Gacha Bakradze // Wordcolor LP
Gacha Bakradze // Wordcolor LP
¥1,980
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トビリシのIDM作家Gacha BakradzeがLapsusよりリリースしたレコード。ドリーミーなIDMやジャングル風なトラックなど幅広い9曲を収録。
レーベルその他作品はこちら /// Click here to see more Lapsus releases available at Tobira.
--------------------------
"For a number of years Lapsus Records has closely followed the career of producer Gacha Bakradze and has kept in touch with an artist who previously participated on the "DEU" compilation (Lapsus Records, 2014) with the track "Blackout", under his more ambient moniker, Winter Flags. It was therefore simply a matter of time before a record collaboration materialized in the form of "Word Color", a nine-song mini-LP in which Gacha gives free rein to his most introspective electronica.
This imaginative producer from Tbilisi (Georgia) has deservedly earned plaudits throughout the European scene, becoming a mainstay of the Belgian label Apollo –a sub label of R&S Records, a fundamental label in the development of underground electronic music over the last three decades-, for whom he has released half a dozen releases to date, receiving reviews from prestigious publications including Pitchfork and Resident Advisor. Furthermore, since 2015 Gacha has combined his facet as producer with the running of his own label Transfigured Time.
"Word Color" is a cinematic arrangement of captivating melodies, rhythmic experimentation, textured landscapes and micro-vocal samples. Gacha has once again reinvented his musical ideology, bestowing it with mood defining authenticity and excitement, through superbly and dextrously programmed rhythms and harmonies. Songs like "Leaf", "Oneself" and "Stray" travel into ethereal wastelands and are ambient soundscape pieces replete with nuances and unexpected twists. "Word Color" also makes room for beats, with the low pulse of jungle rhythms in "The Prayer"; IDM and electro fusion in "Word Color"; and even the sound of hi-tech breaks in "Saphri Rocks".
This imaginative producer from Tbilisi (Georgia) has deservedly earned plaudits throughout the European scene, becoming a mainstay of the Belgian label Apollo –a sub label of R&S Records, a fundamental label in the development of underground electronic music over the last three decades-, for whom he has released half a dozen releases to date, receiving reviews from prestigious publications including Pitchfork and Resident Advisor. Furthermore, since 2015 Gacha has combined his facet as producer with the running of his own label Transfigured Time.
"Word Color" is a cinematic arrangement of captivating melodies, rhythmic experimentation, textured landscapes and micro-vocal samples. Gacha has once again reinvented his musical ideology, bestowing it with mood defining authenticity and excitement, through superbly and dextrously programmed rhythms and harmonies. Songs like "Leaf", "Oneself" and "Stray" travel into ethereal wastelands and are ambient soundscape pieces replete with nuances and unexpected twists. "Word Color" also makes room for beats, with the low pulse of jungle rhythms in "The Prayer"; IDM and electro fusion in "Word Color"; and even the sound of hi-tech breaks in "Saphri Rocks".
artist : Gacha Bakradze
label : Lapsus
トビリシのIDM作家Gacha BakradzeがLapsusよりリリースしたレコード。ドリーミーなIDMやジャングル風なトラックなど幅広い9曲を収録。
This imaginative producer from Tbilisi (Georgia) has deservedly earned plaudits throughout the European scene, becoming a mainstay of the Belgian label Apollo –a sub label of R&S Records, a fundamental label in the development of underground electronic music over the last three decades-, for whom he has released half a dozen releases to date, receiving reviews from prestigious publications including Pitchfork and Resident Advisor. Furthermore, since 2015 Gacha has combined his facet as producer with the running of his own label Transfigured Time.
"Word Color" is a cinematic arrangement of captivating melodies, rhythmic experimentation, textured landscapes and micro-vocal samples. Gacha has once again reinvented his musical ideology, bestowing it with mood defining authenticity and excitement, through superbly and dextrously programmed rhythms and harmonies. Songs like "Leaf", "Oneself" and "Stray" travel into ethereal wastelands and are ambient soundscape pieces replete with nuances and unexpected twists. "Word Color" also makes room for beats, with the low pulse of jungle rhythms in "The Prayer"; IDM and electro fusion in "Word Color"; and even the sound of hi-tech breaks in "Saphri Rocks".
レーベルその他作品はこちら /// Click here to see more Lapsus releases available at Tobira.
