Sept // Leave Your Body EP 12inch
![Kara-Lis Coverdale // A Series of Actions in a Sphere of Forever LP [COLOR]](//tobirarecords.com/cdn/shop/files/kara1_d9f5fdda-683f-4055-8429-ee9e271973ca_medium.jpg?v=1762066542)
Sept // Leave Your Body EP 12inch
¥3,340
- Item no:
- Availability:
ポーランド・ワルシャワのテクノ作家Septが、2025年6月に自身主宰レーベルOpusからリリースした12"です。
トランシーなディープ・ミニマルテクノ4曲を収録。
-----------------------------------------------
12" black vinyl.
Tracklist:
A1. Leave Your Body
A2. Post Factum
B1. Object Of Desire
B2. Playing With Fire
Artist : Sept
Label : Opus
cat no : OPUS002
ポーランド・ワルシャワのテクノ作家Septが、2025年6月に自身主宰レーベルOpusからリリースした12"です。
トランシーなディープ・ミニマルテクノ4曲を収録。
Sept · Leave Your Body EP [OPUS002]-----------------------------------------------
12" black vinyl.
Tracklist:
A1. Leave Your Body
A2. Post Factum
B1. Object Of Desire
B2. Playing With Fire
Artist : Sept
Label : Opus
cat no : OPUS002
Related Products
クイックビュー
{"id":8988522316026,"title":"Unchained \/\/ Frontalier LP","handle":"unchained-frontalier-lp","description":"\u003cp\u003eフランスのマルチ奏者Unchainedが、2025年10月にアメリカ・NYのStern Recordsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eチルアウトなベッドルーム・フュージョン7曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3656353863\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3656353863\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2370681127\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/stern\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/stern\"\u003ehere\u003c\/a\u003e to see more Stern Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003e12\" black vinyl.\u003cbr\u003eEdition of 250. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Returner 05:05\u003cbr\u003e2. Husk 07:03\u003cbr\u003e3. Saane 02:45\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Frontalier 05:50\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Rocade 07:28\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Vajra Guru 07:44\u003cbr\u003e\u003c\/span\u003e7. Kalpa 05:53\u003c\/p\u003e\n\u003cp\u003eStern Records:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Unchained—a name which at the project’s inception or on earlier recordings spoke perhaps to the ecstatic saturation of high gain guitar—has over the past three albums (N.D. Visitor, Pic, and Gabbeh) come to represent more and more an acknowledgement of and sensitive remove from a crashing world. An excuse of oneself from trend towards a siloed artistic development. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOn Frontalier, Nate Davis crosses further into this patient personal lexicon of guitar composition, presenting a new set of richly developed songs and leaps in arrangement which may very well shock Unchained fans the world over. The sympathetic geometric guitar themes of the earlier second-period Unchained style are almost entirely absent, making way for a fully realized presentation of the jazz, MPB, and fusion influence present to varying degrees on the previous three albums. Davis’s keen sense of melody and songcraft have never been stronger, here landing on music which is at moments evocative of Wes Montgomery, Allan Holdsworth, Jobim, or the jazzier impulses of Lô Borges. Distinct in Davis’s music, however, is what these references might belie: an innate tending towards repetition as an affective tool—one which has less to do with the aesthetics of the scene from which the project emerged than it does with\u003cspan class=\"bcTruncateMore\"\u003e devotional prayer. In this way it feels as if Unchained has always been music for living. What was once a maximalist expression of youth has matured into the sound of living with and in the world and an empathic transmuting of all the joy, disappointment, and ambivalence that comes with it. Songs that feel like the sort of thinking one does looking out the window on a long train ride, or the routinism of internal and external life and the breaking out of it. As much as it will be recognized by the fandom as a significant step forward, Frontalier serves also as a perfect gateway for new listeners to the singular music of Unchained.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Unchained\u003c\/p\u003e\n\u003cp\u003eLabel : Stern Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAMS-2\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-11-10T12:32:30+09:00","created_at":"2025-11-10T12:13:38+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","new","recommended","stern records"],"price":453000,"price_min":453000,"price_max":453000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47929811271930,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Unchained \/\/ Frontalier LP","public_title":null,"options":["Default Title"],"price":453000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/fron1.jpg?v=1762744325","\/\/tobirarecords.com\/cdn\/shop\/files\/fron2.jpg?v=1762744325"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/fron1.jpg?v=1762744325","options":["Title"],"media":[{"alt":null,"id":37448404041978,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fron1.jpg?v=1762744325"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fron1.jpg?v=1762744325","width":700},{"alt":null,"id":37448404074746,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fron2.jpg?v=1762744325"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fron2.jpg?v=1762744325","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランスのマルチ奏者Unchainedが、2025年10月にアメリカ・NYのStern Recordsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eチルアウトなベッドルーム・フュージョン7曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3656353863\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3656353863\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2370681127\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/stern\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/stern\"\u003ehere\u003c\/a\u003e to see more Stern Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003e12\" black vinyl.