Jake Mehew // Sage LP
Jake Mehew // Sage LP
¥3,680
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イギリス・リーズのジャズ作家Jake Mehewが、2022年9月にリーズのATAからリリースしたレコードです。
スピリチュアル・ジャズ11曲を収録。
---------------------------------------
12" black vinyl.
ATA Records:
"Sage is a modern and contemporary turn on what a spiritual jazz record can be. This exceptional debut album, from artist Jake Mehew, set out to capture the raw energy present within performance.
Workshopped and recorded over one week, many of the tracks on this album were captured in the moment; one-take improvised recordings. The intention being to harness an idea at it's inception, rather than at its production.
The unique nature of this recording is apparent not only in it’s content but also in it’s production; a combination of electro-acoustic music, jazz and contemporary classical sounds. This album has a raw, genuine immediacy that perfectly captures the spirit of the recording"
Artist : Jake Mehew
Label : ATA Records
イギリス・リーズのジャズ作家Jake Mehewが、2022年9月にリーズのATAからリリースしたレコードです。
スピリチュアル・ジャズ11曲を収録。
---------------------------------------
12" black vinyl.
ATA Records:
"Sage is a modern and contemporary turn on what a spiritual jazz record can be. This exceptional debut album, from artist Jake Mehew, set out to capture the raw energy present within performance.
Workshopped and recorded over one week, many of the tracks on this album were captured in the moment; one-take improvised recordings. The intention being to harness an idea at it's inception, rather than at its production.
The unique nature of this recording is apparent not only in it’s content but also in it’s production; a combination of electro-acoustic music, jazz and contemporary classical sounds. This album has a raw, genuine immediacy that perfectly captures the spirit of the recording"
Artist : Jake Mehew
Label : ATA Records
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{"id":8438149972218,"title":"J Foerster \/ N Kramer \/\/ Habitat II LP \/ TAPE","handle":"j-foerster-n-kramer-habitat-ii","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eドイツ・ベルリンのアンビエント作家J FoersterとN Kramerが、2023年10月にアメリカ・LAのLeaving Recordsからリリースした共作アルバムです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eポストニューエイジ・アンビエントジャズ8曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『Habitat』（現在では『Habitat I』と呼ぶのが適切だろう）は、ベルリンを拠点に活動する2人の実験音楽家、作曲家のN KramerとパーカッショニストのJ Foersterによる、良心的かつ探求的で、明らかにCOVID時代のコラボレーションの産物である。イタリアの建築家Ettore Sottsass,にインスパイアされたHabitatは、（『Music For Airports』や『Plantasia』といったアンビエントの代表作を踏襲しているとはいえ）各トラックが想像上の建物の一室を表すというシンプルで魅力的なコンセプトを持っている。曲がった廊下」のようなトラックは、文字通りリスナーを心理地理学的な迷宮へと導く。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e『Habitat II\u003cmeta charset=\"utf-8\"\u003e』も同じような前提に立っている。しかし、『\u003cmeta charset=\"utf-8\"\u003eHabitat I』が想像上の自己完結型建造物の不可解な複雑さを描いていたとすれば、『Habitat II\u003cmeta charset=\"utf-8\"\u003e』はコンセプトの領域を広げている。仮想の家の部屋だけでなく、ミッドセンチュリーの建造物の曲がりくねった廊下や敷地を思い浮かべてみよう。これらの特徴をどのように想像し、マッピングし、リスナーに魅力的に見せることができるだろうか？静寂、管楽器、パーカッシブな奥行きからなる、たゆたうような、エーテリアルな組曲で、テリー・ライリーの流れを汲む優しく催眠術をかけ、私たちの入場を手招きする「Seating (Welcome)」から始めるのが適切だろう。ここでの明瞭さ、空気の流れの方向性は、バウハウス流の威厳と身振りの単純さを思い起こさせる。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e特筆すべきは、レコードのジャケットを飾るリリー・クラークによる彫刻のような「Wasserspiel」（トラック7）-「water fixture」（意訳）-である。このアルバムの中で、Wasserspielは特に模倣的なハイライトを構成している。滝のように流れ、きらめき、輝きのフォントが、（その強さのために）流水のサンプルやファウンド・サウンドに頼っていない。