awakebutstillinbed // chaos takes the wheel and i am a passenger TAPE
![Mei Semones // Kurayami/Get used to it 7inch [COLOR]](//tobirarecords.com/cdn/shop/files/ku1_791a43c2-96ce-4f6c-a97c-23fc8ce8fa2d_medium.jpg?v=1763687914)
awakebutstillinbed // chaos takes the wheel and i am a passenger TAPE
¥2,133
- Item no:
- Availability:
アメリカ・CAのエモバンドawakebutstillinbedが、2023年10月に同国インディーレーベルTiny Enginesから250本限定でリリースしたカセットです。
オールドスクールなエモ〜インディーロック12曲を収録。
-------------------------------------------
Cassette in norelco case. Edition of 250.
Tracklist:
- bloodline 06:28
- road 08:21
- far 03:13
- streamline 05:44
- airport 03:11
- savior 02:27
- clearview 03:58
- enough 06:44
- redlight 03:41
- adapt 03:53
- scramble suit 04:45
- passenger 04:04
Artist : awakebutstillinbed
Label : Tiny Engines / Sound as Language
CAT No.: TE204
アメリカ・CAのエモバンドawakebutstillinbedが、2023年10月に同国インディーレーベルTiny Enginesから250本限定でリリースしたカセットです。
オールドスクールなエモ〜インディーロック12曲を収録。
-------------------------------------------
Cassette in norelco case. Edition of 250.
Tracklist:
- bloodline 06:28
- road 08:21
- far 03:13
- streamline 05:44
- airport 03:11
- savior 02:27
- clearview 03:58
- enough 06:44
- redlight 03:41
- adapt 03:53
- scramble suit 04:45
- passenger 04:04
Artist : awakebutstillinbed
Label : Tiny Engines / Sound as Language
CAT No.: TE204
Related Products
クイックビュー
{"id":9008899522810,"title":"Linus Vandewolken \/\/ Oude Geuze uit Niemandaal LP","handle":"linus-vandewolken-oude-geuze-uit-niemandaal-lp","description":"\u003cp\u003e\u003cspan\u003e過去にShelter Pressなどから発表しているアメリカ出身ベルギー在住のマルチ奏者Linus Vandewolken aka McCloud Zicmuseが、2024年6月にベルギー・ゲントの実験／アンビエントレーベルMorctapesからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eダルシマーや自作フルート、自作打楽器によるアンビエント・フォーク11曲を収録。DLコードとインサート付属。廃盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eJon Collinが好きな方にオススメです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3726450040\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/morc\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/morc\"\u003ehere\u003c\/a\u003e to see more Morctapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e12\" black vinyl.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. Terugkeer van de kudde 05:18\u003cbr\u003e2. Sint-Maartenswijn\u003cbr\u003e3. Vasten en vastenavond\u003cbr\u003e4. Blinden leiden de blinden\u003cbr\u003e5. Apocalyptische draak\u003cbr\u003e6. Toren van Babel\u003cbr\u003e7. Schaatsers en vogelknip\u003cbr\u003e8. Dulle Griet\u003cbr\u003e9. Oude Geuze uit Niemandaal\u003cbr\u003e10. Val van Icarus\u003cbr\u003e11. Wie een varken is, moet in het kot \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by morctapes:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e\"As an American in Belgium, McCloud Zicmuse developed a deep love for some of the customs of his new-found homeland: a specific kind of archery (‘staande wip’), celebrating carnaval, aging geuze-beers, and not in the least: playing de ‘hommel”, the Flemish cousin of the apalachian Dulcimer. With the persona Linus Vandewolken, Zicmuse took a deep dive into these traditions. His love for the dulcimer is very real, yet he breaks out of the narrow framework in which the instrument is often handled. The additional use of homemade flutes, percussion instruments and some humming definitely add up to the experience. \u003cbr\u003e\u003cbr\u003eZicmuse released a handful of tapes as Linus Vandewolken, and a double 10” on okraina records. But his musical curriculum is way longer than that. Under his own name, he did releases on ao Shelter press, with le ton mite on crammed discs, and contributed to a long, long list of releases by artists as diverse as Yume Bitsu, Maher Shalal Hash Basz or Singers. \u003cbr\u003e\u003cbr\u003eFor this new opus, Linus Vandewolken provides some richly brewed compositions, with no added sugar or yeast. There is an elements of sourdough, the richness of earthy odors, the first song (Terugkeer van de Kudde) sounds like a smooth multi-tracked moment, but is actually a live multi-instrumental piece: a home-made double reed xaulos is played sparingly along the fingerpicked strings of the home-made hommel. \u003cbr\u003e\u003cbr\u003eLike the barley in the beer, the hommel remains the main ingredient of the disc. Multiple techniques are used to unleash its voice, from tapping to bowing, to all at the same time. A compilation of travels, residencies, desires… songs have been harvested from 2019-2024 in France, Poland, Sweden, England, moments of Vandewolken’s wanderings, evoking inspirations \u0026amp; collaborations in unlikely spots, like a pump organ cameo of Christo Wallers in a village chapel a short distance from Hadrian’s Wall. \u003cbr\u003e\u003cbr\u003eAs borders change and move, the flute comes around to sweetly catch our attention, metal lines from a letterpress shop invade the hommel strings creating distortions \u0026amp; unlikely rhythms. Points of silence like small bubbles rising in the glass of a freshly poured geuze, an old gueuze from Niemandaal, »Oude Geuze uit Niemanddaal«. \u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Linus Vandewolken\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : morctapes\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMorc 90\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-11-22T07:20:53+09:00","created_at":"2025-11-22T07:20:22+09:00","vendor":"Tobira Records","type":"","tags":["ambient","folk \/ left-field