Loretta's Museum // Sound Portraits From The Gelmer Tastle Odyssey TAPE
![Gia Margaret // Romantic Piano LP [COLOR]](//cdn.shopify.com/s/files/1/0305/1637/9780/files/rom1_medium.jpg?v=1686227556)
Loretta's Museum // Sound Portraits From The Gelmer Tastle Odyssey TAPE
¥1,780
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アメリカ・オクラホマのベッドルームフォーク作家Loretta's Museumが、2020年に同国バージニアのフォークレーベルFurious Hoovesから100本限定でリリースしたカセットです。
休日のマルシェのようなインストベッドルームフォーク9曲を収録。DLコード付属。
ピクニックにも最適です。
レーベルその他作品はこちら /// Click here to see more Furious Hooves releases available at Tobira.
----------------------------
Includes DL code. 1st edition of 100. Hand numbered.
***
Written, recorded, produced and played solely by Loretta Blue.
Created at Susan's house in Mulino, Oregon just as spring opened in 2020.
Artist : Loretta's Museum
Label : Furious Hooves
アメリカ・オクラホマのベッドルームフォーク作家Loretta's Museumが、2020年に同国バージニアのフォークレーベルFurious Hoovesから100本限定でリリースしたカセットです。
休日のマルシェのようなインストベッドルームフォーク9曲を収録。DLコード付属。
ピクニックにも最適です。
レーベルその他作品はこちら /// Click here to see more Furious Hooves releases available at Tobira.
----------------------------
Includes DL code. 1st edition of 100. Hand numbered.
***
Written, recorded, produced and played solely by Loretta Blue.
Created at Susan's house in Mulino, Oregon just as spring opened in 2020.
Artist : Loretta's Museum
Label : Furious Hooves
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![Gia Margaret // Romantic Piano LP [COLOR]](http://cdn.shopify.com/s/files/1/0305/1637/9780/files/rom1_medium.jpg?v=1686227556)
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{"id":7982962344186,"title":"Gia Margaret \/\/ Romantic Piano LP [COLOR]","handle":"gia-margaret-romantic-piano-lp-color","description":"\u003cp\u003eアメリカ・シカゴのベッドルームフォーク作家Gia Margaretが、2023年5月に同国インディアナのインディーレーベルJagjaguwarからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eベッドルーム・ドリームポップ〜ネオクラシカル・アンビエントフォーク12曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2253572455\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2253572455\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=897202870\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2253572455\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=401947155\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2253572455\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2736109388\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAvailable on 12\" black vinyl or 12\" 'Seaglass Wave' translucent color vinyl. \u003c\/p\u003e\n\u003cp\u003eJagjaguar:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAt first, Gia Margaret called her new album ‘Romantic Piano’ to be a bit cheeky. Its spare, gentle piano works share more spirit with Erik Satie, Emahoy Tsegué-Maryam Guébrou and the ‘Marginalia’ releases of Masakatsu Takagi than they do with, say, a cozy and candlelit date night. But in that cheekiness lies hidden intention: across the gorgeous set, “Romantic” is suggested in a more classic sense, what the Germans call waldeinsamkeit. Its compositions conjure the sublime themes of the Romantic poets: solitude in nature; nature’s ability to heal and to teach; a sense of contented melancholy.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"I wanted to make music that was useful,” says Margaret, vastly understating the power of the record. ‘Romantic Piano’ is curious, calming, patient and incredibly moving — but it doesn’t overstay its welcome for more than a second.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMargaret’s debut, ‘There’s Always Glimmer,’ was a lyrical wonder, but when an illness on tour left her unable to sing, she made her ambient album ‘Mia Gargaret’ (another cheeky title!) which revealed a keen intuition for arrangement and composition not fully shown on ‘There’s Always Glimmer’s lyrical songs. ‘Romantic Piano’, too, is almost totally without words. “Writing instrumental music, in general, is a much more joyful process than I find in lyrical songwriting\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e,” she says. “The process ultimately effects my songwriting.” And while Margaret has more songwriterly material on the way, ‘Romantic Piano’ solidifies her as a compositional force.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOriginally pursuing a degree in composition, Margaret dropped out of music school halfway through. “I really didn’t want to play in an orchestra,” she said of her decision, “I really just wanted to write movie scores. Then, I started to focus more and more on being a songwriter. ‘Romantic Piano’ scratched an old itch.” ‘Romantic Piano’ does indeed touch on a rare feeling in art often only reserved for the cinema — a simultaneous wide-lens awe of existence and the post-language intimate inner monologue of being marooned in these skulls of ours. How very Romantic!\u003c\/span\u003e \"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Gia Margaret\u003c\/p\u003e\n\u003cp\u003eLabel : Jagjaguar\u003c\/p\u003e","published_at":"2023-06-09T07:28:44+09:00","created_at":"2023-06-08T21:32:33+09:00","vendor":"Tobira Records","type":"","tags":["ambient","folk \/ left-field pop","lp","neo classical","new","recommended"],"price":329000,"price_min":329000,"price_max":348000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44271928049914,"title":"'Seaglass Wave' Translucent vinyl","option1":"'Seaglass Wave' Translucent vinyl","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":39481224626426,"product_id":7982962344186,"position":2,"created_at":"2023-06-08T21:32:33+09:00","updated_at":"2023-06-08T21:32:36+09:00","alt":null,"width":1200,"height":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/rom2.jpg?v=1686227556","variant_ids":[44271928049914]},"available":true,"name":"Gia