Random Gods // Pneuma LP

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ポルトガルのレフトフィールド・ベース作家Random Godsが、2025年7月にリスボンの密林系音楽の大巣窟Discrepant傘下Soukからリリースしたレコードです。

グライム〜ハーフステップ8曲を収録。

※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ

以下、レーベルによる解説です

"ポルトガルのエレクトロニックシーンの中でとらえどころのない静かな存在であるRandom GodsことTimóteo Azevedoは、2019年に長らく完売していたコンピレーション「Antologia de Música Atípica Portuguesa Vol.2」に参加した後、DiscrepantのサブレーベルSoukからデビューアルバムをリリースする。

Danse NoireとZABRAから過去に2枚のEPをリリースしているRandom Godsの未来主義的なヴィジョンは、この不確かで恐怖を誘発する時代の希望と残骸から組み立てられたスカベンジャーのようなボディミュージックを通して自らを投影している。メタルの破片、鈍いキックドラム、沈んだベースライン、残響するテクスチャー、切り刻まれたヴォーカル、レーザー光線に導かれたメロディーから生み出される儀式。

オープニングの「Abertura」のオーケストラ・ランは、「Somatiga」のシンコペーション・キックとグライミーなシンセのスタブによるディープエンド・ベースへの神経質な光明となる。スローバーナーの「Pneuma」は、ネオンシンセのラインをハーフステップのフローに取り込み、「Acervo」は、崩れ落ちるキックドラム、投げ飛ばされるクラップ、音色豊かなパーカッションをふんだんに使ってリズムをさらに複雑にしている。「Prumoo」は、無慈悲なドラムパターンと溶けたベースラインで、ポストインダストリアルなアードコア・ヌームに深く入り込み、「Alvoro」は、太古の未来からやってきた神経質なパーカッシブをバックボーンに、同じ荒地に足を踏み入れたフットワークのように感じられる。クローザーの「Ex.Tejo」は、嵐の中の日の出のようなメランコリーを漂わせ、まるでまだ希望があるかのようだ。

それにしがみつこう。"

レーベルその他作品はこちら /// Click here to see more Discrepant / Keroxen / Sucata Tapes releases available at Tobira.

-------------------------------

Ask us for digital files.
12" black vinyl.

Tracklist:

1. Abertura 01:44
2. Somatiga 04:50
3. Pluma 00:46
4. Pneuma 04:36
5. Acervo 04:43
6. Prumoo 04:15
7. Alvoro 05:11
8. Ex-Tejo 02:17

Discrepant:

"An elusive and quiet figure amidst the Portuguese electronic scene, Timóteo Azevedo aka Random Gods releases his debut album on Discrepant's sub label Souk after his killer appearance in the long sold out 'Antologia de Música Atípica Portuguesa Vol. 2' compilation back in 2019.

With two previous EPs on Danse Noire and ZABRA, Random Gods' futurist visions project themselves through a scavenger-like body music assembled from the hopes and debris of these uncertain and dread-inducing times. Rituals conjured from metal shards, blunted kickdrums, submerged basslines, reverberating textures, cut up vocals and lazer guided melodies.

The orchestral runs of opener 'Abertura' as a glimmer of nervous light into the deep end bass weight meditations on syncopated kicks and grimey synth stabs of 'Somatiga'. Slow burner 'Pneuma' conjures neon synth lines into its halfstep flow, while 'Acervo' complicates the rhythm further with its profusion of crumbling kickdrums, tossed off claps and tonal percussion. 'Prumoo' dwells deeper into post-industrial ardkore nuum with its merciless drum patterns and molten basslines and 'Alvoro' feels like footwork taken into those same wastelands, with a nervous percussive backbone from some ancient future - take that as you will. Closer 'Ex.Tejo' brims with a certain sunrise melancholy among the storm as if there's still some hope after all.

Let's hold on to it. "

Artist : Random Gods

Label : Discrepant / Souk Records

cat no : SOUK015

Quantity

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ポルトガルのレフトフィールド・ベース作家Random Godsが、2025年7月にリスボンの密林系音楽の大巣窟Discrepant傘下Soukからリリースしたレコードです。

グライム〜ハーフステップ8曲を収録。

※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ

以下、レーベルによる解説です

それにしがみつこう。"

レーベルその他作品はこちら /// Click here to see more Discrepant / Keroxen / Sucata Tapes releases available at Tobira.

-------------------------------

Ask us for digital files.
12" black vinyl.

