Anode / Cathode // Punkanachrock 2x7" [JAPAN ONLY EDITION]
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Anode / Cathode // Punkanachrock 2x7" [JAPAN ONLY EDITION]
¥3,940
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- Availability:
日本の実験集団Anode / Cathodeが、1981年にリリースした作品の再発2枚組7"です。
--------------------------------------
7" black 33rpm vinyl.
Total: 20 Minutes
Tracklist:
和 立体お姫様
下 中華人民動物園
Artist : Anode / Cathode
Label : Anode / Cathode
CAT No.: AC-7 JAPAN
日本の実験集団Anode / Cathodeが、1981年にリリースした作品の再発2枚組7"です。
--------------------------------------
7" black 33rpm vinyl.
Total: 20 Minutes
Tracklist:
和 立体お姫様
下 中華人民動物園
Artist : Anode / Cathode
Label : Anode / Cathode
CAT No.: AC-7 JAPAN
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{"id":8914288640250,"title":"Astasie-abasie \/\/ Molecular Gamelan CD","handle":"astasie-abasie-molecular-gamelan-cdr","description":"\u003cp\u003eオーストラリア・シドニーの美術家Astasie-abasieが、2021年に同国メルボルンのShame Fileからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e自作ガムランやコンタクトマイクなどを用いた瞑想的な物音〜ストレンジビーツ11曲を収録。4面デジパック仕様です。\u003c\/p\u003e\n\u003cp\u003eASMRのようで癒しすら感じます。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"このアルバムは、ワッシャーのような小さな金属物体の小さな音の拡大を探求する一連の実験の最初の作品である。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e手回しドリル、フィルムワインダー、電動ドリル／スクリュードライバーなど、様々な距離の取り方によって、物体間の相互作用によって生み出される混沌とした、しかし本質的な反復パターンが、最小限の身振り手振りで実現されている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAstasie-abasieはIan Andrewsのプロジェクトで、ギャリー・ブラッドベリとの長期にわたるパフォーマンスコラボレーションから発展した。このプロジェクトは、コンタクトマイク、自作カートリッジ、小型ピエゾマイクロフォン、従来のマイクロフォンなどを用いて、小さな物体から発生する音を捕らえることで、（ジョン・ケージ、ゴードン・マンマ、デヴィッド・チューダーのアプローチに倣い）小さな音を増幅させることに焦点を当てている。アーティストの演奏ジェスチャーを作曲プロセスから遠ざけるために、様々な装置が制約として使用される。この意味で、作曲プロセスは恣意的であり、自動的なものに近い。フィールドレコーディングのように、音は演奏や操作されるのではなく、発見される。改造された、あるいは 「準備された 」ターンテーブルが、音をもたらすためにしばしば使用され、その後、素材の編集は最小限にとどめられる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eIan Andrewsは、ユートピアとモダニズム、テクノロジーとポストヒューマンに関連する問題を探求するため、映画やビデオ、彫刻、インスタレーション、コラージュ、詩、文章など、さまざまな分野で活動している。作品は、脱構築とコラージュの戦略、そして流用した素材の批評的な並置によって、権力と言説体制の言説の分断点を突き止め、組織構造に疑問を投げかけ、思考を硬直化させ、最終的に私たちを身代金として拘束する、受け入れられている沈殿した枠組みの構文を打ち破ることを試みている。彼のオーストラリア実験音楽への貢献は1980年代初頭まで遡り、『The Horse He's Sick』、『Kurt Volentine』、『Cut with the Kitchen Knife』など数え切れないほどのプロジェクトがある。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1739760048\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003ehere\u003c\/a\u003e to see more Shame File Music releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003eCD in 4-panel digipack.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003ePantang\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e4:52\u003cbr\u003e2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eCity of Crocodiles\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e3:00\u003cbr\u003e3\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eVicissitudes\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e5:07\u003cbr\u003e4\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eSynthetic Shells\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e4:36\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5\u003c\/span\u003e\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eBrace Sea\u003c\/span\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3:00\u003cbr\u003e\u003c\/span\u003e6\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eBurnt Tamarind\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e5:03\u003cbr\u003e7\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eExpulsion\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e4:27\u003cbr\u003e8\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eSteam Room in Buitenzorg\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e5:15\u003cbr\u003e9\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eDecoy Bird\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e4:50\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e10\u003c\/span\u003e\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eStrung Intervals\u003c\/span\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2:54\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eShame File Music:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThis album is the first in a series of experiments exploring the magnification of the small sounds of small metal objects such as washers.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe chaotic but inherently repetitive patterns created by the interaction between the objects has been realised through a minimum of gestural action by way of a number of distancing strategies, such as the use of hand drills, film winders and motorised drills\/screwdrivers.