Margaret \/\/ Romantic Piano LP [COLOR] - 'Seaglass Wave' Translucent vinyl","public_title":"'Seaglass Wave' Translucent vinyl","options":["'Seaglass Wave' Translucent vinyl"],"price":348000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":32092852158714,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/rom2.jpg?v=1686227556"}},"requires_selling_plan":false,"selling_plan_allocations":[]},{"id":44271928082682,"title":"Black vinyl","option1":"Black vinyl","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":39481224593658,"product_id":7982962344186,"position":3,"created_at":"2023-06-08T21:32:33+09:00","updated_at":"2023-06-08T21:32:35+09:00","alt":null,"width":1200,"height":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/rom3.jpg?v=1686227555","variant_ids":[44271928082682]},"available":true,"name":"Gia Margaret \/\/ Romantic Piano LP [COLOR] - Black vinyl","public_title":"Black vinyl","options":["Black vinyl"],"price":329000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":32092852191482,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/rom3.jpg?v=1686227555"}},"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/rom1.jpg?v=1686227556","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/rom2.jpg?v=1686227556","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/rom3.jpg?v=1686227555"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/rom1.jpg?v=1686227556","options":["Color"],"media":[{"alt":null,"id":32092852125946,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/rom1.jpg?v=1686227556"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/rom1.jpg?v=1686227556","width":700},{"alt":null,"id":32092852158714,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/rom2.jpg?v=1686227556"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/rom2.jpg?v=1686227556","width":1200},{"alt":null,"id":32092852191482,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/rom3.jpg?v=1686227555"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/rom3.jpg?v=1686227555","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのベッドルームフォーク作家Gia Margaretが、2023年5月に同国インディアナのインディーレーベルJagjaguwarからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eベッドルーム・ドリームポップ〜ネオクラシカル・アンビエントフォーク12曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2253572455\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2253572455\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=897202870\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2253572455\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=401947155\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2253572455\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2736109388\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAvailable on 12\" black vinyl or 12\" 'Seaglass Wave' translucent color vinyl. \u003c\/p\u003e\n\u003cp\u003eJagjaguar:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAt first, Gia Margaret called her new album ‘Romantic Piano’ to be a bit cheeky. Its spare, gentle piano works share more spirit with Erik Satie, Emahoy Tsegué-Maryam Guébrou and the ‘Marginalia’ releases of Masakatsu Takagi than they do with, say, a cozy and candlelit date night. But in that cheekiness lies hidden intention: across the gorgeous set, “Romantic” is suggested in a more classic sense, what the Germans call waldeinsamkeit. Its compositions conjure the sublime themes of the Romantic poets: solitude in nature; nature’s ability to heal and to teach; a sense of contented melancholy.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"I wanted to make music that was useful,” says Margaret, vastly understating the power of the record. ‘Romantic Piano’ is curious, calming, patient and incredibly moving — but it doesn’t overstay its welcome for more than a second.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMargaret’s debut, ‘There’s Always Glimmer,’ was a lyrical wonder, but when an illness on tour left her unable to sing, she made her ambient album ‘Mia Gargaret’ (another cheeky title!) which revealed a keen intuition for arrangement and composition not fully shown on ‘There’s Always Glimmer’s lyrical songs. ‘Romantic Piano’, too, is almost totally without words. “Writing instrumental music, in general, is a much more joyful process than I find in lyrical songwriting\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e,” she says. “The process ultimately effects my songwriting.” And while Margaret has more songwriterly material on the way, ‘Romantic Piano’ solidifies her as a compositional force.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOriginally pursuing a degree in composition, Margaret dropped out of music school halfway through. “I really didn’t want to play in an orchestra,” she said of her decision, “I really just wanted to write movie scores. Then, I started to focus more and more on being a songwriter. ‘Romantic Piano’ scratched an old itch.” ‘Romantic Piano’ does indeed touch on a rare feeling in art often only reserved for the cinema — a simultaneous wide-lens awe of existence and the post-language intimate inner monologue of being marooned in these skulls of ours. How very Romantic!\u003c\/span\u003e \"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Gia Margaret\u003c\/p\u003e\n\u003cp\u003eLabel : Jagjaguar\u003c\/p\u003e"}
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アメリカ・シカゴのベッドルームフォーク作家Gia Margaretが、2023年5月に同国インディアナのインディーレーベルJagjaguwarからリリースしたレコードです。 ベッドルーム・ドリームポップ〜ネオクラシカル・アンビエントフォーク12曲を収録。 ------------------------------------------- Available on 12" black vinyl or 12" 'Seaglass Wave' translucent...