--------------------------
"For a number of years Lapsus Records has closely followed the career of producer Gacha Bakradze and has kept in touch with an artist who previously participated on the "DEU" compilation (Lapsus Records, 2014) with the track "Blackout", under his more ambient moniker, Winter Flags. It was therefore simply a matter of time before a record collaboration materialized in the form of "Word Color", a nine-song mini-LP in which Gacha gives free rein to his most introspective electronica.This imaginative producer from Tbilisi (Georgia) has deservedly earned plaudits throughout the European scene, becoming a mainstay of the Belgian label Apollo –a sub label of R&S Records, a fundamental label in the development of underground electronic music over the last three decades-, for whom he has released half a dozen releases to date, receiving reviews from prestigious publications including Pitchfork and Resident Advisor. Furthermore, since 2015 Gacha has combined his facet as producer with the running of his own label Transfigured Time.
"Word Color" is a cinematic arrangement of captivating melodies, rhythmic experimentation, textured landscapes and micro-vocal samples. Gacha has once again reinvented his musical ideology, bestowing it with mood defining authenticity and excitement, through superbly and dextrously programmed rhythms and harmonies. Songs like "Leaf", "Oneself" and "Stray" travel into ethereal wastelands and are ambient soundscape pieces replete with nuances and unexpected twists. "Word Color" also makes room for beats, with the low pulse of jungle rhythms in "The Prayer"; IDM and electro fusion in "Word Color"; and even the sound of hi-tech breaks in "Saphri Rocks".
artist : Gacha Bakradze
label : Lapsus
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{"id":8976321511674,"title":"Julien Mier \/\/ Gradually LP","handle":"julien-mier-gradually-lp-1","description":"\u003cp\u003eオーストラリアのIDM作家Julien Mierが、2025年6月にスペインのIDMレーベルLapsusからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eIDM〜アンビエント・ダウンテンポ9曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1138435197\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/lapsus\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/lapsus\"\u003ehere\u003c\/a\u003e to see more Lapsus \/ Balmat releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Ciel 03:28\u003cbr\u003e2. Soleil 02:48\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Espace 03:54\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Steen 05:46\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Zee 04:15\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Zand 03:59\u003cbr\u003e\u003c\/span\u003e7. Scrap (ft. Daisuke Tanabe) 04:06\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Soil 04:44\u003cbr\u003e\u003c\/span\u003e9. Spark 04:28\u003c\/p\u003e\n\u003cp\u003eText excerpt by Lapsus:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eGradually, the latest album by Julien Mier, is a sonic journey that delves into the transitions of life, identity, and the blurred boundaries between art and personal growth. With a trilingual brain, Mier reflects on how language shifts have shaped his sense of self throughout his life and the music that he writes. Gradually is his exploration of shapelessness—an urge to break free from rigid musical genres and get closer to his most fundamental expression. The album is composed of nine tracks, each representing a distinct cultural and linguistic influence, all tied together by the theme of gradual evolution.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe first section, Ciel, Soleil, and Espace (French for Sky, Sun, and Space), draws on Mier’s French heritage, evoking the feeling of childhood memories bathed in a warm, nostalgic glow. This fluid, atmospheric section mirrors the soft, ever-changing air, symbolising a time of pure, untainted intention. It feels like a hazy, sepia-toned dream, as fleeting and elusive as the scent of an old friend. The gentle flow of the music mirrors the flow of wind, effortlessly shifting from one element to the next, a reflection of the innocence and clarity of youth.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe second section, Steen, Zee, and Zand (Dutch for Stone, Sea, and Sand), channels the influence of Mier’s childhood in a\u003cspan class=\"bcTruncateMore\"\u003e small Dutch dune village. These tracks are grounded in the hard-edged textures of electronic dance music, a genre that introduced him to a world of rhythm and movement. With a sonic palette of blues, greys, and more defined shapes, this section captures the solid, enduring forces of nature—earth, water, and stone. It’s a sonic landscape rooted in stability, a foundation from which everything can grow. The tracks build from the fluidity of the first section into more structured, rhythmic territories, mirroring the natural transition from childhood innocence to the discovery of deeper, more grounded musical influences.\u003cbr\u003e\u003cbr\u003eThe final section, Scrap (a collaborative track with the Japanese producer Daisuke Tanabe), Soil, and Spark, dives into the exploration of the world beyond familiar borders. Mier’s relocation from the Netherlands to Australia in 2016 is reflected in these pieces, which grapple with the contrast and complexity of different cultures and environments. These tracks are tinged with rust-red hues and a sense of eroded beauty, evoking a more fragmented, distorted view of the world. The music here is marked by tension, conflict, and the erosion of once-solid forms—symbolic of the digital and ecological storms that shape our modern existence. The closing piece, Spark, signals a new beginning, a hopeful initiation into the cycle of renewal. [...]