\u003cbr\u003eEdition of 250. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Returner 05:05\u003cbr\u003e2. Husk 07:03\u003cbr\u003e3. Saane 02:45\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Frontalier 05:50\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Rocade 07:28\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Vajra Guru 07:44\u003cbr\u003e\u003c\/span\u003e7. Kalpa 05:53\u003c\/p\u003e\n\u003cp\u003eStern Records:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Unchained—a name which at the project’s inception or on earlier recordings spoke perhaps to the ecstatic saturation of high gain guitar—has over the past three albums (N.D. Visitor, Pic, and Gabbeh) come to represent more and more an acknowledgement of and sensitive remove from a crashing world. An excuse of oneself from trend towards a siloed artistic development. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOn Frontalier, Nate Davis crosses further into this patient personal lexicon of guitar composition, presenting a new set of richly developed songs and leaps in arrangement which may very well shock Unchained fans the world over. The sympathetic geometric guitar themes of the earlier second-period Unchained style are almost entirely absent, making way for a fully realized presentation of the jazz, MPB, and fusion influence present to varying degrees on the previous three albums. Davis’s keen sense of melody and songcraft have never been stronger, here landing on music which is at moments evocative of Wes Montgomery, Allan Holdsworth, Jobim, or the jazzier impulses of Lô Borges. Distinct in Davis’s music, however, is what these references might belie: an innate tending towards repetition as an affective tool—one which has less to do with the aesthetics of the scene from which the project emerged than it does with\u003cspan class=\"bcTruncateMore\"\u003e devotional prayer. In this way it feels as if Unchained has always been music for living. What was once a maximalist expression of youth has matured into the sound of living with and in the world and an empathic transmuting of all the joy, disappointment, and ambivalence that comes with it. Songs that feel like the sort of thinking one does looking out the window on a long train ride, or the routinism of internal and external life and the breaking out of it. As much as it will be recognized by the fandom as a significant step forward, Frontalier serves also as a perfect gateway for new listeners to the singular music of Unchained.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Unchained\u003c\/p\u003e\n\u003cp\u003eLabel : Stern Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAMS-2\u003c\/span\u003e\u003c\/p\u003e"}
You may also like:
フランスのマルチ奏者Unchainedが、2025年10月にアメリカ・NYのStern Recordsからリリースしたレコードです。 チルアウトなベッドルーム・フュージョン7曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Stern Records releases available...
¥4,530
クイックビュー
{"id":8988459598074,"title":"Sakina Abdou\/Bill Nace \/\/ Rinse Cycle LP","handle":"sakina-abdou-bill-nace-rinse-cycle","description":"\u003cp\u003e※当店限定販売です\u003c\/p\u003e\n\u003cp\u003eフランスのサックス奏者Sakina Abdouとアメリカのギタリスト／大正琴奏者Bill Naceが、2025年10月にBill Nace主宰レーベルOpen Mouthから150部限定でリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eサックスと大正琴によるガチンコフリージャズ4曲を収録。版元即完のため最初で最後の入荷となります。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=576560277\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003ehere\u003c\/a\u003e to see more Open Mouth releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003cbr\u003eEdition of 150. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Vented 08:15\u003cbr\u003e2. All in One (in two parts) 06:44\u003cbr\u003e3. Mega Capacity 11:05\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Perfect Steam 06:13\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eText excerpt written by Clifford Allen, August 2025\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Over the course of more than two decades, Philadelphia musician Bill Nace (guitar, taishogoto) has carved out unique collaborations across a wide range of contemporary improvisational practices, and though these range from solos to small groups, there’s a keen ear toward the immediate, stark tug of duets. Some of these meetings are one-offs for now (saxophonists Evan Parker and Masayo Koketsu), while others are regular partnerships that have evolved across continual play and refinement (violinist Samara Lubelski and saxophonists Paul Flaherty and Steve Baczkowski). Many of these recordings have been released via Open Mouth, the label that Nace founded in 2004 which documents not only his work, but also that of fellow travelers in the worlds of experimental rock, noise, free improvisation, electronic music, and spectral folk in more or less limited editions.