その代わりに、流れる液体のきらめきと、それに付随する屈折した夕暮れの日差しのはっきりとした印象が残る。実際、噴水（Wasserspieleの最も一般的で家畜化された形態）は、キッチュであると同時に豊富であり、Habitatシリーズの根底にある、60年代のホームショッピング・カタログのような教養ある美学を象徴しているのかもしれない。これらのHabitatは、それがどこにあろうとも、どのように見えようとも（そして実際、解釈の余地は十分にある）、漠然としたユートピアであり、胸が痛むほどノスタルジックであることに、誰もが同意できるに違いない。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e彼らの作曲プロセスについて、KramerとFoersterは、即興への相互の関心と、さらに、アイデアを記録しインデックス化するための一種の「最初に考えた最善の考え」アプローチについて言及している。主に15秒制限のあるサンプラーに頼り、彼らのプロセスは、非同期の（しかし重要なのは、調和がとれている、おそらく「もてなし」のような）ループを有機的に重ねることを強調している。多くの部屋は、気まぐれなレコーディング・プロセスの犠牲となり、エーテルに消えてしまった。\u003cmeta charset=\"utf-8\"\u003e『Habitat II\u003cmeta charset=\"utf-8\"\u003e』に残された部屋は、耕され、家具が置かれ、装飾されている。そして、あなたの入室を心待ちにしている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2141583284\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAsk us for digital files. Available as 12\" black vinyl or cassette. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e1. \u003c\/span\u003e\u003cspan\u003eSeating (Welcome) 05:05\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2. \u003c\/span\u003e\u003cspan\u003eSouvenirs 05:03\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e3. \u003c\/span\u003e\u003cspan\u003eCatalog 03:28\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e4. \u003c\/span\u003e\u003cspan\u003eBedding (Four Layers) 05:56\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e5. \u003c\/span\u003e\u003cspan\u003eNew Sway 05:22\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e6. \u003c\/span\u003e\u003cspan\u003eBlue Terrace 05:37\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e7. \u003c\/span\u003e\u003cspan\u003eWasserspiel 05:17\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e8. \u003c\/span\u003e\u003cspan\u003eWindspiel 03:18\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLeaving Records:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eHabitat (what we might now properly refer to as Habitat I) arrived, fully-formed, in 2021—the product of a conscientious, exploratory, and decidedly Covid-era collaboration between two Berlin-based experimental musicians: the composer N. (Niklas) Kramer, and percussionist, J. (Joda) Foerster. Inspired by the Italian architect, Ettore Sottsass, Habitat’s simple, albeit beguiling conceit (following in the footsteps of canonical ambient releases like Music for Airports and Plantasia) was that each track ought to represent a room in an imagined building. Taken quite literally, tracks like “Curved Hallway” guided the listener through a kind of psychogeographic labyrinth, at once welcoming and slightly uncanny.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHabitat II operates on a similar premise. But if Habitat I charted the perplexing intricacies of an imagined, self-contained structure, Habitat II expands the conceptual realm. Think now, not only of rooms in a hypothetical home, but of the winding hallways and grounds of a mid-century structure—perhaps slightly past its prime, but not at all an inappropriate venue for a late-night soiree. How might these features be imagined, mapped, and rendered enticing for a listener? We begin, appropriately, with “Seating (Welcome),” which, in its fluttering, aetherial suite of static, winds, and percussive\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e depths, gently hypnotizes in the vein of Terry Riley, beckoning our entry. The clarity here, the directional flow of air, recalls the dignity and gestural simplicity of the Bauhaus school.