DANIAILYAS // Enough For Me To Remain LP [COLOR]

DANIAILYAS // Enough For Me To Remain LP [COLOR]

¥4,184

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スペイン・バルセロナの実験／アンビエントレーベルParalaxe Editions主宰Dania Shihabと、Liz HarrisやJefre Cantu-Ledesma等とも活動を共にしているアメリカ・ポートランドのアンビエント作家Ilyas AhmedによるデュオDANIAILYASが、2024年10月にアメリカ・ジョージアのアンビエントレーベルGeographic Northからリリースしたレコードです。

アコースティックギターや声による朧げでメランコリックなアンビエント・フォーク6曲を収録。白盤です。

※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ

レーベルその他作品はこちら /// Click here to see more Geographic North releases available at Tobira.

-----------------------------

Ask us for digital files. 12" white vinyl.

Tracklist:

1. The World Spins 04:16
2. Be Where 04:06
3. Walking Through Another Door 03:23
4. Breathe and Start Again 03:01
5. The Pilgrim 07:34
6. Coming Home 03:55

Geographic North:

"DANIAILYAS is the collaborative, cross-continental project from Barcelona-based composer Dania Shihab (Paralaxe Editions), and Portland-based avant-gardist, Ilyas Ahmed (Grails member and collaborator with Liz Harris, Jefre Cantu-Ledesma, and Golden Retriever). Having both previously issued solo works through Geographic North, a remote one-off collaboration soon manifested into an on-going aural dialogue, yielding the duo’s debut ‘Enough For Me To Remain.’ The album stands as a hallucinatory masterclass, charting into the theater of the uncanny—Dania's transcendent vocal melodies and cathartic synths exquisitely woven between Ilyas' mercurial guitar in some vaporous dance of beauty. A love letter scribed in blood. A bloodletting drenched in hope.

Opener “The World Spins” immediately establishes Dania and Ahmed pairing as a truly exalted engagement—a nascent collaboration with boundless potential and cosmic chemistry. It’s the best of both worlds, with Ahmed’s spidery, open-ended acoustic gestures providing the perfect backdrop to Dania’s double-tracked and echoed lyrics spoken into the darkness. The morbid mise en scène of “Be Where” creaks with diegetic gloom and deeply sullen composure, straddling the physical, astral, and ethereal plane at once.

Commencing in a blur of solemn acoustic genuflection, “Walking Through Another Door” ambles along with wordless, funereal focus. Vocally, Dania meticulously layers various vocal parts into a unified, mellifluous missive delivered with disembodied elegance and weightlessness. It’s equal parts angelic and grievous, striking a chord of heart and mind. “Breathe and Start Again” continues the emotion into more kaleidoscopic patterns, with a heaving manipulated clarinet motif turning over and over again through its habitual dance and Dania’s spectral coos floating by like storm clouds at dusk.

“The Pilgrim” ushers in an unassuming epic of dust-swept vistas haunted with spirits of yore. Beyond capturing a “cinematic” feeling, the song is essentially “pure cinema,” conjuring aural images that are both historic and timeless. In the song’s final moments, Dania’s refrain “Feeling dark again” enters the weighted darkness, bringing a flash of light and hope amidst the oblique obscurity. Closer “Coming Home” offers the most vulnerable and delicate moments on ‘Enough For Me To Remain,’ creating ample safe space to console and comfort in these weary times. "

Artist : DANIAILYAS

Label : Geographic North

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アコースティックギターや声による朧げでメランコリックなアンビエント・フォーク6曲を収録。白盤です。

※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ

レーベルその他作品はこちら /// Click here to see more Geographic North releases available at Tobira.

-----------------------------

Ask us for digital files. 12" white vinyl.