Tracklist:

1. Abertura 01:44
2. Somatiga 04:50
3. Pluma 00:46
4. Pneuma 04:36
5. Acervo 04:43
6. Prumoo 04:15
7. Alvoro 05:11
8. Ex-Tejo 02:17

Discrepant:

Artist : Random Gods

Label : Discrepant / Souk Records

cat no : SOUK015

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Cardosoは、「Impressões de Várias Ilhas（様々な島の印象）」で、彼の島国に関する音の旅行記を続けている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e文字通り「様々な島々からの印象」と訳されるこの3作目のアルバムでは、マカロネシアの3つの群島からの録音とインスピレーションが綴られている。アゾレス諸島、カーボベルデ諸島、カナリア諸島の音と回想に浸りながら、水の洞窟、黒い石のビーチ、ラグーン、小さな港、日常生活の場面など、さまざまな現実の環境に目を向け、深く個人的な印象から共鳴的なものへと変化する、空想的でも現実的でもない記憶の靄の中にそれらを投影している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e生のフィールド・レコーディングと加工されたもの、そしてシンセサイザーで作られた風景を融合させたCardosoは、決して音の観光に躊躇することなく、鮮明でありながら夢幻的で、困惑と安らぎ、そして逃避を感じさせる不思議な感覚に満ちた小気味よいテイクを生み出している。不規則なパターンに癒される「Bufadeiros de São Vicente」の砕け散る波は、ブラック・ダイスの「Beaches \u0026amp; Camp」から完全に離れてはいない孤独なエコー・トーンと混ざり合い、キャニオンの最も物悲しいパッセージは「La Cueva\u0026amp;nbsp;Scuba Livre」の水中アンビエンスと浮遊パッドへと流れ込む。さらに進むと、「Noite em Rabo de Peixe」の気持ちの悪い暖かいコードと擦れるようなつぶやきは、夜のフレーミングを映し出し、「Rãs em Xoxo」は純粋なコンクレートに近づき、「Cozido da Caldeira Velha」のノスタルジアの中に残る控えめな不安感と交差して、ボード・オブ・カナダのヴィネットの靄の中に充満している。このアルバムの静かな叙事詩のような「Salinas de Pedra Lume」は、その風景の過去の生活と未来の祟りを呼び起こし、ひび割れたフィールドレコーディング、朽ち果てたシンセ、フルートのような遠吠え（あるいは遠吠えのようなフルート？）が混じる。この曲は、Cardoso自身のものとは限らないが、過去に存在したものから垣間見ることができる。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2450393434\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dipa\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dipa\"\u003ehere\u003c\/a\u003e to see more Discrepant \/ Keroxen \/ Sucata Tapes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl in full color sleeve.\u003cbr\u003eEdition of 300. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Bufadeiros de São Vicente (São Vincente, Cabo Verde) 02:53\u003cbr\u003e2. La Cueva Scuba Libre (La Gomera, Canarias) 05:36\u003cbr\u003e3. Chá da Gorreana (São Miguel, Açores)\u003cbr\u003e4. Noite em Rabo De Peixe (São Miguel, Açores)\u003cbr\u003e5. Pardelas - Dueto (La Gomera, Canarias)\u003cbr\u003e6. Rãs em Xoxo (Santo Antão, Cabo Verde) 04:00\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. El Chat Gracioso (La Graciosa, Canarias)\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Cozido na Caldeira Velha (São Miguel, Açores) 02:17\u003cbr\u003e\u003c\/span\u003e9. Salinas de Pedra Lume ( Sal, Cabo Verde)\u003cbr\u003e10. Noche en Punta Brava (Tenerife, Canarias)\u003cbr\u003e11. A Lagoa do Combro (São Miguel, Açores)\u003cbr\u003e12. Piedras Húmedas en Castro (Tenerife, Canarias)\u003cbr\u003e13. Digestão nas Furnas (São Miguel, Açores) 02:25\u003cbr\u003e14. O Peixe tá Congelado (Santo Antão, Cabo Verde)\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eDiscrepant:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAfter impressions of Unguja and Borneo islands, Discrepant's chieftain Gonçalo F. Cardoso continues his sonic travelogue on insularity with 'Impressões de Várias Ilhas'.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLiterally translated as \"impressions from various islands\", this third tome dwells on recordings and inspirations from three archipelagos of Macaronesia. Soaking in the sounds and recollections from Azores, Cape Verde and Canary Islands these diaristic endeavours spread throughout a number of real environments, from water caves and black stone beaches and lagoons to small harbours and everyday life scenarios, to project them into this not quite imaginary but not quite real memory haze that goes from a deeply personal impression to a resonating one.