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAstasie-abasie is a project of Ian Andrews which evolved out of a long running performance collaboration with Garry Bradbury. The project focuses on the amplification of small sounds (following the approach of John Cage, Gordon Mumma and David Tudor) through the capture of sounds generated by small objects by way of contact microphones, home constructed cartridges, miniature piezo microphones and conventional microphones. Various devices are used as constraints in order to distance any performing gesture of the artist from the compositional process. The compositional process is, in this sense, aleatory and close to automatic. Much like field recording, sounds are found rather than performed or manipulated. Modified, or ‘prepared’ turntables are often used to bring\u003cspan class=\"bcTruncateMore\"\u003e about the sounds, after which any editing of the material is kept to a minimum.\u003cbr\u003e\u003cbr\u003eIan Andrews works across a number of disciplines including film and video, sculpture, installation and collage, poetry and writing, in order to explore questions relating to utopia and modernism, technologies and the post-human. The work attempts—via a strategy of deconstruction and collage, and the critical juxtaposition of appropriated materials—to locate the point of fracture in discourses of power and discursive regimes, and put into question the organising structures, and break the syntax of the accepted sedimented frameworks that keep thought rigid and ultimately hold us to ransom. His contribution to Australian experimental music reaches back to the early 1980s, including projects like The Horse He's Sick, Kurt Volentine, Cut with the Kitchen Knife and countless others.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Astasie-abasie\u003c\/p\u003e\n\u003cp\u003eLabel : Shame File Music\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003esham115\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-09-03T18:40:55+09:00","created_at":"2025-09-03T17:54:15+09:00","vendor":"Tobira Records","type":"","tags":["cd","monooto","new","shame file music","strange beats"],"price":225000,"price_min":225000,"price_max":225000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47689036366074,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Astasie-abasie \/\/ Molecular Gamelan CD","public_title":null,"options":["Default Title"],"price":225000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/as1_99237235-6986-490b-b23d-9dc044211afd.jpg?v=1756889589","\/\/tobirarecords.com\/cdn\/shop\/files\/as2_0489b8a8-c8b7-4776-b487-f514187698e1.jpg?v=1756889588"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/as1_99237235-6986-490b-b23d-9dc044211afd.jpg?v=1756889589","options":["Title"],"media":[{"alt":null,"id":36724068155642,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/as1_99237235-6986-490b-b23d-9dc044211afd.jpg?v=1756889589"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/as1_99237235-6986-490b-b23d-9dc044211afd.jpg?v=1756889589","width":700},{"alt":null,"id":36724068188410,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/as2_0489b8a8-c8b7-4776-b487-f514187698e1.jpg?v=1756889588"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/as2_0489b8a8-c8b7-4776-b487-f514187698e1.jpg?v=1756889588","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリア・シドニーの美術家Astasie-abasieが、2021年に同国メルボルンのShame Fileからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e自作ガムランやコンタクトマイクなどを用いた瞑想的な物音〜ストレンジビーツ11曲を収録。4面デジパック仕様です。\u003c\/p\u003e\n\u003cp\u003eASMRのようで癒しすら感じます。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"このアルバムは、ワッシャーのような小さな金属物体の小さな音の拡大を探求する一連の実験の最初の作品である。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e手回しドリル、フィルムワインダー、電動ドリル／スクリュードライバーなど、様々な距離の取り方によって、物体間の相互作用によって生み出される混沌とした、しかし本質的な反復パターンが、最小限の身振り手振りで実現されている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAstasie-abasieはIan Andrewsのプロジェクトで、ギャリー・ブラッドベリとの長期にわたるパフォーマンスコラボレーションから発展した。このプロジェクトは、コンタクトマイク、自作カートリッジ、小型ピエゾマイクロフォン、従来のマイクロフォンなどを用いて、小さな物体から発生する音を捕らえることで、（ジョン・ケージ、ゴードン・マンマ、デヴィッド・チューダーのアプローチに倣い）小さな音を増幅させることに焦点を当てている。アーティストの演奏ジェスチャーを作曲プロセスから遠ざけるために、様々な装置が制約として使用される。この意味で、作曲プロセスは恣意的であり、自動的なものに近い。フィールドレコーディングのように、音は演奏や操作されるのではなく、発見される。改造された、あるいは 「準備された 」ターンテーブルが、音をもたらすためにしばしば使用され、その後、素材の編集は最小限にとどめられる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eIan Andrewsは、ユートピアとモダニズム、テクノロジーとポストヒューマンに関連する問題を探求するため、映画やビデオ、彫刻、インスタレーション、コラージュ、詩、文章など、さまざまな分野で活動している。作品は、脱構築とコラージュの戦略、そして流用した素材の批評的な並置によって、権力と言説体制の言説の分断点を突き止め、組織構造に疑問を投げかけ、思考を硬直化させ、最終的に私たちを身代金として拘束する、受け入れられている沈殿した枠組みの構文を打ち破ることを試みている。彼のオーストラリア実験音楽への貢献は1980年代初頭まで遡り、『The Horse He's Sick』、『Kurt Volentine』、『Cut with the Kitchen Knife』など数え切れないほどのプロジェクトがある。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1739760048\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003ehere\u003c\/a\u003e to see more Shame File Music releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003eCD in 4-panel digipack.