Yazzus // Rebel Royale 12inch

¥2,950

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ドイツ・ベルリンのトランス作家Yazzusが、2025年6月にオーストラリア・メルボルンのテクノ作家Roza Terenzi主宰レーベルStep Ball Chainからリリースした12"です。

コンテンポラリー・トランス〜ミニマルテクノ4曲を収録。

Step Ball Chain · Yazzus - Rebel Royale (STEP16)

レーベルその他作品はこちら /// Click here to see more Step Ball Chain releases available at Tobira.

----------------------------------

12" black vinyl.

Tracklist:

1. Delicately Mad 06:58
2. Venom & Vision; Serpent's Rising 06:49
3. My Lipgloss My Rules 05:56
4. Erotica feat. DJ Fuckoff 05:25

Step Ball Chain:

"A true royal rebel without a cause joins the Step Ball Chain chosen family. Berlin psy-con Yazzus presents a sexy sweatfest; a four track original EP featuring DJ Fuckoff of tech-trodden club stompers that will shake and break you. Operating in a lane of her own, she draws on her UK roots with bass laden bounce and never forgets to add that sapphic touch crucial to SBC. “Rebel Royale” is keeping techno freaky, cheeky and ahead of the curve.

Quintessentially out of control, elements of tension and release are toyed with throughout all the tracks, the building and driving addictive synth work in Venom & Vision; Serpent’s Rising sending even the most sane into a spiral. Basslines come thick and heavy, chunky by nature and particularly prevalent in Delicately Mad and My Lipgloss My Rules, they are the backbone of the record. Don’t get it twisted, this isn’t some run of the mill techno; the modular bleeps and freakouts, FX and vocals are wired and inspired; the glue showcasing Yazzus’s fully sick technical abilities. Last but not least, she entails the help of friend DJ Fuckoff; haunted slippery vocals are a match made in heaven for the percussive psy workout Erotica."

Artist : Yazzus

Label : Step Ball Chain

cat no : STEP16

Quantity

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コンテンポラリー・トランス〜ミニマルテクノ4曲を収録。

Step Ball Chain · Yazzus - Rebel Royale (STEP16)

レーベルその他作品はこちら /// Click here to see more Step Ball Chain releases available at Tobira.

----------------------------------

12" black vinyl.

Tracklist:

1. Delicately Mad 06:58
2. Venom & Vision; Serpent's Rising 06:49
3. My Lipgloss My Rules 05:56
4. Erotica feat. DJ Fuckoff 05:25

Step Ball Chain:

Artist : Yazzus

Label : Step Ball Chain

cat no : STEP16

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From sharing Japanese nicknames for clouds while looking at the sky above a rest stop (fishscale cloud, dragon cloud, sardine cloud, sleep cloud, sheep cloud), searching\u003cspan class=\"bcTruncateMore\"\u003e for matching socks in a bin at a clothing store, to an ode to Tan Tan, a beloved panda who had recently died of old age at the Kobe Oji Zoo — they both seek out and sing to the magic in the everyday.\u003cbr\u003e\u003cbr\u003eThat’s what this experience came to feel like: magic, every day. As the group worked, they watched the Pacific Ocean advance and recede from the windows of the Guggenheim House. Over those two days, they’d compose and record eight songs, listed in order of creation, on the album that came to be called Wao.\u003cbr\u003e\u003cbr\u003e\"What is also cool about the album is that the house is very much not a recording studio so it sounds super live and because it's also right on the train tracks you can often hear the train in the recordings as it drives by. To me it adds so much charm and personality,\" Joseph describes. \"The whole thing felt like a dream and was over so quickly so I kinda forgot about it until a few weeks after I got home. When I opened up the sessions is was really clear that we had done something special.\"\u003cbr\u003e\u003cbr\u003eIt all happened so quickly, an enchanting whirl. Dreamlike, they had fallen into and out of it. Only when the recordings arrived in the mail a few weeks later did that dreamy state sharpen into a memory and a moment that you can now revisit, over and over again.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Shabason, Krgovich, Tenniscoats\u003c\/p\u003e\n\u003cp\u003eLabel : Western Vinyl\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWV284lp\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-08-06T06:55:24+09:00","created_at":"2025-08-05T18:34:42+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","new","recommended","western vinyl"],"price":375000,"price_min":375000,"price_max":375000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47584581943546,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Shabason, Krgovich, Tenniscoats \/\/ Wao LP","public_title":null,"options":["Default Title"],"price":375000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"843563170069","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/wao1.jpg?v=1754386303","\/\/tobirarecords.com\/cdn\/shop\/files\/wao2.jpg?v=1754386303"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/wao1.jpg?v=1754386303","options":["Title"],"media":[{"alt":null,"id":36480400326906,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wao1.jpg?v=1754386303"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wao1.jpg?v=1754386303","width":700},{"alt":null,"id":36480400359674,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wao2.jpg?v=1754386303"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wao2.jpg?v=1754386303","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※8\/29リリースです\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eShabason, Krgovich, Tenniscoatsが、2025年8月にアメリカの老舗レーベルWestern Vinylからリリースする共作レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eアンビエント・フォーク〜インディーフォーク8曲を収録。インサート付属。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/2122371159\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/western_vinyl\" title=\"Western Vinyl\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eWestern Vinyl\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/western_vinyl\/shabason-krgovich-tenniscoats-our-detour\" title='\"Shabason, Krgovich, Tenniscoats\" - Our Detour' style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003e\"Shabason, Krgovich, Tenniscoats\" - Our Detour\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/2138306568\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/western_vinyl\" title=\"Western Vinyl\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eWestern Vinyl\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/western_vinyl\/shabason-krgovich-tenniscoats-lose-my-breath\" title='Shabason, Krgovich, Tenniscoats - \"Lose My Breath\"' style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eShabason, Krgovich, Tenniscoats - \"Lose My Breath\"\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003ehere\u003c\/a\u003e to see more Western Vinyl releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRELEASE DATE: 29th August 2025\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eIncludes double sided insert. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Departed Bird\u003cbr\u003e2. A Fish Called Wanda\u003cbr\u003e3. Shioya Collection\u003cbr\u003e4. Our Detour 04:54\u003cbr\u003e5. At Guggenheim\u003cbr\u003e6. Ode to Jos'\u003cbr\u003e7. Look Look Look\u003cbr\u003e8. Lose My Breath 04:25\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eWestern Vinyl:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"In April 2024, Joseph Shabason and Nicholas Krgovich set off on a two-week tour of Japan, their first time performing in the country as Shabason \u0026amp; Krgovich. In an act of well-coordinated serendipity, Koji Saito of 7e.p. records enlisted Saya and Ueno of Tenniscoats, the revered Japanese duo, to tour with and perform backing band duties throughout their stops in Matsumoto, Nagoya, Kobe, Kyoto, and Tokyo.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe four could only rehearse twice, but it was all they needed. Their connection was immediate and felt in the music; their shows fluid, elastic, and just the right amount of unpredictable. Saito had anticipated this simpatico and arranged for recording engineers to meet them in Kobe, where they had a two-day stay at the famed Guggenheim House, a 117-year-old colonial-style residence that had been converted into an artist residency.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWith no songs prepared, they began to play with melodies, improvising and pulling pieces from that spontaneity into wholes. Saya and Krgovich soon realized the closeness in their approach to lyric writing. From sharing Japanese nicknames for clouds while looking at the sky above a rest stop (fishscale cloud, dragon cloud, sardine cloud, sleep cloud, sheep cloud), searching\u003cspan class=\"bcTruncateMore\"\u003e for matching socks in a bin at a clothing store, to an ode to Tan Tan, a beloved panda who had recently died of old age at the Kobe Oji Zoo — they both seek out and sing to the magic in the everyday.\u003cbr\u003e\u003cbr\u003eThat’s what this experience came to feel like: magic, every day. As the group worked, they watched the Pacific Ocean advance and recede from the windows of the Guggenheim House. Over those two days, they’d compose and record eight songs, listed in order of creation, on the album that came to be called Wao.\u003cbr\u003e\u003cbr\u003e\"What is also cool about the album is that the house is very much not a recording studio so it sounds super live and because it's also right on the train tracks you can often hear the train in the recordings as it drives by. To me it adds so much charm and personality,\" Joseph describes. \"The whole thing felt like a dream and was over so quickly so I kinda forgot about it until a few weeks after I got home. When I opened up the sessions is was really clear that we had done something special.\"\u003cbr\u003e\u003cbr\u003eIt all happened so quickly, an enchanting whirl. Dreamlike, they had fallen into and out of it. Only when the recordings arrived in the mail a few weeks later did that dreamy state sharpen into a memory and a moment that you can now revisit, over and over again.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Shabason, Krgovich, Tenniscoats\u003c\/p\u003e\n\u003cp\u003eLabel : Western Vinyl\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWV284lp\u003c\/span\u003e\u003c\/p\u003e"}