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMelding raw field recordings with processed ones and synthesized landscapes, Cardoso never falters into sonic tourism, conjuring small-ish takes both vivid and dreamy, infused with a sense of wonder that feels both bewildering, comforting and escapist. The breaking waves of 'Bufadeiros de São Vicente' soothing in their irregular pattern, mingling with the lone echoing tones not completely removed from Black Dice's 'Beaches \u0026amp; Canyon's most pensive passages, flow into the underwater ambience and suspended pads of 'La Cueva\u003cspan class=\"bcTruncateMore\"\u003e Scuba Livre', as reflections of the same sea crashing in on different lands, nature's psychogeography. Further on, the queasy warm chord and scraping murmurs of 'Noite em Rabo de Peixe' mirror their nighttime framing while 'Rãs em Xoxo' veers closer to pure musique concréte, crossed by a subdued feeling of unease that lingers in the nostalgia of 'Cozido da Caldeira Velha', brimming within the haze of a Boards of Canada vignette. Summoning the past lives and future hauntings of its scenery, 'Salinas de Pedra Lume' is like the quiet epic of the album, meandering into the unknown among crackling field recordings, decaying synths and flute-like howls - or is it howl-like flutes? - recurring as glimpses from foregone existences, not necessarily Gonçalo's own. Maybe ours?\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Gonçalo F. Cardoso\u003c\/p\u003e\n\u003cp\u003eLabel : Discrepant\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCREP107\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-07-15T10:24:50+09:00","created_at":"2025-07-14T14:03:57+09:00","vendor":"Tobira Records","type":"","tags":["ambient","Discrepant","lp","monooto","new","recommended","strange beats"],"price":398000,"price_min":398000,"price_max":398000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47510475899130,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Gonçalo F. Cardoso \/\/ Impressões de Várias Ilhas (Macaronésia) LP","public_title":null,"options":["Default Title"],"price":398000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/gon1_6a7ab878-23e5-4702-9b4d-bd2c99385b7e.jpg?v=1752469322","\/\/tobirarecords.com\/cdn\/shop\/files\/gon2_e3f4d46e-df0e-4824-b1fc-b00bdde05633.jpg?v=1752469322"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/gon1_6a7ab878-23e5-4702-9b4d-bd2c99385b7e.jpg?v=1752469322","options":["Title"],"media":[{"alt":null,"id":36375066476794,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gon1_6a7ab878-23e5-4702-9b4d-bd2c99385b7e.jpg?v=1752469322"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gon1_6a7ab878-23e5-4702-9b4d-bd2c99385b7e.jpg?v=1752469322","width":700},{"alt":null,"id":36375066509562,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gon2_e3f4d46e-df0e-4824-b1fc-b00bdde05633.jpg?v=1752469322"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gon2_e3f4d46e-df0e-4824-b1fc-b00bdde05633.jpg?v=1752469322","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eポルトガル・リスボンの密林系音楽の大巣窟Discrepant主宰Gonçalo F. Cardoso aka Gonzoが、2025年6月にリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e異熱帯ストレンジビーツ〜アンビエント・エキゾチカ14曲を収録。\u003c\/p\u003e\n\u003cp\u003eマスタリングはRashed Beckerが担当しています。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/goncalo-f-cardoso-exotic-immensity-2xlp\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ウングジャ島とボルネオ島の印象に続き、Discrepant首領Gonçalo F. Cardosoは、「Impressões de Várias Ilhas（様々な島の印象）」で、彼の島国に関する音の旅行記を続けている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e文字通り「様々な島々からの印象」と訳されるこの3作目のアルバムでは、マカロネシアの3つの群島からの録音とインスピレーションが綴られている。アゾレス諸島、カーボベルデ諸島、カナリア諸島の音と回想に浸りながら、水の洞窟、黒い石のビーチ、ラグーン、小さな港、日常生活の場面など、さまざまな現実の環境に目を向け、深く個人的な印象から共鳴的なものへと変化する、空想的でも現実的でもない記憶の靄の中にそれらを投影している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e生のフィールド・レコーディングと加工されたもの、そしてシンセサイザーで作られた風景を融合させたCardosoは、決して音の観光に躊躇することなく、鮮明でありながら夢幻的で、困惑と安らぎ、そして逃避を感じさせる不思議な感覚に満ちた小気味よいテイクを生み出している。不規則なパターンに癒される「Bufadeiros de São Vicente」の砕け散る波は、ブラック・ダイスの「Beaches \u0026amp; Camp」から完全に離れてはいない孤独なエコー・トーンと混ざり合い、キャニオンの最も物悲しいパッセージは「La Cueva\u0026amp;nbsp;Scuba Livre」の水中アンビエンスと浮遊パッドへと流れ込む。さらに進むと、「Noite em Rabo de Peixe」の気持ちの悪い暖かいコードと擦れるようなつぶやきは、夜のフレーミングを映し出し、「Rãs em Xoxo」は純粋なコンクレートに近づき、「Cozido da Caldeira Velha」のノスタルジアの中に残る控えめな不安感と交差して、ボード・オブ・カナダのヴィネットの靄の中に充満している。