pop","lp","morctapes","new"],"price":435300,"price_min":435300,"price_max":435300,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47994687488250,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Linus Vandewolken \/\/ Oude Geuze uit Niemandaal LP","public_title":null,"options":["Default Title"],"price":435300,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a4000183936_16.jpg?v=1718783262","\/\/tobirarecords.com\/cdn\/shop\/files\/0036168847_10.jpg?v=1718783264","\/\/tobirarecords.com\/cdn\/shop\/files\/0036168850_10.jpg?v=1718783265"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a4000183936_16.jpg?v=1718783262","options":["Title"],"media":[{"alt":null,"id":34363539292410,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a4000183936_16.jpg?v=1718783262"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a4000183936_16.jpg?v=1718783262","width":700},{"alt":null,"id":34363539456250,"position":2,"preview_image":{"aspect_ratio":2.0,"height":600,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0036168847_10.jpg?v=1718783264"},"aspect_ratio":2.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0036168847_10.jpg?v=1718783264","width":1200},{"alt":null,"id":34363539718394,"position":3,"preview_image":{"aspect_ratio":2.0,"height":600,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0036168850_10.jpg?v=1718783265"},"aspect_ratio":2.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0036168850_10.jpg?v=1718783265","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003e過去にShelter Pressなどから発表しているアメリカ出身ベルギー在住のマルチ奏者Linus Vandewolken aka McCloud Zicmuseが、2024年6月にベルギー・ゲントの実験／アンビエントレーベルMorctapesからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eダルシマーや自作フルート、自作打楽器によるアンビエント・フォーク11曲を収録。DLコードとインサート付属。廃盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eJon Collinが好きな方にオススメです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3726450040\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/morc\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/morc\"\u003ehere\u003c\/a\u003e to see more Morctapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e12\" black vinyl.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. Terugkeer van de kudde 05:18\u003cbr\u003e2. Sint-Maartenswijn\u003cbr\u003e3. Vasten en vastenavond\u003cbr\u003e4. Blinden leiden de blinden\u003cbr\u003e5. Apocalyptische draak\u003cbr\u003e6. Toren van Babel\u003cbr\u003e7. Schaatsers en vogelknip\u003cbr\u003e8. Dulle Griet\u003cbr\u003e9. Oude Geuze uit Niemandaal\u003cbr\u003e10. Val van Icarus\u003cbr\u003e11. Wie een varken is, moet in het kot \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by morctapes:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e\"As an American in Belgium, McCloud Zicmuse developed a deep love for some of the customs of his new-found homeland: a specific kind of archery (‘staande wip’), celebrating carnaval, aging geuze-beers, and not in the least: playing de ‘hommel”, the Flemish cousin of the apalachian Dulcimer. With the persona Linus Vandewolken, Zicmuse took a deep dive into these traditions. His love for the dulcimer is very real, yet he breaks out of the narrow framework in which the instrument is often handled. The additional use of homemade flutes, percussion instruments and some humming definitely add up to the experience. \u003cbr\u003e\u003cbr\u003eZicmuse released a handful of tapes as Linus Vandewolken, and a double 10” on okraina records. But his musical curriculum is way longer than that. Under his own name, he did releases on ao Shelter press, with le ton mite on crammed discs, and contributed to a long, long list of releases by artists as diverse as Yume Bitsu, Maher Shalal Hash Basz or Singers. \u003cbr\u003e\u003cbr\u003eFor this new opus, Linus Vandewolken provides some richly brewed compositions, with no added sugar or yeast. There is an elements of sourdough, the richness of earthy odors, the first song (Terugkeer van de Kudde) sounds like a smooth multi-tracked moment, but is actually a live multi-instrumental piece: a home-made double reed xaulos is played sparingly along the fingerpicked strings of the home-made hommel. \u003cbr\u003e\u003cbr\u003eLike the barley in the beer, the hommel remains the main ingredient of the disc. Multiple techniques are used to unleash its voice, from tapping to bowing, to all at the same time. A compilation of travels, residencies, desires… songs have been harvested from 2019-2024 in France, Poland, Sweden, England, moments of Vandewolken’s wanderings, evoking inspirations \u0026amp; collaborations in unlikely spots, like a pump organ cameo of Christo Wallers in a village chapel a short distance from Hadrian’s Wall. \u003cbr\u003e\u003cbr\u003eAs borders change and move, the flute comes around to sweetly catch our attention, metal lines from a letterpress shop invade the hommel strings creating distortions \u0026amp; unlikely rhythms. Points of silence like small bubbles rising in the glass of a freshly poured geuze, an old gueuze from Niemandaal, »Oude Geuze uit Niemanddaal«. \u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Linus Vandewolken\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : morctapes\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMorc 90\u003c\/span\u003e\u003c\/p\u003e"}
You may also like:
過去にShelter Pressなどから発表しているアメリカ出身ベルギー在住のマルチ奏者Linus Vandewolken aka McCloud Zicmuseが、2024年6月にベルギー・ゲントの実験／アンビエントレーベルMorctapesからリリースしたレコードです。 ダルシマーや自作フルート、自作打楽器によるアンビエント・フォーク11曲を収録。DLコードとインサート付属。廃盤です。 Jon Collinが好きな方にオススメです。 レーベルその他作品はこちら /// Click here to see more Morctapes...