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOf significant note is the Wasserspiel (track seven)—”water fixture” (loosely translated), like the sculpture by Lily Clark, which graces the record’s cover. In an album grounded by analogies, Wasserspiel constitutes an especially mimetic highlight: a cascading, shimmering, font of radiance that does not (to its strength) rely upon a sample or found-sound reference to running water. Instead we are left with the distinct impression of the glimmer of flowing liquid, and of the attendant, refractory evening sunlight. Indeed, fountains (the most common and domesticated form of Wasserspiele)—their simultaneous kitsch and abundance—may very well epitomize the kind of cultivated, sixties home-shopping catalog aesthetic that undergirds the Habitat series. These habitats, wherever they are, however they appear to you (and there is indeed ample room for interpretation)—we can all certainly agree that they are vaguely utopian and achingly nostalgic.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOf their compositional process, Kramer and Foerster reference their mutual interest in improvisation, and, furthermore, a kind of “first thought best thought” approach to recording and indexing ideas. Relying primarily on a sampler with a 15 second limit, their process emphasizes the organic layering of asynchronous (though, crucially, harmonious — perhaps even “hospitable”) loops. Suffice it to say, many rooms have been lost to the aether, casualties of a mercurial recording process. Those rooms that remain in Habitat II have been cultivated, furnished, and decorated. And they eagerly await your entry.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : J Foerster \/ N Krame\u003c\/p\u003e\n\u003cp\u003eLabel : Leaving Records\u003c\/p\u003e","published_at":"2024-05-16T12:52:30+09:00","created_at":"2024-05-16T12:52:00+09:00","vendor":"Tobira Records","type":"","tags":["ambient","jazz","leaving records","lp","new","post newage","tape"],"price":198000,"price_min":198000,"price_max":398000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45972258390266,"title":"LP","option1":"LP","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":{"id":41305687032058,"product_id":8438149972218,"position":7,"created_at":"2024-05-16T12:52:12+09:00","updated_at":"2024-05-16T12:52:12+09:00","alt":null,"width":1200,"height":800,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0032945173_10_bdcd1ac0-3b2d-405a-a2a0-252b2866f5cc.jpg?v=1715831532","variant_ids":[45972258390266]},"available":true,"name":"J Foerster \/ N Kramer \/\/ Habitat II LP \/ TAPE - 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style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eドイツ・ベルリンのアンビエント作家J FoersterとN Kramerが、2023年10月にアメリカ・LAのLeaving Recordsからリリースした共作アルバムです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eポストニューエイジ・アンビエントジャズ8曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『Habitat』（現在では『Habitat I』と呼ぶのが適切だろう）は、ベルリンを拠点に活動する2人の実験音楽家、作曲家のN KramerとパーカッショニストのJ Foersterによる、良心的かつ探求的で、明らかにCOVID時代のコラボレーションの産物である。イタリアの建築家Ettore Sottsass,にインスパイアされたHabitatは、（『Music For Airports』や『Plantasia』といったアンビエントの代表作を踏襲しているとはいえ）各トラックが想像上の建物の一室を表すというシンプルで魅力的なコンセプトを持っている。