Tracklist:

1. The World Spins 04:16
2. Be Where 04:06
3. Walking Through Another Door 03:23
4. Breathe and Start Again 03:01
5. The Pilgrim 07:34
6. Coming Home 03:55

Geographic North:

Artist : DANIAILYAS

Label : Geographic North

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Instances of Silence 01:27\u003cbr\u003e2. American Primitive 01:39\u003cbr\u003e3. In Safe Gardens 02:01\u003cbr\u003e4. The Seven Dolphins 03:35\u003cbr\u003e5. Penguin 03:00\u003cbr\u003e6. Del Mar 02:38\u003cbr\u003e7. Heart-Shaped Rock 05:27\u003cbr\u003e8. Sail-On, 1969 03:09\u003cbr\u003e9. A Very Quiet Place 02:26\u003cbr\u003e10. Otherwise 01:43\u003cbr\u003e11. Chamber of Tears Part 1 01:20\u003cbr\u003e12. Chamber of Tears Part 2 01:54\u003cbr\u003e13. Deep Blue Dream 01:55\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eGeographic North:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eChamber of Tears’ marks the poignant debut offering from the Los Angeleno (by way of Buenos Aires) composer Alejandro Cohen under his own name. Here, the chameleon-like boatswain of arts and culture sheds the detuned mutant -funk of his former ensemble Pharaohs (100% Silk; ESP Institute), instead opting for a solo LP of high-minded melancholy, platonic playfulness, and sardonic sweetness. 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It is this dichotomy that makes ‘Chamber of Tears’ grandiose in its limitless exploration, yet tender in its sincere intimacy.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“Instances of Silence” spills out onto the floor like an unearthed treasure box, filling the air with glittering dust for the forthright jubilance and lyrical instrumentation of “American Primitive.” “In Safe Gardens” bursts out the back door and burns across the lawn in crisp sunlight, into the cool shade of “The Seven Dolphins,” a bowed and jangly meditation that channels the same aquatic\u003cspan class=\"bcTruncateMore\"\u003e exuberance of the song’s bestial namesake. Furthering the animalian references, “Penguin” nearly waddles into frame with patience and quaint competence. The spurious simplicity is fleeting though, as the song morphs into a sort of Prog-petite. A-side closer “Del Mar” evokes the childlike composure of Penguin Orchestra, instilling a versatile sense of both complexity and simplicity in one fell swoop.\u003cbr\u003e\u003cbr\u003e“Heart-Shaped Rock” is a balmy salve for the soul, employing a range of instrumentation from classical guitar, electric piano, malleted bars, and other sonic detritus in a calming symphony. “Sail-On, 1969” brings a bout of tear-streaked melancholy that rides the crashing waves in a stormy sea of emotion. For “Otherwise,” the LP’s solitary substantial vocal offering, Cohen sings longingly with inner turmoil but ultimate resolve. It’s a sweetly idyllic portrayal of nowness, loneliness, companionship, uncertainty, and an endless stream of potential epiphanies. The one-two punch of “Chamber of Tears” (parts 1 and 2) wallow in a wading pool of actual ambivalence, while album closer “Deep Blue Dream” drifts in a lulled cloud of airy hums and celestial melody.\u003cbr\u003e\u003cbr\u003e‘Chamber of Tears’ reveals that Cohen’s aural world is full of sunlight in spite of shadows in between.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eArtist : Alejandro Cohen\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Geographic North\u003c\/p\u003e","published_at":"2024-10-18T17:22:48+09:00","created_at":"2024-10-18T15:46:44+09:00","vendor":"Tobira Records","type":"","tags":["ambient","folk \/ left-field pop","geographic north","lp","neo classical","new"],"price":388000,"price_min":388000,"price_max":388000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46763748786426,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Alejandro Cohen \/\/ Chamber of Tears LP [COLOR]","public_title":null,"options":["Default Title"],"price":388000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/cham1_cf0cb1f6-1f0a-40aa-ba03-32d17e7beb88.jpg?v=1729233907","\/\/tobirarecords.com\/cdn\/shop\/files\/cham2.jpg?v=1729233908"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/cham1_cf0cb1f6-1f0a-40aa-ba03-32d17e7beb88.jpg?v=1729233907","options":["Title"],"media":[{"alt":null,"id":35075895755002,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cham1_cf0cb1f6-1f0a-40aa-ba03-32d17e7beb88.jpg?v=1729233907"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cham1_cf0cb1f6-1f0a-40aa-ba03-32d17e7beb88.jpg?v=1729233907","width":700},{"alt":null,"id":35075895787770,"position":2,"preview_image":{"aspect_ratio":0.8,"height":1200,"width":960,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cham2.jpg?v=1729233908"},"aspect_ratio":0.8,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cham2.jpg?v=1729233908","width":960}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ・LAのギタリスト\u003c\/span\u003eAlejandro Cohenが、2024年9月に同国ジョージアのアンビエントレーベル\u003cspan data-mce-fragment=\"1\"\u003eGeographic Northからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアコースティックギターをメインソースにしたアンビエント・フォーク〜ポストロック13曲を収録。