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRinse Cycle is the first recorded encounter between Nace and French saxophonist Sakina Abdou, whose searing and personally declarative solo CD, Goodbye Ground, was released by Relative Pitch at the close of 2022. From Lille, Abdou has participated in collectives for many years, but recent solo work has garnered her more attention (especially Stateside) and offers a clear and focused explication of her language. Having a defined unaccompanied approach allows\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e for powerful duo situations to emerge––after all, figures like Evan Parker, Lubelski, and Flaherty have significant solo practices, and the development of a strict vocabulary on one’s own offers more conversational resilience. It’s as if isolation opens one up to deep and nuanced listening and the focus on structure and vocabulary grants a bevy of resources for the expanded field. That said, as a player Nace is less like a Derek Bailey or Masayuki Takayanagi in terms of directing the conversation (though he can) and more akin to Sunny Murray, providing a distinct carpet of sound (to quote Sunny Murray in April\/May 1969’s Jazz \u0026amp; Pop, “the continuous cracking of glass”) that acts to both ratchet up tension incrementally and, in sparser moments, creates a complex, shifting surface on which one’s feet are en pointe. [..\u003c\/em\u003e\u003cem\u003e.]\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sakina Abdou\/Bill Nace\u003c\/p\u003e\n\u003cp\u003eLabel : Open Mouth\u003c\/p\u003e","published_at":"2025-11-10T15:11:00+09:00","created_at":"2025-11-10T11:21:12+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","new","noise","open mouth","recommended"],"price":598000,"price_min":598000,"price_max":598000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47929590644986,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Sakina Abdou\/Bill Nace \/\/ Rinse Cycle LP","public_title":null,"options":["Default Title"],"price":598000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/rin1.jpg?v=1762740902","\/\/tobirarecords.com\/cdn\/shop\/files\/rin2.jpg?v=1762740902"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/rin1.jpg?v=1762740902","options":["Title"],"media":[{"alt":null,"id":37447567180026,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rin1.jpg?v=1762740902"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rin1.jpg?v=1762740902","width":700},{"alt":null,"id":37447567212794,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rin2.jpg?v=1762740902"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rin2.jpg?v=1762740902","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e※当店限定販売です\u003c\/p\u003e\n\u003cp\u003eフランスのサックス奏者Sakina Abdouとアメリカのギタリスト／大正琴奏者Bill Naceが、2025年10月にBill Nace主宰レーベルOpen Mouthから150部限定でリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eサックスと大正琴によるガチンコフリージャズ4曲を収録。版元即完のため最初で最後の入荷となります。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=576560277\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003ehere\u003c\/a\u003e to see more Open Mouth releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003cbr\u003eEdition of 150. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Vented 08:15\u003cbr\u003e2. All in One (in two parts) 06:44\u003cbr\u003e3. Mega Capacity 11:05\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Perfect Steam 06:13\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eText excerpt written by Clifford Allen, August 2025\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Over the course of more than two decades, Philadelphia musician Bill Nace (guitar, taishogoto) has carved out unique collaborations across a wide range of contemporary improvisational practices, and though these range from solos to small groups, there’s a keen ear toward the immediate, stark tug of duets. Some of these meetings are one-offs for now (saxophonists Evan Parker and Masayo Koketsu), while others are regular partnerships that have evolved across continual play and refinement (violinist Samara Lubelski and saxophonists Paul Flaherty and Steve Baczkowski). Many of these recordings have been released via Open Mouth, the label that Nace founded in 2004 which documents not only his work, but also that of fellow travelers in the worlds of experimental rock, noise, free improvisation, electronic music, and spectral folk in more or less limited editions.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRinse Cycle is the first recorded encounter between Nace and French saxophonist Sakina Abdou, whose searing and personally declarative solo CD, Goodbye Ground, was released by Relative Pitch at the close of 2022. From Lille, Abdou has participated in collectives for many years, but recent solo work has garnered her more attention (especially Stateside) and offers a clear and focused explication of her language. Having a defined unaccompanied approach allows\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e for powerful duo situations to emerge––after all, figures like Evan Parker, Lubelski, and Flaherty have significant solo practices, and the development of a strict vocabulary on one’s own offers more conversational resilience. It’s as if isolation opens one up to deep and nuanced listening and the focus on structure and vocabulary grants a bevy of resources for the expanded field. That said, as a player Nace is less like a Derek Bailey or Masayuki Takayanagi in terms of directing the conversation (though he can) and more akin to Sunny Murray, providing a distinct carpet of sound (to quote Sunny Murray in April\/May 1969’s Jazz \u0026amp; Pop, “the continuous cracking of glass”) that acts to both ratchet up tension incrementally and, in sparser moments, creates a complex, shifting surface on which one’s feet are en pointe. [..\u003c\/em\u003e\u003cem\u003e.]\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sakina Abdou\/Bill Nace\u003c\/p\u003e\n\u003cp\u003eLabel : Open Mouth\u003c\/p\u003e"}
You may also like:
※当店限定販売です フランスのサックス奏者Sakina Abdouとアメリカのギタリスト／大正琴奏者Bill Naceが、2025年10月にBill Nace主宰レーベルOpen Mouthから150部限定でリリースした共作レコードです。 サックスと大正琴によるガチンコフリージャズ4曲を収録。版元即完のため最初で最後の入荷となります。 レーベルその他作品はこちら /// Click here to see more Open Mouth releases...