曲がった廊下」のようなトラックは、文字通りリスナーを心理地理学的な迷宮へと導く。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e『Habitat II\u003cmeta charset=\"utf-8\"\u003e』も同じような前提に立っている。しかし、『\u003cmeta charset=\"utf-8\"\u003eHabitat I』が想像上の自己完結型建造物の不可解な複雑さを描いていたとすれば、『Habitat II\u003cmeta charset=\"utf-8\"\u003e』はコンセプトの領域を広げている。仮想の家の部屋だけでなく、ミッドセンチュリーの建造物の曲がりくねった廊下や敷地を思い浮かべてみよう。これらの特徴をどのように想像し、マッピングし、リスナーに魅力的に見せることができるだろうか？静寂、管楽器、パーカッシブな奥行きからなる、たゆたうような、エーテリアルな組曲で、テリー・ライリーの流れを汲む優しく催眠術をかけ、私たちの入場を手招きする「Seating (Welcome)」から始めるのが適切だろう。ここでの明瞭さ、空気の流れの方向性は、バウハウス流の威厳と身振りの単純さを思い起こさせる。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e特筆すべきは、レコードのジャケットを飾るリリー・クラークによる彫刻のような「Wasserspiel」（トラック7）-「water fixture」（意訳）-である。このアルバムの中で、Wasserspielは特に模倣的なハイライトを構成している。滝のように流れ、きらめき、輝きのフォントが、（その強さのために）流水のサンプルやファウンド・サウンドに頼っていない。その代わりに、流れる液体のきらめきと、それに付随する屈折した夕暮れの日差しのはっきりとした印象が残る。実際、噴水（Wasserspieleの最も一般的で家畜化された形態）は、キッチュであると同時に豊富であり、Habitatシリーズの根底にある、60年代のホームショッピング・カタログのような教養ある美学を象徴しているのかもしれない。これらのHabitatは、それがどこにあろうとも、どのように見えようとも（そして実際、解釈の余地は十分にある）、漠然としたユートピアであり、胸が痛むほどノスタルジックであることに、誰もが同意できるに違いない。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e彼らの作曲プロセスについて、KramerとFoersterは、即興への相互の関心と、さらに、アイデアを記録しインデックス化するための一種の「最初に考えた最善の考え」アプローチについて言及している。主に15秒制限のあるサンプラーに頼り、彼らのプロセスは、非同期の（しかし重要なのは、調和がとれている、おそらく「もてなし」のような）ループを有機的に重ねることを強調している。多くの部屋は、気まぐれなレコーディング・プロセスの犠牲となり、エーテルに消えてしまった。\u003cmeta charset=\"utf-8\"\u003e『Habitat II\u003cmeta charset=\"utf-8\"\u003e』に残された部屋は、耕され、家具が置かれ、装飾されている。そして、あなたの入室を心待ちにしている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2141583284\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAsk us for digital files. Available as 12\" black vinyl or cassette. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e1. \u003c\/span\u003e\u003cspan\u003eSeating (Welcome) 05:05\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2. \u003c\/span\u003e\u003cspan\u003eSouvenirs 05:03\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e3. \u003c\/span\u003e\u003cspan\u003eCatalog 03:28\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e4. \u003c\/span\u003e\u003cspan\u003eBedding (Four Layers) 05:56\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e5. \u003c\/span\u003e\u003cspan\u003eNew Sway 05:22\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e6. \u003c\/span\u003e\u003cspan\u003eBlue Terrace 05:37\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e7. \u003c\/span\u003e\u003cspan\u003eWasserspiel 05:17\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e8. \u003c\/span\u003e\u003cspan\u003eWindspiel 03:18\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLeaving Records:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eHabitat (what we might now properly refer to as Habitat I) arrived, fully-formed, in 2021—the product of a conscientious, exploratory, and decidedly Covid-era collaboration between two Berlin-based experimental musicians: the composer N. (Niklas) Kramer, and percussionist, J. (Joda) Foerster. Inspired by the Italian architect, Ettore Sottsass, Habitat’s simple, albeit beguiling conceit (following in the footsteps of canonical ambient releases like Music for Airports and Plantasia) was that each track ought to represent a room in an imagined building. Taken quite literally, tracks like “Curved Hallway” guided the listener through a kind of psychogeographic labyrinth, at once welcoming and slightly uncanny.