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{"id":7982963261690,"title":"Bendik Giske \/\/ Bendik Giske LP","handle":"bendik-giske-bendik-giske-lp","description":"\u003cp\u003eノルウェーのサックス奏者Bendik Giskeが、2023年6月に同国Smalltown Supersoundからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eミニマルな実験ジャズ8曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBeatrice Dillonがリミックスで参加しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=214373335\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/stss\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/stss\"\u003ehere\u003c\/a\u003e to see more Smalltown Supersound releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003eSmalltown Supersound:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eNow on the cusp of his third solo album, Norwegian saxophonist Bendik Giske knows himself well. With his new, self-titled record, he is in his prime as an artist: confident in his voice and abilities, buoyed by critical acclaim from all corners – including two Norwegian Grammy nominations – and a surge in audiences everywhere. With the intriguing choice of Beatrice Dillon as album producer – clearly the British electronic musician is a fellow traveler in the practice of original aesthetic expression – her influence is immediate and keenly felt. Together, they strip away a layer of melodicism, honing in on pattern and rhythm to bring out a different dimension of his mesmerizing sound.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWhile again working with single-take recordings, no overdubs, only saxophone and his body, gone is the reverberant space and mellifluous glamor. Giske finds the result akin to musical full-frontal nudity – every detail, every huff and puff audible, no obscuring, no aestheticizing. People may look away when it’s not as pretty, but what’s left feels more present and potent. Confrontational, it demands greater attention, but through its physicality – you can hear and feel his body in the music – it takes you to a flow state, somewhere between ecstasy, elation, and spiritual\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e awakening.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIntensely human, there’s stark tension there, too – there always will be when fighting for existence and validity – elegantly illustrated by Florian Hetz’s striking photographs of the artist on the covers of the release. In part, Giske is inspired by Judith Halberstam’s The Queer Art of Failure. As much as he has benefitted from his training and participation in the environment of the jazz conservatory, his path took him far outside its confines. Working these new explorations with his instrument has been a ten-year process of peeling away what he knew ultimately didn’t fit, finding the sonic territory of his lived experience. What emerged were systems that allowed for studies of tempo and proportion, a starting point for an immersive improvisatory approach, mapping years of musical probing.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt’s the sound of social emancipation through the meditative pulse and velocity of circular breathing and the dance of the body, especially fingers, tongue, and lips. Giske knows that music can be a powerful tool in bringing people together to find ideas, and the longevity of his project is at its utmost a call for care, togetherness, storytelling, and the ability to gather for a shared cause. In all earnestness, Bendik Giske is a proposal for truthfulness and existence, a space for one to express their most profound self.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bendik Giske\u003c\/p\u003e\n\u003cp\u003eLabel : Smalltown Supersound\u003c\/p\u003e","published_at":"2023-06-09T07:57:51+09:00","created_at":"2023-06-08T21:46:27+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","new","smalltown supersound"],"price":289000,"price_min":289000,"price_max":289000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44271931719930,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Bendik Giske \/\/ Bendik Giske LP","public_title":null,"options":["Default Title"],"price":289000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/be1_70b8e380-d45a-47a0-994c-868328ea6a0f.jpg?v=1686228389","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/be2_e55e13f2-b56f-4159-8de8-e104c08855fb.jpg?v=1686228389"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/be1_70b8e380-d45a-47a0-994c-868328ea6a0f.jpg?v=1686228389","options":["Title"],"media":[{"alt":null,"id":32092892627194,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/be1_70b8e380-d45a-47a0-994c-868328ea6a0f.jpg?v=1686228389"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/be1_70b8e380-d45a-47a0-994c-868328ea6a0f.jpg?v=1686228389","width":700},{"alt":null,"id":32092892659962,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/be2_e55e13f2-b56f-4159-8de8-e104c08855fb.jpg?v=1686228389"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/be2_e55e13f2-b56f-4159-8de8-e104c08855fb.jpg?v=1686228389","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eノルウェーのサックス奏者Bendik Giskeが、2023年6月に同国Smalltown Supersoundからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eミニマルな実験ジャズ8曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBeatrice Dillonがリミックスで参加しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=214373335\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/stss\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/stss\"\u003ehere\u003c\/a\u003e to see more Smalltown Supersound releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003eSmalltown Supersound:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eNow on the cusp of his third solo album, Norwegian saxophonist Bendik Giske knows himself well. With his new, self-titled record, he is in his prime as an artist: confident in his voice and abilities, buoyed by critical acclaim from all corners – including two Norwegian Grammy nominations – and a surge in audiences everywhere. With the intriguing choice of Beatrice Dillon as album producer – clearly the British electronic musician is a fellow traveler in the practice of original aesthetic expression – her influence is immediate and keenly felt. Together, they strip away a layer of melodicism, honing in on pattern and rhythm to bring out a different dimension of his mesmerizing sound.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWhile again working with single-take recordings, no overdubs, only saxophone and his body, gone is the reverberant space and mellifluous glamor. Giske finds the result akin to musical full-frontal nudity – every detail, every huff and puff audible, no obscuring, no aestheticizing. People may look away when it’s not as pretty, but what’s left feels more present and potent. Confrontational, it demands greater attention, but through its physicality – you can hear and feel his body in the music – it takes you to a flow state, somewhere between ecstasy, elation, and spiritual\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e awakening.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIntensely human, there’s stark tension there, too – there always will be when fighting for existence and validity – elegantly illustrated by Florian Hetz’s striking photographs of the artist on the covers of the release. In part, Giske is inspired by Judith Halberstam’s The Queer Art of Failure. As much as he has benefitted from his training and participation in the environment of the jazz conservatory, his path took him far outside its confines. Working these new explorations with his instrument has been a ten-year process of peeling away what he knew ultimately didn’t fit, finding the sonic territory of his lived experience. What emerged were systems that allowed for studies of tempo and proportion, a starting point for an immersive improvisatory approach, mapping years of musical probing.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt’s the sound of social emancipation through the meditative pulse and velocity of circular breathing and the dance of the body, especially fingers, tongue, and lips. Giske knows that music can be a powerful tool in bringing people together to find ideas, and the longevity of his project is at its utmost a call for care, togetherness, storytelling, and the ability to gather for a shared cause. In all earnestness, Bendik Giske is a proposal for truthfulness and existence, a space for one to express their most profound self.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bendik Giske\u003c\/p\u003e\n\u003cp\u003eLabel : Smalltown Supersound\u003c\/p\u003e"}
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ノルウェーのサックス奏者Bendik Giskeが、2023年6月に同国Smalltown Supersoundからリリースしたレコードです。 ミニマルな実験ジャズ8曲を収録。 Beatrice Dillonがリミックスで参加しています。 レーベルその他作品はこちら /// Click here to see more Smalltown Supersound releases available...