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003ePantang\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e4:52\u003cbr\u003e2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eCity of Crocodiles\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e3:00\u003cbr\u003e3\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eVicissitudes\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e5:07\u003cbr\u003e4\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eSynthetic Shells\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e4:36\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5\u003c\/span\u003e\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eBrace Sea\u003c\/span\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3:00\u003cbr\u003e\u003c\/span\u003e6\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eBurnt Tamarind\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e5:03\u003cbr\u003e7\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eExpulsion\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e4:27\u003cbr\u003e8\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eSteam Room in Buitenzorg\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e5:15\u003cbr\u003e9\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eDecoy Bird\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e4:50\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e10\u003c\/span\u003e\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eStrung Intervals\u003c\/span\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2:54\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eShame File Music:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThis album is the first in a series of experiments exploring the magnification of the small sounds of small metal objects such as washers.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe chaotic but inherently repetitive patterns created by the interaction between the objects has been realised through a minimum of gestural action by way of a number of distancing strategies, such as the use of hand drills, film winders and motorised drills\/screwdrivers.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAstasie-abasie is a project of Ian Andrews which evolved out of a long running performance collaboration with Garry Bradbury. The project focuses on the amplification of small sounds (following the approach of John Cage, Gordon Mumma and David Tudor) through the capture of sounds generated by small objects by way of contact microphones, home constructed cartridges, miniature piezo microphones and conventional microphones. Various devices are used as constraints in order to distance any performing gesture of the artist from the compositional process. The compositional process is, in this sense, aleatory and close to automatic. Much like field recording, sounds are found rather than performed or manipulated. Modified, or ‘prepared’ turntables are often used to bring\u003cspan class=\"bcTruncateMore\"\u003e about the sounds, after which any editing of the material is kept to a minimum.\u003cbr\u003e\u003cbr\u003eIan Andrews works across a number of disciplines including film and video, sculpture, installation and collage, poetry and writing, in order to explore questions relating to utopia and modernism, technologies and the post-human. The work attempts—via a strategy of deconstruction and collage, and the critical juxtaposition of appropriated materials—to locate the point of fracture in discourses of power and discursive regimes, and put into question the organising structures, and break the syntax of the accepted sedimented frameworks that keep thought rigid and ultimately hold us to ransom. His contribution to Australian experimental music reaches back to the early 1980s, including projects like The Horse He's Sick, Kurt Volentine, Cut with the Kitchen Knife and countless others.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Astasie-abasie\u003c\/p\u003e\n\u003cp\u003eLabel : Shame File Music\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003esham115\u003c\/span\u003e\u003c\/p\u003e"}
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オーストラリア・シドニーの美術家Astasie-abasieが、2021年に同国メルボルンのShame Fileからリリースしたレコードです。 自作ガムランやコンタクトマイクなどを用いた瞑想的な物音〜ストレンジビーツ11曲を収録。4面デジパック仕様です。 ASMRのようで癒しすら感じます。 以下、レーベルによる解説です。 "このアルバムは、ワッシャーのような小さな金属物体の小さな音の拡大を探求する一連の実験の最初の作品である。 手回しドリル、フィルムワインダー、電動ドリル／スクリュードライバーなど、様々な距離の取り方によって、物体間の相互作用によって生み出される混沌とした、しかし本質的な反復パターンが、最小限の身振り手振りで実現されている。 Astasie-abasieはIan Andrewsのプロジェクトで、ギャリー・ブラッドベリとの長期にわたるパフォーマンスコラボレーションから発展した。このプロジェクトは、コンタクトマイク、自作カートリッジ、小型ピエゾマイクロフォン、従来のマイクロフォンなどを用いて、小さな物体から発生する音を捕らえることで、（ジョン・ケージ、ゴードン・マンマ、デヴィッド・チューダーのアプローチに倣い）小さな音を増幅させることに焦点を当てている。アーティストの演奏ジェスチャーを作曲プロセスから遠ざけるために、様々な装置が制約として使用される。この意味で、作曲プロセスは恣意的であり、自動的なものに近い。フィールドレコーディングのように、音は演奏や操作されるのではなく、発見される。改造された、あるいは 「準備された 」ターンテーブルが、音をもたらすためにしばしば使用され、その後、素材の編集は最小限にとどめられる。 Ian Andrewsは、ユートピアとモダニズム、テクノロジーとポストヒューマンに関連する問題を探求するため、映画やビデオ、彫刻、インスタレーション、コラージュ、詩、文章など、さまざまな分野で活動している。作品は、脱構築とコラージュの戦略、そして流用した素材の批評的な並置によって、権力と言説体制の言説の分断点を突き止め、組織構造に疑問を投げかけ、思考を硬直化させ、最終的に私たちを身代金として拘束する、受け入れられている沈殿した枠組みの構文を打ち破ることを試みている。彼のオーストラリア実験音楽への貢献は1980年代初頭まで遡り、『The Horse...