\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Julien Mier\u003c\/p\u003e\n\u003cp\u003eLabel : Lapsus\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLPS42\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-10-30T16:10:56+09:00","created_at":"2025-10-30T10:24:45+09:00","vendor":"Tobira Records","type":"","tags":["house","lapsus","lp","new"],"price":459000,"price_min":459000,"price_max":459000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47882821435642,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Julien Mier \/\/ Gradually LP","public_title":null,"options":["Default Title"],"price":459000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"4062548112740","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/grad1.jpg?v=1761787388","\/\/tobirarecords.com\/cdn\/shop\/files\/grad2_082572ea-1101-4d33-906b-782d23777811.jpg?v=1761787388"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/grad1.jpg?v=1761787388","options":["Title"],"media":[{"alt":null,"id":37328453107962,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/grad1.jpg?v=1761787388"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/grad1.jpg?v=1761787388","width":700},{"alt":null,"id":37328453140730,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/grad2_082572ea-1101-4d33-906b-782d23777811.jpg?v=1761787388"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/grad2_082572ea-1101-4d33-906b-782d23777811.jpg?v=1761787388","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリアのIDM作家Julien Mierが、2025年6月にスペインのIDMレーベルLapsusからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eIDM〜アンビエント・ダウンテンポ9曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1138435197\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/lapsus\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/lapsus\"\u003ehere\u003c\/a\u003e to see more Lapsus \/ Balmat releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Ciel 03:28\u003cbr\u003e2. Soleil 02:48\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Espace 03:54\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Steen 05:46\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Zee 04:15\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Zand 03:59\u003cbr\u003e\u003c\/span\u003e7. Scrap (ft. Daisuke Tanabe) 04:06\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Soil 04:44\u003cbr\u003e\u003c\/span\u003e9. Spark 04:28\u003c\/p\u003e\n\u003cp\u003eText excerpt by Lapsus:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eGradually, the latest album by Julien Mier, is a sonic journey that delves into the transitions of life, identity, and the blurred boundaries between art and personal growth. With a trilingual brain, Mier reflects on how language shifts have shaped his sense of self throughout his life and the music that he writes. Gradually is his exploration of shapelessness—an urge to break free from rigid musical genres and get closer to his most fundamental expression. The album is composed of nine tracks, each representing a distinct cultural and linguistic influence, all tied together by the theme of gradual evolution.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe first section, Ciel, Soleil, and Espace (French for Sky, Sun, and Space), draws on Mier’s French heritage, evoking the feeling of childhood memories bathed in a warm, nostalgic glow. This fluid, atmospheric section mirrors the soft, ever-changing air, symbolising a time of pure, untainted intention. It feels like a hazy, sepia-toned dream, as fleeting and elusive as the scent of an old friend. The gentle flow of the music mirrors the flow of wind, effortlessly shifting from one element to the next, a reflection of the innocence and clarity of youth.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe second section, Steen, Zee, and Zand (Dutch for Stone, Sea, and Sand), channels the influence of Mier’s childhood in a\u003cspan class=\"bcTruncateMore\"\u003e small Dutch dune village. These tracks are grounded in the hard-edged textures of electronic dance music, a genre that introduced him to a world of rhythm and movement. With a sonic palette of blues, greys, and more defined shapes, this section captures the solid, enduring forces of nature—earth, water, and stone. It’s a sonic landscape rooted in stability, a foundation from which everything can grow. The tracks build from the fluidity of the first section into more structured, rhythmic territories, mirroring the natural transition from childhood innocence to the discovery of deeper, more grounded musical influences.\u003cbr\u003e\u003cbr\u003eThe final section, Scrap (a collaborative track with the Japanese producer Daisuke Tanabe), Soil, and Spark, dives into the exploration of the world beyond familiar borders. Mier’s relocation from the Netherlands to Australia in 2016 is reflected in these pieces, which grapple with the contrast and complexity of different cultures and environments. These tracks are tinged with rust-red hues and a sense of eroded beauty, evoking a more fragmented, distorted view of the world. The music here is marked by tension, conflict, and the erosion of once-solid forms—symbolic of the digital and ecological storms that shape our modern existence. The closing piece, Spark, signals a new beginning, a hopeful initiation into the cycle of renewal. [...]\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Julien Mier\u003c\/p\u003e\n\u003cp\u003eLabel : Lapsus\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLPS42\u003c\/span\u003e\u003c\/p\u003e"}
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オーストラリアのIDM作家Julien Mierが、2025年6月にスペインのIDMレーベルLapsusからリリースしたレコードです。 IDM〜アンビエント・ダウンテンポ9曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more Lapsus / Balmat releases available at...