このアルバムの静かな叙事詩のような「Salinas de Pedra Lume」は、その風景の過去の生活と未来の祟りを呼び起こし、ひび割れたフィールドレコーディング、朽ち果てたシンセ、フルートのような遠吠え（あるいは遠吠えのようなフルート？）が混じる。この曲は、Cardoso自身のものとは限らないが、過去に存在したものから垣間見ることができる。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2450393434\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dipa\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dipa\"\u003ehere\u003c\/a\u003e to see more Discrepant \/ Keroxen \/ Sucata Tapes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl in full color sleeve.\u003cbr\u003eEdition of 300. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Bufadeiros de São Vicente (São Vincente, Cabo Verde) 02:53\u003cbr\u003e2. La Cueva Scuba Libre (La Gomera, Canarias) 05:36\u003cbr\u003e3. Chá da Gorreana (São Miguel, Açores)\u003cbr\u003e4. Noite em Rabo De Peixe (São Miguel, Açores)\u003cbr\u003e5. Pardelas - Dueto (La Gomera, Canarias)\u003cbr\u003e6. Rãs em Xoxo (Santo Antão, Cabo Verde) 04:00\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. El Chat Gracioso (La Graciosa, Canarias)\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Cozido na Caldeira Velha (São Miguel, Açores) 02:17\u003cbr\u003e\u003c\/span\u003e9. Salinas de Pedra Lume ( Sal, Cabo Verde)\u003cbr\u003e10. Noche en Punta Brava (Tenerife, Canarias)\u003cbr\u003e11. A Lagoa do Combro (São Miguel, Açores)\u003cbr\u003e12. Piedras Húmedas en Castro (Tenerife, Canarias)\u003cbr\u003e13. Digestão nas Furnas (São Miguel, Açores) 02:25\u003cbr\u003e14. O Peixe tá Congelado (Santo Antão, Cabo Verde)\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eDiscrepant:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAfter impressions of Unguja and Borneo islands, Discrepant's chieftain Gonçalo F. Cardoso continues his sonic travelogue on insularity with 'Impressões de Várias Ilhas'.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLiterally translated as \"impressions from various islands\", this third tome dwells on recordings and inspirations from three archipelagos of Macaronesia. Soaking in the sounds and recollections from Azores, Cape Verde and Canary Islands these diaristic endeavours spread throughout a number of real environments, from water caves and black stone beaches and lagoons to small harbours and everyday life scenarios, to project them into this not quite imaginary but not quite real memory haze that goes from a deeply personal impression to a resonating one.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMelding raw field recordings with processed ones and synthesized landscapes, Cardoso never falters into sonic tourism, conjuring small-ish takes both vivid and dreamy, infused with a sense of wonder that feels both bewildering, comforting and escapist. The breaking waves of 'Bufadeiros de São Vicente' soothing in their irregular pattern, mingling with the lone echoing tones not completely removed from Black Dice's 'Beaches \u0026amp; Canyon's most pensive passages, flow into the underwater ambience and suspended pads of 'La Cueva\u003cspan class=\"bcTruncateMore\"\u003e Scuba Livre', as reflections of the same sea crashing in on different lands, nature's psychogeography. Further on, the queasy warm chord and scraping murmurs of 'Noite em Rabo de Peixe' mirror their nighttime framing while 'Rãs em Xoxo' veers closer to pure musique concréte, crossed by a subdued feeling of unease that lingers in the nostalgia of 'Cozido da Caldeira Velha', brimming within the haze of a Boards of Canada vignette. Summoning the past lives and future hauntings of its scenery, 'Salinas de Pedra Lume' is like the quiet epic of the album, meandering into the unknown among crackling field recordings, decaying synths and flute-like howls - or is it howl-like flutes? - recurring as glimpses from foregone existences, not necessarily Gonçalo's own. Maybe ours?\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Gonçalo F. Cardoso\u003c\/p\u003e\n\u003cp\u003eLabel : Discrepant\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCREP107\u003c\/span\u003e\u003c\/p\u003e"}