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{"id":8909031276794,"title":"Nuke Watch \/\/ Grave New World LP","handle":"nuke-watch-grave-new-world-lp","description":"\u003cp\u003e\u003cspan\u003e過去にThe Trilogy TapesやRVNG、\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan class=\"peekaboo-text\"\u003eWhere To Now?、Not Not Fun、Moon Glyph等\u003c\/span\u003e\u003c\/span\u003eから発表しているアメリカ・NYのストレンジビーツデュオ\u003c\/span\u003e\u003cspan\u003eNuke Watchが、\u003c\/span\u003e2025年10月に同国実験／インディーレーベルPost Present Mediumからリリースするレコードです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e様々な打楽器を駆使したトライバル・\u003c\/span\u003e\u003cspan\u003eジャズ〜ストレンジビーツ\u003c\/span\u003e9曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2227238677\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ppm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ppm\"\u003ehere\u003c\/a\u003e to see more Post Present Medium releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRELEASE DATE: 3rd October 2025\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e12\" black vinyl.\u003cbr\u003eEdition of 500.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Learn To Love the Rope\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. Be Real\u003cbr\u003e\u003c\/span\u003e3. Heat the Earth Eat\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. I.A.M. Umbrella\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Blood Clot\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Time Against Mind\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. CGNW\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Man of the West\u003cbr\u003e\u003c\/span\u003e9. Louder Than the Bomb\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eSasha Frere-Jones (via the label):\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eChris Hontos and Aaron Anderson do business both as Nuke Watch and as their sampled-based cousins, Beat Detectives. The Detectives are what The Beatnuts might make on an experimental dissociative drug protocol, while Nuke Watch is a free improv band that doesn’t feel the need to squeak and believes in pleasure. Nuke Watch’s new album, Grave New World, is their tenth since beginning the project in\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e2020. This music dips, collides, and spills out of a bag, the sound of an electric world mulching itself. Modular synths spread like cordyceps through rooms full of bass and saxophone and hand drums, leaving behind a new, infested space: glowing, safe, and freaked.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis music was played by instruments, a chunk of it done entirely live. Most tracks are Hontos and Anderson playing with one or two others, meaning most of these are trio recordings. It’s tempting to call Grave New World fusion, though that doesn’t quite work. Otto Willberg’s bass playing is accomplished enough to summon giants like Percy Jones and Jaco, and Leonard King approaches the bass a bit like someone in Fela’s Africa 70. The three processed wind instruments—Zack Stafford on processed\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eflute, Christopher Farstad on MIDI wind instrument\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e, and Cole Pulice on processed saxophone—bring the music into adjacency with jazz, though none of the band’s music ends up feeling much like jazz. Outtakes from Star Wars foley bank? Touch-sensitive multimedia greenhouse exhibit overtaken by kindergarten class? Zoom session with latency problems generated by musicians in five different continents?\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGrave New World could be called world music in the sense that if you folded up the world into a funnel and shook it and made everybody slide down onto a plate full of people they didn’t grow up with, they might end up making this.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Nuke Watch\u003c\/p\u003e\n\u003cp\u003eLabel : Post Present Medium\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePPM112\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-08-31T07:10:03+09:00","created_at":"2025-08-30T17:41:19+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","new","post present medium","recommended","strange beats"],"price":368000,"price_min":368000,"price_max":368000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47673957613818,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Nuke Watch \/\/ Grave New World LP","public_title":null,"options":["Default Title"],"price":368000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/gr1_d12216c9-ee5d-4b50-9cc1-d527fc2f1623.jpg?v=1756543153","\/\/tobirarecords.com\/cdn\/shop\/files\/gr2_7fb2e486-0a37-4db3-a7c0-5f8f2fba53a7.jpg?v=1756543153","\/\/tobirarecords.com\/cdn\/shop\/files\/gr.jpg?v=1756543153"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/gr1_d12216c9-ee5d-4b50-9cc1-d527fc2f1623.jpg?v=1756543153","options":["Title"],"media":[{"alt":null,"id":36689174790394,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gr1_d12216c9-ee5d-4b50-9cc1-d527fc2f1623.jpg?v=1756543153"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gr1_d12216c9-ee5d-4b50-9cc1-d527fc2f1623.jpg?v=1756543153","width":700},{"alt":null,"id":36689174823162,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gr2_7fb2e486-0a37-4db3-a7c0-5f8f2fba53a7.jpg?v=1756543153"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gr2_7fb2e486-0a37-4db3-a7c0-5f8f2fba53a7.jpg?v=1756543153","width":900},{"alt":null,"id":36689174757626,"position":3,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gr.jpg?v=1756543153"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gr.jpg?v=1756543153","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003e過去にThe Trilogy TapesやRVNG、\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan class=\"peekaboo-text\"\u003eWhere To Now?、Not Not Fun、Moon Glyph等\u003c\/span\u003e\u003c\/span\u003eから発表しているアメリカ・NYのストレンジビーツデュオ\u003c\/span\u003e\u003cspan\u003eNuke Watchが、\u003c\/span\u003e2025年10月に同国実験／インディーレーベルPost Present Mediumからリリースするレコードです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e様々な打楽器を駆使したトライバル・\u003c\/span\u003e\u003cspan\u003eジャズ〜ストレンジビーツ\u003c\/span\u003e9曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2227238677\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ppm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ppm\"\u003ehere\u003c\/a\u003e to see more Post Present Medium releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRELEASE DATE: 3rd October 2025\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e12\" black vinyl.\u003cbr\u003eEdition of 500.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Learn To Love the Rope\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. Be Real\u003cbr\u003e\u003c\/span\u003e3. Heat the Earth Eat\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. I.A.M. Umbrella\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Blood Clot\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Time Against Mind\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. CGNW\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Man of the West\u003cbr\u003e\u003c\/span\u003e9. Louder Than the Bomb\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eSasha Frere-Jones (via the label):\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eChris Hontos and Aaron Anderson do business both as Nuke Watch and as their sampled-based cousins, Beat Detectives. The Detectives are what The Beatnuts might make on an experimental dissociative drug protocol, while Nuke Watch is a free improv band that doesn’t feel the need to squeak and believes in pleasure. Nuke Watch’s new album, Grave New World, is their tenth since beginning the project in\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e2020. This music dips, collides, and spills out of a bag, the sound of an electric world mulching itself. Modular synths spread like cordyceps through rooms full of bass and saxophone and hand drums, leaving behind a new, infested space: glowing, safe, and freaked.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis music was played by instruments, a chunk of it done entirely live. Most tracks are Hontos and Anderson playing with one or two others, meaning most of these are trio recordings. It’s tempting to call Grave New World fusion, though that doesn’t quite work. Otto Willberg’s bass playing is accomplished enough to summon giants like Percy Jones and Jaco, and Leonard King approaches the bass a bit like someone in Fela’s Africa 70. The three processed wind instruments—Zack Stafford on processed\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eflute, Christopher Farstad on MIDI wind instrument\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e, and Cole Pulice on processed saxophone—bring the music into adjacency with jazz, though none of the band’s music ends up feeling much like jazz. Outtakes from Star Wars foley bank? Touch-sensitive multimedia greenhouse exhibit overtaken by kindergarten class? Zoom session with latency problems generated by musicians in five different continents?\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGrave New World could be called world music in the sense that if you folded up the world into a funnel and shook it and made everybody slide down onto a plate full of people they didn’t grow up with, they might end up making this.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Nuke Watch\u003c\/p\u003e\n\u003cp\u003eLabel : Post Present Medium\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePPM112\u003c\/span\u003e\u003c\/p\u003e"}
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過去にThe Trilogy TapesやRVNG、Where To Now?、Not Not Fun、Moon Glyph等から発表しているアメリカ・NYのストレンジビーツデュオNuke Watchが、2025年10月に同国実験／インディーレーベルPost Present Mediumからリリースするレコードです。 様々な打楽器を駆使したトライバル・ジャズ〜ストレンジビーツ9曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら ///...