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{"id":8976306274554,"title":"Patricia Wolf \/\/ Hrafnamynd LP","handle":"patricia-wolf-hrafnamynd-lp","description":"\u003cp\u003eアメリカ・ポートランドのアンビエント作家Patricia Wolfが、2025年8月にスペインのIDMレーベルLapsus傘下Balmatからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e実験映像作家Edward Pack Daveeのドキュメンタリー映画のサウンドトラックとして製作したシンセ・アンビエント11曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『Hrafnamynd』(アイスランド語で「カラス映画」の意)は、実験映画作家エドワード・パック・デーヴィーによる新作長編ドキュメンタリーである。フィルムとデジタルを併用した撮影手法に加え、1970年代に父親が撮影したエクタクロームのスライドを組み込んだ本作は、自伝的要素を帯びつつ複数の次元で機能する。アイスランドでの幼少期の回想、風景と民間伝承の探求、そして島国に生息するカラスたち(話すカラス「クルミ」を含む)のドキュメンタリー研究が同時に展開される。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWolfは、この類まれな作品に音楽を提供するのに最適なアーティストだ。アンビエント音楽とフィールドレコーディング(鳥の鳴き声を記録した豊富な経験を含む)を融合させ、彼女の音楽には並外れた共感の視点が宿る。『Hrafnamynd』において、彼女の軽やかなメロディ、思索的な雰囲気、鮮やかな質感は、粒子の粗いフィルム素材と焼き付いたような色彩を直感的に補完している。長年友人関係にあった二人のアーティストは、Wolfが自身の楽曲「Woodland Encounter」(アルバム『See-Through』収録)と「The Culmination Of」(アルバム『I'll Look For You In Others』収録)のミュージックビデオ撮影をパックに依頼したことで、さらに絆を深めた。パックは映画のラフカットを組み立て始める際、Wolfの既録音を仮置きとして使用した。この経緯が、彼の特異なビジョンを完成させるために、全く新しい特注のスコアで協力する自然な選択として彼女を導いたのである。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eしかしWolfのサウンドトラックは、間違いなく単独でフルアルバムとしても成立している。主にUDO Super 6シンセサイザーを用いて制作された本作は、温かみのある弦楽器のようなパッド音色と、暗くきらめくマレット音色を慎重に抽出したパレットを特徴とし、ごく稀にナイロン弦ギターが導入されることで完成されている。音楽的・様式的に、アルバムの11曲は『See-Through』の思索的なサウンドの継続であると同時に、新たな表現様式への拡張をも示している。アンビエントに限らず、メロディと雰囲気のバランスをこれほど巧みに取り、意図的に限定されたツールキットから新鮮で驚くべき音を引き出す方法を編み出すミュージシャンは稀だ。瞑想的で没入感があり、情感豊かなウルフの『Hrafnamynd』サウンドトラックは、過去数十年のアンビエントの名作群を想起させつつ、確固たる自信をもって独自の豊かな領域を切り開いている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4191628650\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/lapsus\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/lapsus\"\u003ehere\u003c\/a\u003e to see more Lapsus \/ Balmat releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Early Memories 03:51\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. Subconscious Familiarity 05:27\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Krummi’s Theme 01:20\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Huginn and Muninn 04:36\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. The Return to Iceland 03:02\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Reykjavík by the Sea 02:28\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. I Thought I Could Fly 01:52\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Hrafnaþing 02:38\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. Surfing on Wind 04:51\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e10. Echoes Through Time 12:40\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e11. I’ll Take Care of You 01:37\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBalmat:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBalmat 17 marks both a return and a new frontier. It is the second album on the label from Patricia Wolf, whose 2022 album See-Through is one of the most beloved in Balmat’s catalog; it also marks the first time that Wolf has turned her hand to a film soundtrack. The results are every bit as magical as fans of the Portland, Oregon, composer’s music might expect.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHrafnamynd—Icelandic for “raven film”—is a new feature-length documentary by experimental filmmaker Edward Pack Davee. Shot on a mix of film and digital formats, and incorporating his father’s Ektachrome slides from the 1970s, the autobiographical film works on multiple levels at once: a reminiscence of his childhood in Iceland, an exploration of landscape and folklore, and a documentary study of the island nation’s ravens—including a talking raven named Krummi.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWolf is the perfect artist to score such an unusual film. Mixing ambient music and field recording—including extensive experience documenting bird song—Wolf brings an unusually empathic perspective to her music. In the context of Hrafnamynd, her airy melodies, pensive atmospheres, and vivid textures intuitively complement the film’s grainy film stock and blown-out colors. Friends for years, the two artists further bonded when Wolf asked\u003cspan class=\"bcTruncateMore\"\u003e Pack to film music videos for her songs “Woodland Encounter” (from See-Through) and “The Culmination Of” (from I'll Look For You In Others). Pack used Wolf’s previously recorded music as placeholders as he began assembling a rough cut of the film, which made her a natural choice to help him complete his idiosyncratic vision with an all-new, bespoke score.