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{"id":7527605174522,"title":"SEC_ \/ Micromelancolié \u0026 Youniverse \/\/ S \/ PL \/ IT TAPE","handle":"sec_-micromelancolie-youniverse-s-pl-it-tape","description":"\u003cp\u003eSecond Sleepなどから発表しているSEC_と、ポーランドの実験デュオMicromelancolié \u0026amp; Youniverseが、\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2013年にウクライナの実験レーベルQuasi Popからリリースしたスプリットカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eno input mixerによるノイズ〜コラージュ3曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/239968827\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\u003ca href=\"https:\/\/soundcloud.com\/sec-1\" title=\"SEC_\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1889617458\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/sentimental\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/sentimental\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/sentimental\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/sentimental\"\u003ehere\u003c\/a\u003e to see more Sentimental Productions \/ Edward Sol \/ Quasi Pop Records releases available at Tobira.\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 50. Cassette in cardoard O pack.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe same program repeated on both sides.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e*******\u003c\/p\u003e\n\u003cp\u003eReview by Musique Machine:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eHere’s what we old folks call a “cassette single”, though, technically, I suppose its an EP. The tape - in a wraparound cardboard cover, with insert - plays the same both sides: one ten minute track from SEC_, and two pieces from Micromelancolié \u0026amp; Youniverse which amount to the same duration. Theres a pleasingly “low-budget” and archaic feel to the packaging and artwork, which makes it look like a forgotten electroacoustic transmission from eastern Europe.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSEC_’s piece is up first, and very nice it is too. Created primarily using a reel-to-reel and no-input mixer feedback, “Running Dog” is a work of careful construction and manipulation. Its comprised of small sections and dynamics, all very effectively paced and composed; with low end throbs, noisy clicks, piercing treble and a wealth of the distressed tones you might associate with no-input material. Halfway through the piece, heavy, thudding loops appear; producing a slow techno noise thats very reminiscent of the dilapidated work of Emptyset. The track finds it way to an end via treble stabs, slowly oscillating feedback and sounds like massed bird cries. Its a very effective piece, indeed. Fashioned from such stark, basic electronic sounds, and with its techno-esque mid-section, it actually makes me imagine a 1950s Pan Sonic - which can’t be a bad thing…\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMicromelancolié \u0026amp; Youniverse offer two tracks, each around the five minute mark and each fashioned using similar tools (“no-input, sampler, dictaphone” and “guitar, percussion, electronics”). “Gravity Boat #2.1 \u0026amp; #2.2” are both cut from live sessions, and are much the same in terms of strategy and sounds. The general tone of the pieces is the creation of an abstract collage, or soup, of sounds - theres no real dynamics or jolting structural developments, here; just a constant layering of sounds. These sounds range from tones not too dissimilar from SEC_, to birdsong recordings, glitchy electronics, dub bass-like guitar and a somewhat unpleasant drum machine. This latter, unconvincing, element is initially buried in the mix (on “…#2.1”); but later emerges loudly as a very straight 4\/4 beat, adding nothing useful at all to the composition. Neither track is really very memorable.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWhereas the SEC_ piece patiently unravels, the two Micromelancolié \u0026amp; Youniverse tracks meander nowhere, really. They’re not helped, in this, by the production - and possibly dubbing. The basic sounds of SEC_ actually benefit from the tape fidelity; but Micromelancolié \u0026amp; Youniverse’s production makes a muddy murk, where nothing shines through. Furthering this, I’d have to cast a few suspicions on the actual dubbing of the tapes: my copy is recycled (side b starts with a burst of trite euro-pop), and sections of the tape distort a little. I mention this not so much to criticise a label’s practice, as to explain Micromelancolié \u0026amp; Youniverse’s sound.