ポルトガル・リスボンの密林系音楽の大巣窟Discrepant主宰Gonçalo F. Cardoso aka Gonzoが、2025年6月にリリースしたレコードです。異熱帯ストレンジビーツ〜アンビエント・エキゾチカ14曲を収録。マスタリングはRashed Beckerが担当しています。前作もオススメです。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ以下、レーベルによる解説です。 "ウングジャ島とボルネオ島の印象に続き、Discrepant首領Gonçalo F. Cardosoは、「Impressões...

¥3,980

クイックビュー {"id":8859901460730,"title":"Paul Pèrrim \/\/ Itara LP","handle":"paul-perrim-itara-lp","description":"\u003cp\u003eテネリフェ島のギタリスト／人類学者Paul Pèrrimが、2025年7月にリスボンの密林系音楽の大巣窟Discrepant傘下KEROXENからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eアンビエント・ブルース〜アメリカーナ・ドローン10曲を収録。\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ギタリスト、作曲家、人類学者であるPaul Pèrrimのソロデビューアルバム『Itara』は、幻覚的なアシッドフォーク、アブストラクト・ブルース、突然変異的なイースタン・ジャズ、超現実的なアンビエント、フリーインプロヴィゼーションを融合させ、鮮やかで独特な音のタペストリーに仕上げたギタープレイが特徴的である。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e民族音楽学と音楽教育の学位を持つペルリムの作品は、ポピュラー音楽と実験音楽の架け橋となっている。アコースティック・ギターの厳格さとエレクトリック・ギターの広大な可能性を対比させながら、60年代後半のプリミティブ、現代のフィンガースタイル、サウンドコラージュ、ドローン、サイケデリア、即興演奏などを取り入れている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=253041933\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1697106859\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=253041933\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dipa\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dipa\"\u003ehere\u003c\/a\u003e to see more Discrepant \/ Keroxen \/ Sucata Tapes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Arkusmaliketus 05:27\u003cbr\u003e2. Furcarkis\u003cbr\u003e3. Xankenofa\u003cbr\u003e4. Olekta 04:02\u003cbr\u003e5. Xileikan\u003cbr\u003e6. Durrisan 01:20\u003cbr\u003e7. Deiman 02:25\u003cbr\u003e8. Barbarchu\u003cbr\u003e9. Mousell\u003cbr\u003e10. Sachsas \u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eDiscrepant:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003c\/em\u003e\u003cem\u003eItara is the debut solo album by Paul Pèrrim—guitarist, composer, and anthropologist—featuring a set of guitar-driven compositions that blend hallucinatory acid folk, abstract blues, mutant Eastern jazz, surreal ambient, and free improvisation into a vivid and distinctive sonic tapestry. \u003cbr\u003e\u003cbr\u003eWith a background in ethnomusicology and a degree in Music Education, Pèrrim’s work bridges popular and experimental music. He contrasts the acoustic guitar’s austerity with the expansive possibilities of the electric guitar, drawing from late ’60s folk traditions, contemporary fingerstyle, sound collage, drone, psychedelia, and improvisation. \u003cbr\u003e\u003cbr\u003eA key figure in the Canary Islands’ experimental scene, he released two albums in the 2010s under The Transistor Arkestra, a Catalan collective merging free jazz and psychedelia. As Transistor Eye, his solo project, he merges analog electronics with guitar, using vintage synths and effects. \u003cbr\u003e\u003cbr\u003eIn 2022, Pèrrim gained wider recognition through his appearance on Manos Ocultas (Philatelia Records) and the international tribute Solstice: A Tribute to Steffen Basho-Junghans (Obsolete Recordings). That same year, he founded GUITARRACO, a\u003cspan class=\"bcTruncateMore\"\u003e contemporary guitar festival in Tarragona, where he has shared the stage with Joseba Irazoki, Buck Curran, and Raphael Roginski. \u003cbr\u003e\u003cbr\u003eRecorded and produced by Pèrrim, the album features liner notes by critic Bill Meyer, who writes: \u003cbr\u003e\u003cbr\u003e“While it’s common to call music cinematic these days, Pèrrim goes split-screen. One might say he composes econo, jamming scenes and sounds to psychedelic effect. But economy does not equate with poverty. Pèrrim draws upon a rich bank of musical notions, all of which he makes his own through the alchemy of recombination and transmutation.”