\u003cbr\u003e\u003cbr\u003eBut Wolf’s soundtrack also indisputably stands alone as a full-length album. Largely created using the UDO Super 6 synthesizer, it features a carefully distilled palette of warm, string-like pads and darkly glistening mallets, rounded out with the very occasional introduction of nylon string guitar. Musically and stylistically, the album’s 11 tracks represent both a continuation of the ruminative sound of See-Through and also an extension into new expressive modes. Few musicians, ambient or otherwise, are as skilled at balancing melody with atmosphere, or at finding ways to eke fresh, surprising sounds out of an intentionally reduced toolkit. Meditative, immersive, and emotionally generous, Wolf’s Hrafnamynd soundtrack evokes a range of ambient classics from decades past while confidently marking out its own verdant patch of ground.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Patricia Wolf\u003c\/p\u003e\n\u003cp\u003eLabel : Balmat\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBalmat 17\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-10-30T15:48:24+09:00","created_at":"2025-10-30T10:20:44+09:00","vendor":"Tobira Records","type":"","tags":["ambient","balmat","lp","new","post newage"],"price":457000,"price_min":457000,"price_max":457000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47882788765946,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Patricia Wolf \/\/ Hrafnamynd LP","public_title":null,"options":["Default Title"],"price":457000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"4062548117004","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/wol1_c17f1581-8fdd-4131-a8ff-83d1d0f01868.jpg?v=1761787158","\/\/tobirarecords.com\/cdn\/shop\/files\/wol_008b482a-50dd-4369-aa18-edc87e7997a5.jpg?v=1761787158"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/wol1_c17f1581-8fdd-4131-a8ff-83d1d0f01868.jpg?v=1761787158","options":["Title"],"media":[{"alt":null,"id":37328430334202,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wol1_c17f1581-8fdd-4131-a8ff-83d1d0f01868.jpg?v=1761787158"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wol1_c17f1581-8fdd-4131-a8ff-83d1d0f01868.jpg?v=1761787158","width":700},{"alt":null,"id":37328430301434,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wol_008b482a-50dd-4369-aa18-edc87e7997a5.jpg?v=1761787158"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wol_008b482a-50dd-4369-aa18-edc87e7997a5.jpg?v=1761787158","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・ポートランドのアンビエント作家Patricia Wolfが、2025年8月にスペインのIDMレーベルLapsus傘下Balmatからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e実験映像作家Edward Pack Daveeのドキュメンタリー映画のサウンドトラックとして製作したシンセ・アンビエント11曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『Hrafnamynd』(アイスランド語で「カラス映画」の意)は、実験映画作家エドワード・パック・デーヴィーによる新作長編ドキュメンタリーである。フィルムとデジタルを併用した撮影手法に加え、1970年代に父親が撮影したエクタクロームのスライドを組み込んだ本作は、自伝的要素を帯びつつ複数の次元で機能する。アイスランドでの幼少期の回想、風景と民間伝承の探求、そして島国に生息するカラスたち(話すカラス「クルミ」を含む)のドキュメンタリー研究が同時に展開される。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWolfは、この類まれな作品に音楽を提供するのに最適なアーティストだ。アンビエント音楽とフィールドレコーディング(鳥の鳴き声を記録した豊富な経験を含む)を融合させ、彼女の音楽には並外れた共感の視点が宿る。『Hrafnamynd』において、彼女の軽やかなメロディ、思索的な雰囲気、鮮やかな質感は、粒子の粗いフィルム素材と焼き付いたような色彩を直感的に補完している。長年友人関係にあった二人のアーティストは、Wolfが自身の楽曲「Woodland Encounter」(アルバム『See-Through』収録)と「The Culmination Of」(アルバム『I'll Look For You In Others』収録)のミュージックビデオ撮影をパックに依頼したことで、さらに絆を深めた。パックは映画のラフカットを組み立て始める際、Wolfの既録音を仮置きとして使用した。この経緯が、彼の特異なビジョンを完成させるために、全く新しい特注のスコアで協力する自然な選択として彼女を導いたのである。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eしかしWolfのサウンドトラックは、間違いなく単独でフルアルバムとしても成立している。主にUDO Super 6シンセサイザーを用いて制作された本作は、温かみのある弦楽器のようなパッド音色と、暗くきらめくマレット音色を慎重に抽出したパレットを特徴とし、ごく稀にナイロン弦ギターが導入されることで完成されている。音楽的・様式的に、アルバムの11曲は『See-Through』の思索的なサウンドの継続であると同時に、新たな表現様式への拡張をも示している。アンビエントに限らず、メロディと雰囲気のバランスをこれほど巧みに取り、意図的に限定されたツールキットから新鮮で驚くべき音を引き出す方法を編み出すミュージシャンは稀だ。