field recording / world
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{"id":9058192457978,"title":"Patrick Lysaght \/\/ For The Birds LP","handle":"patrick-lysaght-for-the-birds-lp","description":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eâ»1æäžæ¬åå
¥è·åŸçºéããŸã\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eã¢ã¡ãªã«ã»ã¢ã«ãã«ãŒãã®ç§åŠè
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Patrick Lysaghtãã2025幎12æã«ã€ã¿ãªã¢ã®çºæã¬ãŒãã«Holidays RecordsãããªãªãŒã¹ããåçºã¬ã³ãŒãã§ããïŒãªãªãžãã«ã¯1985幎ãªãªãŒã¹ïŒ\u003c\/p\u003e\n\u003cp\u003eãªãªã°ã©ã³ãåç©åã«ããã¬ã€ã³ãã©ãŒã¬ã¹ãããŒãããŠã¹ã§é²é³ããã42çš®150矜ã®é³¥ãã¡ãšã®ã³ã©ãã¬ãŒã·ã§ã³6æ²ãåé²ã\u003c\/p\u003e\n\u003cp\u003eâ»ããžã¿ã«é³æºãç¡æã§ãéãããããŸãã®ã§ãæ°è»œã«ãé£çµ¡ãã ãããŸã\u003c\/p\u003e\n\u003cp\u003e以äžãã¬ãŒãã«ã«ãã解説ã§ãã\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"1984幎ããªãªã°ã©ã³ãåç©åã®ç±åž¯éšæé³¥å°å±ã§ãPatrick Lysaghtã¯42çš®150矜ã®é³¥ãã¡ãšå
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±æŒããããã ã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e18ãæéãç§åŠè
ïŒãã€èžè¡å®¶ïŒã§ãã圌ã¯ãã¢ã«ãã«ãŒãã®ãªãªã°ã©ã³ãåç©åã«ããç±åž¯éšæã®é³¥å°å±ã§é³æ¥œïŒãã«ãŒãã匊楜åšãææ¥œåšïŒãæŒå¥ããŠããã42çš®150矜ã®é³¥ãçæ¯ãããã®çžäºäœçšçãªç°å¢ã¯ãåãªãè峿·±ã鳿¥œã®èæ¯ä»¥äžã®ãã®ãæäŸãããããããé³¥ãã¡ã¯é³æ¥œå®¶ãšåçã®ã¬ãã«ã§ãçµæãšããŠçãŸããæ¥œæ²ã«è²¢ç®ããã®ã§ãããè€éãªç¹é³ã®é²ãè±ããªå¯åºŠãžãšç©ã¿äžãããçžäºã®çš®éåºæ¿ãå¶ç¶ã®è奮ãšçµéšã®ç¢ºçã«åºã¥ãéçã蟿ããæ¬ã¬ã³ãŒãã®åé²çŽ æã¯ããã®ç¬ç¹ã®é³é¿çé°å²æ°ãšèª¿åã匷åãããšããçŸçãã©ã¡ãŒã¿ã®ããšãé³¥ã®åå¿æ§ãšæ¥œåšã®å€æ§æ§ã«éç¹ã眮ããŠéžå®ãããã\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/xtxCyUFTZQY?si=C_7lOBp5KdNzU1md\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eã¬ãŒãã«ãã®ä»äœåã¯\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hldys\"\u003eãã¡ã\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hldys\"\u003ehere\u003c\/a\u003e to see more Holidays Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl with embossed cover. \u003cbr\u003e2025 reissue - originally recorded in 1984 and released in 1985. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRemastered from the original tapes by Giuseppe Ielasi.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eA1. Zooed Out 6:47\u003cbr\u003eA2. Diminishing Habitat 4:10\u003cbr\u003eA3. Light Sensitive 7:45\u003cbr\u003eB1. Rio 3:43\u003cbr\u003eB2. Downstream 6:27\u003cbr\u003eB3. Mourning Music (Dedicated To The Memory Of Patrick Lysaght, Sr.) 7:41\u003c\/p\u003e\n\u003cp\u003eHolidays Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e1984. Inside the Rainforest Birdhouse at the Rio Grande Zoo, Patrick Lysaght played flute, strings, and percussion among 150 birds of 42 species. Not recording them. Playing with them.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFor 18 months the scientist (and artist) has been playing music (flute, strings and percussion) in the Rainforest Birdhouse at the Rio Grande Zoo in Albuquerque. This interactive environment, populated by 150 birds representing 42 species, has provided more than an interesting background for music; rather, the birds have contributed to the resulting compositions on an equal level with the musician. Complex clouds of point notes build to a rich density, as mutual interspecies stimulation assumes a path based on the excitement of chance and the probability of experience. The material on this record has been selected with emphasis on bird responsiveness and instrument variety within the aesthetic parameters of blending with and enhancing this unique sonic atmosphere.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Patrick Lysaght\u003c\/p\u003e\n\u003cp\u003eLabel : Holidays Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eHOL-146\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 23rd December 2025\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-01-14T11:39:54+09:00","created_at":"2026-01-14T09:12:32+09:00","vendor":"Tobira Records","type":"","tags":["field recording","holidays records","jazz","lp","monooto","new","recommended"],"price":463000,"price_min":463000,"price_max":463000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48221860692218,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Patrick Lysaght \/\/ For The Birds LP","public_title":null,"options":["Default Title"],"price":463000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-01-14at9.08.52am.png?v=1768349378"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-01-14at9.08.52am.png?v=1768349378","options":["Title"],"media":[{"alt":null,"id":38080114688250,"position":1,"preview_image":{"aspect_ratio":1.011,"height":455,"width":460,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-01-14at9.08.52am.png?v=1768349378"},"aspect_ratio":1.011,"height":455,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-01-14at9.08.52am.png?v=1768349378","width":460}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eâ»1æäžæ¬åå
¥è·åŸçºéããŸã\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eã¢ã¡ãªã«ã»ã¢ã«ãã«ãŒãã®ç§åŠè
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Patrick Lysaghtãã2025幎12æã«ã€ã¿ãªã¢ã®çºæã¬ãŒãã«Holidays RecordsãããªãªãŒã¹ããåçºã¬ã³ãŒãã§ããïŒãªãªãžãã«ã¯1985幎ãªãªãŒã¹ïŒ\u003c\/p\u003e\n\u003cp\u003eãªãªã°ã©ã³ãåç©åã«ããã¬ã€ã³ãã©ãŒã¬ã¹ãããŒãããŠã¹ã§é²é³ããã42çš®150矜ã®é³¥ãã¡ãšã®ã³ã©ãã¬ãŒã·ã§ã³6æ²ãåé²ã\u003c\/p\u003e\n\u003cp\u003eâ»ããžã¿ã«é³æºãç¡æã§ãéãããããŸãã®ã§ãæ°è»œã«ãé£çµ¡ãã ãããŸã\u003c\/p\u003e\n\u003cp\u003e以äžãã¬ãŒãã«ã«ãã解説ã§ãã\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"1984幎ããªãªã°ã©ã³ãåç©åã®ç±åž¯éšæé³¥å°å±ã§ãPatrick Lysaghtã¯42çš®150矜ã®é³¥ãã¡ãšå
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±æŒããããã ã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e18ãæéãç§åŠè
ïŒãã€èžè¡å®¶ïŒã§ãã圌ã¯ãã¢ã«ãã«ãŒãã®ãªãªã°ã©ã³ãåç©åã«ããç±åž¯éšæã®é³¥å°å±ã§é³æ¥œïŒãã«ãŒãã匊楜åšãææ¥œåšïŒãæŒå¥ããŠããã42çš®150矜ã®é³¥ãçæ¯ãããã®çžäºäœçšçãªç°å¢ã¯ãåãªãè峿·±ã鳿¥œã®èæ¯ä»¥äžã®ãã®ãæäŸãããããããé³¥ãã¡ã¯é³æ¥œå®¶ãšåçã®ã¬ãã«ã§ãçµæãšããŠçãŸããæ¥œæ²ã«è²¢ç®ããã®ã§ãããè€éãªç¹é³ã®é²ãè±ããªå¯åºŠãžãšç©ã¿äžãããçžäºã®çš®éåºæ¿ãå¶ç¶ã®è奮ãšçµéšã®ç¢ºçã«åºã¥ãéçã蟿ããæ¬ã¬ã³ãŒãã®åé²çŽ æã¯ããã®ç¬ç¹ã®é³é¿çé°å²æ°ãšèª¿åã匷åãããšããçŸçãã©ã¡ãŒã¿ã®ããšãé³¥ã®åå¿æ§ãšæ¥œåšã®å€æ§æ§ã«éç¹ã眮ããŠéžå®ãããã\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/xtxCyUFTZQY?si=C_7lOBp5KdNzU1md\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eã¬ãŒãã«ãã®ä»äœåã¯\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hldys\"\u003eãã¡ã\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hldys\"\u003ehere\u003c\/a\u003e to see more Holidays Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl with embossed cover. \u003cbr\u003e2025 reissue - originally recorded in 1984 and released in 1985. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRemastered from the original tapes by Giuseppe Ielasi.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eA1. Zooed Out 6:47\u003cbr\u003eA2. Diminishing Habitat 4:10\u003cbr\u003eA3. Light Sensitive 7:45\u003cbr\u003eB1. Rio 3:43\u003cbr\u003eB2. Downstream 6:27\u003cbr\u003eB3. Mourning Music (Dedicated To The Memory Of Patrick Lysaght, Sr.) 7:41\u003c\/p\u003e\n\u003cp\u003eHolidays Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e1984. Inside the Rainforest Birdhouse at the Rio Grande Zoo, Patrick Lysaght played flute, strings, and percussion among 150 birds of 42 species. Not recording them. Playing with them.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFor 18 months the scientist (and artist) has been playing music (flute, strings and percussion) in the Rainforest Birdhouse at the Rio Grande Zoo in Albuquerque. This interactive environment, populated by 150 birds representing 42 species, has provided more than an interesting background for music; rather, the birds have contributed to the resulting compositions on an equal level with the musician. Complex clouds of point notes build to a rich density, as mutual interspecies stimulation assumes a path based on the excitement of chance and the probability of experience. The material on this record has been selected with emphasis on bird responsiveness and instrument variety within the aesthetic parameters of blending with and enhancing this unique sonic atmosphere.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Patrick Lysaght\u003c\/p\u003e\n\u003cp\u003eLabel : Holidays Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eHOL-146\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 23rd December 2025\u003c\/span\u003e\u003c\/p\u003e"}
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Patrick Lysaghtãã2025幎12æã«ã€ã¿ãªã¢ã®çºæã¬ãŒãã«Holidays RecordsãããªãªãŒã¹ããåçºã¬ã³ãŒãã§ããïŒãªãªãžãã«ã¯1985幎ãªãªãŒã¹ïŒ ãªãªã°ã©ã³ãåç©åã«ããã¬ã€ã³ãã©ãŒã¬ã¹ãããŒãããŠã¹ã§é²é³ããã42çš®150矜ã®é³¥ãã¡ãšã®ã³ã©ãã¬ãŒã·ã§ã³6æ²ãåé²ã â»ããžã¿ã«é³æºãç¡æã§ãéãããããŸãã®ã§ãæ°è»œã«ãé£çµ¡ãã ãããŸã 以äžãã¬ãŒãã«ã«ãã解説ã§ãã "1984幎ããªãªã°ã©ã³ãåç©åã®ç±åž¯éšæé³¥å°å±ã§ãPatrick Lysaghtã¯42çš®150矜ã®é³¥ãã¡ãšå
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{"id":9036655722746,"title":"Pablo Diserens \/\/ ebbing ice lines 2xLP","handle":"pablo-diserens-ebbing-ice-lines-2xlp","description":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eâ»1æäžæ¬çºééå§ããŸã\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eãã€ãã»ãã«ãªã³ã®ãã£ãŒã«ãã¬ã³ãŒãã£ã³ã°ã¬ãŒãã«\u003ca href=\"https:\/\/tobirarecords.com\/collections\/foofmi\"\u003eForms of Minutiae\u003c\/a\u003e䞻宰Pablo Diserensãã2026幎1æã«ã¢ã¡ãªã«ã»LAã®å®éšã¬ãŒãã«Dinzu Artefacts\u003cspan\u003eãã300éšéå®ã§ãªãªãŒã¹ãã2æçµã¬ã³ãŒãã§ãã\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eã¢ã€ã¹ã©ã³ããšãã£ã³ã©ã³ãããã«ãŠã§ãŒã®ãã£ãŒã«ãã¬ã³ãŒãã£ã³ã°8æ²ãåé²ãDLã³ãŒãä»å±ãã²ãŒããã©ã«ã仿§ã§ãã\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1729199500\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eã¬ãŒãã«ãã®ä»äœåã¯\u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003eãã¡ã\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003ehere\u003c\/a\u003e to see more Dinzu Artefacts releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRELEASE DATE : January 2026\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e2 x 12\" black vinyl in gatefold sleeve. \u003cbr\u003eEdition of 300. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSounds from the low arctic : recorded in Iceland, Finland, and Norway between 2018 and 2023.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. melt morphemes (supraglacial) 06:14\u003cbr\u003e2. ebbing ice lines 10:29\u003cbr\u003e3. how much space do you need? 05:06\u003cbr\u003e4. non-night over pseudocraters 08:58\u003cbr\u003e5. world in the process of making itself 05:35\u003cbr\u003e6. basaltic reverie 07:34\u003cbr\u003e7. melt morphemes (proglacial) 05:49\u003cbr\u003e8. mapping moulins 10:36\u003c\/p\u003e\n\u003cp\u003eText excerpt written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAnton Spice, via the label:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e2025 was declared the International Year of Glaciersâ Preservation by the United Nations, accompanied by the proclamation of March 21st of each year as the World Day for Glaciers starting this year. As they put it, âthis is an opportunity to raise global awareness about the critical role of glaciers, snow and ice in the climate system and the hydrological cycle, and the economic, social and environmental impacts of the impending changes in the Earthâs cryosphere.â To celebrate this decision forms of minutiae presents a series of albums dedicated to glaciers and the acoustic multiplicity of the ice with field recording works by Marc Namblard, Ludwig Berger, Yoichi Kamimura, Cheryl E. Leonard, and Pablo Diserens\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFor the fifth and final album of this series, forms of minutiae teams up with Dinzu Artefacts to present âebbing ice linesâ â a dronesque and geologically-rich journey through the Low Arcticâs melting zones by field recordist, sound artist, and forms of minutiae co-founder Pablo Diserens.\u2028\u2028\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"In a small water-filled crevasse amid the ash-laden, crystalized expanse of Sólheimajökull, a gurgling voice bridged the\u003cspan class=\"bcTruncateMore\"\u003e past and the present in fizzing strings of time-traveling air. Sounding its earthly memory, the glacier released bubbles carrying remembrances of the epochs it had witnessed. Temporal multitudes and a rich existence materialized in its melting. Echoing the animated nature of its jumbled body, the glacier kept growling in bizarre and humorous expressions while losing the particles that formed its skin. It vibrated in an ebullient tongue bristling with lingo. Ambiguous laughters, long laments, sudden regrets, visceral cries, circuit simulations, avian mimicking. This body held it all in a complex vocabulary, out in the open, as if it was grasping, digesting, its own state. And there I was, all ears, my hands on the ice, sharing the intimacy of a body ebbing in murmurs.\" â Pablo Diserens\u003cbr\u003e\u003cbr\u003eâebbing ice linesâ is assembled entirely of field recordings made by Diserens on three trips to the Low Arctic â twice to Iceland and once on a self-guided residency with friends and colleagues Diane Barbé and Irwin Barbé at the KilpisjÀrvi Biological Station in Finland, on the border with Sweden and Norway. Avian vocalizations, anthropogenic drones, geothermal pipelines, natural resonances, ice symphonies, geological shifts and volcanic eruptions are all characters in the drama of Diserensâ compositions, which like much of their previous work, leans into the smallest details of sound to provide connection and transmission across multiple species, scales and subjectivities.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Pablo Diserens\u003c\/p\u003e\n\u003cp\u003eLabel : Dinzu Artefacts x Forms of Minutiae\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ednz118 \/ \u003cmeta charset=\"utf-8\"\u003efom19\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-12-23T07:05:39+09:00","created_at":"2025-12-21T09:32:28+09:00","vendor":"Tobira Records","type":"","tags":["dinzu artefacts","field recording","lp","monooto","new","recommended"],"price":659000,"price_min":659000,"price_max":659000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48143903162618,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Pablo Diserens \/\/ ebbing ice lines 2xLP","public_title":null,"options":["Default Title"],"price":659000,"weight":630,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ebb1_42f0250c-c32a-42e1-b909-f242ec128445.jpg?v=1766276912","\/\/tobirarecords.com\/cdn\/shop\/files\/ebb2.jpg?v=1766276911","\/\/tobirarecords.com\/cdn\/shop\/files\/ebb3.jpg?v=1766276911"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ebb1_42f0250c-c32a-42e1-b909-f242ec128445.jpg?v=1766276912","options":["Title"],"media":[{"alt":null,"id":37861803819258,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ebb1_42f0250c-c32a-42e1-b909-f242ec128445.jpg?v=1766276912"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ebb1_42f0250c-c32a-42e1-b909-f242ec128445.jpg?v=1766276912","width":700},{"alt":null,"id":37861803852026,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ebb2.jpg?v=1766276911"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ebb2.jpg?v=1766276911","width":1200},{"alt":null,"id":37861803884794,"position":3,"preview_image":{"aspect_ratio":1.25,"height":960,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ebb3.jpg?v=1766276911"},"aspect_ratio":1.25,"height":960,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ebb3.jpg?v=1766276911","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eâ»1æäžæ¬çºééå§ããŸã\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eãã€ãã»ãã«ãªã³ã®ãã£ãŒã«ãã¬ã³ãŒãã£ã³ã°ã¬ãŒãã«\u003ca href=\"https:\/\/tobirarecords.com\/collections\/foofmi\"\u003eForms of Minutiae\u003c\/a\u003e䞻宰Pablo Diserensãã2026幎1æã«ã¢ã¡ãªã«ã»LAã®å®éšã¬ãŒãã«Dinzu Artefacts\u003cspan\u003eãã300éšéå®ã§ãªãªãŒã¹ãã2æçµã¬ã³ãŒãã§ãã\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eã¢ã€ã¹ã©ã³ããšãã£ã³ã©ã³ãããã«ãŠã§ãŒã®ãã£ãŒã«ãã¬ã³ãŒãã£ã³ã°8æ²ãåé²ãDLã³ãŒãä»å±ãã²ãŒããã©ã«ã仿§ã§ãã\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1729199500\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eã¬ãŒãã«ãã®ä»äœåã¯\u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003eãã¡ã\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003ehere\u003c\/a\u003e to see more Dinzu Artefacts releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRELEASE DATE : January 2026\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e2 x 12\" black vinyl in gatefold sleeve. \u003cbr\u003eEdition of 300. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSounds from the low arctic : recorded in Iceland, Finland, and Norway between 2018 and 2023.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. melt morphemes (supraglacial) 06:14\u003cbr\u003e2. ebbing ice lines 10:29\u003cbr\u003e3. how much space do you need? 05:06\u003cbr\u003e4. non-night over pseudocraters 08:58\u003cbr\u003e5. world in the process of making itself 05:35\u003cbr\u003e6. basaltic reverie 07:34\u003cbr\u003e7. melt morphemes (proglacial) 05:49\u003cbr\u003e8. mapping moulins 10:36\u003c\/p\u003e\n\u003cp\u003eText excerpt written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAnton Spice, via the label:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e2025 was declared the International Year of Glaciersâ Preservation by the United Nations, accompanied by the proclamation of March 21st of each year as the World Day for Glaciers starting this year. As they put it, âthis is an opportunity to raise global awareness about the critical role of glaciers, snow and ice in the climate system and the hydrological cycle, and the economic, social and environmental impacts of the impending changes in the Earthâs cryosphere.â To celebrate this decision forms of minutiae presents a series of albums dedicated to glaciers and the acoustic multiplicity of the ice with field recording works by Marc Namblard, Ludwig Berger, Yoichi Kamimura, Cheryl E. Leonard, and Pablo Diserens\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFor the fifth and final album of this series, forms of minutiae teams up with Dinzu Artefacts to present âebbing ice linesâ â a dronesque and geologically-rich journey through the Low Arcticâs melting zones by field recordist, sound artist, and forms of minutiae co-founder Pablo Diserens.\u2028\u2028\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"In a small water-filled crevasse amid the ash-laden, crystalized expanse of Sólheimajökull, a gurgling voice bridged the\u003cspan class=\"bcTruncateMore\"\u003e past and the present in fizzing strings of time-traveling air. Sounding its earthly memory, the glacier released bubbles carrying remembrances of the epochs it had witnessed. Temporal multitudes and a rich existence materialized in its melting. 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{"id":9027358261498,"title":"Joseph Decosimo, Luke Richardson, Cleek Schrey \/\/ Beehive Cathedral LP","handle":"joseph-decosimo-luke-richardson-cleek-schrey-beehive-cathedral-lp","description":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eã¢ã¡ãªã«ã»ããŒã¹ã«ãã©ã€ãã®ãã£ãã«å¥è
Joseph Decosimoãšãã³ãžã§ãŒå¥è
Luke Richardsonããªã«ã¬ã³å¥è
Cleek Schreyãã2024幎6æã«ååœã€ã³ãã£ãŒã¬ãŒãã«Deal LifeãããªãªãŒã¹ããã¢ã«ãã ã§ãã\u003c\/p\u003e\n\u003cp\u003eã¢ã¡ãªã«åéšã®ãã©ãã£ã·ã§ãã«ã»ãã©ãŒã¯15æ²ãåé²ã \u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3884976491\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3884976491\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2241587203\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eã¬ãŒãã«ãã®ä»äœåã¯\u003ca href=\"https:\/\/tobirarecords.com\/collections\/delire\"\u003eãã¡ã\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/delire\"\u003ehere\u003c\/a\u003e to see more Dear Life releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eAvailable on 12\" black vinyl (edition of 500) or CD in digipack. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Betty Baker 03:32\u003cbr\u003e2. Blackberry Blossoms\u003cbr\u003e3. Pompey Ran Away\u003cbr\u003e4. Cluck Old Hen\u003cbr\u003e5. Chimes\u003cbr\u003e6. Lost Girl\u003cbr\u003e7. Can't Jump Josie\u003cbr\u003e8. Red Bird\u003cbr\u003e9. Rockingham 01:42\u003cbr\u003e10. Prettiest Little Girl in the County\u003cbr\u003e11. Drunken Hiccups\u003cbr\u003e12. Hog Went through the Fence, Yoke and All\u003cbr\u003e13. Polly Put the Kettle On\u003cbr\u003e14. Shortening Bread\u003cbr\u003e15. Billy in the Lowground\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eDear Life:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cem\u003eIn April 2021, Joseph Decosimo, Luke Richardson, and Cleek Schreyâthree of the most compelling interpreters in the American traditional music sceneâgathered at a cabin in Tennessee to explore their collective repertoire of Old-time fiddle and banjo tunes, gleaned from visits with older players, field recordings, and vintage 78s. In between roaming the surrounding limestone bluffs, hunting morels, and foraging ramps, they nestled into their music and recorded themselves in the cabin-turned-studio. Working with fiddle, hardanger dâamore (a fiddle with sympathetic strings), banjos, and a 19th-century pump organ, the trio captured both the sonic details of their instruments and a generous musical interplay rooted in a dozen years of collaboration. Their debut album, Beehive Cathedral, presents resonant, thoughtful, and expansive explorations of Appalachian and American music. The results showcase deep study and enveloping, exhilarating performances...\u003c\/em\u003e\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Joseph Decosimo, Luke Richardson, Cleek Schrey\u003c\/p\u003e\n\u003cp\u003eLabel : Dear Life\u003c\/p\u003e\n\u003cp\u003eCAT No : DLR053\u003c\/p\u003e","published_at":"2025-12-14T06:50:23+09:00","created_at":"2025-12-14T06:47:52+09:00","vendor":"Tobira Records","type":"","tags":["ambient","dear life records","field recording","folk \/ left-field pop","lp","new"],"price":348000,"price_min":348000,"price_max":348000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48104605352186,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Joseph Decosimo, Luke Richardson, Cleek Schrey \/\/ Beehive Cathedral LP","public_title":null,"options":["Default Title"],"price":348000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/bee1_e4318d7d-8a07-41cb-8ab4-1b17a8d78dc2.jpg?v=1719393292","\/\/tobirarecords.com\/cdn\/shop\/files\/bee2_b713e245-d38f-42d0-ad70-cdb8dbe2f4fa.jpg?v=1719393292"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/bee1_e4318d7d-8a07-41cb-8ab4-1b17a8d78dc2.jpg?v=1719393292","options":["Title"],"media":[{"alt":null,"id":34408501215482,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bee1_e4318d7d-8a07-41cb-8ab4-1b17a8d78dc2.jpg?v=1719393292"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bee1_e4318d7d-8a07-41cb-8ab4-1b17a8d78dc2.jpg?v=1719393292","width":700},{"alt":null,"id":34408501248250,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bee2_b713e245-d38f-42d0-ad70-cdb8dbe2f4fa.jpg?v=1719393292"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bee2_b713e245-d38f-42d0-ad70-cdb8dbe2f4fa.jpg?v=1719393292","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eã¢ã¡ãªã«ã»ããŒã¹ã«ãã©ã€ãã®ãã£ãã«å¥è
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Cleek Schreyãã2024幎6æã«ååœã€ã³ãã£ãŒã¬ãŒãã«Deal LifeãããªãªãŒã¹ããã¢ã«ãã ã§ãã\u003c\/p\u003e\n\u003cp\u003eã¢ã¡ãªã«åéšã®ãã©ãã£ã·ã§ãã«ã»ãã©ãŒã¯15æ²ãåé²ã \u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3884976491\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3884976491\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2241587203\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eã¬ãŒãã«ãã®ä»äœåã¯\u003ca href=\"https:\/\/tobirarecords.com\/collections\/delire\"\u003eãã¡ã\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/delire\"\u003ehere\u003c\/a\u003e to see more Dear Life releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eAvailable on 12\" black vinyl (edition of 500) or CD in digipack. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Betty Baker 03:32\u003cbr\u003e2. Blackberry Blossoms\u003cbr\u003e3. Pompey Ran Away\u003cbr\u003e4. Cluck Old Hen\u003cbr\u003e5. Chimes\u003cbr\u003e6. Lost Girl\u003cbr\u003e7. Can't Jump Josie\u003cbr\u003e8. Red Bird\u003cbr\u003e9. Rockingham 01:42\u003cbr\u003e10. Prettiest Little Girl in the County\u003cbr\u003e11. Drunken Hiccups\u003cbr\u003e12. Hog Went through the Fence, Yoke and All\u003cbr\u003e13. Polly Put the Kettle On\u003cbr\u003e14. Shortening Bread\u003cbr\u003e15. Billy in the Lowground\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eDear Life:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cem\u003eIn April 2021, Joseph Decosimo, Luke Richardson, and Cleek Schreyâthree of the most compelling interpreters in the American traditional music sceneâgathered at a cabin in Tennessee to explore their collective repertoire of Old-time fiddle and banjo tunes, gleaned from visits with older players, field recordings, and vintage 78s. In between roaming the surrounding limestone bluffs, hunting morels, and foraging ramps, they nestled into their music and recorded themselves in the cabin-turned-studio. Working with fiddle, hardanger dâamore (a fiddle with sympathetic strings), banjos, and a 19th-century pump organ, the trio captured both the sonic details of their instruments and a generous musical interplay rooted in a dozen years of collaboration. Their debut album, Beehive Cathedral, presents resonant, thoughtful, and expansive explorations of Appalachian and American music. The results showcase deep study and enveloping, exhilarating performances...\u003c\/em\u003e\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Joseph Decosimo, Luke Richardson, Cleek Schrey\u003c\/p\u003e\n\u003cp\u003eLabel : Dear Life\u003c\/p\u003e\n\u003cp\u003eCAT No : DLR053\u003c\/p\u003e"}
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ã¯ã€ãã¯ãã¥ãŒ
{"id":9021387899130,"title":"Chester Schultz \/\/ Within Our Reach CD","handle":"chester-schultz-within-our-reach-cd","description":"\u003cp\u003eãªãŒã¹ãã©ãªã¢ã®å®éšé³æ¥œå®¶ïŒåŠè
Chester Schultzãã2022幎ã«ã¢ãã¬ã€ãã®å®éšã¬ãŒãã«de la Catessenãã500éšéå®ã§ãªãªãŒã¹ããåçºCDã§ããïŒãªãªãžãã«ã¯1996幎ãªãªãŒã¹ïŒ\u003c\/p\u003e\n\u003cp\u003e1989-1995幎ã«é²é³ãããã£ãŒã«ãã¬ã³ãŒãã£ã³ã°13æ²ãåé²ãããžããã¯ãã·ã¥ãªã³ã¯ä»æ§ã§ãã24ããŒãžã®ããã¯ã¬ããä»å±ã\u003c\/p\u003e\n\u003cp\u003e以äžãã¬ãŒãã«ã«ãã解説ã§ãã\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Chester Schultzã1996幎ã«èªèº«ã®ã¬ãŒãã«Waterholeããèªäž»ãªãªãŒã¹ãããWithin Our Reachãã¯ãåœåã³ãã¥ããã£è³æºãšããŠç¡æã§é
åžããã販売ã¯ãããªãã£ãããã»ã©ã»ã«ããã»ã³ã«ããåçºç€ã¯ãã¢ãã¬ãŒãçºã®é³æ¥œãšäœæ²ã®æŽå²ãæ§ç¯ããäžã§èšãç¥ããªãè²¢ç®ãæãããŠãããåæã«ãåŸæè³æ¬äž»çŸ©ããžã§ã³ããªãã£ã±ãŒã·ã§ã³ããããŠãéçºããæ¯èŠ³ãšäœæ°ã®åæ¹ã«åãŒã圱é¿ã«ã€ããŠãæ¬è³ªçãªèå¯ã®æ©äŒãæäŸããŠããã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSchultzã¯æ¬äœã«ãããŠããã£ãŒã«ãã¬ã³ãŒãã£ã³ã°ãéããŠãã¢ãã¬ãŒã倧éœåžåã®ããŒãå·æœ®æ±æ¹Ÿå²žå°åã®é³ãèšé²ããè€éã§è±ããªæ§æãæ§ç¯ãããé²é³ã¯1989幎ãã1995幎ã«ãããŠè¡ããããã®æéã«ããŒãå·äžæµã®æ²³å²žã«æ ç¹ã眮ããŠããç£æ¥ãæåŸã®äžè§ãŸã§ééãããããWithin Our Reachãã®äžéšã«ã¯ãéå»ã®ç£æ¥ã幜éã®ããã«æŒãå¿çå°çåŠçãªèŠçŽ ãæããããSchultzã®åèµ·åãããã£ãŒã«ãã¬ã³ãŒãã£ã³ã°ã®æŽ»çšã¯ãããŒãå·å°åã®é²è¡äžã®ç©ºéçåç·šã«ã€ããŠèŽãæã«æããããäžããã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eãWithin Our Reachãå
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±ç©ºéã®å€å®¹ãæ·±ãæåçã«èšé²ããäœåã§ãããçã«æ¹å€çãªãå Žæã®é³æ¥œããšããŠã®æ·±é ãªäœåã§ããã\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4090431621\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eã¬ãŒãã«ãã®ä»äœåã¯\u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003eãã¡ã\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003ehere\u003c\/a\u003e to see more De la Catessen releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in gatefold ecopack with 24-page booklet.\u003cbr\u003eEdition of 500. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Riverside 02:31\u003cbr\u003e2. The Old Port Reach 04:24\u003cbr\u003e3. Wind, Water, Castle of Wizardry 06:32\u003cbr\u003e4. Mangrove Creek 06:18\u003cbr\u003e5. Hulks 08:07\u003cbr\u003e6. River Play 03:30\u003cbr\u003e7. Dance of the Mudflats 07:19\u003cbr\u003e8. Voices 04:49\u003cbr\u003e9. East Bank - Not Really a Life 06:32\u003cbr\u003e10. West Bank - When the Owl Comes a-Looking 08:31\u003cbr\u003e11. The Beasts of Babylon 02:44\u003cbr\u003e12. Ground Water, Sea Water 06:18\u003cbr\u003e13. Study War No More 09:32\u003c\/p\u003e\n\u003cp\u003eDe la Catessen:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe first widely available edition of this singular, long-form composition, WITHIN OUR REACH: A Symphony Of The Port River, by Port Adelaide, Australia-based pianist, composer, writer and researcher Chester Schultz, is proudly presented by De la Catessen Records.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOriginally self-released by Schultz in 1996, on his own Waterhole imprint, Within Our Reach was initially distributed free as a community resource, and not available for sale. De La Catessenâs reissue is an invaluable contribution to developing histories of music and composition from Adelaide. It also offers the chance for germane reflection on the implications of late capitalism, gentrification, and âdevelopmentâ for both landscape and inhabitants.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFor Within Our Reach, Schultz has mapped out, via field recordings, an intricate, generous composition that documents the sounds of the Port River tidal inlet area of the greater Adelaide city. The recordings cover the period between 1989 to 1995, during which time the last of the industries based on the banks of the Portâs higher land closed; thereâs something of a ghosted psychogeography of industry past during parts of Within Our Reach, with Schultzâs evocative use of field recordings offering the listener clues as to the\u003cspan class=\"bcTruncateMore\"\u003e ongoing spatial rearrangement of the Port River area.\u003cbr\u003e\u003cbr\u003eThroughout Within Our Reach, we hear the interaction of multiple phenomena. The cawing and singing of birds, individual and en masse, broadcasts out over the submerged drone that modern transport âgiftsâ to the urban soundscape; for example, a rambling human voice, singing the traditional song âDown By The Riversideâ, is tangled up in the hum and purr of traffic, and the call of the seagull. Water and wind interact; the wind plays the guitar strings like an Aeolian harp; on âHulksâ, Schultz and friends âplayâ the debris of the mudflats, tapping on rusty bolts and rotting wood; a scherzo of people, wandering through the everyday, leads into a documentation of families gathered on the mudflats, playing guitar, recorder and clarinets, humming along idly; story fragments drift by, from Schultz and others.\u003cbr\u003e\u003cbr\u003eThe delicate balancing act undertaken here, between the sounds of the natural world, the intrusions of the industrial world, and the constant negotiations of the people and animals that live within, and around, these spaces, is testament to Schultzâs sensitive ear and careful, considered composition.\u003cbr\u003e\u003cbr\u003eDedicated to theologian social critic Jacques Ellul, composer and ornithologist Olivier Messiaen, soundscape composer R. Murray Schafer, and the residents of Port Adelaide, Within Our Reach is a deeply moving document of the transformation of public space, and a profound, genuinely critical âmusic of place.â\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Chester Schultz\u003c\/p\u003e\n\u003cp\u003eLabel : De la Catessen\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDLC008\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 3rd August 2022\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-12-21T10:36:49+09:00","created_at":"2025-12-06T10:57:45+09:00","vendor":"Tobira Records","type":"","tags":["cd","de la catessen","field recording","new"],"price":198000,"price_min":198000,"price_max":198000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48069275582714,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Chester Schultz \/\/ Within Our Reach CD","public_title":null,"options":["Default Title"],"price":198000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ou1_6095ca8a-9f21-43fc-84dc-c8c319f00367.jpg?v=1764986145","\/\/tobirarecords.com\/cdn\/shop\/files\/ou2_abc5b38b-5dd4-4300-a271-c7ab23deb599.jpg?v=1764986145"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ou1_6095ca8a-9f21-43fc-84dc-c8c319f00367.jpg?v=1764986145","options":["Title"],"media":[{"alt":null,"id":37712476438778,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ou1_6095ca8a-9f21-43fc-84dc-c8c319f00367.jpg?v=1764986145"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ou1_6095ca8a-9f21-43fc-84dc-c8c319f00367.jpg?v=1764986145","width":700},{"alt":null,"id":37712476471546,"position":2,"preview_image":{"aspect_ratio":1.361,"height":882,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ou2_abc5b38b-5dd4-4300-a271-c7ab23deb599.jpg?v=1764986145"},"aspect_ratio":1.361,"height":882,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ou2_abc5b38b-5dd4-4300-a271-c7ab23deb599.jpg?v=1764986145","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eãªãŒã¹ãã©ãªã¢ã®å®éšé³æ¥œå®¶ïŒåŠè
Chester Schultzãã2022幎ã«ã¢ãã¬ã€ãã®å®éšã¬ãŒãã«de la Catessenãã500éšéå®ã§ãªãªãŒã¹ããåçºCDã§ããïŒãªãªãžãã«ã¯1996幎ãªãªãŒã¹ïŒ\u003c\/p\u003e\n\u003cp\u003e1989-1995幎ã«é²é³ãããã£ãŒã«ãã¬ã³ãŒãã£ã³ã°13æ²ãåé²ãããžããã¯ãã·ã¥ãªã³ã¯ä»æ§ã§ãã24ããŒãžã®ããã¯ã¬ããä»å±ã\u003c\/p\u003e\n\u003cp\u003e以äžãã¬ãŒãã«ã«ãã解説ã§ãã\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Chester Schultzã1996幎ã«èªèº«ã®ã¬ãŒãã«Waterholeããèªäž»ãªãªãŒã¹ãããWithin Our Reachãã¯ãåœåã³ãã¥ããã£è³æºãšããŠç¡æã§é
åžããã販売ã¯ãããªãã£ãããã»ã©ã»ã«ããã»ã³ã«ããåçºç€ã¯ãã¢ãã¬ãŒãçºã®é³æ¥œãšäœæ²ã®æŽå²ãæ§ç¯ããäžã§èšãç¥ããªãè²¢ç®ãæãããŠãããåæã«ãåŸæè³æ¬äž»çŸ©ããžã§ã³ããªãã£ã±ãŒã·ã§ã³ããããŠãéçºããæ¯èŠ³ãšäœæ°ã®åæ¹ã«åãŒã圱é¿ã«ã€ããŠãæ¬è³ªçãªèå¯ã®æ©äŒãæäŸããŠããã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSchultzã¯æ¬äœã«ãããŠããã£ãŒã«ãã¬ã³ãŒãã£ã³ã°ãéããŠãã¢ãã¬ãŒã倧éœåžåã®ããŒãå·æœ®æ±æ¹Ÿå²žå°åã®é³ãèšé²ããè€éã§è±ããªæ§æãæ§ç¯ãããé²é³ã¯1989幎ãã1995幎ã«ãããŠè¡ããããã®æéã«ããŒãå·äžæµã®æ²³å²žã«æ ç¹ã眮ããŠããç£æ¥ãæåŸã®äžè§ãŸã§ééãããããWithin Our Reachãã®äžéšã«ã¯ãéå»ã®ç£æ¥ã幜éã®ããã«æŒãå¿çå°çåŠçãªèŠçŽ ãæããããSchultzã®åèµ·åãããã£ãŒã«ãã¬ã³ãŒãã£ã³ã°ã®æŽ»çšã¯ãããŒãå·å°åã®é²è¡äžã®ç©ºéçåç·šã«ã€ããŠèŽãæã«æããããäžããã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eãWithin Our Reachãå
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±ç©ºéã®å€å®¹ãæ·±ãæåçã«èšé²ããäœåã§ãããçã«æ¹å€çãªãå Žæã®é³æ¥œããšããŠã®æ·±é ãªäœåã§ããã\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4090431621\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eã¬ãŒãã«ãã®ä»äœåã¯\u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003eãã¡ã\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003ehere\u003c\/a\u003e to see more De la Catessen releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in gatefold ecopack with 24-page booklet.\u003cbr\u003eEdition of 500. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Riverside 02:31\u003cbr\u003e2. The Old Port Reach 04:24\u003cbr\u003e3. Wind, Water, Castle of Wizardry 06:32\u003cbr\u003e4. Mangrove Creek 06:18\u003cbr\u003e5. Hulks 08:07\u003cbr\u003e6. River Play 03:30\u003cbr\u003e7. Dance of the Mudflats 07:19\u003cbr\u003e8. Voices 04:49\u003cbr\u003e9. East Bank - Not Really a Life 06:32\u003cbr\u003e10. West Bank - When the Owl Comes a-Looking 08:31\u003cbr\u003e11. The Beasts of Babylon 02:44\u003cbr\u003e12. Ground Water, Sea Water 06:18\u003cbr\u003e13. Study War No More 09:32\u003c\/p\u003e\n\u003cp\u003eDe la Catessen:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe first widely available edition of this singular, long-form composition, WITHIN OUR REACH: A Symphony Of The Port River, by Port Adelaide, Australia-based pianist, composer, writer and researcher Chester Schultz, is proudly presented by De la Catessen Records.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOriginally self-released by Schultz in 1996, on his own Waterhole imprint, Within Our Reach was initially distributed free as a community resource, and not available for sale. De La Catessenâs reissue is an invaluable contribution to developing histories of music and composition from Adelaide. It also offers the chance for germane reflection on the implications of late capitalism, gentrification, and âdevelopmentâ for both landscape and inhabitants.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFor Within Our Reach, Schultz has mapped out, via field recordings, an intricate, generous composition that documents the sounds of the Port River tidal inlet area of the greater Adelaide city. The recordings cover the period between 1989 to 1995, during which time the last of the industries based on the banks of the Portâs higher land closed; thereâs something of a ghosted psychogeography of industry past during parts of Within Our Reach, with Schultzâs evocative use of field recordings offering the listener clues as to the\u003cspan class=\"bcTruncateMore\"\u003e ongoing spatial rearrangement of the Port River area.\u003cbr\u003e\u003cbr\u003eThroughout Within Our Reach, we hear the interaction of multiple phenomena. The cawing and singing of birds, individual and en masse, broadcasts out over the submerged drone that modern transport âgiftsâ to the urban soundscape; for example, a rambling human voice, singing the traditional song âDown By The Riversideâ, is tangled up in the hum and purr of traffic, and the call of the seagull. Water and wind interact; the wind plays the guitar strings like an Aeolian harp; on âHulksâ, Schultz and friends âplayâ the debris of the mudflats, tapping on rusty bolts and rotting wood; a scherzo of people, wandering through the everyday, leads into a documentation of families gathered on the mudflats, playing guitar, recorder and clarinets, humming along idly; story fragments drift by, from Schultz and others.\u003cbr\u003e\u003cbr\u003eThe delicate balancing act undertaken here, between the sounds of the natural world, the intrusions of the industrial world, and the constant negotiations of the people and animals that live within, and around, these spaces, is testament to Schultzâs sensitive ear and careful, considered composition.\u003cbr\u003e\u003cbr\u003eDedicated to theologian social critic Jacques Ellul, composer and ornithologist Olivier Messiaen, soundscape composer R. Murray Schafer, and the residents of Port Adelaide, Within Our Reach is a deeply moving document of the transformation of public space, and a profound, genuinely critical âmusic of place.â\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Chester Schultz\u003c\/p\u003e\n\u003cp\u003eLabel : De la Catessen\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDLC008\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 3rd August 2022\u003c\/span\u003e\u003c\/p\u003e"}