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{"id":7982960607482,"title":"Afrorack \/\/ The Afrorack LP","handle":"afrorack-the-afrorack-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eウガンダのモジュラー開発者Afrorack aka Bamanya Brianが、2023年5月に同国カンパラのダンスレーベルNyage Nyageからリリースしたレコードです。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e彼が独学で製作したモジュールシステムThe Afrorackを駆使したトライバル・テクノ〜ストレンジビーツ9曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"アフリカ初のDIYモジュラーシンセサイザーの製作に携わったBamanyaは、自作のモジュールとFXユニットを巨大な壁一面に配置し、「The Afrorack」と名付けました。モジュラーシンセサイザーの世界を調べ始めると、ウガンダでその技術を手に入れるのは難しいことがわかったからです。アフリカ全土に販売店が比較的少ないだけでなく、モジュールが法外に高価であることが多かったからです。そこで彼は独学で電子回路を学び、CV制御のシステムを構築し、現在も進化を続けています。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e「The Afrorack」はBamanyaのデビューアルバムであり、彼の自由な創造性と落ち着きのないエネルギーが表現されています。彼は、これらのモジュールがヨーロッパやアメリカの音楽スタイルを念頭に置いて開発されたものであることを十分理解しており、システムを自分のニーズに合わせるために、独自の音楽的方法論と言語を開発しました。彼の出発点は、アシッドやテクノを抽象化したものであることが多いが、Bamanyaは東アフリカのリズムや異なるスケールをこれらの馴染みのある構造に取り込み、フラクタルな破片に分裂させます。\"アフリカには独自の伝統音楽があるため、人々が利用できなかった新しいツールを手に入れ、それを別の文脈で実験する、そんな段階にあると思う \"と、彼は2019年にPan African Musicに語っています。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこの姿勢は「African Drum Machine」で最も顕著で、Bamanyaはユークリッドリズムシーケンサーを使って、彼のCV信号を、多くの東アフリカの音楽形態に存在するポリリズム構造を模倣した複雑なアルゴリズムパターンに分割します。よく聴かないと4分の4拍子のテクノに聞こえるかもしれませんが、注意を向けると、ドラムの異なるレイヤーとギザギザのオシレーターが互いに跳ね返り、催眠的な新しいリズムを生み出すのがわかります。Bamanyaは「Why Serious」でも同様のアプローチをとり、ダビーなベースラインとプラスチッキーなパーカッシブサウンドをファジングして、アブストラクトなエレクトロニクスとFWD思考の東アフリカのクラブサウンドを融合させた熱狂的なハイブリッドを作り上げています。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBamanyaの瞑想的で重低音のコンポジションは、特に「Inspired」や「Last Modular」といったトラックでは、ShackletonやAdrian SherwoodのAfrican Head Chargeのサイケデリックなサウンドを思わせます。この2つのトラックは、リゼルギーなトーンシフトと精密なドラムによって、明らかにメタリックなサウンドになっていますが、ネコのうめき声やビデオゲームのブリップといった危険な奇抜さを取り入れながら、常に完全にコントロールできるプロデューサーによって造られています。また、「Osc」や「Rev」のようなビートの少ないトラックでは、Bamanyaはモジュラー音楽の歴史に意識的に言及し、Popol Vuh、Klaus Schulze、Emeraldsのコスミスの世界にアプローチして、東アフリカの特異なリズムの強さでそれを補強しています。「The Afrorack」は、長い間待たれていた会話の始まりです。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4249579788\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003eHakuna Kulala:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBamanya is responsible for building Africa's first DIY modular synthesizer, a huge wall of home-made modules and FX units that he dubbed, fittingly, The Afrorack. His reason for embarking on this difficult project was simple: as he began to investigate the world of modular synthesizers, he realized it would be difficult to acquire the technology in Uganda. Not only were there relatively few retailers across the whole of Africa, but the modules were often prohibitively expensive. After quick search online, Bamanya realized he could easily download circuit diagrams and buy the required parts locally, so he taught himself electronics and constructed a CV-controlled system that's been evolving ever since.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"The Afrorack\" is Bamanya's debut album and displays the producer's untethered creativity and restless energy. He's all too aware that these modules were developed with European and American musical styles in mind, so developed his own musical methodology and language to coax the system into suiting his needs. His starting points are often abstractions of acid and techno, but Bamanya curves East African rhythms and different scales into these familiar structures, splintering them into fractal shards. \"I believe Africa is at that point where people are getting new tools\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e which were not available to them, and then experimenting with them in a different context, because Africa has its own traditional music,\" he told Pan African Music back in 2019.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis attitude is most evident on 'African Drum Machine', where Bamanya uses a Euclidean rhythm sequencer to divide his CV signals into complex algorithmic patterns that mimic the polyrhythmic structures that exist in many East African musical forms. If you're not listening closely it might sound like 4\/4 techno, but focus your attention and you'll hear different layers of drums and jagged oscillators bouncing between each other creating hypnotic new rhythms. Bamanya takes a similar approach on 'Why Serious', fuzzing dubby basslines and plasticky percussive sounds into a frenetic hybrid of abstract electronics and fwd-thinking East African club sounds.