瞑想的で没入感があり、情感豊かなウルフの『Hrafnamynd』サウンドトラックは、過去数十年のアンビエントの名作群を想起させつつ、確固たる自信をもって独自の豊かな領域を切り開いている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4191628650\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/lapsus\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/lapsus\"\u003ehere\u003c\/a\u003e to see more Lapsus \/ Balmat releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Early Memories 03:51\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. Subconscious Familiarity 05:27\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Krummi’s Theme 01:20\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Huginn and Muninn 04:36\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. The Return to Iceland 03:02\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Reykjavík by the Sea 02:28\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. I Thought I Could Fly 01:52\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Hrafnaþing 02:38\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. Surfing on Wind 04:51\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e10. Echoes Through Time 12:40\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e11. I’ll Take Care of You 01:37\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBalmat:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBalmat 17 marks both a return and a new frontier. It is the second album on the label from Patricia Wolf, whose 2022 album See-Through is one of the most beloved in Balmat’s catalog; it also marks the first time that Wolf has turned her hand to a film soundtrack. The results are every bit as magical as fans of the Portland, Oregon, composer’s music might expect.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHrafnamynd—Icelandic for “raven film”—is a new feature-length documentary by experimental filmmaker Edward Pack Davee. Shot on a mix of film and digital formats, and incorporating his father’s Ektachrome slides from the 1970s, the autobiographical film works on multiple levels at once: a reminiscence of his childhood in Iceland, an exploration of landscape and folklore, and a documentary study of the island nation’s ravens—including a talking raven named Krummi.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWolf is the perfect artist to score such an unusual film. Mixing ambient music and field recording—including extensive experience documenting bird song—Wolf brings an unusually empathic perspective to her music. In the context of Hrafnamynd, her airy melodies, pensive atmospheres, and vivid textures intuitively complement the film’s grainy film stock and blown-out colors. Friends for years, the two artists further bonded when Wolf asked\u003cspan class=\"bcTruncateMore\"\u003e Pack to film music videos for her songs “Woodland Encounter” (from See-Through) and “The Culmination Of” (from I'll Look For You In Others). Pack used Wolf’s previously recorded music as placeholders as he began assembling a rough cut of the film, which made her a natural choice to help him complete his idiosyncratic vision with an all-new, bespoke score.\u003cbr\u003e\u003cbr\u003eBut Wolf’s soundtrack also indisputably stands alone as a full-length album. Largely created using the UDO Super 6 synthesizer, it features a carefully distilled palette of warm, string-like pads and darkly glistening mallets, rounded out with the very occasional introduction of nylon string guitar. Musically and stylistically, the album’s 11 tracks represent both a continuation of the ruminative sound of See-Through and also an extension into new expressive modes. Few musicians, ambient or otherwise, are as skilled at balancing melody with atmosphere, or at finding ways to eke fresh, surprising sounds out of an intentionally reduced toolkit. Meditative, immersive, and emotionally generous, Wolf’s Hrafnamynd soundtrack evokes a range of ambient classics from decades past while confidently marking out its own verdant patch of ground.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Patricia Wolf\u003c\/p\u003e\n\u003cp\u003eLabel : Balmat\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBalmat 17\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・ポートランドのアンビエント作家Patricia Wolfが、2025年8月にスペインのIDMレーベルLapsus傘下Balmatからリリースしたレコードです。 実験映像作家Edward Pack Daveeのドキュメンタリー映画のサウンドトラックとして製作したシンセ・アンビエント11曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ 以下、レーベルによる解説です。 "『Hrafnamynd』(アイスランド語で「カラス映画」の意)は、実験映画作家エドワード・パック・デーヴィーによる新作長編ドキュメンタリーである。フィルムとデジタルを併用した撮影手法に加え、1970年代に父親が撮影したエクタクロームのスライドを組み込んだ本作は、自伝的要素を帯びつつ複数の次元で機能する。アイスランドでの幼少期の回想、風景と民間伝承の探求、そして島国に生息するカラスたち(話すカラス「クルミ」を含む)のドキュメンタリー研究が同時に展開される。 Wolfは、この類まれな作品に音楽を提供するのに最適なアーティストだ。アンビエント音楽とフィールドレコーディング(鳥の鳴き声を記録した豊富な経験を含む)を融合させ、彼女の音楽には並外れた共感の視点が宿る。『Hrafnamynd』において、彼女の軽やかなメロディ、思索的な雰囲気、鮮やかな質感は、粒子の粗いフィルム素材と焼き付いたような色彩を直感的に補完している。長年友人関係にあった二人のアーティストは、Wolfが自身の楽曲「Woodland Encounter」(アルバム『See-Through』収録)と「The Culmination Of」(アルバム『I'll Look For...
