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{"id":8230506856698,"title":"M.A. Tiesenga \/\/ Heavy Earth TAPE","handle":"m-a-tiesenga-heavy-earth-tape","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ・シカゴのアンビエント作家M.A. Tiesenga\u003c\/span\u003eが、2024年3月に同国LAの老舗オールジャンルレーベルLeaving Recordsから150本限定でリリースしたカセットです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eロングフォームなネオクラシカル・アンビエントドローン2曲、約1時間を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/epPZCtXJP8E?si=qxz4s6GJQOeQ8M2a\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/aZ7oKEXC9do?si=56SVxU2I3yrUvNd2\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. Cassette in norelco case. Edition of 150. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eVik \/ Wyoming 28:59\u003c\/li\u003e\n\u003cli\u003eTransubstance 29:02\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003eEmmett Shoemaker\u003c\/span\u003e :\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"[...] \u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003eSide A, “Transubstance,” is a solo piece performed on a century-old pump organ. A meditation on a near drowning experience, “Transubstance” swells and recedes, rolling forward interminably—indeed, like some murky, chthonic wave. Its genesis is immediately legible to anyone who has been existentially humbled by water. The curious elasticity of time. The way that light dances across the surface above. The simultaneous sense of being held and rendered null.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSide B, “Vík \/ Wyoming,” is an evolution\/recomposition of a pre-existing composition “Vík,” a full orchestral piece written during Tiesenga’s MFA studies. Consisting of layered recordings of “Vïk”— including those conducted during rehearsals and the premiere performance — with the addition of ample field recordings, “Vík \/ Wyoming” is a psychogeographic collage of two vast, seemingly disparate landscapes: Vík í Mýrdal, a remote village on Iceland's southern coast, and the rolling hills of Wyoming (A photograph of which serves as Heavy Earth’s cover art.) Though worlds apart, these locales share an expansive, at times desolate sublimity. As with “Transubstance,” one intuits in “Vík \/ Wyoming'' the scope, beauty, and indifference of the so-called “natural world.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNeatly symmetrical in length, the two songs function as a sort of alchemical\/fractal inquiry. The first, a private, spontaneous emanation of a deeply embodied experience. The second, an orchestrated communal effort informed by the overwhelm of environmental stimuli. Both navigating (and reveling in) the tension between composition and live performance. Though the results may be harrowing, as they often are on Heavy Earth, Tiesenga’s studied attention to form, detail, and recursion—equally evident in their graphic work—serves as a balm, a fleeting antidote to the white noise in which we are all presently inundated.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : M.A. Tiesenga\u003c\/p\u003e\n\u003cp\u003eLabel : Leaving Records\u003c\/p\u003e","published_at":"2024-03-20T11:28:51+09:00","created_at":"2024-03-19T16:18:54+09:00","vendor":"Tobira Records","type":"","tags":["ambient","leaving records","neo classical","new","tape"],"price":236200,"price_min":236200,"price_max":236200,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45370559332602,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"M.A. Tiesenga \/\/ Heavy Earth TAPE","public_title":null,"options":["Default Title"],"price":236200,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ma1_ae6e327c-a1f4-49ab-9a75-011683848d84.jpg?v=1710832736","\/\/tobirarecords.com\/cdn\/shop\/files\/ma2_49cfc065-51a7-4944-9e83-795fe66ee97c.jpg?v=1710832736"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ma1_ae6e327c-a1f4-49ab-9a75-011683848d84.jpg?v=1710832736","options":["Title"],"media":[{"alt":null,"id":33414200688890,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ma1_ae6e327c-a1f4-49ab-9a75-011683848d84.jpg?v=1710832736"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ma1_ae6e327c-a1f4-49ab-9a75-011683848d84.jpg?v=1710832736","width":700},{"alt":null,"id":33414200721658,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ma2_49cfc065-51a7-4944-9e83-795fe66ee97c.jpg?v=1710832736"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ma2_49cfc065-51a7-4944-9e83-795fe66ee97c.jpg?v=1710832736","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ・シカゴのアンビエント作家M.A. Tiesenga\u003c\/span\u003eが、2024年3月に同国LAの老舗オールジャンルレーベルLeaving Recordsから150本限定でリリースしたカセットです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eロングフォームなネオクラシカル・アンビエントドローン2曲、約1時間を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/epPZCtXJP8E?si=qxz4s6GJQOeQ8M2a\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/aZ7oKEXC9do?si=56SVxU2I3yrUvNd2\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. Cassette in norelco case. Edition of 150. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eVik \/ Wyoming 28:59\u003c\/li\u003e\n\u003cli\u003eTransubstance 29:02\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003eEmmett Shoemaker\u003c\/span\u003e :\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"[...] \u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003eSide A, “Transubstance,” is a solo piece performed on a century-old pump organ. A meditation on a near drowning experience, “Transubstance” swells and recedes, rolling forward interminably—indeed, like some murky, chthonic wave. Its genesis is immediately legible to anyone who has been existentially humbled by water. The curious elasticity of time. The way that light dances across the surface above. The simultaneous sense of being held and rendered null.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSide B, “Vík \/ Wyoming,” is an evolution\/recomposition of a pre-existing composition “Vík,” a full orchestral piece written during Tiesenga’s MFA studies. Consisting of layered recordings of “Vïk”— including those conducted during rehearsals and the premiere performance — with the addition of ample field recordings, “Vík \/ Wyoming” is a psychogeographic collage of two vast, seemingly disparate landscapes: Vík í Mýrdal, a remote village on Iceland's southern coast, and the rolling hills of Wyoming (A photograph of which serves as Heavy Earth’s cover art.) Though worlds apart, these locales share an expansive, at times desolate sublimity. As with “Transubstance,” one intuits in “Vík \/ Wyoming'' the scope, beauty, and indifference of the so-called “natural world.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNeatly symmetrical in length, the two songs function as a sort of alchemical\/fractal inquiry. The first, a private, spontaneous emanation of a deeply embodied experience. The second, an orchestrated communal effort informed by the overwhelm of environmental stimuli. Both navigating (and reveling in) the tension between composition and live performance. Though the results may be harrowing, as they often are on Heavy Earth, Tiesenga’s studied attention to form, detail, and recursion—equally evident in their graphic work—serves as a balm, a fleeting antidote to the white noise in which we are all presently inundated.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : M.A. Tiesenga\u003c\/p\u003e\n\u003cp\u003eLabel : Leaving Records\u003c\/p\u003e"}
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