¥4,353
クイックビュー
{"id":9008477700346,"title":"Soccer Committee \/\/ eye LP","handle":"soccer-committee-eye-lp","description":"\u003cp\u003e\u003cspan\u003e過去にdigitalisなどから発表しているオランダのアンビエント・フォーク作家Soccer Committeeが、2025年9月にベルギー・ゲントの実験／アンビエントレーベルMorc Tapesからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eミニマルなアンビエント・フォーク8\u003c\/span\u003e\u003cspan\u003e曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1107297348\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/morc\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/morc\"\u003ehere\u003c\/a\u003e to see more Morc releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e12\" black vinyl.\u003cbr\u003eEdition of 250. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eA1. into\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eA2. here\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eA3. little sorrow\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eA4. pretty little foxes\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eB1. unrequited love\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eB2. sparrow's chest\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eB3. horseclatter\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eB4. frozen tide\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMorc:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eMariska Baars, aka soccer Committee is a force to be reckoned with: whoever heard one of her albums, or was lucky enough to see her live, knows that no one masters the art of peeling away every unnecessary layer of a song like she does. And now, with 'Eye', her fifth release on Morc Records in nearly two decades, she’s gifted us her most layered work yet.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFrom the very first notes, it’s clear that Baars is at the peak of her powers. The most traditional songs here remind us why we fell for her songwriting in the first place: they’re delicately strong and quietly fierce. Other pieces showcase her mastery in manipulating texture and silence - even more than ever. Throughout 'Eye', she's evoking an atmosphere so hushed you lean in, afraid to miss a single detail. Baars weaves it all together in a way that only she can, crafting a listening experience that holds you in its spell from start to finish.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHer compositions unfold gradually, marked by precision and restraint. Every note and sound has a purpose, there are no unnecessary elements present. Nevertheless, 'Eye' distinguishes itself as Baars’s most complex work thus far. There are a few premieres on this album: 'Little Sorrow' includes a piano segment, performed by her\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e brother Wil, while 'Frozen Tide' features a passage performed on the Hardanger violin by her neighbour Niki Jansen. In 'Pretty Little Foxes', due to subtle use of effects it sounds like Mariska is using an organ - she's not. Most striking, perhaps, are the carefully chosen field recordings that echo the sounds of the Millingerwaard nature reserve, in Baars' hometown. And as such, these are direct glimpses of what she hears whilst working on her compositions: evocative sounds, with distinctive textures that seem to form a loose melody, incorporating lots of silence. Just like her music.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : soccer Committee\u003c\/p\u003e\n\u003cp\u003eLabel : Morc\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003emorc 94\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-11-22T07:24:26+09:00","created_at":"2025-11-21T11:09:55+09:00","vendor":"Tobira Records","type":"","tags":["ambient","folk \/ left-field pop","lp","morctapes","new"],"price":423300,"price_min":423300,"price_max":423300,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47992949604602,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Soccer Committee \/\/ eye LP","public_title":null,"options":["Default Title"],"price":423300,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/eye1_fc0e0dc9-b6e8-4fd2-9365-1190d477ddaa.jpg?v=1763690906","\/\/tobirarecords.com\/cdn\/shop\/files\/eye2_17285f6f-6279-4771-8e7a-337d664a56ef.jpg?v=1763690906"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/eye1_fc0e0dc9-b6e8-4fd2-9365-1190d477ddaa.jpg?v=1763690906","options":["Title"],"media":[{"alt":null,"id":37570690253050,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/eye1_fc0e0dc9-b6e8-4fd2-9365-1190d477ddaa.jpg?v=1763690906"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/eye1_fc0e0dc9-b6e8-4fd2-9365-1190d477ddaa.jpg?v=1763690906","width":700},{"alt":null,"id":37570690285818,"position":2,"preview_image":{"aspect_ratio":1.362,"height":881,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/eye2_17285f6f-6279-4771-8e7a-337d664a56ef.jpg?v=1763690906"},"aspect_ratio":1.362,"height":881,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/eye2_17285f6f-6279-4771-8e7a-337d664a56ef.jpg?v=1763690906","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003e過去にdigitalisなどから発表しているオランダのアンビエント・フォーク作家Soccer Committeeが、2025年9月にベルギー・ゲントの実験／アンビエントレーベルMorc Tapesからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eミニマルなアンビエント・フォーク8\u003c\/span\u003e\u003cspan\u003e曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1107297348\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/morc\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/morc\"\u003ehere\u003c\/a\u003e to see more Morc releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e12\" black vinyl.