\u003c\/span\u003e\u003cspan\u003e \u003cbr\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Paul Pèrrim\u003c\/p\u003e\n\u003cp\u003eLabel : Discrepant \/ KEROXEN\u003c\/p\u003e\n\u003cp\u003ecat no : KRXN#049\u003c\/p\u003e","published_at":"2025-07-14T13:03:34+09:00","created_at":"2025-07-14T12:53:13+09:00","vendor":"Tobira Records","type":"","tags":["ambient","Discrepant","folk \/ left-field pop","lp","new","recommended"],"price":398000,"price_min":398000,"price_max":398000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47510396895482,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Paul Pèrrim \/\/ Itara LP","public_title":null,"options":["Default Title"],"price":398000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a0928442199_10.jpg?v=1752465678"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0928442199_10.jpg?v=1752465678","options":["Title"],"media":[{"alt":null,"id":36374729818362,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0928442199_10.jpg?v=1752465678"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0928442199_10.jpg?v=1752465678","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eテネリフェ島のギタリスト／人類学者Paul Pèrrimが、2025年7月にリスボンの密林系音楽の大巣窟Discrepant傘下KEROXENからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eアンビエント・ブルース〜アメリカーナ・ドローン10曲を収録。\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ギタリスト、作曲家、人類学者であるPaul Pèrrimのソロデビューアルバム『Itara』は、幻覚的なアシッドフォーク、アブストラクト・ブルース、突然変異的なイースタン・ジャズ、超現実的なアンビエント、フリーインプロヴィゼーションを融合させ、鮮やかで独特な音のタペストリーに仕上げたギタープレイが特徴的である。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e民族音楽学と音楽教育の学位を持つペルリムの作品は、ポピュラー音楽と実験音楽の架け橋となっている。アコースティック・ギターの厳格さとエレクトリック・ギターの広大な可能性を対比させながら、60年代後半のプリミティブ、現代のフィンガースタイル、サウンドコラージュ、ドローン、サイケデリア、即興演奏などを取り入れている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=253041933\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1697106859\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=253041933\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dipa\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dipa\"\u003ehere\u003c\/a\u003e to see more Discrepant \/ Keroxen \/ Sucata Tapes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Arkusmaliketus 05:27\u003cbr\u003e2. Furcarkis\u003cbr\u003e3. Xankenofa\u003cbr\u003e4. Olekta 04:02\u003cbr\u003e5. Xileikan\u003cbr\u003e6. Durrisan 01:20\u003cbr\u003e7. Deiman 02:25\u003cbr\u003e8. Barbarchu\u003cbr\u003e9. Mousell\u003cbr\u003e10. Sachsas \u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eDiscrepant:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003c\/em\u003e\u003cem\u003eItara is the debut solo album by Paul Pèrrim—guitarist, composer, and anthropologist—featuring a set of guitar-driven compositions that blend hallucinatory acid folk, abstract blues, mutant Eastern jazz, surreal ambient, and free improvisation into a vivid and distinctive sonic tapestry. \u003cbr\u003e\u003cbr\u003eWith a background in ethnomusicology and a degree in Music Education, Pèrrim’s work bridges popular and experimental music. He contrasts the acoustic guitar’s austerity with the expansive possibilities of the electric guitar, drawing from late ’60s folk traditions, contemporary fingerstyle, sound collage, drone, psychedelia, and improvisation. \u003cbr\u003e\u003cbr\u003eA key figure in the Canary Islands’ experimental scene, he released two albums in the 2010s under The Transistor Arkestra, a Catalan collective merging free jazz and psychedelia. As Transistor Eye, his solo project, he merges analog electronics with guitar, using vintage synths and effects. \u003cbr\u003e\u003cbr\u003eIn 2022, Pèrrim gained wider recognition through his appearance on Manos Ocultas (Philatelia Records) and the international tribute Solstice: A Tribute to Steffen Basho-Junghans (Obsolete Recordings). That same year, he founded GUITARRACO, a\u003cspan class=\"bcTruncateMore\"\u003e contemporary guitar festival in Tarragona, where he has shared the stage with Joseba Irazoki, Buck Curran, and Raphael Roginski. \u003cbr\u003e\u003cbr\u003eRecorded and produced by Pèrrim, the album features liner notes by critic Bill Meyer, who writes: \u003cbr\u003e\u003cbr\u003e“While it’s common to call music cinematic these days, Pèrrim goes split-screen. One might say he composes econo, jamming scenes and sounds to psychedelic effect. But economy does not equate with poverty. Pèrrim draws upon a rich bank of musical notions, all of which he makes his own through the alchemy of recombination and transmutation.”\u003c\/span\u003e\u003cspan\u003e \u003cbr\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Paul Pèrrim\u003c\/p\u003e\n\u003cp\u003eLabel : Discrepant \/ KEROXEN\u003c\/p\u003e\n\u003cp\u003ecat no : KRXN#049\u003c\/p\u003e"}