白黒渦色盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2327674176\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2327674176\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2470554995\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/geno\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/geno\"\u003ehere\u003c\/a\u003e to see more Geographic North releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" black and white swirl vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Instances of Silence 01:27\u003cbr\u003e2. American Primitive 01:39\u003cbr\u003e3. In Safe Gardens 02:01\u003cbr\u003e4. The Seven Dolphins 03:35\u003cbr\u003e5. Penguin 03:00\u003cbr\u003e6. Del Mar 02:38\u003cbr\u003e7. Heart-Shaped Rock 05:27\u003cbr\u003e8. Sail-On, 1969 03:09\u003cbr\u003e9. A Very Quiet Place 02:26\u003cbr\u003e10. Otherwise 01:43\u003cbr\u003e11. Chamber of Tears Part 1 01:20\u003cbr\u003e12. Chamber of Tears Part 2 01:54\u003cbr\u003e13. Deep Blue Dream 01:55\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eGeographic North:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eChamber of Tears’ marks the poignant debut offering from the Los Angeleno (by way of Buenos Aires) composer Alejandro Cohen under his own name. Here, the chameleon-like boatswain of arts and culture sheds the detuned mutant -funk of his former ensemble Pharaohs (100% Silk; ESP Institute), instead opting for a solo LP of high-minded melancholy, platonic playfulness, and sardonic sweetness. Presented across thirteen songs, ‘Chamber of Tears’ allows Cohen to act as some kind of sonic-farmer tilling and toiling the Earth, gently excavating deep-rooted melodies with an air of open-ended rusticism not far removed from the likes of Penguin Cafe Orchestra, or even Gastr del Sol. Gentle vignettes of guitars plucked and strummed often transcend into lush canopies of texture and unhurried contemplation. It is this dichotomy that makes ‘Chamber of Tears’ grandiose in its limitless exploration, yet tender in its sincere intimacy.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“Instances of Silence” spills out onto the floor like an unearthed treasure box, filling the air with glittering dust for the forthright jubilance and lyrical instrumentation of “American Primitive.” “In Safe Gardens” bursts out the back door and burns across the lawn in crisp sunlight, into the cool shade of “The Seven Dolphins,” a bowed and jangly meditation that channels the same aquatic\u003cspan class=\"bcTruncateMore\"\u003e exuberance of the song’s bestial namesake. Furthering the animalian references, “Penguin” nearly waddles into frame with patience and quaint competence. The spurious simplicity is fleeting though, as the song morphs into a sort of Prog-petite. A-side closer “Del Mar” evokes the childlike composure of Penguin Orchestra, instilling a versatile sense of both complexity and simplicity in one fell swoop.\u003cbr\u003e\u003cbr\u003e“Heart-Shaped Rock” is a balmy salve for the soul, employing a range of instrumentation from classical guitar, electric piano, malleted bars, and other sonic detritus in a calming symphony. “Sail-On, 1969” brings a bout of tear-streaked melancholy that rides the crashing waves in a stormy sea of emotion. For “Otherwise,” the LP’s solitary substantial vocal offering, Cohen sings longingly with inner turmoil but ultimate resolve. It’s a sweetly idyllic portrayal of nowness, loneliness, companionship, uncertainty, and an endless stream of potential epiphanies. The one-two punch of “Chamber of Tears” (parts 1 and 2) wallow in a wading pool of actual ambivalence, while album closer “Deep Blue Dream” drifts in a lulled cloud of airy hums and celestial melody.\u003cbr\u003e\u003cbr\u003e‘Chamber of Tears’ reveals that Cohen’s aural world is full of sunlight in spite of shadows in between.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eArtist : Alejandro Cohen\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Geographic North\u003c\/p\u003e"}