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHabitat II operates on a similar premise. But if Habitat I charted the perplexing intricacies of an imagined, self-contained structure, Habitat II expands the conceptual realm. Think now, not only of rooms in a hypothetical home, but of the winding hallways and grounds of a mid-century structure—perhaps slightly past its prime, but not at all an inappropriate venue for a late-night soiree. How might these features be imagined, mapped, and rendered enticing for a listener? We begin, appropriately, with “Seating (Welcome),” which, in its fluttering, aetherial suite of static, winds, and percussive\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e depths, gently hypnotizes in the vein of Terry Riley, beckoning our entry. The clarity here, the directional flow of air, recalls the dignity and gestural simplicity of the Bauhaus school.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOf significant note is the Wasserspiel (track seven)—”water fixture” (loosely translated), like the sculpture by Lily Clark, which graces the record’s cover. In an album grounded by analogies, Wasserspiel constitutes an especially mimetic highlight: a cascading, shimmering, font of radiance that does not (to its strength) rely upon a sample or found-sound reference to running water. Instead we are left with the distinct impression of the glimmer of flowing liquid, and of the attendant, refractory evening sunlight. Indeed, fountains (the most common and domesticated form of Wasserspiele)—their simultaneous kitsch and abundance—may very well epitomize the kind of cultivated, sixties home-shopping catalog aesthetic that undergirds the Habitat series. These habitats, wherever they are, however they appear to you (and there is indeed ample room for interpretation)—we can all certainly agree that they are vaguely utopian and achingly nostalgic.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOf their compositional process, Kramer and Foerster reference their mutual interest in improvisation, and, furthermore, a kind of “first thought best thought” approach to recording and indexing ideas. Relying primarily on a sampler with a 15 second limit, their process emphasizes the organic layering of asynchronous (though, crucially, harmonious — perhaps even “hospitable”) loops. Suffice it to say, many rooms have been lost to the aether, casualties of a mercurial recording process. Those rooms that remain in Habitat II have been cultivated, furnished, and decorated. And they eagerly await your entry.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : J Foerster \/ N Krame\u003c\/p\u003e\n\u003cp\u003eLabel : Leaving Records\u003c\/p\u003e"}
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ドイツ・ベルリンのアンビエント作家J FoersterとN Kramerが、2023年10月にアメリカ・LAのLeaving Recordsからリリースした共作アルバムです。 ポストニューエイジ・アンビエントジャズ8曲を収録。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします 以下、レーベルによる解説です。 "『Habitat』（現在では『Habitat I』と呼ぶのが適切だろう）は、ベルリンを拠点に活動する2人の実験音楽家、作曲家のN KramerとパーカッショニストのJ Foersterによる、良心的かつ探求的で、明らかにCOVID時代のコラボレーションの産物である。イタリアの建築家Ettore Sottsass,にインスパイアされたHabitatは、（『Music For Airports』や『Plantasia』といったアンビエントの代表作を踏襲しているとはいえ）各トラックが想像上の建物の一室を表すというシンプルで魅力的なコンセプトを持っている。曲がった廊下」のようなトラックは、文字通りリスナーを心理地理学的な迷宮へと導く。『Habitat...