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Chester Schultzãã2022幎ã«ã¢ãã¬ã€ãã®å®éšã¬ãŒãã«de la Catessenãã500éšéå®ã§ãªãªãŒã¹ããåçºCDã§ããïŒãªãªãžãã«ã¯1996幎ãªãªãŒã¹ïŒ 1989-1995幎ã«é²é³ãããã£ãŒã«ãã¬ã³ãŒãã£ã³ã°13æ²ãåé²ãããžããã¯ãã·ã¥ãªã³ã¯ä»æ§ã§ãã24ããŒãžã®ããã¯ã¬ããä»å±ã 以äžãã¬ãŒãã«ã«ãã解説ã§ãã "Chester Schultzã1996幎ã«èªèº«ã®ã¬ãŒãã«Waterholeããèªäž»ãªãªãŒã¹ãããWithin Our Reachãã¯ãåœåã³ãã¥ããã£è³æºãšããŠç¡æã§é
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{"id":9021385081082,"title":"Chester Schultz \/\/ Sounds Like Work LP","handle":"chester-schultz-sounds-like-work-lp","description":"\u003cp\u003eãªãŒã¹ãã©ãªã¢ã®å®éšé³æ¥œå®¶ïŒåŠè
Chester Schultzãã2024幎8æã«ã¢ãã¬ã€ãã®å®éšã¬ãŒãã«de la Catessenãã150éšéå®ã§ãªãªãŒã¹ããã¬ã³ãŒãã§ããïŒãªãªãžãã«ã¯1974幎ãªãªãŒã¹ïŒ\u003c\/p\u003e\n\u003cp\u003eã¿ã€ãã«ã®éãæ§ã
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Chester Schultzã«ãããé·å¹ŽåãããŠãããµãŠã³ãã¹ã±ãŒãäœåãSounds Like Workããã1978幎ã®ãã©ã€ããŒãã«ã»ãããªãªãŒã¹ä»¥æ¥åããŠãDe la Catessen Recordsããå
¬éãããã1976幎æ«ã«ã¡ã€ã©ã³ãºã»ããªã¹ãæäŒä¿¡åŸã®è·å Žã§é²é³ãããçŽ æãåºã«ã1978幎åé ã«ã¢ãã¬ãŒã倧åŠé»å鳿¥œã¹ã¿ãžãªã§ç·šéãããæ¬äœã¯ããã®æŽç·Žãããç¥æ§çãªæ§æãšãChester Schultzãæ¢æ±ãããåŽåç°å¢ãã®æå³ãšããæ®éçãªããŒãããã«ãå¥åŠãªã»ã©çŸä»£çãªè¶£ã垯ã³ãŠããã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eãããé³ãéããŠããã衚çŸããããšã§ãç§ãã¡ã®åŽåçæŽ»ã«ãããŠãããŸã§æ°ã¥ãããªãã£ãããããã¯éå°è©äŸ¡ãããŠããå€ãã®äºè±¡ãæµ®ã圫ãã«ãªããChester Schultzã®äœåã¯çŽæ¥çãªè«äºãæ¿æ²»çä»å
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容ãåšå²ã«æºã¡ãæ¥åžžã®é³ã¯ãã»ãŒã©ãã§ãèµ·ãããããã®ã ãSchultzããµãŠã³ãã¹ã±ãŒããéããŠé³ã®äœ¿çšãšçè§£ã«ã¢ãããŒãããææ³ã¯ãäž»ã«Rã»ãã¬ãŒã»ã·ã§ã€ãã¡ãŒã®èäœãšé³æºã«è§ŠããçµéšããçãŸãããã®ã§ããããSounds Like Workãã«ã¯ç¢ºãã«ã·ã§ã€ãã¡ãŒã®ææ³ã®åœ±é¿ãèŽãåããããŸãããªã¥ãã¯ã»ãã§ã©ãŒãªã®é³é¿èžè¡ã®åäœãPresque Rienããªã©ãä»ã®å€§ãŸãã«é¡äŒŒããäœåçŸ€ãæ³èµ·ãããã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eãããäœãããããSounds Like Workãã¯è¡æçãªäœåã§ãããç§ãã¡ãé·å¹ŽèããããŠããååçã®åè¡é³é¿å²ããç¹çŽ°ã«æãçŽã詊ã¿ãªã®ã§ããã\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=551682942\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eã¬ãŒãã«ãã®ä»äœåã¯\u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003eãã¡ã\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003ehere\u003c\/a\u003e to see more De la Catessen releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eIncludes \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003einsert featuring the original liner notes, sound-poem, and previously unreleased essay from 1978 \"Sounds Like Work: Reflections by the Composer\".\u003c\/span\u003e\u003cbr\u003eEdition of 150. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis is a symphony of work sounds, recorded at places of work around Adelaide, South Australia in November 1976. Conceived, recorded and arranged by Chester Schultz.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Sounds Like Work: 1 01:50\u003cbr\u003e2. Sounds Like Work: 2 04:05\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Sounds Like Work: 3 04:13\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Sounds Like Work: 4 05:05\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Sounds Like Work: 5 05:59\u003cbr\u003e\u003c\/span\u003e6. Sounds Like Work: 6 03:14\u003cbr\u003e7. Sounds Like Work: 7 07:16\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Sounds Like Work: 8 04:54\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDe la Catessen:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSounds Like Work, a long-lost soundscape composition by South Australian composer and scholar, Chester Schultz, is made available by De la Catessen Records, for the first time since its private cassette release in 1978. Drawing from material recorded in late 1976 in the workplaces of members of the Maylands Church of Christ congregation, subsequently edited at the electronic music studio of Adelaide University in early 1978, Sounds Like Work has an oddly contemporary cast, given both the sophistication and intelligence of its composition, and the ever-relevant address of the meanings of the âworking environmentâ that Schultz explores here.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDoing this via sound, however, reveals plenty of previously unnoticed, or under-recognised, things about our lives at work. Schultzâs composition is refreshingly free of direct polemical or political intervention, though there is a subtle undercurrent of critique of the way the workplace makes us both suffer, and conform to expectation. Schultzâs questions about the workplace â what it does to the worker; the ways the worker tries to wrest control of the working day; workâs alignment, or not, with our inner private lives and beliefs â are poetically explored through lyrical editing, curious juxtaposition, and an unerring ability to know when to âleave\u003cspan class=\"bcTruncateMore\"\u003e things beâ.\u003cbr\u003e\u003cbr\u003eThereâs also an understanding here that the socio-cultural context of sound has both its specificities and its generalities. The voices heard here could be from nowhere other than Australia, yet what they speak of, and the everyday sounds theyâre surrounded by, could come from most anywhere. Schultzâs approach to the use and understanding of sound via the soundscape came predominantly from reading and listening to R. Murray Schafer, and you can certainly hear the implications of Schaferâs thinking in Sounds Like Work. It also recalls other, loosely analogous compositions, like Luc Ferrariâs acousmatic tour de force, Presque Rien.\u003cbr\u003e\u003cbr\u003eMost of all, though, Sounds Like Work is a startling composition, one which subtly redraws the histories weâve long been told about Antipodean avant-garde sound.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Chester Schultz\u003c\/p\u003e\n\u003cp\u003eLabel : De la Catessen\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDLC015\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 26th June 2024\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-12-06T11:21:41+09:00","created_at":"2025-12-06T10:50:05+09:00","vendor":"Tobira Records","type":"","tags":["de la catessen","field recording","lp","monooto","new"],"price":348000,"price_min":348000,"price_max":348000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48069268275450,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Chester Schultz \/\/ Sounds Like Work LP","public_title":null,"options":["Default Title"],"price":348000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/sou1_3b93bab4-48ed-450e-9087-2f157411634f.jpg?v=1764985676","\/\/tobirarecords.com\/cdn\/shop\/files\/sou2_4f1e76a1-b349-403d-b1f2-b456bf0ec157.jpg?v=1764985676"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/sou1_3b93bab4-48ed-450e-9087-2f157411634f.jpg?v=1764985676","options":["Title"],"media":[{"alt":null,"id":37712406151418,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sou1_3b93bab4-48ed-450e-9087-2f157411634f.jpg?v=1764985676"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sou1_3b93bab4-48ed-450e-9087-2f157411634f.jpg?v=1764985676","width":700},{"alt":null,"id":37712406184186,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sou2_4f1e76a1-b349-403d-b1f2-b456bf0ec157.jpg?v=1764985676"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sou2_4f1e76a1-b349-403d-b1f2-b456bf0ec157.jpg?v=1764985676","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eãªãŒã¹ãã©ãªã¢ã®å®éšé³æ¥œå®¶ïŒåŠè
Chester Schultzãã2024幎8æã«ã¢ãã¬ã€ãã®å®éšã¬ãŒãã«de la Catessenãã150éšéå®ã§ãªãªãŒã¹ããã¬ã³ãŒãã§ããïŒãªãªãžãã«ã¯1974幎ãªãªãŒã¹ïŒ\u003c\/p\u003e\n\u003cp\u003eã¿ã€ãã«ã®éãæ§ã
ãªåŽåç°å¢ã«ãã©ãŒã«ã¹ãããã£ãŒã«ãã¬ã³ãŒãã£ã³ã°8æ²ãåé²ãã©ã€ããŒããŒãããšãã»ã€ãé³é¿è©©ãä»å±ã\u003c\/p\u003e\n\u003cp\u003eâ»ããžã¿ã«é³æºãç¡æã§ãéãããããŸãã®ã§ãæ°è»œã«ãé£çµ¡ãã ãããŸã\u003c\/p\u003e\n\u003cp\u003e以äžãã¬ãŒãã«ã«ãã解説ã§ãã\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"åãªãŒã¹ãã©ãªã¢ã®äœæ²å®¶ïŒåŠè
Chester Schultzã«ãããé·å¹ŽåãããŠãããµãŠã³ãã¹ã±ãŒãäœåãSounds Like Workããã1978幎ã®ãã©ã€ããŒãã«ã»ãããªãªãŒã¹ä»¥æ¥åããŠãDe la Catessen Recordsããå
¬éãããã1976幎æ«ã«ã¡ã€ã©ã³ãºã»ããªã¹ãæäŒä¿¡åŸã®è·å Žã§é²é³ãããçŽ æãåºã«ã1978幎åé ã«ã¢ãã¬ãŒã倧åŠé»å鳿¥œã¹ã¿ãžãªã§ç·šéãããæ¬äœã¯ããã®æŽç·Žãããç¥æ§çãªæ§æãšãChester Schultzãæ¢æ±ãããåŽåç°å¢ãã®æå³ãšããæ®éçãªããŒãããã«ãå¥åŠãªã»ã©çŸä»£çãªè¶£ã垯ã³ãŠããã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eãããé³ãéããŠããã衚çŸããããšã§ãç§ãã¡ã®åŽåçæŽ»ã«ãããŠãããŸã§æ°ã¥ãããªãã£ãããããã¯éå°è©äŸ¡ãããŠããå€ãã®äºè±¡ãæµ®ã圫ãã«ãªããChester Schultzã®äœåã¯çŽæ¥çãªè«äºãæ¿æ²»çä»å
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ãéããŠãè©©çã«æ¢æ±ãããŠããã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e ããã«ã¯ãé³ã®ç€ŸäŒæåçæèã«ã¯åºææ§ãšæ®éæ§ã®äž¡é¢ããããšããçè§£ãååšãããããã§èŽããã声ã¯ãªãŒã¹ãã©ãªã¢ä»¥å€ã§ã¯ããããªããã®ã ãã圌ããèªãå
容ãåšå²ã«æºã¡ãæ¥åžžã®é³ã¯ãã»ãŒã©ãã§ãèµ·ãããããã®ã ãSchultzããµãŠã³ãã¹ã±ãŒããéããŠé³ã®äœ¿çšãšçè§£ã«ã¢ãããŒãããææ³ã¯ãäž»ã«Rã»ãã¬ãŒã»ã·ã§ã€ãã¡ãŒã®èäœãšé³æºã«è§ŠããçµéšããçãŸãããã®ã§ããããSounds Like Workãã«ã¯ç¢ºãã«ã·ã§ã€ãã¡ãŒã®ææ³ã®åœ±é¿ãèŽãåããããŸãããªã¥ãã¯ã»ãã§ã©ãŒãªã®é³é¿èžè¡ã®åäœãPresque Rienããªã©ãä»ã®å€§ãŸãã«é¡äŒŒããäœåçŸ€ãæ³èµ·ãããã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eãããäœãããããSounds Like Workãã¯è¡æçãªäœåã§ãããç§ãã¡ãé·å¹ŽèããããŠããååçã®åè¡é³é¿å²ããç¹çŽ°ã«æãçŽã詊ã¿ãªã®ã§ããã\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=551682942\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eã¬ãŒãã«ãã®ä»äœåã¯\u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003eãã¡ã\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003ehere\u003c\/a\u003e to see more De la Catessen releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eIncludes \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003einsert featuring the original liner notes, sound-poem, and previously unreleased essay from 1978 \"Sounds Like Work: Reflections by the Composer\".\u003c\/span\u003e\u003cbr\u003eEdition of 150. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis is a symphony of work sounds, recorded at places of work around Adelaide, South Australia in November 1976. Conceived, recorded and arranged by Chester Schultz.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Sounds Like Work: 1 01:50\u003cbr\u003e2. Sounds Like Work: 2 04:05\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Sounds Like Work: 3 04:13\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Sounds Like Work: 4 05:05\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Sounds Like Work: 5 05:59\u003cbr\u003e\u003c\/span\u003e6. Sounds Like Work: 6 03:14\u003cbr\u003e7. Sounds Like Work: 7 07:16\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Sounds Like Work: 8 04:54\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDe la Catessen:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSounds Like Work, a long-lost soundscape composition by South Australian composer and scholar, Chester Schultz, is made available by De la Catessen Records, for the first time since its private cassette release in 1978. Drawing from material recorded in late 1976 in the workplaces of members of the Maylands Church of Christ congregation, subsequently edited at the electronic music studio of Adelaide University in early 1978, Sounds Like Work has an oddly contemporary cast, given both the sophistication and intelligence of its composition, and the ever-relevant address of the meanings of the âworking environmentâ that Schultz explores here.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDoing this via sound, however, reveals plenty of previously unnoticed, or under-recognised, things about our lives at work. Schultzâs composition is refreshingly free of direct polemical or political intervention, though there is a subtle undercurrent of critique of the way the workplace makes us both suffer, and conform to expectation. Schultzâs questions about the workplace â what it does to the worker; the ways the worker tries to wrest control of the working day; workâs alignment, or not, with our inner private lives and beliefs â are poetically explored through lyrical editing, curious juxtaposition, and an unerring ability to know when to âleave\u003cspan class=\"bcTruncateMore\"\u003e things beâ.\u003cbr\u003e\u003cbr\u003eThereâs also an understanding here that the socio-cultural context of sound has both its specificities and its generalities. The voices heard here could be from nowhere other than Australia, yet what they speak of, and the everyday sounds theyâre surrounded by, could come from most anywhere. Schultzâs approach to the use and understanding of sound via the soundscape came predominantly from reading and listening to R. Murray Schafer, and you can certainly hear the implications of Schaferâs thinking in Sounds Like Work. It also recalls other, loosely analogous compositions, like Luc Ferrariâs acousmatic tour de force, Presque Rien.\u003cbr\u003e\u003cbr\u003eMost of all, though, Sounds Like Work is a startling composition, one which subtly redraws the histories weâve long been told about Antipodean avant-garde sound.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Chester Schultz\u003c\/p\u003e\n\u003cp\u003eLabel : De la Catessen\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDLC015\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 26th June 2024\u003c\/span\u003e\u003c\/p\u003e"}
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Chester Schultzã«ãããé·å¹ŽåãããŠãããµãŠã³ãã¹ã±ãŒãäœåãSounds Like Workããã1978幎ã®ãã©ã€ããŒãã«ã»ãããªãªãŒã¹ä»¥æ¥åããŠãDe la Catessen Recordsããå
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ã«ãæ ¹ãããŠããã®ã ã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e黿± åŒã©ãžãªãšèãæ®µããŒã«ã§äœã£ãæäœã楜åšä»¥å€ã»ãšãã©äœãäžããããã«è²ã£ãAbosaharã®DIY粟ç¥ã¯ããRaasnyãã®äžç¬äžç¬ã«å»ã¿èŸŒãŸããŠããã圌ã®é²é³ã¯æ°æèªã§ããèªäŒã§ãããââæ¥èšã§ããããµãŠã³ãã·ã¹ãã ã®æŠåšã§ãããéçãªç¥ãã§ãããã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eã«ã€ãã®ã¢ã³ããŒã°ã©ãŠã³ãã§æ¢ã«ç§°è³ããããã©ã³ã¹ãã¹ã€ã¹ããã€ãã®ã¹ããŒãžã«ãæž¡ã£ãŠæŒå¥ãããŠããAbosaharã®é³æ¥œã¯ãä»ãªãäœããããŸããšãžããã®è¡è§ãçµå©åŒã«å±ããŠããããRaasnyãã¯ãããæç¢ºã«ç€ºãïŒããã¯æ°è¡ã®ããã®æ°è¡ã®é³æ¥œã§ãããèœé³ã§ãææçã§ãæããããªããã®ã ã\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2519239872\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eã¬ãŒãã«ãã®ä»äœåã¯\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eãã¡ã\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes \/ Heat Crimes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Ask us for digital files.\u003c\/p\u003e\n\u003cp\u003eTracklist:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Bs Ya Baba 04:28\u003cbr\u003e2. Moled w Samar Haz 04:35\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Eldala Zad 04:21\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Shaabi Alarab 03:58\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Simsim 05:39\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Ala Shat Alneel 03:51\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Moled w Sahbo Ghayeb 03:19\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Raasny 02:52\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. Moled Altenee 04:16\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eHeat Crimes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eCo-released by Cairo's HIZZ imprint and Heat Crimes, Upper Egyptâs âKing of Trobby Musicâ detonates another singular vision on Raasnyâa 9-track suite of bruised street rhythms, electro-shaabi fireworks, and raw emotional voltage, beamed direct from El Minya to the world.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAbosahar has spent the last decade carving out his own micro-genreâTrobby, short for âTrue Being.â Here it comes into sharpest focus yet: a sound that blurs electro-shaabi, house, techno, trap and pop into dazzling, rough-edged collages, powered by cracked software, busted machines, and the immediacy of lived experience.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRaasny loops wedding-party ecstasy into journeys from Minyaâs dusty streets to Cairoâs neon clubs. Tracks like âBs Ya Babaâ and âShaabi Alarabâ fold shaabiâs serrated synth stabs into mutant pulses; âMoled w Samar Hazâ and âMoled Alteneeâ lock into hypnotic folk-ritual cadences; while the title cut âRaasnyâ surges with an almost devotional intensity, all cracked voices and distorted beats tumbling into the red.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eWhat sets Sahar apart is his refusal of polish: everything is left jagged, overdriven, improvised, alive. His music is inseparable from the weddings, streets, and daily life of Upper Egyptârooted as much in the dust and electricity of Minya as in the people who\u003cspan class=\"bcTruncateMore\"\u003e move to it.\u003cbr\u003e\u003cbr\u003eRaised with little more than a battery-powered radio and homemade instruments fashioned from grass and cardboard, Saharâs DIY ethos is burned into every second of Raasny. His recordings double as ethnography and autobiographyâpart diary, part sound-system weapon, part spiritual exorcism.\u003cbr\u003e\u003cbr\u003eAlready hailed across Cairoâs underground and carried abroad to stages in France, Switzerland and Germany, Saharâs music still belongs first and foremost to the streets and weddings of Upper Egypt. Raasny makes that clear: this is music of and for the people, loud, ecstatic, and uncontainable.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Abosahar\u003c\/p\u003e\n\u003cp\u003eLabel : Heat Crimes\u003c\/p\u003e\n\u003cp\u003eRelease date : 3rd October 2025\u003c\/p\u003e","published_at":"2025-12-05T07:56:58+09:00","created_at":"2025-12-04T10:19:13+09:00","vendor":"Tobira Records","type":"","tags":["field recording","heat crimes","lp","new","recommended","strange beats"],"price":479000,"price_min":479000,"price_max":479000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48060554215674,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Abosahar \/\/ Raasny LP","public_title":null,"options":["Default Title"],"price":479000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/abo1_91697963-7700-4387-8cd9-8ad7493a6e80.jpg?v=1764811082","\/\/tobirarecords.com\/cdn\/shop\/files\/abo2_7cff45ee-6ba9-4c02-8491-c41ef7abbe94.jpg?v=1764811082","\/\/tobirarecords.com\/cdn\/shop\/files\/abo3.jpg?v=1764811082"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/abo1_91697963-7700-4387-8cd9-8ad7493a6e80.jpg?v=1764811082","options":["Title"],"media":[{"alt":null,"id":37694627545338,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/abo1_91697963-7700-4387-8cd9-8ad7493a6e80.jpg?v=1764811082"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/abo1_91697963-7700-4387-8cd9-8ad7493a6e80.jpg?v=1764811082","width":700},{"alt":null,"id":37694627578106,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/abo2_7cff45ee-6ba9-4c02-8491-c41ef7abbe94.jpg?v=1764811082"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/abo2_7cff45ee-6ba9-4c02-8491-c41ef7abbe94.jpg?v=1764811082","width":1200},{"alt":null,"id":37694627610874,"position":3,"preview_image":{"aspect_ratio":1.141,"height":1052,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/abo3.jpg?v=1764811082"},"aspect_ratio":1.141,"height":1052,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/abo3.jpg?v=1764811082","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eãšãžããã®ã¢ãŠããµã€ããŒã»ã·ã£ãŒããŒäœå®¶Abosaharãã2025幎12æã«ãŠã¬ã³ãã»ã«ã³ãã©ã®ã¬ãããã£ãŒã«ãã»ãã³ã¹ã¬ãŒãã«Nyege NyegeåäžHeat CrimesãããªãªãŒã¹ããã¬ã³ãŒãã§ãã\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eå®éšã·ã£ãŒããŒ9æ²ãåé²ã\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eâ»ããžã¿ã«é³æºãç¡æã§ãéãããããŸãã®ã§ãæ°è»œã«ãé£çµ¡ãã ãããŸã\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以äžãã¬ãŒãã«ã«ãã解説ã§ãã\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ã«ã€ãã®ã¬ãŒãã«HIZZãšHeat Crimesã®å
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ã®é»å§ãç¹ããªã9æ²ã®çµæ²ã¯ããšã«ã»ããã¢ããäžçãžçŽæ¥çºä¿¡ãããã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAbosaharã¯éå»10幎ããããŠç¬èªã®ãã€ã¯ããžã£ã³ã«ãããããŒãïŒããã¥ã«ãŒã»ããŒã€ã³ã°ãã®ç¥ïŒã確ç«ããŠãããæ¬äœã§ãã®ãµãŠã³ãã¯æãé®®æãªçŠç¹ãåŸãââãšã¬ã¯ããã»ã·ã£ã¢ããŒãããŠã¹ããã¯ãããã©ãããããããç©ãã°ããã®èåããªã³ã©ãŒãžã¥ãžãšæº¶ãã蟌ã¿ãã¯ã©ãã¯ããããœãããŠã§ã¢ãå£ããæ©æ¢°ããããŠçããçµéšã®å³ææ§ã«ãã£ãŠé§åãããé³ã ã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eãRaasnyãã¯çµå©åŒã®çåãã«ãŒããããããã¢ã®åã£ãœãè¡è·¯ããã«ã€ãã®ããªã³ã¯ã©ããžã®æ
ãžãšçŽ¡ãåºãããBs Ya BabaãããShaabi Alarabããšãã£ããã©ãã¯ã¯ã·ã£ã¢ããŒã®ã®ã¶ã®ã¶ããã·ã³ã»ã®åºã蟌ã¿ãå€ç°ãããã«ã¹ãžãšæã蟌ã¿ã ãMoled w Samar HazãããMoled Alteneeãã¯å¬ç çãªæ°ä¿å瀌ã®ãªãºã ã«åºçããã¿ã€ãã«æ²ãRaasnyãã¯ã²ã³å²ããå£°ãšæªãã ããŒããèµ€ãæžŠå·»ããã»ãŒå®æçãªç±éã§é«é³Žãã\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eAbosaharãéç«ãããã®ã¯ã磚ãããããããšãæãå§¿å¢ã ãå
šãŠãã®ã¶ã®ã¶ã®ãŸãŸããªãŒããŒãã©ã€ããããããå³èçã§ãçããŠããã圌ã®é³æ¥œã¯ãšãžããã®çµå©åŒãè¡è§ãæ¥åžžç掻ãšåãé¢ããªãââããã¢ã®å¡µãšé»æ°ã®äžã«æ ¹ãããšåæã«ãããã«èº«ãå§ãã人ã
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ã«ãæ ¹ãããŠããã®ã ã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e黿± åŒã©ãžãªãšèãæ®µããŒã«ã§äœã£ãæäœã楜åšä»¥å€ã»ãšãã©äœãäžããããã«è²ã£ãAbosaharã®DIY粟ç¥ã¯ããRaasnyãã®äžç¬äžç¬ã«å»ã¿èŸŒãŸããŠããã圌ã®é²é³ã¯æ°æèªã§ããèªäŒã§ãããââæ¥èšã§ããããµãŠã³ãã·ã¹ãã ã®æŠåšã§ãããéçãªç¥ãã§ãããã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eã«ã€ãã®ã¢ã³ããŒã°ã©ãŠã³ãã§æ¢ã«ç§°è³ããããã©ã³ã¹ãã¹ã€ã¹ããã€ãã®ã¹ããŒãžã«ãæž¡ã£ãŠæŒå¥ãããŠããAbosaharã®é³æ¥œã¯ãä»ãªãäœããããŸããšãžããã®è¡è§ãçµå©åŒã«å±ããŠããããRaasnyãã¯ãããæç¢ºã«ç€ºãïŒããã¯æ°è¡ã®ããã®æ°è¡ã®é³æ¥œã§ãããèœé³ã§ãææçã§ãæããããªããã®ã ã\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2519239872\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eã¬ãŒãã«ãã®ä»äœåã¯\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eãã¡ã\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes \/ Heat Crimes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Ask us for digital files.\u003c\/p\u003e\n\u003cp\u003eTracklist:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Bs Ya Baba 04:28\u003cbr\u003e2. Moled w Samar Haz 04:35\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Eldala Zad 04:21\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Shaabi Alarab 03:58\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Simsim 05:39\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Ala Shat Alneel 03:51\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Moled w Sahbo Ghayeb 03:19\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Raasny 02:52\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. Moled Altenee 04:16\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eHeat Crimes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eCo-released by Cairo's HIZZ imprint and Heat Crimes, Upper Egyptâs âKing of Trobby Musicâ detonates another singular vision on Raasnyâa 9-track suite of bruised street rhythms, electro-shaabi fireworks, and raw emotional voltage, beamed direct from El Minya to the world.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAbosahar has spent the last decade carving out his own micro-genreâTrobby, short for âTrue Being.â Here it comes into sharpest focus yet: a sound that blurs electro-shaabi, house, techno, trap and pop into dazzling, rough-edged collages, powered by cracked software, busted machines, and the immediacy of lived experience.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRaasny loops wedding-party ecstasy into journeys from Minyaâs dusty streets to Cairoâs neon clubs. Tracks like âBs Ya Babaâ and âShaabi Alarabâ fold shaabiâs serrated synth stabs into mutant pulses; âMoled w Samar Hazâ and âMoled Alteneeâ lock into hypnotic folk-ritual cadences; while the title cut âRaasnyâ surges with an almost devotional intensity, all cracked voices and distorted beats tumbling into the red.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eWhat sets Sahar apart is his refusal of polish: everything is left jagged, overdriven, improvised, alive. His music is inseparable from the weddings, streets, and daily life of Upper Egyptârooted as much in the dust and electricity of Minya as in the people who\u003cspan class=\"bcTruncateMore\"\u003e move to it.\u003cbr\u003e\u003cbr\u003eRaised with little more than a battery-powered radio and homemade instruments fashioned from grass and cardboard, Saharâs DIY ethos is burned into every second of Raasny. His recordings double as ethnography and autobiographyâpart diary, part sound-system weapon, part spiritual exorcism.\u003cbr\u003e\u003cbr\u003eAlready hailed across Cairoâs underground and carried abroad to stages in France, Switzerland and Germany, Saharâs music still belongs first and foremost to the streets and weddings of Upper Egypt. Raasny makes that clear: this is music of and for the people, loud, ecstatic, and uncontainable.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Abosahar\u003c\/p\u003e\n\u003cp\u003eLabel : Heat Crimes\u003c\/p\u003e\n\u003cp\u003eRelease date : 3rd October 2025\u003c\/p\u003e"}
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{"id":9011653214458,"title":"Ilhan MimaroÄlu \/\/ Tract: A Composition Of Agitprop Music For Electromagnetic Tape LP","handle":"ilhan-mimaroglu-tract-a-composition-of-agitprop-music-for-electromagnetic-tape-lp","description":"\u003cp\u003eãã«ã³ã®äœæ²å®¶Ilhan MimaroÄluãã2025幎11æã«ã«ããã»ããã³ãã®ãªãŒã«ãžã£ã³ã«ã¬ãŒãã«We Are Busy BodiesãããªãªãŒã¹ããåçºã¬ã³ãŒãã§ããïŒãªãªãžãã«ã¯1975幎ãªãªãŒã¹ïŒ\u003c\/p\u003e\n\u003cp\u003eã©ã€ããŒããŒãä»å±ã\u003c\/p\u003e\n\u003cp\u003e以äžã\u003cspan class=\"bcTruncateMore\"\u003eã¬ãŒãã«ã«ãã解説ã§ãã\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ãã«ã³äººé³æ¥œå®¶ã§ããé»å鳿¥œäœæ²å®¶ã§ããIlhan MimaroÄluã«ãã£ãŠå¶äœããããTractãã¯ãMimaroÄluããé©åœéäºã®å倧ãªè©©äººããšç§°ããåèããžã ã»ãã¯ã¡ããã«æ§ããããŠããããã«ã³äººææãã¥ã©ã€ã»ã²ã«ãã³ïŒæ¬é²é³ã§ã¯ãã¥ãªãŒã»ãµã³ãå矩ïŒã®å£°ãé§äœ¿ããMimaroÄluã¯ãã·ã¢é©åœæã®ãã«ã·ã§ããæµãããã¬ã³ãæ§åŒïŒã¢ãžããããïŒã«ããæ¿æ²»çã¡ãã»ãŒãžã®é³å£°ã³ã©ãŒãžã¥ãæ§ç¯ããã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eããã¹ãã¯ãã¯ãŒãã³ããã¬ãããæ¯æ²¢æ±ããã«ã¯ã¹ãããã®ãçŽæ¥åŒçšãšæèš³ãã«åºã¥ããããœé£æ¯æã§ã¯ãªãæ°å·Šç¿Œçã»èªç±äž»çŸ©çç«å Žãæ¡ã£ãŠãããæ¬äœã¯1972幎ãã1974幎ã«ãããŠããªãšãã¥ãŒãšãŒã¯ã§2幎éããããŠäœæ²ã»é²é³ããããã©ã€ããŒããŒãã«ã¯MimaroÄluã«ããäœå解説ãäœæ²éçšã®èª¬æãæŒå¥ã®èæ¯ããããŠãã¯ã¡ãããžã®ç®èŸãèšãããŠããã\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/4PgcVqlvaq4?si=Ee_46xVdhRxZ9jFU\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/f4UC18dGKh8?si=XmxWn4F8WYtq_Bfn\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eã¬ãŒãã«ãã®ä»äœåã¯\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wabb\"\u003eãã¡ã\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wabb\"\u003ehere\u003c\/a\u003e to see more We Are Busy Bodies releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e50th anniversary replica reissue of Tract: A Composition Of Agitprop Music For Electromagnetic Tape by İlhan MimaroÄlu, featuring the singing and speaking voice of Tuly Sand. Originally released in 1975. \u003c\/span\u003e\u003cbr\u003eEdition of 500. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eA. Part I\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e      \u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e18:47\u003cbr\u003eB. Part II\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e     \u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e16:45\u003c\/p\u003e\n\u003cp\u003eWe Are Busy Bodies:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eCreated by Turkish musician and electronic music composer İlhan MimaroÄlu, Tract is dedicated to fellow countryman NÈzim Hikmet, whom MimaroÄlu regarded âas the greatest poet of the revolutionary struggles.â Utilizing the voice of Turkish singer TÃŒlay German (identified as Tuly Sand on this recording), MimaroÄlu creates an audio collage of political messages in the propaganda style (agitprop) of the Bolsheviks during the Russian Revolution.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAlthough his text is based on âdirect and paraphrased quotationsâ from Bakunin, Brecht, Mao, Marx, and others, it is not pro-Soviet but rather New Left, pro-freedom. The performance was composed and recorded over a two-year period (1972â1974) in Paris and New York. The liner notes contain MimaroÄluâs introduction to the work and explanation of the composition process, performance context, and dedication to Hikmet.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ilhan MimaroÄlu\u003c\/p\u003e\n\u003cp\u003eLabel : We Are Busy Bodies\u003c\/p\u003e\n\u003cp\u003ecat no : WABB-217\u003c\/p\u003e\n\u003cp\u003eRelease date : 21st November 2025\u003c\/p\u003e","published_at":"2025-11-28T07:14:24+09:00","created_at":"2025-11-27T09:49:51+09:00","vendor":"Tobira Records","type":"","tags":["field recording","lp","monooto","new","we are busy bodies"],"price":499000,"price_min":499000,"price_max":499000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48007951515898,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Ilhan MimaroÄlu \/\/ Tract: A Composition Of Agitprop Music For Electromagnetic Tape LP","public_title":null,"options":["Default Title"],"price":499000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/com1_d2312944-7082-4b74-adea-245a4f260502.jpg?v=1764204348","\/\/tobirarecords.com\/cdn\/shop\/files\/com2_c2c8e888-2bca-4f40-a3f5-21e0ae904658.jpg?v=1764204348"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/com1_d2312944-7082-4b74-adea-245a4f260502.jpg?v=1764204348","options":["Title"],"media":[{"alt":null,"id":37625272860922,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/com1_d2312944-7082-4b74-adea-245a4f260502.jpg?v=1764204348"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/com1_d2312944-7082-4b74-adea-245a4f260502.jpg?v=1764204348","width":700},{"alt":null,"id":37625272893690,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/com2_c2c8e888-2bca-4f40-a3f5-21e0ae904658.jpg?v=1764204348"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/com2_c2c8e888-2bca-4f40-a3f5-21e0ae904658.jpg?v=1764204348","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eãã«ã³ã®äœæ²å®¶Ilhan MimaroÄluãã2025幎11æã«ã«ããã»ããã³ãã®ãªãŒã«ãžã£ã³ã«ã¬ãŒãã«We Are Busy BodiesãããªãªãŒã¹ããåçºã¬ã³ãŒãã§ããïŒãªãªãžãã«ã¯1975幎ãªãªãŒã¹ïŒ\u003c\/p\u003e\n\u003cp\u003eã©ã€ããŒããŒãä»å±ã\u003c\/p\u003e\n\u003cp\u003e以äžã\u003cspan class=\"bcTruncateMore\"\u003eã¬ãŒãã«ã«ãã解説ã§ãã\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ãã«ã³äººé³æ¥œå®¶ã§ããé»å鳿¥œäœæ²å®¶ã§ããIlhan MimaroÄluã«ãã£ãŠå¶äœããããTractãã¯ãMimaroÄluããé©åœéäºã®å倧ãªè©©äººããšç§°ããåèããžã ã»ãã¯ã¡ããã«æ§ããããŠããããã«ã³äººææãã¥ã©ã€ã»ã²ã«ãã³ïŒæ¬é²é³ã§ã¯ãã¥ãªãŒã»ãµã³ãå矩ïŒã®å£°ãé§äœ¿ããMimaroÄluã¯ãã·ã¢é©åœæã®ãã«ã·ã§ããæµãããã¬ã³ãæ§åŒïŒã¢ãžããããïŒã«ããæ¿æ²»çã¡ãã»ãŒãžã®é³å£°ã³ã©ãŒãžã¥ãæ§ç¯ããã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eããã¹ãã¯ãã¯ãŒãã³ããã¬ãããæ¯æ²¢æ±ããã«ã¯ã¹ãããã®ãçŽæ¥åŒçšãšæèš³ãã«åºã¥ããããœé£æ¯æã§ã¯ãªãæ°å·Šç¿Œçã»èªç±äž»çŸ©çç«å Žãæ¡ã£ãŠãããæ¬äœã¯1972幎ãã1974幎ã«ãããŠããªãšãã¥ãŒãšãŒã¯ã§2幎éããããŠäœæ²ã»é²é³ããããã©ã€ããŒããŒãã«ã¯MimaroÄluã«ããäœå解説ãäœæ²éçšã®èª¬æãæŒå¥ã®èæ¯ããããŠãã¯ã¡ãããžã®ç®èŸãèšãããŠããã\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/4PgcVqlvaq4?si=Ee_46xVdhRxZ9jFU\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/f4UC18dGKh8?si=XmxWn4F8WYtq_Bfn\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eã¬ãŒãã«ãã®ä»äœåã¯\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wabb\"\u003eãã¡ã\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wabb\"\u003ehere\u003c\/a\u003e to see more We Are Busy Bodies releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e50th anniversary replica reissue of Tract: A Composition Of Agitprop Music For Electromagnetic Tape by İlhan MimaroÄlu, featuring the singing and speaking voice of Tuly Sand. Originally released in 1975. \u003c\/span\u003e\u003cbr\u003eEdition of 500. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eA. Part I\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e      \u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e18:47\u003cbr\u003eB. Part II\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e     \u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e16:45\u003c\/p\u003e\n\u003cp\u003eWe Are Busy Bodies:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eCreated by Turkish musician and electronic music composer İlhan MimaroÄlu, Tract is dedicated to fellow countryman NÈzim Hikmet, whom MimaroÄlu regarded âas the greatest poet of the revolutionary struggles.â Utilizing the voice of Turkish singer TÃŒlay German (identified as Tuly Sand on this recording), MimaroÄlu creates an audio collage of political messages in the propaganda style (agitprop) of the Bolsheviks during the Russian Revolution.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAlthough his text is based on âdirect and paraphrased quotationsâ from Bakunin, Brecht, Mao, Marx, and others, it is not pro-Soviet but rather New Left, pro-freedom. The performance was composed and recorded over a two-year period (1972â1974) in Paris and New York. The liner notes contain MimaroÄluâs introduction to the work and explanation of the composition process, performance context, and dedication to Hikmet.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ilhan MimaroÄlu\u003c\/p\u003e\n\u003cp\u003eLabel : We Are Busy Bodies\u003c\/p\u003e\n\u003cp\u003ecat no : WABB-217\u003c\/p\u003e\n\u003cp\u003eRelease date : 21st November 2025\u003c\/p\u003e"}
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ãžãšå転ããæµ·ã®é³ãæš¡å£ããã¢ã³ãµã³ãã«ãèŒãããæåŸã§ãŸããããå£ãã声ãã¯ã€ã€ãŒã®äžã§ããã³ã°ããç Žçããæ§ç¯ããã倢ã®åé³ã\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eEnvironments 12 ã¯ãç©èªçã«ã容æã«èå¥ã§ããçŸå®ããåãé¢ãããŠããã®ãšåãããã«ãé³çã«ããããç¹å®ã®ãžã£ã³ã«ã«åé¡ãããããšãæåŠããŠããããã®å¹æã¯ããŠã©ã«ã¿ãŒã»ãã€ãªãªããã¬ããã»ã²ã€ã«ãºããããŠãµãŠã³ãã»ã¬ããŒã¿ãŒãºã®äžå£ããããžã¿ã«ã»ãŽãªã©ã®å²ãã®äžã«æŸã蟌ãŸãããããªããããã¯ããããŒãã»ã¢ã·ã¥ãªãŒã®ããã³ãããªã³ããé¢ããŠã代ããã«å€§éªã®æ°Žæé€šã«è¡ã£ãŠã€ã«ã«ã®å£°ãèããããªããããªæãã§ãããããã®äœåã®ãã¬ããã¯ãããŒã«ã»ãããªãã¹ã®ãSongs Without Throatsããããã³ã»ã¯ã€ãŽã£ã©ãšãã³ã©ã¹ã»ã³ãªã³ãºã®ãGoing Out With Slow Smokeãã®ããã®æããã鳿¥œã¹ã¿ã€ã«ïŒç¹å®ã§ãããµãŠã³ããšãããããã¢ãããŒãïŒã®ãã¡ã³ã«ééããªãåãã ããããããããã®ãã©ãããã¯ãã«ã¯éåžžã«äžèª¿åãªéšåããããã¬ãããã¥ãŒãã£ãŒãšãããããããŸã£ããç¬èªã®é£ç¶äœã®äžã«ãããããããã«ããã«é
æçã§ããã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eèŠããã«ããEnvironments 12ãã¯ãæ·±ãå°æãããçŸããæŽŸæã§ããã®ã°ããã¹ã¯ããã¹ãŠã«æå¶ã§ããªãåã³ãããããã€ã³ã³ã»ãããšäžéãªäžæ¡çã®ãã©ã³ã¹ãããã»ã©å·§ã¿ã«åã£ãŠããã¬ã³ãŒãã¯ãã£ãã«ãªãããŸããŠããæç¢ºãªææ
çãªæ žå¿ãç¶æããªããããšããæ¡ä»¶ãå ãããšããã«çšã§ããã\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3117061715\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eã¬ãŒãã«ãã®ä»äœåã¯\u003ca href=\"https:\/\/tobirarecords.com\/collections\/futres\"\u003eãã¡ã\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/futres\"\u003ehere\u003c\/a\u003e to see more Futura Resistenza releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl in gatefold sleeve. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Acoustic enrichment (prelude) 00:19\u003cbr\u003e2. Environments 1 02:21\u003cbr\u003e3. Psychologically ultimate seashore 01:03\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. But they weren't perfect 02:44\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. I like to think 02:59\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Reef mega mix 01:18\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Reef lullaby 03:17\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. That is a beautiful memory 01:09\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. Dream chord \/ be in 03:32\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e10. Round and round 02:40\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e11. Conversations we can't understand 02:24\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e12. Gorilla Tropics 01:39\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e13. Symphony Natura 02:46\u003cbr\u003e\u003c\/span\u003e14. Reef lament 04:24\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e15. Planetary computer 02:25\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFutura Resistenza:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eâIs it difficult to reproduce the sounds of nature?â\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eEnvironments 12 is a new, speculative addition to the once-popular Environments series: a sequence of 11 records released between 1969 and 1979 that anticipated a mass-market in mood-altering nature recordings. Now, in the era of planetary scale computation, it is the environment itself thatâs being updated. The reproduction, synthesis and management of soundscapes has become ubiquitous and automated. Loudspeakers and microphones are laced through the biosphere, all in the name of a cybernetic ecology.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eEstablished in 2020 by artist-researchers Sean Dockray, James Parker, and Joel Stern, Machine Listening is a platform for collaborative research and artistic experimentation. The collective works across diverse media and modes of production, including writing, installation, curation, software, radio, pedagogy, and performance. And this is the first LP theyâve released. It is a mind-inverting libretto for the anthropocene: a post-historical field recording; aggressively brash and thoughtfully devious, one for the curling of your inner ear.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eUnfolding across a series of historical, contemporary, and speculative scenes, the work is narrated by an ensemble of vocal\u003cspan class=\"bcTruncateMore\"\u003e performers - Francis Plagne, Jenny Hickinbotham, David Chesworth, Catherine Ryan, Jasper Dockray, Roslyn Orlando - and their generative voice clones. Together, this more-than-human chorus tells and retells stories of âpsychologically ultimate seashoresâ, reef lullabies, natural symphonies designed for zoo enclosures, and large language models for whales and crows. The record imagines a world in which the biosphere, human and technology are blurred almost entirely: a hypothetical space in which organic matter has to be exposed to synthetic renditions of itself in order to summon life, a reproduction of a replica.\u003cbr\u003e\u003cbr\u003eEnvironments 12 involves, or demands, a suspension of reality. Is this a chorus of real voices or a facsimile? Are animals hostile to microphones? What does it mean when field recordings are treated by as cultural artefacts, interpolated amongst âdataâ gathered by acoustic biologists? There is no yardstick here with which to discern what is true and what is an abstraction thereof. And the effect is bafflingly addictive: sing-song lullabies slowly spinning into states of total dilation, miming ensembles mimicking ocean sounds in resplendent strains, dream chords built of broken voice humming within the wires.\u003cbr\u003e\u003cbr\u003eIn the same way that Environments 12 feels narratively unmoored from any easily identifiable reality, it also refuses to pigeonhole itself sonically. The effect is something like Walter Maioli, Fred Gales and the Sound Reporters gang being set upon a digital gorilla enclosure, or perhaps Robert Ashleyâs Don leaving Linda and instead going to the Osaka Aquarium to listen to dolphins. The palette here is definitely one for fans of the lovely music style (an approach more than an identifiable sound) of Paul DeMarinisâ âSongs Without Throatsâ or Ron Kuivila and Nicolas Collinsâ âGoing Out With Slow Smokeâ. But itâs also supremely off kilter in its dramatics. Not retrofuturist so much as off in its own continuum entirely, and all the more entrancing for it.\u003cbr\u003e\u003cbr\u003eIn sum, Environments 12 is deeply perplexing, beautifully garish, and an unbridled pleasure for all its grotesqueries. Rarely do records strike so deft a balance between high-conceptualism and irreverent absurdity, much less while maintaining a distinct emotional core.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Machine Listening (Sean Dockray, James Parker, and Joel Stern)\u003c\/p\u003e\n\u003cp\u003eLabel : Futura Resistenza\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRESLP038\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-11-23T13:13:37+09:00","created_at":"2025-11-23T09:24:30+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","field recording","futura resistenza","lp","monooto","new"],"price":482200,"price_min":482200,"price_max":482200,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47998048469242,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Machine Listening \/\/ Environments 12: New Concepts In Acoustic Enrichment LP","public_title":null,"options":["Default Title"],"price":482200,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/new1_9006af94-b1a8-477f-9449-6f58b39b8e0f.jpg?v=1763857302","\/\/tobirarecords.com\/cdn\/shop\/files\/new2_922cf106-ed5a-458f-9d6d-2ad854eedc0a.jpg?v=1763857302"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/new1_9006af94-b1a8-477f-9449-6f58b39b8e0f.jpg?v=1763857302","options":["Title"],"media":[{"alt":null,"id":37589823652090,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/new1_9006af94-b1a8-477f-9449-6f58b39b8e0f.jpg?v=1763857302"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/new1_9006af94-b1a8-477f-9449-6f58b39b8e0f.jpg?v=1763857302","width":700},{"alt":null,"id":37589823684858,"position":2,"preview_image":{"aspect_ratio":1.494,"height":803,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/new2_922cf106-ed5a-458f-9d6d-2ad854eedc0a.jpg?v=1763857302"},"aspect_ratio":1.494,"height":803,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/new2_922cf106-ed5a-458f-9d6d-2ad854eedc0a.jpg?v=1763857302","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eãªãŒã¹ãã©ãªã¢ã®å®éšã°ã«ãŒãMachine Listeningãã2025幎6æã«ãã«ã®ãŒã®å®éšã¬ãŒãã«Futura ResistenzaãããªãªãŒã¹ããã¬ã³ãŒãã§ãã\u003c\/p\u003e\n\u003cp\u003eãµãŠã³ãããšããªãŒãç©é³15æ²ãåé²ãã²ãŒããã©ã«ã仿§ã§ãã\u003c\/p\u003e\n\u003cp\u003eâ»ããžã¿ã«é³æºãç¡æã§ãéãããããŸãã®ã§ãæ°è»œã«ãé£çµ¡ãã ãããŸã\u003c\/p\u003e\n\u003cp\u003e以äžãã¬ãŒãã«ã«ãã解説ã§ãã\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ãEnvironments 12ãã¯ããã€ãŠäººæ°ãåãããEnvironmentsãã·ãªãŒãºãžã®æ°ããªæçŽ¢ç远å äœåã§ããããã®ã·ãªãŒãºã¯1969幎ãã1979幎ã«ãããŠçºè¡šããã11æã®ã¬ã³ãŒã矀ã§ãæ°åãå€ããèªç¶é³é²é³ã®å€§è¡åžå Žãå
