Hands Of Fate s/t LP
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Hands Of Fate s/t LP
¥4,992
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ドイツのポストインダストリアル作家Hands Of Fateが、2026年3月にギリシャのUntagからリリースしたレコードです。
ポストインダストリアル・ドローンテクノ〜ストレンジビーツ8曲を収録。180g重量盤です。
--------------------------------------------
12" black 180gram vinyl.
Tracklist:
1. i 02:49
2. ii 06:38
3. iii 06:16
4. iv 05:26
5. v 06:33
6. vi 01:56
7. vii 06:08
8. viii 03:19
Gear used:
Elektron Octatrack - Modular System - Elbee Bad´s TR-909 - Moog Slim Phatty - Moog Sub 37 - Yamaha MX 49 - Kleissonic´s Screaming Skull x 2 - Dave Smith Mopho - Waldorf Pulse 2 - Akai MPC 1000 - Strymon " el capistan " - Yamaha Analog delay E1005 - Boss DD6 delay pedal
Artist : Hands Of Fate
Label : Untag
cat no : UNTG001
Release date : March 2026
ドイツのポストインダストリアル作家Hands Of Fateが、2026年3月にギリシャのUntagからリリースしたレコードです。
ポストインダストリアル・ドローンテクノ〜ストレンジビーツ8曲を収録。180g重量盤です。
--------------------------------------------
12" black 180gram vinyl.
Tracklist:
1. i 02:49
2. ii 06:38
3. iii 06:16
4. iv 05:26
5. v 06:33
6. vi 01:56
7. vii 06:08
8. viii 03:19
Gear used:
Elektron Octatrack - Modular System - Elbee Bad´s TR-909 - Moog Slim Phatty - Moog Sub 37 - Yamaha MX 49 - Kleissonic´s Screaming Skull x 2 - Dave Smith Mopho - Waldorf Pulse 2 - Akai MPC 1000 - Strymon " el capistan " - Yamaha Analog delay E1005 - Boss DD6 delay pedal
Artist : Hands Of Fate
Label : Untag
cat no : UNTG001
Release date : March 2026
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Cerchi 26:03\u003cbr\u003e2. Diarismi 07:59\u003cbr\u003e3. 3.03 05:48\u003cbr\u003e4. Controra 10:22\u003cbr\u003e5. VV 00:21\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eComposed and recorded during tough times in 2025.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eUsing compressed air, percussion instruments, piano and samples, Alessandro Brivio explores varied and extreme approaches to sound processing, diffusion, recording and re-composition, as a tribute to a lost friend.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Alessandro Brivio\u003c\/p\u003e\n\u003cp\u003eLabel : Senufo Editions\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSNF11\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 8th April 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-05-11T07:24:07+09:00","created_at":"2026-05-10T08:52:10+09:00","vendor":"Tobira Records","type":"","tags":["cd","drone","monooto","new","noise","recommended","Senufo Editions","strange beats","techno \/ house"],"price":287000,"price_min":287000,"price_max":287000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48869072994554,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Alessandro Brivio \/\/ 2.25 CD","public_title":null,"options":["Default Title"],"price":287000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ale1_5a9eb0cd-65cf-4df1-88b7-605f2013e15f.jpg?v=1778370648"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ale1_5a9eb0cd-65cf-4df1-88b7-605f2013e15f.jpg?v=1778370648","options":["Title"],"media":[{"alt":null,"id":39322142900474,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ale1_5a9eb0cd-65cf-4df1-88b7-605f2013e15f.jpg?v=1778370648"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ale1_5a9eb0cd-65cf-4df1-88b7-605f2013e15f.jpg?v=1778370648","width":350}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eイタリアの実験音楽家\u003c\/span\u003e\u003cspan\u003eAlessandro Brivioが、2026年4月に同国実験レーベルsenufo editionsからリリースしたCDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eメロディほぼ無しの物音コラージュ〜物音テクノ〜ストレンジビーツ〜ドローン〜リズミック・ノイズ5曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\"2025年の困難な時期に作曲・録音された作品。\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAlessandro Brivioは、圧縮空気、打楽器、ピアノ、そしてサンプルを用いて、音響処理、拡散、録音、再構成に対する多様かつ極端なアプローチを探求し、亡き友への追悼の意を表している。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3490390491\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eSenufo Editions その他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/senufo-editions\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/senufo-editions\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eSenufo Editions releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eCD.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Cerchi 26:03\u003cbr\u003e2. Diarismi 07:59\u003cbr\u003e3. 3.03 05:48\u003cbr\u003e4. Controra 10:22\u003cbr\u003e5. VV 00:21\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eComposed and recorded during tough times in 2025.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eUsing compressed air, percussion instruments, piano and samples, Alessandro Brivio explores varied and extreme approaches to sound processing, diffusion, recording and re-composition, as a tribute to a lost friend.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Alessandro Brivio\u003c\/p\u003e\n\u003cp\u003eLabel : Senufo Editions\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSNF11\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 8th April 2026\u003c\/span\u003e\u003c\/p\u003e"}
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イタリアの実験音楽家Alessandro Brivioが、2026年4月に同国実験レーベルsenufo editionsからリリースしたCDです。 メロディほぼ無しの物音コラージュ〜物音テクノ〜ストレンジビーツ〜ドローン〜リズミック・ノイズ5曲を収録。 以下、レーベルによる解説です。 "2025年の困難な時期に作曲・録音された作品。 Alessandro Brivioは、圧縮空気、打楽器、ピアノ、そしてサンプルを用いて、音響処理、拡散、録音、再構成に対する多様かつ極端なアプローチを探求し、亡き友への追悼の意を表している。" Senufo Editions その他作品はこちら /// Click here to see...