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAt times, Bamanya's meditative, bass-heavy compositions echo the psychedelic sounds of Shackleton or Adrian Sherwood's African Head Charge, particularly on tracks like 'Inspired' and 'Last Modular'. With lysergic tonal shifts and precision-engineered drums, both tracks sound defiantly metallic, but sculpted by a producer who's always completely in control as he introduces risky eccentricities like feline groans and videogame blips. And on less beat-heavy tracks like 'Osc' and 'Rev', Bamanya makes a conscious nod to the history of modular music, approaching the kosmische universe of Popol Vuh, Klaus Schulze and Emeralds, augmenting it with East Africa's idiosyncratic rhythmic intensity. \"The Afrorack\" is the beginning of a conversation that's been long overdue.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Afrorack\u003c\/p\u003e\n\u003cp\u003eLabel : Hakuna Kulala\u003c\/p\u003e","published_at":"2023-06-09T07:44:40+09:00","created_at":"2023-06-08T21:28:42+09:00","vendor":"Tobira Records","type":"","tags":["hakuna kulala","lp","new","strange beats","techno \/ house"],"price":279000,"price_min":279000,"price_max":279000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44271918121210,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Afrorack \/\/ The Afrorack LP","public_title":null,"options":["Default Title"],"price":279000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/af1_259894f5-84b1-4176-80f9-899dff18e6a0.jpg?v=1686227324","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/af2_64144b2b-148b-41cb-bb25-d2287d5aa0f5.jpg?v=1686227324"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/af1_259894f5-84b1-4176-80f9-899dff18e6a0.jpg?v=1686227324","options":["Title"],"media":[{"alt":null,"id":32092836299002,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/af1_259894f5-84b1-4176-80f9-899dff18e6a0.jpg?v=1686227324"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/af1_259894f5-84b1-4176-80f9-899dff18e6a0.jpg?v=1686227324","width":700},{"alt":null,"id":32092836331770,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/af2_64144b2b-148b-41cb-bb25-d2287d5aa0f5.jpg?v=1686227324"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/af2_64144b2b-148b-41cb-bb25-d2287d5aa0f5.jpg?v=1686227324","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eウガンダのモジュラー開発者Afrorack aka Bamanya Brianが、2023年5月に同国カンパラのダンスレーベルNyage Nyageからリリースしたレコードです。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e彼が独学で製作したモジュールシステムThe Afrorackを駆使したトライバル・テクノ〜ストレンジビーツ9曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"アフリカ初のDIYモジュラーシンセサイザーの製作に携わったBamanyaは、自作のモジュールとFXユニットを巨大な壁一面に配置し、「The Afrorack」と名付けました。モジュラーシンセサイザーの世界を調べ始めると、ウガンダでその技術を手に入れるのは難しいことがわかったからです。アフリカ全土に販売店が比較的少ないだけでなく、モジュールが法外に高価であることが多かったからです。そこで彼は独学で電子回路を学び、CV制御のシステムを構築し、現在も進化を続けています。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e「The Afrorack」はBamanyaのデビューアルバムであり、彼の自由な創造性と落ち着きのないエネルギーが表現されています。彼は、これらのモジュールがヨーロッパやアメリカの音楽スタイルを念頭に置いて開発されたものであることを十分理解しており、システムを自分のニーズに合わせるために、独自の音楽的方法論と言語を開発しました。彼の出発点は、アシッドやテクノを抽象化したものであることが多いが、Bamanyaは東アフリカのリズムや異なるスケールをこれらの馴染みのある構造に取り込み、フラクタルな破片に分裂させます。\"アフリカには独自の伝統音楽があるため、人々が利用できなかった新しいツールを手に入れ、それを別の文脈で実験する、そんな段階にあると思う \"と、彼は2019年にPan African Musicに語っています。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこの姿勢は「African Drum Machine」で最も顕著で、Bamanyaはユークリッドリズムシーケンサーを使って、彼のCV信号を、多くの東アフリカの音楽形態に存在するポリリズム構造を模倣した複雑なアルゴリズムパターンに分割します。よく聴かないと4分の4拍子のテクノに聞こえるかもしれませんが、注意を向けると、ドラムの異なるレイヤーとギザギザのオシレーターが互いに跳ね返り、催眠的な新しいリズムを生み出すのがわかります。Bamanyaは「Why Serious」でも同様のアプローチをとり、ダビーなベースラインとプラスチッキーなパーカッシブサウンドをファジングして、アブストラクトなエレクトロニクスとFWD思考の東アフリカのクラブサウンドを融合させた熱狂的なハイブリッドを作り上げています。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBamanyaの瞑想的で重低音のコンポジションは、特に「Inspired」や「Last Modular」といったトラックでは、ShackletonやAdrian SherwoodのAfrican Head Chargeのサイケデリックなサウンドを思わせます。この2つのトラックは、リゼルギーなトーンシフトと精密なドラムによって、明らかにメタリックなサウンドになっていますが、ネコのうめき声やビデオゲームのブリップといった危険な奇抜さを取り入れながら、常に完全にコントロールできるプロデューサーによって造られています。また、「Osc」や「Rev」のようなビートの少ないトラックでは、Bamanyaはモジュラー音楽の歴史に意識的に言及し、Popol Vuh、Klaus Schulze、Emeraldsのコスミスの世界にアプローチして、東アフリカの特異なリズムの強さでそれを補強しています。