※8/29リリースです Shabason, Krgovich, Tenniscoatsが、2025年8月にアメリカの老舗レーベルWestern Vinylからリリースする共作レコードです。アンビエント・フォーク〜インディーフォーク8曲を収録。インサート付属。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ Western Vinyl · "Shabason, Krgovich, Tenniscoats" -...

¥3,750

クイックビュー {"id":8878832484602,"title":"Kristen Roos \/\/ Universal Synthesizer Interface Vol III LP","handle":"kristen-roos-universal-synthesizer-interface-vol-iii-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eカナダ・バンクーバーのIDM作家Kristen Roosが\u003c\/span\u003e、2024年11月に同国トロントのオールジャンルレーベルWe Are Busy Bodiesから300部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1987年にリリースされたドラムマシンUpbeatを用いて制作した、ポリリズム溢れるトライバル・テクノ〜IDM〜ストレンジビーツ6曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"1984年、ジョエル・チャダベはインテリジェント・ミュージックとして知られるインテリジェント・コンピュータ・ミュージック・システムズ社を設立した。チャダベはミュージシャンであり教育者であり、インタラクティブなコンピュータ音楽と作曲の初期のチャンピオンだった。1986年から1990年という短い期間に、インテリジェント・ミュージックは一連のMIDIシーケンス・ソフトウェア・タイトルを発表し、音楽界全体に波紋を広げることになる。これらのプログラムは、コンピュータアルゴリズムが作曲している間に、ユーザーが音楽の側面を調整できるインテリジェントなアルゴリズム・ツールを作りたいというチャダベの願望を反映したものだった（M、Jam Factory、UpBeat、MidiDraw、Ovaltune、Realtime、そしてミラー・パケットのMaxの未発表の最初のバージョン）。コンピュータのためのインテリジェントな作曲ツールは、メインフレームのコンピュータ・ラボ（特にベル研究所のマックス・マシューズとローリー・スピーゲルの研究）で何十年も前から存在していたが、学術機関や企業の研究所で働く人々しか利用できなかった。インテリジェント・ミュージックの誕生により、これらのツールはホームスタジオを持つ誰もが利用できるようになった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの時代のパーソナルコンピューターは、より安価になり、より身近になるにつれて、処理能力も知能も飛躍的に向上した。多くの人が、機械が意識を持つ日もそう遠くないのではないかと考えた。この時代の音楽報道では、アルゴリズムによるコンピューター・システムを説明するのに、スマートとインテリジェントという同じ2つの言葉が何度も使われている。このような記事の論調は、AIとアルゴリズム制御が私たちの技術の多くを支えている今日の基準からすれば古めかしく思えるかもしれないが、機械の知性に対する疑問は依然として残っている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの『Universal Synthesizer Interface』第3巻は、初期のパソコン用MIDIシーケンサー・ソフトウェアに関する私の研究の続きである。IntelligentMusicのソフトウェアの中で最も無名なもの、UpBeatに焦点を当てている： 1987年にリリースされたインテリジェント・リズム・シーケンサーだ。当時のレビュアーに「世界最高のドラムマシン」と賞賛されたアップビートは、MIDI互換のハードウェアをプリセット・デバイスとして保存し、ソフトウェア・インターフェースで個々のトラックとして呼び出すことができた。しかし、アップビートが本当にユニークだったのは、ループするMIDIパターンをドラムマシンに送信し、ユーザーがその場でリアルタイムに調整しながら永久にループを再生できる機能だった。今日のデジタル・オーディオ・ワークステーションでは一般的であるが、アップビートのリリース当時は、これは本当に斬新なことであった。これに加えて、このプログラムは個々のドラムサウンドをインテリジェントにコントロールし、ユーザーが音の密度、タイミング、アーティキュレーション、ベロシティをアルゴリズムで変更できるようにした。このような機能は使用する喜びであり、このポリリズムのトラックコレクションを作る上で重要な要素であった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこのアルバムは、故ジョエル・チャダベのインスピレーションとアイデアに捧げる。デビッド・ジカレリ、エリック・アメレス、アントニー・ウィドフ、そして特にジョン・オッフェンハーツに心から感謝する。 \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2054589869\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wabb\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/wabb\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wabb\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/wabb\"\u003ehere\u003c\/a\u003e to see more We Are Busy Bodies releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" black vinyl. Edition of 300. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Feight 06:27\u003cbr\u003e2. Bouton\u003cbr\u003e3. Samb\u003cbr\u003e4. Zimba\u003cbr\u003e5. Bok 05:04\u003cbr\u003e6. Nova\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eWe Are Busy Bodies:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn 1984, Joel Chadabe founded Intelligent Computer Music Systems Inc, known simply as Intelligent Music. Chadabe was a musician and educator, and an early champion of interactive computer music and composition. In a short period of time (1986-1990) Intelligent Music published a series of MIDI sequencing software titles that would have rippling effects