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{"id":9221939986682,"title":"Rumil Vildanov \/\/ Kino Variants 1967-1986 2xLP","handle":"rumil-vildanov-kino-variants-1967-1986-2xlp","description":"\u003cp\u003eウズベキスタンの作曲家Rumil Vildanovが、2026年4月にイタリアのVONからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003e1967-1986年に制作した映画音楽82曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e2 x 12\" black vinyl.\u003cbr\u003e2026 vinyl reissue of the work of\u003cspan\u003e 20th century Uzbek composer \u003c\/span\u003eRumil Vildano. \u003cbr\u003eEdition of 300 copies. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eA. Abstract Variants\u003cbr\u003eB. Orchestral Variants\u003cbr\u003eC. Rubab Variants\u003cbr\u003eD. Titles Variants\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Continuing their longstanding explorations of unexpected and adventurous territories of sound, Von - the imprint run by filmmaker and sound artist Carlos Casas and cofounded with Nico Vascellari - is pleased to present Kino Variants 1967-1986, the first-ever collection to illuminate the vast body of work created by the Uzbek composer Rumil Vildanov during the second half of the 20th Century. Offering a rare glimpse of liberated creative spirit operating behind the Iron Curtain, this engrossing double LP - complete with printed inner sleeves and issued in highly limited edition of 300 copies on black vinyl - provides an unprecedented immersion into the work of one of the most celebrated composers from Uzbekistan, often described as the \"Ennio Morricone of Central Asia\". Comprising a startling range of electronic and electroacoustic experiments, evocative chamber works and orchestral works, and more discrete instrumental efforts - all created to accompany moving image - totaling an incredible 82 pieces in total, this remarkable sonic journey into Vildanov's inner world and towering talents, which have, until now, remained almost entirely unheard beyond the time and place within which he worked - contributes a significant historical counterpoint to standing perceptions connected to artistic expression under Soviet rule, placing the composer's engrossing contribution to post-war music within the broader context it deserves.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eRumil Vildanov was born into an intellectual family in Bishkek, Uzbekistan, in 1939. His musical education began early, eventually leading him to the Tashkent conservatory, where he studied composition. For the entirety of Vildanov's life, Uzbekistan made up an important part of the Soviet Union, representing one of its most diverse regions, being an ethnic and cultural melting pot at the axis between Europe, the Middle East, and Asia. While often subtle, all of these elements - working within a context of Soviet state control, and the influences of numerous cultural touchstones - offered a guiding undercurrent to the sprawling body of work that Vildanov produced between the early 1960s and his death in 1987. While he taught for most of his professional life - first at the conservatory between 1962 and 68, then at a prominent music school for children 1968 and 1981, before returning to the conservatory during the last years of his life - playing a significant role in shaping subsequent generations of Uzbek artists - his career as a composer was widely celebrated in his own time, winning him the Republican state prize for his sprawling body of chamber and symphonic works, as well for his efforts working in musical theatre, ballet, children's puppet theater, and eventually film. It was arguably in the latter form, that the composer found his greatest vehicle for expression. Beginning in 1964, when he was first asked by the director, Elyor Ishmuhamedov, to compose the music for one of his films, Vildanov became \"obsessed with making music for cinema\" and remained deeply connected to the field for the rest of his life - collaborating with prominent filmmakers, including Eldor Urazbaev, Ali Khamraev, and Shukhrat Abbasov - contributing to some of the most significant and highly regarded soundtrack works - acclaimed for their richness and diversity - of Soviet and Uzbek cinema during the second half of the 20th Century.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eIt is Vildanov's sonic contributions to film, around which Kino Variants 1967-1986 narrows its focus, illuminating the composer's striking range and diverse touchstones across its 82 pieces. Curated thematically rather than strictly chronologically - offering track information and pointing toward the associated film and scene of each in the album's liner notes - the collection begins with 29 Abstract Variations of various durations, rendered on a range of instruments - synthesizer, harp, harpsichord, and timpani, among numerous others - in solo and multi-instrumental combinations, utilizing both purely acoustic and electroacoustic approaches. Rather than simple fragments or short passages intended to add dramatic effect through their association with moving image, Vildanov's \"abstractions\" stand autonomously as impactful sonic miniatures, revealing particularly singular sensibilities for structure, attack, and space.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe second side of the collection offers an immersion into Vildanov's Orchestral Variations, which move between constrained and encompassing scales of instrumental combination. Traversing a remarkable range of sonic expressiveness and creative vision - continuously defying expectation, individually and collectively, as they unfold - these variations offer further illumination of the composer's talent and versatility. Retaining a strong sense of cohesive vision within their diversity, Vildanov elegantly moves between the use of avant-garde tonal dissonance and lush melodic sensibilities, becoming particularly striking in instances where the inner conversations and conjunctions are bent and twisted through the composer's striking combinations of synthesizers and orchestral instruments, having few parallels, before or since.