Don't DJ X NWAQ // Fashion LP

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ドイツの実験ダンスレーベルDisk主宰Don't DJとダブテクノ作家NWAQが、2020年12月にリリースした共作レコード。コラージュアンビエント・テクノ8曲を収録。

レーベルその他作品はこちら /// Click here to see more meakusma releases available at Tobira.

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meakusma:

"Ahead of the Meakusma Festival 2019 Don't DJ and NWAQ did an artist residency developing new music together from scratch. Their resulting performance at the festival was a mesmerising descent into the artistic perspectives of two singular artists active in off-kilter club music.Some of the eight tracks on this record were recorded live at the festival while others were recorded during the residency. All dwell in distorted and eccentric bliss and play around with rhythmic arrhythmic and post-rhythmic tension. There is happiness in dystopia although the subtle yet intense layering in the music hints at undercurrents that are far from bright. The joyousness of this record lies in the notable excitement Don't DJ and NWAQ experience fusing their modi operandi coming up with a music that shines and distorts. As massive blocks of sound alternate with subtler disorienting parts repetitive vocals create an air of disparate acceptance. It uses club music's template and pushes on."

Artist : Don't DJ X NWAQ

Label : meakusma

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レーベルその他作品はこちら /// Click here to see more meakusma releases available at Tobira.

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meakusma:

Artist : Don't DJ X NWAQ

Label : meakusma

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Sam Gendel & Ugnė Uma // Tam tikri objektai erdvėje LP

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クイックビュー {"id":8100896342266,"title":"Sam Gendel \u0026 Ugnė Uma \/\/ Tam tikri objektai erdvėje LP","handle":"sam-gendel-ugne-uma-tam-tikri-objektai-erdveje-lp","description":"\u003cp\u003eアメリカ・LAのサックス奏者Sam Gendelとリトアニア・ヴィリニュスのエレクトロニック・ポップ作家Ugnė Umaが、2023年11月にベルギーの実験レーベルMeakusmaからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eレフトフィールド・ジャズ〜レフトフィールド・ポップ6曲を収録。DLコードとポストカード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Sam GendelとUgnė Umaのアルバム『Tam Tikri Objektai Erdvėje』は、二人のパフォーマーが「存在の軽さ」と定義するものについて、重層的で、メリスマティックで、インタテクスチュアルな視点を描き出している。\u003cmeta charset=\"utf-8\"\u003eUgnė Umaの音楽的スタンスは、実験的な詩や、リトアニアの20世紀のアンダーグラウンド音楽シーン（ジャズやフォークなど、国の独立運動による解放から生まれたもの）に影響を受けている。ロサンゼルス出身の\u003cmeta charset=\"utf-8\"\u003eSam Gendelは、サクソフォン以外の楽器にも精通するサクソフォン奏者兼プロデューサーであり、ソロとコラボレーションの両方で録音した作品は、モダンジャズ界のみならず、その枠を超えた重要な新しい声として高い評価を得ている。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e『Tam Tikri Objektai Erdvėje』はリトアニア語で、「Some Particular Objects in Space」と訳される。このアルバムに収録された6つのトラックは、土星という言葉のすべての文字を表している。彼らは、もろくも勢いのあるサウンドパレットを描き出す。即興演奏のヒントや、彼ら自身の録音作品や幼少期に使っていたヤマハ・ポータサウンドPSS-290シンセの音をサンプリングし、ポップスやR\u0026amp;Bを抽象化したこれらのトラックのいくつかは、ほとんどバレアリックなフィーリングに達しており、より瞑想的である。宇宙的な現象を掘り下げた歌詞を持つTam Tikri Objektai Erdvėjeは、宇宙的なものであれ、内なるものであれ、その中間にあるものであれ、空間についてのアルバムである。このアルバムは、その影響や制作に使われた素材や戦術の総和を容易に凌駕する。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3971235665\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/meakusma\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/meakusma\"\u003ehere\u003c\/a\u003e to see more meakusma releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecord comes with DL voucher and A6 Postcard\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eText by Meakusma:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eSam Gendel and Ugnė Uma's Tam Tikri Objektai Erdvėje album sketches a layered, melismatic and intertextual view on what both performers define as a lightness of being. Ugnė Uma's musical stance is influenced by experimental poetry and Lithuania's 20th century underground music scene - jazz and folk, resulting from the liberation of the country's independence movements. Sam Gendel, from Los Angeles, is a saxophonist and producer, proficient on more instruments than the saxophone alone, whose recorded work both solo and collaborative has brought him acclaim as a vital new voice in modern jazz and beyond.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTam Tikri Objektai Erdvėje is Lithuanian and translates as Some Particular Objects in Space. The six tracks on the album stand for every letter of the word Saturn. They sketch out a sound palette both fragile and full of forward momentum. 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Ugnė Uma's musical stance is influenced by experimental poetry and Lithuania's 20th century underground music scene - jazz and folk, resulting from the liberation of the country's independence movements. Sam Gendel, from Los Angeles, is a saxophonist and producer, proficient on more instruments than the saxophone alone, whose recorded work both solo and collaborative has brought him acclaim as a vital new voice in modern jazz and beyond.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTam Tikri Objektai Erdvėje is Lithuanian and translates as Some Particular Objects in Space. The six tracks on the album stand for every letter of the word Saturn. They sketch out a sound palette both fragile and full of forward momentum. With hints of improv, sampling their own recorded work and sounds of a childhood's Yamaha Portasound PSS-290 synth into abstractions of pop and r\u0026amp;b, some of these tracks reach an almost balearic feel, the more contemplative end of it. With lyrics delving into cosmic phenomena, Tam Tikri Objektai Erdvėje is an album about space, whether cosmic or inward or the one in between. It easily surpasses the sum of its influences and the materials and tactics used to produce it.\" \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sam Gendel \u0026amp; Ugnė Uma\u003c\/p\u003e\n\u003cp\u003eLabel : Meakusma\u003c\/p\u003e"}

