RVNG 'There's No Time Like No Time' BUCKET HAT

¥4,848

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アメリカの老舗レーベルRVNGのハットです。

※佐川急便(590円)での発送となりますので、レコードなどとお求めいただきますとお得です

— Navy blue unstructured Bucket Hat made from 50/50 certified recycled cotton/cotton with sewn eyelets and short, steep brim.

レーベルその他作品はこちら /// Click here to see more RVNG Intl. / Freedom To Spend releases available at Tobira.

Label : RVNG Intl.

アメリカの老舗レーベルRVNGのハットです。

※佐川急便(590円)での発送となりますので、レコードなどとお求めいただきますとお得です

— Navy blue unstructured Bucket Hat made from 50/50 certified recycled cotton/cotton with sewn eyelets and short, steep brim.

レーベルその他作品はこちら /// Click here to see more RVNG Intl. / Freedom To Spend releases available at Tobira.

Label : RVNG Intl.

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クイックビュー {"id":8890622738682,"title":"Lucrecia Dalt \/\/ A Danger to Ourselves LP [COLOR]","handle":"lucrecia-dalt-a-danger-to-ourselves-lp-color","description":"\u003cp\u003eコロンビアの実験ポップ作家Lucrecia Daltが、2025年9月にアメリカの老舗レーベルRVNGからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e実験ポップ14曲を収録。白盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3657310671\/size=large\/bgcol=ffffff\/linkcol=0687f5\/license_id=4829\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/rvng-intl\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/rvng-intl\"\u003ehere\u003c\/a\u003e to see more RVNG Intl. \/ Freedom To Spend releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRELEASE DATE: 5th September 2025\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e12\" white vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. cosa rara (ft. david sylvian) 03:48\u003cbr\u003e2. amorcito caradura\u003cbr\u003e3. no death no danger\u003cbr\u003e4. caes (ft. camille mandoki) 03:49\u003cbr\u003e5. agüita con sal\u003cbr\u003e6. hasta el final\u003cbr\u003e7. divina 04:13\u003cbr\u003e8. acéphale\u003cbr\u003e9. mala sangre\u003cbr\u003e10. the common reader (ft. juana molina)\u003cbr\u003e11. stelliformia\u003cbr\u003e12. el exceso según cs\u003cbr\u003e13. covenstead blues\u003cbr\u003e14. \"caes (ft. Camille Mandoki) (Nick León Dub)\" 03:13\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eRVNG Intl.:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLucrecia Dalt’s A Danger to Ourselves is a fearless reflection on the unfiltered complexities of human connection. Stripping away fictional narratives present on the artist’s last several album endeavors, A Danger to Ourselves arrives from a place of emotional sincerity. Sonically unraveling like a deeply personal conversation,Dalt’s voice is foregrounded and formidable, supported by a lush array of acoustic orchestration and processing, collaged percussive patterns, and an esteemed cast of collaborators.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDalt, born in Pereira, Colombia, was raised in a family of music enthusiasts who encouraged her to pick up a guitar when she was nine. Dalt followed this creative impulse, becoming fascinated with computer-based production and left a burgeoning career as a civil engineer, moving from Medellín to Barcelona and ultimately Berlin, where she developed her distinctive, adventurous sound. Her work has spun into increasingly accomplished terrains with Anticlines (2018) and No era sólida (2020), and notably, ¡Ay!, Dalt’s 2022 breakthrough sci-fi bolero album. Along the way, Dalt expanded her practice into original scoring for television, HBO’s The Baby (2022) series, and films like On Becoming a Guinea Fowl (2024) and the forthcoming psychological horror Rabbit Trap (2025), while creating sound installations and performances that showcase her luminous modulations and distinctive, evolving vocal approach.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eA Danger to Ourselves emerged from fragmentary declarations Dalt scribbled while navigating life on tour for ¡Ay!, and the formative moments of a new relationship. She began crystallizing these intimate fragments into musical compositions in January 2024, giving gradual form to a purposeful constellation of songs. The album’s sonic architecture builds upon dynamic drum loops provided by collaborator Alex Lázaro, whose percussive backbone, as on ¡Ay!, became a canvas for Dalt’s layered vocals. Rather than following conventional melodic structures, the album generates musicality through the interplay of bass lines, rhythms, and compositional design. A Danger to Ourselves reveals Dalt’s uncompromising quest for sonic clarity where bold production choices and meticulous recording techniques encourage both voice and instrument to harmonize with newfound depth and radiance.