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe second LP of Kino Variants 1967-1986 is dedicated to two thematic groupings, Rubab Variations and Titles Variations. The first stands among the most culturally revealing bodies of work in the collection; centering the focus upon Vildanov's compositions for the rubab, a lute-like stringed instrument played in parts of Central and South Asia, similar to the Indian Sarod, that has strong presence in Uzbekistan. The instrument's sound and cultural plurality presents a perfect mirror to the diversity and cultural multiplicity of the composer's home. Ranging from solo pieces, imbued with an aching sense of poetry, to more complex multi-instrumental arguments and various electronic interventions - each standing among the most authentic and distinct musical hybrids composed during the 20th Century - as the instrument's percussive tonality dances in space, Vildanov's Rubab Variations bend time and place, seeding experimentalism with the richness of ancient tradition.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTitles Variations, the collection's fourth and final side, comprises 19 pieces that expand and further illuminate the range of Vildanov's musical explorations, the majority of which date from the final decade of the composer's life. A fitting conclusion, distilling decades spent traversing the multifaceted possibilities of organized sound, as well as the radical possibilities activated through its combination with film, this grouping encompasses moving orchestral pieces, minimal gestures, meditative passages, and subtle sonic experiments, each packing a powerful punch - creatively as much as emotively - into the relatively discreet scale.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eOffering a social, cultural, and historical revelation, casting light upon one of the most unique and overlooked composers working behind the Iron Curtain during the 1960s, '70s, and '80s, Rumil Vildanov's Kino Variants 1967-1986, issued by Von as a deluxe 2LP set in highly limited edition of 300 copies on black vinyl - complete with printed inner sleeves, providing extensive information on the 82 pieces comprised across its four sides - is nothing short of a towering accomplishment, immersing the ear in truly visionary sounds that upend longstanding perceptions of the nature of 20th Century sounds. Curated and researched by Carlos Casas and Saodat Ismailova, meticolous audio restoration and mastering by Andrea Marutti give these archival recordings the presence and clarity they deserve. Truly incredible and not to be missed. \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Rumil Vildanov\u003c\/p\u003e\n\u003cp\u003eLabel : Von\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eVON 020\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 2026 (reissue)\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-05-12T05:17:58+09:00","created_at":"2026-05-10T08:47:08+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","lp","new","strange beats"],"price":634000,"price_min":634000,"price_max":634000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48869067784442,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Rumil Vildanov \/\/ Kino Variants 1967-1986 2xLP","public_title":null,"options":["Default Title"],"price":634000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-05-10at8.42.08am.png?v=1778370190","\/\/tobirarecords.com\/cdn\/shop\/files\/rum1_4566404d-d74e-4f0f-bb7a-b706658bd0f9.jpg?v=1778370190"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-05-10at8.42.08am.png?v=1778370190","options":["Title"],"media":[{"alt":null,"id":39322129563898,"position":1,"preview_image":{"aspect_ratio":1.0,"height":357,"width":357,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-05-10at8.42.08am.png?v=1778370190"},"aspect_ratio":1.0,"height":357,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-05-10at8.42.08am.png?v=1778370190","width":357},{"alt":null,"id":39322129531130,"position":2,"preview_image":{"aspect_ratio":1.0,"height":599,"width":599,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rum1_4566404d-d74e-4f0f-bb7a-b706658bd0f9.jpg?v=1778370190"},"aspect_ratio":1.0,"height":599,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rum1_4566404d-d74e-4f0f-bb7a-b706658bd0f9.jpg?v=1778370190","width":599}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eウズベキスタンの作曲家Rumil Vildanovが、2026年4月にイタリアのVONからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003e1967-1986年に制作した映画音楽82曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e2 x 12\" black vinyl.\u003cbr\u003e2026 vinyl reissue of the work of\u003cspan\u003e 20th century Uzbek composer \u003c\/span\u003eRumil Vildano. \u003cbr\u003eEdition of 300 copies. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eA. Abstract Variants\u003cbr\u003eB. Orchestral Variants\u003cbr\u003eC. Rubab Variants\u003cbr\u003eD. Titles Variants\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Continuing their longstanding explorations of unexpected and adventurous territories of sound, Von - the imprint run by filmmaker and sound artist Carlos Casas and cofounded with Nico Vascellari - is pleased to present Kino Variants 1967-1986, the first-ever collection to illuminate the vast body of work created by the Uzbek composer Rumil Vildanov during the second half of the 20th Century. Offering a rare glimpse of liberated creative spirit operating behind the Iron Curtain, this engrossing double LP - complete with printed inner sleeves and issued in highly limited edition of 300 copies on black vinyl - provides an unprecedented immersion into the work of one of the most celebrated composers from Uzbekistan, often described as the \"Ennio Morricone of Central Asia\". Comprising a startling range of electronic and electroacoustic experiments, evocative chamber works and orchestral works, and more discrete instrumental efforts - all created to accompany moving image - totaling an incredible 82 pieces in total, this remarkable sonic journey into Vildanov's inner world and towering talents, which have, until now, remained almost entirely unheard beyond the time and place within which he worked - contributes a significant historical counterpoint to standing perceptions connected to artistic expression under Soviet rule, placing the composer's engrossing contribution to post-war music within the broader context it deserves.