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{"id":8431494299898,"title":"Karate Boogaloo \/\/ Hold Your Horses LP","handle":"karate-boogaloo-hold-your-horses-lp","description":"\u003cp\u003eオーストラリア・メルボルンのファンク・ジャズバンドKarate Boogalooが、2024年5月にColemine Recordsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eオルガンとギター、ドラム、ベースによるシネマティック・インストソウル12曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/UWU5GmlTYvc?si=3WD2eZfhAUXDxyOd\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. All Aboard 03:16\u003cbr\u003e2. The Early Bird Catches 04:00\u003cbr\u003e3. Eyes On The Prize 04:21\u003cbr\u003e4. Not For The First Time 02:45\u003cbr\u003e5. PS EmmyLou 03:34\u003cbr\u003e6. One Hand One Bounce 04:07\u003cbr\u003e7. Onwards and Upwards 04:06\u003cbr\u003e8. Family Song (Sing-A-Long) 03:20\u003cbr\u003e9. 8th Movement 04:02\u003cbr\u003e10. Incredible Wonderful 03:10\u003cbr\u003e11. There Is No Rush 05:21\u003cbr\u003e12. Alighting Lullaby 02:31\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eText excerpt by Colmine Records:\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"\u003cem\u003eSitting at the core of Melbourne’s burgeoning movement of cinematic instrumental soul, Karate Boogaloo’s roots go deep into the fabric of the DIY soul idiom. A mainstay of the Melbourne underground over the last decade, their now sought-after series of LPs delving into hip-hop sample culture and its relationship to funk music, The ‘KB’s Mixtapes’, are evidence of their long-standing contribution to the development of the Melbourne cinematic soul sound.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e[...]\u003cbr\u003eStylistically, links can be drawn to the deep funk of the late 60s and early 70s, certain examples of European film music and new wave of instrumental soul. The restrained instrumental palette is limited to drums, guitar, bass and organ, establishing a distinct and consistent tone throughout, yet the use of dynamics, space and finite execution in the playing carves the experience, keeping the listener glued to their headphones from start to finish.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Karate Boogaloo\u003c\/p\u003e\n\u003cp\u003eLabel : Colemine Records\u003c\/p\u003e\n\u003cp\u003eCAT No: CLMN12058lp\u003c\/p\u003e","published_at":"2024-05-15T09:56:28+09:00","created_at":"2024-05-12T14:00:21+09:00","vendor":"Tobira Records","type":"","tags":["hiphop \/ funk","jazz","lp","new"],"price":489000,"price_min":489000,"price_max":489000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45920690176250,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Karate Boogaloo \/\/ Hold Your Horses LP","public_title":null,"options":["Default Title"],"price":489000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/hold.jpg?v=1715490023","\/\/tobirarecords.com\/cdn\/shop\/files\/hold2.jpg?v=1715490023"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/hold.jpg?v=1715490023","options":["Title"],"media":[{"alt":null,"id":34001254187258,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hold.jpg?v=1715490023"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hold.jpg?v=1715490023","width":700},{"alt":null,"id":34001254220026,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hold2.jpg?v=1715490023"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hold2.jpg?v=1715490023","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリア・メルボルンのファンク・ジャズバンドKarate Boogalooが、2024年5月にColemine Recordsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eオルガンとギター、ドラム、ベースによるシネマティック・インストソウル12曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/UWU5GmlTYvc?si=3WD2eZfhAUXDxyOd\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. All Aboard 03:16\u003cbr\u003e2. The Early Bird Catches 04:00\u003cbr\u003e3. Eyes On The Prize 04:21\u003cbr\u003e4. Not For The First Time 02:45\u003cbr\u003e5. PS EmmyLou 03:34\u003cbr\u003e6. One Hand One Bounce 04:07\u003cbr\u003e7. Onwards and Upwards 04:06\u003cbr\u003e8. Family Song (Sing-A-Long) 03:20\u003cbr\u003e9. 8th Movement 04:02\u003cbr\u003e10. Incredible Wonderful 03:10\u003cbr\u003e11. There Is No Rush 05:21\u003cbr\u003e12. Alighting Lullaby 02:31\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eText excerpt by Colmine Records:\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"\u003cem\u003eSitting at the core of Melbourne’s burgeoning movement of cinematic instrumental soul, Karate Boogaloo’s roots go deep into the fabric of the DIY soul idiom. A mainstay of the Melbourne underground over the last decade, their now sought-after series of LPs delving into hip-hop sample culture and its relationship to funk music, The ‘KB’s Mixtapes’, are evidence of their long-standing contribution to the development of the Melbourne cinematic soul sound.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e[...]\u003cbr\u003eStylistically, links can be drawn to the deep funk of the late 60s and early 70s, certain examples of European film music and new wave of instrumental soul. The restrained instrumental palette is limited to drums, guitar, bass and organ, establishing a distinct and consistent tone throughout, yet the use of dynamics, space and finite execution in the playing carves the experience, keeping the listener glued to their headphones from start to finish.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Karate Boogaloo\u003c\/p\u003e\n\u003cp\u003eLabel : Colemine Records\u003c\/p\u003e\n\u003cp\u003eCAT No: CLMN12058lp\u003c\/p\u003e"}
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オーストラリア・メルボルンのファンク・ジャズバンドKarate Boogalooが、2024年5月にColemine Recordsからリリースしたレコードです。 オルガンとギター、ドラム、ベースによるシネマティック・インストソウル12曲を収録。 -------------------------------------- 12" black vinyl. Tracklist: 1. All Aboard 03:162. The...