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ãžãšå転ããæµ·ã®é³ãæš¡å£ããã¢ã³ãµã³ãã«ãèŒãããæåŸã§ãŸããããå£ãã声ãã¯ã€ã€ãŒã®äžã§ããã³ã°ããç Žçããæ§ç¯ããã倢ã®åé³ã\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eEnvironments 12 ã¯ãç©èªçã«ã容æã«èå¥ã§ããçŸå®ããåãé¢ãããŠããã®ãšåãããã«ãé³çã«ããããç¹å®ã®ãžã£ã³ã«ã«åé¡ãããããšãæåŠããŠããããã®å¹æã¯ããŠã©ã«ã¿ãŒã»ãã€ãªãªããã¬ããã»ã²ã€ã«ãºããããŠãµãŠã³ãã»ã¬ããŒã¿ãŒãºã®äžå£ããããžã¿ã«ã»ãŽãªã©ã®å²ãã®äžã«æŸã蟌ãŸãããããªããããã¯ããããŒãã»ã¢ã·ã¥ãªãŒã®ããã³ãããªã³ããé¢ããŠã代ããã«å€§éªã®æ°Žæé€šã«è¡ã£ãŠã€ã«ã«ã®å£°ãèããããªããããªæãã§ãããããã®äœåã®ãã¬ããã¯ãããŒã«ã»ãããªãã¹ã®ãSongs Without Throatsããããã³ã»ã¯ã€ãŽã£ã©ãšãã³ã©ã¹ã»ã³ãªã³ãºã®ãGoing Out With Slow Smokeãã®ããã®æããã鳿¥œã¹ã¿ã€ã«ïŒç¹å®ã§ãããµãŠã³ããšãããããã¢ãããŒãïŒã®ãã¡ã³ã«ééããªãåãã ããããããããã®ãã©ãããã¯ãã«ã¯éåžžã«äžèª¿åãªéšåããããã¬ãããã¥ãŒãã£ãŒãšãããããããŸã£ããç¬èªã®é£ç¶äœã®äžã«ãããããããã«ããã«é
æçã§ããã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eèŠããã«ããEnvironments 12ãã¯ãæ·±ãå°æãããçŸããæŽŸæã§ããã®ã°ããã¹ã¯ããã¹ãŠã«æå¶ã§ããªãåã³ãããããã€ã³ã³ã»ãããšäžéãªäžæ¡çã®ãã©ã³ã¹ãããã»ã©å·§ã¿ã«åã£ãŠããã¬ã³ãŒãã¯ãã£ãã«ãªãããŸããŠããæç¢ºãªææ
çãªæ žå¿ãç¶æããªããããšããæ¡ä»¶ãå ãããšããã«çšã§ããã\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3117061715\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eã¬ãŒãã«ãã®ä»äœåã¯\u003ca href=\"https:\/\/tobirarecords.com\/collections\/futres\"\u003eãã¡ã\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/futres\"\u003ehere\u003c\/a\u003e to see more Futura Resistenza releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl in gatefold sleeve. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Acoustic enrichment (prelude) 00:19\u003cbr\u003e2. Environments 1 02:21\u003cbr\u003e3. Psychologically ultimate seashore 01:03\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. But they weren't perfect 02:44\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. I like to think 02:59\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Reef mega mix 01:18\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Reef lullaby 03:17\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. That is a beautiful memory 01:09\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. Dream chord \/ be in 03:32\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e10. Round and round 02:40\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e11. Conversations we can't understand 02:24\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e12. Gorilla Tropics 01:39\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e13. Symphony Natura 02:46\u003cbr\u003e\u003c\/span\u003e14. Reef lament 04:24\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e15. Planetary computer 02:25\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFutura Resistenza:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eâIs it difficult to reproduce the sounds of nature?â\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eEnvironments 12 is a new, speculative addition to the once-popular Environments series: a sequence of 11 records released between 1969 and 1979 that anticipated a mass-market in mood-altering nature recordings. Now, in the era of planetary scale computation, it is the environment itself thatâs being updated. The reproduction, synthesis and management of soundscapes has become ubiquitous and automated. Loudspeakers and microphones are laced through the biosphere, all in the name of a cybernetic ecology.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eEstablished in 2020 by artist-researchers Sean Dockray, James Parker, and Joel Stern, Machine Listening is a platform for collaborative research and artistic experimentation. The collective works across diverse media and modes of production, including writing, installation, curation, software, radio, pedagogy, and performance. And this is the first LP theyâve released. It is a mind-inverting libretto for the anthropocene: a post-historical field recording; aggressively brash and thoughtfully devious, one for the curling of your inner ear.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eUnfolding across a series of historical, contemporary, and speculative scenes, the work is narrated by an ensemble of vocal\u003cspan class=\"bcTruncateMore\"\u003e performers - Francis Plagne, Jenny Hickinbotham, David Chesworth, Catherine Ryan, Jasper Dockray, Roslyn Orlando - and their generative voice clones. Together, this more-than-human chorus tells and retells stories of âpsychologically ultimate seashoresâ, reef lullabies, natural symphonies designed for zoo enclosures, and large language models for whales and crows. The record imagines a world in which the biosphere, human and technology are blurred almost entirely: a hypothetical space in which organic matter has to be exposed to synthetic renditions of itself in order to summon life, a reproduction of a replica.\u003cbr\u003e\u003cbr\u003eEnvironments 12 involves, or demands, a suspension of reality. Is this a chorus of real voices or a facsimile? Are animals hostile to microphones? What does it mean when field recordings are treated by as cultural artefacts, interpolated amongst âdataâ gathered by acoustic biologists? There is no yardstick here with which to discern what is true and what is an abstraction thereof. And the effect is bafflingly addictive: sing-song lullabies slowly spinning into states of total dilation, miming ensembles mimicking ocean sounds in resplendent strains, dream chords built of broken voice humming within the wires.\u003cbr\u003e\u003cbr\u003eIn the same way that Environments 12 feels narratively unmoored from any easily identifiable reality, it also refuses to pigeonhole itself sonically. The effect is something like Walter Maioli, Fred Gales and the Sound Reporters gang being set upon a digital gorilla enclosure, or perhaps Robert Ashleyâs Don leaving Linda and instead going to the Osaka Aquarium to listen to dolphins. The palette here is definitely one for fans of the lovely music style (an approach more than an identifiable sound) of Paul DeMarinisâ âSongs Without Throatsâ or Ron Kuivila and Nicolas Collinsâ âGoing Out With Slow Smokeâ. But itâs also supremely off kilter in its dramatics. Not retrofuturist so much as off in its own continuum entirely, and all the more entrancing for it.\u003cbr\u003e\u003cbr\u003eIn sum, Environments 12 is deeply perplexing, beautifully garish, and an unbridled pleasure for all its grotesqueries. Rarely do records strike so deft a balance between high-conceptualism and irreverent absurdity, much less while maintaining a distinct emotional core.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Machine Listening (Sean Dockray, James Parker, and Joel Stern)\u003c\/p\u003e\n\u003cp\u003eLabel : Futura Resistenza\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRESLP038\u003c\/span\u003e\u003c\/p\u003e"}
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{"id":8981167702266,"title":"Bizimungu Dieudonne \/\/ Inzovu Y'Imirindi LP","handle":"bizimungu-dieudonne-inzovu-yimirindi-lp","description":"\u003cp\u003eã«ã¯ã³ãã®ææBizimungu Dieudonneãã2025幎11æã«ã¢ã¡ãªã«ã®èèã¬ãŒãã«MississippiãããªãªãŒã¹ããåçºã¬ã³ãŒãã§ããïŒãªãªãžãã«ã¯1980幎代åŸåèªäž»ãªãªãŒã¹ïŒ\u003c\/p\u003e\n\u003cp\u003e以äžãã¬ãŒãã«ã«ãã解説ã§ãã\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"1980幎代åŸåãææBizimungu Dieudonneãšãã®åŠ»ã¢ã°ãã¹ã»ãŠãŠã£ã³ãããžããããŠå®¶æãå人ãããªãããã¯ãã³ãã¯ãç¬åµçãªã«ã»ãããèªäž»å¶äœãããããã«ã¯éåãéåãã®ãšã¬ãã®ã¿ãŒããã£ãããšããããŒã¹ã©ã€ã³ãã³ãŒã«ã¢ã³ãã¬ã¹ãã³ã¹ã®ããŒã«ã«ãç¹åŸŽçã ã£ãã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eã«ã¯ã³ãã®äŒçµ±çãªè³çŸæã«æ ¹ããã80幎代ã®ã¹ã¿ãžãªæè¡ãšåœŒãã®çµã¿åããã¯ãåœææ±ã¢ããªã«ã§ãªãªãŒã¹ãããä»ã®ã©ã®äœåãšãç°ãªããå¬ç çãªé·å°ºã®ãžã£ã ãçã¿åºãããæè©ã¯ç°åã®çŸãããšå€ä»£ã®ç¥ã
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šãŠã倱ã£ãããããšã©ã¯ãã³ãåæã®ãããã¥ãŒãµãŒã®äžäººãããInzovu Yâimirindiãã®ãã¹ã¿ãŒé³æºãåé²ããCDãèŠã€ãåºããã\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3190384426\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eã¬ãŒãã«ãã®ä»äœåã¯\u003ca href=\"https:\/\/tobirarecords.com\/collections\/missrec\"\u003eãã¡ã\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/missrec\"\u003ehere\u003c\/a\u003e to see more Mississippi Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Inzovu Y'Imirindi 09:31\u003cbr\u003e2. Imbabazi Twese\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Tabara Ryangombe\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Inyange Ibarusha Kwera 06:27\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Urujeje Rw'Imisozi 1000\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Ibango Ry'Ibanga\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMississippi Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn the late 1980s, singer Bizimungu Dieudonne, his wife Agnes Uwimbabazi, and a backing band of family and friends self-released a visionary cassette, featuring stuttering electric guitars, loping bass lines, and call and response vocals.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTheir combo of 80s studio wizardry rooted in traditional Rwandan praise songs resulted in hypnotic, extended jams unlike anything else released in East Africa at the time. The lyrics praised the beauty of the countryside and the exploits of the ancient gods. On plaintive acoustic tracks squeezed between the electric bangers, Bizimungu and Agnes called for unity in the divided nation.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTheir message was an eerie presaging of the coming Rwandan Genocide. Bizimungu and Agnes, along with bandmates BIGIRIMANA AUGUSTIN, and NIYONGAMIJE EMMANUEL were all killed by Hutu militias in 1994. Their music was silenced, any traces almost lost in the ensuing decades.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWe first heard this album through music scholar Matthew Lavoie in 2018, and spent years looking for any surviving members of the band. Last year, co-producer and Voice of America host Jackson Mvunganyi tracked down Bizimungu and Agnesâ daughter, Noella, in Kigali. Only 9 years old at the time of her parentsâ death, she had\u003cspan class=\"bcTruncateMore\"\u003e taken on the task of reintroducing their work to a new generation in Rwanda. Though her family lost almost everything in the genocide, Noella tracked down a CD containing the master recordings of Inzovu Yâimirindi from one of the band's early producers.\u003cbr\u003e\u003cbr\u003eIt is stunning to finally hear this music in its fullness and immediacy, beautifully remastered at Osiris Studios. Weâre grateful to Noella and our collaborators for helping us share Bizimungu and Agnesâ vital music and message with the world.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bizimungu Dieudonne\u003c\/p\u003e\n\u003cp\u003eLabel : Mississippi Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMRI216lp\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-11-11T07:07:09+09:00","created_at":"2025-11-02T15:05:00+09:00","vendor":"Tobira Records","type":"","tags":["field recording","lp","mississipi records","new"],"price":339500,"price_min":339500,"price_max":339500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47892690796794,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Bizimungu Dieudonne \/\/ Inzovu Y'Imirindi LP","public_title":null,"options":["Default Title"],"price":339500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"850024931893","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/biz1.jpg?v=1762063392","\/\/tobirarecords.com\/cdn\/shop\/files\/biz2.jpg?v=1762063392"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/biz1.jpg?v=1762063392","options":["Title"],"media":[{"alt":null,"id":37371016085754,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/biz1.jpg?v=1762063392"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/biz1.jpg?v=1762063392","width":700},{"alt":null,"id":37371016118522,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/biz2.jpg?v=1762063392"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/biz2.jpg?v=1762063392","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eã«ã¯ã³ãã®ææBizimungu Dieudonneãã2025幎11æã«ã¢ã¡ãªã«ã®èèã¬ãŒãã«MississippiãããªãªãŒã¹ããåçºã¬ã³ãŒãã§ããïŒãªãªãžãã«ã¯1980幎代åŸåèªäž»ãªãªãŒã¹ïŒ\u003c\/p\u003e\n\u003cp\u003e以äžãã¬ãŒãã«ã«ãã解説ã§ãã\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"1980幎代åŸåãææBizimungu Dieudonneãšãã®åŠ»ã¢ã°ãã¹ã»ãŠãŠã£ã³ãããžããããŠå®¶æãå人ãããªãããã¯ãã³ãã¯ãç¬åµçãªã«ã»ãããèªäž»å¶äœãããããã«ã¯éåãéåãã®ãšã¬ãã®ã¿ãŒããã£ãããšããããŒã¹ã©ã€ã³ãã³ãŒã«ã¢ã³ãã¬ã¹ãã³ã¹ã®ããŒã«ã«ãç¹åŸŽçã ã£ãã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eã«ã¯ã³ãã®äŒçµ±çãªè³çŸæã«æ ¹ããã80幎代ã®ã¹ã¿ãžãªæè¡ãšåœŒãã®çµã¿åããã¯ãåœææ±ã¢ããªã«ã§ãªãªãŒã¹ãããä»ã®ã©ã®äœåãšãç°ãªããå¬ç çãªé·å°ºã®ãžã£ã ãçã¿åºãããæè©ã¯ç°åã®çŸãããšå€ä»£ã®ç¥ã
ã®åæ¥ãç§°ãããæ¿ãããšã¬ãæ²ã®åéã«æãŸããåæã垯ã³ãã¢ã³ãŒã¹ãã£ãã¯æ²ã§ã¯ãããžã ã³ã°ãšã¢ã°ãã¹ã¯åè£ããåœå®¶ã®çµ±äžã蚎ããã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e圌ãã®ã¡ãã»ãŒãžã¯ãåŸã«èšªããã«ã¯ã³ãèæ®ºãäžæ°å³ã«äºèŠããŠãããããžã ã³ã°ãšã¢ã°ãã¹ããããŠãã³ãã¡ã€ãã®ãã®ãªããã»ãªãŒã®ã¥ã¹ã¿ã³ãããšã³ã¬ããžã§ã»ãšããã¥ãšã«ã¯ã1994幎ã«ããæ°å
µã«ãã£ãŠæ®ºå®³ãããã圌ãã®é³æ¥œã¯æ²é»ãããã®åŸã®æ°å幎ã§çè·¡ã¯ã»ãŒå€±ãããŠããŸã£ãã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eãã®ã¢ã«ãã ãåããŠèŽããã®ã¯2018幎ã鳿¥œåŠè
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šãŠã倱ã£ãããããšã©ã¯ãã³ãåæã®ãããã¥ãŒãµãŒã®äžäººãããInzovu Yâimirindiãã®ãã¹ã¿ãŒé³æºãåé²ããCDãèŠã€ãåºããã\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3190384426\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eã¬ãŒãã«ãã®ä»äœåã¯\u003ca href=\"https:\/\/tobirarecords.com\/collections\/missrec\"\u003eãã¡ã\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/missrec\"\u003ehere\u003c\/a\u003e to see more Mississippi Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Inzovu Y'Imirindi 09:31\u003cbr\u003e2. Imbabazi Twese\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Tabara Ryangombe\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Inyange Ibarusha Kwera 06:27\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Urujeje Rw'Imisozi 1000\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Ibango Ry'Ibanga\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMississippi Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn the late 1980s, singer Bizimungu Dieudonne, his wife Agnes Uwimbabazi, and a backing band of family and friends self-released a visionary cassette, featuring stuttering electric guitars, loping bass lines, and call and response vocals.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTheir combo of 80s studio wizardry rooted in traditional Rwandan praise songs resulted in hypnotic, extended jams unlike anything else released in East Africa at the time. The lyrics praised the beauty of the countryside and the exploits of the ancient gods. On plaintive acoustic tracks squeezed between the electric bangers, Bizimungu and Agnes called for unity in the divided nation.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTheir message was an eerie presaging of the coming Rwandan Genocide. Bizimungu and Agnes, along with bandmates BIGIRIMANA AUGUSTIN, and NIYONGAMIJE EMMANUEL were all killed by Hutu militias in 1994. Their music was silenced, any traces almost lost in the ensuing decades.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWe first heard this album through music scholar Matthew Lavoie in 2018, and spent years looking for any surviving members of the band. Last year, co-producer and Voice of America host Jackson Mvunganyi tracked down Bizimungu and Agnesâ daughter, Noella, in Kigali. Only 9 years old at the time of her parentsâ death, she had\u003cspan class=\"bcTruncateMore\"\u003e taken on the task of reintroducing their work to a new generation in Rwanda. Though her family lost almost everything in the genocide, Noella tracked down a CD containing the master recordings of Inzovu Yâimirindi from one of the band's early producers.\u003cbr\u003e\u003cbr\u003eIt is stunning to finally hear this music in its fullness and immediacy, beautifully remastered at Osiris Studios. Weâre grateful to Noella and our collaborators for helping us share Bizimungu and Agnesâ vital music and message with the world.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bizimungu Dieudonne\u003c\/p\u003e\n\u003cp\u003eLabel : Mississippi Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMRI216lp\u003c\/span\u003e\u003c\/p\u003e"}
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{"id":8980676804858,"title":"Various Artists (Death Is Not The End) \/\/ Elders of the Begena: The Harp of David in Ethiopia TAPE","handle":"various-artists-death-is-not-the-end-elders-of-the-begena-the-harp-of-david-in-ethiopia-tape","description":"\u003cp\u003eã€ã®ãªã¹ã»ãã³ãã³ã®çºæå°éã¬ãŒãã«Death Is Not The Endãã2025幎10æã«ãªãªãŒã¹ããããšããªãã¢ã®äŒçµ±æ¥œåšãã²ãã«ãã©ãŒã«ã¹ããã«ã»ããã§ãã\u003c\/p\u003e\n\u003cp\u003eâ»ããžã¿ã«é³æºãç¡æã§ãéãããããŸãã®ã§ãæ°è»œã«ãé£çµ¡ãã ãããŸã\u003c\/p\u003e\n\u003cp\u003e以äžã\u003cspan class=\"bcTruncateMore\"\u003eAlemu Agaã«\u003c\/span\u003eãã解説ã§ãã\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ãã²ãã¯ã5800幎以äžãçãæ®ã£ãŠããäžçã§ãçšãªæ¥œåšã®äžã€ã§ããããã®é
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Tafese Tesfaye - About the Suffering of Christ 03:49\u003cbr\u003e2. Admassu Fikre - The Futility of Life 04:08\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Seyoum Mengistu - Went to Hermitage 03:11\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Alemu Aga - The World Is a Place of Rest 04:25\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Seyoum Mengistu - Worship for Peace 02:44\u003cbr\u003e\u003c\/span\u003e6. Tafese Tesfaye - In the Name of the Father 03:05\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Alemu Aga - The Sacred Names of the Begena 06:36\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Seyoum Mengistu - Unwillingly 04:27\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. Admassu Fikre - Sunday Night (The Resurrection) 02:55\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e10. Alemu Aga - Cry of Praise and Adoration to God 04:09\u003cbr\u003e\u003c\/span\u003e11. Admassu Fikre - The Praise of the Lord 05:31\u003cbr\u003e12. Tafese Tesfaye - The Praise of the Virgin Mary 04:34\u003c\/p\u003e\n\u003cp\u003eFrom contributing artist \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eAlemu Aga: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003eThe Begena is one of those rare musical instruments of the world that has survived for more than 5800 years. What is fascinating about it is not only its age but the fact that both its manufacture and the purpose for which it is being played have never changed during all these years. It is still made of wood and animal products, such as the intestine of the sheep for the strings, the leather that covers the sound box. It is used for praying, for praising God and for meditation, just as it was in the olden days and it has survived until the present day. During the time of the Derg regime, after the overthrow of the emperor Haile Selassie, it was no longer considered important. As for the Begena, which used to be broadcasted through the radio during the fasting season, all this was stopped. At that time I was a teacher at the music school, the only music school in the country, and because I did not get the necessary support to develop it I had to stop, because I was not allowed to teach. And so we could say that it did become a disappearing popular art. But not anymore, especially in the past 15, 16 years it has revived. There are many Begena players, mostly youngsters, of whom I have taught more than 500 students. Still there are some Begena makers, who make the instrument for new students. What is interesting about this instrument is that the music, or\u003c\/em\u003e\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e the tone that comes out of this instrument, has a special power to make people to concentrate, to keep quiet, to be carried away in thoughts, thinking of what is said. This is a special quality. You don't have to be an Ethiopian, anybody can listen to it, automatically it will make him keep quiet and concentrate.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Various\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eDeath Is Not The End\u003c\/p\u003e\n\u003cp\u003ecat no : DEATH114\u003c\/p\u003e","published_at":"2025-11-02T06:40:57+09:00","created_at":"2025-11-01T18:34:41+09:00","vendor":"Tobira Records","type":"","tags":["death is not the end","field recording","new","tape"],"price":298000,"price_min":298000,"price_max":298000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47891149062394,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Various Artists (Death Is Not The End) \/\/ Elders of the Begena: The Harp of David in Ethiopia TAPE","public_title":null,"options":["Default Title"],"price":298000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"5050580856905","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/beg1_5b39be30-b762-4c9b-b4b0-7eb5aab5a6f8.jpg?v=1761989574","\/\/tobirarecords.com\/cdn\/shop\/files\/beg2_15a73308-fd6b-4cbf-afc5-b45abbf5ed1c.jpg?v=1761989574"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/beg1_5b39be30-b762-4c9b-b4b0-7eb5aab5a6f8.jpg?v=1761989574","options":["Title"],"media":[{"alt":null,"id":37361888854266,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/beg1_5b39be30-b762-4c9b-b4b0-7eb5aab5a6f8.jpg?v=1761989574"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/beg1_5b39be30-b762-4c9b-b4b0-7eb5aab5a6f8.jpg?v=1761989574","width":700},{"alt":null,"id":37361888887034,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/beg2_15a73308-fd6b-4cbf-afc5-b45abbf5ed1c.jpg?v=1761989574"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/beg2_15a73308-fd6b-4cbf-afc5-b45abbf5ed1c.jpg?v=1761989574","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eã€ã®ãªã¹ã»ãã³ãã³ã®çºæå°éã¬ãŒãã«Death Is Not The Endãã2025幎10æã«ãªãªãŒã¹ããããšããªãã¢ã®äŒçµ±æ¥œåšãã²ãã«ãã©ãŒã«ã¹ããã«ã»ããã§ãã\u003c\/p\u003e\n\u003cp\u003eâ»ããžã¿ã«é³æºãç¡æã§ãéãããããŸãã®ã§ãæ°è»œã«ãé£çµ¡ãã ãããŸã\u003c\/p\u003e\n\u003cp\u003e以äžã\u003cspan class=\"bcTruncateMore\"\u003eAlemu Agaã«\u003c\/span\u003eãã解説ã§ãã\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ãã²ãã¯ã5800幎以äžãçãæ®ã£ãŠããäžçã§ãçšãªæ¥œåšã®äžã€ã§ããããã®é
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ãéå¯ãšéäžãžãšå°ãã®ã§ããã\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2724105592\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eã¬ãŒãã«ãã®ä»äœåã¯\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003eãã¡ã\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003ehere\u003c\/a\u003e to see more Death Is Not The End releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecorded by Pit Budde in Addis Ababa, 1999 \u0026amp; 2008\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Tafese Tesfaye - About the Suffering of Christ 03:49\u003cbr\u003e2. Admassu Fikre - The Futility of Life 04:08\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Seyoum Mengistu - Went to Hermitage 03:11\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Alemu Aga - The World Is a Place of Rest 04:25\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Seyoum Mengistu - Worship for Peace 02:44\u003cbr\u003e\u003c\/span\u003e6. Tafese Tesfaye - In the Name of the Father 03:05\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Alemu Aga - The Sacred Names of the Begena 06:36\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Seyoum Mengistu - Unwillingly 04:27\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. Admassu Fikre - Sunday Night (The Resurrection) 02:55\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e10. Alemu Aga - Cry of Praise and Adoration to God 04:09\u003cbr\u003e\u003c\/span\u003e11. Admassu Fikre - The Praise of the Lord 05:31\u003cbr\u003e12. Tafese Tesfaye - The Praise of the Virgin Mary 04:34\u003c\/p\u003e\n\u003cp\u003eFrom contributing artist \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eAlemu Aga: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003eThe Begena is one of those rare musical instruments of the world that has survived for more than 5800 years. What is fascinating about it is not only its age but the fact that both its manufacture and the purpose for which it is being played have never changed during all these years. It is still made of wood and animal products, such as the intestine of the sheep for the strings, the leather that covers the sound box. It is used for praying, for praising God and for meditation, just as it was in the olden days and it has survived until the present day. During the time of the Derg regime, after the overthrow of the emperor Haile Selassie, it was no longer considered important. As for the Begena, which used to be broadcasted through the radio during the fasting season, all this was stopped. At that time I was a teacher at the music school, the only music school in the country, and because I did not get the necessary support to develop it I had to stop, because I was not allowed to teach. And so we could say that it did become a disappearing popular art. But not anymore, especially in the past 15, 16 years it has revived. There are many Begena players, mostly youngsters, of whom I have taught more than 500 students. Still there are some Begena makers, who make the instrument for new students. What is interesting about this instrument is that the music, or\u003c\/em\u003e\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e the tone that comes out of this instrument, has a special power to make people to concentrate, to keep quiet, to be carried away in thoughts, thinking of what is said. This is a special quality. You don't have to be an Ethiopian, anybody can listen to it, automatically it will make him keep quiet and concentrate.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Various\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eDeath Is Not The End\u003c\/p\u003e\n\u003cp\u003ecat no : DEATH114\u003c\/p\u003e"}
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ã®åºåãŸã§ãããã«ãã«ã³ç³»ãæ£æäŒç³»ã ã»ãã¡ã«ãã£ç³»ãŠãã€äººæµ·è³æŸéå±ããã®CMãŸã§ç¶²çŸ
ããŠããã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e2010幎代åã°ãã2021幎åé ãŸã§ã®æéãã«ããŒããæ¬äœã®Bé¢ã¯ç¹ã«ã2020幎代åé ã®ã°ããŒãã«ãªåŽ©å£ââã³ãããŠã€ã«ã¹ãã³ãããã¯ããžã§ãŒãžã»ããã€ãäºä»¶ããã€ãã³åœéžãªã©ââã«å¯Ÿãããã«ãã¯ãªã³ã®æµ·è³æŸéå±ãã¡ã®ãç¬ç¹ã§åå·çãªã»ã©ããŒã«ã«ãªåå¿ãæããŠãããäžççãªããã¯ããŠã³äžã«ãããDIYã³ãã¥ããã£æŸéã®äŸ¡å€ã瀺ã瀟äŒå²ã®éèŠãªèšé²ãšãªã£ãŠããã\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1807903707\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eã¬ãŒãã«ãã®ä»äœåã¯\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003eãã¡ã\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003ehere\u003c\/a\u003e to see more Death Is Not The End releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Side A   29:46\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. Side B   29:18\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eDeath Is Not The End:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eDavid Goren is a radio producer and audio archivist based in Brooklyn, NY. For several years he's researched New York Cityâs pirate radio community, producing âNew York Cityâs Pirates of the Airâ for the BBC World Service \u0026amp; \"Outlaws of the Airwaves: The Rise of Pirate Radio Station WBADâ for KCRWâs Lost Notes podcast. More recently, Goren has been cataloguing his meandering across his local pirate radio frequencies via the Brooklyn Pirate Radio Sound Map (BPRSM) - tracing the lingering connections between unlicensed radio broadcasting and Brooklyn's local neighbourhood culture in the digital age.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBrooklyn Pirates: Neighbourhoods in the Sky, 2014-2021 pulls together a clutch of cut-up recordings captured by David on the BPRSM, traversing the dial across raucous soca jams \u0026amp; kompas, through to Grenadian election news, Haitian funeral announcements and ads for Jamaican patty shops \u0026amp; spiritual healers - plus broadcasts from Turkish, and Orthodox \u0026amp; Sephardic Jewish pirate stations to boot.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCovering a period between the mid-2010s thru to early 2021, the B side in particular captures the uniquely idiosyncratic and hyper-local reactions of the Brooklyn pirates to the global\u003cspan class=\"bcTruncateMore\"\u003e disintegration of the early 2020s - the coronavirus pandemic, George Floyd, the Biden election and more - acting as a vital document of social history demonstrating the value of DIY community broadcasts during a period of worldwide lockdowns and the wholesale breakdown of politics.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Various\u003c\/p\u003e\n\u003cp\u003eLabel : Death Is Not The End\u003c\/p\u003e\n\u003cp\u003ecat no : DEATH052\u003c\/p\u003e","published_at":"2025-11-02T06:52:24+09:00","created_at":"2025-11-01T18:22:35+09:00","vendor":"Tobira Records","type":"","tags":["death is not the end","field recording","monooto","new","tape"],"price":242600,"price_min":242600,"price_max":242600,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47891145720058,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Various Artists (Death Is Not The End) \/\/ Brooklyn Pirates: Neighbourhoods in the Sky, 2014-2021 TAPE","public_title":null,"options":["Default Title"],"price":242600,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"5050580777927","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/brook1_6c9bc039-36d0-4e38-a633-d29628ef2b76.jpg?v=1761988874","\/\/tobirarecords.com\/cdn\/shop\/files\/brook2_6983f9cc-69cd-4010-9e6a-dc05ebcf5ad7.jpg?v=1761988874"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/brook1_6c9bc039-36d0-4e38-a633-d29628ef2b76.jpg?v=1761988874","options":["Title"],"media":[{"alt":null,"id":37361844912378,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/brook1_6c9bc039-36d0-4e38-a633-d29628ef2b76.jpg?v=1761988874"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/brook1_6c9bc039-36d0-4e38-a633-d29628ef2b76.jpg?v=1761988874","width":700},{"alt":null,"id":37361844945146,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/brook2_6983f9cc-69cd-4010-9e6a-dc05ebcf5ad7.jpg?v=1761988874"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/brook2_6983f9cc-69cd-4010-9e6a-dc05ebcf5ad7.jpg?v=1761988874","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eã€ã®ãªã¹ã»ãã³ãã³ã®çºæå°éã¬ãŒãã«Death Is Not The Endãã2025幎10æã«ãªãªãŒã¹ããã«ã»ããã§ãã\u003c\/p\u003e\n\u003cp\u003e2014-2021幎ã«ãã«ãã¯ãªã³ã®æµ·è³ã©ãžãªå±ã§æŸéãããã³ããŒã·ã£ã«ã®ã¿ãçšãã匷çãªããã¯ã¹ã§ãã\u003c\/p\u003e\n\u003cp\u003eâ»ããžã¿ã«é³æºãç¡æã§ãéãããããŸãã®ã§ãæ°è»œã«ãé£çµ¡ãã ãããŸã\u003c\/p\u003e\n\u003cp\u003e以äžãã¬ãŒãã«ã«ãã解説ã§ãã\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ãBrooklyn Pirates: Neighbourhoods in the Skyãã¯ãéšããããœãŒã«ã»ãžã£ã ãã³ã³ãã¹é³æ¥œãããã°ã¬ããã®éžæéå ±ããã€ãã®è¬ååç¥ããžã£ãã€ã«ã®ããã£åºãéèœè
ã®åºåãŸã§ãããã«ãã«ã³ç³»ãæ£æäŒç³»ã ã»ãã¡ã«ãã£ç³»ãŠãã€äººæµ·è³æŸéå±ããã®CMãŸã§ç¶²çŸ
ããŠããã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e2010幎代åã°ãã2021幎åé ãŸã§ã®æéãã«ããŒããæ¬äœã®Bé¢ã¯ç¹ã«ã2020幎代åé ã®ã°ããŒãã«ãªåŽ©å£ââã³ãããŠã€ã«ã¹ãã³ãããã¯ããžã§ãŒãžã»ããã€ãäºä»¶ããã€ãã³åœéžãªã©ââã«å¯Ÿãããã«ãã¯ãªã³ã®æµ·è³æŸéå±ãã¡ã®ãç¬ç¹ã§åå·çãªã»ã©ããŒã«ã«ãªåå¿ãæããŠãããäžççãªããã¯ããŠã³äžã«ãããDIYã³ãã¥ããã£æŸéã®äŸ¡å€ã瀺ã瀟äŒå²ã®éèŠãªèšé²ãšãªã£ãŠããã\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1807903707\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eã¬ãŒãã«ãã®ä»äœåã¯\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003eãã¡ã\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003ehere\u003c\/a\u003e to see more Death Is Not The End releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Side A   29:46\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. Side B   29:18\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eDeath Is Not The End:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eDavid Goren is a radio producer and audio archivist based in Brooklyn, NY. For several years he's researched New York Cityâs pirate radio community, producing âNew York Cityâs Pirates of the Airâ for the BBC World Service \u0026amp; \"Outlaws of the Airwaves: The Rise of Pirate Radio Station WBADâ for KCRWâs Lost Notes podcast. More recently, Goren has been cataloguing his meandering across his local pirate radio frequencies via the Brooklyn Pirate Radio Sound Map (BPRSM) - tracing the lingering connections between unlicensed radio broadcasting and Brooklyn's local neighbourhood culture in the digital age.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBrooklyn Pirates: Neighbourhoods in the Sky, 2014-2021 pulls together a clutch of cut-up recordings captured by David on the BPRSM, traversing the dial across raucous soca jams \u0026amp; kompas, through to Grenadian election news, Haitian funeral announcements and ads for Jamaican patty shops \u0026amp; spiritual healers - plus broadcasts from Turkish, and Orthodox \u0026amp; Sephardic Jewish pirate stations to boot.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCovering a period between the mid-2010s thru to early 2021, the B side in particular captures the uniquely idiosyncratic and hyper-local reactions of the Brooklyn pirates to the global\u003cspan class=\"bcTruncateMore\"\u003e disintegration of the early 2020s - the coronavirus pandemic, George Floyd, the Biden election and more - acting as a vital document of social history demonstrating the value of DIY community broadcasts during a period of worldwide lockdowns and the wholesale breakdown of politics.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Various\u003c\/p\u003e\n\u003cp\u003eLabel : Death Is Not The End\u003c\/p\u003e\n\u003cp\u003ecat no : DEATH052\u003c\/p\u003e"}
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{"id":8976034038010,"title":"John Grzinich \/\/ Ice Tectonics CD","handle":"john-grzinich-ice-tectonics-cd","description":"\u003cp\u003eãšã¹ããã¢ã®ãã£ãŒã«ãã¬ã³ãŒãã£ã³ã°äœå®¶John Grzinichãã2024幎10æã«ããŒã©ã³ãã®ãã£ãŒã«ãã¬ã³ãŒãã£ã³ã°ã¬ãŒãã«saamlengãã100éšéå®ã§ãªãªãŒã¹ããCDã§ãã\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eãšã¹ããã¢ã®æ¹ã®æ°·ã«çŠç¹ãåœãŠããã£ãŒã«ãã¬ã³ãŒãã£ã³ã°5æ²ãåé²ã6é¢ããžããã¯ãã·ã¥ãªã³ã¯ä»æ§ã§ãã\u003c\/p\u003e\n\u003cp\u003e以äžãäœå®¶æ¬äººã«ãã解説ã§ãã\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"20幎åã«ãšã¹ããã¢ã«ç§»äœããŠä»¥æ¥ãç§ã¯æ°·ã«é