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eRumil Vildanov was born into an intellectual family in Bishkek, Uzbekistan, in 1939. His musical education began early, eventually leading him to the Tashkent conservatory, where he studied composition. For the entirety of Vildanov's life, Uzbekistan made up an important part of the Soviet Union, representing one of its most diverse regions, being an ethnic and cultural melting pot at the axis between Europe, the Middle East, and Asia. While often subtle, all of these elements - working within a context of Soviet state control, and the influences of numerous cultural touchstones - offered a guiding undercurrent to the sprawling body of work that Vildanov produced between the early 1960s and his death in 1987. While he taught for most of his professional life - first at the conservatory between 1962 and 68, then at a prominent music school for children 1968 and 1981, before returning to the conservatory during the last years of his life - playing a significant role in shaping subsequent generations of Uzbek artists - his career as a composer was widely celebrated in his own time, winning him the Republican state prize for his sprawling body of chamber and symphonic works, as well for his efforts working in musical theatre, ballet, children's puppet theater, and eventually film. It was arguably in the latter form, that the composer found his greatest vehicle for expression. Beginning in 1964, when he was first asked by the director, Elyor Ishmuhamedov, to compose the music for one of his films, Vildanov became \"obsessed with making music for cinema\" and remained deeply connected to the field for the rest of his life - collaborating with prominent filmmakers, including Eldor Urazbaev, Ali Khamraev, and Shukhrat Abbasov - contributing to some of the most significant and highly regarded soundtrack works - acclaimed for their richness and diversity - of Soviet and Uzbek cinema during the second half of the 20th Century.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eIt is Vildanov's sonic contributions to film, around which Kino Variants 1967-1986 narrows its focus, illuminating the composer's striking range and diverse touchstones across its 82 pieces. Curated thematically rather than strictly chronologically - offering track information and pointing toward the associated film and scene of each in the album's liner notes - the collection begins with 29 Abstract Variations of various durations, rendered on a range of instruments - synthesizer, harp, harpsichord, and timpani, among numerous others - in solo and multi-instrumental combinations, utilizing both purely acoustic and electroacoustic approaches. Rather than simple fragments or short passages intended to add dramatic effect through their association with moving image, Vildanov's \"abstractions\" stand autonomously as impactful sonic miniatures, revealing particularly singular sensibilities for structure, attack, and space.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe second side of the collection offers an immersion into Vildanov's Orchestral Variations, which move between constrained and encompassing scales of instrumental combination. Traversing a remarkable range of sonic expressiveness and creative vision - continuously defying expectation, individually and collectively, as they unfold - these variations offer further illumination of the composer's talent and versatility. Retaining a strong sense of cohesive vision within their diversity, Vildanov elegantly moves between the use of avant-garde tonal dissonance and lush melodic sensibilities, becoming particularly striking in instances where the inner conversations and conjunctions are bent and twisted through the composer's striking combinations of synthesizers and orchestral instruments, having few parallels, before or since.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe second LP of Kino Variants 1967-1986 is dedicated to two thematic groupings, Rubab Variations and Titles Variations. The first stands among the most culturally revealing bodies of work in the collection; centering the focus upon Vildanov's compositions for the rubab, a lute-like stringed instrument played in parts of Central and South Asia, similar to the Indian Sarod, that has strong presence in Uzbekistan. The instrument's sound and cultural plurality presents a perfect mirror to the diversity and cultural multiplicity of the composer's home. Ranging from solo pieces, imbued with an aching sense of poetry, to more complex multi-instrumental arguments and various electronic interventions - each standing among the most authentic and distinct musical hybrids composed during the 20th Century - as the instrument's percussive tonality dances in space, Vildanov's Rubab Variations bend time and place, seeding experimentalism with the richness of ancient tradition.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTitles Variations, the collection's fourth and final side, comprises 19 pieces that expand and further illuminate the range of Vildanov's musical explorations, the majority of which date from the final decade of the composer's life. A fitting conclusion, distilling decades spent traversing the multifaceted possibilities of organized sound, as well as the radical possibilities activated through its combination with film, this grouping encompasses moving orchestral pieces, minimal gestures, meditative passages, and subtle sonic experiments, each packing a powerful punch - creatively as much as emotively - into the relatively discreet scale.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eOffering a social, cultural, and historical revelation, casting light upon one of the most unique and overlooked composers working behind the Iron Curtain during the 1960s, '70s, and '80s, Rumil Vildanov's Kino Variants 1967-1986, issued by Von as a deluxe 2LP set in highly limited edition of 300 copies on black vinyl - complete with printed inner sleeves, providing extensive information on the 82 pieces comprised across its four sides - is nothing short of a towering accomplishment, immersing the ear in truly visionary sounds that upend longstanding perceptions of the nature of 20th Century sounds. Curated and researched by Carlos Casas and Saodat Ismailova, meticolous audio restoration and mastering by Andrea Marutti give these archival recordings the presence and clarity they deserve. Truly incredible and not to be missed. \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Rumil Vildanov\u003c\/p\u003e\n\u003cp\u003eLabel : Von\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eVON 020\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 2026 (reissue)\u003c\/span\u003e\u003c\/p\u003e"}