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{"id":8430534033658,"title":"Sam Gendel \u0026 Sam Wilkes \/\/ The Doober LP \/ TAPE","handle":"sam-gendel-sam-wilkes-the-doober-lp-tape","description":"\u003cp\u003e\u003cspan style=\"color: rgb(255, 42, 0);\" data-mce-fragment=\"1\"\u003e※6月中旬発送開始します\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ・LAのサックス奏者Sam GendelとベーシストSam Wilkesが、2024年5月にLAの老舗オールジャンルレーベルLeaving Recordsからリリースする共作第3弾です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレイドバックなアンビエント・ジャズ11\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2678585438\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-----------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eStarts shipping mid June.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIncludes DL code. Available on 12\" black vinyl or cassette in norelco case.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. CIRCLE 01:41\u003cbr\u003e2. GBTC 03:26\u003cbr\u003e3. RUGGED ROAD 02:23\u003cbr\u003e4. BEN HUR 04:58\u003cbr\u003e5. TOMBO 06:27\u003cbr\u003e6. THE CIRCLE GAME 05:04\u003cbr\u003e7. THE EDGE 03:27\u003cbr\u003e8. BOA 2 03:33\u003cbr\u003e9. TOMORROW NEVER DIES 04:27\u003cbr\u003e10. SWEET FIRE 02:15\u003cbr\u003e11. MILTON SUITE 08:10\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan\u003eLeaving Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eGendel on C-Melody Saxofone and Wilkes on Fender P-Bass\u003c\/em\u003e\u003cbr\u003e\u003cem\u003earrangements of selected material and original compositions\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ea document of specific variations in instrumentation, sound, and repertoire, with a focus on melody, execution of arrangement, and total freedom\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe Doober follows the release of Music for Saxofone \u0026amp; Bass Guitar (2018) and Music for Saxofone \u0026amp; Bass Guitar More Songs (2021).\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Sam Gendel \u0026amp; Sam Wilkes\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Leaving Records\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCat. Number : \u003cspan class=\"product-meta__sku\"\u003e\u003cspan class=\"product-meta__sku-number\"\u003e196922761201 \/ 196922761201CS\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-05-11T11:27:45+09:00","created_at":"2024-05-11T11:19:18+09:00","vendor":"Tobira Records","type":"","tags":["ambient","jazz","leaving records","lp","new","recommended"],"price":245000,"price_min":245000,"price_max":419000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45908767211770,"title":"LP","option1":"LP","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":41263519269114,"product_id":8430534033658,"position":2,"created_at":"2024-05-11T11:19:19+09:00","updated_at":"2024-05-11T11:19:21+09:00","alt":null,"width":1200,"height":923,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/doob2.jpg?v=1715393961","variant_ids":[45908767211770]},"available":true,"name":"Sam Gendel \u0026 Sam Wilkes \/\/ The Doober LP \/ TAPE - LP","public_title":"LP","options":["LP"],"price":419000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"196922761201","featured_media":{"alt":null,"id":33995600396538,"position":2,"preview_image":{"aspect_ratio":1.3,"height":923,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/doob2.jpg?v=1715393961"}},"requires_selling_plan":false,"selling_plan_allocations":[]},{"id":45908767244538,"title":"TAPE","option1":"TAPE","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":41263519334650,"product_id":8430534033658,"position":3,"created_at":"2024-05-11T11:19:19+09:00","updated_at":"2024-05-11T11:19:21+09:00","alt":null,"width":1200,"height":838,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/doob3.jpg?v=1715393961","variant_ids":[45908767244538]},"available":true,"name":"Sam Gendel \u0026 Sam