Emrauh // DUR003 12inch

¥2,494

Write a review

Item no:
Availability:

ドイツのテクノ作家Emrauhが、2016年に同国ライプツィヒの地下ダンスレーベルDURからリリースした最初で最後の作品です。

ディープ・ミニマルテクノ4曲を収録。

レーベルその他作品はこちら /// Click here to see more DUR Records releases available at Tobira.

-----------------------------------------

12" black vinyl.

Tracklist:

1. torrens 06:42
2. Eigengrau 04:04
3. Last Juno 06:38
4. seul 05:44

Artist : Emrauh

Label : DUR Records

cat no : DUR003

Quantity

+ -

ドイツのテクノ作家Emrauhが、2016年に同国ライプツィヒの地下ダンスレーベルDURからリリースした最初で最後の作品です。

ディープ・ミニマルテクノ4曲を収録。

レーベルその他作品はこちら /// Click here to see more DUR Records releases available at Tobira.

-----------------------------------------

12" black vinyl.

Tracklist:

1. torrens 06:42
2. Eigengrau 04:04
3. Last Juno 06:38
4. seul 05:44

Artist : Emrauh

Label : DUR Records

cat no : DUR003

Related Products

クイックビュー {"id":8851509313786,"title":"Folk Bitch Trio \/\/ Now Would Be A Good Time LP [COLOR] [PRE-ORDER]","handle":"folk-bitch-trio-now-would-be-a-good-time-lp-color","description":"\u003cp\u003eオーストラリア・メルボルンのインディーバンドFolk Bitch Trioが、2025年7月にアメリカ・インディアナのインディーレーベルJagjaguwarからリリースしたデビューレコードです。\u003c\/p\u003e\n\u003cp\u003eインディーフォーク10曲を収録。クリア盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3178399713\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3694044535\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3178399713\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3012270633\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/jgjgr\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/jgjgr\"\u003ehere\u003c\/a\u003e to see more Jagjaguar releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRELEASE DATE: \u003cmeta charset=\"utf-8\"\u003eJuly 25th 2025\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e12\" clear vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. God's a Different Sword 03:19\u003cbr\u003e2. Hotel TV\u003cbr\u003e3. The Actor 02:50\u003cbr\u003e4. Moth Song 05:03\u003cbr\u003e5. I'll Find A Way (To Carry It All)\u003cbr\u003e6. Cathode Ray 04:09\u003cbr\u003e7. Foreign Bird\u003cbr\u003e8. That’s All She Wrote\u003cbr\u003e9. Sarah\u003cbr\u003e10. Mary’s Playing the Harp\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFolk music has a bad habit of being presented as a deathly serious concern. It’s something you cry to, it’s overly sacred, it’s solemnly considered by critic-historians. But Folk Bitch Trio, former high school friends Heide Peverelle (they\/them), Jeanie Pilkington (she\/her) and Gracie Sinclair (she\/her), have a shared sense of humour that is embedded deep in their music, and that sets it alight, safe from the self-serious traps of the genre.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNow Would Be A Good Time, their debut album, tells vivid, visceral stories, and is funny and darkly ironic in the manner of writers like Mary Gaitskill or Otessa Moshfegh. Their music sounds familiar, but the songs are modern, youthful, singing acutely through dissociative daydreams and galling breakups, sexual fantasies and media overload, all the petty resentments and minor humiliations of being in your early twenties in the 2020s.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“Cathode Ray” opens with caution, its first harmonies arriving in big, looping sighs. It’s vulnerable but a little menacing, with a wide open chorus and a spacious, airy beat anchoring everything. “Moth Song”, a song about unrequited love and “being so spun out by everything that you feel like you’re delusional and hallucinating crazy things,” forms the album’s spare centrepiece, Anita Clark’s\u003cspan class=\"bcTruncateMore\"\u003e undulating violin part drifting in and out of focus as if from a dream.\u003cbr\u003e\u003cbr\u003eOther songs aren’t as oblique, instead chronicling brutally familiar moments at the end of relationships: The tense, emotionally volatile torch song “The Actor”, says Peverelle, is about “going to your partner’s one-woman show and then getting broken up with”. “Hotel TV”, a hypnotic, late-night reverie, is about “having a sex dream about somebody else while next to your partner, and your partner being a liar,” explains Pilkington.\u003cbr\u003e\u003cbr\u003eThe strongest link between the trio, aside from friendship, is music. “We all talked about loving music when we were growing up, and knowing we wanted music to be a big part of our lives,” says Pilkington. That feeling—of music as an innate calling, as opposed to hobby or folly—was justified: Folk Bitch Trio have already toured across Australia, Europe and the US, supporting bands as disparate as King Gizzard, Alex G and Julia Jacklin. They’ve signed with Jagjaguwar, a home for singular icons and iconoclasts (Bon Iver, Angel Olsen, Sharon Van Etten, UMO and others), and they’ve found their first diehard fans with dazzling harmonies and acerbic lyricism that transcend genre expectations and audience lines.\u003cbr\u003e\u003cbr\u003eThese are the stakes: Learning how to live a life free of lovesickness and loser exes, when to sink into contemporary nihilism and when to have a laugh with your friends, and why being alive can feel so ephemeral and unreal. In this sense, Now Would Be A Good Time feels like a manual for modern living: a missive from three proud Folk Bitches finding beauty and wisdom where they can, together.