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eA Danger to Ourselves is a poetic instinct by which Dalt ushers in an unobstructed focus on the music itself, using vocals that vibrate past the songs’ parameters, and observing the beaded echoes of primal, romantic thrill. “In the past, I often turned to movies and texts as mirrors to shape my stories, guiding me away from revealing too much from within, inventing isolated fictions,” notes Dalt. “This time, I wanted to create music that flows cinematically and sets a landscape to tell a love story that flirts with improbability, the miraculous and the mysterious.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDalt’s lucid attention to detail is palpable in every measure of A Danger to Ourselves, a dedication that spins in concentric circles, forming a field that unifies the personal and ethereal. 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A collaborative collage with contributions from numerous acclaimed artists, Sylvian himself played multiple roles as co-producer, mixer, musician on A Danger to Ourselves. Additional collaborations feature prominently throughout the record, with Juana Molina co-writing and performing on “the common reader,” Camille Mandoki adding vocals to “caes,” Cyrus Campbell’s\u003cstrong\u003e \u003c\/strong\u003efoundational electric and upright bass work, and Eliana Joy\u003cstrong\u003e \u003c\/strong\u003eproviding backing vocals and string arrangements on multiple tracks.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eIn the luminous depths of A Danger to Ourselves, Dalt orchestrates a profound metamorphosis where the personal becomes universal through sonic alchemy. This record stands as both culmination and departure—a portal where her previous experimental journeys converge into something startlingly intimate yet expansive. The album is a web of emotional revelations, each composition a precise indicator of vulnerability where Dalt’s voice embodies revelation across new harmonic territories. Dalt has created a living document of intuition beyond conventional boundaries, offering passage into realms where music becomes both mirror and window.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lucrecia Dalt\u003c\/p\u003e\n\u003cp\u003eLabel : RVNG Intl. \u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRVNGNL118lp-C1\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-08-22T11:20:10+09:00","created_at":"2025-08-17T11:07:56+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","new","rvng"],"price":365000,"price_min":365000,"price_max":365000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47619598057722,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Lucrecia Dalt \/\/ A Danger to Ourselves LP [COLOR]","public_title":null,"options":["Default Title"],"price":365000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"747742387296","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/dan1_c62d826c-591f-48e1-bc33-8c6194c5ad54.jpg?v=1755396309"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/dan1_c62d826c-591f-48e1-bc33-8c6194c5ad54.jpg?v=1755396309","options":["Title"],"media":[{"alt":null,"id":36567302504698,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dan1_c62d826c-591f-48e1-bc33-8c6194c5ad54.jpg?v=1755396309"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dan1_c62d826c-591f-48e1-bc33-8c6194c5ad54.jpg?v=1755396309","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eコロンビアの実験ポップ作家Lucrecia Daltが、2025年9月にアメリカの老舗レーベルRVNGからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e実験ポップ14曲を収録。白盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3657310671\/size=large\/bgcol=ffffff\/linkcol=0687f5\/license_id=4829\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/rvng-intl\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/rvng-intl\"\u003ehere\u003c\/a\u003e to see more RVNG Intl. \/ Freedom To Spend releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRELEASE DATE: 5th September 2025\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e12\" white vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. cosa rara (ft. david sylvian) 03:48\u003cbr\u003e2. amorcito caradura\u003cbr\u003e3. no death no danger\u003cbr\u003e4. caes (ft. camille mandoki) 03:49\u003cbr\u003e5. agüita con sal\u003cbr\u003e6. hasta el final\u003cbr\u003e7. divina 04:13\u003cbr\u003e8. acéphale\u003cbr\u003e9. mala sangre\u003cbr\u003e10. the common reader (ft. juana molina)\u003cbr\u003e11. stelliformia\u003cbr\u003e12. el exceso según cs\u003cbr\u003e13. covenstead blues\u003cbr\u003e14. \"caes (ft. Camille Mandoki) (Nick León Dub)\" 03:13\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eRVNG Intl.:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLucrecia Dalt’s A Danger to Ourselves is a fearless reflection on the unfiltered complexities of human connection. Stripping away fictional narratives present on the artist’s last several album endeavors, A Danger to Ourselves arrives from a place of emotional sincerity. Sonically unraveling like a deeply personal conversation,Dalt’s voice is foregrounded and formidable, supported by a lush array of acoustic orchestration and processing, collaged percussive patterns, and an esteemed cast of collaborators.