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ã®æ¹ãã倧ã㪠ã声 ããèãããããã®çµéšã¯ãåã£ãæ°Žåã«å¯Ÿããç§ã®èãæ¹ãäžå€ããããåºãéçãªååšãšã¯ããé¢ããããã®å€§ããªåã£ãå¹³é¢ã¯çããŠããŠãå°æ®»ãšåããããªæ¯ãèããããã埮åŠãªå€åããæ¿ããåŽç«ãŸã§ãæ°·ã®å°æ®»å€åã®ãããªåãã¯ããã€ãããã¯ã§ãã©ãããã¯ãªé³ã®ã€ãã³ãã«ãªãããããããããã®ãããªçŸè±¡ãç®æãããšãããããšã¯å®¹æã§ã¯ãªããç§ã®çµéšã§ã¯ãã¿ã€ãã³ã°ããã¹ãŠã ãæ¹ã®ãã°ãæµ·ã®ãããã°ã«äœãã§ããªããã°ãæŠç¥çãªã¬ã³ãŒãã£ã³ã°ã»ãã·ã§ã³ã¯é£ãããææã颚éãšé¢šåããæ°æž©ãšæ°å§ãæ°Žæµãšå¡©åæ¿åºŠãæã®åšæãªã©ã¯ãæ°·ã®åœ¢æã®ç¹åŸŽãæåã«åœ±é¿ãäžããèŠå ã®ã»ãã®äžéšã«éããªãããããã®èŠçŽ ãæ³šææ·±ã芳å¯ããããŸããŸæ°Žåã®è¿ãã«äœãã§ããªãéãããã©ãããã¯ãªæ°·ã®çºçãäœéšããåçã«åããããšã¯ããã£ãã«ãªãå¶ç¶ã®åºäŒãã«ãããªããããããªãã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e2024å¹Žã®æ¥ãç§ã¯ãããç§ãã¡ã¯å¹žéã«æµãŸãããæ°åå€åã®åºæºãããããšè¯ãå¬ã ã£ãããçªç¶ã®æããã§éªã溶ããåã£ãæ¹ã®ç¡¬çŽãç·©åããããæ¥äžã¯æŽå€©ãç¶ããå€ã¯å·ã蟌ãã ãç§ã¯1é±éãæ±ã®å¢çããªã倧ããªæ¹ããã€ãã·ãå«ã4ã€ã®æ¹ãåã£ãããã®ãããªã³ã³ãã£ã·ã§ã³ã«ãããããããã©ã€ãã¬ã³ãŒãã£ã³ã°ãšãªãŒããŒãã€ãã»ããããã»ãªã°ã®äž¡æ¹ã«ãããŠåœããå€ãããã£ãããã®çµæãå£ç¯ã®ç§»ãå€ãããæ°·ã«ãšã£ãŠã©ã®ãããªæå³ãæã€ã®ãããããŠããã«çŸããæ§ã
ãªé³ãæããã«ããéžããããã®é²é³ãéãããIce Tectonicsãã宿ãããäœæéãã®é²é³ã«ããããããããã®äœéšã¯ã€ãã®éã®ãã®ã ãæ°é±éãããªããã¡ã«æ°·ã¯æ¶ããæ°·ã®é³ãäœæéãèŽãç¶ããåŸã«ééãããèæ¶Œãšãã颚æ¯ãå·ã€ããããå€ç¬æã®ã€ã¡ãŒãžãæ¶ããŠããŸã£ãã\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1591127369\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eã¬ãŒãã«ãã®ä»äœåã¯\u003ca href=\"https:\/\/tobirarecords.com\/collections\/smlg\"\u003eãã¡ã\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/smlg\"\u003ehere\u003c\/a\u003e to see more saamleng releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eCD in 6-panel gatefold sleeve. Edition of 100. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Long Night, Laho Forest Lake 08:47\u003cbr\u003e2. Large Fissure, Lake Peipsi 08:18\u003cbr\u003e3. Another Long Night, Laho Forest Lake 09:31\u003cbr\u003e4. Converging Cracks, Lake Peipsi 07:08\u003cbr\u003e5. Unstable Edge, Lake Peipsi 10:05\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eArtist statement by John Grzinich:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Since moving to Estonia 20 years ago, Iâve become fascinated by ice. After walking on the frozen Baltic Sea and hearing loud 'voices' from a local lake one still and cold night, these experiences have transformed the way I think about frozen bodies of water. Far from solid static entities, these great frozen planes are alive and behave in ways not unlike the crust of the earth. From subtle shifts to violent eruptions the tectonic-like movements of ice can become dynamic and dramatic sonic events. But witnessing and capturing these events is far from easy. In my experience, itâs all about timing. If you donât live next to a lake or right on the sea, strategic recording sessions are a challenge. The time of year, wind speed and direction, air temperature and pressure, water currents and salinity and moon cycles are but a few of the factors that influence the character and behaviour of ice formations. Unless one is following these factors closely and happens to live near a body of water, experiencing and capturing dramatic ice occurrences may come down to a rare chance encounter.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn the spring of 2024 I, or we, got lucky. It had been a good winter (by climate change standards), but a sudden warm spell melted the snow and eased up the rigid tension of the frozen lakes. A week of sunny days and clear cold nights sparked good conditions for the ice\u003cspan class=\"bcTruncateMore\"\u003e to shift and deform. I circulated among four lakes in my area for a week including the large lake Peipsi that forms the eastern border. Despite the conditions, it was still hit or miss with both live recording and using overnight drop rigs. The outcome of my explorations has resulted in âIce Tectonicsâ, a collection of select recordings that reveals what a seasonal transition means for ice and the varied sounds that emerge. Despite hours of recorded material, the experiences are fleeting. Within a few weeks the ice was gone and with it the image of those stark landscapes and feelings of vulnerable isolation that one may encounter after spending hours listening to ice.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John Grzinich\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003esaamleng\u003c\/p\u003e","published_at":"2025-10-30T06:02:49+09:00","created_at":"2025-10-30T06:02:16+09:00","vendor":"Tobira Records","type":"","tags":["cd","field recording","monooto","new","saamleng"],"price":228000,"price_min":228000,"price_max":228000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47882400268538,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"John Grzinich \/\/ Ice Tectonics CD","public_title":null,"options":["Default Title"],"price":228000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ice_a41fb20d-8aa4-4897-9fe3-c4269cabb591.jpg?v=1728625710","\/\/tobirarecords.com\/cdn\/shop\/files\/ice2_5266d579-7d9f-426c-a3b3-82f785c4f9ee.jpg?v=1728625710"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ice_a41fb20d-8aa4-4897-9fe3-c4269cabb591.jpg?v=1728625710","options":["Title"],"media":[{"alt":null,"id":35033566576890,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ice_a41fb20d-8aa4-4897-9fe3-c4269cabb591.jpg?v=1728625710"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ice_a41fb20d-8aa4-4897-9fe3-c4269cabb591.jpg?v=1728625710","width":700},{"alt":null,"id":35033566609658,"position":2,"preview_image":{"aspect_ratio":1.399,"height":858,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ice2_5266d579-7d9f-426c-a3b3-82f785c4f9ee.jpg?v=1728625710"},"aspect_ratio":1.399,"height":858,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ice2_5266d579-7d9f-426c-a3b3-82f785c4f9ee.jpg?v=1728625710","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eãšã¹ããã¢ã®ãã£ãŒã«ãã¬ã³ãŒãã£ã³ã°äœå®¶John Grzinichãã2024幎10æã«ããŒã©ã³ãã®ãã£ãŒã«ãã¬ã³ãŒãã£ã³ã°ã¬ãŒãã«saamlengãã100éšéå®ã§ãªãªãŒã¹ããCDã§ãã\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eãšã¹ããã¢ã®æ¹ã®æ°·ã«çŠç¹ãåœãŠããã£ãŒã«ãã¬ã³ãŒãã£ã³ã°5æ²ãåé²ã6é¢ããžããã¯ãã·ã¥ãªã³ã¯ä»æ§ã§ãã\u003c\/p\u003e\n\u003cp\u003e以äžãäœå®¶æ¬äººã«ãã解説ã§ãã\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"20幎åã«ãšã¹ããã¢ã«ç§»äœããŠä»¥æ¥ãç§ã¯æ°·ã«é
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ã®æ¹ãã倧ã㪠ã声 ããèãããããã®çµéšã¯ãåã£ãæ°Žåã«å¯Ÿããç§ã®èãæ¹ãäžå€ããããåºãéçãªååšãšã¯ããé¢ããããã®å€§ããªåã£ãå¹³é¢ã¯çããŠããŠãå°æ®»ãšåããããªæ¯ãèããããã埮åŠãªå€åããæ¿ããåŽç«ãŸã§ãæ°·ã®å°æ®»å€åã®ãããªåãã¯ããã€ãããã¯ã§ãã©ãããã¯ãªé³ã®ã€ãã³ãã«ãªãããããããããã®ãããªçŸè±¡ãç®æãããšãããããšã¯å®¹æã§ã¯ãªããç§ã®çµéšã§ã¯ãã¿ã€ãã³ã°ããã¹ãŠã ãæ¹ã®ãã°ãæµ·ã®ãããã°ã«äœãã§ããªããã°ãæŠç¥çãªã¬ã³ãŒãã£ã³ã°ã»ãã·ã§ã³ã¯é£ãããææã颚éãšé¢šåããæ°æž©ãšæ°å§ãæ°Žæµãšå¡©åæ¿åºŠãæã®åšæãªã©ã¯ãæ°·ã®åœ¢æã®ç¹åŸŽãæåã«åœ±é¿ãäžããèŠå ã®ã»ãã®äžéšã«éããªãããããã®èŠçŽ ãæ³šææ·±ã芳å¯ããããŸããŸæ°Žåã®è¿ãã«äœãã§ããªãéãããã©ãããã¯ãªæ°·ã®çºçãäœéšããåçã«åããããšã¯ããã£ãã«ãªãå¶ç¶ã®åºäŒãã«ãããªããããããªãã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e2024å¹Žã®æ¥ãç§ã¯ãããç§ãã¡ã¯å¹žéã«æµãŸãããæ°åå€åã®åºæºãããããšè¯ãå¬ã ã£ãããçªç¶ã®æããã§éªã溶ããåã£ãæ¹ã®ç¡¬çŽãç·©åããããæ¥äžã¯æŽå€©ãç¶ããå€ã¯å·ã蟌ãã ãç§ã¯1é±éãæ±ã®å¢çããªã倧ããªæ¹ããã€ãã·ãå«ã4ã€ã®æ¹ãåã£ãããã®ãããªã³ã³ãã£ã·ã§ã³ã«ãããããããã©ã€ãã¬ã³ãŒãã£ã³ã°ãšãªãŒããŒãã€ãã»ããããã»ãªã°ã®äž¡æ¹ã«ãããŠåœããå€ãããã£ãããã®çµæãå£ç¯ã®ç§»ãå€ãããæ°·ã«ãšã£ãŠã©ã®ãããªæå³ãæã€ã®ãããããŠããã«çŸããæ§ã
ãªé³ãæããã«ããéžããããã®é²é³ãéãããIce Tectonicsãã宿ãããäœæéãã®é²é³ã«ããããããããã®äœéšã¯ã€ãã®éã®ãã®ã ãæ°é±éãããªããã¡ã«æ°·ã¯æ¶ããæ°·ã®é³ãäœæéãèŽãç¶ããåŸã«ééãããèæ¶Œãšãã颚æ¯ãå·ã€ããããå€ç¬æã®ã€ã¡ãŒãžãæ¶ããŠããŸã£ãã\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1591127369\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eã¬ãŒãã«ãã®ä»äœåã¯\u003ca href=\"https:\/\/tobirarecords.com\/collections\/smlg\"\u003eãã¡ã\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/smlg\"\u003ehere\u003c\/a\u003e to see more saamleng releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eCD in 6-panel gatefold sleeve. Edition of 100. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Long Night, Laho Forest Lake 08:47\u003cbr\u003e2. Large Fissure, Lake Peipsi 08:18\u003cbr\u003e3. Another Long Night, Laho Forest Lake 09:31\u003cbr\u003e4. Converging Cracks, Lake Peipsi 07:08\u003cbr\u003e5. Unstable Edge, Lake Peipsi 10:05\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eArtist statement by John Grzinich:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Since moving to Estonia 20 years ago, Iâve become fascinated by ice. After walking on the frozen Baltic Sea and hearing loud 'voices' from a local lake one still and cold night, these experiences have transformed the way I think about frozen bodies of water. Far from solid static entities, these great frozen planes are alive and behave in ways not unlike the crust of the earth. From subtle shifts to violent eruptions the tectonic-like movements of ice can become dynamic and dramatic sonic events. But witnessing and capturing these events is far from easy. In my experience, itâs all about timing. If you donât live next to a lake or right on the sea, strategic recording sessions are a challenge. The time of year, wind speed and direction, air temperature and pressure, water currents and salinity and moon cycles are but a few of the factors that influence the character and behaviour of ice formations. Unless one is following these factors closely and happens to live near a body of water, experiencing and capturing dramatic ice occurrences may come down to a rare chance encounter.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn the spring of 2024 I, or we, got lucky. It had been a good winter (by climate change standards), but a sudden warm spell melted the snow and eased up the rigid tension of the frozen lakes. A week of sunny days and clear cold nights sparked good conditions for the ice\u003cspan class=\"bcTruncateMore\"\u003e to shift and deform. I circulated among four lakes in my area for a week including the large lake Peipsi that forms the eastern border. Despite the conditions, it was still hit or miss with both live recording and using overnight drop rigs. The outcome of my explorations has resulted in âIce Tectonicsâ, a collection of select recordings that reveals what a seasonal transition means for ice and the varied sounds that emerge. Despite hours of recorded material, the experiences are fleeting. Within a few weeks the ice was gone and with it the image of those stark landscapes and feelings of vulnerable isolation that one may encounter after spending hours listening to ice.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John Grzinich\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003esaamleng\u003c\/p\u003e"}
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{"id":8967928250618,"title":"Aaron Dilloway \/\/ Bhoot Ghar: Sounds of the Kathmandu Horror House LP","handle":"aaron-dilloway-bhoot-ghar-sounds-of-the-kathmandu-horror-house-lp","description":"\u003cp\u003eã¢ã¡ãªã«ã»ãªãã€ãªã®ãã€ãºã¬ãŒãã«Hanson Records䞻宰Aaron Dillowayãã2025幎10æã«ã¡ã€ã³å·ã®ãµã€ã±ããªãã¯ã¬ãŒãã«Psychic SoundsãããªãªãŒã¹ããåçºã¬ã³ãŒãã§ããïŒãªãªãžãã«ã¯2023幎ã«ã»ãããªãªãŒã¹ïŒ\u003c\/p\u003e\n\u003cp\u003eãããŒã«ã®BçŽéåå°ã«ããã³ãºã»ãã¡ã³ããŒã¯ã«ãããåã屿·ããŒãã»ã¬ã«åšèŸºã§ã®ãã£ãŒã«ãã¬ã³ãŒãã£ã³ã°8æ²ãåé²ããã©ãŒãèŠæãªæ¹ã¯ãæ§ããã ãããDLã³ãŒãä»å±ã\u003c\/p\u003e\n\u003cp\u003e以äžãäœå®¶æ¬äººã«ãã解説ã§ãã\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ãããŒã«ã»ã«ããã³ãºã®ã«ããã³ãºã»ãã¡ã³ããŒã¯ã«ãããåã屿·ããã®é»è©±é²é³ã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e1æ²ç®ã»ãšã³ãã©ã³ã¹ã®ãµãŠã³ããã©ãã¯ïŒ ãåã屿·ã«å
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åœããŠãããç§ãã¡ãå転ããŠããéã圌ã¯ç§ã«ãŠã£ã³ã¯ããããç§ãæ°åãæªããªãåã«ããŒãã¯åããŠããŸã£ãããç§ããããããããå§ããã®ãèãããã ãã...ãã©ã€ãå
šäœã¯çŽ8åéç¶ããã3ååŸã«æ°åãæªããªã£ãã\" \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3853494292\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eã¬ãŒãã«ãã®ä»äœåã¯\u003ca href=\"https:\/\/tobirarecords.com\/collections\/psso\"\u003eãã¡ã\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/psso\"\u003ehere\u003c\/a\u003e to see more Psychic Sounds releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003e12\" black vinyl.\u003cbr\u003eEdition of 500. \u003cbr\u003eVinyl reissue - originally released on cassette in 2023. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Entrance Soundtrack\u003cbr\u003e2. Walk Through 2\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Bumper Cars (In Line)\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Geese Feeding Outside Bhoot Ghar\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Walk Through 1\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Bumper Cars (In Car)\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Ferris Wheel Belt\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Break Dancer (Vinyl Only)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003ePsychic Sounds:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePsychic Sounds now offers a proper vinyl release of the raw, unfiltered document 'Bhoot Ghar: Sounds of the Kathmandu Horror House', compiled field recordings by Aaron Dilloway. Previous explorations into Nepal have fruited wild \u0026amp; wonderful collections such as 'Sounds of Nepal' featuring field recordings \u0026amp; a regional folk pop songs comp from found cassettes, 'Radio Nepal' transmission snippets dubbed directly from Nepalese radio, and the epic two hour hypnotic alleyway trance 'Sounds of the Indian Snake Charmer' by the Nath Family. This research further fueled subsequent solo works of essential carved noise relics 'Rotting Nepal' \u0026amp; 'Beggar Master'.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBhoot Ghar, or Ghost House in Hindi, apparated into Dillowayâs ongoing narrative revealing crude, rusted animatronics \u0026amp; ghoulish mannequins triggered by sensors releasing bursts of mechanical clanking \u0026amp; electric humming creating chaotic collisions of questionable in-house rigs likened to Survival Research Laboratories. Listeners become the ghost-on-wall witnessing confused, sometimes disturbed, patrons trying to find an exit which all contributes to a disorienting, psychedelic atmosphere. The layered\u003cspan class=\"bcTruncateMore\"\u003e distorted, crackling audio soundtrack sewn from various ancient theme parks, cut-up \"ghost host\" narration, Indian horror tv show music, heavily effected vocals \u0026amp; eerie samples all get funneled through the \"busted sound system\" further adding to the surreal, unnerving experience.\u003cbr\u003e\u003cbr\u003eJourneying through the moldy corridors isnât the only treat received, as the album also shares other mundane park environments capturing the natural soundscape amidst the manufactured scares revealing his ability to create a sense of presence from ambient sounds outside the dilapidated structure. The flimsy wheel belt rhythms, bumper car madness, or cacophonous feeding geese ground the listener in the reality of the Kathmandu Fun Park, making the eventual descent into the Horror House feel even more immersive, revealing that much of the fright comes from navigating a way out of the decrepit pitch-black wooden maze. And for an extra demented dimension, Aaron \u0026amp; Leo, his son, experience motion sickness after an excessively long ride called âBreakdancerâ swirling rhythmic squeaks, groans, and metallic churning in which they apparently catch a wink from the operator while in motion.\u003cbr\u003e\u003cbr\u003eOverall, it fits perfectly into the mass distributed vinyl, cassette \u0026amp; CD culture of commercial Halloween sound effects \u0026amp; spooky music productions heard across the seventies, eighties \u0026amp; nineties, or even if Sublime Frequencies had a haunted house novelty section featuring macabre selections from around the globe. This deluxe edition includes the original Hanson Records cassette bonus material also getting a supreme update with mastered audio along with newly reworked cover artwork, and a full color double sided insert of photos including all the entertaining notes in their fully insane glory. Well worth the price of entry, and for those that dare to grab this version will find a surprise ending of both \"terrifying and hilarious\" proportions!\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Aaron Dilloway\u003c\/p\u003e\n\u003cp\u003eLabel : Psychic Sounds\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePS37\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-10-24T11:08:40+09:00","created_at":"2025-10-24T10:54:25+09:00","vendor":"Tobira Records","type":"","tags":["drone","field recording","lp","monooto","new","noise","psychic sounds"],"price":398000,"price_min":398000,"price_max":398000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47858043486458,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Aaron Dilloway \/\/ Bhoot Ghar: Sounds of the Kathmandu Horror House LP","public_title":null,"options":["Default Title"],"price":398000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/gha1.jpg?v=1761270674","\/\/tobirarecords.com\/cdn\/shop\/files\/gha3.jpg?v=1761270674","\/\/tobirarecords.com\/cdn\/shop\/files\/gha2.jpg?v=1761270674"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/gha1.jpg?v=1761270674","options":["Title"],"media":[{"alt":null,"id":37227600281850,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gha1.jpg?v=1761270674"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gha1.jpg?v=1761270674","width":700},{"alt":null,"id":37227600347386,"position":2,"preview_image":{"aspect_ratio":0.981,"height":1200,"width":1177,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gha3.jpg?v=1761270674"},"aspect_ratio":0.981,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gha3.jpg?v=1761270674","width":1177},{"alt":null,"id":37227600314618,"position":3,"preview_image":{"aspect_ratio":0.913,"height":1200,"width":1095,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gha2.jpg?v=1761270674"},"aspect_ratio":0.913,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gha2.jpg?v=1761270674","width":1095}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eã¢ã¡ãªã«ã»ãªãã€ãªã®ãã€ãºã¬ãŒãã«Hanson Records䞻宰Aaron Dillowayãã2025幎10æã«ã¡ã€ã³å·ã®ãµã€ã±ããªãã¯ã¬ãŒãã«Psychic SoundsãããªãªãŒã¹ããåçºã¬ã³ãŒãã§ããïŒãªãªãžãã«ã¯2023幎ã«ã»ãããªãªãŒã¹ïŒ\u003c\/p\u003e\n\u003cp\u003eãããŒã«ã®BçŽéåå°ã«ããã³ãºã»ãã¡ã³ããŒã¯ã«ãããåã屿·ããŒãã»ã¬ã«åšèŸºã§ã®ãã£ãŒã«ãã¬ã³ãŒãã£ã³ã°8æ²ãåé²ããã©ãŒãèŠæãªæ¹ã¯ãæ§ããã ãããDLã³ãŒãä»å±ã\u003c\/p\u003e\n\u003cp\u003e以äžãäœå®¶æ¬äººã«ãã解説ã§ãã\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ãããŒã«ã»ã«ããã³ãºã®ã«ããã³ãºã»ãã¡ã³ããŒã¯ã«ãããåã屿·ããã®é»è©±é²é³ã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e1æ²ç®ã»ãšã³ãã©ã³ã¹ã®ãµãŠã³ããã©ãã¯ïŒ ãåã屿·ã«å
¥ãéãæ©ããšãã«æµããé³å£°ãå±å€ã®å®ç©ã®PAã¹ããŒã«ãŒããæµããŠããããã®é³å£°ã«ãªããã¯ã¹ã¯ããŠãããããšã³ãã©ã³ã¹ã®ã¹ããŒã«ãŒããæµããŠãããã®ããã®ãŸãŸé²é³ããŠãããç¡é³ã®ç¬éããããããã ç²éãªã¹ããŒã«ãŒã®é³ããããå®ç§ã ããã®çãäžã«ã·ã³ã»ã»ãã©ãã¯ããããå人ã®ã«ãã€ã«ã»ã«ã€ã¶ãŒãã€ã³ãã®æåãªãã©ãŒTVçªçµã®ã€ã³ãã鳿¥œã ãšç¹å®ããããã®ã³ã©ãŒãžã¥ãäœã£ã人ã«äŒããããã®ã ãééããªãã€ã©ã¬ãŠããã®ã ãããã®æ¥µããŠããããããªãå£ããPAã¹ããŒã«ãŒãéããŠäœéšã§ããŠæ¬åœã«è¯ãã£ãã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e2æ²ç®ã»ãŠã©ãŒã¯ã¹ã«ãŒ2ïŒçã£æãªè¿·è·¯ãæ©ãã®ã¯2床ç®ã ãã©ããã«äººæã»ã³ãµãŒãããããããéãéãããšãæããå
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¥ã£ãŠããããã®æã®ãã®ã¯ã¹ããŒããéãããã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e7æ²ç®ã»èŠ³èŠ§è»ã®ãã«ãïŒ èŠ³èŠ§è»ã®ããåºãã®ãã«ããäœãçŽ æŽããããªãºã ãç§ãä¹ã£ãæ°ååŸã«ãã®ãã«ããåããŠããŸãããã®åŸãã°ããã®éã人ã
ã¯é äžã§ç«ã¡åŸçããŠããã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e8æ²ç®ã»ã«ã»ããã®ã¿ã®ããŒãã¹ãã©ãã¯ïŒ æ¯åãšç§ãä¹ã£ã ãBREAKDANCER ãã¯ããŸãããŠãã¹ããŒããéãããŠ...é·ããããå°ããªèŠã穎ã®ããå°ããªããŒã¹ã§ãå°ããªç·ãæ
åœããŠãããç§ãã¡ãå転ããŠããéã圌ã¯ç§ã«ãŠã£ã³ã¯ããããç§ãæ°åãæªããªãåã«ããŒãã¯åããŠããŸã£ãããç§ããããããããå§ããã®ãèãããã ãã...ãã©ã€ãå
šäœã¯çŽ8åéç¶ããã3ååŸã«æ°åãæªããªã£ãã\" \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3853494292\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eã¬ãŒãã«ãã®ä»äœåã¯\u003ca href=\"https:\/\/tobirarecords.com\/collections\/psso\"\u003eãã¡ã\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/psso\"\u003ehere\u003c\/a\u003e to see more Psychic Sounds releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003e12\" black vinyl.\u003cbr\u003eEdition of 500. \u003cbr\u003eVinyl reissue - originally released on cassette in 2023. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Entrance Soundtrack\u003cbr\u003e2. Walk Through 2\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Bumper Cars (In Line)\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Geese Feeding Outside Bhoot Ghar\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Walk Through 1\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Bumper Cars (In Car)\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Ferris Wheel Belt\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Break Dancer (Vinyl Only)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003ePsychic Sounds:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePsychic Sounds now offers a proper vinyl release of the raw, unfiltered document 'Bhoot Ghar: Sounds of the Kathmandu Horror House', compiled field recordings by Aaron Dilloway. Previous explorations into Nepal have fruited wild \u0026amp; wonderful collections such as 'Sounds of Nepal' featuring field recordings \u0026amp; a regional folk pop songs comp from found cassettes, 'Radio Nepal' transmission snippets dubbed directly from Nepalese radio, and the epic two hour hypnotic alleyway trance 'Sounds of the Indian Snake Charmer' by the Nath Family. This research further fueled subsequent solo works of essential carved noise relics 'Rotting Nepal' \u0026amp; 'Beggar Master'.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBhoot Ghar, or Ghost House in Hindi, apparated into Dillowayâs ongoing narrative revealing crude, rusted animatronics \u0026amp; ghoulish mannequins triggered by sensors releasing bursts of mechanical clanking \u0026amp; electric humming creating chaotic collisions of questionable in-house rigs likened to Survival Research Laboratories. Listeners become the ghost-on-wall witnessing confused, sometimes disturbed, patrons trying to find an exit which all contributes to a disorienting, psychedelic atmosphere. The layered\u003cspan class=\"bcTruncateMore\"\u003e distorted, crackling audio soundtrack sewn from various ancient theme parks, cut-up \"ghost host\" narration, Indian horror tv show music, heavily effected vocals \u0026amp; eerie samples all get funneled through the \"busted sound system\" further adding to the surreal, unnerving experience.\u003cbr\u003e\u003cbr\u003eJourneying through the moldy corridors isnât the only treat received, as the album also shares other mundane park environments capturing the natural soundscape amidst the manufactured scares revealing his ability to create a sense of presence from ambient sounds outside the dilapidated structure. The flimsy wheel belt rhythms, bumper car madness, or cacophonous feeding geese ground the listener in the reality of the Kathmandu Fun Park, making the eventual descent into the Horror House feel even more immersive, revealing that much of the fright comes from navigating a way out of the decrepit pitch-black wooden maze. And for an extra demented dimension, Aaron \u0026amp; Leo, his son, experience motion sickness after an excessively long ride called âBreakdancerâ swirling rhythmic squeaks, groans, and metallic churning in which they apparently catch a wink from the operator while in motion.\u003cbr\u003e\u003cbr\u003eOverall, it fits perfectly into the mass distributed vinyl, cassette \u0026amp; CD culture of commercial Halloween sound effects \u0026amp; spooky music productions heard across the seventies, eighties \u0026amp; nineties, or even if Sublime Frequencies had a haunted house novelty section featuring macabre selections from around the globe. This deluxe edition includes the original Hanson Records cassette bonus material also getting a supreme update with mastered audio along with newly reworked cover artwork, and a full color double sided insert of photos including all the entertaining notes in their fully insane glory. Well worth the price of entry, and for those that dare to grab this version will find a surprise ending of both \"terrifying and hilarious\" proportions!\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Aaron Dilloway\u003c\/p\u003e\n\u003cp\u003eLabel : Psychic Sounds\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePS37\u003c\/span\u003e\u003c\/p\u003e"}
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{"id":8967926186234,"title":"kishun \/\/ å€ç ïœ Kokai TAPE","handle":"kishun-kokai-tape","description":"\u003cp\u003eæ¥æ¬ã®å楜åšãã¥ãªkishunãã2025幎10æã«æ±äº¬ã®ato.archivesãããªãªãŒã¹ããã«ã»ããã§ãã\u003c\/p\u003e\n\u003cp\u003eç¬ãšæ¥œçµç¶ã«ããåã³ããšã³ããããŒã³ãã€ã³ãã9æ²ãåé²ãDLã³ãŒãä»å±ã\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2185967599\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eã¬ãŒãã«ãã®ä»äœåã¯\u003ca href=\"https:\/\/tobirarecords.com\/collections\/atoa\"\u003eãã¡ã\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/atoa\"\u003ehere\u003c\/a\u003e to see more ato.archives releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003eCassette in norelco case.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e壹è¶èª¿èª¿åãšæ¥å\u003c\/span\u003e Ichikotsucho Choshi and Bachiawase 03:07\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. \u003c\/span\u003e\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e壹è¶èª¿\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" lang=\"JA\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eæ¥é¶¯åéè²\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e Ichikotsucho Shnnouden no Yusei 03:38\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. \u003c\/span\u003e\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e平調\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" lang=\"JA\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eéªè\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e Hyojo Bairo 04:36\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. \u003c\/span\u003e\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e倪é£èª¿\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" lang=\"JA\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eä»éé\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e Taishikicho Sen\u003c\/span\u003e\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eâ\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eyug 06:06\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. \u003c\/span\u003e\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eå³è\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e I Improvisation I 02:40\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. \u003c\/span\u003e\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eç€æžèª¿èª¿åãšæ¥å\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e Banshikicho Choshi and Bachiawase 03:52\u003cbr\u003e\u003c\/span\u003e7. \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eç€æžèª¿\u003c\/span\u003e\u003cspan lang=\"JA\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eéæµ·æ³¢\u003c\/span\u003e Banshikicho Choshi and Bachiawa 08:32\u003cbr\u003e8. \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e倪é£èª¿\u003c\/span\u003e\u003cspan lang=\"JA\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eåæå¡©\u003c\/span\u003e Taishikicho Gakkaen 08:05\u003cbr\u003e9. \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eå³è\u003c\/span\u003e II Improvisation II 02:12\u003c\/p\u003e\n\u003cp\u003eato.archivses:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ekishun is a duo: ISHIKAWA Ko, player of the shÅ (mouth-organ), and NAKAMURA Kahoru, player of the gaku-biwa (Japanese court lute). Since 2015 they have used only shÅ and biwa. Their idea is to bring out the hidden sound in what they call âgagaku without melody.â\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eGagaku is the ancient court music of Japan. It is more than a thousand years old. In the Heian period, nobles gathered old songs and dances from Japan and pieces that had come from Korea and China between the 5th and 9th centuries, and shaped them into one art. As gagaku took root in Japan, it was arranged and rebuilt. The form we hear today is unique to Japan. By the Heian era, it was already close to its present shape. Gagaku lives in two worlds: as court music at the Imperial Palace, and as sacred music for rites and festivals at temples and shrines. Because of this history, it was kept by nobles and professional musicians, away from the taste of ordinary people. Its instruments and dances are very different from most other Japanese traditions.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eGagaku has four main kinds: bugaku (dances, including those from the continent), kangen (an instrumental ensemble), kuniburi-no-utamai (old songs and dances from Japan), and utamono (vocal music from the Heian period). Among these, kangen is rare in Japan: it\u003cspan class=\"bcTruncateMore\"\u003e is a full orchestra made only of instruments. Most other Japanese music centers on singing. When there is instrumental playing, it is often in small groups or as support for theater and dance. Kangen stands apart.\u003cbr\u003eThe kangen ensemble is called âthree winds, two strings, three drums.â The winds are shÅ, hichiriki (double-reed), and ryÅ«teki (transverse flute). The strings are biwa and so (zither). The drums are kakko, taiko, and shÅko (gong). The hichiriki and ryÅ«teki carry the melody. The shÅ wraps them in chords. The string parts frame the rhythm. Kishun plays only shÅ and biwa, both in classic pieces and in improvisation.\u003cbr\u003eThe shÅ is a free-reed mouth organ with 17 bamboo pipes of different lengths and pitches. Each pipe has a small metal reed. In the classic style, players do not use tonguing. They shape phrases with breath. The shÅ is not loud. In ensemble it plays long, steady chords called aitake. These chords color the melody and show the center of the mode (scale).\u003cbr\u003e\u003cbr\u003eThe gaku-biwa is a lute. Today it has four strings and four frets, and is played with a plectrum. Its back is flat and the body is shallow. Its sound is strong at the start, then fades quickly, with almost no ring. For this reason, the biwa speaks more in rhythm than in harmony.\u003cbr\u003ekishun leaves out the melody instruments of kangen. They focus on the shÅ, which builds a field of sound through aitake chords, and the biwa, which draws the rhythm. This is their experiment: to bring forward the voices that hide behind the melody. With the skill of two masters, they reach this goal. Sounds that the full gagaku ensemble often covers without notice step into the foreground and speak to us in a fresh, striking way.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : kishun\u003c\/p\u003e\n\u003cp\u003eLabel : ato.archives\u003c\/p\u003e\n\u003cp\u003ecat no : ata016\u003c\/p\u003e","published_at":"2025-10-24T10:53:43+09:00","created_at":"2025-10-24T10:42:27+09:00","vendor":"Tobira Records","type":"","tags":["ambient","asia","ato.archives","field recording","new","tape"],"price":200000,"price_min":200000,"price_max":200000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47858038571258,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"kishun \/\/ å€ç ïœ Kokai TAPE","public_title":null,"options":["Default Title"],"price":200000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/kok1_821b459b-2f7b-4585-b5b1-fdd0e59b1c9e.jpg?v=1761270060","\/\/tobirarecords.com\/cdn\/shop\/files\/kok2_cff3090f-16fd-48bd-affd-3ebd662deb67.jpg?v=1761270059"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/kok1_821b459b-2f7b-4585-b5b1-fdd0e59b1c9e.jpg?v=1761270060","options":["Title"],"media":[{"alt":null,"id":37227570823418,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kok1_821b459b-2f7b-4585-b5b1-fdd0e59b1c9e.jpg?v=1761270060"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kok1_821b459b-2f7b-4585-b5b1-fdd0e59b1c9e.jpg?v=1761270060","width":700},{"alt":null,"id":37227570856186,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kok2_cff3090f-16fd-48bd-affd-3ebd662deb67.jpg?v=1761270059"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kok2_cff3090f-16fd-48bd-affd-3ebd662deb67.jpg?v=1761270059","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eæ¥æ¬ã®å楜åšãã¥ãªkishunãã2025幎10æã«æ±äº¬ã®ato.archivesãããªãªãŒã¹ããã«ã»ããã§ãã\u003c\/p\u003e\n\u003cp\u003eç¬ãšæ¥œçµç¶ã«ããåã³ããšã³ããããŒã³ãã€ã³ãã9æ²ãåé²ãDLã³ãŒãä»å±ã\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2185967599\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eã¬ãŒãã«ãã®ä»äœåã¯\u003ca href=\"https:\/\/tobirarecords.com\/collections\/atoa\"\u003eãã¡ã\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/atoa\"\u003ehere\u003c\/a\u003e to see more ato.archives releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003eCassette in norelco case.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e壹è¶èª¿èª¿åãšæ¥å\u003c\/span\u003e Ichikotsucho Choshi and Bachiawase 03:07\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. \u003c\/span\u003e\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e壹è¶èª¿\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" lang=\"JA\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eæ¥é¶¯åéè²\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e Ichikotsucho Shnnouden no Yusei 03:38\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. \u003c\/span\u003e\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e平調\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" lang=\"JA\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eéªè\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e Hyojo Bairo 04:36\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. \u003c\/span\u003e\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e倪é£èª¿\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" lang=\"JA\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eä»éé\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e Taishikicho Sen\u003c\/span\u003e\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eâ\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eyug 06:06\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. \u003c\/span\u003e\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eå³è\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e I Improvisation I 02:40\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. \u003c\/span\u003e\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eç€æžèª¿èª¿åãšæ¥å\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e Banshikicho Choshi and Bachiawase 03:52\u003cbr\u003e\u003c\/span\u003e7. \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eç€æžèª¿\u003c\/span\u003e\u003cspan lang=\"JA\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eéæµ·æ³¢\u003c\/span\u003e Banshikicho Choshi and Bachiawa 08:32\u003cbr\u003e8. \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e倪é£èª¿\u003c\/span\u003e\u003cspan lang=\"JA\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eåæå¡©\u003c\/span\u003e Taishikicho Gakkaen 08:05\u003cbr\u003e9. \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eå³è\u003c\/span\u003e II Improvisation II 02:12\u003c\/p\u003e\n\u003cp\u003eato.archivses:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ekishun is a duo: ISHIKAWA Ko, player of the shÅ (mouth-organ), and NAKAMURA Kahoru, player of the gaku-biwa (Japanese court lute). Since 2015 they have used only shÅ and biwa. Their idea is to bring out the hidden sound in what they call âgagaku without melody.â\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eGagaku is the ancient court music of Japan. It is more than a thousand years old. In the Heian period, nobles gathered old songs and dances from Japan and pieces that had come from Korea and China between the 5th and 9th centuries, and shaped them into one art. As gagaku took root in Japan, it was arranged and rebuilt. The form we hear today is unique to Japan. By the Heian era, it was already close to its present shape. Gagaku lives in two worlds: as court music at the Imperial Palace, and as sacred music for rites and festivals at temples and shrines. Because of this history, it was kept by nobles and professional musicians, away from the taste of ordinary people. Its instruments and dances are very different from most other Japanese traditions.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eGagaku has four main kinds: bugaku (dances, including those from the continent), kangen (an instrumental ensemble), kuniburi-no-utamai (old songs and dances from Japan), and utamono (vocal music from the Heian period). Among these, kangen is rare in Japan: it\u003cspan class=\"bcTruncateMore\"\u003e is a full orchestra made only of instruments. Most other Japanese music centers on singing. When there is instrumental playing, it is often in small groups or as support for theater and dance. Kangen stands apart.\u003cbr\u003eThe kangen ensemble is called âthree winds, two strings, three drums.â The winds are shÅ, hichiriki (double-reed), and ryÅ«teki (transverse flute). The strings are biwa and so (zither). The drums are kakko, taiko, and shÅko (gong). The hichiriki and ryÅ«teki carry the melody. The shÅ wraps them in chords. The string parts frame the rhythm. Kishun plays only shÅ and biwa, both in classic pieces and in improvisation.\u003cbr\u003eThe shÅ is a free-reed mouth organ with 17 bamboo pipes of different lengths and pitches. Each pipe has a small metal reed. In the classic style, players do not use tonguing. They shape phrases with breath. The shÅ is not loud. In ensemble it plays long, steady chords called aitake. These chords color the melody and show the center of the mode (scale).\u003cbr\u003e\u003cbr\u003eThe gaku-biwa is a lute. Today it has four strings and four frets, and is played with a plectrum. Its back is flat and the body is shallow. Its sound is strong at the start, then fades quickly, with almost no ring. For this reason, the biwa speaks more in rhythm than in harmony.\u003cbr\u003ekishun leaves out the melody instruments of kangen. They focus on the shÅ, which builds a field of sound through aitake chords, and the biwa, which draws the rhythm. This is their experiment: to bring forward the voices that hide behind the melody. With the skill of two masters, they reach this goal. Sounds that the full gagaku ensemble often covers without notice step into the foreground and speak to us in a fresh, striking way.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : kishun\u003c\/p\u003e\n\u003cp\u003eLabel : ato.archives\u003c\/p\u003e\n\u003cp\u003ecat no : ata016\u003c\/p\u003e"}
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æ¥æ¬ã®å楜åšãã¥ãªkishunãã2025幎10æã«æ±äº¬ã®ato.archivesãããªãªãŒã¹ããã«ã»ããã§ãã ç¬ãšæ¥œçµç¶ã«ããåã³ããšã³ããããŒã³ãã€ã³ãã9æ²ãåé²ãDLã³ãŒãä»å±ã ã¬ãŒãã«ãã®ä»äœåã¯ãã¡ã /// Click here to see more ato.archives releases available at Tobira....