「The Afrorack」は、長い間待たれていた会話の始まりです。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4249579788\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003eHakuna Kulala:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBamanya is responsible for building Africa's first DIY modular synthesizer, a huge wall of home-made modules and FX units that he dubbed, fittingly, The Afrorack. His reason for embarking on this difficult project was simple: as he began to investigate the world of modular synthesizers, he realized it would be difficult to acquire the technology in Uganda. Not only were there relatively few retailers across the whole of Africa, but the modules were often prohibitively expensive. After quick search online, Bamanya realized he could easily download circuit diagrams and buy the required parts locally, so he taught himself electronics and constructed a CV-controlled system that's been evolving ever since.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"The Afrorack\" is Bamanya's debut album and displays the producer's untethered creativity and restless energy. He's all too aware that these modules were developed with European and American musical styles in mind, so developed his own musical methodology and language to coax the system into suiting his needs. His starting points are often abstractions of acid and techno, but Bamanya curves East African rhythms and different scales into these familiar structures, splintering them into fractal shards. \"I believe Africa is at that point where people are getting new tools\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e which were not available to them, and then experimenting with them in a different context, because Africa has its own traditional music,\" he told Pan African Music back in 2019.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis attitude is most evident on 'African Drum Machine', where Bamanya uses a Euclidean rhythm sequencer to divide his CV signals into complex algorithmic patterns that mimic the polyrhythmic structures that exist in many East African musical forms. If you're not listening closely it might sound like 4\/4 techno, but focus your attention and you'll hear different layers of drums and jagged oscillators bouncing between each other creating hypnotic new rhythms. Bamanya takes a similar approach on 'Why Serious', fuzzing dubby basslines and plasticky percussive sounds into a frenetic hybrid of abstract electronics and fwd-thinking East African club sounds.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAt times, Bamanya's meditative, bass-heavy compositions echo the psychedelic sounds of Shackleton or Adrian Sherwood's African Head Charge, particularly on tracks like 'Inspired' and 'Last Modular'. With lysergic tonal shifts and precision-engineered drums, both tracks sound defiantly metallic, but sculpted by a producer who's always completely in control as he introduces risky eccentricities like feline groans and videogame blips. And on less beat-heavy tracks like 'Osc' and 'Rev', Bamanya makes a conscious nod to the history of modular music, approaching the kosmische universe of Popol Vuh, Klaus Schulze and Emeralds, augmenting it with East Africa's idiosyncratic rhythmic intensity. \"The Afrorack\" is the beginning of a conversation that's been long overdue.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Afrorack\u003c\/p\u003e\n\u003cp\u003eLabel : Hakuna Kulala\u003c\/p\u003e"}
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ウガンダのモジュラー開発者Afrorack aka Bamanya Brianが、2023年5月に同国カンパラのダンスレーベルNyage Nyageからリリースしたレコードです。 彼が独学で製作したモジュールシステムThe Afrorackを駆使したトライバル・テクノ〜ストレンジビーツ9曲を収録。 以下、レーベルによる解説です。 "アフリカ初のDIYモジュラーシンセサイザーの製作に携わったBamanyaは、自作のモジュールとFXユニットを巨大な壁一面に配置し、「The Afrorack」と名付けました。モジュラーシンセサイザーの世界を調べ始めると、ウガンダでその技術を手に入れるのは難しいことがわかったからです。アフリカ全土に販売店が比較的少ないだけでなく、モジュールが法外に高価であることが多かったからです。そこで彼は独学で電子回路を学び、CV制御のシステムを構築し、現在も進化を続けています。「The Afrorack」はBamanyaのデビューアルバムであり、彼の自由な創造性と落ち着きのないエネルギーが表現されています。彼は、これらのモジュールがヨーロッパやアメリカの音楽スタイルを念頭に置いて開発されたものであることを十分理解しており、システムを自分のニーズに合わせるために、独自の音楽的方法論と言語を開発しました。彼の出発点は、アシッドやテクノを抽象化したものであることが多いが、Bamanyaは東アフリカのリズムや異なるスケールをこれらの馴染みのある構造に取り込み、フラクタルな破片に分裂させます。"アフリカには独自の伝統音楽があるため、人々が利用できなかった新しいツールを手に入れ、それを別の文脈で実験する、そんな段階にあると思う "と、彼は2019年にPan African Musicに語っています。この姿勢は「African...