¥3,680
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{"id":8907029709050,"title":"SANAM \/\/ Sametou Sawtan LP","handle":"sanam-sametou-sawtan-lp","description":"\u003cp\u003eレバノンの実験ロックバンドSANAMが、2025年9月にカナダ・モントリオールの老舗レーベルConstellationからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e実験中東ロック〜ストレンジビーツ8曲を収録。16ページのブックレット付属。180g重量盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=834090066\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003ehere\u003c\/a\u003e to see more Constellation Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRELEASE DATE: 19th September 2025\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e12\" black 180gram vinyl. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIncludes 5inch x 5inch 16-page booklet. \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Harik - حريق 05:11\u003cbr\u003e2. Goblin - غوبلن\u003cbr\u003e3. Habibon - حبيبٌ\u003cbr\u003e4. Hadikat Al Ams - حديقة الأمس\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Hamam - حمام\u003cbr\u003e\u003c\/span\u003e6. Sayl Damei - سيل دمعي\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Tatayoum - تتيم\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Sametou Sawtan - سمعت صوتاً\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eDaryl Worthington, May 2025 (via the label):\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"The title of the second SANAM album is as alive with possibility as the Lebanese band’s music. Sametou Sawtan translates from the Arabic to ‘I Heard A Voice’. Spooky or spiritual, however one reads the phrase, it speaks to the ability of sound and language to cause pause, steal attention, and open us to the moment. Likewise, the music of SANAM blurs tender frenzies and fire-scorched ballads, collapsing free-flowing rock and jazz frameworks into deeply rooted Arabic tradition. To hear them in full flight is to be held in the present and reorientated towards an open horizon.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWork on Sametou Sawtan began in early 2024. Initial ideas formed at Tunefork Studios in Beirut were fleshed out in April during a residency at Beit Faris, a medieval house in the coastal city of Byblos. The sextet: Sandy Chamoun (vocals), Antonio Hajj (bass), Farah Kaddour (buzuq), Anthony Sahyoun (guitar, synth), Pascal Semerdjian (drums), and Marwan Tohme (guitars), were joined by producer Radwan Ghazi Moumneh (Jerusalem In My Heart). The album’s last two tracks are recordings from the Beit Faris sessions, while the rest were captured at La Frette Studios in Paris during the band’s summer 2024 European tour.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe record processes feelings of distance and\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e dislocation. “For the last five years it feels like everyone is leaving Lebanon,” explains Chamoun. “The album isn’t literally about that, but the idea that something is leaving you….A distance from events even though you’re living them, a distance from your house even though you’re inside it.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhether in the yearning ballad “Goblin” or the slow-burning, autotune-doused freakout of “Habibon”, Sametou Sawtan captures the striving for stable ground in a world seldom capable of offering it. It rides the mesmerizing intensity of the SANAM live experience while affording their music nuance, depth, and tremendous dynamic range. Like their debut, lyrics for many tracks are borrowed, words placed into new contexts to process the present. “Hamam” reinterprets an Egyptian folk song. In “Hadikat Al Ams”, the cracked hard-rock stomp propels text by contemporary Lebanese writer Paul Shaoul. And both “Sayl Damei” and the title track use poems by twelfth century Iranian poet and groundbreaking mathematician Omar Khayyam. “When you read something from Omar, you feel a connection to now,” Chamoun says. “The feeling that there’s not a clear path.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSametou Sawtan also features two songs with Chamoun’s own lyrics, including opener “Harik”. It was the seed of the album, written by Chamoun in February 2024, with the band building the track around her words. It begins with a shudder, razored electronics, and gasping voice perforating pounding drums before the band locks into triumphant ascent. It is about immersion in “an infinite fire,” Chamoun reveals. She wrote the lyrics to “Tatayoum” alone before bringing them to the band. It reflects a different kind of intensity, “a loop, an obsession,” she suggests. Buzuq weaves through hovering electronics and urgent drums while Chamoun recites Arabic words describing love. The incessant energies explored in these tracks aren’t necessarily negative. She compares their intensity to a writer locked in a train of thought, for better or worse.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“It’s not about being depressed or sad,” says Chamoun. “It’s a trap, but it can also be magical.”\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : SANAM\u003c\/p\u003e\n\u003cp\u003eLabel : Constellation Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCST186lp\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-08-30T10:15:23+09:00","created_at":"2025-08-29T10:56:04+09:00","vendor":"Tobira Records","type":"","tags":["constellation records","lp","new","strange beats"],"price":376000,"price_min":376000,"price_max":376000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47666119999738,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"SANAM \/\/ Sametou Sawtan LP","public_title":null,"options":["Default Title"],"price":376000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"666561018610","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/san1_45117f76-bf0b-482f-a20c-9c1247450113.jpg?v=1756432637","\/\/tobirarecords.com\/cdn\/shop\/files\/san3_ce442142-df3d-4f48-9146-525dc3833ca4.jpg?v=1756432637"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/san1_45117f76-bf0b-482f-a20c-9c1247450113.jpg?v=1756432637","options":["Title"],"media":[{"alt":null,"id":36676511236346,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/san1_45117f76-bf0b-482f-a20c-9c1247450113.jpg?v=1756432637"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/san1_45117f76-bf0b-482f-a20c-9c1247450113.jpg?v=1756432637","width":700},{"alt":null,"id":36676511301882,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/san3_ce442142-df3d-4f48-9146-525dc3833ca4.jpg?v=1756432637"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/san3_ce442142-df3d-4f48-9146-525dc3833ca4.jpg?v=1756432637","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eレバノンの実験ロックバンドSANAMが、2025年9月にカナダ・モントリオールの老舗レーベルConstellationからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e実験中東ロック〜ストレンジビーツ8曲を収録。