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{"id":7705261080826,"title":"Old Saw \/\/ Country Tropics TAPE","handle":"old-saw-country-tropics-tape","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアメリカ・ニューイングランドのペダルスチール奏者\u003ca href=\"https:\/\/tobirarecords.com\/collections\/tongue-depressor-henry-birdsey\"\u003eHenry Birdsey\u003c\/a\u003e率いるアンビエントフォーク・ドローンバンドOld Sawが、2021年11月にNYのLobby Artから250部限定でリリースしたデビューレコードがこの度カセットで再発。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eペダルスチール、バンジョー、パイプオルガン、ギターという編成だけで容易に想像がつく牧歌アンビエントフォーク・ドローン4曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eマスタリングはAndrew Weathersが担当しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eHenry Birdsey - pedal steel, lap steel\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBob Driftwood - banjo\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIra Dorset- fiddle\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRev. Clarence Lewis - pipe organ\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHarper Reed - resonator guitar, nylon string guitar\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAnn Rowlis - orchestral bells\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2027226148\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 250.\u003c\/p\u003e\n\u003cp\u003eLobby Art:\u003c\/p\u003e\n\u003cp\u003eBio:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eA network of New England string pluckers, organ drivers, and bell ringers craft a rusted and granular shadow world where the dive bar meets the divine. Country Tropics treats the landscape as an iceberg as the ensemble dredges up silt, clay, weeds, and trash to craft a more holy image of our tattered landscape\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv\u003e~\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cp\u003e\"\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cem\u003eDevotional music and its devotees all do a bit of \"buying in\"; that while one's on the ground reality may appear anything but celestial, through this music, one can reach ecstatic space, ecstatic peace. However, devotional music is not solely concerned with a skyward glance - what does it look like to raise up the rust, look upon fractured branches, gaze at the density of a low fog across a field? Instead of us looking up at the land, what if the land was looking back at us? Old Saw brings together a brigade of New England silt sifters to raise up the land not as excavators, but as preparators. Tending and caring for the simple mess that our world discards. Throughout \"Country Tropics\" four pieces, the crew stretches and bends chords to their resting place before setting forth towards a new one. Fiddle drone, wistful tape loops of pedal steel, pipe organ hums, and clattering bells call us to scenes of observation, a water tower, a mechanical bull rental agency, a back porch, a taxidermy shop, a local church choir, a garden with singing vines, voltage hum of the electric fence on Pulp mill bridge road.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe funny thing about devotion is the absence of sight, of source. We place trust in the guide or guides to bring us to a place of seeing, feeling, and hearing. The music on \"Country Tropics\" calls out to those in search of such places, but also doesn't demand we conjure some fantastical, celestial vision of understanding. Rather, Old Saw points our gaze downward towards the terrafirma unconsidered, and guides our hands into the dirt.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e~\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eCredits:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eHenry Birdsey - pedal steel, lap steel\u003cbr\u003eBob Driftwood - banjo\u003cbr\u003eIra Dorset- fiddle\u003cbr\u003eRev. Clarence Lewis - pipe organ\u003cbr\u003eHarper Reed - resonator guitar, nylon string guitar\u003cbr\u003eAnn Rowlis - orchestral bells\u003cbr\u003eRecorded by Henry Birdsey at Meridian HQ in February 2021\u003cbr\u003eMastering by Andrew Weathers\u003cbr\u003eAlbum Image by Sam Youkilis\u003cbr\u003eDesign by Ximena Bedoya \u0026amp; Sam Wenc\u003c\/p\u003e\n\u003cp\u003eArtist : Old Saw\u003c\/p\u003e\n\u003cp\u003eLabel : Lobby Art\u003c\/p\u003e","published_at":"2022-08-14T04:43:06+09:00","created_at":"2022-08-14T04:43:07+09:00","vendor":"Tobira Records","type":"","tags":["ambient","drone","folk \/ left-field pop","lobby art","recommended","tape"],"price":178000,"price_min":178000,"price_max":178000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43112303362298,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Old