¥5,980
クイックビュー
{"id":8988279996666,"title":"Roland Kayn \/\/ The Ortho-Project – Limited Edition 15xCD BOX","handle":"roland-kayn-the-ortho-project-limited-edition-15xcd-box","description":"\u003cp\u003eイタリアの即興集団Gruppo di Improvvisazione Nuova Consonanzaメンバーとしても活動していたドイツの実験音楽家Roland Kayn(1933-2011)が、2024年9月にフィンランドの実験レーベルFrozen Reedsからリリースした15枚組CD BOXです。\u003c\/p\u003e\n\u003cp\u003eマスタリングはジムオルークが担当しています。\u003c\/p\u003e\n\u003cp\u003e※送料無料で発送いたします\u003c\/p\u003e\n\u003cp\u003e-------------------------------------\u003c\/p\u003e\n\u003cp\u003e15 x CD in individual sleeves, presented in sturdy gold-stamped box.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e: \u003c\/p\u003e\n\u003cp\u003e1-1 Atharyt 47:50\u003cbr\u003e1-2 Itirsis 27:34\u003cbr\u003e1-3 Dat SR z 46:55\u003cbr\u003e1-4 Tirals 47:21\u003cbr\u003e1-5 Skips 47:42\u003cbr\u003e1-6 Synergy 46:53\u003cbr\u003e1-7 Les Rantoles 43:37\u003cbr\u003e1-8 Perikarya 35:35\u003cbr\u003e1-9 Kthoor 42:09\u003cbr\u003e1-10 Ataraly 35:10\u003cbr\u003e1-11 Conversions 28:24\u003cbr\u003e1-12 Anisotropy EE 1:01:14\u003cbr\u003e1-13 Antarary 53:04\u003cbr\u003e1-14 Rantho 45:07\u003cbr\u003e1-15 Sonoritys 41:30\u003cbr\u003e1-16 Antegry 20:02\u003cbr\u003e1-17 Ecardy 57:04\u003cbr\u003e1-18 La Grada 29:24\u003cbr\u003e1-19 Zazorith 30:06\u003cbr\u003e1-20 Arttiraes 45:08\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003efrozen reeds:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eReturning to the unreleased oeuvre of the master of cybernetic sound Roland Kayn, frozen reeds hereby unveils a new high watermark for longform electroacoustic composition, unfolding across 15 CDs in a luxurious gold-stamped boxed set.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWith Jim O’Rourke applying his signature restorative touch to the audio, and Robert Beatty taking his cryptic cybernetics-inspired artwork several steps beyond the label’s previous Kayn box, ‘The Ortho-Project’ (2007) – in its 14-hour\u003cspan class=\"bcTruncateMore\"\u003e entirety – finally sees a fitting release.\u003cbr\u003e\u003cbr\u003eIn 1970, Roland Kayn began a decades-long period of research, development and creation at the Instituut voor Sonologie in Utrecht. In the mid to late 90s, he retired, relocated to the Dutch countryside, and began to realise new electronic works at Reiger Recording Studio – his modest home facility. “I finally came to the conclusion,” Kayn would later point out, “that I no longer needed studios to construct my own electronic music.”\u003cbr\u003e\u003cbr\u003eThe working methods Kayn arrived at individually – without the room-filling synthesisers, mixing desks and signal-processing equipment of Sonology at his disposal – saw him turning his own career into a cybernetic process. From the hours of recorded sound amassed in prior decades, he began processing and assembling a mountainous quantity of new music. His works of this period are focused on reabsorbing and recontextualising his life’s work to produce yet another series of utterly alien landscapes.\u003cbr\u003e\u003cbr\u003eFrom his retirement until his death in 2011, Kayn was wildly prolific, leaving an archive of dozens of finished electronic pieces. Earlier source material is often re-sculpted using the technology Kayn had available to hand, while other techniques such as sampling radio broadcasts or the plunderphonic quotation of others’ works occasionally intercede.\u003cbr\u003e\u003cbr\u003eNo notes accompany any of this music – no word of explanation or expression of intent. Only the works and their titles remain, the latter often simply deepening the mystery. Their durations range from around 20 minutes to almost 18 hours. ‘The Ortho-Project’, presented here in its 14-hour entirety, is among the longest. At this scale, Kayn’s music is perhaps at its most immersive; the listener senses they are being invited to envelope themselves in a rich environment of diverse timbral physicality rather than a programmatic work. This is simply electronic music as you have never experienced it before.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Roland Kayn \u003c\/p\u003e\n\u003cp\u003eLabel : frozen reeds\u003c\/p\u003e\n\u003cp\u003eCAT no : fr25\/39\u003c\/p\u003e","published_at":"2025-11-09T15:33:20+09:00","created_at":"2025-11-09T15:32:41+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","drone","monooto","new","recommended"],"price":1798000,"price_min":1798000,"price_max":1798000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47928328028410,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Roland Kayn \/\/ The Ortho-Project – Limited Edition 15xCD BOX","public_title":null,"options":["Default