16ページのブックレット付属。180g重量盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=834090066\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003ehere\u003c\/a\u003e to see more Constellation Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRELEASE DATE: 19th September 2025\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e12\" black 180gram vinyl. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIncludes 5inch x 5inch 16-page booklet. \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Harik - حريق 05:11\u003cbr\u003e2. Goblin - غوبلن\u003cbr\u003e3. Habibon - حبيبٌ\u003cbr\u003e4. Hadikat Al Ams - حديقة الأمس\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Hamam - حمام\u003cbr\u003e\u003c\/span\u003e6. Sayl Damei - سيل دمعي\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Tatayoum - تتيم\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Sametou Sawtan - سمعت صوتاً\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eDaryl Worthington, May 2025 (via the label):\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"The title of the second SANAM album is as alive with possibility as the Lebanese band’s music. Sametou Sawtan translates from the Arabic to ‘I Heard A Voice’. Spooky or spiritual, however one reads the phrase, it speaks to the ability of sound and language to cause pause, steal attention, and open us to the moment. Likewise, the music of SANAM blurs tender frenzies and fire-scorched ballads, collapsing free-flowing rock and jazz frameworks into deeply rooted Arabic tradition. To hear them in full flight is to be held in the present and reorientated towards an open horizon.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWork on Sametou Sawtan began in early 2024. Initial ideas formed at Tunefork Studios in Beirut were fleshed out in April during a residency at Beit Faris, a medieval house in the coastal city of Byblos. The sextet: Sandy Chamoun (vocals), Antonio Hajj (bass), Farah Kaddour (buzuq), Anthony Sahyoun (guitar, synth), Pascal Semerdjian (drums), and Marwan Tohme (guitars), were joined by producer Radwan Ghazi Moumneh (Jerusalem In My Heart). The album’s last two tracks are recordings from the Beit Faris sessions, while the rest were captured at La Frette Studios in Paris during the band’s summer 2024 European tour.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe record processes feelings of distance and\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e dislocation. “For the last five years it feels like everyone is leaving Lebanon,” explains Chamoun. “The album isn’t literally about that, but the idea that something is leaving you….A distance from events even though you’re living them, a distance from your house even though you’re inside it.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhether in the yearning ballad “Goblin” or the slow-burning, autotune-doused freakout of “Habibon”, Sametou Sawtan captures the striving for stable ground in a world seldom capable of offering it. It rides the mesmerizing intensity of the SANAM live experience while affording their music nuance, depth, and tremendous dynamic range. Like their debut, lyrics for many tracks are borrowed, words placed into new contexts to process the present. “Hamam” reinterprets an Egyptian folk song. In “Hadikat Al Ams”, the cracked hard-rock stomp propels text by contemporary Lebanese writer Paul Shaoul. And both “Sayl Damei” and the title track use poems by twelfth century Iranian poet and groundbreaking mathematician Omar Khayyam. “When you read something from Omar, you feel a connection to now,” Chamoun says. “The feeling that there’s not a clear path.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSametou Sawtan also features two songs with Chamoun’s own lyrics, including opener “Harik”. It was the seed of the album, written by Chamoun in February 2024, with the band building the track around her words. It begins with a shudder, razored electronics, and gasping voice perforating pounding drums before the band locks into triumphant ascent. It is about immersion in “an infinite fire,” Chamoun reveals. She wrote the lyrics to “Tatayoum” alone before bringing them to the band. It reflects a different kind of intensity, “a loop, an obsession,” she suggests. Buzuq weaves through hovering electronics and urgent drums while Chamoun recites Arabic words describing love. The incessant energies explored in these tracks aren’t necessarily negative. She compares their intensity to a writer locked in a train of thought, for better or worse.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“It’s not about being depressed or sad,” says Chamoun. “It’s a trap, but it can also be magical.”\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : SANAM\u003c\/p\u003e\n\u003cp\u003eLabel : Constellation Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCST186lp\u003c\/span\u003e\u003c\/p\u003e"}
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レバノンの実験ロックバンドSANAMが、2025年9月にカナダ・モントリオールの老舗レーベルConstellationからリリースしたアルバムです。 実験中東ロック〜ストレンジビーツ8曲を収録。16ページのブックレット付属。180g重量盤です。 レーベルその他作品はこちら /// Click here to see more Constellation Records releases available at Tobira. ------------------------------------------ RELEASE...