アメリカ・LAのギタリストAlejandro Cohenが、2024年9月に同国ジョージアのアンビエントレーベルGeographic Northからリリースしたレコードです。アコースティックギターをメインソースにしたアンビエント・フォーク〜ポストロック13曲を収録。白黒渦色盤です。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませレーベルその他作品はこちら /// Click here to see more Geographic North releases available at...

¥3,880

クイックビュー {"id":8646680936698,"title":"Austyn Wohlers \/\/ Bodymelt in the Garden of Death TAPE","handle":"austyn-wohlers-bodymelt-in-the-garden-of-death-tape","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ・ボルチモアのアンビエント作家\u003c\/span\u003eAlejandro Cohenが、2024年8月に同国ジョージアのアンビエントレーベル\u003cspan data-mce-fragment=\"1\"\u003eGeographic Northからリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eドリーミーなアンビエント〜アンビエントドローン7曲を収録。DLコード付属。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1199191809\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2586099492\/transparent=true\/\" seamless\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1199191809\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/geno\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/geno\"\u003ehere\u003c\/a\u003e to see more Geographic North releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Cassette in norelco case.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Grasshopper Heaven 04:02 video\u003cbr\u003e2. An Angel's Emerald Wing 06:46\u003cbr\u003e3. Life-Near-Others 02:55\u003cbr\u003e4. Preagricultural Summer 04:13 video\u003cbr\u003e5. Attachment Illusion 03:53\u003cbr\u003e6. How Heavy the Slow World 05:01\u003cbr\u003e7. Meadow of Tears 04:09\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eGeographic North:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAs a member of Tomato Flower, Austyn Wohlers creates free-range art-pop that’s littered with atonal tendencies, rhythmic detours, and emotional indulgences for a wholly listenable barrage of sound. Now, the Baltimore-via-Atlanta musician, composer, and author joins the Geographic North family with ‘Bodymelt in the Garden of Death’, a richly enigmatic affair that explores harrowingly relatable themes in a sensory overload of aural viscera.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs Wohlers explains, “I recorded most of it during a pretty intense year for me -- the title [‘Bodymelt in the Garden of Death’] is a phrase that came into my head while I was hugging my mom in Atlanta the summer after an extreme medical crisis I wasn't sure she’d make it through. She's a gardener and we were surrounded by her flowers. It was sunset and had just rained and all the colors were lush and hot and glistening.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOpener “Grasshopper Heaven'' perfectly presents Wohlers’ tonal palette, permeated with a cacophony of cicadas, floating dust, and softly serrated textures. Seemingly a soundtrack of the uncanny, the song presents a despaired walk through the moonlit woods that rivals Wolfgang Voigt’s perfect permafrost sheen as Gas. The rustic psychedelia continues on “An Angel’s Emerald Wing”, a\u003cspan class=\"bcTruncateMore\"\u003e shimmering squall of celestial noise that features frequent Wohlers collaborator Ruby Mars on harp. A-side closer “Life-Near-Others” offers a kaleidoscope of light and color buried under a fertile layer of topsoil and delicate delay.\u003cbr\u003e\u003cbr\u003e“Preagricultural Summer” is a symphony of stabbing electronics, flourished feedback, and clanging metal, while “Attachment Illusion” seemingly inverts the action into a howling chimera of solitude. Feeling like a tidal wave of sorts, “How Heavy the Slow World” swells into its epic frame through a cycle of maxed-out tones and dis-harmony, its swirling storm of sound plowing through everything in its path and changing the landscape in its wake. Album closer “Meadow of Tears” culls a siren-like setting that’s both unsettling and comforting, a nod to the dire dilemma we all inevitably face.\u003cbr\u003e\u003cbr\u003eIn the end, ‘Bodymelt in the Garden of Death’ is an unassuming triumph of sonic bereavement, transmitting and translating deeply emotional uncertainty into wholly consuming sounds.