesis, each piece depicts either a temporal field (expansive, unpredictable), wave (swelling momentums) or rope (singular linearity).\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Celia Hollander\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Leaving Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-05-04T08:37:59+09:00","created_at":"2024-05-04T08:36:55+09:00","vendor":"Tobira Records","type":"","tags":["ambient","leaving records","lp","neo classical","new","strange beats"],"price":348000,"price_min":348000,"price_max":348000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45847960551674,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Celia Hollander \/\/ Timekeeper LP","public_title":null,"options":["Default Title"],"price":348000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ce1_146851f4-38d7-4ae1-89d2-eb8dc1cc34a6.jpg?v=1714779420","\/\/tobirarecords.com\/cdn\/shop\/files\/ce2_f331f2c2-0975-43a6-a975-5ec8e628fa12.jpg?v=1714779420"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ce1_146851f4-38d7-4ae1-89d2-eb8dc1cc34a6.jpg?v=1714779420","options":["Title"],"media":[{"alt":null,"id":33932624691450,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ce1_146851f4-38d7-4ae1-89d2-eb8dc1cc34a6.jpg?v=1714779420"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ce1_146851f4-38d7-4ae1-89d2-eb8dc1cc34a6.jpg?v=1714779420","width":700},{"alt":null,"id":33932624724218,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ce2_f331f2c2-0975-43a6-a975-5ec8e628fa12.jpg?v=1714779420"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ce2_f331f2c2-0975-43a6-a975-5ec8e628fa12.jpg?v=1714779420","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・LAのマルチ奏者Celia Hollanderが、2021年7月にLeaving Recordsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eアンビエント〜アンビエント・ジャズ〜ストレンジビーツ12曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3935874493\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-----------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAsk us for digital files. Black 12\" vinyl edition of 400. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003evia Leaving Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eTimekeeper is a collection of temporal impressions. Each track is entitled with a time of day, mapping the ways that changes in energy and emotion form a continuously shifting sense of time. Using a palette of acoustic recordings and digital synthesis, each piece depicts either a temporal field (expansive, unpredictable), wave (swelling momentums) or rope (singular linearity).\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Celia Hollander\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Leaving Records\u003c\/span\u003e\u003c\/p\u003e"}
You may also like:
アメリカ・LAのマルチ奏者Celia Hollanderが、2021年7月にLeaving Recordsからリリースしたレコードです。 アンビエント〜アンビエント・ジャズ〜ストレンジビーツ12曲を収録。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします レーベルその他作品はこちら /// Click here to see more Leaving Records/Stones Throw releases available...
¥3,480
Quickview
{"id":8414103601402,"title":"Delta-Sleep-Inducing Peptide \/\/ Evil TAPE","handle":"delta-sleep-inducing-peptide-evil-tape","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eドイツの実験音楽家Siegmar Fricke (Bestattungsinstitut)とDieter Mauson (Nostalgie Eternelle)によるインダストリアル・\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eオブスキュアノイズデュオDelta-Sleep-Inducing-Peptideが、\u003c\/span\u003e2023年6月にイギリス・ロンドン\u003cspan data-mce-fragment=\"1\"\u003eの\u003c\/span\u003e実験／ノイズレーベルInfinite Expanseからリリースした再発カセットです（オリジナルは1992年リリース）\u003c\/p\u003e\n\u003cp\u003eLo-Fiインダストリアル・アンビエント〜ストレンジビーツ12曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/delta-sleep-inducing-peptide-comarousal-tape\"\u003e前作\u003c\/a\u003eもおすすめです。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=445013334\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003eC50 cassette in norelco case. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eOriginally released on Delta-Sleep-Inducing Productions, DSI-P 005 in 1992. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Take care dear! 03:57\u003cbr\u003e2. Macht 02:16\u003cbr\u003e3. Ich sterbe gar nicht 03:49\u003cbr\u003e4. White corpses tilting over 02:39\u003cbr\u003e5. Purely confidential 01:52\u003cbr\u003e6. We con't care (pre-mix) 02:46\u003cbr\u003e7. Arousal 05:36\u003cbr\u003e8. The fly (version) 03:20\u003cbr\u003e9. Looking down 03:39\u003cbr\u003e10. Obsequies 04:13\u003cbr\u003e11. Evil \u0026amp; terrorism 04:18\u003cbr\u003e12. Vibrating subconscience 06:58\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eInfinite Expanse:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Delta-Sleep-Inducing Peptide (DSIP) was founded in 1989 by Dieter Mauson, one half of Nostalgie Éternelle, and Siegmar Fricke, who was musically active at the time under his name and his Bestattungsinstitut alias. The duo was active until the summer of 1994, producing over 25 tapes over this period and releasing on a range of independent labels, including IRRE, Corrosive, EE and Toracic Tapes, as well as their own privately-run imprint, Delta-Sleep-Inducing Productions. DSIP’s music concentrated on the realisation of experimental and \u003cspan id=\"package_description_0\" class=\"peekaboo-text\" data-mce-fragment=\"1\"\u003esubtle soundtracks, described as mind-cinema of the subconscious, and sought to explore the different stages\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan id=\"package_description_0\" class=\"peekaboo-text\" data-mce-fragment=\"1\"\u003e of sleep, and the phenomena of dreams, through their idiosyncratic sound approach. Recordings were made using a range of equipment, including a multi-track tape recorder, Roland sampler, analog synths, various drum machines and Dictaphones. Samples for their works were often taken from local radio which they were listening to at the time, much of which was Dutch (Hilversum 3) as they both grew up near the Germany-Netherlands border; Dieter in Leer and Siegmar in Wilhelmshaven. By the time they got in contact with one another in the summer of 1989, Dieter was living over 500 km away in Mainz, near Frankfurt, where he moved at the start of the year, so recordings were only made when Dieter was back seeing his parents and then able to visit Siegmar’s home studio in Wilhelmshaven. In June 1991, Dieter moved back to the North of Germany, Hamburg, and their recording sessions became much more frequent. Sometimes they would meet for a few hours, others for several days. The results were hugely diverse, though frequently centred on meditative and repetitive motifs, and are still so uniquely futuristic almost 35 years after the group was initiated. Evil, an album released in 1992 during the midst of this hugely productive period, encapsulates such expressions, and is presented with a first-time reissue in its original format.\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Delta-Sleep-Inducing Peptide\u003c\/p\u003e\n\u003cp\u003eLabel : Infinite Expanse\u003c\/p\u003e","published_at":"2024-05-04T06:28:05+09:00","created_at":"2024-05-03T13:41:38+09:00","vendor":"Tobira Records","type":"","tags":["ambient","Infinite Expanse","new","noise","strange beats","tape"],"price":238000,"price_min":238000,"price_max":238000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45846118400250,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Delta-Sleep-Inducing Peptide \/\/ Evil TAPE","public_title":null,"options":["Default Title"],"price":238000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/de1_33fc9cf4-4d98-498c-98cd-b36e0b7cd84f.jpg?v=1714711302","\/\/tobirarecords.com\/cdn\/shop\/files\/de2_2fd0ff5a-ef31-4b63-a824-79a07722fd3e.jpg?v=1714711302"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/de1_33fc9cf4-4d98-498c-98cd-b36e0b7cd84f.jpg?v=1714711302","options":["Title"],"media":[{"alt":null,"id":33928999272698,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/de1_33fc9cf4-4d98-498c-98cd-b36e0b7cd84f.jpg?v=1714711302"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/de1_33fc9cf4-4d98-498c-98cd-b36e0b7cd84f.jpg?v=1714711302","width":700},{"alt":null,"id":33928999305466,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/de2_2fd0ff5a-ef31-4b63-a824-79a07722fd3e.jpg?v=1714711302"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/de2_2fd0ff5a-ef31-4b63-a824-79a07722fd3e.jpg?v=1714711302","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eドイツの実験音楽家Siegmar Fricke (Bestattungsinstitut)とDieter Mauson (Nostalgie Eternelle)によるインダストリアル・\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eオブスキュアノイズデュオDelta-Sleep-Inducing-Peptideが、\u003c\/span\u003e2023年6月にイギリス・ロンドン\u003cspan data-mce-fragment=\"1\"\u003eの\u003c\/span\u003e実験／ノイズレーベルInfinite Expanseからリリースした再発カセットです（オリジナルは1992年リリース）\u003c\/p\u003e\n\u003cp\u003eLo-Fiインダストリアル・アンビエント〜ストレンジビーツ12曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/delta-sleep-inducing-peptide-comarousal-tape\"\u003e前作\u003c\/a\u003eもおすすめです。