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDalt, born in Pereira, Colombia, was raised in a family of music enthusiasts who encouraged her to pick up a guitar when she was nine. Dalt followed this creative impulse, becoming fascinated with computer-based production and left a burgeoning career as a civil engineer, moving from Medellín to Barcelona and ultimately Berlin, where she developed her distinctive, adventurous sound. Her work has spun into increasingly accomplished terrains with Anticlines (2018) and No era sólida (2020), and notably, ¡Ay!, Dalt’s 2022 breakthrough sci-fi bolero album. Along the way, Dalt expanded her practice into original scoring for television, HBO’s The Baby (2022) series, and films like On Becoming a Guinea Fowl (2024) and the forthcoming psychological horror Rabbit Trap (2025), while creating sound installations and performances that showcase her luminous modulations and distinctive, evolving vocal approach.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eA Danger to Ourselves emerged from fragmentary declarations Dalt scribbled while navigating life on tour for ¡Ay!, and the formative moments of a new relationship. She began crystallizing these intimate fragments into musical compositions in January 2024, giving gradual form to a purposeful constellation of songs. The album’s sonic architecture builds upon dynamic drum loops provided by collaborator Alex Lázaro, whose percussive backbone, as on ¡Ay!, became a canvas for Dalt’s layered vocals. Rather than following conventional melodic structures, the album generates musicality through the interplay of bass lines, rhythms, and compositional design. A Danger to Ourselves reveals Dalt’s uncompromising quest for sonic clarity where bold production choices and meticulous recording techniques encourage both voice and instrument to harmonize with newfound depth and radiance.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eA Danger to Ourselves is a poetic instinct by which Dalt ushers in an unobstructed focus on the music itself, using vocals that vibrate past the songs’ parameters, and observing the beaded echoes of primal, romantic thrill. “In the past, I often turned to movies and texts as mirrors to shape my stories, guiding me away from revealing too much from within, inventing isolated fictions,” notes Dalt. “This time, I wanted to create music that flows cinematically and sets a landscape to tell a love story that flirts with improbability, the miraculous and the mysterious.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDalt’s lucid attention to detail is palpable in every measure of A Danger to Ourselves, a dedication that spins in concentric circles, forming a field that unifies the personal and ethereal. Drawn from intuitive experiments, the album uses simple gestures and intricate compositions to weave wandering lines, as in “divina,” which moves between Spanish and English through elastic soundscapes and mesmerizing audial collage. Poetically speaking, Lucrecia states the album emerges from “spending enough time in the abyssal realm of erotic delirium. For me, the lyrics function as declarations, or odes—like those of Sharon Olds—and the most personal truths I have explored to date are found within those lines.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe album title emerged from David Sylvian’s lyrics in “cosa rara,” an emblematic reflection of the fragility of life, the oscillations of love, and propulsive longings for the miraculous. A Danger to Ourselves mirrors these transcendent states, refracting the complexity of human entanglements and the desire for liberation from dopamine spirals and common pathways towards a more revelatory inner world. 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The album is a web of emotional revelations, each composition a precise indicator of vulnerability where Dalt’s voice embodies revelation across new harmonic territories. Dalt has created a living document of intuition beyond conventional boundaries, offering passage into realms where music becomes both mirror and window.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lucrecia Dalt\u003c\/p\u003e\n\u003cp\u003eLabel : RVNG Intl. \u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRVNGNL118lp-C1\u003c\/span\u003e\u003c\/p\u003e"}