\u003cbr\u003eEdition of 250. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eA1. into\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eA2. here\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eA3. little sorrow\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eA4. pretty little foxes\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eB1. unrequited love\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eB2. sparrow's chest\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eB3. horseclatter\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eB4. frozen tide\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMorc:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eMariska Baars, aka soccer Committee is a force to be reckoned with: whoever heard one of her albums, or was lucky enough to see her live, knows that no one masters the art of peeling away every unnecessary layer of a song like she does. And now, with 'Eye', her fifth release on Morc Records in nearly two decades, she’s gifted us her most layered work yet.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFrom the very first notes, it’s clear that Baars is at the peak of her powers. The most traditional songs here remind us why we fell for her songwriting in the first place: they’re delicately strong and quietly fierce. Other pieces showcase her mastery in manipulating texture and silence - even more than ever. Throughout 'Eye', she's evoking an atmosphere so hushed you lean in, afraid to miss a single detail. Baars weaves it all together in a way that only she can, crafting a listening experience that holds you in its spell from start to finish.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHer compositions unfold gradually, marked by precision and restraint. Every note and sound has a purpose, there are no unnecessary elements present. Nevertheless, 'Eye' distinguishes itself as Baars’s most complex work thus far. There are a few premieres on this album: 'Little Sorrow' includes a piano segment, performed by her\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e brother Wil, while 'Frozen Tide' features a passage performed on the Hardanger violin by her neighbour Niki Jansen. In 'Pretty Little Foxes', due to subtle use of effects it sounds like Mariska is using an organ - she's not. Most striking, perhaps, are the carefully chosen field recordings that echo the sounds of the Millingerwaard nature reserve, in Baars' hometown. And as such, these are direct glimpses of what she hears whilst working on her compositions: evocative sounds, with distinctive textures that seem to form a loose melody, incorporating lots of silence. Just like her music.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : soccer Committee\u003c\/p\u003e\n\u003cp\u003eLabel : Morc\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003emorc 94\u003c\/span\u003e\u003c\/p\u003e"}
You may also like:
過去にdigitalisなどから発表しているオランダのアンビエント・フォーク作家Soccer Committeeが、2025年9月にベルギー・ゲントの実験／アンビエントレーベルMorc Tapesからリリースしたレコードです。 ミニマルなアンビエント・フォーク8曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Morc releases available at Tobira. ...
¥4,233
![Mei Semones // Kurayami/Get used to it 7inch [COLOR]](http://tobirarecords.com/cdn/shop/files/ku1_791a43c2-96ce-4f6c-a97c-23fc8ce8fa2d_medium.jpg?v=1763687914)
クイックビュー
{"id":9008467116282,"title":"Mei Semones \/\/ Kurayami\/Get used to it 7inch [COLOR]","handle":"mei-semones-kurayami-get-used-to-it-7inch-color","description":"\u003cp\u003eアメリカ・NYのシンガーソングライターMei Semonesが、2025年11月に同国インディーレーベルBayonetからリリースした7\"です。\u003c\/p\u003e\n\u003cp\u003eインディーロック〜ボサノヴァ・フォーク2曲を収録。