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Folk Bitch Trio\u003c\/p\u003e\n\u003cp\u003eLabel : Jagjaguar\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eJAG471lp-C1\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-07-06T12:50:51+09:00","created_at":"2025-07-05T11:06:14+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","jagjaguar","lp","new"],"price":359500,"price_min":359500,"price_max":359500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47479649206522,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Folk Bitch Trio \/\/ Now Would Be A Good Time LP [COLOR] [PRE-ORDER]","public_title":null,"options":["Default Title"],"price":359500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"656605247137","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/now1_96b1729c-3e24-4a9b-b276-b13c1afd324c.jpg?v=1751680995","\/\/tobirarecords.com\/cdn\/shop\/files\/now2_201b2827-1f8e-49d9-82c6-3590a86f1760.jpg?v=1751680995"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/now1_96b1729c-3e24-4a9b-b276-b13c1afd324c.jpg?v=1751680995","options":["Title"],"media":[{"alt":null,"id":36321200111866,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/now1_96b1729c-3e24-4a9b-b276-b13c1afd324c.jpg?v=1751680995"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/now1_96b1729c-3e24-4a9b-b276-b13c1afd324c.jpg?v=1751680995","width":700},{"alt":null,"id":36321200144634,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/now2_201b2827-1f8e-49d9-82c6-3590a86f1760.jpg?v=1751680995"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/now2_201b2827-1f8e-49d9-82c6-3590a86f1760.jpg?v=1751680995","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリア・メルボルンのインディーバンドFolk Bitch Trioが、2025年7月にアメリカ・インディアナのインディーレーベルJagjaguwarからリリースしたデビューレコードです。\u003c\/p\u003e\n\u003cp\u003eインディーフォーク10曲を収録。クリア盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3178399713\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3694044535\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3178399713\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3012270633\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/jgjgr\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/jgjgr\"\u003ehere\u003c\/a\u003e to see more Jagjaguar releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRELEASE DATE: \u003cmeta charset=\"utf-8\"\u003eJuly 25th 2025\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e12\" clear vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. God's a Different Sword 03:19\u003cbr\u003e2. Hotel TV\u003cbr\u003e3. The Actor 02:50\u003cbr\u003e4. Moth Song 05:03\u003cbr\u003e5. I'll Find A Way (To Carry It All)\u003cbr\u003e6. Cathode Ray 04:09\u003cbr\u003e7. Foreign Bird\u003cbr\u003e8. That’s All She Wrote\u003cbr\u003e9. Sarah\u003cbr\u003e10. Mary’s Playing the Harp\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFolk music has a bad habit of being presented as a deathly serious concern. It’s something you cry to, it’s overly sacred, it’s solemnly considered by critic-historians. But Folk Bitch Trio, former high school friends Heide Peverelle (they\/them), Jeanie Pilkington (she\/her) and Gracie Sinclair (she\/her), have a shared sense of humour that is embedded deep in their music, and that sets it alight, safe from the self-serious traps of the genre.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNow Would Be A Good Time, their debut album, tells vivid, visceral stories, and is funny and darkly ironic in the manner of writers like Mary Gaitskill or Otessa Moshfegh. Their music sounds familiar, but the songs are modern, youthful, singing acutely through dissociative daydreams and galling breakups, sexual fantasies and media overload, all the petty resentments and minor humiliations of being in your early twenties in the 2020s.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“Cathode Ray” opens with caution, its first harmonies arriving in big, looping sighs. It’s vulnerable but a little menacing, with a wide open chorus and a spacious, airy beat anchoring everything. “Moth Song”, a song about unrequited love and “being so spun out by everything that you feel like you’re delusional and hallucinating crazy things,” forms the album’s spare centrepiece, Anita Clark’s\u003cspan class=\"bcTruncateMore\"\u003e undulating violin part drifting in and out of focus as if from a dream.\u003cbr\u003e\u003cbr\u003eOther songs aren’t as oblique, instead chronicling brutally familiar moments at the end of relationships: The tense, emotionally volatile torch song “The Actor”, says Peverelle, is about “going to your partner’s one-woman show and then getting broken up with”. “Hotel TV”, a hypnotic, late-night reverie, is about “having a sex dream about somebody else while next to your partner, and your partner being a liar,” explains Pilkington.\u003cbr\u003e\u003cbr\u003eThe strongest link between the trio, aside from friendship, is music. “We all talked about loving music when we were growing up, and knowing we wanted music to be a big part of our lives,” says Pilkington. That feeling—of music as an innate calling, as opposed to hobby or folly—was justified: Folk Bitch Trio have already toured across Australia, Europe and the US, supporting bands as disparate as King Gizzard, Alex G and Julia Jacklin. They’ve signed with Jagjaguwar, a home for singular icons and iconoclasts (Bon Iver, Angel Olsen, Sharon Van Etten, UMO and others), and they’ve found their first diehard fans with dazzling harmonies and acerbic lyricism that transcend genre expectations and audience lines.\u003cbr\u003e\u003cbr\u003eThese are the stakes: Learning how to live a life free of lovesickness and loser exes, when to sink into contemporary nihilism and when to have a laugh with your friends, and why being alive can feel so ephemeral and unreal. In this sense, Now Would Be A Good Time feels like a manual for modern living: a missive from three proud Folk Bitches finding beauty and wisdom where they can, together.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Folk Bitch Trio\u003c\/p\u003e\n\u003cp\u003eLabel : Jagjaguar\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eJAG471lp-C1\u003c\/span\u003e\u003c\/p\u003e"}