Wilkes \/\/ The Doober LP \/ TAPE - TAPE","public_title":"TAPE","options":["TAPE"],"price":245000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"196922761201CS","featured_media":{"alt":null,"id":33995600429306,"position":3,"preview_image":{"aspect_ratio":1.432,"height":838,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/doob3.jpg?v=1715393961"}},"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/doob1.jpg?v=1715393961","\/\/tobirarecords.com\/cdn\/shop\/files\/doob2.jpg?v=1715393961","\/\/tobirarecords.com\/cdn\/shop\/files\/doob3.jpg?v=1715393961"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/doob1.jpg?v=1715393961","options":["Format"],"media":[{"alt":null,"id":33995600363770,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/doob1.jpg?v=1715393961"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/doob1.jpg?v=1715393961","width":700},{"alt":null,"id":33995600396538,"position":2,"preview_image":{"aspect_ratio":1.3,"height":923,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/doob2.jpg?v=1715393961"},"aspect_ratio":1.3,"height":923,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/doob2.jpg?v=1715393961","width":1200},{"alt":null,"id":33995600429306,"position":3,"preview_image":{"aspect_ratio":1.432,"height":838,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/doob3.jpg?v=1715393961"},"aspect_ratio":1.432,"height":838,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/doob3.jpg?v=1715393961","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: rgb(255, 42, 0);\" data-mce-fragment=\"1\"\u003e※6月中旬発送開始します\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ・LAのサックス奏者Sam GendelとベーシストSam Wilkesが、2024年5月にLAの老舗オールジャンルレーベルLeaving Recordsからリリースする共作第3弾です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレイドバックなアンビエント・ジャズ11\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2678585438\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-----------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eStarts shipping mid June.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIncludes DL code. Available on 12\" black vinyl or cassette in norelco case.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. CIRCLE 01:41\u003cbr\u003e2. GBTC 03:26\u003cbr\u003e3. RUGGED ROAD 02:23\u003cbr\u003e4. BEN HUR 04:58\u003cbr\u003e5. TOMBO 06:27\u003cbr\u003e6. THE CIRCLE GAME 05:04\u003cbr\u003e7. THE EDGE 03:27\u003cbr\u003e8. BOA 2 03:33\u003cbr\u003e9. TOMORROW NEVER DIES 04:27\u003cbr\u003e10. SWEET FIRE 02:15\u003cbr\u003e11. MILTON SUITE 08:10\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan\u003eLeaving Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eGendel on C-Melody Saxofone and Wilkes on Fender P-Bass\u003c\/em\u003e\u003cbr\u003e\u003cem\u003earrangements of selected material and original compositions\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ea document of specific variations in instrumentation, sound, and repertoire, with a focus on melody, execution of arrangement, and total freedom\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe Doober follows the release of Music for Saxofone \u0026amp; Bass Guitar (2018) and Music for Saxofone \u0026amp; Bass Guitar More Songs (2021).\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Sam Gendel \u0026amp; Sam Wilkes\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Leaving Records\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCat. Number : \u003cspan class=\"product-meta__sku\"\u003e\u003cspan class=\"product-meta__sku-number\"\u003e196922761201 \/ 196922761201CS\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e"}
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※6月中旬発送開始します アメリカ・LAのサックス奏者Sam GendelとベーシストSam Wilkesが、2024年5月にLAの老舗オールジャンルレーベルLeaving Recordsからリリースする共作第3弾です。 レイドバックなアンビエント・ジャズ11曲を収録。 レーベルその他作品はこちら /// Click here to see more Leaving Records/Stones Throw releases...
¥2,450