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{"id":8966333464826,"title":"PRAED Orchestra! \/\/ The Dictionary of Lost Meanings 2xLP","handle":"praed-orchestra-the-dictionary-of-lost-meanings-2x12inch","description":"\u003cp\u003eã¬ããã³ã®ã¹ãã¬ã³ãžããŒããã¥ãªPRAEDçããPRAED Orchestra!ãã2025幎10æã«ãã«ãã¬ã«ã»ãªã¹ãã³ã®å¯æç³»é³æ¥œã®å€§å·£çªDiscrepantãããªãªãŒã¹ãã2æçµã¬ã³ãŒãã§ãã\u003c\/p\u003e\n\u003cp\u003eãšãžãã鳿¥œã·ã£ãŒããŒãšããªãŒãžã£ãºãèåããã¹ãã¬ã³ãžããŒã7æ²ãåé²ãã²ãŒããã©ã«ã仿§ã§ãã\u003c\/p\u003e\n\u003cp\u003eElisabeth KlinckãRaed YassinãAlan Bishopãåå ããç·å¢16åã«ããã¢ã³ãµã³ãã«ã§ãã\u003c\/p\u003e\n\u003cp\u003eâ»ããžã¿ã«é³æºãç¡æã§ãéãããããŸãã®ã§ãæ°è»œã«ãé£çµ¡ãã ãããŸã\u003c\/p\u003e\n\u003cp\u003e以äžãã¬ãŒãã«ã«ãã解説ã§ã\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"PRAEDã2017幎ã®ãFabrication of Silver DreamsãïŒCREP44ïŒä»¥æ¥ãšãªãäœåã§Discrepantã«åž°éã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eãšãžããã®ã·ã£ã¢ããŒé³æ¥œãããªãŒãžã£ãºãå³èæŒå¥ãç¬èªã«èåãããã¹ã¿ã€ã«ã§ç¥ãããã¬ããã³ã®ãã¥ãªPRAEDïŒã¬ã€ãã»ã€ã·ã³ãšããŒãã»ã³ã³ã«ïŒããä»å2床ç®ãšãªããã«ãªãŒã±ã¹ãã©ç·šæã§é³æ¥œãããæ·±ããæ ¹æºçãªæ¬¡å
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åœããã®çµæçãŸããã®ã¯ãæ¿å¯ã§ãããªããéã³å¿ã«ããµããäºæž¬äžèœã§ãããªããã©ããæããããæããããäœåãã¢ã©ãã®ãªãºã ãšåŸ®åé³ã®ã¡ããã£ãããšã¬ã¯ãããã¯ã¹ãæªãã ããŒã«ã«ããªãŒã±ã¹ãã©ã®ãã¯ã¹ãã£ãŒãšæ¯ããªããè¡çªããã¬ã³ãŒãã ã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eããã¯ãžã£ã³ã«ãããèšæ¶ã«é¢ãããã®ââãŸãã§éå»ãšæªæ¥ã®çéã§æŸéãããã©ãžãªå±ã«ãã¥ãŒãã³ã°ãåããããããªäœéšã§ããã\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePRAEDã¯ãå€§è¡æåãšå®éšé³æ¥œã®å¢çç·ããå°ã«è¶³ãã€ãã€ã€ãå®å
šã«ç¬èªã®æ¹æ³ã§ææ§ã«ãç¶ããŠããã\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3930131971\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2451070788\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3930131971\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=413640150\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3930131971\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eã¬ãŒãã«ãã®ä»äœåã¯\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dipa\"\u003eãã¡ã\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dipa\"\u003ehere\u003c\/a\u003e to see more Discrepant \/ Keroxen \/ Sucata Tapes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e2 x 12\" black vinyl in gatefold sleeve. \u003cbr\u003eEdition of 500.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Mirror House\u003cbr\u003e2. Djinn Dance \u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. The Dictionary of Lost Meanings \u003cbr\u003e\u003c\/span\u003e4. The Spell \u003cbr\u003e5. Fragmented Realities\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Three Dimensional Spirits\u003cbr\u003e\u003c\/span\u003e7. El A3saab\u003c\/p\u003e\n\u003cp\u003eDiscrepant:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePRAED return to Discrepant, after their 2017âs entry Fabrication of Silver Dreams (CREP44).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eKnown for their signature blend of Egyptian Shaabi, free jazz and improvisation, the Lebanese duo behind PRAED - Raed Yassin and Paed Conca - now assemble a full orchestra for the second time taking the music to a deeper, rooted level.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFollowing their 2020 release Live in Sharjah, also under the PRAED Orchestra! moniker, the duo now revisit their unique blend of Arabic heritage and free jazz sensibilities with an album that keeps pushing further into strange and unexpected directions.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe Dictionary of Lost Meanings is just that, seven fully composed pieces and large-scale improvisations, performed by an expanded ensemble of musicians from across the globe. The result is dense and playful, unpredictable but familiar, a record where Arabic rhythms and microtonal melodies collide playfully against electronics, warped vocals and orchestral textures.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eItâs less about genre than about memory â like tuning into a radio station broadcasting from somewhere between the past and the future.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePRAED continue to blur the line between popular culture and experimental music in ways that feel both grounded and completely their own.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : PRAED Orchestra!\u003c\/p\u003e\n\u003cp\u003eLabel : Discrepant\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCREP112\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-10-23T15:55:31+09:00","created_at":"2025-10-23T09:06:38+09:00","vendor":"Tobira Records","type":"","tags":["Discrepant","field recording","jazz","lp","new","strange beats"],"price":598000,"price_min":598000,"price_max":598000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47852880920826,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"PRAED Orchestra! \/\/ The Dictionary of Lost Meanings 2xLP","public_title":null,"options":["Default Title"],"price":598000,"weight":630,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/me1_bb0ca9ed-e035-47cb-a198-d4755f49caa8.jpg?v=1761177877","\/\/tobirarecords.com\/cdn\/shop\/files\/me2_50426558-1b24-4a9a-97dc-517d91519d5a.jpg?v=1761177876"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/me1_bb0ca9ed-e035-47cb-a198-d4755f49caa8.jpg?v=1761177877","options":["Title"],"media":[{"alt":null,"id":37204643315962,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/me1_bb0ca9ed-e035-47cb-a198-d4755f49caa8.jpg?v=1761177877"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/me1_bb0ca9ed-e035-47cb-a198-d4755f49caa8.jpg?v=1761177877","width":700},{"alt":null,"id":37204643348730,"position":2,"preview_image":{"aspect_ratio":2.281,"height":526,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/me2_50426558-1b24-4a9a-97dc-517d91519d5a.jpg?v=1761177876"},"aspect_ratio":2.281,"height":526,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/me2_50426558-1b24-4a9a-97dc-517d91519d5a.jpg?v=1761177876","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eã¬ããã³ã®ã¹ãã¬ã³ãžããŒããã¥ãªPRAEDçããPRAED Orchestra!ãã2025幎10æã«ãã«ãã¬ã«ã»ãªã¹ãã³ã®å¯æç³»é³æ¥œã®å€§å·£çªDiscrepantãããªãªãŒã¹ãã2æçµã¬ã³ãŒãã§ãã\u003c\/p\u003e\n\u003cp\u003eãšãžãã鳿¥œã·ã£ãŒããŒãšããªãŒãžã£ãºãèåããã¹ãã¬ã³ãžããŒã7æ²ãåé²ãã²ãŒããã©ã«ã仿§ã§ãã\u003c\/p\u003e\n\u003cp\u003eElisabeth KlinckãRaed YassinãAlan Bishopãåå ããç·å¢16åã«ããã¢ã³ãµã³ãã«ã§ãã\u003c\/p\u003e\n\u003cp\u003eâ»ããžã¿ã«é³æºãç¡æã§ãéãããããŸãã®ã§ãæ°è»œã«ãé£çµ¡ãã ãããŸã\u003c\/p\u003e\n\u003cp\u003e以äžãã¬ãŒãã«ã«ãã解説ã§ã\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"PRAEDã2017幎ã®ãFabrication of Silver DreamsãïŒCREP44ïŒä»¥æ¥ãšãªãäœåã§Discrepantã«åž°éã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eãšãžããã®ã·ã£ã¢ããŒé³æ¥œãããªãŒãžã£ãºãå³èæŒå¥ãç¬èªã«èåãããã¹ã¿ã€ã«ã§ç¥ãããã¬ããã³ã®ãã¥ãªPRAEDïŒã¬ã€ãã»ã€ã·ã³ãšããŒãã»ã³ã³ã«ïŒããä»å2床ç®ãšãªããã«ãªãŒã±ã¹ãã©ç·šæã§é³æ¥œãããæ·±ããæ ¹æºçãªæ¬¡å
ãžãšæè¯ãããã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e2020幎ã«PRAED Orchestra!å矩ã§çºè¡šãããLive in Sharjahãã«ç¶ããã¢ã©ãã¢ã®äŒçµ±ãšããªãŒãžã£ãºã®ææ§ãèåãããç¬èªã®ã¹ã¿ã€ã«ãåæ§ç¯ãå¥åŠã§äºæž¬äžèœãªæ¹åæ§ãžãšããã«çªãé²ãã¢ã«ãã ãèªçããã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eãThe Dictionary of Lost Meaningsãã¯ãã®åã®éãã7ã€ã®å®å
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šã«ç¬èªã®æ¹æ³ã§ææ§ã«ãç¶ããŠããã\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3930131971\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2451070788\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3930131971\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=413640150\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3930131971\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eã¬ãŒãã«ãã®ä»äœåã¯\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dipa\"\u003eãã¡ã\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dipa\"\u003ehere\u003c\/a\u003e to see more Discrepant \/ Keroxen \/ Sucata Tapes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e2 x 12\" black vinyl in gatefold sleeve. \u003cbr\u003eEdition of 500.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Mirror House\u003cbr\u003e2. Djinn Dance \u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. The Dictionary of Lost Meanings \u003cbr\u003e\u003c\/span\u003e4. The Spell \u003cbr\u003e5. Fragmented Realities\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Three Dimensional Spirits\u003cbr\u003e\u003c\/span\u003e7. El A3saab\u003c\/p\u003e\n\u003cp\u003eDiscrepant:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePRAED return to Discrepant, after their 2017âs entry Fabrication of Silver Dreams (CREP44).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eKnown for their signature blend of Egyptian Shaabi, free jazz and improvisation, the Lebanese duo behind PRAED - Raed Yassin and Paed Conca - now assemble a full orchestra for the second time taking the music to a deeper, rooted level.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFollowing their 2020 release Live in Sharjah, also under the PRAED Orchestra! moniker, the duo now revisit their unique blend of Arabic heritage and free jazz sensibilities with an album that keeps pushing further into strange and unexpected directions.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe Dictionary of Lost Meanings is just that, seven fully composed pieces and large-scale improvisations, performed by an expanded ensemble of musicians from across the globe. The result is dense and playful, unpredictable but familiar, a record where Arabic rhythms and microtonal melodies collide playfully against electronics, warped vocals and orchestral textures.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eItâs less about genre than about memory â like tuning into a radio station broadcasting from somewhere between the past and the future.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePRAED continue to blur the line between popular culture and experimental music in ways that feel both grounded and completely their own.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : PRAED Orchestra!\u003c\/p\u003e\n\u003cp\u003eLabel : Discrepant\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCREP112\u003c\/span\u003e\u003c\/p\u003e"}
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{"id":8960958857466,"title":"Ata Kak \/\/ Batakari (Deluxe Edition) LP [COLOR]","handle":"ata-kak-batakari-deluxe-edition-lp-color","description":"\u003cp\u003eã¬ãŒãã®ã¢ãŠããµã€ããŒäœå®¶Ata Kakãã2025幎11æã«Awesome Tapes From AfricaãããªãªãŒã¹ããã¬ã³ãŒãã§ãã\u003c\/p\u003e\n\u003cp\u003e以äžãã¬ãŒãã«ã«ãã解説ã§ãã\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Ata Kakã¯ããã¥ãŒã¢ã«ãã ããªããŒã»ã·ããã§ã¬ãŒã鳿¥œå²ã«ç¬ç¹ã®è¶³è·¡ãæ®ããã1994幎ã®ãªãªãŒã¹åœæã¯ã»ãšãã©æ³šç®ãããªãã£ããã2006幎ã«ãªã³ã©ã€ã³ã§æ°ããªåœãåŸããããã°ãAwesome Tapes From Africaãã®æåã®æçš¿äœåãšããŠæ²èŒãããããšã§ãããçš®ã®å®£èšæãšããªã£ããã®äœåã¯ãã¢ã³ããŒã°ã©ãŠã³ããšã¯èšããªãã»ã©ã®ã«ã«ãç人æ°ãåŒã³èµ·ãããã圌ã®å·ŠæŽŸçãªé»å鳿¥œãšãã¥ã€èªã®ãããã©ã€ããèåãããäžæ¯æ§ã®ãããµãŠã³ãã¯ãæ§ã
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ãã衚èå°ãžçŸããã°ã©ã¹ãã³ããªãŒããœããŒããããã»ã¢ã³ããªãªãŒã«ãšãã£ãäž»èŠãã§ã¹ã§æ±ã ãã®ãã€ãšãã«ã®ãŒãªããã©ãŒãã³ã¹ãæ«é²ããªããäžçãã¢ãŒãæ¢è¡ããã\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Rlc9Q5q3aHI?si=0aqz0zKZsNXtj06B\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/SOZdu3JeKgQ?si=UijDip8WMpLx-Kpl\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/KfJvsnlgxFM?si=MA8WrgeKbrQ__D5L\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eã¬ãŒãã«ãã®ä»äœåã¯\u003ca href=\"https:\/\/tobirarecords.com\/collections\/atfa\"\u003eãã¡ã\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/atfa\"\u003ehere\u003c\/a\u003e to see more Awesome Tapes From Africa releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------\u003c\/p\u003e\n\u003cp\u003eDeluxe version includes 12\" 'lily pad green' marble vinyl +\u003cspan\u003e lyric\/photo sleeve.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Batakari \u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. DJ \u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Medoba\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Osoowa\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Yasi Town \u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Kae\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eAwesome \u003cmeta charset=\"utf-8\"\u003eTapes From Africa:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAta Kak created a peculiar slice of Ghanaian music history with his debut album âObaa Simaâ. While it barely made a ripple at the time of its release in 1994, the cassette found a new life online in 2006. A not-so-underground cult obsession grew after it appeared on the blog Awesome Tapes From Africa as its very first post, a sort of manifesto for the project. His addictive amalgam of left-field electronic music and Twi-language hiplife reached surprising levels of awareness among music fans of many stripes. The mystery behind the musicianâs identity grew. Eventually Yaw Atta-Owusu came out of the shadows, from his quiet home in Kumasi, to tour the world playing high-energy, sweat-soaked performances at major festivals like Glastonbury, Sónar and Pop Montreal.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNow, for the first time since 1994, Ata Kak releases new music. Honed in studios around Kumasi over the last several years, the songs feature the rapper-singerâs acrobatic rap, signature scatting, dramatic drums and even traditional Akan harp. The compositions are more ambitious than his earlier work, with more complex arrangements and layered harmonies. Ata Kakâs new songs are also the natural expression of a restless artistâhe is a prolific poet and author of a half-dozen books, as well as an active gardener\u003cspan class=\"bcTruncateMore\"\u003e and busy painter.\u003cbr\u003e\u003cbr\u003eBorn in Ghana in 1960, Ata Kak wasnât always involved in music. But his travels and openness to the world lead him into the music industry. While living in Germany, he was invited to play drums in a reggae band and subsequently played in highlife bands in Ontario after moving to the Toronto area. He recorded âObaa Simaâ there at his home studio and released it in Ghana in 1994. He didnât participate in music much in the intervening years until âObaa Simaâ was reissued in 2015. He started performing his song live with the help of a brilliant cast of London-based musicians and has toured three continents and played to thousands of fans in venues of all kinds.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ata Kak\u003c\/p\u003e\n\u003cp\u003eLabel : Awesome \u003cmeta charset=\"utf-8\"\u003eTapes From Africa\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eATFA053dlx-C1 \u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-10-22T08:04:44+09:00","created_at":"2025-10-20T10:10:55+09:00","vendor":"Tobira Records","type":"","tags":["awesome tapes from africa","field recording","lp","new"],"price":353500,"price_min":353500,"price_max":353500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47840394969338,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Ata Kak \/\/ Batakari (Deluxe Edition) LP [COLOR]","public_title":null,"options":["Default Title"],"price":353500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"843563192894","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/kak1_c4bdf3bb-c00a-4e08-a570-3674739f3242.jpg?v=1760922461"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/kak1_c4bdf3bb-c00a-4e08-a570-3674739f3242.jpg?v=1760922461","options":["Title"],"media":[{"alt":null,"id":37160997355770,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kak1_c4bdf3bb-c00a-4e08-a570-3674739f3242.jpg?v=1760922461"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kak1_c4bdf3bb-c00a-4e08-a570-3674739f3242.jpg?v=1760922461","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eã¬ãŒãã®ã¢ãŠããµã€ããŒäœå®¶Ata Kakãã2025幎11æã«Awesome Tapes From AfricaãããªãªãŒã¹ããã¬ã³ãŒãã§ãã\u003c\/p\u003e\n\u003cp\u003e以äžãã¬ãŒãã«ã«ãã解説ã§ãã\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Ata Kakã¯ããã¥ãŒã¢ã«ãã ããªããŒã»ã·ããã§ã¬ãŒã鳿¥œå²ã«ç¬ç¹ã®è¶³è·¡ãæ®ããã1994幎ã®ãªãªãŒã¹åœæã¯ã»ãšãã©æ³šç®ãããªãã£ããã2006幎ã«ãªã³ã©ã€ã³ã§æ°ããªåœãåŸããããã°ãAwesome Tapes From Africaãã®æåã®æçš¿äœåãšããŠæ²èŒãããããšã§ãããçš®ã®å®£èšæãšããªã£ããã®äœåã¯ãã¢ã³ããŒã°ã©ãŠã³ããšã¯èšããªãã»ã©ã®ã«ã«ãç人æ°ãåŒã³èµ·ãããã圌ã®å·ŠæŽŸçãªé»å鳿¥œãšãã¥ã€èªã®ãããã©ã€ããèåãããäžæ¯æ§ã®ãããµãŠã³ãã¯ãæ§ã
ãªãžã£ã³ã«ã®é³æ¥œãã¡ã³ã®éã§é©ãã¹ãèªç¥åºŠãç²åŸããããã¥ãŒãžã·ã£ã³ã®æ£äœã«é¢ããè¬ã¯æ·±ãŸãã°ããã ã£ãããããŠã€ãŠã»ã¢ãã¿ïŒãªãŠã¹ã¯ã¯ãŒãã·ã®éããªèªå®
ãã衚èå°ãžçŸããã°ã©ã¹ãã³ããªãŒããœããŒããããã»ã¢ã³ããªãªãŒã«ãšãã£ãäž»èŠãã§ã¹ã§æ±ã ãã®ãã€ãšãã«ã®ãŒãªããã©ãŒãã³ã¹ãæ«é²ããªããäžçãã¢ãŒãæ¢è¡ããã\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Rlc9Q5q3aHI?si=0aqz0zKZsNXtj06B\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/SOZdu3JeKgQ?si=UijDip8WMpLx-Kpl\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/KfJvsnlgxFM?si=MA8WrgeKbrQ__D5L\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eã¬ãŒãã«ãã®ä»äœåã¯\u003ca href=\"https:\/\/tobirarecords.com\/collections\/atfa\"\u003eãã¡ã\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/atfa\"\u003ehere\u003c\/a\u003e to see more Awesome Tapes From Africa releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------\u003c\/p\u003e\n\u003cp\u003eDeluxe version includes 12\" 'lily pad green' marble vinyl +\u003cspan\u003e lyric\/photo sleeve.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Batakari \u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. DJ \u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Medoba\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Osoowa\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Yasi Town \u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Kae\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eAwesome \u003cmeta charset=\"utf-8\"\u003eTapes From Africa:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAta Kak created a peculiar slice of Ghanaian music history with his debut album âObaa Simaâ. While it barely made a ripple at the time of its release in 1994, the cassette found a new life online in 2006. A not-so-underground cult obsession grew after it appeared on the blog Awesome Tapes From Africa as its very first post, a sort of manifesto for the project. His addictive amalgam of left-field electronic music and Twi-language hiplife reached surprising levels of awareness among music fans of many stripes. The mystery behind the musicianâs identity grew. Eventually Yaw Atta-Owusu came out of the shadows, from his quiet home in Kumasi, to tour the world playing high-energy, sweat-soaked performances at major festivals like Glastonbury, Sónar and Pop Montreal.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNow, for the first time since 1994, Ata Kak releases new music. Honed in studios around Kumasi over the last several years, the songs feature the rapper-singerâs acrobatic rap, signature scatting, dramatic drums and even traditional Akan harp. The compositions are more ambitious than his earlier work, with more complex arrangements and layered harmonies. Ata Kakâs new songs are also the natural expression of a restless artistâhe is a prolific poet and author of a half-dozen books, as well as an active gardener\u003cspan class=\"bcTruncateMore\"\u003e and busy painter.\u003cbr\u003e\u003cbr\u003eBorn in Ghana in 1960, Ata Kak wasnât always involved in music. But his travels and openness to the world lead him into the music industry. While living in Germany, he was invited to play drums in a reggae band and subsequently played in highlife bands in Ontario after moving to the Toronto area. He recorded âObaa Simaâ there at his home studio and released it in Ghana in 1994. He didnât participate in music much in the intervening years until âObaa Simaâ was reissued in 2015. He started performing his song live with the help of a brilliant cast of London-based musicians and has toured three continents and played to thousands of fans in venues of all kinds.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ata Kak\u003c\/p\u003e\n\u003cp\u003eLabel : Awesome \u003cmeta charset=\"utf-8\"\u003eTapes From Africa\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eATFA053dlx-C1 \u003c\/span\u003e\u003c\/p\u003e"}
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{"id":8959209242874,"title":"No Rent Records \/\/ ROCKER - ISSUE #11, OCTOBER 2025","handle":"no-rent-records-rocker-issue-11-october-2025","description":"\u003cp\u003eã¢ã¡ãªã«ã»ãã³ã·ã«ããã¢ã®å®éšïŒãã€ãºã¬ãŒãã«No Rentãã2025幎10æã«ãªãªãŒã¹ããZINEã§ãã\u003c\/p\u003e\n\u003cp\u003eãã€ãºãã¢ã³ããšã³ããã³ã³ã¯ã¬ãŒãããããŒã³ããšã¬ã¯ããã¢ã³ãŒã¹ãã£ãã¯ãããŒã鳿¥œãã³ã³ãã¥ãŒã¿ãŒé³æ¥œããã£ãŒã«ãã¬ã³ãŒãã£ã³ã°ã«ãã©ãŒã«ã¹ãã40ããŒãžãã«ã«ã©ãŒã§ãã\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eUniversal Cell Unlock\u003c\/span\u003eã\u003cspan\u003eCommuter\u003c\/span\u003eã®ã€ã³ã¿ãã¥ãŒ,Yan Junã®ã³ã©ã ãã¬ãã¥ãŒãã¢ãŒããªã©ãæ²èŒã\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ein this issue:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e- Long form interview with CF (Universal Cell Unlock)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Feedbacker column with Yan Jun\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Field recording long form interview with Commuter\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Reviews\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eFull color \/ 40 pages. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eABOUT THE MAGAZINE (text via No Rent Records) ----\u0026gt;\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cb\u003eROCKER\u003c\/b\u003e is a new bimonthly digest printed and published in the great city of Philadelphia, PA, USA. It focuses on harsh noise, ambient, musique concrÚte, electroacoustic, drone, tape music, wall noise, experimental, unclassifiable, concept works, computer music, field recording, indeterminate electronic, narrative, ecological, text-based, religious, song, acoustic ensemble, gorenoise, power electronics, and sound design.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePublishes Feb, April, June, August, October, December\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eEach issue contains lengthy artist interviews delving into unusual subjects for the genre, several recurring columns, art page(s), how to's, histories of and guest columns.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eROCKER reviews all applicable material, referencing an era where you could get at least a one-sentence review in every zine. There is an up to date list of reviewers along with their tastes (broadly) on page 74. Once a writer agrees to review your material you can expect it to be published within the next 2-3 issues. Positive reviews are not guaranteed, but the review itself is.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMany interviews are conducted anonymously, with no byline, in order for the paper to speak as one voice. Reviewers reveal their biases in the review guidelines as a service to the artists sending review material.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDespite a pronounced editorial stance, we strive for journalistic integrity, separating advertising and editorial content when copy editing while presenting the subjects spaciously in their own light.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003eã¬ãŒãã«ãã®ä»äœåã¯\u003ca href=\"https:\/\/tobirarecords.com\/collections\/nore\"\u003eãã¡ã\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/nore\"\u003ehere\u003c\/a\u003e to see more No Rent Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003eLabel : No Rent\u003c\/p\u003e","published_at":"2025-10-28T05:25:17+09:00","created_at":"2025-10-18T09:42:03+09:00","vendor":"Tobira Records","type":"","tags":["books \/ clothing \/ others","drone","field recording","monooto","new","no rent","noise"],"price":258000,"price_min":258000,"price_max":258000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47835032125690,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"No Rent Records \/\/ ROCKER - ISSUE #11, OCTOBER 2025","public_title":null,"options":["Default Title"],"price":258000,"weight":180,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/rock1_4b1ae182-8cee-4206-9eb2-3e614b954741.jpg?v=1760748150","\/\/tobirarecords.com\/cdn\/shop\/files\/rock2_8d8a923f-3d44-46d1-9485-680b0f4236a5.jpg?v=1760748150","\/\/tobirarecords.com\/cdn\/shop\/files\/rock3_0c523561-38f2-4d48-96b0-6da455f491a2.jpg?v=1760748150","\/\/tobirarecords.com\/cdn\/shop\/files\/rock4_531b83a0-8ac1-4421-8e3f-d8998e961e06.jpg?v=1760748150","\/\/tobirarecords.com\/cdn\/shop\/files\/rock5_083b16ea-3e53-4a09-a65f-29fba2938bf9.jpg?v=1760748150"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/rock1_4b1ae182-8cee-4206-9eb2-3e614b954741.jpg?v=1760748150","options":["Title"],"media":[{"alt":null,"id":37136836690170,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rock1_4b1ae182-8cee-4206-9eb2-3e614b954741.jpg?v=1760748150"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rock1_4b1ae182-8cee-4206-9eb2-3e614b954741.jpg?v=1760748150","width":1200},{"alt":null,"id":37136836722938,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rock2_8d8a923f-3d44-46d1-9485-680b0f4236a5.jpg?v=1760748150"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rock2_8d8a923f-3d44-46d1-9485-680b0f4236a5.jpg?v=1760748150","width":1200},{"alt":null,"id":37136836755706,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rock3_0c523561-38f2-4d48-96b0-6da455f491a2.jpg?v=1760748150"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rock3_0c523561-38f2-4d48-96b0-6da455f491a2.jpg?v=1760748150","width":1200},{"alt":null,"id":37136836788474,"position":4,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rock4_531b83a0-8ac1-4421-8e3f-d8998e961e06.jpg?v=1760748150"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rock4_531b83a0-8ac1-4421-8e3f-d8998e961e06.jpg?v=1760748150","width":1200},{"alt":null,"id":37136836821242,"position":5,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rock5_083b16ea-3e53-4a09-a65f-29fba2938bf9.jpg?v=1760748150"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rock5_083b16ea-3e53-4a09-a65f-29fba2938bf9.jpg?v=1760748150","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eã¢ã¡ãªã«ã»ãã³ã·ã«ããã¢ã®å®éšïŒãã€ãºã¬ãŒãã«No Rentãã2025幎10æã«ãªãªãŒã¹ããZINEã§ãã\u003c\/p\u003e\n\u003cp\u003eãã€ãºãã¢ã³ããšã³ããã³ã³ã¯ã¬ãŒãããããŒã³ããšã¬ã¯ããã¢ã³ãŒã¹ãã£ãã¯ãããŒã鳿¥œãã³ã³ãã¥ãŒã¿ãŒé³æ¥œããã£ãŒã«ãã¬ã³ãŒãã£ã³ã°ã«ãã©ãŒã«ã¹ãã40ããŒãžãã«ã«ã©ãŒã§ãã\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eUniversal Cell Unlock\u003c\/span\u003eã\u003cspan\u003eCommuter\u003c\/span\u003eã®ã€ã³ã¿ãã¥ãŒ,Yan Junã®ã³ã©ã ãã¬ãã¥ãŒãã¢ãŒããªã©ãæ²èŒã\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ein this issue:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e- Long form interview with CF (Universal Cell Unlock)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Feedbacker column with Yan Jun\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Field recording long form interview with Commuter\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Reviews\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eFull color \/ 40 pages. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eABOUT THE MAGAZINE (text via No Rent Records) ----\u0026gt;\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cb\u003eROCKER\u003c\/b\u003e is a new bimonthly digest printed and published in the great city of Philadelphia, PA, USA. It focuses on harsh noise, ambient, musique concrÚte, electroacoustic, drone, tape music, wall noise, experimental, unclassifiable, concept works, computer music, field recording, indeterminate electronic, narrative, ecological, text-based, religious, song, acoustic ensemble, gorenoise, power electronics, and sound design.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePublishes Feb, April, June, August, October, December\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eEach issue contains lengthy artist interviews delving into unusual subjects for the genre, several recurring columns, art page(s), how to's, histories of and guest columns.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eROCKER reviews all applicable material, referencing an era where you could get at least a one-sentence review in every zine. There is an up to date list of reviewers along with their tastes (broadly) on page 74. Once a writer agrees to review your material you can expect it to be published within the next 2-3 issues. Positive reviews are not guaranteed, but the review itself is.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMany interviews are conducted anonymously, with no byline, in order for the paper to speak as one voice. Reviewers reveal their biases in the review guidelines as a service to the artists sending review material.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDespite a pronounced editorial stance, we strive for journalistic integrity, separating advertising and editorial content when copy editing while presenting the subjects spaciously in their own light.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003eã¬ãŒãã«ãã®ä»äœåã¯\u003ca href=\"https:\/\/tobirarecords.com\/collections\/nore\"\u003eãã¡ã\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/nore\"\u003ehere\u003c\/a\u003e to see more No Rent Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003eLabel : No Rent\u003c\/p\u003e"}
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{"id":8953034473722,"title":"'The Seaphone' WATERPROOF GEOPHONE","handle":"the-seaphone","description":"\u003cp\u003eã€ã®ãªã¹ã®å®éšã¬ãŒãã«Discreet Archiveã«ãã鲿°Žã®å
šæ¹åæ§ãžãªãã©ã³ã§ããå°äžã«å·®ã蟌ãã¹ãã€ã¯ããã€ã¯ãåºå®ããç£ç³ãšåžç€ãä»å±ã\u003c\/p\u003e\n\u003cp\u003eãžãªãã©ã³ãšã¯ãäž»ã«å°éã®æ¢æ»ã«äœ¿çšããã忝åšã§ãå°äžãæ°Žäžã®æ¯åã黿°ä¿¡å·ã«å€æãããã€ã¯ããã©ã³ã§ãã\u003c\/p\u003e\n\u003cp\u003eããäžæ©èžã¿èŸŒãã ãã£ãŒã«ãã¬ã³ãŒãã£ã³ã°æ©æããæ¢ãã®æ¹ã«ãªã¹ã¹ã¡ããŸãã\u003c\/p\u003e\n\u003cp\u003e以äžãã¬ãŒãã«ã«ãã解説ã§ãã\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"The Seaphoneã¯ãå°é³èšçŽ åããéçºãããå
šæ¹åæ§ãã€ã¯ããã©ã³ã§ãããã®ãã€ã¯ããã©ã³ã¯æ¥µããŠæåºŠãé«ããéåžžã«åŸ®ããªé³ãæããããšãã§ããŸããèªç¶ç°å¢äžã§ã¯åå£ãç ã岩ç³ã®é³ããéœåžç°å¢ã§ã¯éŒéæ©æ¢ãç£æ¥æ©æ¢°ã®é³ãé²é³ããã®ã«çããæçšã§ããä»å±ã®ãã°ããããåžç€ãå°äžçšã¹ãã€ã¯ã䜿çšããããšã§ãæ§ã
ãªè¡šé¢ã«ãã€ã¯ãåºå®ã§ããŸããã«ãã»ã«ã®èšèšæå³ã«ãããäœåšæ³¢é³ã極ããŠå¹æçã«æããä»ã®ã»ã³ãµãŒã§ã¯åŸãããªãç¬ç¹ã®é²é³ãå®çŸããŸãã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e鲿°ŽããŒãžã§ã³ãžã®éèŠã«å¿ãããªãªãžãã«ã®EarthphoneãHydrophoneïŒSeaphoneïŒãžãšé²åãããŸãããããã«ãããäœåšæ³¢é³ã®æ¢æ±ãæ²³å·ãæ¹æ²Œãæžæµãžãšåºããããšãå¯èœãšãªããŸãã\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eDirectivity\u003c\/b\u003e\u003cspan\u003e: Omnidirectional\u003c\/span\u003e\u003cbr\u003e\u003cb\u003eFrequency response\u003c\/b\u003e\u003cspan\u003e: 10 â 1000+ Hz\u003c\/span\u003e\u003cbr\u003e\u003cb\u003eImpedance\u003c\/b\u003e\u003cspan\u003e: 3500 Ω\u003c\/span\u003e\u003cbr\u003e\u003cb\u003eResonant frequency\u003c\/b\u003e\u003cspan\u003e: 15 Hz\u003c\/span\u003e\u003cbr\u003e\u003cb\u003eCable\u003c\/b\u003e\u003cspan\u003e: 2 m, robust polyurethane jacket, shielded\u003c\/span\u003e\u003cbr\u003e\u003cb\u003eOutput\u003c\/b\u003e\u003cspan\u003e: XLR-3M balanced\u003c\/span\u003e\u003cbr\u003e\u003cb\u003eDimensions \u0026amp; Weight\u003c\/b\u003e\u003cspan\u003e: 92 mm x 42 mm, 350 g (including the cable and the magnet)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIncludes magnet, suction cup, or ground spike for affixing to a variety of surfaces. \u003c\/p\u003e\n\u003cp\u003eDescription by Discreet Archive:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe Seaphone is an omnidirectional microphone developed from a geophone element. The resulting microphone is extremely sensitive and can be used to capture very faint sounds. It is equally useful in nature, capturing sounds in the soil, sand and rock, as it is in an urban enviroment, recording steel bridges and industrial machinery. Utiling the included magnet, suction cup or ground spike you can affix the mic to a varity of surfaces. Due to the capsules intended purpose it captures low frequency sound extremely well, and creates unique recordings unlike any other sensor.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDue to demand for a waterproof version we have developed the original Earthphone into a \u003cb\u003eHydrophone (the Seaphone)\u003c\/b\u003e, allowing you to expand your low frequency sound hunting to the rivers, lakes and streams. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNo phantom power is required.\u003c\/em\u003e\u003cem\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cvideo controls=\"controls\" style=\"max-width: 100%; height: auto;\"\u003e\n\u003csource src=\"https:\/\/cdn.shopify.com\/videos\/c\/o\/v\/1240315c62a74cd0b538e0e36a4a49d4.mp4\" type=\"video\/mp4\"\u003e\u003c\/video\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cvideo style=\"max-width: 100%; height: auto;\" controls=\"controls\"\u003e\n\u003csource type=\"video\/mp4\" src=\"https:\/\/cdn.shopify.com\/videos\/c\/o\/v\/2bccd4a7990045f2b5ec5419148e8e4a.mov\"\u003e\u003c\/video\u003e\u003c\/p\u003e\n\u003cp\u003eã¬ãŒãã«ãã®ä»äœåã¯\u003ca href=\"https:\/\/tobirarecords.com\/collections\/diar\"\u003eãã¡ã\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/diar\"\u003ehere\u003c\/a\u003e to see more Discreet Archive releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eDiscreet Archive\u003c\/p\u003e","published_at":"2025-10-11T12:55:51+09:00","created_at":"2025-10-11T11:44:29+09:00","vendor":"Tobira Records","type":"","tags":["books \/ clothing \/ others","discreet archive","field recording","new"],"price":3676000,"price_min":3676000,"price_max":3676000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47811763536122,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"'The Seaphone' WATERPROOF GEOPHONE","public_title":null,"options":["Default Title"],"price":3676000,"weight":600,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/sea_60f5cbfe-3897-4311-b761-93776c3b80f8.jpg?v=1760150486","\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_3336.jpg?v=1760311075","\/\/tobirarecords.com\/cdn\/shop\/files\/sea1_3c4687da-cf87-498c-859f-7ea307702e82.jpg?v=1760311075","\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_3318.jpg?v=1760311075","\/\/tobirarecords.com\/cdn\/shop\/files\/Seaphone2.jpg?v=1760311075"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/sea_60f5cbfe-3897-4311-b761-93776c3b80f8.jpg?v=1760150486","options":["Title"],"media":[{"alt":null,"id":37060882759930,"position":1,"preview_image":{"aspect_ratio":1.0,"height":3861,"width":3861,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sea_60f5cbfe-3897-4311-b761-93776c3b80f8.jpg?v=1760150486"},"aspect_ratio":1.0,"height":3861,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sea_60f5cbfe-3897-4311-b761-93776c3b80f8.jpg?v=1760150486","width":3861},{"alt":null,"id":37091560980730,"position":2,"preview_image":{"aspect_ratio":1.0,"height":4284,"width":4284,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_3336.jpg?v=1760311075"},"aspect_ratio":1.0,"height":4284,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_3336.jpg?v=1760311075","width":4284},{"alt":null,"id":37060882792698,"position":3,"preview_image":{"aspect_ratio":0.996,"height":251,"width":250,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sea1_3c4687da-cf87-498c-859f-7ea307702e82.jpg?v=1760311075"},"aspect_ratio":0.996,"height":251,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sea1_3c4687da-cf87-498c-859f-7ea307702e82.jpg?v=1760311075","width":250},{"alt":null,"id":37062221824250,"position":4,"preview_image":{"aspect_ratio":1.0,"height":4284,"width":4284,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_3318.jpg?v=1760311075"},"aspect_ratio":1.0,"height":4284,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_3318.jpg?v=1760311075","width":4284},{"alt":null,"id":37062873940218,"position":5,"preview_image":{"aspect_ratio":1.0,"height":4000,"width":4000,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/Seaphone2.jpg?v=1760311075"},"aspect_ratio":1.0,"height":4000,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/Seaphone2.jpg?v=1760311075","width":4000}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eã€ã®ãªã¹ã®å®éšã¬ãŒãã«Discreet Archiveã«ãã鲿°Žã®å
šæ¹åæ§ãžãªãã©ã³ã§ããå°äžã«å·®ã蟌ãã¹ãã€ã¯ããã€ã¯ãåºå®ããç£ç³ãšåžç€ãä»å±ã\u003c\/p\u003e\n\u003cp\u003eãžãªãã©ã³ãšã¯ãäž»ã«å°éã®æ¢æ»ã«äœ¿çšããã忝åšã§ãå°äžãæ°Žäžã®æ¯åã黿°ä¿¡å·ã«å€æãããã€ã¯ããã©ã³ã§ãã\u003c\/p\u003e\n\u003cp\u003eããäžæ©èžã¿èŸŒãã ãã£ãŒã«ãã¬ã³ãŒãã£ã³ã°æ©æããæ¢ãã®æ¹ã«ãªã¹ã¹ã¡ããŸãã\u003c\/p\u003e\n\u003cp\u003e以äžãã¬ãŒãã«ã«ãã解説ã§ãã\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"The Seaphoneã¯ãå°é³èšçŽ åããéçºãããå
šæ¹åæ§ãã€ã¯ããã©ã³ã§ãããã®ãã€ã¯ããã©ã³ã¯æ¥µããŠæåºŠãé«ããéåžžã«åŸ®ããªé³ãæããããšãã§ããŸããèªç¶ç°å¢äžã§ã¯åå£ãç ã岩ç³ã®é³ããéœåžç°å¢ã§ã¯éŒéæ©æ¢ãç£æ¥æ©æ¢°ã®é³ãé²é³ããã®ã«çããæçšã§ããä»å±ã®ãã°ããããåžç€ãå°äžçšã¹ãã€ã¯ã䜿çšããããšã§ãæ§ã
ãªè¡šé¢ã«ãã€ã¯ãåºå®ã§ããŸããã«ãã»ã«ã®èšèšæå³ã«ãããäœåšæ³¢é³ã極ããŠå¹æçã«æããä»ã®ã»ã³ãµãŒã§ã¯åŸãããªãç¬ç¹ã®é²é³ãå®çŸããŸãã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e鲿°ŽããŒãžã§ã³ãžã®éèŠã«å¿ãããªãªãžãã«ã®EarthphoneãHydrophoneïŒSeaphoneïŒãžãšé²åãããŸãããããã«ãããäœåšæ³¢é³ã®æ¢æ±ãæ²³å·ãæ¹æ²Œãæžæµãžãšåºããããšãå¯èœãšãªããŸãã\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eDirectivity\u003c\/b\u003e\u003cspan\u003e: Omnidirectional\u003c\/span\u003e\u003cbr\u003e\u003cb\u003eFrequency response\u003c\/b\u003e\u003cspan\u003e: 10 â 1000+ Hz\u003c\/span\u003e\u003cbr\u003e\u003cb\u003eImpedance\u003c\/b\u003e\u003cspan\u003e: 3500 Ω\u003c\/span\u003e\u003cbr\u003e\u003cb\u003eResonant frequency\u003c\/b\u003e\u003cspan\u003e: 15 Hz\u003c\/span\u003e\u003cbr\u003e\u003cb\u003eCable\u003c\/b\u003e\u003cspan\u003e: 2 m, robust polyurethane jacket, shielded\u003c\/span\u003e\u003cbr\u003e\u003cb\u003eOutput\u003c\/b\u003e\u003cspan\u003e: XLR-3M balanced\u003c\/span\u003e\u003cbr\u003e\u003cb\u003eDimensions \u0026amp; Weight\u003c\/b\u003e\u003cspan\u003e: 92 mm x 42 mm, 350 g (including the cable and the magnet)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIncludes magnet, suction cup, or ground spike for affixing to a variety of surfaces. \u003c\/p\u003e\n\u003cp\u003eDescription by Discreet Archive:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe Seaphone is an omnidirectional microphone developed from a geophone element. The resulting microphone is extremely sensitive and can be used to capture very faint sounds. It is equally useful in nature, capturing sounds in the soil, sand and rock, as it is in an urban enviroment, recording steel bridges and industrial machinery. Utiling the included magnet, suction cup or ground spike you can affix the mic to a varity of surfaces. Due to the capsules intended purpose it captures low frequency sound extremely well, and creates unique recordings unlike any other sensor.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDue to demand for a waterproof version we have developed the original Earthphone into a \u003cb\u003eHydrophone (the Seaphone)\u003c\/b\u003e, allowing you to expand your low frequency sound hunting to the rivers, lakes and streams. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNo phantom power is required.\u003c\/em\u003e\u003cem\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cvideo controls=\"controls\" style=\"max-width: 100%; height: auto;\"\u003e\n\u003csource src=\"https:\/\/cdn.shopify.com\/videos\/c\/o\/v\/1240315c62a74cd0b538e0e36a4a49d4.mp4\" type=\"video\/mp4\"\u003e\u003c\/video\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cvideo style=\"max-width: 100%; height: auto;\" controls=\"controls\"\u003e\n\u003csource type=\"video\/mp4\" src=\"https:\/\/cdn.shopify.com\/videos\/c\/o\/v\/2bccd4a7990045f2b5ec5419148e8e4a.mov\"\u003e\u003c\/video\u003e\u003c\/p\u003e\n\u003cp\u003eã¬ãŒãã«ãã®ä»äœåã¯\u003ca href=\"https:\/\/tobirarecords.com\/collections\/diar\"\u003eãã¡ã\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/diar\"\u003ehere\u003c\/a\u003e to see more Discreet Archive releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eDiscreet Archive\u003c\/p\u003e"}
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ã€ã®ãªã¹ã®å®éšã¬ãŒãã«Discreet Archiveã«ãã鲿°Žã®å
šæ¹åæ§ãžãªãã©ã³ã§ããå°äžã«å·®ã蟌ãã¹ãã€ã¯ããã€ã¯ãåºå®ããç£ç³ãšåžç€ãä»å±ã ãžãªãã©ã³ãšã¯ãäž»ã«å°éã®æ¢æ»ã«äœ¿çšããã忝åšã§ãå°äžãæ°Žäžã®æ¯åã黿°ä¿¡å·ã«å€æãããã€ã¯ããã©ã³ã§ãã ããäžæ©èžã¿èŸŒãã ãã£ãŒã«ãã¬ã³ãŒãã£ã³ã°æ©æããæ¢ãã®æ¹ã«ãªã¹ã¹ã¡ããŸãã 以äžãã¬ãŒãã«ã«ãã解説ã§ãã "The Seaphoneã¯ãå°é³èšçŽ åããéçºãããå
šæ¹åæ§ãã€ã¯ããã©ã³ã§ãããã®ãã€ã¯ããã©ã³ã¯æ¥µããŠæåºŠãé«ããéåžžã«åŸ®ããªé³ãæããããšãã§ããŸããèªç¶ç°å¢äžã§ã¯åå£ãç ã岩ç³ã®é³ããéœåžç°å¢ã§ã¯éŒéæ©æ¢ãç£æ¥æ©æ¢°ã®é³ãé²é³ããã®ã«çããæçšã§ããä»å±ã®ãã°ããããåžç€ãå°äžçšã¹ãã€ã¯ã䜿çšããããšã§ãæ§ã
ãªè¡šé¢ã«ãã€ã¯ãåºå®ã§ããŸããã«ãã»ã«ã®èšèšæå³ã«ãããäœåšæ³¢é³ã極ããŠå¹æçã«æããä»ã®ã»ã³ãµãŒã§ã¯åŸãããªãç¬ç¹ã®é²é³ãå®çŸããŸãã 鲿°ŽããŒãžã§ã³ãžã®éèŠã«å¿ãããªãªãžãã«ã®EarthphoneãHydrophoneïŒSeaphoneïŒãžãšé²åãããŸãããããã«ãããäœåšæ³¢é³ã®æ¢æ±ãæ²³å·ãæ¹æ²Œãæžæµãžãšåºããããšãå¯èœãšãªããŸãã" Directivity: OmnidirectionalFrequency response: 10 â 1000+...
Â¥36,760
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{"id":8945852285178,"title":"Various Artists (Honest Jon's Records) \/\/ London Is The Place For Me 4 (African Dreams And The Piccadilly High Life) 2xLP","handle":"various-artists-honest-jons-records-london-is-the-place-for-me-4-african-dreams-and-the-piccadilly-high-life-2xlp","description":"\u003cp\u003e\u003cspan\u003eã€ã®ãªã¹ã»ãã³ãã³ã®Honest Jon'sãæãããã«ãªããœã³ã³ãã¬ãŒã·ã§ã³ç¬¬6匟ã§ãã\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eã¢ããªã«ã³ã»ãžã£ãºããã€ã©ã€ã19æ²ãåé²ãã²ãŒããã©ã«ã仿§ãã€ã³ãµãŒãä»å±ã\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2012447534\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eã¬ãŒãã«ãã®ä»äœåã¯\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hjr\"\u003eãã¡ã\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hjr\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Honest Jon's Records releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e----------------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2 x 12\" black vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Ginger Folorunso Johnson - Egyptian Bint Al Cha Cha 03:32\u003cbr\u003e2. Young Tiger - African Dream 03:10\u003cbr\u003e3. Dorothy Masuka - Zoo Lake 02:23\u003cbr\u003e4. Lord Kitchener - Rock N Roll Calypso 02:55\u003cbr\u003e5. Cab Kaye - Donât You Go Away 02:18\u003cbr\u003e6. Shake Keane - Mambo Indio 02:38\u003cbr\u003e7. Lord Kitchener - Alphonso In Town 03:21\u003cbr\u003e8. Eric Hayden - Give Her The No. 1 02:41\u003cbr\u003e9. Enoch \u0026amp; Christy Mensah - Dakuku Dum 03:25\u003cbr\u003e10. Dorothy Masuka - Khauleza 02:25\u003cbr\u003e11. Lord Kitchener - Is Trouble 03:33\u003cbr\u003e12. Victor Coker - Ilu Oyinbo Dara 03:03\u003cbr\u003e13. Young Growler - V For Victory 03:11\u003cbr\u003e14. The African Messengers - Highlife Piccadilly 03:10\u003cbr\u003e15. Cab Kaye - Everything Is Go 03:17\u003cbr\u003e16. Young Tiger - Chicken \u0026amp; Rice 02:51\u003cbr\u003e17. Nat Atkins - Darling Donât Say No 03:11\u003cbr\u003e18. Lord Kitchener - Piccadilly Folk 02:46\u003cbr\u003e19. Ginger Folorunso Johnson - African Jazz Cha Cha 02:52\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Various\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Honest Jon's Records\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : HJRLP025\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-10-05T07:02:09+09:00","created_at":"2025-10-04T11:30:36+09:00","vendor":"Tobira Records","type":"","tags":["field recording","honest jon's records","jazz","lp","new"],"price":499600,"price_min":499600,"price_max":499600,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47792782868730,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Various Artists (Honest Jon's Records) \/\/ London Is The Place For Me 4 (African Dreams And The Piccadilly High Life) 2xLP","public_title":null,"options":["Default Title"],"price":499600,"weight":630,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/me1_c5673f1a-0e06-4826-8971-40337ad1b453.jpg?v=1759544968","\/\/tobirarecords.com\/cdn\/shop\/files\/me2_3572e189-cd21-48f6-b642-14f545d052aa.jpg?v=1759544968"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/me1_c5673f1a-0e06-4826-8971-40337ad1b453.jpg?v=1759544968","options":["Title"],"media":[{"alt":null,"id":37001852748026,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/me1_c5673f1a-0e06-4826-8971-40337ad1b453.jpg?v=1759544968"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/me1_c5673f1a-0e06-4826-8971-40337ad1b453.jpg?v=1759544968","width":700},{"alt":null,"id":37001852780794,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/me2_3572e189-cd21-48f6-b642-14f545d052aa.jpg?v=1759544968"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/me2_3572e189-cd21-48f6-b642-14f545d052aa.jpg?v=1759544968","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eã€ã®ãªã¹ã»ãã³ãã³ã®Honest Jon'sãæãããã«ãªããœã³ã³ãã¬ãŒã·ã§ã³ç¬¬6匟ã§ãã\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eã¢ããªã«ã³ã»ãžã£ãºããã€ã©ã€ã19æ²ãåé²ãã²ãŒããã©ã«ã仿§ãã€ã³ãµãŒãä»å±ã\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2012447534\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eã¬ãŒãã«ãã®ä»äœåã¯\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hjr\"\u003eãã¡ã\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hjr\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Honest Jon's Records releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e----------------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2 x 12\" black vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Ginger Folorunso Johnson - Egyptian Bint Al Cha Cha 03:32\u003cbr\u003e2. Young Tiger - African Dream 03:10\u003cbr\u003e3. Dorothy Masuka - Zoo Lake 02:23\u003cbr\u003e4. Lord Kitchener - Rock N Roll Calypso 02:55\u003cbr\u003e5. Cab Kaye - Donât You Go Away 02:18\u003cbr\u003e6. Shake Keane - Mambo Indio 02:38\u003cbr\u003e7. Lord Kitchener - Alphonso In Town 03:21\u003cbr\u003e8. Eric Hayden - Give Her The No. 1 02:41\u003cbr\u003e9. Enoch \u0026amp; Christy Mensah - Dakuku Dum 03:25\u003cbr\u003e10. Dorothy Masuka - Khauleza 02:25\u003cbr\u003e11. Lord Kitchener - Is Trouble 03:33\u003cbr\u003e12. Victor Coker - Ilu Oyinbo Dara 03:03\u003cbr\u003e13. Young Growler - V For Victory 03:11\u003cbr\u003e14. The African Messengers - Highlife Piccadilly 03:10\u003cbr\u003e15. Cab Kaye - Everything Is Go 03:17\u003cbr\u003e16. Young Tiger - Chicken \u0026amp; Rice 02:51\u003cbr\u003e17. Nat Atkins - Darling Donât Say No 03:11\u003cbr\u003e18. Lord Kitchener - Piccadilly Folk 02:46\u003cbr\u003e19. Ginger Folorunso Johnson - African Jazz Cha Cha 02:52\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Various\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Honest Jon's Records\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : HJRLP025\u003c\/span\u003e\u003c\/p\u003e"}
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{"id":8945841897722,"title":"Various Artists (Honest Jon's Records) \/\/ London Is The Place For Me 6 (Mento, Calypso, Jazz \u0026 Highlife From Young Black London) 2xLP","handle":"various-artists-london-is-the-place-for-me-6-mento-calypso-jazz-highlife-from-young-black-london-2xlp","description":"\u003cp\u003e\u003cspan\u003eã€ã®ãªã¹ã»ãã³ãã³ã®Honest Jon'sãæãããã«ãªããœã³ã³ãã¬ãŒã·ã§ã³ç¬¬6匟ã§ãã\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eãžã£ãºããã€ã©ã€ã20æ²ãåé²ãã²ãŒããã©ã«ã仿§ãã€ã³ãµãŒãä»å±ã\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3268577955\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eã¬ãŒãã«ãã®ä»äœåã¯\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hjr\"\u003eãã¡ã\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hjr\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Honest Jon's Records releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2 x 12\" black vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Dizzy Reece - The Escape 01:20\u003cbr\u003e2. Mighty Terror - Life In Britain 02:52\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Lord Kitchener - Romance On The Queen Mary 02:53\u003cbr\u003e\u003c\/span\u003e4. King Timothy - Jiu Jitsu Calypso 02:45\u003cbr\u003e5. Buddy Pipp's Highlifers - Sway 02:55\u003cbr\u003e6. Fitzroy Coleman Quintet - Uncle Joe 03:00\u003cbr\u003e7. Lord Beginner - The Joe Louis Calypso 02:34\u003cbr\u003e8. Tony Johnson - Marilyn Monroe Calypso 02:50\u003cbr\u003e9. Lili Verona - Big Instrument 02:45\u003cbr\u003e10. Ginger Johnson - Mambo Contempo 02:21\u003cbr\u003e11. King Timothy - Football Calypso 02:57\u003cbr\u003e12. West African Rhythm Brothers - Asikoloto 03:01\u003cbr\u003e13. Rupert Nurse's Calypso Band - Song Of Joy 02:56\u003cbr\u003e14. Buddy Pipp's Highlifers - Positive Action 02:16\u003cbr\u003e15. Tony Johnson - Me Donkey Want Water 03:02\u003cbr\u003e16. Eric Hayden - Belly Lick 02:26\u003cbr\u003e17. Rupert Nurse's Calypso Band - Calypso Rhythm Dance 02:28\u003cbr\u003e18. Buddy Pipp's Highlifers - Prospero 02:36\u003cbr\u003e19. Mighty Terror - The Queen Is In 02:46\u003cbr\u003e20. West African Rhythm Brothers - Nigeria Odowoyin 03:31\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan\u003eText by Honest Jon's :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003c\/span\u003e\u003cem\u003eWhen the Empire Windrush, an old troop-carrier, arrived at Tilbury on June 21, 1948, and inaugurated modern Caribbean immigration to Britain, it also supplied calypso with its best-known image â on Pathe newsreel, Lord Kitchener singing his new composition London Is The Place For Me.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eKitch had boarded with Lord Beginner at Kingston docks, Jamaica, on Empire Day, May 24. In London they joined a milieu of fine band musicians familiar with Caribbean musical forms, and already represented on numerous recordings crucial to the development of British swing and jazz music.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTravelling with their own core audience, the Trinidadian calypsonians brought with them the vocal music of Carnival. Traditionally this ranges from social satire to sexual double-entendre, from voodoo to the most pressing issues of the day, from sporting events to competitive insult. The experiences of Britainâs growing Caribbean population were to be fabulously rich in raw material.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Various\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eHonest Jon's Records\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : \u003cmeta charset=\"utf-8\"\u003eHJRLP062\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-10-05T06:59:36+09:00","created_at":"2025-10-04T11:19:11+09:00","vendor":"Tobira Records","type":"","tags":["field recording","honest jon's records","jazz","lp","new"],"price":499600,"price_min":499600,"price_max":499600,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47792780017914,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Various Artists (Honest Jon's Records) \/\/ London Is The Place For Me 6 (Mento, Calypso, Jazz \u0026 Highlife From Young Black London) 2xLP","public_title":null,"options":["Default Title"],"price":499600,"weight":630,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/fo1_68522851-6cc6-4912-a72c-4752fc5f4d45.jpg?v=1633925754"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo1_68522851-6cc6-4912-a72c-4752fc5f4d45.jpg?v=1633925754","options":["Title"],"media":[{"alt":null,"id":24012006490277,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo1_68522851-6cc6-4912-a72c-4752fc5f4d45.jpg?v=1633925754"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo1_68522851-6cc6-4912-a72c-4752fc5f4d45.jpg?v=1633925754","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eã€ã®ãªã¹ã»ãã³ãã³ã®Honest Jon'sãæãããã«ãªããœã³ã³ãã¬ãŒã·ã§ã³ç¬¬6匟ã§ãã\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eãžã£ãºããã€ã©ã€ã20æ²ãåé²ãã²ãŒããã©ã«ã仿§ãã€ã³ãµãŒãä»å±ã\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3268577955\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eã¬ãŒãã«ãã®ä»äœåã¯\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hjr\"\u003eãã¡ã\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hjr\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Honest Jon's Records releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2 x 12\" black vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Dizzy Reece - The Escape 01:20\u003cbr\u003e2. Mighty Terror - Life In Britain 02:52\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Lord Kitchener - Romance On The Queen Mary 02:53\u003cbr\u003e\u003c\/span\u003e4. King Timothy - Jiu Jitsu Calypso 02:45\u003cbr\u003e5. Buddy Pipp's Highlifers - Sway 02:55\u003cbr\u003e6. Fitzroy Coleman Quintet - Uncle Joe 03:00\u003cbr\u003e7. Lord Beginner - The Joe Louis Calypso 02:34\u003cbr\u003e8. Tony Johnson - Marilyn Monroe Calypso 02:50\u003cbr\u003e9. Lili Verona - Big Instrument 02:45\u003cbr\u003e10. Ginger Johnson - Mambo Contempo 02:21\u003cbr\u003e11. King Timothy - Football Calypso 02:57\u003cbr\u003e12. West African Rhythm Brothers - Asikoloto 03:01\u003cbr\u003e13. Rupert Nurse's Calypso Band - Song Of Joy 02:56\u003cbr\u003e14. Buddy Pipp's Highlifers - Positive Action 02:16\u003cbr\u003e15. Tony Johnson - Me Donkey Want Water 03:02\u003cbr\u003e16. Eric Hayden - Belly Lick 02:26\u003cbr\u003e17. Rupert Nurse's Calypso Band - Calypso Rhythm Dance 02:28\u003cbr\u003e18. Buddy Pipp's Highlifers - Prospero 02:36\u003cbr\u003e19. Mighty Terror - The Queen Is In 02:46\u003cbr\u003e20. West African Rhythm Brothers - Nigeria Odowoyin 03:31\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan\u003eText by Honest Jon's :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003c\/span\u003e\u003cem\u003eWhen the Empire Windrush, an old troop-carrier, arrived at Tilbury on June 21, 1948, and inaugurated modern Caribbean immigration to Britain, it also supplied calypso with its best-known image â on Pathe newsreel, Lord Kitchener singing his new composition London Is The Place For Me.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eKitch had boarded with Lord Beginner at Kingston docks, Jamaica, on Empire Day, May 24. In London they joined a milieu of fine band musicians familiar with Caribbean musical forms, and already represented on numerous recordings crucial to the development of British swing and jazz music.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTravelling with their own core audience, the Trinidadian calypsonians brought with them the vocal music of Carnival. Traditionally this ranges from social satire to sexual double-entendre, from voodoo to the most pressing issues of the day, from sporting events to competitive insult. The experiences of Britainâs growing Caribbean population were to be fabulously rich in raw material.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Various\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eHonest Jon's Records\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : \u003cmeta charset=\"utf-8\"\u003eHJRLP062\u003c\/span\u003e\u003c\/p\u003e"}
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ã€ã®ãªã¹ã»ãã³ãã³ã®Honest Jon'sãæãããã«ãªããœã³ã³ãã¬ãŒã·ã§ã³ç¬¬6匟ã§ãã ãžã£ãºããã€ã©ã€ã20æ²ãåé²ãã²ãŒããã©ã«ã仿§ãã€ã³ãµãŒãä»å±ã ã¬ãŒãã«ãã®ä»äœåã¯ãã¡ã /// Click here to see more Honest Jon's Records releases available at Tobira....