¥3,760
クイックビュー
{"id":8907022795002,"title":"SANAM \/\/ Sametou Sawtan CD","handle":"sanam-sametou-sawtan-cd","description":"\u003cp\u003eレバノンの実験ロックバンドSANAMが、2025年9月にカナダ・モントリオールの老舗レーベルConstellationからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e実験中東ロック〜ストレンジビーツ8曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=834090066\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003ehere\u003c\/a\u003e to see more Constellation Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRELEASE DATE: 19th September 2025\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eCD in cardstock mini gatefold sleeve.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Harik - حريق 05:11\u003cbr\u003e2. Goblin - غوبلن\u003cbr\u003e3. Habibon - حبيبٌ\u003cbr\u003e4. Hadikat Al Ams - حديقة الأمس\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Hamam - حمام\u003cbr\u003e\u003c\/span\u003e6. Sayl Damei - سيل دمعي\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Tatayoum - تتيم\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Sametou Sawtan - سمعت صوتاً\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eDaryl Worthington, May 2025 (via the label):\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"The title of the second SANAM album is as alive with possibility as the Lebanese band’s music. Sametou Sawtan translates from the Arabic to ‘I Heard A Voice’. Spooky or spiritual, however one reads the phrase, it speaks to the ability of sound and language to cause pause, steal attention, and open us to the moment. Likewise, the music of SANAM blurs tender frenzies and fire-scorched ballads, collapsing free-flowing rock and jazz frameworks into deeply rooted Arabic tradition. To hear them in full flight is to be held in the present and reorientated towards an open horizon.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWork on Sametou Sawtan began in early 2024. Initial ideas formed at Tunefork Studios in Beirut were fleshed out in April during a residency at Beit Faris, a medieval house in the coastal city of Byblos. The sextet: Sandy Chamoun (vocals), Antonio Hajj (bass), Farah Kaddour (buzuq), Anthony Sahyoun (guitar, synth), Pascal Semerdjian (drums), and Marwan Tohme (guitars), were joined by producer Radwan Ghazi Moumneh (Jerusalem In My Heart). The album’s last two tracks are recordings from the Beit Faris sessions, while the rest were captured at La Frette Studios in Paris during the band’s summer 2024 European tour.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe record processes feelings of distance and\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e dislocation. “For the last five years it feels like everyone is leaving Lebanon,” explains Chamoun. “The album isn’t literally about that, but the idea that something is leaving you….A distance from events even though you’re living them, a distance from your house even though you’re inside it.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhether in the yearning ballad “Goblin” or the slow-burning, autotune-doused freakout of “Habibon”, Sametou Sawtan captures the striving for stable ground in a world seldom capable of offering it. It rides the mesmerizing intensity of the SANAM live experience while affording their music nuance, depth, and tremendous dynamic range. Like their debut, lyrics for many tracks are borrowed, words placed into new contexts to process the present. “Hamam” reinterprets an Egyptian folk song. In “Hadikat Al Ams”, the cracked hard-rock stomp propels text by contemporary Lebanese writer Paul Shaoul. And both “Sayl Damei” and the title track use poems by twelfth century Iranian poet and groundbreaking mathematician Omar Khayyam. “When you read something from Omar, you feel a connection to now,” Chamoun says. “The feeling that there’s not a clear path.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSametou Sawtan also features two songs with Chamoun’s own lyrics, including opener “Harik”. It was the seed of the album, written by Chamoun in February 2024, with the band building the track around her words. It begins with a shudder, razored electronics, and gasping voice perforating pounding drums before the band locks into triumphant ascent. It is about immersion in “an infinite fire,” Chamoun reveals. She wrote the lyrics to “Tatayoum” alone before bringing them to the band. It reflects a different kind of intensity, “a loop, an obsession,” she suggests. Buzuq weaves through hovering electronics and urgent drums while Chamoun recites Arabic words describing love. The incessant energies explored in these tracks aren’t necessarily negative. She compares their intensity to a writer locked in a train of thought, for better or worse.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“It’s not about being depressed or sad,” says Chamoun. “It’s a trap, but it can also be magical.”\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : SANAM\u003c\/p\u003e\n\u003cp\u003eLabel : Constellation Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCST186cd\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-08-30T11:07:59+09:00","created_at":"2025-08-29T10:45:37+09:00","vendor":"Tobira Records","type":"","tags":["cd","constellation records","new","strange beats"],"price":216600,"price_min":216600,"price_max":216600,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47666047975674,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"SANAM \/\/ Sametou Sawtan CD","public_title":null,"options":["Default