ベルギーのノイズ作家Snake Oil Merchantsが、2025年5月にカナダ・カルガリーのノイズレーベルPube Provisional Societyからリリースしたカセットです。癒しすら感じる破壊音ハーシュノイズ2曲を収録。版元即完のため今回限りの入荷となります。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませレーベルその他作品はこちら /// Click here to see more...

¥2,126

クイックビュー {"id":8857792774394,"title":"Noise Nomads \/\/ Obsidian shards pooled in Silver LP","handle":"noise-nomads-obsidian-shards-pooled-in-silver-lp","description":"\u003cp\u003eアメリカのノイズ作家Noise Nomadsが、2025年6月にBill Nace主宰レーベルOpen Mouthから100部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eサイケデリックなハーシュノイズ2曲を収録。版元即完のため最初で最後の入荷となります。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3823225353\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003ehere\u003c\/a\u003e to see more Open Mouth releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eEdition of 100. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. This light intoxication: the madness of candor 17:38\u003cbr\u003e2. Full Steam 17:32\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eFrom the artist:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTwo years ago I gained access to a practice spot for the first time. Until now my whole career in sound was built on putting my ideas to the test in front of people in live situations. That whole period of almost 30 years was a steady stream of changing ideas and modes of operation. The intent was to keep it interesting for myself and for the audience. Trying something new every time I performed.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhen the pandemic hit and people were trying to maintain their levels of social\/creative output with live streaming themselves. I had the personal realization that I could take a break from the endless road of live performance. So I stopped playing for two years. Coming out of the pandemic I was less interested in such a deep focus on live performance. The practice spot gave me the opportunity to truly play for myself. A welcome change. I began focusing on a singular idea. Study that idea the way a jazz musician is dedicated to his instrument.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis is the set up I’ve been working with for the past two years: I had found an industrial metal table at work and promptly put a contact mic on it. Started using a singing bowl on the table with various effects. Along with an oscillator, brushes and a spring stretched on a 4’ piece of spruce. I also use a modified Korg Monotron. I like the way the singing bowl resonates thru the table. The percussive element of the brushes and spring maintain the visceral aspects while I feel that the bowl and oscillator represent an attempt to find a deeper focus and thoughtfulness in what I do with sound.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI recorded the record at my studio in Erving, ma. My relationship with recording has always been challenging. I find paying for time at a recording studio to be stressful and I tend to not like what comes out of those laboratory situations.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI have a very simple approach these days. I might fill a few blown out tracks on the ol’ Tascam. Then I will give it a quick live edit and mix down to a master tape. I don’t have a lot of patience for learning techniques or technology. I don’t have a computerized recording setup.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe recording for Bill was born out of frustration with the recording process. It took me a long time to get off my ass and document what I’ve been doing. Once I did it came together quickly. One day to record and the next day to re listen and mix. This recording was also heavily inspired by the work of a friend and I think it shows thru in the directness of the material.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI first got into music through my father’s country records and skateboarding videos. Then at some point a desire for more challenging and dynamic sounds took hold of me. I’ve been chasing difficult music ever since. The Do it yourself attitude from punk rock scene of the nineties is what drove me to start making my own music. I didn’t have like minded friends in high school to start a band with. So I played alone and made noise.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHistorically playing music has always been a visceral experience for me. I don’t spend too much time thinking about or debating what I should or shouldn’t do. I just tend to go for it and hope I will succeed with an idea.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI loved LA for the change of scenery. During my time out there I drove around everywhere and enjoyed being in a natural environment that was different from New England. I played a handful of shows and enjoyed checking out the local music and art scene as well. In a moment of weakness I decided to come home. So I hopped on an Amtrak back to WMass. I have 4 nieces and wanted to get to know them instead of being that uncle they might meet once. My time there was brief and I miss it.