オーストラリア・メルボルンのインディーバンドFolk Bitch Trioが、2025年7月にアメリカ・インディアナのインディーレーベルJagjaguwarからリリースしたデビューレコードです。インディーフォーク10曲を収録。クリア盤です。レーベルその他作品はこちら /// Click here to see more Jagjaguar releases available at Tobira. -------------------------------------------...

¥3,595

クイックビュー {"id":8851554599162,"title":"Avenir \/\/ Primitive Maxi Trial LP","handle":"avenir-primitive-maxi-trial-lp","description":"\u003cp\u003e\u003cspan\u003eイタリア・パレルモのエレクトロニック作家Emiliano Pennisi aka Avenirが、2025年7月にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyegeからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNo-Fiテクノ〜コラージュストレンジビーツ11曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『Primitive Maxi Trial』は、パレルモを拠点に活動するプロデューサーで、Paradigmaコレクティブ（DerFreitag、Algoritmo）のアンダーグラウンドで活躍するEmiliano Pennisiのアーカイヴから発掘された、タイムワープした作品である。Heat Crimesからリリースされるこのアーカイブは、回顧展というよりは、デジタル以前のアンダーグラウンドの断片を埃っぽいLo-Fiな色合いで表現した、幽霊のようなアーティファクトのような印象を受ける。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e90年代後半から2000年代半ばにかけて制作された音源から集められたPrimitive Maxi Trialは、初期のDAWフェティシズムと海賊の美学、そしてポップカルチャーの残滓に対するスカベンジャーの耳とが出会う曖昧なゾーンを占めている。クラックされたVST（Albino、SubBoomBass）、MPC 1000のグリット、そしてFuture MusicやComputer MusicのカバーディスクからリッピングされたCD-ROMサンプル・ライブラリ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e通常のゴーストボックスのパスティーシュ的な意味ではなく、より生々しく、より地域特有のものである。これらのトラックは、マフィア・マキシ裁判の影が迫る中、パラノイア、インフォーマルな空間、文化の分断に満ちた街で作られた。圧縮されたテクスチャー、鉄の肺のような雰囲気、殺伐としたユーモラスな並置は、マーク・レッキーのインスタレーション・サウンドトラックを聴いても違和感がない。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eしかし、これは単なるノスタルジーではない。ペニシのコンポジションは、IDMのジリジリとしたメランコリー、ノーファイ・テクノ、アンビエント・デトリタス、グロテスクなレイヴ・ミスファイアーの間を、ほとんどアウトサイダーアートのような感覚ですり抜けていく。超現実的なカットは、テープが歪んだような、本当にあったのかわからない夜の思い出のように見える。最高の瞬間、Primitive Maxi Trialはリリースのためではなく、儀式のために作られた音楽のように感じられる。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2122272302\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes \/ Heat Crimes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. CVS Recipes 01:30\u003cbr\u003e2. Kinisia 02:36\u003cbr\u003e3. Capo Teulada 03:06\u003cbr\u003e4. Al-Maqar 02:28\u003cbr\u003e5. Floppyswap.co.uk 06:46\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Petal 03:04\u003cbr\u003e\u003c\/span\u003e7. Flaccid Ego 04:44\u003cbr\u003e8. Birds Aren't Rea 02:50\u003cbr\u003e9. Atrx-Mrg 04:13\u003cbr\u003e10. Just Friends 05:52\u003cbr\u003e11. Ephemeral 01:49\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eHeat Crimes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePrimitive Maxi Trial is a time-warped excavation from the archives of Emiliano Pennisi, the Palermo-based producer and underground fixture behind the Paradigma collective (DerFreitag, Algoritmo). Surfacing on the Heat Crimes imprint, this archival transmission feels less like a retrospective and more like a haunted artifact – a fragment of the pre-digital underground rendered in dusty, lo-fi hues.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDrawn from material produced between the late ’90s and mid-2000s, Primitive Maxi Trial occupies a blurred zone where early DAW fetishism meets pirate aesthetics and a scavenger’s ear for pop-cultural residue. Think cracked VSTs (Albino, SubBoomBass), MPC 1000 grit, and CD-ROM sample libraries ripped from Future Music and Computer Music cover discs—long-lost sonic ephemera unearthed like forgotten VHS tapes in the backroom of a failing electronics shop.