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ウズベキスタンの作曲家Rumil Vildanovが、2026年4月にイタリアのVONからリリースした2枚組レコードです。 1967-1986年に制作した映画音楽82曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ ----------------------------------------------------- Ask us for digital files. 2 x 12" black vinyl.2026...
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{"id":9217843134714,"title":"Andrea Neumann \/ Mads Emil Nielsen \/\/ Refound 10inch","handle":"andrea-neumann-mads-emil-nielsen-refound-10inch","description":"\u003cp\u003e\u003cspan\u003eデンマークの実験音楽家Mads Emil Nielsenが主宰するプライベートレーベルArbitrary諸作を一挙入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e本作は、ピアノ内部奏法を得意とするAndrea Neumannとの共作で、グラフィックスコアに基づいて演奏した10曲を収録。45rpmクリア盤です。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=284990064\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3737523677\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/arbitrary\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/arbitrary\"\u003ehere\u003c\/a\u003e to see more Arbitrary releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 300. 10\" vinyl, \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e45 rpm. Includes DL code.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"Andrea Neumann and Mads Emil Nielsen’s collaboration was initiated in 2014 with a common focus on creating music combining graphic scores, open improvisations and remixing. This led to their “Deconstruction” series and a graphic score (Framework) interpretation. In 2018 Neumann and Nielsen produced a 4-channel composition and they now release a 10” vinyl.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe starting points for these ten short pieces are selected parts of recorded improvisations made with electronics and inside piano, which were remixed by both musicians. Different musical aspects such as tactility, three-dimensionality, repetition, rhythmical elements and transparency are explored by the two musicians as the ambiguous characters of the original improvisations are transformed into ten new compositions.\"\u003cbr\u003e\u003c\/em\u003e- \u003cmeta charset=\"utf-8\"\u003eArbitrary\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Andrea Neumann \/ Mads Emil Nielsen\u003c\/p\u003e\n\u003cp\u003eLabel : Arbitrary\u003c\/p\u003e","published_at":"2026-05-06T07:43:09+09:00","created_at":"2026-05-06T07:42:47+09:00","vendor":"Tobira Records","type":"","tags":["arbitrary","contemporary \/ sound poetry","drone","lp","monooto","new","strange beats"],"price":276000,"price_min":276000,"price_max":276000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48853221343482,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Andrea Neumann \/ Mads Emil Nielsen \/\/ Refound 10inch","public_title":null,"options":["Default Title"],"price":276000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/re1.jpg?v=1715299260","\/\/tobirarecords.com\/cdn\/shop\/files\/re2.jpg?v=1715299260"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/re1.jpg?v=1715299260","options":["Title"],"media":[{"alt":null,"id":33983880495354,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/re1.jpg?v=1715299260"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/re1.jpg?v=1715299260","width":700},{"alt":null,"id":33983880528122,"position":2,"preview_image":{"aspect_ratio":1.361,"height":882,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/re2.jpg?v=1715299260"},"aspect_ratio":1.361,"height":882,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/re2.jpg?v=1715299260","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eデンマークの実験音楽家Mads Emil Nielsenが主宰するプライベートレーベルArbitrary諸作を一挙入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e本作は、ピアノ内部奏法を得意とするAndrea Neumannとの共作で、グラフィックスコアに基づいて演奏した10曲を収録。45rpmクリア盤です。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=284990064\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3737523677\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/arbitrary\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/arbitrary\"\u003ehere\u003c\/a\u003e to see more Arbitrary releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 300. 10\" vinyl, \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e45 rpm. Includes DL code.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"Andrea Neumann and Mads Emil Nielsen’s collaboration was initiated in 2014 with a common focus on creating music combining graphic scores, open improvisations and remixing. This led to their “Deconstruction” series and a graphic score (Framework) interpretation. In 2018 Neumann and Nielsen produced a 4-channel composition and they now release a 10” vinyl.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe starting points for these ten short pieces are selected parts of recorded improvisations made with electronics and inside piano, which were remixed by both musicians. 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{"id":9215240405242,"title":"Obeka \/\/ A World No More LP [COLOR]","handle":"obeka-a-world-no-more-lp-color","description":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※5月下旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eバミューダ出身イギリス・マンチェスター在住のベース作家Obekaが、2026年4月に\u003c\/span\u003eチェコのレフトフィールド・ベースレーベルYUKUから100部限定でリリースしたデビューレコードです。\u003c\/p\u003e\n\u003cp\u003eポストインダストリアル・アフロフューチャリズム13曲を収録。