黄緑盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Unz_U9vXu4o?si=oW5Rq0f99GczSio3\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/c_HjxlvMvlg?si=9eOnVq8BqnqHztN_\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/byntr\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/byntr\"\u003ehere\u003c\/a\u003e to see more Bayonet Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------\u003c\/p\u003e\n\u003cp\u003e7\" lotus green vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Kurayami \u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e03:38\u003cbr\u003e2. Get used to it \u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e03:57\u003c\/p\u003e\n\u003cp\u003eArtist : Mei Semones\u003c\/p\u003e\n\u003cp\u003eLabel : Bayonet Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBR076lp-C1\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-11-21T14:03:51+09:00","created_at":"2025-11-21T10:20:55+09:00","vendor":"Tobira Records","type":"","tags":["bayonet records","folk \/ left-field pop","jazz","lp","new"],"price":189500,"price_min":189500,"price_max":189500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47992902058234,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Mei Semones \/\/ Kurayami\/Get used to it 7inch [COLOR]","public_title":null,"options":["Default Title"],"price":189500,"weight":230,"compare_at_price":null,"inventory_management":"shopify","barcode":"850057707885","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ku1_791a43c2-96ce-4f6c-a97c-23fc8ce8fa2d.jpg?v=1763687914","\/\/tobirarecords.com\/cdn\/shop\/files\/ku2_df33c0ff-edd9-4b54-9a30-d78815346579.jpg?v=1763687914"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ku1_791a43c2-96ce-4f6c-a97c-23fc8ce8fa2d.jpg?v=1763687914","options":["Title"],"media":[{"alt":null,"id":37570563440890,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ku1_791a43c2-96ce-4f6c-a97c-23fc8ce8fa2d.jpg?v=1763687914"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ku1_791a43c2-96ce-4f6c-a97c-23fc8ce8fa2d.jpg?v=1763687914","width":700},{"alt":null,"id":37570563473658,"position":2,"preview_image":{"aspect_ratio":0.8,"height":1200,"width":960,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ku2_df33c0ff-edd9-4b54-9a30-d78815346579.jpg?v=1763687914"},"aspect_ratio":0.8,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ku2_df33c0ff-edd9-4b54-9a30-d78815346579.jpg?v=1763687914","width":960}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・NYのシンガーソングライターMei Semonesが、2025年11月に同国インディーレーベルBayonetからリリースした7\"です。\u003c\/p\u003e\n\u003cp\u003eインディーロック〜ボサノヴァ・フォーク2曲を収録。黄緑盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Unz_U9vXu4o?si=oW5Rq0f99GczSio3\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/c_HjxlvMvlg?si=9eOnVq8BqnqHztN_\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/byntr\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/byntr\"\u003ehere\u003c\/a\u003e to see more Bayonet Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------\u003c\/p\u003e\n\u003cp\u003e7\" lotus green vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Kurayami \u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e03:38\u003cbr\u003e2. Get used to it \u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e03:57\u003c\/p\u003e\n\u003cp\u003eArtist : Mei Semones\u003c\/p\u003e\n\u003cp\u003eLabel : Bayonet Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBR076lp-C1\u003c\/span\u003e\u003c\/p\u003e"}
You may also like:
アメリカ・NYのシンガーソングライターMei Semonesが、2025年11月に同国インディーレーベルBayonetからリリースした7"です。 インディーロック〜ボサノヴァ・フォーク2曲を収録。黄緑盤です。 レーベルその他作品はこちら /// Click here to see more Bayonet Records releases available...
¥1,895
クイックビュー
{"id":9008455647482,"title":"Little Kid \/\/ A Million Easy Payments TAPE","handle":"little-kid-a-million-easy-payments-tape","description":"\u003cp\u003eカナダ・トロントのシンガーソングライターKenny Boothby率いるフォーク・ロックバンドLittle Kidが、2024年2月にアメリカ・シカゴのインディーレーベルOrindal Recordsからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eギターやバンジョー、フルート、チェロ、ペダルスティールとクレバーな歌詞によるインディー・フォークロック8曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、Rosie Stocktonによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"カメラは被写体に群がることなくズームインする。他人のダメージを歌った歌は、自分のダメージを理解する助けとなり、新たな謎へと導いてくれる。星は砂粒のように見える。Little Kidのニューアルバムであり、Orindalでのデビュー作である『A Million Easy Payments』では、Kenny Boothbyの声の切迫感が、あらゆる角度や露出から人生に迫ってくる壮大なバラードや回想、自己反省の限界に突き進み、それを少し超えるような歌詞の賭けとマッチしている。バンドの軽快なフォーク・ロック・アレンジがKenny Boothbyの物語を支え、時折、チェロのサンプル、ペダルスティール、フルート、エレクトリックピアノが飛び交い、物語を空高く持ち上げる。信心深さに煮詰まることもなく、痛みを美化することもない、鬱屈とフラストレーションのレコードである。壊れやすく、豊かで、血の通ったレコードだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eミニマリズムの作曲、エミリー・ディキンソンの詩、フランケンサーラーの絵画、初期のスフジャン・スティーヴンス、あるいはLittle Kidの新しいレーベルメイトであるOrindalの曲のように、『A Million Easy Payments』は、シンプルという外見的なイメージの下に、質感と意味がちりばめられている点で素晴らしい。羊の皮をかぶった孔雀だ。その叙情的で音楽的な密度は、決して明瞭さや印象的なメロディーを犠牲にしていない。お気に入りの映画や小説のように、『A Million Easy Payments』を何度も読み返すのは、その美しさを楽しむためであると同時に、毎回新たな発見があるからだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBoothbyの文章は、愛、不在、停滞、そして変化に満ちており、しばしばキリスト教思想のレンズを通して屈折し、友人、元恋人、日常の人々、そして聖書の登場人物たちによって経験される。Bad Energyの後半では、Boothbyが「12人の男と仲良くしていても、頬にキスされただけで殺されるかもしれない」と冗談を言う。Eggshell（卵の殻）」では、幽霊が未亡人に自分の死を振り返る： 救急車がやってきて／ハイウェイを鳴り響くサイレンを鳴らしながら／君の人生に微笑みの沈黙を残していったよ、ベイビー。下降するメロディーに織り込まれた \"I \"の音。Boothbyの軽やかなテナー。ギターの2車線。\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e『A Million Easy Payments』全体を通して、Boothbyの器用さ、リズム、内韻の巧みさ、詩的な響きを聴き取る耳は、彼の物語のペーソスに匹敵する。熟練を誇示するためではなく、苦労して得た発見を分かち合うために、言葉は意図的に作られている。自己を文脈の中で、間近で見ようとすること、そしてその探求が無駄であり重要であることを証明すること。神を探し求める。プールは濁っている。期待したほどには反映されていない。\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/SROle0DiiAQ?si=DRgS6oRkRtQFICbF\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/9w4lYrKBug8?si=rH7x7JpWCRi7OKcX\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e レーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Cassette in norelco case.