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThere’s an unmistakable hauntological hue here—not in the usual Ghost Box pastiche sense, but something rawer, more regionally specific. These tracks were forged under the looming shadow of the Mafia Maxi Trial, in a city fraught with paranoia, informal spaces, and cultural fragmentation. That tension bleeds into the music: compressed textures, iron-lung atmospheres, and bleakly\u003cspan class=\"bcTruncateMore\"\u003e humorous juxtapositions that wouldn’t feel out of place soundtracking a Mark Leckey installation.\u003cbr\u003e\u003cbr\u003eBut this isn’t mere nostalgia. Pennisi’s compositions slip between IDM's jittery melancholy, no-fi techno, ambient detritus, and grotesque rave misfires with an almost outsider art sensibility. Surreal cuts appear like tape-warped memories of nights out you’re not sure really happened. In the best moments, Primitive Maxi Trial feels like music made not for release but for ritual—claustrophobic yet oddly liberating, deeply personal yet disarmingly tongue-in-cheek.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Avenir\u003c\/p\u003e\n\u003cp\u003eLabel : Heat Crimes\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eHC022\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-07-06T12:28:40+09:00","created_at":"2025-07-05T12:48:48+09:00","vendor":"Tobira Records","type":"","tags":["heat crimes","lp","new","strange beats","techno \/ house"],"price":459000,"price_min":459000,"price_max":459000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47479724605690,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Avenir \/\/ Primitive Maxi Trial LP","public_title":null,"options":["Default Title"],"price":459000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/max.jpg?v=1751687244","\/\/tobirarecords.com\/cdn\/shop\/files\/max1_1547a3d6-95a3-4068-9479-10b0b831522e.jpg?v=1751687245"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/max.jpg?v=1751687244","options":["Title"],"media":[{"alt":null,"id":36321407500538,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/max.jpg?v=1751687244"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/max.jpg?v=1751687244","width":700},{"alt":null,"id":36321407533306,"position":2,"preview_image":{"aspect_ratio":0.867,"height":1200,"width":1040,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/max1_1547a3d6-95a3-4068-9479-10b0b831522e.jpg?v=1751687245"},"aspect_ratio":0.867,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/max1_1547a3d6-95a3-4068-9479-10b0b831522e.jpg?v=1751687245","width":1040}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eイタリア・パレルモのエレクトロニック作家Emiliano Pennisi aka Avenirが、2025年7月にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyegeからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNo-Fiテクノ〜コラージュストレンジビーツ11曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『Primitive Maxi Trial』は、パレルモを拠点に活動するプロデューサーで、Paradigmaコレクティブ（DerFreitag、Algoritmo）のアンダーグラウンドで活躍するEmiliano Pennisiのアーカイヴから発掘された、タイムワープした作品である。Heat Crimesからリリースされるこのアーカイブは、回顧展というよりは、デジタル以前のアンダーグラウンドの断片を埃っぽいLo-Fiな色合いで表現した、幽霊のようなアーティファクトのような印象を受ける。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e90年代後半から2000年代半ばにかけて制作された音源から集められたPrimitive Maxi Trialは、初期のDAWフェティシズムと海賊の美学、そしてポップカルチャーの残滓に対するスカベンジャーの耳とが出会う曖昧なゾーンを占めている。クラックされたVST（Albino、SubBoomBass）、MPC 1000のグリット、そしてFuture MusicやComputer MusicのカバーディスクからリッピングされたCD-ROMサンプル・ライブラリ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e通常のゴーストボックスのパスティーシュ的な意味ではなく、より生々しく、より地域特有のものである。