オレンジマーブル盤です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルと作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\"\u003ci\u003e『A World No More』のリズミカルなダイナミクスと情感あふれる表現は、Obekaのルーツに息づくサウンドシステム・カルチャーの濃密さを捉えている。YUKUは、ネオコロニアルなディストピア、抗議、そしてアフロ・フューチャリズムを、暗い過去と今日なお根強く残るその不満が織りなす朽ちゆく音響構造を通じて極限まで拡張させた、このバミューダ人アーティストのデビューアルバムを提示する。\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e英国およびヨーロッパの植民地体制という壁の中で大人へと成長したことは、新しい国での疎外感と迷いによって、幼い頃から私を世界から隔絶させてしまった。ロンドンの広大で文化的に活気ある移民コミュニティとは異なり、工業都市ストックポートでは、バミューダから移住して最初の1年間に、他国からの人々に対する冷たさを経験した。その理由が理解できなかった。私に向けられた冷たい言葉であれ、私と同じような外見の人々に対する行為であれ、それは治療法のない、破滅的な社会的ウイルスであることが明らかになった。最も安らぎを見出せたのは、慣れ親しんだもの――故郷のドラムとリズミカルな精神性――を通じてだった。そこは安全な避難所であり、怒りと混乱を吐き出す場所だった。移住してから15年が経ち、私のサウンドが進化するにつれ、階級差別、人種差別、抑圧、そして少数民族に対する社会的統制はさらに悪化しているように思える――今やそれらはより合法化され、常態化さえしている。オグン（怒り、正義、戦争を司る強力なヨルバの神）は、このレコードのオープニング・シーケンスであり、その象徴として機能している。歪んだ低音域と、失われた者たちの生々しいサンプリングされた幽霊のような声に浸された、解体されたレゲエ・ダブを使用している。この音響的試みは『Drillaman』にも応用されており、インダストリアルな骨格と金属的な楽器の暴走が、陰鬱なダンスホールのMCプレイの上に展開され、繭の中で進化する二つの平行世界を拡大している。大西洋を横断するアフリカの文化とアイデンティティの復活は、決して沈黙させられたわけではない。むしろ、奴隷貿易のルートを通じて他所へと運ばれてきたのだ。これは、初めて故郷のカリブ海に戻り、本作を制作・完成させる上で極めて重要な要素となった。自らのルーツと再接続した後、世界の何が間違っているのかという、かつてはぼやけていた視界が、はっきりと鮮明になった。空虚な平原での導きは、痛みの中を貫いて真実を求める――詩的な最終トラック『A World No More』に表現された、自己発見の宣言である。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Fawohodie』（アルバムカバーに刻印された、独立・自由・解放を象徴する西アフリカのアディンクラのシンボル）において、動機と雰囲気は変化し始める。個人の相互接続性とコミュニティの重要性を強調する哲学的概念であり、しばしば西洋の個人主義と対比されるアフロ・カリブ海の理想主義が、新たな宇宙の中で形を成し始める。我々は共存できるのだ。楽曲の骨格には、我々の制御が及ばない周波数を形成する機械主導のソフトウェアが用いられ、それを分解されたサウンドスケープ、散りばめられたハンドドラム、そして人間が作り出した支配の武器を通じて操作している。これにより、世代を超えて受け継がれてきた隠された格差を露呈させつつ、平等と平和に向けた希望に満ちた音楽的基盤とのバランスを取っている。『Pressure』と『Kuduro!』における楽曲の方向性は、人々を目覚めさせようとするものだ。過去のプロジェクトのような落ち着いたアプローチに甘んじるのではなく、むしろその正反対を志向している。生来の音への意識を呼び起こすため、抗議の声を解体し、鎖や歯車、モーター駆動のハーモニーを用いて侵食されたようなパーカッションを、私の快適ゾーンをはるかに超えた挑戦的な抽象的な振る舞いで彫刻した。人々に感じてほしい直接的な荒々しさと重みがありつつ、魅惑的なコーラスと催眠的なベースラインが完全な同期で織りなす希望と安らぎを見出せるように。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「音の純粋さは、最も予期しない瞬間に現れる。ほんの小さな記憶や感情が、種から育ち、あなただけが解釈し、世界へと解き放つことのできる音響言語となるのだ。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1930006965\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2740078278\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1930006965\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1930006965\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=969260537\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/yuku\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/yuku\"\u003ehere\u003c\/a\u003e to see more Yuku releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003e12\" orange marble vinyl.\u003cbr\u003eEdition of 100 copies. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Ogun 04:07\u003cbr\u003e2. Drillaman 02:11\u003cbr\u003e3. Tundra 02:58\u003cbr\u003e4. Pon Ya Head ft. WOST 03:45\u003cbr\u003e5. Ghost Rhythm 03:48\u003cbr\u003e6. Fawohodie ft. Frederic 06:42\u003cbr\u003e7. Pressure ft. Entrañas 03:12\u003cbr\u003e8. Ready for the Soundman ft. BIG DRECO 02:39\u003cbr\u003e9. Kuduro! ft. Yemi Bolatiwa 03:25 video\u003cbr\u003e10. Ubuntu 03:21\u003cbr\u003e11. A World No More 02:59\u003cbr\u003e12. Ready for the Soundman ft. BIG DRECO (Metrodome Remix) 04:38\u003cbr\u003e13. Ready for the Soundman ft. BIG DRECO (Frederic Remix) 02:06\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe rhythmic dynamics and emotive attitudes of A World No More captures the density of soundsystem culture in Obeka’s ancestral roots. YUKU presents the Bermudians debut album capturing a Neo-Colonial dystopia, protest and Afro-Futurism hyperextended through decaying sonic structures of a dark past and its grievances which very much exist today.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGrowing into adulthood within the walls of British and European Colonial systems meant the disconnection and lostness in a new country hid me from the world at a young age. Unlike London’s vast and culturally engaging migrant communities, the industrial milling town of Stockport introduced a coldness towards people from other countries I experienced in my first year after relocating from Bermuda. I couldn’t understand why. Whether cold words thrown towards me or actions upon other people who look like me, it has shown to be a dooming societal virus with no cure. The most comfort was found through what was familiar - drums and rhythmic spirituality of my homeland. It was a safe-haven, a place to empty the anger and confusion. It’s been 15 years since relocating and as my sound evolved, it seems classism, racism, oppression and civil control of ethnic peoples has become worse - even now more\u003cspan class=\"bcTruncateMore\"\u003e legalised and normalised. Ogun (a powerful Yoruba deity associated with anger, justice and war) acts as the opening sequence of the record and its symbolism. Using distorted bass frequencies and dissected Regga-Dub immersed in live-sampled ghostly voices of the lost ones. This sonic exercising is also applied in Drillaman - a stampede of industrial framework and metallic instruments wielded over moody Dancehall MC’ing, magnifying two parallel worlds in cocooned evolution. The resurrection of Transatlantic African cultures and identity have never been silenced, rather carried elsewhere through trade routes of enslavement, which was pivotal when composing and completing the album upon returning home to the Caribbean for the first time ever. After reconnecting with my heritage my blurred vision of what's wrong in the world became so clear. Guidance in empty plains seek truth throughout the pain - A statement of finding oneself expressed on the poetic closing track A World No More.