アメリカ・LAのサックス奏者Sam Gendelとリトアニア・ヴィリニュスのエレクトロニック・ポップ作家Ugnė Umaが、2023年11月にベルギーの実験レーベルMeakusmaからリリースした共作レコードです。レフトフィールド・ジャズ〜レフトフィールド・ポップ6曲を収録。DLコードとポストカード付属。以下、レーベルによる解説です。 "Sam GendelとUgnė Umaのアルバム『Tam Tikri Objektai Erdvėje』は、二人のパフォーマーが「存在の軽さ」と定義するものについて、重層的で、メリスマティックで、インタテクスチュアルな視点を描き出している。Ugnė Umaの音楽的スタンスは、実験的な詩や、リトアニアの20世紀のアンダーグラウンド音楽シーン（ジャズやフォークなど、国の独立運動による解放から生まれたもの）に影響を受けている。ロサンゼルス出身のSam Gendelは、サクソフォン以外の楽器にも精通するサクソフォン奏者兼プロデューサーであり、ソロとコラボレーションの両方で録音した作品は、モダンジャズ界のみならず、その枠を超えた重要な新しい声として高い評価を得ている。『Tam Tikri...

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クイックビュー {"id":7652206051578,"title":"Viola Klein \/\/ A Passport and a Visa Stamped by the Holy Ghost EP 12\"","handle":"viola-klein-a-passport-and-a-visa-stamped-by-the-holy-ghost-ep-lp","description":"\u003cp\u003eドイツ・ベルリン出身、アメリカ・デトロイト発Viola Kleinの2018年リリース12\"です。アフリカンなパーカッションが心地よい作品です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3120601160\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/meakusma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/meakusma\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/meakusma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/meakusma\"\u003ehere\u003c\/a\u003e to see more meakusma releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e3 Track EP featuring Laurent Kandety and Georgia Anne Muldrow.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003emeakusma:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe sound sources in Klein’s work are rooted in personal relationships.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eKlein worked for a New York church’s audio ministry; she mixed the choir, recorded the sermons and services, and later, knowing who was shouting, put parts of them in her MPC. Klein interviewed intellectuals in person to extract deep house messages from the conversations. Klein brought a close friend’s hypnotizing Detroit deep house beat to the patio of a Senegalese Sabar ensemble to ask if they wanted to respond to it.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHaving learned the piano and jazz theory in her youth, Klein composes all the keys on her records. If a sound feels right, let’s go with it, is her position. Excellence of technique isn’t crucial for selecting sounds. Klein was tempted to study jazz though she ended up studying art. Her sound is a reaction to living in a world in which words are said to be powerful when they are far from adequate to describe many relations.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eShe was shaped by spiritual jazz, mostly from the 70s, polyrhythmic environments, and the Detroit sound at the turn of the millennium. On a scholarship in Detroit in 2005, she was welcomed by\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Aaron-Carl (R.I.P.) in his studio and witnessed studio setups used as tools for survival. Back in Germany, Klein missed hearing those forms of house on dance floors, so she started spinning as a kind of transatlantic communicator.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCommunity centers were turned into one night clubs quite a lot under the Bring Your Ass name of Klein’s celebration series, which brought the ambassadors of Detroit house in person. That’s how she gives thanks for the hospitality she has received in Detroit since 2005. One guest told her all Saturdays should be like that. Klein is an unofficial pupil of David Mancuso’s craft. We’ll take care of the details - come as you are.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eComing from Frankfurt, an early influence on her sound was her fellow student Frank Metzger, the former vocalist of Oval. After moving to Cologne in 1998, she was part of the record distribution Groove Attack for a couple of years. Stecken night club was the place for her regular DJ appearances. A-Musik is her adopted music family in her hometown Cologne.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhen Klein is spinning records, she is used to going from Don Cherry to Detroit’s experimental house to Tama Walo to ESG to Jaco Pastorius to Wendy \u0026amp; Lisa to Aby Ngana Diop to a Salsoul Acappella layered on a rough bassline to Jaki Liebezeit to Justus Köhncke to Hypnotic Brass Ensemble to Yusef Lateef to whatever she wants to say - she is definitely not holding back.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCelebrating the openness of sound is what the new record and collaboration with Florent Kandety and Georgia Anne Muldrow does for sure. Like standing in a sound corridor between two or more clubs. Kandety gave a Senegalese sound expressing astonishment as well as his falsetto to Klein’s Zoom recorder and a personal chant through a long-distance internet phone call. The US American Muldrow tests the range of our perception with her interpretation of empathy. Klein composes keys, plays and arranges organ, bass and drums to cherish the vocals sung for her.