Title"],"price":1798000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/eo1.jpg?v=1726136397","\/\/tobirarecords.com\/cdn\/shop\/files\/eo2.jpg?v=1726124972","\/\/tobirarecords.com\/cdn\/shop\/files\/eo3.jpg?v=1726124972"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/eo1.jpg?v=1726136397","options":["Title"],"media":[{"alt":null,"id":34876949528826,"position":1,"preview_image":{"aspect_ratio":1.0,"height":300,"width":300,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/eo1.jpg?v=1726136397"},"aspect_ratio":1.0,"height":300,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/eo1.jpg?v=1726136397","width":300},{"alt":null,"id":34876949561594,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/eo2.jpg?v=1726124972"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/eo2.jpg?v=1726124972","width":1200},{"alt":null,"id":34876949594362,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/eo3.jpg?v=1726124972"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/eo3.jpg?v=1726124972","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイタリアの即興集団Gruppo di Improvvisazione Nuova Consonanzaメンバーとしても活動していたドイツの実験音楽家Roland Kayn(1933-2011)が、2024年9月にフィンランドの実験レーベルFrozen Reedsからリリースした15枚組CD BOXです。\u003c\/p\u003e\n\u003cp\u003eマスタリングはジムオルークが担当しています。\u003c\/p\u003e\n\u003cp\u003e※送料無料で発送いたします\u003c\/p\u003e\n\u003cp\u003e-------------------------------------\u003c\/p\u003e\n\u003cp\u003e15 x CD in individual sleeves, presented in sturdy gold-stamped box.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e: \u003c\/p\u003e\n\u003cp\u003e1-1 Atharyt 47:50\u003cbr\u003e1-2 Itirsis 27:34\u003cbr\u003e1-3 Dat SR z 46:55\u003cbr\u003e1-4 Tirals 47:21\u003cbr\u003e1-5 Skips 47:42\u003cbr\u003e1-6 Synergy 46:53\u003cbr\u003e1-7 Les Rantoles 43:37\u003cbr\u003e1-8 Perikarya 35:35\u003cbr\u003e1-9 Kthoor 42:09\u003cbr\u003e1-10 Ataraly 35:10\u003cbr\u003e1-11 Conversions 28:24\u003cbr\u003e1-12 Anisotropy EE 1:01:14\u003cbr\u003e1-13 Antarary 53:04\u003cbr\u003e1-14 Rantho 45:07\u003cbr\u003e1-15 Sonoritys 41:30\u003cbr\u003e1-16 Antegry 20:02\u003cbr\u003e1-17 Ecardy 57:04\u003cbr\u003e1-18 La Grada 29:24\u003cbr\u003e1-19 Zazorith 30:06\u003cbr\u003e1-20 Arttiraes 45:08\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003efrozen reeds:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eReturning to the unreleased oeuvre of the master of cybernetic sound Roland Kayn, frozen reeds hereby unveils a new high watermark for longform electroacoustic composition, unfolding across 15 CDs in a luxurious gold-stamped boxed set.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWith Jim O’Rourke applying his signature restorative touch to the audio, and Robert Beatty taking his cryptic cybernetics-inspired artwork several steps beyond the label’s previous Kayn box, ‘The Ortho-Project’ (2007) – in its 14-hour\u003cspan class=\"bcTruncateMore\"\u003e entirety – finally sees a fitting release.\u003cbr\u003e\u003cbr\u003eIn 1970, Roland Kayn began a decades-long period of research, development and creation at the Instituut voor Sonologie in Utrecht. In the mid to late 90s, he retired, relocated to the Dutch countryside, and began to realise new electronic works at Reiger Recording Studio – his modest home facility. “I finally came to the conclusion,” Kayn would later point out, “that I no longer needed studios to construct my own electronic music.”\u003cbr\u003e\u003cbr\u003eThe working methods Kayn arrived at individually – without the room-filling synthesisers, mixing desks and signal-processing equipment of Sonology at his disposal – saw him turning his own career into a cybernetic process. From the hours of recorded sound amassed in prior decades, he began processing and assembling a mountainous quantity of new music. His works of this period are focused on reabsorbing and recontextualising his life’s work to produce yet another series of utterly alien landscapes.\u003cbr\u003e\u003cbr\u003eFrom his retirement until his death in 2011, Kayn was wildly prolific, leaving an archive of dozens of finished electronic pieces. Earlier source material is often re-sculpted using the technology Kayn had available to hand, while other techniques such as sampling radio broadcasts or the plunderphonic quotation of others’ works occasionally intercede.\u003cbr\u003e\u003cbr\u003eNo notes accompany any of this music – no word of explanation or expression of intent. Only the works and their titles remain, the latter often simply deepening the mystery. Their durations range from around 20 minutes to almost 18 hours. ‘The Ortho-Project’, presented here in its 14-hour entirety, is among the longest. At this scale, Kayn’s music is perhaps at its most immersive; the listener senses they are being invited to envelope themselves in a rich environment of diverse timbral physicality rather than a programmatic work. This is simply electronic music as you have never experienced it before.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Roland Kayn \u003c\/p\u003e\n\u003cp\u003eLabel : frozen reeds\u003c\/p\u003e\n\u003cp\u003eCAT no : fr25\/39\u003c\/p\u003e"}
You may also like:
イタリアの即興集団Gruppo di Improvvisazione Nuova Consonanzaメンバーとしても活動していたドイツの実験音楽家Roland Kayn(1933-2011)が、2024年9月にフィンランドの実験レーベルFrozen Reedsからリリースした15枚組CD BOXです。 マスタリングはジムオルークが担当しています。 ※送料無料で発送いたします ------------------------------------- 15 x CD...