\u003cbr\u003e\u003cbr\u003eOn Fawohodie (A West African Adinkra symbol that represents independence, freedom, and emancipation stamped on the album cover) the motive and atmosphere begins to change. Afro-Caribbean idealism which refers to the philosophical concept that emphasizes the interconnectedness of individuals and the importance of community, often contrasting with Western individualism, begins to take shape in a new universe. We can co-exist. The track framework uses machine-led software forming frequencies we have no control over, then manipulated through decomposing soundscapes, scattered hand-drums and human-made weapons of control - exposing the hidden disparity that’s been carried over generations whilst balancing hopeful and musical foundations towards equality and peace. On Pressure and Kuduro! the writing direction attempts to wake people up. Not settling for a composed approach like in past projects, quite the opposite. A call for native sonic awareness, dismantled vocals of protests, eroded percussion using chains, gears and motorised harmonies sculpted in challenging abstract behaviors far outside my comfort zone. A direct abrasiveness and weight I want people to feel, whilst finding hope and solace through enchanting choirs and hypnotic basslines in complete synchrony.\u003cbr\u003e\u003cbr\u003e“Purity in sound manifests when you least expect it. The smallest memory or feeling grows from a seed into a sonic language that you, and only you can interpret and release back into the world.”\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Obeka\u003c\/p\u003e\n\u003cp\u003eLabel : Yuku\u003c\/p\u003e\n\u003cp\u003ecat no : YUKU048\u003c\/p\u003e\n\u003cp\u003eRelease date : April 2026\u003c\/p\u003e","published_at":"2026-05-10T05:39:02+09:00","created_at":"2026-05-04T10:05:02+09:00","vendor":"Tobira Records","type":"","tags":["lp","new","strange beats","techno \/ house","yuku"],"price":531400,"price_min":531400,"price_max":531400,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48836098654458,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Obeka \/\/ A World No More LP [COLOR]","public_title":null,"options":["Default Title"],"price":531400,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/no1_8d625655-26f9-4188-a2a3-f689b2ba5335.jpg?v=1777856304","\/\/tobirarecords.com\/cdn\/shop\/files\/no2_e0beaeec-7cbb-4e72-a8b4-f39702beb4ec.jpg?v=1777856304"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/no1_8d625655-26f9-4188-a2a3-f689b2ba5335.jpg?v=1777856304","options":["Title"],"media":[{"alt":null,"id":39245818298618,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/no1_8d625655-26f9-4188-a2a3-f689b2ba5335.jpg?v=1777856304"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/no1_8d625655-26f9-4188-a2a3-f689b2ba5335.jpg?v=1777856304","width":350},{"alt":null,"id":39245818331386,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/no2_e0beaeec-7cbb-4e72-a8b4-f39702beb4ec.jpg?v=1777856304"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/no2_e0beaeec-7cbb-4e72-a8b4-f39702beb4ec.jpg?v=1777856304","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※5月下旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eバミューダ出身イギリス・マンチェスター在住のベース作家Obekaが、2026年4月に\u003c\/span\u003eチェコのレフトフィールド・ベースレーベルYUKUから100部限定でリリースしたデビューレコードです。\u003c\/p\u003e\n\u003cp\u003eポストインダストリアル・アフロフューチャリズム13曲を収録。オレンジマーブル盤です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルと作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\"\u003ci\u003e『A World No More』のリズミカルなダイナミクスと情感あふれる表現は、Obekaのルーツに息づくサウンドシステム・カルチャーの濃密さを捉えている。YUKUは、ネオコロニアルなディストピア、抗議、そしてアフロ・フューチャリズムを、暗い過去と今日なお根強く残るその不満が織りなす朽ちゆく音響構造を通じて極限まで拡張させた、このバミューダ人アーティストのデビューアルバムを提示する。\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e英国およびヨーロッパの植民地体制という壁の中で大人へと成長したことは、新しい国での疎外感と迷いによって、幼い頃から私を世界から隔絶させてしまった。ロンドンの広大で文化的に活気ある移民コミュニティとは異なり、工業都市ストックポートでは、バミューダから移住して最初の1年間に、他国からの人々に対する冷たさを経験した。その理由が理解できなかった。私に向けられた冷たい言葉であれ、私と同じような外見の人々に対する行為であれ、それは治療法のない、破滅的な社会的ウイルスであることが明らかになった。最も安らぎを見出せたのは、慣れ親しんだもの――故郷のドラムとリズミカルな精神性――を通じてだった。そこは安全な避難所であり、怒りと混乱を吐き出す場所だった。移住してから15年が経ち、私のサウンドが進化するにつれ、階級差別、人種差別、抑圧、そして少数民族に対する社会的統制はさらに悪化しているように思える――今やそれらはより合法化され、常態化さえしている。オグン（怒り、正義、戦争を司る強力なヨルバの神）は、このレコードのオープニング・シーケンスであり、その象徴として機能している。歪んだ低音域と、失われた者たちの生々しいサンプリングされた幽霊のような声に浸された、解体されたレゲエ・ダブを使用している。この音響的試みは『Drillaman』にも応用されており、インダストリアルな骨格と金属的な楽器の暴走が、陰鬱なダンスホールのMCプレイの上に展開され、繭の中で進化する二つの平行世界を拡大している。大西洋を横断するアフリカの文化とアイデンティティの復活は、決して沈黙させられたわけではない。むしろ、奴隷貿易のルートを通じて他所へと運ばれてきたのだ。これは、初めて故郷のカリブ海に戻り、本作を制作・完成させる上で極めて重要な要素となった。自らのルーツと再接続した後、世界の何が間違っているのかという、かつてはぼやけていた視界が、はっきりと鮮明になった。空虚な平原での導きは、痛みの中を貫いて真実を求める――詩的な最終トラック『A World No More』に表現された、自己発見の宣言である。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Fawohodie』（アルバムカバーに刻印された、独立・自由・解放を象徴する西アフリカのアディンクラのシンボル）において、動機と雰囲気は変化し始める。個人の相互接続性とコミュニティの重要性を強調する哲学的概念であり、しばしば西洋の個人主義と対比されるアフロ・カリブ海の理想主義が、新たな宇宙の中で形を成し始める。我々は共存できるのだ。楽曲の骨格には、我々の制御が及ばない周波数を形成する機械主導のソフトウェアが用いられ、それを分解されたサウンドスケープ、散りばめられたハンドドラム、そして人間が作り出した支配の武器を通じて操作している。これにより、世代を超えて受け継がれてきた隠された格差を露呈させつつ、平等と平和に向けた希望に満ちた音楽的基盤とのバランスを取っている。『Pressure』と『Kuduro!』における楽曲の方向性は、人々を目覚めさせようとするものだ。過去のプロジェクトのような落ち着いたアプローチに甘んじるのではなく、むしろその正反対を志向している。生来の音への意識を呼び起こすため、抗議の声を解体し、鎖や歯車、モーター駆動のハーモニーを用いて侵食されたようなパーカッションを、私の快適ゾーンをはるかに超えた挑戦的な抽象的な振る舞いで彫刻した。人々に感じてほしい直接的な荒々しさと重みがありつつ、魅惑的なコーラスと催眠的なベースラインが完全な同期で織りなす希望と安らぎを見出せるように。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「音の純粋さは、最も予期しない瞬間に現れる。ほんの小さな記憶や感情が、種から育ち、あなただけが解釈し、世界へと解き放つことのできる音響言語となるのだ。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1930006965\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2740078278\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1930006965\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1930006965\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=969260537\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/yuku\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/yuku\"\u003ehere\u003c\/a\u003e to see more Yuku releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003e12\" orange marble vinyl.\u003cbr\u003eEdition of 100 copies. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Ogun 04:07\u003cbr\u003e2. Drillaman 02:11\u003cbr\u003e3. Tundra 02:58\u003cbr\u003e4. Pon Ya Head ft. WOST 03:45\u003cbr\u003e5. Ghost Rhythm 03:48\u003cbr\u003e6. Fawohodie ft. Frederic 06:42\u003cbr\u003e7. Pressure ft. Entrañas 03:12\u003cbr\u003e8. Ready for the Soundman ft. BIG DRECO 02:39\u003cbr\u003e9. Kuduro! ft. Yemi Bolatiwa 03:25 video\u003cbr\u003e10. Ubuntu 03:21\u003cbr\u003e11. A World No More 02:59\u003cbr\u003e12. Ready for the Soundman ft. BIG DRECO (Metrodome Remix) 04:38\u003cbr\u003e13. Ready for the Soundman ft. BIG DRECO (Frederic Remix) 02:06\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe rhythmic dynamics and emotive attitudes of A World No More captures the density of soundsystem culture in Obeka’s ancestral roots. YUKU presents the Bermudians debut album capturing a Neo-Colonial dystopia, protest and Afro-Futurism hyperextended through decaying sonic structures of a dark past and its grievances which very much exist today.