Â¥4,996
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{"id":8945837998330,"title":"Various Artists (Honest Jon's Records) \/\/ London Is The Place For Me 5 (Latin, Jazz, Calypso \u0026 Highlife From Young Black London) 2xLP","handle":"various-artists-london-is-the-place-for-me-5-latin-jazz-calypso-highlife-from-young-black-london-2xlp","description":"\u003cp\u003e\u003cspan\u003eã€ã®ãªã¹ã»ãã³ãã³ã®Honest Jon'sãæãããã«ãªããœã³ã³ãã¬ãŒã·ã§ã³ç¬¬5匟ã§ãã\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eã©ãã³ããžã£ãºããã€ã©ã€ã19æ²ãåé²ãã²ãŒããã©ã«ã仿§ãã€ã³ãµãŒãä»å±ã\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=378698003\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eã¬ãŒãã«ãã®ä»äœåã¯\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hjr\"\u003eãã¡ã\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hjr\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Honest Jon's Records releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-------------------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2 x 12\" black vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Buddy Pipp's Highlifers - Cuban Nightingale 02:26\u003cbr\u003e2. George Browne - Calypso Mambo 02:22\u003cbr\u003e3. Lord Beginner - The Dollar And The Pound 02:59\u003cbr\u003e4. Goodwood Park 02:55\u003cbr\u003e5. Shake Keane - Trumpet Highlife 02:10\u003cbr\u003e6. West African Rhythm Brothers - Ominira 03:07\u003cbr\u003e7. Caribbean Swing Band - Jordhu 03:49\u003cbr\u003e8. Buddy Pipp's Highlifers - Ghana Special 02:11\u003cbr\u003e9. Lord Kitchener - Cricket Umpires 03:00\u003cbr\u003e10. Lord Kitchener - Kitch's Mambo Calypso 02:54\u003cbr\u003e11. West African Rhythm Brothers - Jekafo Ju Agbawo 03:30\u003cbr\u003e12. Mighty Terror - Patricia Gone With Millicent 02:53\u003cbr\u003e13. Lord Kitchener - My WIfe Went Away With Yankee 03:05\u003cbr\u003e14. The Quavers - Kitch 02:37\u003cbr\u003e15. Mona Baptiste - Tabu 02:49\u003cbr\u003e16. Lord Kitchener - Jamaica Turkey 03:18\u003cbr\u003e17. Mighty Terror - Women Police In England 02:43\u003cbr\u003e18. Tejan-Sie With The West African Rhythm Brothers - King Jimmy Foo Foo 02:57\u003cbr\u003e19. West African Swing Stars - My Sorrow 02:57\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Various\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Honest Jon's\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : \u003cmeta charset=\"utf-8\"\u003eHJRLP061\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-10-05T07:00:39+09:00","created_at":"2025-10-04T11:16:25+09:00","vendor":"Tobira Records","type":"","tags":["field recording","honest jon's records","jazz","lp","new"],"price":499600,"price_min":499600,"price_max":499600,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47792778313978,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Various Artists (Honest Jon's Records) \/\/ London Is The Place For Me 5 (Latin, Jazz, Calypso \u0026 Highlife From Young Black London) 2xLP","public_title":null,"options":["Default Title"],"price":499600,"weight":630,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/pl1_405ead68-9597-45a4-959c-c2e6b8093000.jpg?v=1633925666","\/\/tobirarecords.com\/cdn\/shop\/products\/pl2_70ee5b7e-8783-4d04-b2d7-8f66c15f27dc.jpg?v=1633925667"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/pl1_405ead68-9597-45a4-959c-c2e6b8093000.jpg?v=1633925666","options":["Title"],"media":[{"alt":null,"id":24011995349157,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pl1_405ead68-9597-45a4-959c-c2e6b8093000.jpg?v=1633925666"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pl1_405ead68-9597-45a4-959c-c2e6b8093000.jpg?v=1633925666","width":700},{"alt":null,"id":24011995381925,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pl2_70ee5b7e-8783-4d04-b2d7-8f66c15f27dc.jpg?v=1633925667"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pl2_70ee5b7e-8783-4d04-b2d7-8f66c15f27dc.jpg?v=1633925667","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eã€ã®ãªã¹ã»ãã³ãã³ã®Honest Jon'sãæãããã«ãªããœã³ã³ãã¬ãŒã·ã§ã³ç¬¬5匟ã§ãã\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eã©ãã³ããžã£ãºããã€ã©ã€ã19æ²ãåé²ãã²ãŒããã©ã«ã仿§ãã€ã³ãµãŒãä»å±ã\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=378698003\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eã¬ãŒãã«ãã®ä»äœåã¯\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hjr\"\u003eãã¡ã\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hjr\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Honest Jon's Records releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-------------------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2 x 12\" black vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Buddy Pipp's Highlifers - Cuban Nightingale 02:26\u003cbr\u003e2. George Browne - Calypso Mambo 02:22\u003cbr\u003e3. Lord Beginner - The Dollar And The Pound 02:59\u003cbr\u003e4. Goodwood Park 02:55\u003cbr\u003e5. Shake Keane - Trumpet Highlife 02:10\u003cbr\u003e6. West African Rhythm Brothers - Ominira 03:07\u003cbr\u003e7. Caribbean Swing Band - Jordhu 03:49\u003cbr\u003e8. Buddy Pipp's Highlifers - Ghana Special 02:11\u003cbr\u003e9. Lord Kitchener - Cricket Umpires 03:00\u003cbr\u003e10. Lord Kitchener - Kitch's Mambo Calypso 02:54\u003cbr\u003e11. West African Rhythm Brothers - Jekafo Ju Agbawo 03:30\u003cbr\u003e12. Mighty Terror - Patricia Gone With Millicent 02:53\u003cbr\u003e13. Lord Kitchener - My WIfe Went Away With Yankee 03:05\u003cbr\u003e14. The Quavers - Kitch 02:37\u003cbr\u003e15. Mona Baptiste - Tabu 02:49\u003cbr\u003e16. Lord Kitchener - Jamaica Turkey 03:18\u003cbr\u003e17. Mighty Terror - Women Police In England 02:43\u003cbr\u003e18. Tejan-Sie With The West African Rhythm Brothers - King Jimmy Foo Foo 02:57\u003cbr\u003e19. West African Swing Stars - My Sorrow 02:57\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Various\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Honest Jon's\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : \u003cmeta charset=\"utf-8\"\u003eHJRLP061\u003c\/span\u003e\u003c\/p\u003e"}
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ã€ã®ãªã¹ã»ãã³ãã³ã®Honest Jon'sãæãããã«ãªããœã³ã³ãã¬ãŒã·ã§ã³ç¬¬5匟ã§ãã ã©ãã³ããžã£ãºããã€ã©ã€ã19æ²ãåé²ãã²ãŒããã©ã«ã仿§ãã€ã³ãµãŒãä»å±ã ã¬ãŒãã«ãã®ä»äœåã¯ãã¡ã /// Click here to see more Honest Jon's Records releases available at Tobira....
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{"id":8945836720378,"title":"Various Artists (Honest Jon's Records) \/\/ Life In Heaven Is Free (Checker Gospel 1961-1973) LP","handle":"various-artists-honest-jons-records-life-in-heaven-is-free-checker-gospel-1961-1973-lp","description":"\u003cp\u003eã€ã®ãªã¹ã®çºæå°éã¬ãŒãã«Honest Jon'sãã2024幎10æã«ãªãªãŒã¹ããã³ã³ãã¬ãŒã·ã§ã³2æçµã¬ã³ãŒãã§ãã\u003c\/p\u003e\n\u003cp\u003e1961-1973幎ã®ãŽã¹ãã«ã³ã¬ã¯ã·ã§ã³ã§ããããã¯ã¬ããä»å±ã\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/e0ir310Wgjg?si=dpCTG9bu4z2ELiBS\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/VinhydrK2dA?si=a_r8nKY0A4rAmEeQ\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/YyTf4yXLWQo?si=oqiQMMHj6DpSgDp0\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/cUZbnXDIj9c?si=yaC-UYcZealaX5uZ\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/f9owUwL3CUc?si=osFpPAPC-Xe9VGn3\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eã¬ãŒãã«ãã®ä»äœåã¯\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hjr\"\u003eãã¡ã\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hjr\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Honest Jon's Records releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e12\" black vinyl.\u003cbr\u003eVINYL ONLY - no digital. \u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eThe Meditation Singers - Let Them Talk\u003cbr\u003eCharlie Brown - The Whole World Is Watching\u003cbr\u003eMartha Bass - Since I've Been Born Again\u003cbr\u003eThe Williams Singers - So Good To Be Alive\u003cbr\u003eThe Faithful Wonders - Ol' John (Behold Thy Mother)\u003cbr\u003eThe Salem Travelers - Crying Pity And A Shame\u003cbr\u003eThe East St. Louis Gospelettes - Soon I Will Be Done\u003cbr\u003ePower And Light Choral Ensemble - Stand Up America, Don't Be Afraid\u003cbr\u003eThe Masonic Wonders - Just To Behold His Face\u003cbr\u003eThe Majestic Choir \u0026amp; The Soul Stirrers - Why Am I Treated So Bad\u003cbr\u003eThe Jordan Singers - My Life Will Be Sweeter\u003cbr\u003eLucy Rodgers - I'm Fighting For My Rights\u003cbr\u003eThe East St. Louis Gospelettes - I'll Take Care of You\u003cbr\u003eThe Williams Singers - Don't Give Up\u003cbr\u003eThe Soul Stirrers - Donât You Worry\u003cbr\u003eThe Meditation Singers - I've Done Wrong\u003cbr\u003eThe Jordan Singers - Lord Have Mercy,\u003cbr\u003eThe Kindly Shepherds - Lend Me\u003cspan class=\"bcTruncateMore\"\u003e Your Hand\u003cbr\u003eThe Violinaires - Groovin' With Jesus\u003cbr\u003eCleo Jackson Randle - Life In Heaven Is Free\u003cbr\u003eThe Violinaires - Motherâs Last Prayer,\u003cbr\u003eThe Inspirational Singers - Bless Me\u003cbr\u003eThe Bells Of Joy - Give An Account At The Judgement\u003cbr\u003eStevie Hawkins - Same Old Bag\u003cbr\u003eThe Soul Stirrers - Striving\u003c\/span\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Various\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Honest Jon's Records\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : \u003cmeta charset=\"utf-8\"\u003eHJRLP088\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-10-05T06:55:00+09:00","created_at":"2025-10-04T11:15:25+09:00","vendor":"Tobira Records","type":"","tags":["field recording","honest jon's records","lp","new"],"price":564300,"price_min":564300,"price_max":564300,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47792778281210,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Various Artists (Honest Jon's Records) \/\/ Life In Heaven Is Free (Checker Gospel 1961-1973) LP","public_title":null,"options":["Default Title"],"price":564300,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/he1_f0ddbfc2-9f9d-4bf2-8cc6-1ee0e021e8c0.jpg?v=1759543899"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/he1_f0ddbfc2-9f9d-4bf2-8cc6-1ee0e021e8c0.jpg?v=1759543899","options":["Title"],"media":[{"alt":null,"id":37001731866874,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/he1_f0ddbfc2-9f9d-4bf2-8cc6-1ee0e021e8c0.jpg?v=1759543899"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/he1_f0ddbfc2-9f9d-4bf2-8cc6-1ee0e021e8c0.jpg?v=1759543899","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eã€ã®ãªã¹ã®çºæå°éã¬ãŒãã«Honest Jon'sãã2024幎10æã«ãªãªãŒã¹ããã³ã³ãã¬ãŒã·ã§ã³2æçµã¬ã³ãŒãã§ãã\u003c\/p\u003e\n\u003cp\u003e1961-1973幎ã®ãŽã¹ãã«ã³ã¬ã¯ã·ã§ã³ã§ããããã¯ã¬ããä»å±ã\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/e0ir310Wgjg?si=dpCTG9bu4z2ELiBS\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/VinhydrK2dA?si=a_r8nKY0A4rAmEeQ\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/YyTf4yXLWQo?si=oqiQMMHj6DpSgDp0\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/cUZbnXDIj9c?si=yaC-UYcZealaX5uZ\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/f9owUwL3CUc?si=osFpPAPC-Xe9VGn3\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eã¬ãŒãã«ãã®ä»äœåã¯\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hjr\"\u003eãã¡ã\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hjr\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Honest Jon's Records releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e12\" black vinyl.\u003cbr\u003eVINYL ONLY - no digital. \u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eThe Meditation Singers - Let Them Talk\u003cbr\u003eCharlie Brown - The Whole World Is Watching\u003cbr\u003eMartha Bass - Since I've Been Born Again\u003cbr\u003eThe Williams Singers - So Good To Be Alive\u003cbr\u003eThe Faithful Wonders - Ol' John (Behold Thy Mother)\u003cbr\u003eThe Salem Travelers - Crying Pity And A Shame\u003cbr\u003eThe East St. Louis Gospelettes - Soon I Will Be Done\u003cbr\u003ePower And Light Choral Ensemble - Stand Up America, Don't Be Afraid\u003cbr\u003eThe Masonic Wonders - Just To Behold His Face\u003cbr\u003eThe Majestic Choir \u0026amp; The Soul Stirrers - Why Am I Treated So Bad\u003cbr\u003eThe Jordan Singers - My Life Will Be Sweeter\u003cbr\u003eLucy Rodgers - I'm Fighting For My Rights\u003cbr\u003eThe East St. Louis Gospelettes - 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{"id":8917465301242,"title":"Oslan Husein s\/t LP","handle":"oslan-husein-s-t-lp","description":"\u003cp\u003eã€ã³ããã·ã¢ã®ã·ã³ã¬ãŒïŒä¿³åªOslan Huseinãã2025幎9æã«ãªãªãŒã¹ããåçºã¬ã³ãŒãã§ããïŒãªãªãžãã«ã¯1964幎ãªãªãŒã¹ïŒ\u003c\/p\u003e\n\u003cp\u003eã€ã³ããã·ã¢ãäŒçµ±é³æ¥œãšã©ãã³ã®èŠçŽ ãèåãã12æ²ãåé²ã\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2009799853\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Stambul Cha Cha 02:39\u003cbr\u003e2. Si Nandi Nandi 02:20\u003cbr\u003e3. Mengenang Kasih 04:04\u003cbr\u003e4. Buah Hati Saja 01:27\u003cbr\u003e5. Ko' Untuang 02:40\u003cbr\u003e6. Andetja Andetji 02:05\u003cbr\u003e7. Pasar Baru 01:59\u003cbr\u003e8. Menimbang rasa 02:07\u003cbr\u003e9. Botjane 03:10\u003cbr\u003e10. Sari 02:58\u003cbr\u003e11. Urang Lolong 02:50\u003cbr\u003e12. Kasih Tak Sampai 02:22\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eLa Munai Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn truth, singing is not all that different from acting. Performing a song is very similar to playing a role in a theatrical production. A singerâs delivery â the way they interpret and emphasize certain parts of a song â is much like what an actor does with their character.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThatâs why we often find singers who go on to gain popularity as performers â some on stage, but more often on the silver screen (film).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThese are called âsinging starsâ â vocalists who are also featured actors, usually given roles specially created to suit their primary strength: singing.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAmong them, a few have become even more famous for their acting talents, which sometimes surpass their singing ability. However, the number who manage to do this successfully is very small. Oslan Husein is lucky enough to be counted among that small number. As his fame as a singer began to rise sharply, he also began his film career as an actor. Itâs true that he had previously appeared in a film, but only as an extra, alongside the orchestra he performed with.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFollowing that, he appeared in several other films, including Detik-detik Berbahaya, 1000 Langkah, Kasih Tak Sampai, Hadiah 2.000.000,-, Maut Menjelang Magrib, and Antara Timur dan\u003cspan class=\"bcTruncateMore\"\u003e Barat. Six films over a span of just about 2.5 years â quite an impressive achievement.\u003cbr\u003e\u003cbr\u003eOver time, a number of songs that Oslan had performed in his films began to accumulate. Together with a few additional songs â also from films â there were eventually enough to compile into one long-playing (LP) record.\u003cbr\u003e\u003cbr\u003eAnd so, accompanied by Jack Lemmers â who, for this project, created special arrangements and musical treatments unlike the usual (for example, the use of four guitars at once) â Oslan carried out the recordings at Irama studios.\u003cbr\u003e\u003cbr\u003eBy releasing this LP of songs from the silver screen, Irama took an exciting step forward and opened many new possibilities in its history. Because the world of recorded music and the world of film, wherever they are in the world, are like siblings â and they work best when they collaborate, shoulder to shoulder, in harmony.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Oslan Husein\u003c\/p\u003e\n\u003cp\u003eLabel : La Munai Records\u003c\/p\u003e\n\u003cp\u003ecat no : LMR023\u003c\/p\u003e","published_at":"2025-09-10T06:48:24+09:00","created_at":"2025-09-07T10:30:59+09:00","vendor":"Tobira Records","type":"","tags":["field recording","jazz","lp","new"],"price":528000,"price_min":528000,"price_max":528000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47701246443770,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Oslan Husein s\/t LP","public_title":null,"options":["Default Title"],"price":528000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"5050580856974","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/hus1.jpg?v=1757208574","\/\/tobirarecords.com\/cdn\/shop\/files\/hus2.jpg?v=1757208574"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/hus1.jpg?v=1757208574","options":["Title"],"media":[{"alt":null,"id":36753928159482,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hus1.jpg?v=1757208574"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hus1.jpg?v=1757208574","width":700},{"alt":null,"id":36753928192250,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hus2.jpg?v=1757208574"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hus2.jpg?v=1757208574","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eã€ã³ããã·ã¢ã®ã·ã³ã¬ãŒïŒä¿³åªOslan Huseinãã2025幎9æã«ãªãªãŒã¹ããåçºã¬ã³ãŒãã§ããïŒãªãªãžãã«ã¯1964幎ãªãªãŒã¹ïŒ\u003c\/p\u003e\n\u003cp\u003eã€ã³ããã·ã¢ãäŒçµ±é³æ¥œãšã©ãã³ã®èŠçŽ ãèåãã12æ²ãåé²ã\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2009799853\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Stambul Cha Cha 02:39\u003cbr\u003e2. Si Nandi Nandi 02:20\u003cbr\u003e3. Mengenang Kasih 04:04\u003cbr\u003e4. Buah Hati Saja 01:27\u003cbr\u003e5. Ko' Untuang 02:40\u003cbr\u003e6. Andetja Andetji 02:05\u003cbr\u003e7. Pasar Baru 01:59\u003cbr\u003e8. Menimbang rasa 02:07\u003cbr\u003e9. Botjane 03:10\u003cbr\u003e10. Sari 02:58\u003cbr\u003e11. Urang Lolong 02:50\u003cbr\u003e12. Kasih Tak Sampai 02:22\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eLa Munai Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn truth, singing is not all that different from acting. Performing a song is very similar to playing a role in a theatrical production. A singerâs delivery â the way they interpret and emphasize certain parts of a song â is much like what an actor does with their character.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThatâs why we often find singers who go on to gain popularity as performers â some on stage, but more often on the silver screen (film).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThese are called âsinging starsâ â vocalists who are also featured actors, usually given roles specially created to suit their primary strength: singing.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAmong them, a few have become even more famous for their acting talents, which sometimes surpass their singing ability. However, the number who manage to do this successfully is very small. Oslan Husein is lucky enough to be counted among that small number. As his fame as a singer began to rise sharply, he also began his film career as an actor. Itâs true that he had previously appeared in a film, but only as an extra, alongside the orchestra he performed with.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFollowing that, he appeared in several other films, including Detik-detik Berbahaya, 1000 Langkah, Kasih Tak Sampai, Hadiah 2.000.000,-, Maut Menjelang Magrib, and Antara Timur dan\u003cspan class=\"bcTruncateMore\"\u003e Barat. Six films over a span of just about 2.5 years â quite an impressive achievement.\u003cbr\u003e\u003cbr\u003eOver time, a number of songs that Oslan had performed in his films began to accumulate. Together with a few additional songs â also from films â there were eventually enough to compile into one long-playing (LP) record.\u003cbr\u003e\u003cbr\u003eAnd so, accompanied by Jack Lemmers â who, for this project, created special arrangements and musical treatments unlike the usual (for example, the use of four guitars at once) â Oslan carried out the recordings at Irama studios.\u003cbr\u003e\u003cbr\u003eBy releasing this LP of songs from the silver screen, Irama took an exciting step forward and opened many new possibilities in its history. Because the world of recorded music and the world of film, wherever they are in the world, are like siblings â and they work best when they collaborate, shoulder to shoulder, in harmony.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Oslan Husein\u003c\/p\u003e\n\u003cp\u003eLabel : La Munai Records\u003c\/p\u003e\n\u003cp\u003ecat no : LMR023\u003c\/p\u003e"}
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ã€ã³ããã·ã¢ã®ã·ã³ã¬ãŒïŒä¿³åªOslan Huseinãã2025幎9æã«ãªãªãŒã¹ããåçºã¬ã³ãŒãã§ããïŒãªãªãžãã«ã¯1964幎ãªãªãŒã¹ïŒ ã€ã³ããã·ã¢ãäŒçµ±é³æ¥œãšã©ãã³ã®èŠçŽ ãèåãã12æ²ãåé²ã ----------------------------------------------- 12" black vinyl. Tracklist: 1. Stambul Cha Cha 02:392. Si...
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{"id":8903385514234,"title":"Various Artists (Nyahh Records) \/\/ A Collection of Slow Airs by Some Very Fine Fiddlers CD","handle":"various-artists-nyahh-records-a-collection-of-slow-airs-by-some-very-fine-fiddlers-cd","description":"\u003cp\u003eã¢ã€ã«ã©ã³ãã®å®éšã¬ãŒãã«Nyahh Recordsãã2025幎3æã«ãªãªãŒã¹ããã³ã³ãã¬ãŒã·ã§ã³CDã§ãã\u003c\/p\u003e\n\u003cp\u003eã¢ã€ã«ã©ã³ãã®ãã£ãã«å¥è
10åã«ããSlow Airsäœåéã§ããããžã¹ãªãŒããã·ã¥ãªã³ã¯ä»æ§ã§ãã\u003c\/p\u003e\n\u003cp\u003eã¢ã³ããšã³ãã»ãã©ãŒã¯ãªã¹ããŒã«ããªã¹ã¹ã¡ã§ãã\u003c\/p\u003e\n\u003cp\u003e以äžãã¬ãŒãã«ã«ãã解説ã§ãã\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Slow Airsã¯ãã¢ã€ã«ã©ã³ãã®äŒçµ±é³æ¥œã«ãããæ²ã®äžçš®ã§ã峿 Œãªæåãæ§æããªããæåŸçã«ããªãŒãã³ãšã³ããã§ããããšãç¹åŸŽã§ãäžè¬çã«æã®æåŸããæŽŸçããŠãããããã®ä»£ããã«ãœãã®æåŸæ¥œåšã§æŒå¥ããããã¡ããã£ãŒã¯ããã°ãã°ç¬å±ã®äŒçµ±ã§ããã·ã§ãŒã³ã»ããŒãºããåŒãåºãããã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eNyahh Recordsã¯ããã©ããã»ã·ãªãŒãºã®ç¬¬2匟ããå±ãã§ããããšãå¬ããæããä»åã¯ãäŒçµ±çãªãã£ãã«ãã¥ãŒã³éãSlow Airsãããå±ããããã¹ããŒã»ãšã¢ãŒãºã¯ä»ã®ã¢ã€ã«ã©ã³ãã®ãã©ããã»ãã¥ãŒã³ãšã¯ç°ãªãããšã¢ãŒãºã¯ããçæ³çã§åæããããã¹ã¿ã€ã«ãã·ã§ãŒã³ã»ãã¹ã®æå±ã¹ã¿ã€ã«ã«åºã¥ããŠããããžã°ããªãŒã«ãããŒã³ãã€ããããŒããšãã£ãä»ã®äŒçµ±çãªæ²ã¯èžãããã®ãã®ã ãã·ã§ãŒã³ã»ãã¹ã®æãšåæ§ã«ãã¹ããŒã»ãšã¢ã¯èŽãããã®ãã®ã§ãå
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ã§éãã«è³ãåŸããããšãã§ãããããã§ã¯ãã¹ããŒã»ãšã¢ãæŒå¥ãããŠããéããã€ã³ããçæã«æ¶ãæµããŠãã人ãããèŠãããã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eãA Collection of songs in the traditional and sean-nos styleãã§ã¯ãã·ã³ã¬ãŒã¯ã»ãšãã©æºåž¯é»è©±ãããžã¿ã«ã¬ã³ãŒããŒã§é²é³ããŠãããããã¥ãŒãžã·ã£ã³ãåãããã«é²é³ããŠããããã®çµæãéåžžã«æž©ããäœè£ã®ããã¬ã³ãŒãã£ã³ã°ãå®çŸããããšãã§ã¯ããããã·ã³ã°ã¯äžåãªããéšå±ã§æŒå¥ããŠããçã®é³ã ãã ã\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1676097551\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eã¬ãŒãã«ãã®ä»äœåã¯\u003ca href=\"https:\/\/tobirarecords.com\/collections\/nyahh\"\u003eãã¡ã\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/nyahh\"\u003ehere\u003c\/a\u003e to see more Nyahh Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------- \u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003eCD.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. 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Ingrid Lyons - The PoitÃn Gathering 03:00\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNyahh Records:\u003c\/p\u003e\n\u003cp\u003e\"'\u003cspan\u003e\u003cem\u003eA slow air is a type of tune in Irish Traditional Music marked by the absence of strict metre or structure, melodically \"open ended\" and generally derived from the melody of a sung song but instead played on a solo melodic instrument. The melodies are often drawn from the sean-nós solo singing tradition.'\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNyahh Records is delighted to share with you itâs second instalment of our Trad Series. This time we bring you a collection of traditional fiddle tunes called Slow Airs. Slow Airs differ from other Irish trad tunes as Airs are more contemplative, melancholy and the style is based more on the singing style of Sean-nos. Other traditional tunes like jigs, reels, hornpipes and marches are meant for dancing. Much like the sean-nos singing, slow airs are for listening and are prone to evoke many emotions, either reflective or sad and give the listener a chance to sit quietly listening, almost in a meditative state. It would not be uncommon in a pub during an air to see some fella or other having a little cry in to his pint during the playing of an air.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMuch like âA Collection of songs in the traditional and sean-nos styleâ, where the singers mostly recorded the songs themselves on phones or digital recorders, the musicians have done the same. This has produced a very warm and roomy set of recordings. No effects or too much mixing. 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10åã«ããSlow Airsäœåéã§ããããžã¹ãªãŒããã·ã¥ãªã³ã¯ä»æ§ã§ãã\u003c\/p\u003e\n\u003cp\u003eã¢ã³ããšã³ãã»ãã©ãŒã¯ãªã¹ããŒã«ããªã¹ã¹ã¡ã§ãã\u003c\/p\u003e\n\u003cp\u003e以äžãã¬ãŒãã«ã«ãã解説ã§ãã\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Slow Airsã¯ãã¢ã€ã«ã©ã³ãã®äŒçµ±é³æ¥œã«ãããæ²ã®äžçš®ã§ã峿 Œãªæåãæ§æããªããæåŸçã«ããªãŒãã³ãšã³ããã§ããããšãç¹åŸŽã§ãäžè¬çã«æã®æåŸããæŽŸçããŠãããããã®ä»£ããã«ãœãã®æåŸæ¥œåšã§æŒå¥ããããã¡ããã£ãŒã¯ããã°ãã°ç¬å±ã®äŒçµ±ã§ããã·ã§ãŒã³ã»ããŒãºããåŒãåºãããã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eNyahh Recordsã¯ããã©ããã»ã·ãªãŒãºã®ç¬¬2匟ããå±ãã§ããããšãå¬ããæããä»åã¯ãäŒçµ±çãªãã£ãã«ãã¥ãŒã³éãSlow Airsãããå±ããããã¹ããŒã»ãšã¢ãŒãºã¯ä»ã®ã¢ã€ã«ã©ã³ãã®ãã©ããã»ãã¥ãŒã³ãšã¯ç°ãªãããšã¢ãŒãºã¯ããçæ³çã§åæããããã¹ã¿ã€ã«ãã·ã§ãŒã³ã»ãã¹ã®æå±ã¹ã¿ã€ã«ã«åºã¥ããŠããããžã°ããªãŒã«ãããŒã³ãã€ããããŒããšãã£ãä»ã®äŒçµ±çãªæ²ã¯èžãããã®ãã®ã ãã·ã§ãŒã³ã»ãã¹ã®æãšåæ§ã«ãã¹ããŒã»ãšã¢ã¯èŽãããã®ãã®ã§ãå
ççã§ãã£ãããæ²ããã§ãã£ãããšãããŸããŸãªææ
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{"id":8900194173178,"title":"Ya Tosiba \/\/ 40girls TAPE","handle":"ya-tosiba-40girls-tape","description":"\u003cp\u003eãã£ã³ã©ã³ãã®ãšããŸãã«ãã¥ãªYa Tosibaãã2025幎7æã«ã¢ã¡ãªã«ã»NYã®ãªãŒã«ãžã£ã³ã«ã¬ãŒãã«Purplish RecordsãããªãªãŒã¹ããã«ã»ããã§ãã\u003c\/p\u003e\n\u003cp\u003eãšããŸããã¯ãªãã©ã€ãã«ã»ãã4æ²ãåé²ã\u003c\/p\u003e\n\u003cp\u003eâ»ããžã¿ã«é³æºãç¡æã§ãéãããããŸãã®ã§ãæ°è»œã«ãé£çµ¡ãã ãããŸã\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3200339254\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/track=3345320475\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003eCassette in norelco case.\u003cbr\u003eEdition of 150. \u003cbr\u003eThis album is part of Purplish Records' release batch #6: Party --\u0026gt;\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cem\u003eThe artists paired are from different parts of the world, different cultures and traditions, often speak different languages, and have separate ideologies. However, they share at least one major thing in common. For Batch #6 (PR_012 \u0026amp; PR_013) that is Party\"\u003c\/em\u003e\u003c\/span\u003e \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Soft 12:58\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. Durnam 03:51\u003cbr\u003e\u003c\/span\u003e3. Ayrılıq Olmasaydı 05:38\u003cbr\u003e4. Qirq Qiz 02:35\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eMikey Coltun, via the label:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eRooted in folk musicâs storytelling spirit the album introduces a dynamic conversation between generational memory and progressive innovation.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIt is crafting a soundscape that feels feminine, elusive and powerfully transformative. 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However, they share at least one major thing in common. For Batch #6 (PR_012 \u0026amp; PR_013) that is Party\"\u003c\/em\u003e\u003c\/span\u003e \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Soft 12:58\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. Durnam 03:51\u003cbr\u003e\u003c\/span\u003e3. Ayrılıq Olmasaydı 05:38\u003cbr\u003e4. Qirq Qiz 02:35\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eMikey Coltun, via the label:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eRooted in folk musicâs storytelling spirit the album introduces a dynamic conversation between generational memory and progressive innovation.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIt is crafting a soundscape that feels feminine, elusive and powerfully transformative. 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{"id":8897370161402,"title":"Masaka Masaka \/\/ Barely Making Much LP [COLOR]","handle":"masaka-masaka-barely-making-much-lp-color","description":"\u003cp\u003e\u003cspan\u003eãŠã¬ã³ãã®äœå®¶Masaka Masakaãã2025幎3æã«ãŠã¬ã³ãã»ã«ã³ãã©ã®ã¬ãããã£ãŒã«ãã»ãã³ã¹ã¬ãŒãã«Nyege Nyege \/ Hakuna KulalaãããªãªãŒã¹ããåçºã¬ã³ãŒãã§ããïŒãªãªãžãã«ã¯2024幎ãªãªãŒã¹ïŒ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGqomããã©ãããã¢ã³ããšã³ããããŠã³ãã³ãããããªã©ãžã£ã³ã«ã暪æãã14æ²ãåé²ãã·ã«ããŒç€ã§ãã\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以äžãã¬ãŒãã«ã«ãã解説ã§ãã\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ãŠã¬ã³ãã§è²ã£ããã«ãã»ã¢ãŒãã£ã¹ãã®ã€ã¢ã³ã»ãã£ã³ãžïŒå¥åMasaka MasakaïŒã¯ãåžžã«é³æ¥œãäœããããšèããŠããã圌ã¯ãã«ã³ãã©ã®æž©æãªããŒããœã³æ¹ŸãèŠäžããäžãããã³ãã£ãšã«ããå人ã®ã¹ã¿ãžãªã§åæ©çãªããããããããŒããäœãå§ããããããã§ã¯ãã¿ããªåããã®ãèŽããŠããããã«èŠãããã ããšåœŒã¯èª¬æãããããã£ã³ãžãŒã¯çŸ€è¡ã«åŸãããšã«ã¯èå³ããªãã£ããè¡äžã宿çã«éå€ããŠããéã圌ã®å¿ã¯ãã£ãŒã³ã»ãã©ã³ããã¹ã©ãŠãœã³ã»ãããŒã³ãã¢ã«ã«ããžã§ãã°ããã£ã¢ããŽã§ãžã³ã®ãµãŠã³ãã«ã²ã³ããŠããã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBarely Making Muchã¯ã圫å»çã§ãããšåæã«æ¢æ€çã§ããããåºå€§ã§éå¿çãªã¢ã«ãã ã§ãããMasaka Masakaã¯ãNyege Nyegeã®ã«ã³ãã©ã®ã¹ã¿ãžãªã§æççãª2幎éããããŠãã®ã¢ã«ãã ãæžãäžãããžã£ã³ã°ã«ãå®éšçããããããããã¯ããç»è£œãããããã¯ã€ãºãªã¢ã³ããšã³ããã¥ãŒãžãã¯ãªã©ãçžäºã«çµã³ã€ããé³ã®ãã¡ããŸãã«æãå
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äºããããBefore I goãã§ã¯ãã¹ã¿ãã¿ãŒããã¹ãã¢ãšç²ã£ãœããã¬ã€ã¯ãç¹ãæãã»ã€ããã¿ãã¹ããªãŒãããžã£ãžãŒãªé¶é
æãçã¿åºããŠããã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ecut right throughã§ã¯ãMasaka Masakaããã¢ããã»ãã©ãžãªã¢ã³ã¹ã¿ã€ã«ã®ãŽã©ãŒã«ã«ã»ãã§ããããã©ããã»ãã€ãããã»ããŒã«ãéžæ¯ç¶ã®ã·ã³ã»ãµã€ã¶ãŒããŒã¹ãç¹ãæãæ Œåã®äžã§ãæ¶ç©ºã®ãã¢ãããããæ²ããã颚éãããããšãã«ã®ãã·ã¥ãªãã®ãã©ãã¯ã¯ãããããè«ã®é³Žã声ã®ãããªé³ã«å€åãããŠããã£ãªãã³ããã©ã ãšã¯ãã·ã§ã³ã«ãªããšãäºæãã¬æ¹å転æããããelv9tã§ã¯ãé°å²æ°ã®ããããã¯ã«ãŒã ã®ããããšããµãŠã³ãã·ã¹ãã åãã®ããŒããŒãªãµã¶ã³ã©ãããçµã¿åããããããã£ãã¯ãªãlet me outãã§ã¯ãããŒããã¯ããèªåã®ã€ã¡ãŒãžã«äœãå€ãã4\/4ã®ããã¯ãã°ãªããããå€ããŠããã©ã³ãã³ãµãŒãæžæãããæžŠå·»ããµã€ã±ããªãã¯ãªã·ã³ã»ãã¡ãºã§ããã«éãæã¡èŸŒãã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMasaka Masakaã¯ãå¬ç è¡ã®ãããªã¿ã€ãã«ãã©ãã¯ãåãæ ç»ã®ãããªãã£ããŒã¬ãit's okay to dance aloneãã®ãããªãããçæ³çãªã¢ãŒãã§ãå¢ããç¶æããå¥äžçã®ãããªãŽã©ãŒã«ã«ã»ã«ãŒããšäžèŠåãªããŒã«ãã·ã§ã³ã溶ãããããªã¢ã³ããšã³ã¹ã«æžŠå·»ãããŠãããBarely Making Muchã¯ãé
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Nothing Makes Sense 01:48\u003cbr\u003e12. NRG 02:12\u003cbr\u003e13. Sacrifice 02:54\u003cbr\u003e14. It's Okay to Dance Alone 03:29\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eHakuna Kulala :\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eGrowing up in Uganda, multi-disciplinary artist Ian Nnyanzi (aka Masaka Masaka) always knew he wanted to make music, he just needed enough time and breathing room to figure out what exactly his contribution had to be. He cut his teeth fashioning rudimentary hip-hop beats at a friend's studio on Makindye, a hill that overlooks Kampala's balmy Murchison Bay, and quickly realized that he wanted more. \"Out here, everyone seems okay to listen to the same thing,\" he explains, and Nnyanzi wasn't interested in following the crowd. During regular commutes across the city, his mind was being cracked open by sounds from Dean Blunt, Slauson Malone, Arca, Jpegmafia and Vegyn; he knew he needed to show Kampala something similarly distinct.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e'Barely Making Much' is a sprawling, ambitious album that's as sculptural as it is explorative, reaching through genre membranes and refusing to stay still for a second. Masaka Masaka wrote it over a fragmented two year period at Nyege Nyege's Kampala studio, and tapped into a jumble of interconnected sounds, from jungle and experimental hip-hop to techno and smoked-out, dubwise ambient music. He was particularly absorbed by the loose, open-minded production style he heard from Manchester's Sockethead, who\u003cspan class=\"bcTruncateMore\"\u003e makes an appearance on 'Before I go', a frayed tapestry of stuttering snares and floury breaks that billows into jazzy euphoria.\u003cbr\u003e\u003cbr\u003eOn 'cut right through', Masaka Masaka bends fictile piano hits through a lattice of Afro-Brazilian-style vocal chops, trap hi-hat rolls and serrated, synthesized bass thumps. Airy and energetic, the track makes an unexpected left turn when the hats transform into insectoid rasps that cushion a woody hand drum patter. Elsewhere, Nnyanzi isn't afraid to go straight for the jugular: on 'elv9t' he sets atmospheric, back room pads against booming, soundsystem-ready Southern rap subs, and on the kinetic 'let me out', he remolds hard techno in his image, knocking the 4\/4 kick off grid to perplex seasoned dancers, and hammering the nail in further with swirling, psychedelic synth fuzz.\u003cbr\u003e\u003cbr\u003eEven when Masaka Masaka's working in a more contemplative mode - like on the hypnotic title track and the fragile cinematic finale 'it's okay to dance alone' - he maintains the momentum, swirling otherworldly vocal loops and erratic percussion into pools of melted ambience. 'Barely Making Much' is a charming, hyperactive debut that wears its influences on its sleeve, playing like a lysergic, literate mixtape packed with layers and subtle gestures. Cool-headed and mysterious, it exposes the twilit side of the Kampala underground\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Masaka Masaka\u003c\/p\u003e\n\u003cp\u003eLabel : Hakuna Kulala\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eHK054\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-08-22T09:53:26+09:00","created_at":"2025-08-22T09:52:55+09:00","vendor":"Tobira Records","type":"","tags":["field recording","hakuna kulala","hiphop \/ funk","house","lp","new","techno \/ house"],"price":498900,"price_min":498900,"price_max":498900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47638511026426,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Masaka Masaka \/\/ Barely Making Much LP [COLOR]","public_title":null,"options":["Default Title"],"price":498900,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/mak.jpg?v=1741162459","\/\/tobirarecords.com\/cdn\/shop\/files\/mak2_ea8d9ace-8ef4-4d15-889a-f8671a245888.jpg?v=1741162459"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/mak.jpg?v=1741162459","options":["Title"],"media":[{"alt":null,"id":35664992370938,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mak.jpg?v=1741162459"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mak.jpg?v=1741162459","width":700},{"alt":null,"id":35664992403706,"position":2,"preview_image":{"aspect_ratio":0.905,"height":1200,"width":1086,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mak2_ea8d9ace-8ef4-4d15-889a-f8671a245888.jpg?v=1741162459"},"aspect_ratio":0.905,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mak2_ea8d9ace-8ef4-4d15-889a-f8671a245888.jpg?v=1741162459","width":1086}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eãŠã¬ã³ãã®äœå®¶Masaka Masakaãã2025幎3æã«ãŠã¬ã³ãã»ã«ã³ãã©ã®ã¬ãããã£ãŒã«ãã»ãã³ã¹ã¬ãŒãã«Nyege Nyege \/ Hakuna KulalaãããªãªãŒã¹ããåçºã¬ã³ãŒãã§ããïŒãªãªãžãã«ã¯2024幎ãªãªãŒã¹ïŒ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGqomããã©ãããã¢ã³ããšã³ããããŠã³ãã³ãããããªã©ãžã£ã³ã«ã暪æãã14æ²ãåé²ãã·ã«ããŒç€ã§ãã\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以äžãã¬ãŒãã«ã«ãã解説ã§ãã\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ãŠã¬ã³ãã§è²ã£ããã«ãã»ã¢ãŒãã£ã¹ãã®ã€ã¢ã³ã»ãã£ã³ãžïŒå¥åMasaka MasakaïŒã¯ãåžžã«é³æ¥œãäœããããšèããŠããã圌ã¯ãã«ã³ãã©ã®æž©æãªããŒããœã³æ¹ŸãèŠäžããäžãããã³ãã£ãšã«ããå人ã®ã¹ã¿ãžãªã§åæ©çãªããããããããŒããäœãå§ããããããã§ã¯ãã¿ããªåããã®ãèŽããŠããããã«èŠãããã ããšåœŒã¯èª¬æãããããã£ã³ãžãŒã¯çŸ€è¡ã«åŸãããšã«ã¯èå³ããªãã£ããè¡äžã宿çã«éå€ããŠããéã圌ã®å¿ã¯ãã£ãŒã³ã»ãã©ã³ããã¹ã©ãŠãœã³ã»ãããŒã³ãã¢ã«ã«ããžã§ãã°ããã£ã¢ããŽã§ãžã³ã®ãµãŠã³ãã«ã²ã³ããŠããã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBarely Making Muchã¯ã圫å»çã§ãããšåæã«æ¢æ€çã§ããããåºå€§ã§éå¿çãªã¢ã«ãã ã§ãããMasaka Masakaã¯ãNyege Nyegeã®ã«ã³ãã©ã®ã¹ã¿ãžãªã§æççãª2幎éããããŠãã®ã¢ã«ãã ãæžãäžãããžã£ã³ã°ã«ãå®éšçããããããããã¯ããç»è£œãããããã¯ã€ãºãªã¢ã³ããšã³ããã¥ãŒãžãã¯ãªã©ãçžäºã«çµã³ã€ããé³ã®ãã¡ããŸãã«æãå
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äºããããBefore I goãã§ã¯ãã¹ã¿ãã¿ãŒããã¹ãã¢ãšç²ã£ãœããã¬ã€ã¯ãç¹ãæãã»ã€ããã¿ãã¹ããªãŒãããžã£ãžãŒãªé¶é
æãçã¿åºããŠããã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ecut right throughã§ã¯ãMasaka Masakaããã¢ããã»ãã©ãžãªã¢ã³ã¹ã¿ã€ã«ã®ãŽã©ãŒã«ã«ã»ãã§ããããã©ããã»ãã€ãããã»ããŒã«ãéžæ¯ç¶ã®ã·ã³ã»ãµã€ã¶ãŒããŒã¹ãç¹ãæãæ Œåã®äžã§ãæ¶ç©ºã®ãã¢ãããããæ²ããã颚éãããããšãã«ã®ãã·ã¥ãªãã®ãã©ãã¯ã¯ãããããè«ã®é³Žã声ã®ãããªé³ã«å€åãããŠããã£ãªãã³ããã©ã ãšã¯ãã·ã§ã³ã«ãªããšãäºæãã¬æ¹å転æããããelv9tã§ã¯ãé°å²æ°ã®ããããã¯ã«ãŒã ã®ããããšããµãŠã³ãã·ã¹ãã åãã®ããŒããŒãªãµã¶ã³ã©ãããçµã¿åããããããã£ãã¯ãªãlet me outãã§ã¯ãããŒããã¯ããèªåã®ã€ã¡ãŒãžã«äœãå€ãã4\/4ã®ããã¯ãã°ãªããããå€ããŠããã©ã³ãã³ãµãŒãæžæãããæžŠå·»ããµã€ã±ããªãã¯ãªã·ã³ã»ãã¡ãºã§ããã«éãæã¡èŸŒãã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMasaka Masakaã¯ãå¬ç è¡ã®ãããªã¿ã€ãã«ãã©ãã¯ãåãæ ç»ã®ãããªãã£ããŒã¬ãit's okay to dance aloneãã®ãããªãããçæ³çãªã¢ãŒãã§ãå¢ããç¶æããå¥äžçã®ãããªãŽã©ãŒã«ã«ã»ã«ãŒããšäžèŠåãªããŒã«ãã·ã§ã³ã溶ãããããªã¢ã³ããšã³ã¹ã«æžŠå·»ãããŠãããBarely Making Muchã¯ãé
åçã§å€åçãªããã¥ãŒäœã§ããããã®åœ±é¿ãè¢ã«ãŸãšãã幟éã«ãéãªãã埮åŠãªãžã§ã¹ãã£ãŒãè©°ã蟌ãã ããªãŒã«ã®ãŒã§æåŠçãªããã¯ã¹ããŒãã®ããã«æŒå¥ãããå·éæ²çã§ãã¹ããªã¢ã¹ãªãã®äœåã¯ãã«ã³ãã©ã®ã¢ã³ããŒã°ã©ãŠã³ãã®è»œèãªäžé¢ããããåºããŠããã\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3338737744\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2768991357\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eã¬ãŒãã«ãã®ä»äœåã¯\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eãã¡ã\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" silver vinyl. Repress - 2nd edition of 200. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e           \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Mental Construct 03:20\u003cbr\u003e2. Before I Go 03:48\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Come with me to Goma 02:50\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Cut Right Through 02:42\u003cbr\u003e\u003c\/span\u003e5. 6pm Waiting on You 01:41\u003cbr\u003e6. Days of Nothingness 01:47\u003cbr\u003e7. Let Me Out 02:22\u003cbr\u003e8. Elv8t 02:53\u003cbr\u003e9. Barely Making Much 01:37\u003cbr\u003e10. Gone 03:49\u003cbr\u003e11. Nothing Makes Sense 01:48\u003cbr\u003e12. NRG 02:12\u003cbr\u003e13. Sacrifice 02:54\u003cbr\u003e14. It's Okay to Dance Alone 03:29\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eHakuna Kulala :\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eGrowing up in Uganda, multi-disciplinary artist Ian Nnyanzi (aka Masaka Masaka) always knew he wanted to make music, he just needed enough time and breathing room to figure out what exactly his contribution had to be. He cut his teeth fashioning rudimentary hip-hop beats at a friend's studio on Makindye, a hill that overlooks Kampala's balmy Murchison Bay, and quickly realized that he wanted more. \"Out here, everyone seems okay to listen to the same thing,\" he explains, and Nnyanzi wasn't interested in following the crowd. During regular commutes across the city, his mind was being cracked open by sounds from Dean Blunt, Slauson Malone, Arca, Jpegmafia and Vegyn; he knew he needed to show Kampala something similarly distinct.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e'Barely Making Much' is a sprawling, ambitious album that's as sculptural as it is explorative, reaching through genre membranes and refusing to stay still for a second. Masaka Masaka wrote it over a fragmented two year period at Nyege Nyege's Kampala studio, and tapped into a jumble of interconnected sounds, from jungle and experimental hip-hop to techno and smoked-out, dubwise ambient music. He was particularly absorbed by the loose, open-minded production style he heard from Manchester's Sockethead, who\u003cspan class=\"bcTruncateMore\"\u003e makes an appearance on 'Before I go', a frayed tapestry of stuttering snares and floury breaks that billows into jazzy euphoria.\u003cbr\u003e\u003cbr\u003eOn 'cut right through', Masaka Masaka bends fictile piano hits through a lattice of Afro-Brazilian-style vocal chops, trap hi-hat rolls and serrated, synthesized bass thumps. Airy and energetic, the track makes an unexpected left turn when the hats transform into insectoid rasps that cushion a woody hand drum patter. Elsewhere, Nnyanzi isn't afraid to go straight for the jugular: on 'elv9t' he sets atmospheric, back room pads against booming, soundsystem-ready Southern rap subs, and on the kinetic 'let me out', he remolds hard techno in his image, knocking the 4\/4 kick off grid to perplex seasoned dancers, and hammering the nail in further with swirling, psychedelic synth fuzz.\u003cbr\u003e\u003cbr\u003eEven when Masaka Masaka's working in a more contemplative mode - like on the hypnotic title track and the fragile cinematic finale 'it's okay to dance alone' - he maintains the momentum, swirling otherworldly vocal loops and erratic percussion into pools of melted ambience. 'Barely Making Much' is a charming, hyperactive debut that wears its influences on its sleeve, playing like a lysergic, literate mixtape packed with layers and subtle gestures. Cool-headed and mysterious, it exposes the twilit side of the Kampala underground\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Masaka Masaka\u003c\/p\u003e\n\u003cp\u003eLabel : Hakuna Kulala\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eHK054\u003c\/span\u003e\u003c\/p\u003e"}