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{"id":8976304832762,"title":"Stephen Vitiello, Brendan Canty, Hahn Rowe \/\/ Second LP","handle":"stephen-vitiello-brendan-canty-hahn-rowe-second-lp-1","description":"\u003cp\u003eStephen Vitiello, Brendan Canty, Hahn Roweが、2025年6月にスペインのIDMレーベルLapsus傘下Balmatからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eポストロック〜クラウトロック8曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2709298622\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/lapsus\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/lapsus\"\u003ehere\u003c\/a\u003e to see more Lapsus \/ Balmat releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Last Minute Guitar 06:22\u003cbr\u003e2. Piece 2 at 77BPM 05:16\u003cbr\u003e3. Rhythmic Rhodes 06:58\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. #6 06:08\u003cbr\u003e\u003c\/span\u003e5. Rasun112 04:56\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. First Improv 06:38\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. New Prepared Guitar 04:58\u003cbr\u003e\u003c\/span\u003e8. Mrphgtrs1 08:30\u003c\/p\u003e\n\u003cp\u003eText excerpt by Lapsus:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e[...] \u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"bcTruncateMore\"\u003eVitiello’s trio first collaborated on First, a 17-minute piece released on the Longform Editions label in 2023. Second picks up where the freeform drift of First left off, channeling the trio’s exploratory energies into more intentionally structured tracks and—in a real first for Balmat—some almost shockingly muscular grooves.\u003cbr\u003e\u003cbr\u003e“Sometimes my projects are more conceptually driven,” Vitiello says, “but I think this was more musically geared. I just wanted to open up the references and bring in an incredible drummer, bring in some melodies, and I’m sort of the center.” But his collaborators, he stresses, are “vastly creative in making anything I might suggest better.”\u003cbr\u003e\u003cbr\u003eLike its predecessor, Second took shape in phases, shifting between improvisation and collage. Vitiello laid down the skeleton of the music at home, sketching out initial ideas on Rhodes keyboard and acoustic and electric guitar; he then fed the parts through samplers and his modular system, recording 10- or 20-minute jams. Once he had edited them into more structured forms, he hit the studio with Canty, who added not just drums but also bass and piano; finally, Vitiello took the results of those sessions to Rowe, who played violin, viola, electric bass, and 12-string acoustic and bowed electric guitar, and assisted in some of the final structuring and mixdown.\u003cbr\u003e\u003cbr\u003eA few more surprises along the way: Reanimator’s Don Godwin, the studio engineer where Vitiello recorded with Canty, contributed what he calls “resonant dustpan”; and none other than Animal Collective’s Geologist, who just happened to be in the studio that day, sits in on hurdy gurdy on “Mrphgtrs1,” the album’s gorgeous, stunningly atmospheric drone closer. “I love these chance encounters,” Vitiello says. “Somebody I admire, a group I admire—that was an unexpected gift.”\u003cbr\u003e\u003cbr\u003eAn unexpected gift is a great way of describing Second as a whole: three veteran musicians venturing outside their usual zones and finding a new collaborative language together. The results can’t be neatly slotted into any given genre; they belong not to any given category, but to the spirit of conversation itself.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Stephen Vitiello, Brendan Canty, Hahn Rowe\u003c\/p\u003e\n\u003cp\u003eLabel : Lapsus\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBalmat 16\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-10-30T15:53:24+09:00","created_at":"2025-10-30T10:18:00+09:00","vendor":"Tobira Records","type":"","tags":["balmat","jazz","lp","new","strange beats"],"price":457000,"price_min":457000,"price_max":457000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47882786308346,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Stephen Vitiello, Brendan Canty, Hahn Rowe \/\/ Second LP","public_title":null,"options":["Default