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Viola Klein\u003c\/p\u003e\n\u003cp\u003eLabel : meakusma\u003c\/p\u003e","published_at":"2022-06-23T18:25:27+09:00","created_at":"2022-06-23T14:08:30+09:00","vendor":"Tobira Records","type":"","tags":["house","lp","meakusma"],"price":235000,"price_min":235000,"price_max":235000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42913489944826,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Viola Klein \/\/ A Passport and a Visa Stamped by the Holy Ghost EP 12\"","public_title":null,"options":["Default Title"],"price":235000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/pa1_a5cb5dcf-3661-4809-9ff1-2b5be24c2376.jpg?v=1655960911","\/\/tobirarecords.com\/cdn\/shop\/products\/pa2_8a65e0d4-56db-4c66-88a6-f5ee955a6a41.jpg?v=1655960911"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa1_a5cb5dcf-3661-4809-9ff1-2b5be24c2376.jpg?v=1655960911","options":["Title"],"media":[{"alt":null,"id":29960855355642,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa1_a5cb5dcf-3661-4809-9ff1-2b5be24c2376.jpg?v=1655960911"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa1_a5cb5dcf-3661-4809-9ff1-2b5be24c2376.jpg?v=1655960911","width":700},{"alt":null,"id":29960855388410,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa2_8a65e0d4-56db-4c66-88a6-f5ee955a6a41.jpg?v=1655960911"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa2_8a65e0d4-56db-4c66-88a6-f5ee955a6a41.jpg?v=1655960911","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eドイツ・ベルリン出身、アメリカ・デトロイト発Viola Kleinの2018年リリース12\"です。アフリカンなパーカッションが心地よい作品です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3120601160\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/meakusma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/meakusma\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/meakusma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/meakusma\"\u003ehere\u003c\/a\u003e to see more meakusma releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e3 Track EP featuring Laurent Kandety and Georgia Anne Muldrow.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003emeakusma:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe sound sources in Klein’s work are rooted in personal relationships.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eKlein worked for a New York church’s audio ministry; she mixed the choir, recorded the sermons and services, and later, knowing who was shouting, put parts of them in her MPC. Klein interviewed intellectuals in person to extract deep house messages from the conversations. Klein brought a close friend’s hypnotizing Detroit deep house beat to the patio of a Senegalese Sabar ensemble to ask if they wanted to respond to it.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHaving learned the piano and jazz theory in her youth, Klein composes all the keys on her records. If a sound feels right, let’s go with it, is her position. Excellence of technique isn’t crucial for selecting sounds. Klein was tempted to study jazz though she ended up studying art. Her sound is a reaction to living in a world in which words are said to be powerful when they are far from adequate to describe many relations.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eShe was shaped by spiritual jazz, mostly from the 70s, polyrhythmic environments, and the Detroit sound at the turn of the millennium. On a scholarship in Detroit in 2005, she was welcomed by\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Aaron-Carl (R.I.P.) in his studio and witnessed studio setups used as tools for survival. Back in Germany, Klein missed hearing those forms of house on dance floors, so she started spinning as a kind of transatlantic communicator.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCommunity centers were turned into one night clubs quite a lot under the Bring Your Ass name of Klein’s celebration series, which brought the ambassadors of Detroit house in person. That’s how she gives thanks for the hospitality she has received in Detroit since 2005. One guest told her all Saturdays should be like that. Klein is an unofficial pupil of David Mancuso’s craft. We’ll take care of the details - come as you are.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eComing from Frankfurt, an early influence on her sound was her fellow student Frank Metzger, the former vocalist of Oval. After moving to Cologne in 1998, she was part of the record distribution Groove Attack for a couple of years. Stecken night club was the place for her regular DJ appearances. A-Musik is her adopted music family in her hometown Cologne.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhen Klein is spinning records, she is used to going from Don Cherry to Detroit’s experimental house to Tama Walo to ESG to Jaco Pastorius to Wendy \u0026amp; Lisa to Aby Ngana Diop to a Salsoul Acappella layered on a rough bassline to Jaki Liebezeit to Justus Köhncke to Hypnotic Brass Ensemble to Yusef Lateef to whatever she wants to say - she is definitely not holding back.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCelebrating the openness of sound is what the new record and collaboration with Florent Kandety and Georgia Anne Muldrow does for sure. Like standing in a sound corridor between two or more clubs. Kandety gave a Senegalese sound expressing astonishment as well as his falsetto to Klein’s Zoom recorder and a personal chant through a long-distance internet phone call. The US American Muldrow tests the range of our perception with her interpretation of empathy. Klein composes keys, plays and arranges organ, bass and drums to cherish the vocals sung for her.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Viola Klein\u003c\/p\u003e\n\u003cp\u003eLabel : meakusma\u003c\/p\u003e"}