コロンビアの実験ポップ作家Lucrecia Daltが、2025年9月にアメリカの老舗レーベルRVNGからリリースしたレコードです。実験ポップ14曲を収録。白盤です。レーベルその他作品はこちら /// Click here to see more RVNG Intl. / Freedom To Spend releases...

¥3,650

クイックビュー {"id":8834663317754,"title":"Repetition Repetition \/\/ Fit for Consequences: Original Recordings, 1984–1987 LP","handle":"repetition-repetition-fit-for-consequences-original-recordings-1984-1987-lp","description":"\u003cp\u003e1980年代アメリカ・LAでひっそりと活動していたミニマル・ニューエイジデュオRepetition Repetitionが、2025年5月に同国NYの老舗レーベルRVNG傘下Freedom To Spendからリリースしたアーカイブレコードです。（オリジナルは1984-1987年カセットリリース）\u003c\/p\u003e\n\u003cp\u003e41年経っても色褪せない反復サイケデリア7曲を収録。ライナーノーツ付属。\u003c\/p\u003e\n\u003cp\u003eHarold Buddが参加しています。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『Fit for Consequences: Original Recordings, 1984-1987』は、1980年代半ばにロサンゼルスで結成されたRuben GarciaとSteve Catonからなる 2人組エレクトリック・ミニマルバンドRepetition Repetitionの初のアーカイヴ盤である。Repetition Repetitionのユニークなコズミック・アートロック・ミニマリズム／マキシマリズムのブレンドは、マイクロ・エディションで生産された一連のカセットテープでセルフリリースされ、Harold Buddなどの著名人の注目と参加を集めながら、バンド存続中はレーダーの下に置かれたままだった。『Fit for Consequences： Original Recordings, 1984-1987』は、デュオのカタログから選りすぐりの音源を集め、リマスターされ、初めてレコード化された。ビル・ペリーヌによるライナーノーツと、過去の可能性に満ちた未来の世界を収録。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4093820370\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=361523044\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4093820370\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/rvng-intl\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/rvng-intl\"\u003ehere\u003c\/a\u003e to see more RVNG Intl. \/ Freedom To Spend releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl.\u003cbr\u003eEdition of 550. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Apartment Life 03:32\u003cbr\u003e2. The Machinist 14:35\u003cbr\u003e3. The Men Are Fighting 05:05\u003cbr\u003e4. “Lakeland” 04:06\u003cbr\u003e5. Seven and Seven 05:00\u003cbr\u003e6. Over \u0026amp; Over, Pt. 1 05:21\u003cbr\u003e7. Bells and Bells 04:54\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eFreedom To Spend:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Fit for Consequences: Original Recordings, 1984–1987 is the first ever archival release from Repetition Repetition, the “two-man electric minimalist band” consisting of Ruben Garcia and Steve Caton hailing from Los Angeles in the mid 1980’s. Repetition Repetition’s unique blend of cosmic art-rock minimalism \/ maximalism was self-released across a series of cassettes produced in micro editions, and while garnering the attention and participation of luminaries such as Harold Budd, remained under the radar during the band’s existence. Fit for Consequences: Original Recordings, 1984–1987 collects select material from across the duo’s catalog, remastered and presented on vinyl for the first time. Includes liner notes by Bill Perrine and a future world of past possibilities.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Repetition Repetition\u003c\/p\u003e\n\u003cp\u003eLabel : Freedom To Spend\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFTS031LP\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-06-22T15:19:21+09:00","created_at":"2025-06-17T10:58:35+09:00","vendor":"Tobira Records","type":"","tags":["ambient","lp","new","post newage","rvng"],"price":398000,"price_min":398000,"price_max":398000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47414323577082,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Repetition Repetition \/\/ Fit for Consequences: Original Recordings, 1984–1987 LP","public_title":null,"options":["Default