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. Something to Say 04:07\u003cbr\u003e2. Bad Energy 07:29\u003cbr\u003e3. Beside Myself 04:43\u003cbr\u003e4. Always Change 05:57\u003cbr\u003e5. Eggshell 03:03\u003cbr\u003e6. Somewhere In Between 04:31\u003cbr\u003e7. Nothing at All 04:21\u003cbr\u003e8. What Qualifies as Silence 09:49\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003eDan Wriggins\u003c\/span\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"A camera zooms in without crowding its subject. A song about someone else’s damage helps you understand your own, and puts you on to new mysteries. Stars look like grains of sand. On Little Kid’s new album and Orindal Records debut A Million Easy Payments, the urgency in Kenny Boothby’s voice matches the stakes of his lyrics, epic ballads and reveries that come at life from all angles and exposures, driving at and a little over the limits of self-reflection. The band’s lilting folk rock arrangements carry Boothby’s stories, occasionally lifting them skyward with flurries of cello samples, pedal steel, flute, and electric piano. It’s a record of depression and frustration that doesn’t stew in piety or aestheticize pain, that also explodes with life. Fragile and abundant. It’s a record with blood in its veins. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLittle Kid is a Toronto-based collaborative project that has existed in some form since 2009, and is currently comprised of Brodie Germain (drums, guitar), Paul Vroom (bass), Megan Lunn (vocals, banjo, keyboard), Liam Cole (drums, percussion), and Kenny Boothby (vocals, guitar, piano, keyboards). A Million Easy Payments, like the three Little Kid releases before it, was tracked, engineered, and mastered by Vroom. Vroom’s work renders a portrait of\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e Little Kid’s twin musical strengths — as a live act, a straight-ahead folk rock outfit, and as a group of creative, independent producers who want to mess things up. To that end, the record features several guest instruments: Eliza Niemi’s cello, Anh Phung’s flute, Seth Engel’s percussion, Peter Gill’s pedal steel, and Aaron Powell’s voice. Every so often, the boundaries fray. Chaotic flute layers transport the outro to “Beside Myself.” Banjo careens off the edge of “Something to Say.” The kick drum in “Bad Energy” is more than a heartbeat. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLike a minimalist composition, an Emily Dickinson poem, a Frankenthaler painting, early Sufjan Stevens, or the songs of many of Little Kid’s new labelmates at Orindal, A Million Easy Payments is brilliant insofar as it teems with texture and meaning under an outward image of simplicity. A peacock in sheep’s clothing. Its lyrical and musical density never comes at the expense of clarity or striking melodies. Like your favorite movie or novel, you come back to A Million Easy Payments again and again for the pleasure of its beauty, but also because it reveals something new every time. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLittle Kid has always centered around Boothby’s songwriting, and A Million Easy Payments proves his enormous skill many times over. He tackles the extended ballad tradition, zooming in and out with mind-bending control on “Bad Energy”: \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAnd now your engine burns remains of ancient birds \u003cbr data-mce-fragment=\"1\"\u003eGo into town to drive around and then leave \u003cbr data-mce-fragment=\"1\"\u003eYou tore a gash right clear through the atmosphere \u003cbr data-mce-fragment=\"1\"\u003eAnd now there’s nothing that can buffer the heat \u003cbr data-mce-fragment=\"1\"\u003eBut the sun is shining and your love is smiling \u003cbr data-mce-fragment=\"1\"\u003eIn a moment getting warmed by a beam \u003cbr data-mce-fragment=\"1\"\u003eOf bad energy \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBoothby’s writing is charged with love, absence, stagnation and change, often refracted through the lens of Christian thought, experienced by friends, exes, everyday people and Biblical characters. Later on in “Bad Energy,” Boothby jokes “if you’re only friendly with a dozen men\/ one might still kill you with a kiss on the cheek.” In “Eggshell,” a ghost reflects on his own death to his widow, a story based on the death of Boothby’s father: “ambulances came\/ weaving a whining siren down the highway\/ leaving a smiling silence in your life, babe.” The “I” sound woven in descending melodies. Two lanes of Boothby’s airy tenor. Two lanes of guitar. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAcross A Million Easy Payments, Boothby’s dexterity, rhythm, internal rhyming prowess, and ear for poetic sound are matched only by the pathos of his stories. The words are crafted deliberately, not to show off mastery, but to share hard-earned findings. To try and see the self in context and up close, and to prove the inquiry to be both futile and crucial. To dig around for God. The pool is murky. Not as reflective as we’d hoped. \u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Little Kid\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e","published_at":"2025-11-21T09:41:57+09:00","created_at":"2025-11-21T09:40:48+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","new","orindal","tape"],"price":224200,"price_min":224200,"price_max":224200,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47992867782906,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Little Kid \/\/ A Million Easy Payments TAPE","public_title":null,"options":["Default Title"],"price":224200,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a3211041672_16.jpg?v=1713430850","\/\/tobirarecords.com\/cdn\/shop\/files\/0035268151_10.jpg?v=1713430841","\/\/tobirarecords.com\/cdn\/shop\/files\/0035268155_10.jpg?v=1713430843"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3211041672_16.jpg?v=1713430850","options":["Title"],"media":[{"alt":null,"id":33779423150330,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3211041672_16.jpg?v=1713430850"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3211041672_16.jpg?v=1713430850","width":700},{"alt":null,"id":33779430228218,"position":2,"preview_image":{"aspect_ratio":1.001,"height":1199,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0035268151_10.jpg?v=1713430841"},"aspect_ratio":1.001,"height":1199,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0035268151_10.jpg?v=1713430841","width":1200},{"alt":null,"id":33779430654202,"position":3,"preview_image":{"aspect_ratio":0.999,"height":1200,"width":1199,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0035268155_10.jpg?v=1713430843"},"aspect_ratio":0.999,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0035268155_10.jpg?v=1713430843","width":1199}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eカナダ・トロントのシンガーソングライターKenny Boothby率いるフォーク・ロックバンドLittle Kidが、2024年2月にアメリカ・シカゴのインディーレーベルOrindal Recordsからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eギターやバンジョー、フルート、チェロ、ペダルスティールとクレバーな歌詞によるインディー・フォークロック8曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、Rosie Stocktonによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"カメラは被写体に群がることなくズームインする。他人のダメージを歌った歌は、自分のダメージを理解する助けとなり、新たな謎へと導いてくれる。星は砂粒のように見える。Little Kidのニューアルバムであり、Orindalでのデビュー作である『A Million Easy Payments』では、Kenny Boothbyの声の切迫感が、あらゆる角度や露出から人生に迫ってくる壮大なバラードや回想、自己反省の限界に突き進み、それを少し超えるような歌詞の賭けとマッチしている。バンドの軽快なフォーク・ロック・アレンジがKenny Boothbyの物語を支え、時折、チェロのサンプル、ペダルスティール、フルート、エレクトリックピアノが飛び交い、物語を空高く持ち上げる。信心深さに煮詰まることもなく、痛みを美化することもない、鬱屈とフラストレーションのレコードである。壊れやすく、豊かで、血の通ったレコードだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eミニマリズムの作曲、エミリー・ディキンソンの詩、フランケンサーラーの絵画、初期のスフジャン・スティーヴンス、あるいはLittle Kidの新しいレーベルメイトであるOrindalの曲のように、『A Million Easy Payments』は、シンプルという外見的なイメージの下に、質感と意味がちりばめられている点で素晴らしい。羊の皮をかぶった孔雀だ。その叙情的で音楽的な密度は、決して明瞭さや印象的なメロディーを犠牲にしていない。お気に入りの映画や小説のように、『A Million Easy Payments』を何度も読み返すのは、その美しさを楽しむためであると同時に、毎回新たな発見があるからだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBoothbyの文章は、愛、不在、停滞、そして変化に満ちており、しばしばキリスト教思想のレンズを通して屈折し、友人、元恋人、日常の人々、そして聖書の登場人物たちによって経験される。Bad Energyの後半では、Boothbyが「12人の男と仲良くしていても、頬にキスされただけで殺されるかもしれない」と冗談を言う。Eggshell（卵の殻）」では、幽霊が未亡人に自分の死を振り返る： 救急車がやってきて／ハイウェイを鳴り響くサイレンを鳴らしながら／君の人生に微笑みの沈黙を残していったよ、ベイビー。下降するメロディーに織り込まれた \"I \"の音。Boothbyの軽やかなテナー。ギターの2車線。\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e『A Million Easy Payments』全体を通して、Boothbyの器用さ、リズム、内韻の巧みさ、詩的な響きを聴き取る耳は、彼の物語のペーソスに匹敵する。熟練を誇示するためではなく、苦労して得た発見を分かち合うために、言葉は意図的に作られている。自己を文脈の中で、間近で見ようとすること、そしてその探求が無駄であり重要であることを証明すること。神を探し求める。プールは濁っている。期待したほどには反映されていない。\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/SROle0DiiAQ?si=DRgS6oRkRtQFICbF\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/9w4lYrKBug8?si=rH7x7JpWCRi7OKcX\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e レーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Cassette in norelco case.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. Something to Say 04:07\u003cbr\u003e2. Bad Energy 07:29\u003cbr\u003e3. Beside Myself 04:43\u003cbr\u003e4. Always Change 05:57\u003cbr\u003e5. Eggshell 03:03\u003cbr\u003e6. Somewhere In Between 04:31\u003cbr\u003e7. Nothing at All 04:21\u003cbr\u003e8. What Qualifies as Silence 09:49\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003eDan Wriggins\u003c\/span\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"A camera zooms in without crowding its subject. A song about someone else’s damage helps you understand your own, and puts you on to new mysteries. Stars look like grains of sand. On Little Kid’s new album and Orindal Records debut A Million Easy Payments, the urgency in Kenny Boothby’s voice matches the stakes of his lyrics, epic ballads and reveries that come at life from all angles and exposures, driving at and a little over the limits of self-reflection. The band’s lilting folk rock arrangements carry Boothby’s stories, occasionally lifting them skyward with flurries of cello samples, pedal steel, flute, and electric piano. It’s a record of depression and frustration that doesn’t stew in piety or aestheticize pain, that also explodes with life. Fragile and abundant. It’s a record with blood in its veins. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLittle Kid is a Toronto-based collaborative project that has existed in some form since 2009, and is currently comprised of Brodie Germain (drums, guitar), Paul Vroom (bass), Megan Lunn (vocals, banjo, keyboard), Liam Cole (drums, percussion), and Kenny Boothby (vocals, guitar, piano, keyboards). A Million Easy Payments, like the three Little Kid releases before it, was tracked, engineered, and mastered by Vroom. Vroom’s work renders a portrait of\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e Little Kid’s twin musical strengths — as a live act, a straight-ahead folk rock outfit, and as a group of creative, independent producers who want to mess things up. To that end, the record features several guest instruments: Eliza Niemi’s cello, Anh Phung’s flute, Seth Engel’s percussion, Peter Gill’s pedal steel, and Aaron Powell’s voice. Every so often, the boundaries fray. Chaotic flute layers transport the outro to “Beside Myself.” Banjo careens off the edge of “Something to Say.” The kick drum in “Bad Energy” is more than a heartbeat. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLike a minimalist composition, an Emily Dickinson poem, a Frankenthaler painting, early Sufjan Stevens, or the songs of many of Little Kid’s new labelmates at Orindal, A Million Easy Payments is brilliant insofar as it teems with texture and meaning under an outward image of simplicity. A peacock in sheep’s clothing. Its lyrical and musical density never comes at the expense of clarity or striking melodies. Like your favorite movie or novel, you come back to A Million Easy Payments again and again for the pleasure of its beauty, but also because it reveals something new every time. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLittle Kid has always centered around Boothby’s songwriting, and A Million Easy Payments proves his enormous skill many times over. He tackles the extended ballad tradition, zooming in and out with mind-bending control on “Bad Energy”: \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAnd now your engine burns remains of ancient birds \u003cbr data-mce-fragment=\"1\"\u003eGo into town to drive around and then leave \u003cbr data-mce-fragment=\"1\"\u003eYou tore a gash right clear through the atmosphere \u003cbr data-mce-fragment=\"1\"\u003eAnd now there’s nothing that can buffer the heat \u003cbr data-mce-fragment=\"1\"\u003eBut the sun is shining and your love is smiling \u003cbr data-mce-fragment=\"1\"\u003eIn a moment getting warmed by a beam \u003cbr data-mce-fragment=\"1\"\u003eOf bad energy \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBoothby’s writing is charged with love, absence, stagnation and change, often refracted through the lens of Christian thought, experienced by friends, exes, everyday people and Biblical characters. Later on in “Bad Energy,” Boothby jokes “if you’re only friendly with a dozen men\/ one might still kill you with a kiss on the cheek.” In “Eggshell,” a ghost reflects on his own death to his widow, a story based on the death of Boothby’s father: “ambulances came\/ weaving a whining siren down the highway\/ leaving a smiling silence in your life, babe.” The “I” sound woven in descending melodies. Two lanes of Boothby’s airy tenor. Two lanes of guitar. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAcross A Million Easy Payments, Boothby’s dexterity, rhythm, internal rhyming prowess, and ear for poetic sound are matched only by the pathos of his stories. The words are crafted deliberately, not to show off mastery, but to share hard-earned findings. To try and see the self in context and up close, and to prove the inquiry to be both futile and crucial. To dig around for God. The pool is murky. Not as reflective as we’d hoped. \u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Little Kid\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e"}
You may also like:
カナダ・トロントのシンガーソングライターKenny Boothby率いるフォーク・ロックバンドLittle Kidが、2024年2月にアメリカ・シカゴのインディーレーベルOrindal Recordsからリリースしたアルバムです。 ギターやバンジョー、フルート、チェロ、ペダルスティールとクレバーな歌詞によるインディー・フォークロック8曲を収録。DLコード付属。 以下、Rosie Stocktonによる解説です。 "カメラは被写体に群がることなくズームインする。他人のダメージを歌った歌は、自分のダメージを理解する助けとなり、新たな謎へと導いてくれる。星は砂粒のように見える。Little Kidのニューアルバムであり、Orindalでのデビュー作である『A Million Easy Payments』では、Kenny Boothbyの声の切迫感が、あらゆる角度や露出から人生に迫ってくる壮大なバラードや回想、自己反省の限界に突き進み、それを少し超えるような歌詞の賭けとマッチしている。バンドの軽快なフォーク・ロック・アレンジがKenny Boothbyの物語を支え、時折、チェロのサンプル、ペダルスティール、フルート、エレクトリックピアノが飛び交い、物語を空高く持ち上げる。信心深さに煮詰まることもなく、痛みを美化することもない、鬱屈とフラストレーションのレコードである。壊れやすく、豊かで、血の通ったレコードだ。...
¥2,242