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGrowing into adulthood within the walls of British and European Colonial systems meant the disconnection and lostness in a new country hid me from the world at a young age. Unlike London’s vast and culturally engaging migrant communities, the industrial milling town of Stockport introduced a coldness towards people from other countries I experienced in my first year after relocating from Bermuda. I couldn’t understand why. Whether cold words thrown towards me or actions upon other people who look like me, it has shown to be a dooming societal virus with no cure. The most comfort was found through what was familiar - drums and rhythmic spirituality of my homeland. It was a safe-haven, a place to empty the anger and confusion. It’s been 15 years since relocating and as my sound evolved, it seems classism, racism, oppression and civil control of ethnic peoples has become worse - even now more\u003cspan class=\"bcTruncateMore\"\u003e legalised and normalised. Ogun (a powerful Yoruba deity associated with anger, justice and war) acts as the opening sequence of the record and its symbolism. Using distorted bass frequencies and dissected Regga-Dub immersed in live-sampled ghostly voices of the lost ones. This sonic exercising is also applied in Drillaman - a stampede of industrial framework and metallic instruments wielded over moody Dancehall MC’ing, magnifying two parallel worlds in cocooned evolution. The resurrection of Transatlantic African cultures and identity have never been silenced, rather carried elsewhere through trade routes of enslavement, which was pivotal when composing and completing the album upon returning home to the Caribbean for the first time ever. After reconnecting with my heritage my blurred vision of what's wrong in the world became so clear. Guidance in empty plains seek truth throughout the pain - A statement of finding oneself expressed on the poetic closing track A World No More.\u003cbr\u003e\u003cbr\u003eOn Fawohodie (A West African Adinkra symbol that represents independence, freedom, and emancipation stamped on the album cover) the motive and atmosphere begins to change. Afro-Caribbean idealism which refers to the philosophical concept that emphasizes the interconnectedness of individuals and the importance of community, often contrasting with Western individualism, begins to take shape in a new universe. We can co-exist. The track framework uses machine-led software forming frequencies we have no control over, then manipulated through decomposing soundscapes, scattered hand-drums and human-made weapons of control - exposing the hidden disparity that’s been carried over generations whilst balancing hopeful and musical foundations towards equality and peace. On Pressure and Kuduro! the writing direction attempts to wake people up. Not settling for a composed approach like in past projects, quite the opposite. A call for native sonic awareness, dismantled vocals of protests, eroded percussion using chains, gears and motorised harmonies sculpted in challenging abstract behaviors far outside my comfort zone. A direct abrasiveness and weight I want people to feel, whilst finding hope and solace through enchanting choirs and hypnotic basslines in complete synchrony.\u003cbr\u003e\u003cbr\u003e“Purity in sound manifests when you least expect it. The smallest memory or feeling grows from a seed into a sonic language that you, and only you can interpret and release back into the world.”\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Obeka\u003c\/p\u003e\n\u003cp\u003eLabel : Yuku\u003c\/p\u003e\n\u003cp\u003ecat no : YUKU048\u003c\/p\u003e\n\u003cp\u003eRelease date : April 2026\u003c\/p\u003e"}
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※5月下旬再入荷後発送します バミューダ出身イギリス・マンチェスター在住のベース作家Obekaが、2026年4月にチェコのレフトフィールド・ベースレーベルYUKUから100部限定でリリースしたデビューレコードです。 ポストインダストリアル・アフロフューチャリズム13曲を収録。オレンジマーブル盤です。 以下、レーベルと作家本人による解説です。 "『A World No More』のリズミカルなダイナミクスと情感あふれる表現は、Obekaのルーツに息づくサウンドシステム・カルチャーの濃密さを捉えている。YUKUは、ネオコロニアルなディストピア、抗議、そしてアフロ・フューチャリズムを、暗い過去と今日なお根強く残るその不満が織りなす朽ちゆく音響構造を通じて極限まで拡張させた、このバミューダ人アーティストのデビューアルバムを提示する。 英国およびヨーロッパの植民地体制という壁の中で大人へと成長したことは、新しい国での疎外感と迷いによって、幼い頃から私を世界から隔絶させてしまった。ロンドンの広大で文化的に活気ある移民コミュニティとは異なり、工業都市ストックポートでは、バミューダから移住して最初の1年間に、他国からの人々に対する冷たさを経験した。その理由が理解できなかった。私に向けられた冷たい言葉であれ、私と同じような外見の人々に対する行為であれ、それは治療法のない、破滅的な社会的ウイルスであることが明らかになった。最も安らぎを見出せたのは、慣れ親しんだもの――故郷のドラムとリズミカルな精神性――を通じてだった。そこは安全な避難所であり、怒りと混乱を吐き出す場所だった。移住してから15年が経ち、私のサウンドが進化するにつれ、階級差別、人種差別、抑圧、そして少数民族に対する社会的統制はさらに悪化しているように思える――今やそれらはより合法化され、常態化さえしている。オグン（怒り、正義、戦争を司る強力なヨルバの神）は、このレコードのオープニング・シーケンスであり、その象徴として機能している。歪んだ低音域と、失われた者たちの生々しいサンプリングされた幽霊のような声に浸された、解体されたレゲエ・ダブを使用している。この音響的試みは『Drillaman』にも応用されており、インダストリアルな骨格と金属的な楽器の暴走が、陰鬱なダンスホールのMCプレイの上に展開され、繭の中で進化する二つの平行世界を拡大している。大西洋を横断するアフリカの文化とアイデンティティの復活は、決して沈黙させられたわけではない。むしろ、奴隷貿易のルートを通じて他所へと運ばれてきたのだ。これは、初めて故郷のカリブ海に戻り、本作を制作・完成させる上で極めて重要な要素となった。自らのルーツと再接続した後、世界の何が間違っているのかという、かつてはぼやけていた視界が、はっきりと鮮明になった。空虚な平原での導きは、痛みの中を貫いて真実を求める――詩的な最終トラック『A World No More』に表現された、自己発見の宣言である。 『Fawohodie』（アルバムカバーに刻印された、独立・自由・解放を象徴する西アフリカのアディンクラのシンボル）において、動機と雰囲気は変化し始める。個人の相互接続性とコミュニティの重要性を強調する哲学的概念であり、しばしば西洋の個人主義と対比されるアフロ・カリブ海の理想主義が、新たな宇宙の中で形を成し始める。我々は共存できるのだ。楽曲の骨格には、我々の制御が及ばない周波数を形成する機械主導のソフトウェアが用いられ、それを分解されたサウンドスケープ、散りばめられたハンドドラム、そして人間が作り出した支配の武器を通じて操作している。これにより、世代を超えて受け継がれてきた隠された格差を露呈させつつ、平等と平和に向けた希望に満ちた音楽的基盤とのバランスを取っている。『Pressure』と『Kuduro!』における楽曲の方向性は、人々を目覚めさせようとするものだ。過去のプロジェクトのような落ち着いたアプローチに甘んじるのではなく、むしろその正反対を志向している。生来の音への意識を呼び起こすため、抗議の声を解体し、鎖や歯車、モーター駆動のハーモニーを用いて侵食されたようなパーカッションを、私の快適ゾーンをはるかに超えた挑戦的な抽象的な振る舞いで彫刻した。人々に感じてほしい直接的な荒々しさと重みがありつつ、魅惑的なコーラスと催眠的なベースラインが完全な同期で織りなす希望と安らぎを見出せるように。 「音の純粋さは、最も予期しない瞬間に現れる。ほんの小さな記憶や感情が、種から育ち、あなただけが解釈し、世界へと解き放つことのできる音響言語となるのだ。"...
¥5,314