これらのトラックは、マフィア・マキシ裁判の影が迫る中、パラノイア、インフォーマルな空間、文化の分断に満ちた街で作られた。圧縮されたテクスチャー、鉄の肺のような雰囲気、殺伐としたユーモラスな並置は、マーク・レッキーのインスタレーション・サウンドトラックを聴いても違和感がない。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eしかし、これは単なるノスタルジーではない。ペニシのコンポジションは、IDMのジリジリとしたメランコリー、ノーファイ・テクノ、アンビエント・デトリタス、グロテスクなレイヴ・ミスファイアーの間を、ほとんどアウトサイダーアートのような感覚ですり抜けていく。超現実的なカットは、テープが歪んだような、本当にあったのかわからない夜の思い出のように見える。最高の瞬間、Primitive Maxi Trialはリリースのためではなく、儀式のために作られた音楽のように感じられる。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2122272302\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes \/ Heat Crimes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. CVS Recipes 01:30\u003cbr\u003e2. Kinisia 02:36\u003cbr\u003e3. Capo Teulada 03:06\u003cbr\u003e4. Al-Maqar 02:28\u003cbr\u003e5. Floppyswap.co.uk 06:46\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Petal 03:04\u003cbr\u003e\u003c\/span\u003e7. Flaccid Ego 04:44\u003cbr\u003e8. Birds Aren't Rea 02:50\u003cbr\u003e9. Atrx-Mrg 04:13\u003cbr\u003e10. Just Friends 05:52\u003cbr\u003e11. Ephemeral 01:49\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eHeat Crimes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePrimitive Maxi Trial is a time-warped excavation from the archives of Emiliano Pennisi, the Palermo-based producer and underground fixture behind the Paradigma collective (DerFreitag, Algoritmo). Surfacing on the Heat Crimes imprint, this archival transmission feels less like a retrospective and more like a haunted artifact – a fragment of the pre-digital underground rendered in dusty, lo-fi hues.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDrawn from material produced between the late ’90s and mid-2000s, Primitive Maxi Trial occupies a blurred zone where early DAW fetishism meets pirate aesthetics and a scavenger’s ear for pop-cultural residue. Think cracked VSTs (Albino, SubBoomBass), MPC 1000 grit, and CD-ROM sample libraries ripped from Future Music and Computer Music cover discs—long-lost sonic ephemera unearthed like forgotten VHS tapes in the backroom of a failing electronics shop.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThere’s an unmistakable hauntological hue here—not in the usual Ghost Box pastiche sense, but something rawer, more regionally specific. These tracks were forged under the looming shadow of the Mafia Maxi Trial, in a city fraught with paranoia, informal spaces, and cultural fragmentation. That tension bleeds into the music: compressed textures, iron-lung atmospheres, and bleakly\u003cspan class=\"bcTruncateMore\"\u003e humorous juxtapositions that wouldn’t feel out of place soundtracking a Mark Leckey installation.\u003cbr\u003e\u003cbr\u003eBut this isn’t mere nostalgia. Pennisi’s compositions slip between IDM's jittery melancholy, no-fi techno, ambient detritus, and grotesque rave misfires with an almost outsider art sensibility. Surreal cuts appear like tape-warped memories of nights out you’re not sure really happened. In the best moments, Primitive Maxi Trial feels like music made not for release but for ritual—claustrophobic yet oddly liberating, deeply personal yet disarmingly tongue-in-cheek.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Avenir\u003c\/p\u003e\n\u003cp\u003eLabel : Heat Crimes\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eHC022\u003c\/span\u003e\u003c\/p\u003e"}