Title"],"price":398000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"747742390395","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/con1_e87dae73-edba-4a5d-b9a2-3b8d0ee35fc9.jpg?v=1750125495","\/\/tobirarecords.com\/cdn\/shop\/files\/con2_58348306-4042-47ac-a426-4ab75ca78b3f.jpg?v=1750125495","\/\/tobirarecords.com\/cdn\/shop\/files\/con3_a5e13a62-671b-4457-9059-79a8a78ce07e.jpg?v=1750125495"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/con1_e87dae73-edba-4a5d-b9a2-3b8d0ee35fc9.jpg?v=1750125495","options":["Title"],"media":[{"alt":null,"id":36205705298170,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/con1_e87dae73-edba-4a5d-b9a2-3b8d0ee35fc9.jpg?v=1750125495"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/con1_e87dae73-edba-4a5d-b9a2-3b8d0ee35fc9.jpg?v=1750125495","width":700},{"alt":null,"id":36205705330938,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/con2_58348306-4042-47ac-a426-4ab75ca78b3f.jpg?v=1750125495"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/con2_58348306-4042-47ac-a426-4ab75ca78b3f.jpg?v=1750125495","width":1200},{"alt":null,"id":36205705363706,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/con3_a5e13a62-671b-4457-9059-79a8a78ce07e.jpg?v=1750125495"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/con3_a5e13a62-671b-4457-9059-79a8a78ce07e.jpg?v=1750125495","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e1980年代アメリカ・LAでひっそりと活動していたミニマル・ニューエイジデュオRepetition Repetitionが、2025年5月に同国NYの老舗レーベルRVNG傘下Freedom To Spendからリリースしたアーカイブレコードです。（オリジナルは1984-1987年カセットリリース）\u003c\/p\u003e\n\u003cp\u003e41年経っても色褪せない反復サイケデリア7曲を収録。ライナーノーツ付属。\u003c\/p\u003e\n\u003cp\u003eHarold Buddが参加しています。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『Fit for Consequences: Original Recordings, 1984-1987』は、1980年代半ばにロサンゼルスで結成されたRuben GarciaとSteve Catonからなる 2人組エレクトリック・ミニマルバンドRepetition Repetitionの初のアーカイヴ盤である。Repetition Repetitionのユニークなコズミック・アートロック・ミニマリズム／マキシマリズムのブレンドは、マイクロ・エディションで生産された一連のカセットテープでセルフリリースされ、Harold Buddなどの著名人の注目と参加を集めながら、バンド存続中はレーダーの下に置かれたままだった。『Fit for Consequences： Original Recordings, 1984-1987』は、デュオのカタログから選りすぐりの音源を集め、リマスターされ、初めてレコード化された。ビル・ペリーヌによるライナーノーツと、過去の可能性に満ちた未来の世界を収録。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4093820370\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=361523044\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4093820370\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/rvng-intl\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/rvng-intl\"\u003ehere\u003c\/a\u003e to see more RVNG Intl. \/ Freedom To Spend releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl.\u003cbr\u003eEdition of 550. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Apartment Life 03:32\u003cbr\u003e2. The Machinist 14:35\u003cbr\u003e3. The Men Are Fighting 05:05\u003cbr\u003e4. “Lakeland” 04:06\u003cbr\u003e5. Seven and Seven 05:00\u003cbr\u003e6. Over \u0026amp; Over, Pt. 1 05:21\u003cbr\u003e7. Bells and Bells 04:54\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eFreedom To Spend:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Fit for Consequences: Original Recordings, 1984–1987 is the first ever archival release from Repetition Repetition, the “two-man electric minimalist band” consisting of Ruben Garcia and Steve Caton hailing from Los Angeles in the mid 1980’s. Repetition Repetition’s unique blend of cosmic art-rock minimalism \/ maximalism was self-released across a series of cassettes produced in micro editions, and while garnering the attention and participation of luminaries such as Harold Budd, remained under the radar during the band’s existence. Fit for Consequences: Original Recordings, 1984–1987 collects select material from across the duo’s catalog, remastered and presented on vinyl for the first time. Includes liner notes by Bill Perrine and a future world of past possibilities.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Repetition Repetition\u003c\/p\u003e\n\u003cp\u003eLabel : Freedom To Spend\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFTS031LP\u003c\/span\u003e\u003c\/p\u003e"}