Title"],"price":216600,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"666561018627","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/san1_4feb2fd2-e1ee-4281-8f0f-acfb2a2c23c3.jpg?v=1756431821","\/\/tobirarecords.com\/cdn\/shop\/files\/san2_a00b3105-29e0-496b-831a-358bdabf74a9.jpg?v=1756431821"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/san1_4feb2fd2-e1ee-4281-8f0f-acfb2a2c23c3.jpg?v=1756431821","options":["Title"],"media":[{"alt":null,"id":36676400742650,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/san1_4feb2fd2-e1ee-4281-8f0f-acfb2a2c23c3.jpg?v=1756431821"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/san1_4feb2fd2-e1ee-4281-8f0f-acfb2a2c23c3.jpg?v=1756431821","width":700},{"alt":null,"id":36676400775418,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/san2_a00b3105-29e0-496b-831a-358bdabf74a9.jpg?v=1756431821"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/san2_a00b3105-29e0-496b-831a-358bdabf74a9.jpg?v=1756431821","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eレバノンの実験ロックバンドSANAMが、2025年9月にカナダ・モントリオールの老舗レーベルConstellationからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e実験中東ロック〜ストレンジビーツ8曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=834090066\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003ehere\u003c\/a\u003e to see more Constellation Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRELEASE DATE: 19th September 2025\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eCD in cardstock mini gatefold sleeve.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Harik - حريق 05:11\u003cbr\u003e2. Goblin - غوبلن\u003cbr\u003e3. Habibon - حبيبٌ\u003cbr\u003e4. Hadikat Al Ams - حديقة الأمس\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Hamam - حمام\u003cbr\u003e\u003c\/span\u003e6. Sayl Damei - سيل دمعي\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Tatayoum - تتيم\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Sametou Sawtan - سمعت صوتاً\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eDaryl Worthington, May 2025 (via the label):\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"The title of the second SANAM album is as alive with possibility as the Lebanese band’s music. Sametou Sawtan translates from the Arabic to ‘I Heard A Voice’. Spooky or spiritual, however one reads the phrase, it speaks to the ability of sound and language to cause pause, steal attention, and open us to the moment. Likewise, the music of SANAM blurs tender frenzies and fire-scorched ballads, collapsing free-flowing rock and jazz frameworks into deeply rooted Arabic tradition. To hear them in full flight is to be held in the present and reorientated towards an open horizon.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWork on Sametou Sawtan began in early 2024. Initial ideas formed at Tunefork Studios in Beirut were fleshed out in April during a residency at Beit Faris, a medieval house in the coastal city of Byblos. The sextet: Sandy Chamoun (vocals), Antonio Hajj (bass), Farah Kaddour (buzuq), Anthony Sahyoun (guitar, synth), Pascal Semerdjian (drums), and Marwan Tohme (guitars), were joined by producer Radwan Ghazi Moumneh (Jerusalem In My Heart). The album’s last two tracks are recordings from the Beit Faris sessions, while the rest were captured at La Frette Studios in Paris during the band’s summer 2024 European tour.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe record processes feelings of distance and\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e dislocation. “For the last five years it feels like everyone is leaving Lebanon,” explains Chamoun. “The album isn’t literally about that, but the idea that something is leaving you….A distance from events even though you’re living them, a distance from your house even though you’re inside it.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhether in the yearning ballad “Goblin” or the slow-burning, autotune-doused freakout of “Habibon”, Sametou Sawtan captures the striving for stable ground in a world seldom capable of offering it. It rides the mesmerizing intensity of the SANAM live experience while affording their music nuance, depth, and tremendous dynamic range. Like their debut, lyrics for many tracks are borrowed, words placed into new contexts to process the present. “Hamam” reinterprets an Egyptian folk song. In “Hadikat Al Ams”, the cracked hard-rock stomp propels text by contemporary Lebanese writer Paul Shaoul. And both “Sayl Damei” and the title track use poems by twelfth century Iranian poet and groundbreaking mathematician Omar Khayyam. “When you read something from Omar, you feel a connection to now,” Chamoun says. “The feeling that there’s not a clear path.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSametou Sawtan also features two songs with Chamoun’s own lyrics, including opener “Harik”. It was the seed of the album, written by Chamoun in February 2024, with the band building the track around her words. It begins with a shudder, razored electronics, and gasping voice perforating pounding drums before the band locks into triumphant ascent. It is about immersion in “an infinite fire,” Chamoun reveals. She wrote the lyrics to “Tatayoum” alone before bringing them to the band. It reflects a different kind of intensity, “a loop, an obsession,” she suggests. Buzuq weaves through hovering electronics and urgent drums while Chamoun recites Arabic words describing love. The incessant energies explored in these tracks aren’t necessarily negative. She compares their intensity to a writer locked in a train of thought, for better or worse.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“It’s not about being depressed or sad,” says Chamoun. “It’s a trap, but it can also be magical.”\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : SANAM\u003c\/p\u003e\n\u003cp\u003eLabel : Constellation Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCST186cd\u003c\/span\u003e\u003c\/p\u003e"}
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レバノンの実験ロックバンドSANAMが、2025年9月にカナダ・モントリオールの老舗レーベルConstellationからリリースしたアルバムです。 実験中東ロック〜ストレンジビーツ8曲を収録。 レーベルその他作品はこちら /// Click here to see more Constellation Records releases available at Tobira. ------------------------------------------ RELEASE...
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