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{"id":7982962704634,"title":"Emahoy Tsege Mariam Gebru \/\/ Jerusalem CD","handle":"emahoy-tsege-mariam-gebru-jerusalem-cd","description":"\u003cp\u003eエチオピアのピアニストEmahoy Tsege Mariam Gebruの未発表音源をコンパイルしたアーカイブ作品です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"エチオピア出身の作曲家Emahoy Tsege Mariam Gebruによる、未発表または入手困難なピアノ曲のアルバムです。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eエチオピアの修道女であるEmahoy Tsege Mariam Gebruは、60年代初頭から母国の孤児院に資金を提供するために録音を続けている、まさにオリジナルな存在です。彼女の作曲とユニークな演奏スタイルは、エリック・サティ、ドビュッシー、コプト・エチオピア教会の典礼音楽、そしてエチオピアの伝統音楽の間のどこかに生きています。今までに聴いたことのない感動的なピアノ音楽です。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e本作は、2006年に「エチオピクス」シリーズで彼女の音楽が再び紹介されて以来、初のアーカイブ盤となります。オリジナル・マスターテープと、ほとんど入手不可能なレコード盤から作成された『エルサレム』は、Emahoy Tsege Mariam Gebruの演奏と作曲の深い新しい面を明らかにしています。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e前2作のミシシッピ盤の続きで、1972年にリリースされ、現存枚数が少ないアルバム『エルサレムの讃歌』からの楽曲を収録しています。「ベートーヴェンの家」、「オーロラ」、そして彼女の最高傑作に数えられる感動的な「エルサレム」です。「Quand La Mer Furieuse」は、2023年秋に予定されているボーカル・アルバムを予感させる、Emahoy Tsege Mariam Gebruの歌声をフィーチャーした最初のリリースです。B-Sideはアーティストのホームレコーディングをお届けします。\"Farewell Eve\", \"Woigaye Don't Cry Anymore\", \"Famine Disaster 1974 \"といったトラックは、典礼作品から暗くて激しいクラシック素材、新しいモードへの橋をマークします。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこのアルバムは、2022年12月12日のEmahoy Tsege Mariam Gebruの99歳の誕生日を記念してリリースされます。ミシシッピは、Emahoy Tsege Mariam Gebru音楽出版社と協力し、この先見性のある作曲家を世界に紹介し続けることを光栄に思っています。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1311176551\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in 4-panel wallet. \u003c\/p\u003e\n\u003cp\u003eMississipi Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFrom beloved composer Emahoy Tsege Mariam Gebru, a revelatory new album of piano pieces, unreleased or virtually inaccessible until now!\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEmahoy Tsege Mariam Gebru is a true original – an Ethiopian nun whose recordings have funded orphanages back home since the early ’60s. Her compositions and unique playing style live somewhere between Erik Satie, Debussy, liturgical music of the Coptic Ethiopian Church, and Ethiopian traditional music. It is some of the most moving piano music you will ever hear.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis is the first archival release of the great composer’s recordings since the Éthiopiques series reintroduced her music to the world in 2006. Drawn from original master tapes and a nearly impossible-to-find vinyl release, Jerusalem unveils profound new facets of Emahoy Gebru’s performance and compositions.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe record picks up where the last two Mississippi releases left off, with tracks from her 1972 album Hymn of Jerusalem, of which only a handful of copies are known to exist. These include “Home of Beethoven,” “Aurora,” and a true masterpiece that stands amongst her greatest compositions, the moving “Jerusalem.” “Quand La Mer Furieuse” is the first release featuring Emahoy’s\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e singing voice, forshadowing a vocal album planned for fall 2023. The B-Side brings us the artist’s home recordings - tracks like “Farewell Eve,” “Woigaye Don’t Cry Anymore,” and “Famine Disaster 1974” mark a bridge from liturgical work to dark and intense classical material, a new mode.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis album is released in celebration of Emahoy Gebru’s 99th birthday on December 12, 2022. Mississippi is honored to work with the Emahoy Tsege Mariam Music Publisher to continue to introduce this visionary composer to the world.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Emahoy Tsege Mariam Gebru\u003c\/p\u003e\n\u003cp\u003eLabel : Mississipi Records\u003c\/p\u003e","published_at":"2023-06-09T08:08:39+09:00","created_at":"2023-06-08T21:35:53+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","neo classical","new"],"price":215000,"price_min":215000,"price_max":215000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44271930278138,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Emahoy Tsege Mariam Gebru \/\/ Jerusalem CD","public_title":null,"options":["Default