\u003c\/em\u003e\"\u003c\/p\u003e\n\u003cp\u003eArtist : SEC_\/Micromelancolié \u0026amp; Youniverse\u003c\/p\u003e\n\u003cp\u003eLabel : Quasi Pop Records\u003c\/p\u003e\n\u003cp\u003e\u003ca name=\"top\"\u003e\u003c\/a\u003e\u003c\/p\u003e","published_at":"2022-01-28T18:35:23+09:00","created_at":"2022-01-28T12:25:51+09:00","vendor":"Tobira Records","type":"","tags":["monooto","noise","sentimental productions","tape"],"price":156000,"price_min":156000,"price_max":156000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42371698622714,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"SEC_ \/ Micromelancolié \u0026 Youniverse \/\/ S \/ PL \/ IT TAPE","public_title":null,"options":["Default Title"],"price":156000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/mi1_4aa40a4a-ec46-4ea5-a00e-3c92c9658781.jpg?v=1643340353"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/mi1_4aa40a4a-ec46-4ea5-a00e-3c92c9658781.jpg?v=1643340353","options":["Title"],"media":[{"alt":null,"id":29071270314234,"position":1,"preview_image":{"aspect_ratio":0.634,"height":789,"width":500,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mi1_4aa40a4a-ec46-4ea5-a00e-3c92c9658781.jpg?v=1643340353"},"aspect_ratio":0.634,"height":789,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mi1_4aa40a4a-ec46-4ea5-a00e-3c92c9658781.jpg?v=1643340353","width":500}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eSecond Sleepなどから発表しているSEC_と、ポーランドの実験デュオMicromelancolié \u0026amp; Youniverseが、\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2013年にウクライナの実験レーベルQuasi Popからリリースしたスプリットカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eno input mixerによるノイズ〜コラージュ3曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/239968827\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\u003ca href=\"https:\/\/soundcloud.com\/sec-1\" title=\"SEC_\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1889617458\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/sentimental\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/sentimental\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/sentimental\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/sentimental\"\u003ehere\u003c\/a\u003e to see more Sentimental Productions \/ Edward Sol \/ Quasi Pop Records releases available at Tobira.\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 50. Cassette in cardoard O pack.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe same program repeated on both sides.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e*******\u003c\/p\u003e\n\u003cp\u003eReview by Musique Machine:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eHere’s what we old folks call a “cassette single”, though, technically, I suppose its an EP. The tape - in a wraparound cardboard cover, with insert - plays the same both sides: one ten minute track from SEC_, and two pieces from Micromelancolié \u0026amp; Youniverse which amount to the same duration. Theres a pleasingly “low-budget” and archaic feel to the packaging and artwork, which makes it look like a forgotten electroacoustic transmission from eastern Europe.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSEC_’s piece is up first, and very nice it is too. Created primarily using a reel-to-reel and no-input mixer feedback, “Running Dog” is a work of careful construction and manipulation. Its comprised of small sections and dynamics, all very effectively paced and composed; with low end throbs, noisy clicks, piercing treble and a wealth of the distressed tones you might associate with no-input material. Halfway through the piece, heavy, thudding loops appear; producing a slow techno noise thats very reminiscent of the dilapidated work of Emptyset. The track finds it way to an end via treble stabs, slowly oscillating feedback and sounds like massed bird cries. Its a very effective piece, indeed. Fashioned from such stark, basic electronic sounds, and with its techno-esque mid-section, it actually makes me imagine a 1950s Pan Sonic - which can’t be a bad thing…\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMicromelancolié \u0026amp; Youniverse offer two tracks, each around the five minute mark and each fashioned using similar tools (“no-input, sampler, dictaphone” and “guitar, percussion, electronics”). “Gravity Boat #2.1 \u0026amp; #2.2” are both cut from live sessions, and are much the same in terms of strategy and sounds. The general tone of the pieces is the creation of an abstract collage, or soup, of sounds - theres no real dynamics or jolting structural developments, here; just a constant layering of sounds. These sounds range from tones not too dissimilar from SEC_, to birdsong recordings, glitchy electronics, dub bass-like guitar and a somewhat unpleasant drum machine. This latter, unconvincing, element is initially buried in the mix (on “…#2.1”); but later emerges loudly as a very straight 4\/4 beat, adding nothing useful at all to the composition. Neither track is really very memorable.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWhereas the SEC_ piece patiently unravels, the two Micromelancolié \u0026amp; Youniverse tracks meander nowhere, really. They’re not helped, in this, by the production - and possibly dubbing. The basic sounds of SEC_ actually benefit from the tape fidelity; but Micromelancolié \u0026amp; Youniverse’s production makes a muddy murk, where nothing shines through. Furthering this, I’d have to cast a few suspicions on the actual dubbing of the tapes: my copy is recycled (side b starts with a burst of trite euro-pop), and sections of the tape distort a little. I mention this not so much to criticise a label’s practice, as to explain Micromelancolié \u0026amp; Youniverse’s sound.\u003c\/em\u003e\"\u003c\/p\u003e\n\u003cp\u003eArtist : SEC_\/Micromelancolié \u0026amp; Youniverse\u003c\/p\u003e\n\u003cp\u003eLabel : Quasi Pop Records\u003c\/p\u003e\n\u003cp\u003e\u003ca name=\"top\"\u003e\u003c\/a\u003e\u003c\/p\u003e"}