Title"],"price":457000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"4062548110388","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/sec1_70b05dbc-1337-49c0-86b8-f9849593c1d9.jpg?v=1761786921","\/\/tobirarecords.com\/cdn\/shop\/files\/sec2_ab619695-b7bd-4874-9dca-a0b2d9c33f1f.jpg?v=1761786921"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/sec1_70b05dbc-1337-49c0-86b8-f9849593c1d9.jpg?v=1761786921","options":["Title"],"media":[{"alt":null,"id":37328426270970,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sec1_70b05dbc-1337-49c0-86b8-f9849593c1d9.jpg?v=1761786921"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sec1_70b05dbc-1337-49c0-86b8-f9849593c1d9.jpg?v=1761786921","width":700},{"alt":null,"id":37328426303738,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sec2_ab619695-b7bd-4874-9dca-a0b2d9c33f1f.jpg?v=1761786921"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sec2_ab619695-b7bd-4874-9dca-a0b2d9c33f1f.jpg?v=1761786921","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eStephen Vitiello, Brendan Canty, Hahn Roweが、2025年6月にスペインのIDMレーベルLapsus傘下Balmatからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eポストロック〜クラウトロック8曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2709298622\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/lapsus\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/lapsus\"\u003ehere\u003c\/a\u003e to see more Lapsus \/ Balmat releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Last Minute Guitar 06:22\u003cbr\u003e2. Piece 2 at 77BPM 05:16\u003cbr\u003e3. Rhythmic Rhodes 06:58\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. #6 06:08\u003cbr\u003e\u003c\/span\u003e5. Rasun112 04:56\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. First Improv 06:38\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. New Prepared Guitar 04:58\u003cbr\u003e\u003c\/span\u003e8. Mrphgtrs1 08:30\u003c\/p\u003e\n\u003cp\u003eText excerpt by Lapsus:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e[...] \u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"bcTruncateMore\"\u003eVitiello’s trio first collaborated on First, a 17-minute piece released on the Longform Editions label in 2023. Second picks up where the freeform drift of First left off, channeling the trio’s exploratory energies into more intentionally structured tracks and—in a real first for Balmat—some almost shockingly muscular grooves.\u003cbr\u003e\u003cbr\u003e“Sometimes my projects are more conceptually driven,” Vitiello says, “but I think this was more musically geared. I just wanted to open up the references and bring in an incredible drummer, bring in some melodies, and I’m sort of the center.” But his collaborators, he stresses, are “vastly creative in making anything I might suggest better.”\u003cbr\u003e\u003cbr\u003eLike its predecessor, Second took shape in phases, shifting between improvisation and collage. Vitiello laid down the skeleton of the music at home, sketching out initial ideas on Rhodes keyboard and acoustic and electric guitar; he then fed the parts through samplers and his modular system, recording 10- or 20-minute jams. Once he had edited them into more structured forms, he hit the studio with Canty, who added not just drums but also bass and piano; finally, Vitiello took the results of those sessions to Rowe, who played violin, viola, electric bass, and 12-string acoustic and bowed electric guitar, and assisted in some of the final structuring and mixdown.\u003cbr\u003e\u003cbr\u003eA few more surprises along the way: Reanimator’s Don Godwin, the studio engineer where Vitiello recorded with Canty, contributed what he calls “resonant dustpan”; and none other than Animal Collective’s Geologist, who just happened to be in the studio that day, sits in on hurdy gurdy on “Mrphgtrs1,” the album’s gorgeous, stunningly atmospheric drone closer. “I love these chance encounters,” Vitiello says. “Somebody I admire, a group I admire—that was an unexpected gift.”\u003cbr\u003e\u003cbr\u003eAn unexpected gift is a great way of describing Second as a whole: three veteran musicians venturing outside their usual zones and finding a new collaborative language together. The results can’t be neatly slotted into any given genre; they belong not to any given category, but to the spirit of conversation itself.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Stephen Vitiello, Brendan Canty, Hahn Rowe\u003c\/p\u003e\n\u003cp\u003eLabel : Lapsus\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBalmat 16\u003c\/span\u003e\u003c\/p\u003e"}
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Stephen Vitiello, Brendan Canty, Hahn Roweが、2025年6月にスペインのIDMレーベルLapsus傘下Balmatからリリースした共作レコードです。 ポストロック〜クラウトロック8曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more Lapsus /...
¥4,570