Title"],"price":215000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/em1_764619b3-1022-4e34-823b-10b1bf2c6520.jpg?v=1686227755","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/em3_66505ebf-371b-4170-9593-e2c40ae2cfad.jpg?v=1686227755"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/em1_764619b3-1022-4e34-823b-10b1bf2c6520.jpg?v=1686227755","options":["Title"],"media":[{"alt":null,"id":32092865167610,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/em1_764619b3-1022-4e34-823b-10b1bf2c6520.jpg?v=1686227755"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/em1_764619b3-1022-4e34-823b-10b1bf2c6520.jpg?v=1686227755","width":700},{"alt":null,"id":32092865200378,"position":2,"preview_image":{"aspect_ratio":1.402,"height":856,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/em3_66505ebf-371b-4170-9593-e2c40ae2cfad.jpg?v=1686227755"},"aspect_ratio":1.402,"height":856,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/em3_66505ebf-371b-4170-9593-e2c40ae2cfad.jpg?v=1686227755","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eエチオピアのピアニストEmahoy Tsege Mariam Gebruの未発表音源をコンパイルしたアーカイブ作品です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"エチオピア出身の作曲家Emahoy Tsege Mariam Gebruによる、未発表または入手困難なピアノ曲のアルバムです。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eエチオピアの修道女であるEmahoy Tsege Mariam Gebruは、60年代初頭から母国の孤児院に資金を提供するために録音を続けている、まさにオリジナルな存在です。彼女の作曲とユニークな演奏スタイルは、エリック・サティ、ドビュッシー、コプト・エチオピア教会の典礼音楽、そしてエチオピアの伝統音楽の間のどこかに生きています。今までに聴いたことのない感動的なピアノ音楽です。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e本作は、2006年に「エチオピクス」シリーズで彼女の音楽が再び紹介されて以来、初のアーカイブ盤となります。オリジナル・マスターテープと、ほとんど入手不可能なレコード盤から作成された『エルサレム』は、Emahoy Tsege Mariam Gebruの演奏と作曲の深い新しい面を明らかにしています。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e前2作のミシシッピ盤の続きで、1972年にリリースされ、現存枚数が少ないアルバム『エルサレムの讃歌』からの楽曲を収録しています。「ベートーヴェンの家」、「オーロラ」、そして彼女の最高傑作に数えられる感動的な「エルサレム」です。「Quand La Mer Furieuse」は、2023年秋に予定されているボーカル・アルバムを予感させる、Emahoy Tsege Mariam Gebruの歌声をフィーチャーした最初のリリースです。B-Sideはアーティストのホームレコーディングをお届けします。\"Farewell Eve\", \"Woigaye Don't Cry Anymore\", \"Famine Disaster 1974 \"といったトラックは、典礼作品から暗くて激しいクラシック素材、新しいモードへの橋をマークします。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこのアルバムは、2022年12月12日のEmahoy Tsege Mariam Gebruの99歳の誕生日を記念してリリースされます。ミシシッピは、Emahoy Tsege Mariam Gebru音楽出版社と協力し、この先見性のある作曲家を世界に紹介し続けることを光栄に思っています。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1311176551\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in 4-panel wallet. \u003c\/p\u003e\n\u003cp\u003eMississipi Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFrom beloved composer Emahoy Tsege Mariam Gebru, a revelatory new album of piano pieces, unreleased or virtually inaccessible until now!\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEmahoy Tsege Mariam Gebru is a true original – an Ethiopian nun whose recordings have funded orphanages back home since the early ’60s. Her compositions and unique playing style live somewhere between Erik Satie, Debussy, liturgical music of the Coptic Ethiopian Church, and Ethiopian traditional music. It is some of the most moving piano music you will ever hear.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis is the first archival release of the great composer’s recordings since the Éthiopiques series reintroduced her music to the world in 2006. Drawn from original master tapes and a nearly impossible-to-find vinyl release, Jerusalem unveils profound new facets of Emahoy Gebru’s performance and compositions.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe record picks up where the last two Mississippi releases left off, with tracks from her 1972 album Hymn of Jerusalem, of which only a handful of copies are known to exist. These include “Home of Beethoven,” “Aurora,” and a true masterpiece that stands amongst her greatest compositions, the moving “Jerusalem.” “Quand La Mer Furieuse” is the first release featuring Emahoy’s\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e singing voice, forshadowing a vocal album planned for fall 2023. The B-Side brings us the artist’s home recordings - tracks like “Farewell Eve,” “Woigaye Don’t Cry Anymore,” and “Famine Disaster 1974” mark a bridge from liturgical work to dark and intense classical material, a new mode.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis album is released in celebration of Emahoy Gebru’s 99th birthday on December 12, 2022. Mississippi is honored to work with the Emahoy Tsege Mariam Music Publisher to continue to introduce this visionary composer to the world.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Emahoy Tsege Mariam Gebru\u003c\/p\u003e\n\u003cp\u003eLabel : Mississipi Records\u003c\/p\u003e"}
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エチオピアのピアニストEmahoy Tsege Mariam Gebruの未発表音源をコンパイルしたアーカイブ作品です。 以下、レーベルによる解説です。 "エチオピア出身の作曲家Emahoy Tsege Mariam Gebruによる、未発表または入手困難なピアノ曲のアルバムです。エチオピアの修道女であるEmahoy Tsege Mariam Gebruは、60年代初頭から母国の孤児院に資金を提供するために録音を続けている、まさにオリジナルな存在です。彼女の作曲とユニークな演奏スタイルは、エリック・サティ、ドビュッシー、コプト・エチオピア教会の典礼音楽、そしてエチオピアの伝統音楽の間のどこかに生きています。今までに聴いたことのない感動的なピアノ音楽です。本作は、2006年に「エチオピクス」シリーズで彼女の音楽が再び紹介されて以来、初のアーカイブ盤となります。オリジナル・マスターテープと、ほとんど入手不可能なレコード盤から作成された『エルサレム』は、Emahoy Tsege Mariam...
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