¥17,980
![Kara-Lis Coverdale // A Series of Actions in a Sphere of Forever LP [COLOR]](http://tobirarecords.com/cdn/shop/files/kara1_d9f5fdda-683f-4055-8429-ee9e271973ca_medium.jpg?v=1762066542)
クイックビュー
{"id":8981176385786,"title":"Kara-Lis Coverdale \/\/ A Series of Actions in a Sphere of Forever LP [COLOR]","handle":"kara-lis-coverdale-a-series-of-actions-in-a-sphere-of-forever-lp-color","description":"\u003cp\u003eカナダのアンビエント作家Kara-Lis Coverdaleが、2025年9月にノルウェー・オスロのオールジャンルレーベル\u003cspan\u003eSmalltown Supersoundからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eアコースティック・ピアノを全面に押し出した夜想曲9曲を収録。180g重量クリア盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Kara-Lis Coverdaleが4枚目のフルアルバム『A Series of Actions in a Sphere of Forever』でSmalltown Supersoundに帰還。ソロピアノに捧げられた9曲のコレクションだ。実験的エレクトロニクスとミニマリズムの伝統が交差する音楽的革新で知られるKara-Lis Coverdaleの前作 『アフタータッチズ』、『グラフト』、そして最新作『フロム・ウェア・ユー・ケイム』（スモールタウン・スーパーサウンド）は、音色の深淵を探求した点で特に高い評価を得てきた。『A Series of Actions in a Sphere of Forever』では、アコースティック・ピアノによる夜想曲に焦点を当て、音質への探求をさらに深化させている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e本作の9曲は、ある意味で古典的な夜想曲（すなわち夜にインスパイアされたもの）であると同時に、間接的で抽象的な連想を喚起する：旋律の網のアニメーション、濃厚な物質の中を移動する感覚、空間に浮かぶ音響オブジェクト。オンタリオ州の田舎にある小さなスタジオで冬の間に作曲・録音されたこれらの楽曲は、Coverdaleが過剰な音響から距離を置き、アコースティックの根源回帰を果たしたことも反映している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eピアノの自然な共鳴が作品の構造を導き、Coverdaleは微妙な電子処理を施すことでメロディの輪郭を軽くぼかし、倍音を溶け込ませている。さらに、聴こえる息遣いが、身体に内在するリズムと多様な響き——ピアノの音色と自然な倍音、そして半覚醒状態という捉えどころのない境地を生み出す効果——との結びつきを強調している。サティやドビュッシー、ショパンとは異なり、Coverdaleの夜想曲はさらに遅い時間帯に向けられており、「ノイズ」——より広く言えば、楽曲の核となる和声と音色の構造に無関係なあらゆる要素、明瞭さや緩やかさ、空間の知覚を妨げる可能性のあるあらゆる要素——に対する感度が高まっている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『永遠の球体における一連の行為』は緩慢であり、ピアノ旋律の減衰に、その発音時と同様の焦点を当てる。減速と抑制からムードが生まれ、ルネサンス後期からのモード的影響、戦後ミニマリズム、そしてカバーデールの特異な音楽生態観に啓発された旋律が、自らのペースで花開く。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e彼女自身の言葉を借りれば：「このアルバムは空間における和声の探求であり、沈黙に対する音楽という対極。存在しない沈黙についての探求である。」\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2073628370\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/stss\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/stss\"\u003ehere\u003c\/a\u003e to see more Smalltown Supersound releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" clear vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Kõne, Vastu\u003cbr\u003e2. In Charge of the Hour\u003cbr\u003e3. Vortex\u003cbr\u003e4. Circularism\u003cbr\u003e5. Lowlands\u003cbr\u003e6. Cumulative Resolution\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Turning Multitudes 03:54\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Soft Fold 3\/4\u003cbr\u003e\u003c\/span\u003e9. Suspension of Swallowed Earth\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eSmalltown Supersound:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eKara-Lis Coverdale returns to Smalltown Supersound with her fourth full-length album, A Series of Actions in a Sphere of Forever, a collection of nine pieces, dedicated to solo piano. Known for her musical innovations at the intersection of experimental electronics and minimalist traditions, Coverdale’s previous albums Aftertouches, Grafts and, most recently, From Where You Came (Smalltown Supersound) garnered special acclaim for their deep exploration of timbre. On A Series of Actions in a Sphere of Forever, Coverdale deepens her investigation of tonal quality by focusing instrumentally on acoustic piano nocturnes. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe album’s nine pieces are in a way classic nocturnes (i.e. inspired by night), but also evoke tangential, abstract associations: an animation of melodic webs; moving through a thick substance; sound objects in space. Written and recorded during winter in a small rural studio in Ontario, they also reflect Coverdale’s retreat from maximal sound and a return to acoustic fundamentals. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe piano’s natural resonance guides the structure of the works, with Coverdale applying subtle electronic processing only to lightly blur the edges of melody and blend harmonics. Additionally, audible breaths underscore the album’s connection to the body’s inherent\u003cspan class=\"bcTruncateMore\"\u003e rhythms and multiple sonorities: the piano’s timbre and natural harmonics, as well as its effect in creating an elusive state of semi-consciousness. Unlike Satie, Debussy or Chopin, Coverdale’s nocturnes are for an even later hour, with a heightened sensitivity to “noise” – or more broadly: anything extraneous to the core harmonic and timbral structure of the piece; and anything that might interfere with clarity, slowness, or perception of space. \u003cbr\u003e\u003cbr\u003eA Series of Actions in a Sphere of Forever is slow and focuses as much on the decay of piano melody as on its attack. Mood emerges from deceleration and restraint; emerging melodies, inspired by modal influences from the late Renaissance, post-war minimalism, and Coverdale’s idiosyncratic sense of musical ecology, bloom at their own pace. \u003cbr\u003e\u003cbr\u003eIn her own words: “This album is an exploration of harmony in space, music as an antithesis to silence. A silence that does not exist.”\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Kara-Lis Coverdale\u003c\/p\u003e\n\u003cp\u003eLabel : Smalltown Supersound\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSTS413lp-C1\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-11-03T10:06:48+09:00","created_at":"2025-11-02T15:54:49+09:00","vendor":"Tobira Records","type":"","tags":["ambient","lp","neo classical","new","recommended","smalltown supersound"],"price":399800,"price_min":399800,"price_max":399800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47892706066682,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Kara-Lis Coverdale \/\/ A Series of Actions in a Sphere of Forever LP [COLOR]","public_title":null,"options":["Default Title"],"price":399800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"7072822413033","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/kara1_d9f5fdda-683f-4055-8429-ee9e271973ca.jpg?v=1762066542","\/\/tobirarecords.com\/cdn\/shop\/files\/kara2_6832f3cb-1dad-42ba-a415-126d3608e388.jpg?v=1762066542"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/kara1_d9f5fdda-683f-4055-8429-ee9e271973ca.jpg?v=1762066542","options":["Title"],"media":[{"alt":null,"id":37371133198586,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kara1_d9f5fdda-683f-4055-8429-ee9e271973ca.jpg?v=1762066542"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kara1_d9f5fdda-683f-4055-8429-ee9e271973ca.jpg?v=1762066542","width":700},{"alt":null,"id":37371133231354,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kara2_6832f3cb-1dad-42ba-a415-126d3608e388.jpg?v=1762066542"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kara2_6832f3cb-1dad-42ba-a415-126d3608e388.jpg?v=1762066542","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eカナダのアンビエント作家Kara-Lis Coverdaleが、2025年9月にノルウェー・オスロのオールジャンルレーベル\u003cspan\u003eSmalltown Supersoundからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eアコースティック・ピアノを全面に押し出した夜想曲9曲を収録。180g重量クリア盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Kara-Lis Coverdaleが4枚目のフルアルバム『A Series of Actions in a Sphere of Forever』でSmalltown Supersoundに帰還。ソロピアノに捧げられた9曲のコレクションだ。実験的エレクトロニクスとミニマリズムの伝統が交差する音楽的革新で知られるKara-Lis Coverdaleの前作 『アフタータッチズ』、『グラフト』、そして最新作『フロム・ウェア・ユー・ケイム』（スモールタウン・スーパーサウンド）は、音色の深淵を探求した点で特に高い評価を得てきた。『A Series of Actions in a Sphere of Forever』では、アコースティック・ピアノによる夜想曲に焦点を当て、音質への探求をさらに深化させている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e本作の9曲は、ある意味で古典的な夜想曲（すなわち夜にインスパイアされたもの）であると同時に、間接的で抽象的な連想を喚起する：旋律の網のアニメーション、濃厚な物質の中を移動する感覚、空間に浮かぶ音響オブジェクト。オンタリオ州の田舎にある小さなスタジオで冬の間に作曲・録音されたこれらの楽曲は、Coverdaleが過剰な音響から距離を置き、アコースティックの根源回帰を果たしたことも反映している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eピアノの自然な共鳴が作品の構造を導き、Coverdaleは微妙な電子処理を施すことでメロディの輪郭を軽くぼかし、倍音を溶け込ませている。さらに、聴こえる息遣いが、身体に内在するリズムと多様な響き——ピアノの音色と自然な倍音、そして半覚醒状態という捉えどころのない境地を生み出す効果——との結びつきを強調している。サティやドビュッシー、ショパンとは異なり、Coverdaleの夜想曲はさらに遅い時間帯に向けられており、「ノイズ」——より広く言えば、楽曲の核となる和声と音色の構造に無関係なあらゆる要素、明瞭さや緩やかさ、空間の知覚を妨げる可能性のあるあらゆる要素——に対する感度が高まっている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『永遠の球体における一連の行為』は緩慢であり、ピアノ旋律の減衰に、その発音時と同様の焦点を当てる。