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ç³»ã®è±ãããéç«ãããŠãããããããäžæã¯ããã€ãŠæµæ°·é³ŽããšåŒã°ããå¥åŠãªé³ãç®æããã®ã ãããæãçµã¡ãç±ã垯ã³ãŠããã®é³ã¯æ°ããªå£°ãžãšå€åããã®ãããããªãã\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1165775434\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eã¬ãŒãã«ãã®ä»äœåã¯\u003ca href=\"https:\/\/tobirarecords.com\/collections\/foofmi\"\u003eãã¡ã\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/foofmi\"\u003ehere\u003c\/a\u003e to see more Forms of Minutiae releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------------------\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eSHIPPING FROM SEPTEMBER\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. ryÅ«hyÅ 04:58\u003cbr\u003e2. ibiki 03:34\u003cbr\u003e3. shima-fukurou 05:09\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. mayonaka 02:36\u003cbr\u003e\u003c\/span\u003e5. yuki to kÅri 01:29\u003cbr\u003e6. kyÅ«ai 05:05\u003cbr\u003e7. minehama 02:58\u003cbr\u003e8. onaka no oto 05:08\u003cbr\u003e9. kankÅsen 03:43\u003cbr\u003e10. haru 02:26\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by Forms of Minutiae:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e2025 was declared the International Year of Glaciersâ Preservation by the United Nations, accompanied by the proclamation of March 21st of each year as the World Day for Glaciers starting this year. As they put it, âthis is an opportunity to raise global awareness about the critical role of glaciers, snow and ice in the climate system and the hydrological cycle, and the economic, social and environmental impacts of the impending changes in the Earthâs cryosphere.â To celebrate this decision forms of minutiae presents a series of albums dedicated to glaciers and the acoustic multiplicity of the ice, with field recording works by Marc Namblard, Ludwig Berger\u003cspan class=\"bcTruncateMore\"\u003e, Yoichi Kamimura, Cheryl E. Leonard, and Pablo Diserens.\u003cbr\u003e\u003cbr\u003eFollowing Ludwig Bergerâs âcrying glacierâ, the series continues with its third album, âryÅ«hyÅâ, a delicate dive into Japanâs unique drifting ice presented here by sound artist and field recordist Yoichi Kamimura.\u003cbr\u003e\u003cbr\u003eRecorded over four years, the album shares the intricate soundscape birthed by RyÅ«hyÅ, Japanâs drifting sea ice, in the Sea of Okhotsk by the coast of Hokkaido. Located on a similar geographical latitude as Venice (Italy) and Portland (Oregon) this is the northern hemisphere's southernmost region to see drifting sea ice. This unique phenomenon forms each winter as the Amur Riverâs freshwater mixes with the Okhotskâs seawater and freezes. There, the serpentine stream morphs into a vast expanse of ice, blanketing the ocean. It descends south, carried by the currents, before engulfing the shores of Shiretoko, a UNESCO World Natural Heritage site. Here, drift ice plays a vital role in the thriving local ecology, as it releases nutrient-rich freshwater that fuels phytoplankton blooms, which in turn support a diverse range of wildlife, including fish, seals, eagles, whales, and other species. Yet, year after year, this seasonal ecosystem dwindles due to climate change, exponentially thinning RyÅ«hyÅ.\u003cbr\u003e\u003cbr\u003eThirty years ago, the ice was large and thick, allowing locals to walk and play on its surface. According to elders, when the ice used to fill the Sea of Okhotsk, it remained motionless like the ground, yet it made a sound. Human-like whistles and breaths would emanate from the frozen horizon, a phenomenon referred to by locals as RyÅ«hyÅ-Nari (drift ice noises). Each year since 2019, Yoichi Kamimura has attempted to record this sound, but todayâs weakened drift ice no longer whistles; instead, it shares a new set of guttural vocabulary.\u003cbr\u003e\u003cbr\u003eThanks to Kamimuraâs recordings, RyÅ«hyÅâs richness can be felt through sound. The ice accumulates in floating imbrications that rub against one another in squealing, crackling, and gurgling utterances. What emerges is a dense textural soundscape that bears the fascinating range of these melting voices. By blending aerial and underwater recordings, the album positions our ears between the floating ice fissures. In these squeezed spaces, sounds ebb and flow with the tides in bodily, grotesque, and whimsical swells, to the point of inspiring some of the track titles (such as âonaka no otoâ meaning âstomach rumbleâ). But these icy screeches, snores, and gurgles are not the only sonic expressions here. Who else inhabits RyÅ«hyÅ? Across the album, multiple animal voices echo above and below the ice. In âshima-fukurouâ, the frozen noise is cadenced by the ghostly call of a Blakiston's fish owl, one of the worldâs largest and rarest owls, endemic to this region. In âkyÅ«aiâ, the water beneath the ice houses an uncanny pinniped courtship: elusive ribbon seals' songs filling the ocean with sinusoidal downsweeps â an otherworldliness that accentuates the peculiarity of this drifting soundscape...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : yoichi kamimura\u003c\/p\u003e\n\u003cp\u003eLabel : Forms of Minutiae\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003efom16\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-08-18T10:03:56+09:00","created_at":"2025-08-18T09:43:14+09:00","vendor":"Tobira Records","type":"","tags":["field recording","forms of minutiae","lp","monooto","new"],"price":450000,"price_min":450000,"price_max":450000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47621924978938,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"yoichi kamimura \/\/ ryÅ«hyÅ LP","public_title":null,"options":["Default Title"],"price":450000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/yo.jpg?v=1755477670","\/\/tobirarecords.com\/cdn\/shop\/files\/yo2_8eb2f7f1-80c4-4adf-ab73-e48b3db4630b.jpg?v=1755477669"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/yo.jpg?v=1755477670","options":["Title"],"media":[{"alt":null,"id":36575124521210,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/yo.jpg?v=1755477670"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/yo.jpg?v=1755477670","width":700},{"alt":null,"id":36575124553978,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/yo2_8eb2f7f1-80c4-4adf-ab73-e48b3db4630b.jpg?v=1755477669"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/yo2_8eb2f7f1-80c4-4adf-ab73-e48b3db4630b.jpg?v=1755477669","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eâ»12æäžæ¬çºééå§ããŸãïŒãã¬ã¹ãé
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ç³»ã®è±ãããéç«ãããŠãããããããäžæã¯ããã€ãŠæµæ°·é³ŽããšåŒã°ããå¥åŠãªé³ãç®æããã®ã ãããæãçµã¡ãç±ã垯ã³ãŠããã®é³ã¯æ°ããªå£°ãžãšå€åããã®ãããããªãã\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1165775434\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eã¬ãŒãã«ãã®ä»äœåã¯\u003ca href=\"https:\/\/tobirarecords.com\/collections\/foofmi\"\u003eãã¡ã\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/foofmi\"\u003ehere\u003c\/a\u003e to see more Forms of Minutiae releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------------------\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eSHIPPING FROM SEPTEMBER\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. ryÅ«hyÅ 04:58\u003cbr\u003e2. ibiki 03:34\u003cbr\u003e3. shima-fukurou 05:09\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. mayonaka 02:36\u003cbr\u003e\u003c\/span\u003e5. yuki to kÅri 01:29\u003cbr\u003e6. kyÅ«ai 05:05\u003cbr\u003e7. minehama 02:58\u003cbr\u003e8. onaka no oto 05:08\u003cbr\u003e9. kankÅsen 03:43\u003cbr\u003e10. haru 02:26\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by Forms of Minutiae:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e2025 was declared the International Year of Glaciersâ Preservation by the United Nations, accompanied by the proclamation of March 21st of each year as the World Day for Glaciers starting this year. As they put it, âthis is an opportunity to raise global awareness about the critical role of glaciers, snow and ice in the climate system and the hydrological cycle, and the economic, social and environmental impacts of the impending changes in the Earthâs cryosphere.â To celebrate this decision forms of minutiae presents a series of albums dedicated to glaciers and the acoustic multiplicity of the ice, with field recording works by Marc Namblard, Ludwig Berger\u003cspan class=\"bcTruncateMore\"\u003e, Yoichi Kamimura, Cheryl E. Leonard, and Pablo Diserens.\u003cbr\u003e\u003cbr\u003eFollowing Ludwig Bergerâs âcrying glacierâ, the series continues with its third album, âryÅ«hyÅâ, a delicate dive into Japanâs unique drifting ice presented here by sound artist and field recordist Yoichi Kamimura.\u003cbr\u003e\u003cbr\u003eRecorded over four years, the album shares the intricate soundscape birthed by RyÅ«hyÅ, Japanâs drifting sea ice, in the Sea of Okhotsk by the coast of Hokkaido. Located on a similar geographical latitude as Venice (Italy) and Portland (Oregon) this is the northern hemisphere's southernmost region to see drifting sea ice. This unique phenomenon forms each winter as the Amur Riverâs freshwater mixes with the Okhotskâs seawater and freezes. There, the serpentine stream morphs into a vast expanse of ice, blanketing the ocean. It descends south, carried by the currents, before engulfing the shores of Shiretoko, a UNESCO World Natural Heritage site. Here, drift ice plays a vital role in the thriving local ecology, as it releases nutrient-rich freshwater that fuels phytoplankton blooms, which in turn support a diverse range of wildlife, including fish, seals, eagles, whales, and other species. Yet, year after year, this seasonal ecosystem dwindles due to climate change, exponentially thinning RyÅ«hyÅ.\u003cbr\u003e\u003cbr\u003eThirty years ago, the ice was large and thick, allowing locals to walk and play on its surface. According to elders, when the ice used to fill the Sea of Okhotsk, it remained motionless like the ground, yet it made a sound. Human-like whistles and breaths would emanate from the frozen horizon, a phenomenon referred to by locals as RyÅ«hyÅ-Nari (drift ice noises). Each year since 2019, Yoichi Kamimura has attempted to record this sound, but todayâs weakened drift ice no longer whistles; instead, it shares a new set of guttural vocabulary.\u003cbr\u003e\u003cbr\u003eThanks to Kamimuraâs recordings, RyÅ«hyÅâs richness can be felt through sound. The ice accumulates in floating imbrications that rub against one another in squealing, crackling, and gurgling utterances. What emerges is a dense textural soundscape that bears the fascinating range of these melting voices. By blending aerial and underwater recordings, the album positions our ears between the floating ice fissures. In these squeezed spaces, sounds ebb and flow with the tides in bodily, grotesque, and whimsical swells, to the point of inspiring some of the track titles (such as âonaka no otoâ meaning âstomach rumbleâ). But these icy screeches, snores, and gurgles are not the only sonic expressions here. Who else inhabits RyÅ«hyÅ? Across the album, multiple animal voices echo above and below the ice. In âshima-fukurouâ, the frozen noise is cadenced by the ghostly call of a Blakiston's fish owl, one of the worldâs largest and rarest owls, endemic to this region. In âkyÅ«aiâ, the water beneath the ice houses an uncanny pinniped courtship: elusive ribbon seals' songs filling the ocean with sinusoidal downsweeps â an otherworldliness that accentuates the peculiarity of this drifting soundscape...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : yoichi kamimura\u003c\/p\u003e\n\u003cp\u003eLabel : Forms of Minutiae\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003efom16\u003c\/span\u003e\u003c\/p\u003e"}
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{"id":8884832698618,"title":"Katokye \/\/ Obuhangwa bwa Banyankore na Bahororo LP","handle":"katokye-obuhangwa-bwa-banyankore-na-bahororo-lp","description":"\u003cp\u003e\u003cspan\u003eãŠã¬ã³ãã®ææKatokyeãã2025幎9æã«ååœã«ã³ãã©ã®ã¬ãããã£ãŒã«ãã»ãã³ã¹ã¬ãŒãã«Nyege NyegeãããªãªãŒã¹ããã¬ã³ãŒãã§ãã\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eãŠã¬ã³ã西éšããã£ã³ã³ã¢ãšããããå°æ¹ã®äŒçµ±å£°æ¥œ6æ²ãåé²ã\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eâ»ããžã¿ã«é³æºãç¡æã§ãéãããããŸãã®ã§ãæ°è»œã«ãé£çµ¡ãã ãããŸã\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以äžãã¬ãŒãã«ã«ãã解説ã§ãã\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"äŒèª¬ã®ã·ã³ã¬ãŒKatokyeã¯ãåã®ã¹ã¿ãžãªã¢ã«ãã ã§ããŠã¬ã³ã西éšã®ããã£ã³ã³ã¢ãšããããã®äººã
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é·ãæŸæµªããªããæãç¶ãã1å1åã®ããã©ãŒãã³ã¹ã§èžã磚ããŠãã£ãã60æ³ã®èªçæ¥ãç®åã«æ§ããçŸåšãKatokyeã¯ãã®å°æ¹ã§æãæèœãããã人æ°ã®ããäŒçµ±ææãšãªã£ãã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eãšã±ã·ã§ã³ãŽããšããã¹ã¿ã€ã«ãåŸæãšããKatokyeã¯ãæ¥æ¬ã®ä¿³å¥ã®ãããªçãè©©çãªæç« ãå³èã§è© ã¿ã圌ã®åå°ãæŽå²ã圌ãã®å€§åã«ããŠããå®¶çã«ã€ããŠãã²ãšãã¡å€§ã®å°è±¡ãäŒãããéåžžã®å
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äºããè³çŸã®èæã«æ²¿ã£ãŠåŒã£åŒµã£ãŠããæµãã®åŒ·ããçå®ã«å¢ããŠããã \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1658344234\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eã¬ãŒãã«ãã®ä»äœåã¯\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eãã¡ã\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes \/ Heat Crimes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" black vinyl.\u003cbr\u003eEdition of 300. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Abera Bakyarusheshe \u003cbr\u003e2. Abanzira\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Okugamba Ente\u003cbr\u003e\u003c\/span\u003e4. Omuhogo gwa Rujeru\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Ekyevugo Kyabantu\u003cbr\u003e\u003c\/span\u003e6. Ekyeshongoro Kyabakazi\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn his first studio album, legendary singer John Katokye shines an unprecedented light on the rich vocal music of the Banyankore and Bahororo people of Western Uganda, bringing to the fore two singing styles intimately anchored in their century-long practice of cattle herding. When still a young boy, Katokye ran away from home to immerse himself in the traditional songs of his region. Herding cattle in different farms to earn a living, he roamed his homeland singing for several decades, refining his art form one performance at a time. Now approaching his 60th birthday, Katokye has become arguably the most talented and popular traditional singer alive in his region today.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSpecializing in the style of âekyeshongoroâ, Katokye improvises short poetic sentences, like a long series of Japanese haiku, to convey morsel-sized impressions on the land and history of his people and their cherished cattle. On a regular performance, one or several singers usually back up the meandering of the lead vocalist, overlapping their verses in a continuous vocal flow â at times stretching well beyond ten minutes â transforming the moment into a long meditative experience. Marking the major twists and turns of their river-like performances, all the singers punctually raise their pitch together, steadily increasing the intensity of the current\u003cspan class=\"bcTruncateMore\"\u003e that pulls the audience along their mesmerizing praising chant.\u003cbr\u003e\u003cbr\u003eNamed after Katokyeâs clan, âAbanziraâ pays tribute to the moral values and beauty of the women from his lineage, while âEkyeshongoro Kyabakaziâ singles out the merits of the people of Karengo, a village at the heart of the Ankole region where Katokye settled with his loved ones. Throughout this song, Katokye peppers guttural breaths reminiscent of the mooing cows grazing in the hills surrounding his home. To say that the Banyankore and Bahororo people have a deep bond with their cattle might be an understatement in a culture where the generous eyelashes and quiet gaze of calves shape beauty standards, while the subtle taste of smoked milk flavours family reunions and friendly hang outs.\u003cbr\u003e\u003cbr\u003eâOkugamba Enteâ illustrates this intimacy well as Katokye salutes cowsâ understanding of human nature, beating with his herding staff the pulse of another form of praise singing deeply rooted in the region, transporting listeners from the meditative river of ekyeshongoro to the dense and wordy waterfall of the ekyevugo style. Gluing words together to recite a dense series of sentences in one breath, ekyevugo singers draw on local myths and history while evoking cattle as signs of beauty and wealth to praise their audience and highlight the quality of the moments lived together at weddings, political rallies, or family gatherings. Acknowledging the praises, the audience usually concludes each flow with a short and vocal âeeeâ during which the reciter quickly catches breath to draw strength and fire the next verse.\u003cbr\u003e\u003cbr\u003eAnd the talent lives on in the younger generations as the album concludes with âOmuhogo gwa Rujeruâ, foregrounding Katokyeâs acolyte and longtime partner Samuel Rujeru who takes the lead in driving a song usually opening fire sessions, calmly warming up the audience and performers for an evening of storytelling. As they listen to the singersâ whirling melismas and passionate bursts, itâs not unusual for people to raise their arms in the air in imitation of the iconic long horns of their beloved cattle with which they share their lives in the bushy hills of the region. Rendered for the first time in an intimate studio recording session, listeners can now feel the warmth of these amazing vocal styles that for so many years accompanied the lives and dreams of the Banyankore and Bahororo people.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Katokye\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eNNT077\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-08-12T17:16:52+09:00","created_at":"2025-08-11T12:25:54+09:00","vendor":"Tobira Records","type":"","tags":["field recording","lp","new","nyege nyege tapes"],"price":486500,"price_min":486500,"price_max":486500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47603039469818,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Katokye \/\/ Obuhangwa bwa Banyankore na Bahororo LP","public_title":null,"options":["Default Title"],"price":486500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/obu1.jpg?v=1754882670","\/\/tobirarecords.com\/cdn\/shop\/files\/obu2.jpg?v=1754882670"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/obu1.jpg?v=1754882670","options":["Title"],"media":[{"alt":null,"id":36521674375418,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/obu1.jpg?v=1754882670"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/obu1.jpg?v=1754882670","width":700},{"alt":null,"id":36521674408186,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/obu2.jpg?v=1754882670"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/obu2.jpg?v=1754882670","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eãŠã¬ã³ãã®ææKatokyeãã2025幎9æã«ååœã«ã³ãã©ã®ã¬ãããã£ãŒã«ãã»ãã³ã¹ã¬ãŒãã«Nyege NyegeãããªãªãŒã¹ããã¬ã³ãŒãã§ãã\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eãŠã¬ã³ã西éšããã£ã³ã³ã¢ãšããããå°æ¹ã®äŒçµ±å£°æ¥œ6æ²ãåé²ã\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eâ»ããžã¿ã«é³æºãç¡æã§ãéãããããŸãã®ã§ãæ°è»œã«ãé£çµ¡ãã ãããŸã\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以äžãã¬ãŒãã«ã«ãã解説ã§ãã\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"äŒèª¬ã®ã·ã³ã¬ãŒKatokyeã¯ãåã®ã¹ã¿ãžãªã¢ã«ãã ã§ããŠã¬ã³ã西éšã®ããã£ã³ã³ã¢ãšããããã®äººã
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£ã«å¯æ¥ã«çµã³ã€ãã2ã€ã®æå±ã¹ã¿ã€ã«ãåé¢ã«æŒãåºãããKatokyeã¯ãŸã 幌ãé ãå®¶ãé£ã³åºããŠãã®å°åã®äŒçµ±çãªæã«æ²¡é ãããçèšãç«ãŠãããã«ããŸããŸãªç§å Žã§çã飌ããæ°å幎ã«ãããæ
é·ãæŸæµªããªããæãç¶ãã1å1åã®ããã©ãŒãã³ã¹ã§èžã磚ããŠãã£ãã60æ³ã®èªçæ¥ãç®åã«æ§ããçŸåšãKatokyeã¯ãã®å°æ¹ã§æãæèœãããã人æ°ã®ããäŒçµ±ææãšãªã£ãã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eãšã±ã·ã§ã³ãŽããšããã¹ã¿ã€ã«ãåŸæãšããKatokyeã¯ãæ¥æ¬ã®ä¿³å¥ã®ãããªçãè©©çãªæç« ãå³èã§è© ã¿ã圌ã®åå°ãæŽå²ã圌ãã®å€§åã«ããŠããå®¶çã«ã€ããŠãã²ãšãã¡å€§ã®å°è±¡ãäŒãããéåžžã®å
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äºããè³çŸã®èæã«æ²¿ã£ãŠåŒã£åŒµã£ãŠããæµãã®åŒ·ããçå®ã«å¢ããŠããã \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1658344234\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eã¬ãŒãã«ãã®ä»äœåã¯\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eãã¡ã\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes \/ Heat Crimes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" black vinyl.\u003cbr\u003eEdition of 300. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Abera Bakyarusheshe \u003cbr\u003e2. Abanzira\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Okugamba Ente\u003cbr\u003e\u003c\/span\u003e4. Omuhogo gwa Rujeru\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Ekyevugo Kyabantu\u003cbr\u003e\u003c\/span\u003e6. Ekyeshongoro Kyabakazi\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn his first studio album, legendary singer John Katokye shines an unprecedented light on the rich vocal music of the Banyankore and Bahororo people of Western Uganda, bringing to the fore two singing styles intimately anchored in their century-long practice of cattle herding. When still a young boy, Katokye ran away from home to immerse himself in the traditional songs of his region. Herding cattle in different farms to earn a living, he roamed his homeland singing for several decades, refining his art form one performance at a time. Now approaching his 60th birthday, Katokye has become arguably the most talented and popular traditional singer alive in his region today.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSpecializing in the style of âekyeshongoroâ, Katokye improvises short poetic sentences, like a long series of Japanese haiku, to convey morsel-sized impressions on the land and history of his people and their cherished cattle. On a regular performance, one or several singers usually back up the meandering of the lead vocalist, overlapping their verses in a continuous vocal flow â at times stretching well beyond ten minutes â transforming the moment into a long meditative experience. Marking the major twists and turns of their river-like performances, all the singers punctually raise their pitch together, steadily increasing the intensity of the current\u003cspan class=\"bcTruncateMore\"\u003e that pulls the audience along their mesmerizing praising chant.\u003cbr\u003e\u003cbr\u003eNamed after Katokyeâs clan, âAbanziraâ pays tribute to the moral values and beauty of the women from his lineage, while âEkyeshongoro Kyabakaziâ singles out the merits of the people of Karengo, a village at the heart of the Ankole region where Katokye settled with his loved ones. Throughout this song, Katokye peppers guttural breaths reminiscent of the mooing cows grazing in the hills surrounding his home. To say that the Banyankore and Bahororo people have a deep bond with their cattle might be an understatement in a culture where the generous eyelashes and quiet gaze of calves shape beauty standards, while the subtle taste of smoked milk flavours family reunions and friendly hang outs.\u003cbr\u003e\u003cbr\u003eâOkugamba Enteâ illustrates this intimacy well as Katokye salutes cowsâ understanding of human nature, beating with his herding staff the pulse of another form of praise singing deeply rooted in the region, transporting listeners from the meditative river of ekyeshongoro to the dense and wordy waterfall of the ekyevugo style. Gluing words together to recite a dense series of sentences in one breath, ekyevugo singers draw on local myths and history while evoking cattle as signs of beauty and wealth to praise their audience and highlight the quality of the moments lived together at weddings, political rallies, or family gatherings. Acknowledging the praises, the audience usually concludes each flow with a short and vocal âeeeâ during which the reciter quickly catches breath to draw strength and fire the next verse.\u003cbr\u003e\u003cbr\u003eAnd the talent lives on in the younger generations as the album concludes with âOmuhogo gwa Rujeruâ, foregrounding Katokyeâs acolyte and longtime partner Samuel Rujeru who takes the lead in driving a song usually opening fire sessions, calmly warming up the audience and performers for an evening of storytelling. As they listen to the singersâ whirling melismas and passionate bursts, itâs not unusual for people to raise their arms in the air in imitation of the iconic long horns of their beloved cattle with which they share their lives in the bushy hills of the region. Rendered for the first time in an intimate studio recording session, listeners can now feel the warmth of these amazing vocal styles that for so many years accompanied the lives and dreams of the Banyankore and Bahororo people.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Katokye\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eNNT077\u003c\/span\u003e\u003c\/p\u003e"}
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{"id":8879088107770,"title":"Douglas Moffat \/\/ Montréal Phonographe 12inch","handle":"douglas-moffat-montreal-phonographe-12inch","description":"\u003cp\u003eã«ããã»ã¢ã³ããªãªãŒã«ã®å®éšé³æ¥œå®¶Douglas Moffatãã2012幎ã«ã¢ã³ããªãªãŒã«ã®å®éšã¬ãŒãã«The Dim CoastãããªãªãŒã¹ããçé¢ã¬ã³ãŒãã§ãã\u003c\/p\u003e\n\u003cp\u003eã¡ããã£çç¡ã®ç©é³ããããŒã³24æ²ãåé²ã180gééçœç€ã§ãã\u003c\/p\u003e\n\u003cp\u003e以äžãã¬ãŒãã«ã«ãã解説ã§ãã\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ãã®ãããžã§ã¯ãã¯çœæŒå€¢ããå§ãŸããããã¢ã³ããªãªãŒã«å³¶ãã¬ã³ãŒãç€ã ã£ãããã©ããªé³è²ãå¥ã§ãã ãããïŒ ããå³¶ã巚倧ãªã¿ãŒã³ããŒãã«ã«èŒãããããªãããã®è¡šé¢ã«ã¯ã©ããªè³ªæã®æš¡æ§ãçŸããã ãããïŒ\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eãããã®åããžã®çãã¯ãå°é¢ã®è³ªæå€åãç©ççãªé³ã«å€æã§ããå
šå°åœ¢å¯Ÿå¿ã¹ã¿ã€ã©ã¹ã®éçºããå§ãŸã£ãã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eäžå¯èœãªè¡šé¢ã®é³ãšãã倢æ³ã¯æ°ãããã®ã§ã¯ãªãã1919幎ã®éçã§ã©ã€ããŒã»ããªã¢ã»ãªã«ã±ã¯ãããé è骚ãéã§èŸ¿ãããšãã§ããã°ã©ããªé³ãèãããã ããããšèãããæ°å¹ŽåŸãã©ãºãã»ã¢ããªïŒããžã¯è鳿©ã®æ°ããªå¯èœæ§ãæçŽ¢ããªãããåã®éŒ»ã¯ã©ããªé³ã ããïŒããšå«ãã ã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eãã®ã¬ã³ãŒãã¯ã磚ãããç€é¢ã«å»ãŸããæ³åäžã®é³ãšãã粟ç¥ãåãç¶ããäžå¯èœãªãã®ãæåœ¢åããããšãã詊ã¿ã§ãããªãããæ±ºããŠèª¬åŸåããå宿§ãéæããªãããããããã«è§£ãæŸãããé³ãããããªãé³é¿ç空æ³ãåèµ·ãç¶ããããšãé¡ã£ãŠããŸãªãã\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/67842907\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Douglas Moffat\" href=\"https:\/\/soundcloud.com\/builtsound\" target=\"_blank\"\u003eDouglas Moffat\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Montréal Phonographe (Album Version)\" href=\"https:\/\/soundcloud.com\/builtsound\/mtlphono\" target=\"_blank\"\u003eMontréal Phonographe (Album Version)\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e--------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl - one-sided.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Side A 19:05\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eThe Dim Coast:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThis project begins with a daydream. What would the island of Montreal sound like if it were a vinyl record? If you could somehow place the island on an immense turntable, what textures would be revealed in its surface?\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAnswering these questions began with the development of an all-terrain stylus that could transduce the textural changes of the ground plane into physical sounds.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe dream of the sound of impossible surfaces is not new. In an essay from 1919, Rainer Maria Rilke wondered what sounds the skull might reveal if only it could be traced by a stylus. A few years later, Lazlo Moholy-Nagy while contemplating new potentials for the phonograph, exclaimed âI wonder how your nose will sound? â\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis record continues in this spirit of imagined sounds etched into the polished surface of the record. Attempting to make the impossible tangible, yet never achieving a convincing verisimilitude. Instead, it is hoped that the sounds released here will continue to provoke further sonic daydreaming.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Douglas Moffat\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : The Dim Coast\u003c\/p\u003e","published_at":"2026-01-04T09:46:07+09:00","created_at":"2025-08-05T18:38:24+09:00","vendor":"Tobira Records","type":"","tags":["drone","field recording","lp","monooto","new","The Dim Coast"],"price":355000,"price_min":355000,"price_max":355000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47584589414650,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Douglas Moffat \/\/ Montréal Phonographe 12inch","public_title":null,"options":["Default Title"],"price":355000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/doug1.jpg?v=1754386599"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/doug1.jpg?v=1754386599","options":["Title"],"media":[{"alt":null,"id":36480410910970,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/doug1.jpg?v=1754386599"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/doug1.jpg?v=1754386599","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eã«ããã»ã¢ã³ããªãªãŒã«ã®å®éšé³æ¥œå®¶Douglas Moffatãã2012幎ã«ã¢ã³ããªãªãŒã«ã®å®éšã¬ãŒãã«The Dim CoastãããªãªãŒã¹ããçé¢ã¬ã³ãŒãã§ãã\u003c\/p\u003e\n\u003cp\u003eã¡ããã£çç¡ã®ç©é³ããããŒã³24æ²ãåé²ã180gééçœç€ã§ãã\u003c\/p\u003e\n\u003cp\u003e以äžãã¬ãŒãã«ã«ãã解説ã§ãã\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ãã®ãããžã§ã¯ãã¯çœæŒå€¢ããå§ãŸããããã¢ã³ããªãªãŒã«å³¶ãã¬ã³ãŒãç€ã ã£ãããã©ããªé³è²ãå¥ã§ãã ãããïŒ ããå³¶ã巚倧ãªã¿ãŒã³ããŒãã«ã«èŒãããããªãããã®è¡šé¢ã«ã¯ã©ããªè³ªæã®æš¡æ§ãçŸããã ãããïŒ\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eãããã®åããžã®çãã¯ãå°é¢ã®è³ªæå€åãç©ççãªé³ã«å€æã§ããå
šå°åœ¢å¯Ÿå¿ã¹ã¿ã€ã©ã¹ã®éçºããå§ãŸã£ãã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eäžå¯èœãªè¡šé¢ã®é³ãšãã倢æ³ã¯æ°ãããã®ã§ã¯ãªãã1919幎ã®éçã§ã©ã€ããŒã»ããªã¢ã»ãªã«ã±ã¯ãããé è骚ãéã§èŸ¿ãããšãã§ããã°ã©ããªé³ãèãããã ããããšèãããæ°å¹ŽåŸãã©ãºãã»ã¢ããªïŒããžã¯è鳿©ã®æ°ããªå¯èœæ§ãæçŽ¢ããªãããåã®éŒ»ã¯ã©ããªé³ã ããïŒããšå«ãã ã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eãã®ã¬ã³ãŒãã¯ã磚ãããç€é¢ã«å»ãŸããæ³åäžã®é³ãšãã粟ç¥ãåãç¶ããäžå¯èœãªãã®ãæåœ¢åããããšãã詊ã¿ã§ãããªãããæ±ºããŠèª¬åŸåããå宿§ãéæããªãããããããã«è§£ãæŸãããé³ãããããªãé³é¿ç空æ³ãåèµ·ãç¶ããããšãé¡ã£ãŠããŸãªãã\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/67842907\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Douglas Moffat\" href=\"https:\/\/soundcloud.com\/builtsound\" target=\"_blank\"\u003eDouglas Moffat\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Montréal Phonographe (Album Version)\" href=\"https:\/\/soundcloud.com\/builtsound\/mtlphono\" target=\"_blank\"\u003eMontréal Phonographe (Album Version)\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e--------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl - one-sided.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Side A 19:05\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eThe Dim Coast:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThis project begins with a daydream. What would the island of Montreal sound like if it were a vinyl record? If you could somehow place the island on an immense turntable, what textures would be revealed in its surface?\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAnswering these questions began with the development of an all-terrain stylus that could transduce the textural changes of the ground plane into physical sounds.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe dream of the sound of impossible surfaces is not new. In an essay from 1919, Rainer Maria Rilke wondered what sounds the skull might reveal if only it could be traced by a stylus. A few years later, Lazlo Moholy-Nagy while contemplating new potentials for the phonograph, exclaimed âI wonder how your nose will sound? â\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis record continues in this spirit of imagined sounds etched into the polished surface of the record. Attempting to make the impossible tangible, yet never achieving a convincing verisimilitude. Instead, it is hoped that the sounds released here will continue to provoke further sonic daydreaming.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Douglas Moffat\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : The Dim Coast\u003c\/p\u003e"}
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{"id":8877972848890,"title":"Hánkel Bellido \/\/ Yavireri: Los que viven en lo profundo TAPE","handle":"hankel-bellido-yavireri-los-que-viven-en-lo-profundo-tape","description":"\u003cp\u003eãã«ãŒã®ãã£ãŒã«ãã¬ã³ãŒãã£ã³ã°äœå®¶ïŒæ åäœå®¶Hánkel Bellidoãã2025幎7æã«ã€ã®ãªã¹ã»ãã³ãã³ã®çºæå°éã¬ãŒãã«Death Is Not The EndãããªãªãŒã¹ããã«ã»ããã§ãã\u003c\/p\u003e\n\u003cp\u003eã¢ããŸã³åæ±éšã®å
äœæ°æããã£ã²ã³ã«æã®æ¥åžžãåãåã£ããã£ãŒã«ãã¬ã³ãŒãã£ã³ã°14æ²ãåé²ãã¹ããªãã¥ã¢ãªãã£æº¢ããäžæ¬ã§ãã\u003c\/p\u003e\n\u003cp\u003eâ»ããžã¿ã«é³æºãç¡æã§ãéãããããŸãã®ã§ãæ°è»œã«ãé£çµ¡ãã ãããŸã\u003c\/p\u003e\n\u003cp\u003e以äžãã¬ãŒãã«ã«ãã解説ã§ãã\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ã€ãŽã£ã¬ãªãšã¯ããã£ã²ã³ã«ã®èšèã§ããæ·±æ·µã«çããè
ãã¡ããšèš³ããããæ£®ã®ç²Ÿéãããžã£ã³ã°ã«ã®äžããèŽèŠãèŠèŠã壿¿ã«æ ¹ãããçæŽ»æ§åŒãç¶æããè
ãã¡ã衚çŸããŠããã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eãã®é²é³ã¯ãHánkel Bellidoããã«ãŒã»ã¢ããŸã³åæ±éšãŠã«ãã³ãäžæµã®ããã£ã²ã³ã«ã®ã³ãã¥ããã£ãš2幎éã«ãããå
±åãç¶ããææã§ãããå·ãå°éããã£ã³ããã¡ã€ã€ãŒã®äžã§ãHánkel Bellidoã¯èªç¶ã粟ç¥ãé³é¿ã®äžçã絡ã¿åãæãç©èªããµãŠã³ãã¹ã±ãŒããé²é³ãããããã£ã²ã³ã«æã¯ããã®å°åã§æãçç©å€æ§æ§ãé«ããæåçã«ãéèŠãªå°åã®ã²ãšã€ãšãããã¡ã¬ã³ããåœç«å
¬åã®å¥¥æ·±ãã«çæ¯ããŠããã圌ãã®ã¹ããªãã¥ã¢ãªãã£ã¯ãããžã§ã³ãåç©ã®ç²Ÿéãæ£®ã®èšæ¶ãéããŠæµããŠããã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eã¬ã³ãŒãã£ã³ã°ã®ã¡ã€ã³ã»ãã€ã¹ã¯ã壿¿ã®æåž«ã§ããæã®å®è·è
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ã«å¥ããåããããã«ããããã¯èŠããªãäžçããæ»ã£ãŠããããã«æããããé²é³ã¯ãã¹ãŠãå°æ¬ãç®çããªããéèœã®ãã°ãæ©ãããç§»åãããããªããããã®å Žã§è¡ããããããã¯æ°ä¿åŠçãªåçŸã§ãåŠè¡çãªèšé²ã§ããªããããã蟺å¢ã«ãããæ¥åžžçæŽ»ã®é³ã®èšŒäººã§ããã\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1949720447\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eã¬ãŒãã«ãã®ä»äœåã¯\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003eãã¡ã\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003ehere\u003c\/a\u003e to see more Death Is Not The End releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Cantos al Amanecer 00:40\u003cbr\u003e2. Rio Bajo Urubamba 01:56\u003cbr\u003e3. Canción de Pesca 00:46\u003cbr\u003e4. Niños Jugando en Canoa 03:36\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Cantos de Pajaritos 01:16\u003cbr\u003e\u003c\/span\u003e6. Capirona 03:36\u003cbr\u003e7. Canto de Cuna 01:20\u003cbr\u003e8. Atardecer en Megantoni 03:00\u003cbr\u003e9. Cuento de el Ayahuasca 02:24\u003cbr\u003e10. Matsigenka en rio 02:44\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e11. Canto de luto o despedida 01:32\u003cbr\u003e\u003c\/span\u003e12. Transiciones de agua 03:24\u003cbr\u003e13. Canto al Dios Tasorinchi 01:48\u003cbr\u003e14. 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äœæ°æããã£ã²ã³ã«æã®æ¥åžžãåãåã£ããã£ãŒã«ãã¬ã³ãŒãã£ã³ã°14æ²ãåé²ãã¹ããªãã¥ã¢ãªãã£æº¢ããäžæ¬ã§ãã\u003c\/p\u003e\n\u003cp\u003eâ»ããžã¿ã«é³æºãç¡æã§ãéãããããŸãã®ã§ãæ°è»œã«ãé£çµ¡ãã ãããŸã\u003c\/p\u003e\n\u003cp\u003e以äžãã¬ãŒãã«ã«ãã解説ã§ãã\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ã€ãŽã£ã¬ãªãšã¯ããã£ã²ã³ã«ã®èšèã§ããæ·±æ·µã«çããè
ãã¡ããšèš³ããããæ£®ã®ç²Ÿéãããžã£ã³ã°ã«ã®äžããèŽèŠãèŠèŠã壿¿ã«æ ¹ãããçæŽ»æ§åŒãç¶æããè
ãã¡ã衚çŸããŠããã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eãã®é²é³ã¯ãHánkel Bellidoããã«ãŒã»ã¢ããŸã³åæ±éšãŠã«ãã³ãäžæµã®ããã£ã²ã³ã«ã®ã³ãã¥ããã£ãš2幎éã«ãããå
±åãç¶ããææã§ãããå·ãå°éããã£ã³ããã¡ã€ã€ãŒã®äžã§ãHánkel Bellidoã¯èªç¶ã粟ç¥ãé³é¿ã®äžçã絡ã¿åãæãç©èªããµãŠã³ãã¹ã±ãŒããé²é³ãããããã£ã²ã³ã«æã¯ããã®å°åã§æãçç©å€æ§æ§ãé«ããæåçã«ãéèŠãªå°åã®ã²ãšã€ãšãããã¡ã¬ã³ããåœç«å
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±åãç¶ããææã§ãããå·ãå°éããã£ã³ããã¡ã€ã€ãŒã®äžã§ãHánkel Bellidoã¯èªç¶ã粟ç¥ãé³é¿ã®äžçã絡ã¿åãæãç©èªããµãŠã³ãã¹ã±ãŒããé²é³ãããããã£ã²ã³ã«æã¯ããã®å°åã§æãçç©å€æ§æ§ãé«ããæåçã«ãéèŠãªå°åã®ã²ãšã€ãšãããã¡ã¬ã³ããåœç«å
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{"id":8870320799994,"title":"Pablo Picco \/\/ Aven Argentum TAPE","handle":"pablo-picco-aven-argentum-tape","description":"\u003cp\u003eâ»åœåºéå®è²©å£²ã§ã\u003c\/p\u003e\n\u003cp\u003eã¢ã«ãŒã³ãã³ã®å®éšã¬ãŒãã«\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ber\"\u003eBolinga Everest \u003c\/a\u003e䞻宰Pablo Picco aka Bardo Todolãã2025幎6æã«ãã€ãã»ã©ã€ããã£ãã®å®éšã¬ãŒãã«Frenetic Magic Soundsãã24éšéå®ã§ãªãªãŒã¹ããã«ã»ããã§ãã\u003c\/p\u003e\n\u003cp\u003eãµã«ã·ããšãã¹ãã³ã«ãããããšãã¹ã¢ã€ã¬ã¹ã§é²é³ããé³¥ãšèã®ãã£ãŒã«ãã¬ã³ãŒãã£ã³ã°2æ²ãåé²ãã©ã€ããŒããŒããšããªã³ããä»å±ã\u003c\/p\u003e\n\u003cp\u003eâ»ããžã¿ã«é³æºãç¡æã§ãéãããããŸãã®ã§ãæ°è»œã«ãé£çµ¡ãã ãããŸã\u003c\/p\u003e\n\u003cp\u003e以äžãã¬ãŒãã«ã«ãã解説ã§ãã\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Pablo Piccoã¯ãã¢ã«ãŒã³ãã³ã»ãµã«ã·ããšãã¹åºèº«ã®äœå®¶ã§ãBardo TodoåçŸ©ã§æŽ»åããŠãããé廿°å¹Žã«ããããPabloã¯ãšã¬ã¯ããã¢ã³ãŒã¹ãã£ãã¯ã®ã¬ã³ãŒãã£ã³ã°ãã³ã©ãã¬ãŒã·ã§ã³ã®é©ãã¹ãããã¯ã«ã¿ãã°ãå¶äœããæ°ä¿åŠçãªçŸåŠãç¥ç§äž»çŸ©ãåæã®ãšã¬ã¯ãããã«ãã©ãžãªé³æ¥œãããŒãææ³ãªã©ãç¹ã亀ããªãããèªç±ãªãµãŠã³ãç¶æ³ã圢æããŠããã\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eæ¬äœã§ã¯ãé³ã®æ¢æ±ã«ããã圌ã®å¹
åºãé¢å¿ã®ããã²ãšã€ã®åŽé¢ãæç€ºãããããã¯ããµã«ã·ããšãã¹ãã³ã«ãããããšãã¹ã¢ã€ã¬ã¹ã§é²é³ãããé³¥ãšã«ãšã«ã®ãã£ãŒã«ãã¬ã³ãŒãã£ã³ã°ã®ã³ã¬ã¯ã·ã§ã³ã§ãéšåçã«åœŒã®å£°ã«ããã³ã¡ã³ããæ·»ããããŠããã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eäœåã«ã€ããŠã®è©³ãã説æãšé³¥ã®çš®é¡ã«ã€ããŠã®æ
å ±ã¯ãã¢ãŒãã¯ãŒã¯ãšããŒãã«ä»å±ããã·ãŒãã«èšèŒãããŠããã\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3574503599\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003eCassette in cardstock slipcase\u003cspan\u003e, liner notes sheet and printed card.\u003cbr\u003eEdition of 24. \u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Side A 19:58\u003cbr\u003e2. Side B 19:28\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFrenetic Magic Sounds:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePablo Picco is the clear name behind the mysterious and wide-spanning works of Bardo Todol from Salsipuedes, Argentina. Over the past years pablo created a remarkable back catalogue of electro-acoustic recordings and collaborations, interweaving folkloristic aesthetic, mysticism, early electronica, radio music \u0026amp; tape techniques into free forming sound situations.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eOn \"Aven Argentum\" he presents another side of his wide interest in sound exploration: a collection of field recordings of birds \u0026amp; frogs from Salsipuedes, Córdoba and Buenos Aires, partly commented with his voice.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAn extended description of the work aswell as information about the bird species can be found in the artwork and physically on a sheet which comes with the tape.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Pablo Picco\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFrenetic Magic Sounds\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-07-31T08:31:19+09:00","created_at":"2025-07-27T15:32:31+09:00","vendor":"Tobira Records","type":"","tags":["field recording","monooto","new","tape"],"price":245600,"price_min":245600,"price_max":245600,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47553552285946,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Pablo Picco \/\/ Aven Argentum TAPE","public_title":null,"options":["Default Title"],"price":245600,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/picco1.jpg?v=1753597855","\/\/tobirarecords.com\/cdn\/shop\/files\/picco2.jpg?v=1753597855"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/picco1.jpg?v=1753597855","options":["Title"],"media":[{"alt":null,"id":36438302916858,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/picco1.jpg?v=1753597855"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/picco1.jpg?v=1753597855","width":700},{"alt":null,"id":36438302949626,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/picco2.jpg?v=1753597855"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/picco2.jpg?v=1753597855","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eâ»åœåºéå®è²©å£²ã§ã\u003c\/p\u003e\n\u003cp\u003eã¢ã«ãŒã³ãã³ã®å®éšã¬ãŒãã«\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ber\"\u003eBolinga Everest \u003c\/a\u003e䞻宰Pablo Picco aka Bardo Todolãã2025幎6æã«ãã€ãã»ã©ã€ããã£ãã®å®éšã¬ãŒãã«Frenetic Magic Soundsãã24éšéå®ã§ãªãªãŒã¹ããã«ã»ããã§ãã\u003c\/p\u003e\n\u003cp\u003eãµã«ã·ããšãã¹ãã³ã«ãããããšãã¹ã¢ã€ã¬ã¹ã§é²é³ããé³¥ãšèã®ãã£ãŒã«ãã¬ã³ãŒãã£ã³ã°2æ²ãåé²ãã©ã€ããŒããŒããšããªã³ããä»å±ã\u003c\/p\u003e\n\u003cp\u003eâ»ããžã¿ã«é³æºãç¡æã§ãéãããããŸãã®ã§ãæ°è»œã«ãé£çµ¡ãã ãããŸã\u003c\/p\u003e\n\u003cp\u003e以äžãã¬ãŒãã«ã«ãã解説ã§ãã\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Pablo Piccoã¯ãã¢ã«ãŒã³ãã³ã»ãµã«ã·ããšãã¹åºèº«ã®äœå®¶ã§ãBardo TodoåçŸ©ã§æŽ»åããŠãããé廿°å¹Žã«ããããPabloã¯ãšã¬ã¯ããã¢ã³ãŒã¹ãã£ãã¯ã®ã¬ã³ãŒãã£ã³ã°ãã³ã©ãã¬ãŒã·ã§ã³ã®é©ãã¹ãããã¯ã«ã¿ãã°ãå¶äœããæ°ä¿åŠçãªçŸåŠãç¥ç§äž»çŸ©ãåæã®ãšã¬ã¯ãããã«ãã©ãžãªé³æ¥œãããŒãææ³ãªã©ãç¹ã亀ããªãããèªç±ãªãµãŠã³ãç¶æ³ã圢æããŠããã\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eæ¬äœã§ã¯ãé³ã®æ¢æ±ã«ããã圌ã®å¹
åºãé¢å¿ã®ããã²ãšã€ã®åŽé¢ãæç€ºãããããã¯ããµã«ã·ããšãã¹ãã³ã«ãããããšãã¹ã¢ã€ã¬ã¹ã§é²é³ãããé³¥ãšã«ãšã«ã®ãã£ãŒã«ãã¬ã³ãŒãã£ã³ã°ã®ã³ã¬ã¯ã·ã§ã³ã§ãéšåçã«åœŒã®å£°ã«ããã³ã¡ã³ããæ·»ããããŠããã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eäœåã«ã€ããŠã®è©³ãã説æãšé³¥ã®çš®é¡ã«ã€ããŠã®æ
å ±ã¯ãã¢ãŒãã¯ãŒã¯ãšããŒãã«ä»å±ããã·ãŒãã«èšèŒãããŠããã\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3574503599\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003eCassette in cardstock slipcase\u003cspan\u003e, liner notes sheet and printed card.\u003cbr\u003eEdition of 24. \u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Side A 19:58\u003cbr\u003e2. Side B 19:28\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFrenetic Magic Sounds:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePablo Picco is the clear name behind the mysterious and wide-spanning works of Bardo Todol from Salsipuedes, Argentina. Over the past years pablo created a remarkable back catalogue of electro-acoustic recordings and collaborations, interweaving folkloristic aesthetic, mysticism, early electronica, radio music \u0026amp; tape techniques into free forming sound situations.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eOn \"Aven Argentum\" he presents another side of his wide interest in sound exploration: a collection of field recordings of birds \u0026amp; frogs from Salsipuedes, Córdoba and Buenos Aires, partly commented with his voice.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAn extended description of the work aswell as information about the bird species can be found in the artwork and physically on a sheet which comes with the tape.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Pablo Picco\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFrenetic Magic Sounds\u003c\/span\u003e\u003c\/p\u003e"}
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â»åœåºéå®è²©å£²ã§ã ã¢ã«ãŒã³ãã³ã®å®éšã¬ãŒãã«Bolinga Everest 䞻宰Pablo Picco aka Bardo Todolãã2025幎6æã«ãã€ãã»ã©ã€ããã£ãã®å®éšã¬ãŒãã«Frenetic Magic Soundsãã24éšéå®ã§ãªãªãŒã¹ããã«ã»ããã§ãã ãµã«ã·ããšãã¹ãã³ã«ãããããšãã¹ã¢ã€ã¬ã¹ã§é²é³ããé³¥ãšèã®ãã£ãŒã«ãã¬ã³ãŒãã£ã³ã°2æ²ãåé²ãã©ã€ããŒããŒããšããªã³ããä»å±ã â»ããžã¿ã«é³æºãç¡æã§ãéãããããŸãã®ã§ãæ°è»œã«ãé£çµ¡ãã ãããŸã 以äžãã¬ãŒãã«ã«ãã解説ã§ãã "Pablo...