throughout the music world. These programs were a reflection of Chadabe’s desire to create intelligent, algorithmic tools that allowed users to adjust aspects of their music while a computer algorithm was composing it (M, Jam Factory, UpBeat, MidiDraw, Ovaltune, Realtime, as well as an unreleased first version of Miller Puckette’s Max). Intelligent compositional tools for computers had been floating around for decades in mainframe computer labs (particularly in the work of Max Mathews and Laurie Spiegel at Bell Labs), but they had largely only been accessible to people working in academic or corporate laboratories. With the birth of Intelligent Music, these tools became available to anyone with a home studio.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs the personal computers of this era had become less expensive and more accessible, they had also grown exponentially in processing power and seeming intelligence. Many wondered if machine consciousness couldn’t be far behind. In the music press\u003cspan class=\"bcTruncateMore\"\u003e from this time, we find the same two words used again and again to describe algorithmic computer systems: smart and intelligent. The tone of such articles may seem quaint by today’s standards, when AI and algorithmic control underpin so much of our technology, but the question of machine intelligence remains.\u003cbr\u003e\u003cbr\u003eThis third volume of Universal Synthesizer Interface continues with my research into early MIDI sequencing software for personal computers. Focusing exclusively on the most obscure of Intelligent Music’s software creations - UpBeat: The Intelligent Rhythm Sequencer, released in 1987. Hailed by reviewers of the time as ‘the world’s best drum machine,’ UpBeat allowed MIDI compatible hardware to be saved as preset devices that could then be called up as individual tracks in its software interface. What made it truly unique however was its ability to send looping MIDI patterns to drum machines that could then play the loops in perpetuity while the user made real time adjustments on the fly. While common in today’s digital audio workstations, this was a true novelty at the time of UpBeat’s release. In addition to this, the program also offered intelligent control over each individual drum sound, allowing users to make algorithmic changes in note density, timing, articulation, and velocity. Such features have been a joy to use, and a crucial component in the creation of this collection of poly-rhythmic tracks.\u003cbr\u003e\u003cbr\u003eThis album is dedicated to the inspiration and ideas of the late Joel Chadabe. My sincere thanks to David Zicarelli, and Eric Ameres for their correspondence and help, Antony Widoff, and especially John Offenhartz for whom there wouldn’t be an Upbeat to create with.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Kristen Roos\u003c\/p\u003e\n\u003cp\u003eLabel : We Are Busy Bodies\u003c\/p\u003e\n\u003cp\u003eCAT No : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWABB-193\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-08-05T10:23:12+09:00","created_at":"2025-08-05T10:22:39+09:00","vendor":"Tobira Records","type":"","tags":["house","lp","new","strange beats","techno \/ house","we are busy bodies"],"price":399000,"price_min":399000,"price_max":399000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47583494078714,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Kristen Roos \/\/ Universal Synthesizer Interface Vol III LP","public_title":null,"options":["Default Title"],"price":399000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"634457190597","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/uni1.jpg?v=1731469594","\/\/tobirarecords.com\/cdn\/shop\/files\/uni2.jpg?v=1731469594"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/uni1.jpg?v=1731469594","options":["Title"],"media":[{"alt":null,"id":35181694353658,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/uni1.jpg?v=1731469594"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/uni1.jpg?v=1731469594","width":700},{"alt":null,"id":35181694419194,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/uni2.jpg?v=1731469594"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/uni2.jpg?v=1731469594","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eカナダ・バンクーバーのIDM作家Kristen Roosが\u003c\/span\u003e、2024年11月に同国トロントのオールジャンルレーベルWe Are Busy Bodiesから300部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1987年にリリースされたドラムマシンUpbeatを用いて制作した、ポリリズム溢れるトライバル・テクノ〜IDM〜ストレンジビーツ6曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"1984年、ジョエル・チャダベはインテリジェント・ミュージックとして知られるインテリジェント・コンピュータ・ミュージック・システムズ社を設立した。チャダベはミュージシャンであり教育者であり、インタラクティブなコンピュータ音楽と作曲の初期のチャンピオンだった。1986年から1990年という短い期間に、インテリジェント・ミュージックは一連のMIDIシーケンス・ソフトウェア・タイトルを発表し、音楽界全体に波紋を広げることになる。これらのプログラムは、コンピュータアルゴリズムが作曲している間に、ユーザーが音楽の側面を調整できるインテリジェントなアルゴリズム・ツールを作りたいというチャダベの願望を反映したものだった（M、Jam Factory、UpBeat、MidiDraw、Ovaltune、Realtime、そしてミラー・パケットのMaxの未発表の最初のバージョン）。コンピュータのためのインテリジェントな作曲ツールは、メインフレームのコンピュータ・ラボ（特にベル研究所のマックス・マシューズとローリー・スピーゲルの研究）で何十年も前から存在していたが、学術機関や企業の研究所で働く人々しか利用できなかった。インテリジェント・ミュージックの誕生により、これらのツールはホームスタジオを持つ誰もが利用できるようになった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの時代のパーソナルコンピューターは、より安価になり、より身近になるにつれて、処理能力も知能も飛躍的に向上した。多くの人が、機械が意識を持つ日もそう遠くないのではないかと考えた。この時代の音楽報道では、アルゴリズムによるコンピューター・システムを説明するのに、スマートとインテリジェントという同じ2つの言葉が何度も使われている。このような記事の論調は、AIとアルゴリズム制御が私たちの技術の多くを支えている今日の基準からすれば古めかしく思えるかもしれないが、機械の知性に対する疑問は依然として残っている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの『Universal Synthesizer Interface』第3巻は、初期のパソコン用MIDIシーケンサー・ソフトウェアに関する私の研究の続きである。IntelligentMusicのソフトウェアの中で最も無名なもの、UpBeatに焦点を当てている： 1987年にリリースされたインテリジェント・リズム・シーケンサーだ。当時のレビュアーに「世界最高のドラムマシン」と賞賛されたアップビートは、MIDI互換のハードウェアをプリセット・デバイスとして保存し、ソフトウェア・インターフェースで個々のトラックとして呼び出すことができた。しかし、アップビートが本当にユニークだったのは、ループするMIDIパターンをドラムマシンに送信し、ユーザーがその場でリアルタイムに調整しながら永久にループを再生できる機能だった。今日のデジタル・オーディオ・ワークステーションでは一般的であるが、アップビートのリリース当時は、これは本当に斬新なことであった。これに加えて、このプログラムは個々のドラムサウンドをインテリジェントにコントロールし、ユーザーが音の密度、タイミング、アーティキュレーション、ベロシティをアルゴリズムで変更できるようにした。このような機能は使用する喜びであり、このポリリズムのトラックコレクションを作る上で重要な要素であった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこのアルバムは、故ジョエル・チャダベのインスピレーションとアイデアに捧げる。デビッド・ジカレリ、エリック・アメレス、アントニー・ウィドフ、そして特にジョン・オッフェンハーツに心から感謝する。 \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2054589869\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wabb\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/wabb\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wabb\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/wabb\"\u003ehere\u003c\/a\u003e to see more We Are Busy Bodies releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" black vinyl. Edition of 300. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Feight 06:27\u003cbr\u003e2. Bouton\u003cbr\u003e3. Samb\u003cbr\u003e4. Zimba\u003cbr\u003e5. Bok 05:04\u003cbr\u003e6. Nova\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eWe Are Busy Bodies:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn 1984, Joel Chadabe founded Intelligent Computer Music Systems Inc, known simply as Intelligent Music. Chadabe was a musician and educator, and an early champion of interactive computer music and composition. In a short period of time (1986-1990) Intelligent Music published a series of MIDI sequencing software titles that would have rippling effects throughout the music world. These programs were a reflection of Chadabe’s desire to create intelligent, algorithmic tools that allowed users to adjust aspects of their music while a computer algorithm was composing it (M, Jam Factory, UpBeat, MidiDraw, Ovaltune, Realtime, as well as an unreleased first version of Miller Puckette’s Max). Intelligent compositional tools for computers had been floating around for decades in mainframe computer labs (particularly in the work of Max Mathews and Laurie Spiegel at Bell Labs), but they had largely only been accessible to people working in academic or corporate laboratories. With the birth of Intelligent Music, these tools became available to anyone with a home studio.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs the personal computers of this era had become less expensive and more accessible, they had also grown exponentially in processing power and seeming intelligence. Many wondered if machine consciousness couldn’t be far behind. In the music press\u003cspan class=\"bcTruncateMore\"\u003e from this time, we find the same two words used again and again to describe algorithmic computer systems: smart and intelligent. The tone of such articles may seem quaint by today’s standards, when AI and algorithmic control underpin so much of our technology, but the question of machine intelligence remains.\u003cbr\u003e\u003cbr\u003eThis third volume of Universal Synthesizer Interface continues with my research into early MIDI sequencing software for personal computers. Focusing exclusively on the most obscure of Intelligent Music’s software creations - UpBeat: The Intelligent Rhythm Sequencer, released in 1987. Hailed by reviewers of the time as ‘the world’s best drum machine,’ UpBeat allowed MIDI compatible hardware to be saved as preset devices that could then be called up as individual tracks in its software interface. What made it truly unique however was its ability to send looping MIDI patterns to drum machines that could then play the loops in perpetuity while the user made real time adjustments on the fly. While common in today’s digital audio workstations, this was a true novelty at the time of UpBeat’s release. In addition to this, the program also offered intelligent control over each individual drum sound, allowing users to make algorithmic changes in note density, timing, articulation, and velocity. Such features have been a joy to use, and a crucial component in the creation of this collection of poly-rhythmic tracks.\u003cbr\u003e\u003cbr\u003eThis album is dedicated to the inspiration and ideas of the late Joel Chadabe. My sincere thanks to David Zicarelli, and Eric Ameres for their correspondence and help, Antony Widoff, and especially John Offenhartz for whom there wouldn’t be an Upbeat to create with.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Kristen Roos\u003c\/p\u003e\n\u003cp\u003eLabel : We Are Busy Bodies\u003c\/p\u003e\n\u003cp\u003eCAT No : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWABB-193\u003c\/span\u003e\u003c\/p\u003e"}