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Austyn Wohlers\u003c\/p\u003e\n\u003cp\u003eLabel : Geographic North\u003c\/p\u003e","published_at":"2024-10-19T07:00:53+09:00","created_at":"2024-10-18T15:44:05+09:00","vendor":"Tobira Records","type":"","tags":["ambient","geographic north","new","tape"],"price":194300,"price_min":194300,"price_max":194300,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46763737088250,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Austyn Wohlers \/\/ Bodymelt in the Garden of Death TAPE","public_title":null,"options":["Default Title"],"price":194300,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/bo1_9990f41f-4063-4088-8efc-53b1ae135ee5.jpg?v=1729233754","\/\/tobirarecords.com\/cdn\/shop\/files\/bo2_846de634-6b26-4a84-9f93-e16d4e592576.jpg?v=1729233754"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/bo1_9990f41f-4063-4088-8efc-53b1ae135ee5.jpg?v=1729233754","options":["Title"],"media":[{"alt":null,"id":35075877535994,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bo1_9990f41f-4063-4088-8efc-53b1ae135ee5.jpg?v=1729233754"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bo1_9990f41f-4063-4088-8efc-53b1ae135ee5.jpg?v=1729233754","width":700},{"alt":null,"id":35075877568762,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bo2_846de634-6b26-4a84-9f93-e16d4e592576.jpg?v=1729233754"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bo2_846de634-6b26-4a84-9f93-e16d4e592576.jpg?v=1729233754","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ・ボルチモアのアンビエント作家\u003c\/span\u003eAlejandro Cohenが、2024年8月に同国ジョージアのアンビエントレーベル\u003cspan data-mce-fragment=\"1\"\u003eGeographic Northからリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eドリーミーなアンビエント〜アンビエントドローン7曲を収録。DLコード付属。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1199191809\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2586099492\/transparent=true\/\" seamless\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1199191809\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/geno\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/geno\"\u003ehere\u003c\/a\u003e to see more Geographic North releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Cassette in norelco case.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Grasshopper Heaven 04:02 video\u003cbr\u003e2. An Angel's Emerald Wing 06:46\u003cbr\u003e3. Life-Near-Others 02:55\u003cbr\u003e4. Preagricultural Summer 04:13 video\u003cbr\u003e5. Attachment Illusion 03:53\u003cbr\u003e6. How Heavy the Slow World 05:01\u003cbr\u003e7. Meadow of Tears 04:09\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eGeographic North:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAs a member of Tomato Flower, Austyn Wohlers creates free-range art-pop that’s littered with atonal tendencies, rhythmic detours, and emotional indulgences for a wholly listenable barrage of sound. Now, the Baltimore-via-Atlanta musician, composer, and author joins the Geographic North family with ‘Bodymelt in the Garden of Death’, a richly enigmatic affair that explores harrowingly relatable themes in a sensory overload of aural viscera.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs Wohlers explains, “I recorded most of it during a pretty intense year for me -- the title [‘Bodymelt in the Garden of Death’] is a phrase that came into my head while I was hugging my mom in Atlanta the summer after an extreme medical crisis I wasn't sure she’d make it through. She's a gardener and we were surrounded by her flowers. It was sunset and had just rained and all the colors were lush and hot and glistening.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOpener “Grasshopper Heaven'' perfectly presents Wohlers’ tonal palette, permeated with a cacophony of cicadas, floating dust, and softly serrated textures. Seemingly a soundtrack of the uncanny, the song presents a despaired walk through the moonlit woods that rivals Wolfgang Voigt’s perfect permafrost sheen as Gas. The rustic psychedelia continues on “An Angel’s Emerald Wing”, a\u003cspan class=\"bcTruncateMore\"\u003e shimmering squall of celestial noise that features frequent Wohlers collaborator Ruby Mars on harp. A-side closer “Life-Near-Others” offers a kaleidoscope of light and color buried under a fertile layer of topsoil and delicate delay.\u003cbr\u003e\u003cbr\u003e“Preagricultural Summer” is a symphony of stabbing electronics, flourished feedback, and clanging metal, while “Attachment Illusion” seemingly inverts the action into a howling chimera of solitude. Feeling like a tidal wave of sorts, “How Heavy the Slow World” swells into its epic frame through a cycle of maxed-out tones and dis-harmony, its swirling storm of sound plowing through everything in its path and changing the landscape in its wake. Album closer “Meadow of Tears” culls a siren-like setting that’s both unsettling and comforting, a nod to the dire dilemma we all inevitably face.\u003cbr\u003e\u003cbr\u003eIn the end, ‘Bodymelt in the Garden of Death’ is an unassuming triumph of sonic bereavement, transmitting and translating deeply emotional uncertainty into wholly consuming sounds.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Austyn Wohlers\u003c\/p\u003e\n\u003cp\u003eLabel : Geographic North\u003c\/p\u003e"}