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=445013334\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003eC50 cassette in norelco case. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eOriginally released on Delta-Sleep-Inducing Productions, DSI-P 005 in 1992. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Take care dear! 03:57\u003cbr\u003e2. Macht 02:16\u003cbr\u003e3. Ich sterbe gar nicht 03:49\u003cbr\u003e4. White corpses tilting over 02:39\u003cbr\u003e5. Purely confidential 01:52\u003cbr\u003e6. We con't care (pre-mix) 02:46\u003cbr\u003e7. Arousal 05:36\u003cbr\u003e8. The fly (version) 03:20\u003cbr\u003e9. Looking down 03:39\u003cbr\u003e10. Obsequies 04:13\u003cbr\u003e11. Evil \u0026amp; terrorism 04:18\u003cbr\u003e12. Vibrating subconscience 06:58\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eInfinite Expanse:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Delta-Sleep-Inducing Peptide (DSIP) was founded in 1989 by Dieter Mauson, one half of Nostalgie Éternelle, and Siegmar Fricke, who was musically active at the time under his name and his Bestattungsinstitut alias. The duo was active until the summer of 1994, producing over 25 tapes over this period and releasing on a range of independent labels, including IRRE, Corrosive, EE and Toracic Tapes, as well as their own privately-run imprint, Delta-Sleep-Inducing Productions. DSIP’s music concentrated on the realisation of experimental and \u003cspan id=\"package_description_0\" class=\"peekaboo-text\" data-mce-fragment=\"1\"\u003esubtle soundtracks, described as mind-cinema of the subconscious, and sought to explore the different stages\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan id=\"package_description_0\" class=\"peekaboo-text\" data-mce-fragment=\"1\"\u003e of sleep, and the phenomena of dreams, through their idiosyncratic sound approach. Recordings were made using a range of equipment, including a multi-track tape recorder, Roland sampler, analog synths, various drum machines and Dictaphones. Samples for their works were often taken from local radio which they were listening to at the time, much of which was Dutch (Hilversum 3) as they both grew up near the Germany-Netherlands border; Dieter in Leer and Siegmar in Wilhelmshaven. By the time they got in contact with one another in the summer of 1989, Dieter was living over 500 km away in Mainz, near Frankfurt, where he moved at the start of the year, so recordings were only made when Dieter was back seeing his parents and then able to visit Siegmar’s home studio in Wilhelmshaven. In June 1991, Dieter moved back to the North of Germany, Hamburg, and their recording sessions became much more frequent. Sometimes they would meet for a few hours, others for several days. The results were hugely diverse, though frequently centred on meditative and repetitive motifs, and are still so uniquely futuristic almost 35 years after the group was initiated. Evil, an album released in 1992 during the midst of this hugely productive period, encapsulates such expressions, and is presented with a first-time reissue in its original format.\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Delta-Sleep-Inducing Peptide\u003c\/p\u003e\n\u003cp\u003eLabel : Infinite Expanse\u003c\/p\u003e"}
You may also like:
ドイツの実験音楽家Siegmar Fricke (Bestattungsinstitut)とDieter Mauson (Nostalgie Eternelle)によるインダストリアル・オブスキュアノイズデュオDelta-Sleep-Inducing-Peptideが、2023年6月にイギリス・ロンドンの実験／ノイズレーベルInfinite Expanseからリリースした再発カセットです（オリジナルは1992年リリース） Lo-Fiインダストリアル・アンビエント〜ストレンジビーツ12曲を収録。 前作もおすすめです。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ --------------------------------------------- C50 cassette in...
¥2,380