減速と抑制からムードが生まれ、ルネサンス後期からのモード的影響、戦後ミニマリズム、そしてカバーデールの特異な音楽生態観に啓発された旋律が、自らのペースで花開く。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e彼女自身の言葉を借りれば：「このアルバムは空間における和声の探求であり、沈黙に対する音楽という対極。存在しない沈黙についての探求である。」\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2073628370\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/stss\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/stss\"\u003ehere\u003c\/a\u003e to see more Smalltown Supersound releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" clear vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Kõne, Vastu\u003cbr\u003e2. In Charge of the Hour\u003cbr\u003e3. Vortex\u003cbr\u003e4. Circularism\u003cbr\u003e5. Lowlands\u003cbr\u003e6. Cumulative Resolution\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Turning Multitudes 03:54\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Soft Fold 3\/4\u003cbr\u003e\u003c\/span\u003e9. Suspension of Swallowed Earth\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eSmalltown Supersound:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eKara-Lis Coverdale returns to Smalltown Supersound with her fourth full-length album, A Series of Actions in a Sphere of Forever, a collection of nine pieces, dedicated to solo piano. Known for her musical innovations at the intersection of experimental electronics and minimalist traditions, Coverdale’s previous albums Aftertouches, Grafts and, most recently, From Where You Came (Smalltown Supersound) garnered special acclaim for their deep exploration of timbre. On A Series of Actions in a Sphere of Forever, Coverdale deepens her investigation of tonal quality by focusing instrumentally on acoustic piano nocturnes. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe album’s nine pieces are in a way classic nocturnes (i.e. inspired by night), but also evoke tangential, abstract associations: an animation of melodic webs; moving through a thick substance; sound objects in space. Written and recorded during winter in a small rural studio in Ontario, they also reflect Coverdale’s retreat from maximal sound and a return to acoustic fundamentals. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe piano’s natural resonance guides the structure of the works, with Coverdale applying subtle electronic processing only to lightly blur the edges of melody and blend harmonics. Additionally, audible breaths underscore the album’s connection to the body’s inherent\u003cspan class=\"bcTruncateMore\"\u003e rhythms and multiple sonorities: the piano’s timbre and natural harmonics, as well as its effect in creating an elusive state of semi-consciousness. Unlike Satie, Debussy or Chopin, Coverdale’s nocturnes are for an even later hour, with a heightened sensitivity to “noise” – or more broadly: anything extraneous to the core harmonic and timbral structure of the piece; and anything that might interfere with clarity, slowness, or perception of space. \u003cbr\u003e\u003cbr\u003eA Series of Actions in a Sphere of Forever is slow and focuses as much on the decay of piano melody as on its attack. Mood emerges from deceleration and restraint; emerging melodies, inspired by modal influences from the late Renaissance, post-war minimalism, and Coverdale’s idiosyncratic sense of musical ecology, bloom at their own pace. \u003cbr\u003e\u003cbr\u003eIn her own words: “This album is an exploration of harmony in space, music as an antithesis to silence. A silence that does not exist.”\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Kara-Lis Coverdale\u003c\/p\u003e\n\u003cp\u003eLabel : Smalltown Supersound\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSTS413lp-C1\u003c\/span\u003e\u003c\/p\u003e"}
You may also like:
カナダのアンビエント作家Kara-Lis Coverdaleが、2025年9月にノルウェー・オスロのオールジャンルレーベルSmalltown Supersoundからリリースしたレコードです。 アコースティック・ピアノを全面に押し出した夜想曲9曲を収録。180g重量クリア盤です。 以下、レーベルによる解説です。 "Kara-Lis Coverdaleが4枚目のフルアルバム『A Series of Actions in a Sphere of...
¥3,998