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Noise Nomads\u003c\/p\u003e\n\u003cp\u003eLabel : Open Mouth\u003c\/p\u003e\n\u003cp\u003ecat no : OM76\u003c\/p\u003e","published_at":"2025-07-13T14:36:29+09:00","created_at":"2025-07-11T11:03:29+09:00","vendor":"Tobira Records","type":"","tags":["lp","new","noise","open mouth","recommended"],"price":497700,"price_min":497700,"price_max":497700,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47502291763450,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Noise Nomads \/\/ Obsidian shards pooled in Silver LP","public_title":null,"options":["Default Title"],"price":497700,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/pool1_1ea171f9-bc2e-445b-aeee-eeacc08008c8.jpg?v=1752199310","\/\/tobirarecords.com\/cdn\/shop\/files\/pool2.jpg?v=1752199310"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/pool1_1ea171f9-bc2e-445b-aeee-eeacc08008c8.jpg?v=1752199310","options":["Title"],"media":[{"alt":null,"id":36352371687674,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pool1_1ea171f9-bc2e-445b-aeee-eeacc08008c8.jpg?v=1752199310"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pool1_1ea171f9-bc2e-445b-aeee-eeacc08008c8.jpg?v=1752199310","width":700},{"alt":null,"id":36352371720442,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pool2.jpg?v=1752199310"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pool2.jpg?v=1752199310","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのノイズ作家Noise Nomadsが、2025年6月にBill Nace主宰レーベルOpen Mouthから100部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eサイケデリックなハーシュノイズ2曲を収録。版元即完のため最初で最後の入荷となります。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3823225353\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003ehere\u003c\/a\u003e to see more Open Mouth releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eEdition of 100. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. This light intoxication: the madness of candor 17:38\u003cbr\u003e2. Full Steam 17:32\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eFrom the artist:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTwo years ago I gained access to a practice spot for the first time. Until now my whole career in sound was built on putting my ideas to the test in front of people in live situations. That whole period of almost 30 years was a steady stream of changing ideas and modes of operation. The intent was to keep it interesting for myself and for the audience. Trying something new every time I performed.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhen the pandemic hit and people were trying to maintain their levels of social\/creative output with live streaming themselves. I had the personal realization that I could take a break from the endless road of live performance. So I stopped playing for two years. Coming out of the pandemic I was less interested in such a deep focus on live performance. The practice spot gave me the opportunity to truly play for myself. A welcome change. I began focusing on a singular idea. Study that idea the way a jazz musician is dedicated to his instrument.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis is the set up I’ve been working with for the past two years: I had found an industrial metal table at work and promptly put a contact mic on it. Started using a singing bowl on the table with various effects. Along with an oscillator, brushes and a spring stretched on a 4’ piece of spruce. I also use a modified Korg Monotron. I like the way the singing bowl resonates thru the table. The percussive element of the brushes and spring maintain the visceral aspects while I feel that the bowl and oscillator represent an attempt to find a deeper focus and thoughtfulness in what I do with sound.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI recorded the record at my studio in Erving, ma. My relationship with recording has always been challenging. I find paying for time at a recording studio to be stressful and I tend to not like what comes out of those laboratory situations.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI have a very simple approach these days. I might fill a few blown out tracks on the ol’ Tascam. Then I will give it a quick live edit and mix down to a master tape. I don’t have a lot of patience for learning techniques or technology. I don’t have a computerized recording setup.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe recording for Bill was born out of frustration with the recording process. It took me a long time to get off my ass and document what I’ve been doing. Once I did it came together quickly. One day to record and the next day to re listen and mix. This recording was also heavily inspired by the work of a friend and I think it shows thru in the directness of the material.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI first got into music through my father’s country records and skateboarding videos. Then at some point a desire for more challenging and dynamic sounds took hold of me. I’ve been chasing difficult music ever since. The Do it yourself attitude from punk rock scene of the nineties is what drove me to start making my own music. I didn’t have like minded friends in high school to start a band with. So I played alone and made noise.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHistorically playing music has always been a visceral experience for me. I don’t spend too much time thinking about or debating what I should or shouldn’t do. I just tend to go for it and hope I will succeed with an idea.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI loved LA for the change of scenery. During my time out there I drove around everywhere and enjoyed being in a natural environment that was different from New England. I played a handful of shows and enjoyed checking out the local music and art scene as well. In a moment of weakness I decided to come home. So I hopped on an Amtrak back to WMass. I have 4 nieces and wanted to get to know them instead of being that uncle they might meet once. My time there was brief and I miss it.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Noise Nomads\u003c\/p\u003e\n\u003cp\u003eLabel : Open Mouth\u003c\/p\u003e\n\u003cp\u003ecat no : OM76\u003c\/p\u003e"}