Saw \/\/ Country Tropics TAPE","public_title":null,"options":["Default Title"],"price":178000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a1086486953_16.jpg?v=1660419821"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a1086486953_16.jpg?v=1660419821","options":["Title"],"media":[{"alt":null,"id":30289995104506,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a1086486953_16.jpg?v=1660419821"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a1086486953_16.jpg?v=1660419821","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアメリカ・ニューイングランドのペダルスチール奏者\u003ca href=\"https:\/\/tobirarecords.com\/collections\/tongue-depressor-henry-birdsey\"\u003eHenry Birdsey\u003c\/a\u003e率いるアンビエントフォーク・ドローンバンドOld Sawが、2021年11月にNYのLobby Artから250部限定でリリースしたデビューレコードがこの度カセットで再発。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eペダルスチール、バンジョー、パイプオルガン、ギターという編成だけで容易に想像がつく牧歌アンビエントフォーク・ドローン4曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eマスタリングはAndrew Weathersが担当しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eHenry Birdsey - pedal steel, lap steel\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBob Driftwood - banjo\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIra Dorset- fiddle\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRev. Clarence Lewis - pipe organ\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHarper Reed - resonator guitar, nylon string guitar\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAnn Rowlis - orchestral bells\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2027226148\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 250.\u003c\/p\u003e\n\u003cp\u003eLobby Art:\u003c\/p\u003e\n\u003cp\u003eBio:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eA network of New England string pluckers, organ drivers, and bell ringers craft a rusted and granular shadow world where the dive bar meets the divine. Country Tropics treats the landscape as an iceberg as the ensemble dredges up silt, clay, weeds, and trash to craft a more holy image of our tattered landscape\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv\u003e~\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cp\u003e\"\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cem\u003eDevotional music and its devotees all do a bit of \"buying in\"; that while one's on the ground reality may appear anything but celestial, through this music, one can reach ecstatic space, ecstatic peace. However, devotional music is not solely concerned with a skyward glance - what does it look like to raise up the rust, look upon fractured branches, gaze at the density of a low fog across a field? Instead of us looking up at the land, what if the land was looking back at us? Old Saw brings together a brigade of New England silt sifters to raise up the land not as excavators, but as preparators. Tending and caring for the simple mess that our world discards. Throughout \"Country Tropics\" four pieces, the crew stretches and bends chords to their resting place before setting forth towards a new one. Fiddle drone, wistful tape loops of pedal steel, pipe organ hums, and clattering bells call us to scenes of observation, a water tower, a mechanical bull rental agency, a back porch, a taxidermy shop, a local church choir, a garden with singing vines, voltage hum of the electric fence on Pulp mill bridge road.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe funny thing about devotion is the absence of sight, of source. We place trust in the guide or guides to bring us to a place of seeing, feeling, and hearing. The music on \"Country Tropics\" calls out to those in search of such places, but also doesn't demand we conjure some fantastical, celestial vision of understanding. Rather, Old Saw points our gaze downward towards the terrafirma unconsidered, and guides our hands into the dirt.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e~\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eCredits:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eHenry Birdsey - pedal steel, lap steel\u003cbr\u003eBob Driftwood - banjo\u003cbr\u003eIra Dorset- fiddle\u003cbr\u003eRev. Clarence Lewis - pipe organ\u003cbr\u003eHarper Reed - resonator guitar, nylon string guitar\u003cbr\u003eAnn Rowlis - orchestral bells\u003cbr\u003eRecorded by Henry Birdsey at Meridian HQ in February 2021\u003cbr\u003eMastering by Andrew Weathers\u003cbr\u003eAlbum Image by Sam Youkilis\u003cbr\u003eDesign by Ximena Bedoya \u0026amp; Sam Wenc\u003c\/p\u003e\n\u003cp\u003eArtist : Old Saw\u003c\/p\u003e\n\u003cp\u003eLabel : Lobby Art\u003c\/p\u003e"}