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{"id":8859107295482,"title":"Death Is Not The End \/\/ London Pirate Radio Adverts, 1984-1993, Vol. 2 LP","handle":"death-is-not-the-end-london-pirate-radio-adverts-1984-1993-vol-2-lp","description":"\u003cp\u003eã€ã®ãªã¹ã»ãã³ãã³ã®çºæå°éã¬ãŒãã«Death Is Not The Endãã2021幎ã«ãªãªãŒã¹ããã¬ã³ãŒãã§ãã\u003c\/p\u003e\n\u003cp\u003e1984-1993幎ã«ãã³ãã³ã®æµ·è³ã©ãžãªå±ã§æŸéãããã³ããŒã·ã£ã«ã®ã¿ãçšãã匷çãªããã¯ã¹ã§ãã\u003c\/p\u003e\n\u003cp\u003eâ»ããžã¿ã«é³æºãç¡æã§ãéãããããŸãã®ã§ãæ°è»œã«ãé£çµ¡ãã ãããŸã\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/KyJrh0nN71c?si=xuAYSW90vp3Fgrbu\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eã¬ãŒãã«ãã®ä»äœåã¯\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003eãã¡ã\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003ehere\u003c\/a\u003e to see more Death Is Not The End releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe second volume in a two-part collection of pirate radio adverts \u0026amp; idents taken from recordings of London stations between 1984 \u0026amp; 1993.\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eA1\u003cspan style=\"mso-tab-count: 2;\"\u003e                   \u003c\/span\u003eIntro (Dateline III)\u003cbr\u003eA2\u003cspan style=\"mso-tab-count: 2;\"\u003e                   \u003c\/span\u003eHometune\u003cbr\u003eA3\u003cspan style=\"mso-tab-count: 2;\"\u003e                   \u003c\/span\u003eVaders\u003cbr\u003eA4\u003cspan style=\"mso-tab-count: 2;\"\u003e                   \u003c\/span\u003eMorning Papers\u003cbr\u003eA5\u003cspan style=\"mso-tab-count: 2;\"\u003e                   \u003c\/span\u003eDateline III\u003cbr\u003eA6\u003cspan style=\"mso-tab-count: 2;\"\u003e                   \u003c\/span\u003eTasty Leather Jackets\u003cbr\u003eA7\u003cspan style=\"mso-tab-count: 2;\"\u003e                   \u003c\/span\u003eAll Over London\u003cbr\u003eA8\u003cspan style=\"mso-tab-count: 2;\"\u003e                   \u003c\/span\u003eRolls Royce \u0026amp; A Big House\u003cbr\u003eA9\u003cspan style=\"mso-tab-count: 2;\"\u003e                   \u003c\/span\u003eBeauty Contest\u003cbr\u003eA10\u003cspan style=\"mso-tab-count: 2;\"\u003e                 \u003c\/span\u003eDinner \u0026amp; Dance\u003cbr\u003eA11\u003cspan style=\"mso-tab-count: 2;\"\u003e                 \u003c\/span\u003eWarehouse Experience\u003cbr\u003eA12\u003cspan style=\"mso-tab-count: 2;\"\u003e                 \u003c\/span\u003eRhythms Of The Universe\u003cbr\u003eA13\u003cspan style=\"mso-tab-count: 2;\"\u003e                 \u003c\/span\u003eRoller Skating Session\u003cbr\u003eA14\u003cspan style=\"mso-tab-count: 2;\"\u003e                 \u003c\/span\u003eDedications\u003cbr\u003eA15\u003cspan style=\"mso-tab-count: 2;\"\u003e                 \u003c\/span\u003eLazerdrome\u003cbr\u003eA16\u003cspan style=\"mso-tab-count: 2;\"\u003e                 \u003c\/span\u003eHeathens\u003cbr\u003eA17\u003cspan style=\"mso-tab-count: 2;\"\u003e                 \u003c\/span\u003eChampagne Raffle\u003cbr\u003eA18\u003cspan style=\"mso-tab-count: 2;\"\u003e                 \u003c\/span\u003eLegal Pulse\u003cbr\u003eA19\u003cspan style=\"mso-tab-count: 2;\"\u003e                 \u003c\/span\u003eOpposite The Fridge\u003cbr\u003eA20\u003cspan style=\"mso-tab-count: 2;\"\u003e                 \u003c\/span\u003eWicked Entertainment\u003cbr\u003eB1\u003cspan style=\"mso-tab-count: 2;\"\u003e                   \u003c\/span\u003eSouth East Forteen\u003cbr\u003eB2\u003cspan style=\"mso-tab-count: 2;\"\u003e                   \u003c\/span\u003eKebab House\u003cbr\u003eB3\u003cspan style=\"mso-tab-count: 2;\"\u003e                   \u003c\/span\u003eMonster Soundsystem\u003cbr\u003eB4\u003cspan style=\"mso-tab-count: 2;\"\u003e                   \u003c\/span\u003eFamily Fun Day\u003cbr\u003eB5\u003cspan style=\"mso-tab-count: 2;\"\u003e                   \u003c\/span\u003eLa Plaza\u003cbr\u003eB6\u003cspan style=\"mso-tab-count: 2;\"\u003e                   \u003c\/span\u003eStunning Dimension\u003cbr\u003eB7\u003cspan style=\"mso-tab-count: 2;\"\u003e                   \u003c\/span\u003eRedemption\u003cbr\u003eB8\u003cspan style=\"mso-tab-count: 2;\"\u003e                   \u003c\/span\u003eIndependence Celebration Dance\u003cbr\u003eB9\u003cspan style=\"mso-tab-count: 2;\"\u003e                   \u003c\/span\u003eBig Roadblock\u003cbr\u003eB10\u003cspan style=\"mso-tab-count: 2;\"\u003e                 \u003c\/span\u003eThe Beginning\u003cbr\u003eB11\u003cspan style=\"mso-tab-count: 2;\"\u003e                 \u003c\/span\u003eDress To Impress\u003cbr\u003eB12\u003cspan style=\"mso-tab-count: 2;\"\u003e                 \u003c\/span\u003eFabulous Riches\u003cbr\u003eB13\u003cspan style=\"mso-tab-count: 2;\"\u003e                 \u003c\/span\u003eChristmas Hardcore Bash\u003cbr\u003eB14\u003cspan style=\"mso-tab-count: 2;\"\u003e                 \u003c\/span\u003eSoul \u0026amp; Reggae Alldayer\u003cbr\u003eB15\u003cspan style=\"mso-tab-count: 2;\"\u003e                 \u003c\/span\u003eSPP\u003cbr\u003eB16\u003cspan style=\"mso-tab-count: 2;\"\u003e                 \u003c\/span\u003eCome Get It\u003cbr\u003eB17\u003cspan style=\"mso-tab-count: 2;\"\u003e                 \u003c\/span\u003eReggae Awards\u003cbr\u003eB18\u003cspan style=\"mso-tab-count: 2;\"\u003e                 \u003c\/span\u003eNYE '93\u003cbr\u003eB19\u003cspan style=\"mso-tab-count: 2;\"\u003e                 \u003c\/span\u003e100% Niceness Guaranteed\u003cbr\u003eB20\u003cspan style=\"mso-tab-count: 2;\"\u003e                 \u003c\/span\u003eSpin Offs\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : No artist\u003c\/p\u003e\n\u003cp\u003eLabel : Death Is Not The End\u003c\/p\u003e\n\u003cp\u003ecat no : DEATH040LP\u003c\/p\u003e","published_at":"2025-07-13T05:15:12+09:00","created_at":"2025-07-13T05:13:18+09:00","vendor":"Tobira Records","type":"","tags":["death is not the end","field recording","lp","new"],"price":347400,"price_min":347400,"price_max":347400,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47507041452282,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Death Is Not The End \/\/ London Pirate Radio Adverts, 1984-1993, Vol. 2 LP","public_title":null,"options":["Default Title"],"price":347400,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a4007679889_10.jpg?v=1750643445"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a4007679889_10.jpg?v=1750643445","options":["Title"],"media":[{"alt":null,"id":36248794956026,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a4007679889_10.jpg?v=1750643445"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a4007679889_10.jpg?v=1750643445","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eã€ã®ãªã¹ã»ãã³ãã³ã®çºæå°éã¬ãŒãã«Death Is Not The Endãã2021幎ã«ãªãªãŒã¹ããã¬ã³ãŒãã§ãã\u003c\/p\u003e\n\u003cp\u003e1984-1993幎ã«ãã³ãã³ã®æµ·è³ã©ãžãªå±ã§æŸéãããã³ããŒã·ã£ã«ã®ã¿ãçšãã匷çãªããã¯ã¹ã§ãã\u003c\/p\u003e\n\u003cp\u003eâ»ããžã¿ã«é³æºãç¡æã§ãéãããããŸãã®ã§ãæ°è»œã«ãé£çµ¡ãã ãããŸã\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/KyJrh0nN71c?si=xuAYSW90vp3Fgrbu\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eã¬ãŒãã«ãã®ä»äœåã¯\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003eãã¡ã\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003ehere\u003c\/a\u003e to see more Death Is Not The End releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe second volume in a two-part collection of pirate radio adverts \u0026amp; idents taken from recordings of London stations between 1984 \u0026amp; 1993.\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eA1\u003cspan style=\"mso-tab-count: 2;\"\u003e                   \u003c\/span\u003eIntro (Dateline III)\u003cbr\u003eA2\u003cspan style=\"mso-tab-count: 2;\"\u003e                   \u003c\/span\u003eHometune\u003cbr\u003eA3\u003cspan style=\"mso-tab-count: 2;\"\u003e                   \u003c\/span\u003eVaders\u003cbr\u003eA4\u003cspan style=\"mso-tab-count: 2;\"\u003e                   \u003c\/span\u003eMorning Papers\u003cbr\u003eA5\u003cspan style=\"mso-tab-count: 2;\"\u003e                   \u003c\/span\u003eDateline III\u003cbr\u003eA6\u003cspan style=\"mso-tab-count: 2;\"\u003e                   \u003c\/span\u003eTasty Leather Jackets\u003cbr\u003eA7\u003cspan style=\"mso-tab-count: 2;\"\u003e                   \u003c\/span\u003eAll Over London\u003cbr\u003eA8\u003cspan style=\"mso-tab-count: 2;\"\u003e                   \u003c\/span\u003eRolls Royce \u0026amp; A Big House\u003cbr\u003eA9\u003cspan style=\"mso-tab-count: 2;\"\u003e                   \u003c\/span\u003eBeauty Contest\u003cbr\u003eA10\u003cspan style=\"mso-tab-count: 2;\"\u003e                 \u003c\/span\u003eDinner \u0026amp; Dance\u003cbr\u003eA11\u003cspan style=\"mso-tab-count: 2;\"\u003e                 \u003c\/span\u003eWarehouse Experience\u003cbr\u003eA12\u003cspan style=\"mso-tab-count: 2;\"\u003e                 \u003c\/span\u003eRhythms Of The Universe\u003cbr\u003eA13\u003cspan style=\"mso-tab-count: 2;\"\u003e                 \u003c\/span\u003eRoller Skating Session\u003cbr\u003eA14\u003cspan style=\"mso-tab-count: 2;\"\u003e                 \u003c\/span\u003eDedications\u003cbr\u003eA15\u003cspan style=\"mso-tab-count: 2;\"\u003e                 \u003c\/span\u003eLazerdrome\u003cbr\u003eA16\u003cspan style=\"mso-tab-count: 2;\"\u003e                 \u003c\/span\u003eHeathens\u003cbr\u003eA17\u003cspan style=\"mso-tab-count: 2;\"\u003e                 \u003c\/span\u003eChampagne Raffle\u003cbr\u003eA18\u003cspan style=\"mso-tab-count: 2;\"\u003e                 \u003c\/span\u003eLegal Pulse\u003cbr\u003eA19\u003cspan style=\"mso-tab-count: 2;\"\u003e                 \u003c\/span\u003eOpposite The Fridge\u003cbr\u003eA20\u003cspan style=\"mso-tab-count: 2;\"\u003e                 \u003c\/span\u003eWicked Entertainment\u003cbr\u003eB1\u003cspan style=\"mso-tab-count: 2;\"\u003e                   \u003c\/span\u003eSouth East Forteen\u003cbr\u003eB2\u003cspan style=\"mso-tab-count: 2;\"\u003e                   \u003c\/span\u003eKebab House\u003cbr\u003eB3\u003cspan style=\"mso-tab-count: 2;\"\u003e                   \u003c\/span\u003eMonster Soundsystem\u003cbr\u003eB4\u003cspan style=\"mso-tab-count: 2;\"\u003e                   \u003c\/span\u003eFamily Fun Day\u003cbr\u003eB5\u003cspan style=\"mso-tab-count: 2;\"\u003e                   \u003c\/span\u003eLa Plaza\u003cbr\u003eB6\u003cspan style=\"mso-tab-count: 2;\"\u003e                   \u003c\/span\u003eStunning Dimension\u003cbr\u003eB7\u003cspan style=\"mso-tab-count: 2;\"\u003e                   \u003c\/span\u003eRedemption\u003cbr\u003eB8\u003cspan style=\"mso-tab-count: 2;\"\u003e                   \u003c\/span\u003eIndependence Celebration Dance\u003cbr\u003eB9\u003cspan style=\"mso-tab-count: 2;\"\u003e                   \u003c\/span\u003eBig Roadblock\u003cbr\u003eB10\u003cspan style=\"mso-tab-count: 2;\"\u003e                 \u003c\/span\u003eThe Beginning\u003cbr\u003eB11\u003cspan style=\"mso-tab-count: 2;\"\u003e                 \u003c\/span\u003eDress To Impress\u003cbr\u003eB12\u003cspan style=\"mso-tab-count: 2;\"\u003e                 \u003c\/span\u003eFabulous Riches\u003cbr\u003eB13\u003cspan style=\"mso-tab-count: 2;\"\u003e                 \u003c\/span\u003eChristmas Hardcore Bash\u003cbr\u003eB14\u003cspan style=\"mso-tab-count: 2;\"\u003e                 \u003c\/span\u003eSoul \u0026amp; Reggae Alldayer\u003cbr\u003eB15\u003cspan style=\"mso-tab-count: 2;\"\u003e                 \u003c\/span\u003eSPP\u003cbr\u003eB16\u003cspan style=\"mso-tab-count: 2;\"\u003e                 \u003c\/span\u003eCome Get It\u003cbr\u003eB17\u003cspan style=\"mso-tab-count: 2;\"\u003e                 \u003c\/span\u003eReggae Awards\u003cbr\u003eB18\u003cspan style=\"mso-tab-count: 2;\"\u003e                 \u003c\/span\u003eNYE '93\u003cbr\u003eB19\u003cspan style=\"mso-tab-count: 2;\"\u003e                 \u003c\/span\u003e100% Niceness Guaranteed\u003cbr\u003eB20\u003cspan style=\"mso-tab-count: 2;\"\u003e                 \u003c\/span\u003eSpin Offs\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : No artist\u003c\/p\u003e\n\u003cp\u003eLabel : Death Is Not The End\u003c\/p\u003e\n\u003cp\u003ecat no : DEATH040LP\u003c\/p\u003e"}
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{"id":8859106705658,"title":"Death Is Not The End \/\/ London Pirate Radio Adverts 1984-1993, Vol. 1 LP","handle":"death-is-not-the-end-london-pirate-radio-adverts-1984-1993-vol-1-lp","description":"\u003cp\u003eã€ã®ãªã¹ã»ãã³ãã³ã®çºæå°éã¬ãŒãã«Death Is Not The Endãã2021幎ã«ãªãªãŒã¹ããã¬ã³ãŒãã§ãã\u003c\/p\u003e\n\u003cp\u003e1984-1993幎ã«ãã³ãã³ã®æµ·è³ã©ãžãªå±ã§æŸéãããã³ããŒã·ã£ã«ã®ã¿ãçšãã匷çãªããã¯ã¹ã§ãã\u003c\/p\u003e\n\u003cp\u003eâ»ããžã¿ã«é³æºãç¡æã§ãéãããããŸãã®ã§ãæ°è»œã«ãé£çµ¡ãã ãããŸã\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/KyJrh0nN71c?si=xuAYSW90vp3Fgrbu\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eã¬ãŒãã«ãã®ä»äœåã¯\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003eãã¡ã\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003ehere\u003c\/a\u003e to see more Death Is Not The End releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe first volume in a two-part collection of pirate radio adverts \u0026amp; idents, taken from recordings of London stations between 1984 \u0026amp; 1993.\u003c\/span\u003e \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Intro (Do You Remember?) 01:57\u003cbr\u003e2. Videobox 00:34\u003cbr\u003e3. Pirates Night Out 00:46\u003cbr\u003e4. Ravers Dateline 01:04\u003cbr\u003e5. Walls of Babylon 01:05\u003cbr\u003e6. Absolute Class 00:05\u003cbr\u003e7. Limelight 00:42\u003cbr\u003e8. Freestyle 00:53\u003cbr\u003e9. Funky Power 00:08\u003cbr\u003e10. Functioning Neatly 00:50\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e11. Greek Salon 01:13\u003cbr\u003e\u003c\/span\u003e12. School Reunion 00:45\u003cbr\u003e13. Under 18s Disco 00:52\u003cbr\u003e14. A1 Sound 00:13\u003cbr\u003e15. Summertime '90 01:00\u003cbr\u003e16. Back to Back Mixtapes 01:03\u003cbr\u003e17. Rare Groove Champagne Party 01:00\u003cbr\u003e18. Savage Affair 01:08\u003cbr\u003e19. Are You Sure? 00:40\u003cbr\u003e20. Ladies Sunday Night Affair 00:57\u003cbr\u003e21. Hello Ladies 00:30\u003cbr\u003e22. British Flag 00:19\u003cbr\u003e23. Any Kind of Function 00:15\u003cbr\u003e24. Trade Equip 01:01\u003cbr\u003e25. I'll Buy You a Beer 00:43\u003cbr\u003e26. Legs' Birthday 00:33\u003cbr\u003e27. Yeah Amigo 00:24\u003cbr\u003e28. Next to Tescos 01:17\u003cbr\u003e29. City of Joy 01:02\u003cbr\u003e30. Amsterdam 02:31\u003cbr\u003e31. Roller Skating 00:13\u003cbr\u003e32. Too Radical 00:12\u003cbr\u003e33. Escape '93 01:43\u003cbr\u003e34. Corporation of New Generation 00:45\u003cbr\u003e35. Jookie Jam 00:44\u003cbr\u003e36. Revival Showcase 00:50\u003cbr\u003e37. Until Further Notice 00:47\u003cbr\u003e38. High Fashion 00:31\u003cbr\u003e39. Damn Best Night Out 00:34\u003cbr\u003e40. Lepke Sent You 00:47\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : No artist\u003c\/p\u003e\n\u003cp\u003eLabel : Death Is Not The End\u003c\/p\u003e\n\u003cp\u003ecat no : DEATH039LP\u003c\/p\u003e","published_at":"2025-07-13T05:12:42+09:00","created_at":"2025-07-13T05:10:57+09:00","vendor":"Tobira Records","type":"","tags":["death is not the end","field recording","lp","new"],"price":347400,"price_min":347400,"price_max":347400,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47507039387898,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Death Is Not The End \/\/ London Pirate Radio Adverts 1984-1993, Vol. 1 LP","public_title":null,"options":["Default Title"],"price":347400,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"5050580763289","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ra1_e49cf9f0-780a-4df8-9b5d-09ca31887367.jpg?v=1750568499"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ra1_e49cf9f0-780a-4df8-9b5d-09ca31887367.jpg?v=1750568499","options":["Title"],"media":[{"alt":null,"id":28846078755066,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ra1_e49cf9f0-780a-4df8-9b5d-09ca31887367.jpg?v=1750568499"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ra1_e49cf9f0-780a-4df8-9b5d-09ca31887367.jpg?v=1750568499","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eã€ã®ãªã¹ã»ãã³ãã³ã®çºæå°éã¬ãŒãã«Death Is Not The Endãã2021幎ã«ãªãªãŒã¹ããã¬ã³ãŒãã§ãã\u003c\/p\u003e\n\u003cp\u003e1984-1993幎ã«ãã³ãã³ã®æµ·è³ã©ãžãªå±ã§æŸéãããã³ããŒã·ã£ã«ã®ã¿ãçšãã匷çãªããã¯ã¹ã§ãã\u003c\/p\u003e\n\u003cp\u003eâ»ããžã¿ã«é³æºãç¡æã§ãéãããããŸãã®ã§ãæ°è»œã«ãé£çµ¡ãã ãããŸã\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/KyJrh0nN71c?si=xuAYSW90vp3Fgrbu\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eã¬ãŒãã«ãã®ä»äœåã¯\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003eãã¡ã\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003ehere\u003c\/a\u003e to see more Death Is Not The End releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe first volume in a two-part collection of pirate radio adverts \u0026amp; idents, taken from recordings of London stations between 1984 \u0026amp; 1993.\u003c\/span\u003e \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Intro (Do You Remember?) 01:57\u003cbr\u003e2. Videobox 00:34\u003cbr\u003e3. Pirates Night Out 00:46\u003cbr\u003e4. Ravers Dateline 01:04\u003cbr\u003e5. Walls of Babylon 01:05\u003cbr\u003e6. Absolute Class 00:05\u003cbr\u003e7. Limelight 00:42\u003cbr\u003e8. Freestyle 00:53\u003cbr\u003e9. Funky Power 00:08\u003cbr\u003e10. Functioning Neatly 00:50\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e11. Greek Salon 01:13\u003cbr\u003e\u003c\/span\u003e12. School Reunion 00:45\u003cbr\u003e13. Under 18s Disco 00:52\u003cbr\u003e14. A1 Sound 00:13\u003cbr\u003e15. Summertime '90 01:00\u003cbr\u003e16. Back to Back Mixtapes 01:03\u003cbr\u003e17. Rare Groove Champagne Party 01:00\u003cbr\u003e18. Savage Affair 01:08\u003cbr\u003e19. Are You Sure? 00:40\u003cbr\u003e20. Ladies Sunday Night Affair 00:57\u003cbr\u003e21. Hello Ladies 00:30\u003cbr\u003e22. British Flag 00:19\u003cbr\u003e23. Any Kind of Function 00:15\u003cbr\u003e24. Trade Equip 01:01\u003cbr\u003e25. I'll Buy You a Beer 00:43\u003cbr\u003e26. Legs' Birthday 00:33\u003cbr\u003e27. Yeah Amigo 00:24\u003cbr\u003e28. Next to Tescos 01:17\u003cbr\u003e29. City of Joy 01:02\u003cbr\u003e30. Amsterdam 02:31\u003cbr\u003e31. Roller Skating 00:13\u003cbr\u003e32. Too Radical 00:12\u003cbr\u003e33. Escape '93 01:43\u003cbr\u003e34. Corporation of New Generation 00:45\u003cbr\u003e35. Jookie Jam 00:44\u003cbr\u003e36. Revival Showcase 00:50\u003cbr\u003e37. Until Further Notice 00:47\u003cbr\u003e38. High Fashion 00:31\u003cbr\u003e39. Damn Best Night Out 00:34\u003cbr\u003e40. Lepke Sent You 00:47\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : No artist\u003c\/p\u003e\n\u003cp\u003eLabel : Death Is Not The End\u003c\/p\u003e\n\u003cp\u003ecat no : DEATH039LP\u003c\/p\u003e"}
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ã€ã®ãªã¹ã»ãã³ãã³ã®çºæå°éã¬ãŒãã«Death Is Not The Endãã2021幎ã«ãªãªãŒã¹ããã¬ã³ãŒãã§ãã 1984-1993幎ã«ãã³ãã³ã®æµ·è³ã©ãžãªå±ã§æŸéãããã³ããŒã·ã£ã«ã®ã¿ãçšãã匷çãªããã¯ã¹ã§ãã â»ããžã¿ã«é³æºãç¡æã§ãéãããããŸãã®ã§ãæ°è»œã«ãé£çµ¡ãã ãããŸã ã¬ãŒãã«ãã®ä»äœåã¯ãã¡ã /// Click here to see more Death Is Not...
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{"id":8859103396090,"title":"Contact Microphone \/ ã³ã³ã¿ã¯ããã€ã¯","handle":"contact-microphone","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eã©ã€ãã¯ãã¡ããããã€ãºå¶äœãç©é³é²é³ããã£ãŒã«ãã¬ã³ãŒãã£ã³ã°ã®ãäŸãšããŠãå©çšãã ããã\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e120cmã®Mono PINã±ãŒãã«ã§ãã\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2åãŸã§éæ290åã3å以äžã§éæç¡æã§ãã\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e***\u003c\/p\u003e\n\u003cp\u003eHigh Quality Piezo Contact Microphone\u003cbr\u003ePiezo Transducer\u003cbr\u003e27mm\u003cbr\u003e120cm cable\u003cbr\u003emono jack 3.5mm\u003cbr\u003eSet of 1 microphone\u003c\/p\u003e\n\u003cp\u003eModular Synth Lab:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eDo you love having fun with sounds? Then this product is for you. These small microphones will allow you to hear everyday objects in new and interesting ways. Contact microphones are able to pick up unusual sounds that we canât easily hear with our own ears.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Modular Synth Lab\u003c\/p\u003e","published_at":"2025-07-13T04:51:58+09:00","created_at":"2025-07-13T04:49:17+09:00","vendor":"Tobira Records","type":"","tags":["books \/ clothing \/ others","contact mic","field recording","monooto","new","noise"],"price":438000,"price_min":438000,"price_max":438000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47507031687418,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Contact Microphone \/ ã³ã³ã¿ã¯ããã€ã¯","public_title":null,"options":["Default Title"],"price":438000,"weight":120,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/co1_941437c5-1597-4cfd-801f-859200c147e0.webp?v=1710807308"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/co1_941437c5-1597-4cfd-801f-859200c147e0.webp?v=1710807308","options":["Title"],"media":[{"alt":null,"id":33412390224122,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1474,"width":1474,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/co1_941437c5-1597-4cfd-801f-859200c147e0.webp?v=1710807308"},"aspect_ratio":1.0,"height":1474,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/co1_941437c5-1597-4cfd-801f-859200c147e0.webp?v=1710807308","width":1474}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eã©ã€ãã¯ãã¡ããããã€ãºå¶äœãç©é³é²é³ããã£ãŒã«ãã¬ã³ãŒãã£ã³ã°ã®ãäŸãšããŠãå©çšãã ããã\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e120cmã®Mono PINã±ãŒãã«ã§ãã\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2åãŸã§éæ290åã3å以äžã§éæç¡æã§ãã\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e***\u003c\/p\u003e\n\u003cp\u003eHigh Quality Piezo Contact Microphone\u003cbr\u003ePiezo Transducer\u003cbr\u003e27mm\u003cbr\u003e120cm cable\u003cbr\u003emono jack 3.5mm\u003cbr\u003eSet of 1 microphone\u003c\/p\u003e\n\u003cp\u003eModular Synth Lab:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eDo you love having fun with sounds? Then this product is for you. These small microphones will allow you to hear everyday objects in new and interesting ways. Contact microphones are able to pick up unusual sounds that we canât easily hear with our own ears.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Modular Synth Lab\u003c\/p\u003e"}
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{"id":8859103297786,"title":"Electromagnetic Field (Ultrasonic Sounds) Microphone \/ é»ç£æ³¢ïŒè¶
鳿³¢ïŒãã€ã¯","handle":"electromagnetic-field-ultrasonic-sounds-microphone","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eç§ãã¡ã®èº«ã®åãã«ããé»ç£æ³¢ã»è¶
鳿³¢ã®äžçãžèªããŸãã\u003c\/p\u003e\n\u003cp\u003eãã®ãã€ã¯ã®èªå°ã³ã€ã«ã¯ãé»ç£æ³¢ã\u003cspan data-mce-fragment=\"1\"\u003eè¶
鳿³¢ãªã©ã\u003c\/span\u003e黿°ä¿¡å·ã«å€æããŸãã\u003cbr data-mce-fragment=\"1\"\u003eã¹ããŒããã©ã³ãiPadããã¬ããå
é»åšãç¡ç·LANã«ãŒã¿ãŒãªã©ã身è¿ãªé»åæ©åšã«è³ãåŸããŠã¿ãŸãããã\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e100cmã®Mono PINã±ãŒãã«ã§ãã\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eéæã¯3åãŸã§220åã4å以äžã¯ç¡æã§ãã\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e*** \u003c\/p\u003e\n\u003cp\u003eElectromagnetic Field Microphone\u003cbr\u003eUltrasonic Sounds Microphone\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMicrophone element: induction coil\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCable length: 100cm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eConnector type: 3,5mm (1\/8 inch) mono jack\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eModular Synth Lab:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eDiscover the ambient world of electromagnetic fields ultrasonic noises around us!\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe inductive coil in this microphone converts changes in the EM field into electric signals.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSound waves with frequencies outside of the audible limit of human hearing.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eListen to the voice of everyday electronic objects â your smartphone, iPad, laptop, tv, charger, wifi router, etc. They are screaming!\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEvery microphone is individually tested before shipping, so they are ready to connect to preamp and play.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Modular Synth Lab\u003c\/p\u003e","published_at":"2025-07-13T04:48:41+09:00","created_at":"2025-07-13T04:47:44+09:00","vendor":"Tobira Records","type":"","tags":["books \/ clothing \/ others","contact mic","field recording","monooto","new","noise"],"price":438000,"price_min":438000,"price_max":438000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47507031589114,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Electromagnetic Field (Ultrasonic Sounds) Microphone \/ é»ç£æ³¢ïŒè¶
鳿³¢ïŒãã€ã¯","public_title":null,"options":["Default Title"],"price":438000,"weight":120,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/IMG-8403_7497cd24-133b-408e-a09d-91e2e8b96dd3.jpg?v=1710807275","\/\/tobirarecords.com\/cdn\/shop\/files\/IMG-8406_3b7f822a-5e5b-40d4-91e7-f5c7c58b9835.jpg?v=1710806683","\/\/tobirarecords.com\/cdn\/shop\/files\/el1_d3e465e4-6daa-4450-a7ac-1efc023fecd5.webp?v=1710806684"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG-8403_7497cd24-133b-408e-a09d-91e2e8b96dd3.jpg?v=1710807275","options":["Title"],"media":[{"alt":null,"id":33412363190522,"position":1,"preview_image":{"aspect_ratio":1.0,"height":2954,"width":2954,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG-8403_7497cd24-133b-408e-a09d-91e2e8b96dd3.jpg?v=1710807275"},"aspect_ratio":1.0,"height":2954,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG-8403_7497cd24-133b-408e-a09d-91e2e8b96dd3.jpg?v=1710807275","width":2954},{"alt":null,"id":33412363223290,"position":2,"preview_image":{"aspect_ratio":0.75,"height":4032,"width":3024,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG-8406_3b7f822a-5e5b-40d4-91e7-f5c7c58b9835.jpg?v=1710806683"},"aspect_ratio":0.75,"height":4032,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG-8406_3b7f822a-5e5b-40d4-91e7-f5c7c58b9835.jpg?v=1710806683","width":3024},{"alt":null,"id":33412363256058,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1500,"width":1500,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/el1_d3e465e4-6daa-4450-a7ac-1efc023fecd5.webp?v=1710806684"},"aspect_ratio":1.0,"height":1500,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/el1_d3e465e4-6daa-4450-a7ac-1efc023fecd5.webp?v=1710806684","width":1500}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eç§ãã¡ã®èº«ã®åãã«ããé»ç£æ³¢ã»è¶
鳿³¢ã®äžçãžèªããŸãã\u003c\/p\u003e\n\u003cp\u003eãã®ãã€ã¯ã®èªå°ã³ã€ã«ã¯ãé»ç£æ³¢ã\u003cspan data-mce-fragment=\"1\"\u003eè¶
鳿³¢ãªã©ã\u003c\/span\u003e黿°ä¿¡å·ã«å€æããŸãã\u003cbr data-mce-fragment=\"1\"\u003eã¹ããŒããã©ã³ãiPadããã¬ããå
é»åšãç¡ç·LANã«ãŒã¿ãŒãªã©ã身è¿ãªé»åæ©åšã«è³ãåŸããŠã¿ãŸãããã\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e100cmã®Mono PINã±ãŒãã«ã§ãã\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eéæã¯3åãŸã§220åã4å以äžã¯ç¡æã§ãã\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e*** \u003c\/p\u003e\n\u003cp\u003eElectromagnetic Field Microphone\u003cbr\u003eUltrasonic Sounds Microphone\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMicrophone element: induction coil\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCable length: 100cm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eConnector type: 3,5mm (1\/8 inch) mono jack\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eModular Synth Lab:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eDiscover the ambient world of electromagnetic fields ultrasonic noises around us!\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe inductive coil in this microphone converts changes in the EM field into electric signals.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSound waves with frequencies outside of the audible limit of human hearing.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eListen to the voice of everyday electronic objects â your smartphone, iPad, laptop, tv, charger, wifi router, etc. They are screaming!\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEvery microphone is individually tested before shipping, so they are ready to connect to preamp and play.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Modular Synth Lab\u003c\/p\u003e"}
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{"id":8857765413114,"title":"Txema González \/\/ Alabaos y GualÃes: Dirges and Funeral Rites in the Afro-Colombian Pacific TAPE","handle":"txema-gonzalez-alabaos-y-gualies-dirges-and-funeral-rites-in-the-afro-colombian-pacific-tape","description":"\u003cp\u003eãã£ãŒã«ãã¬ã³ãŒãã£ã³ã°äœå®¶Txema Gonzálezãã2025幎6æã«ã€ã®ãªã¹ã»ãã³ãã³ã®çºæå°éã¬ãŒãã«Death Is Not The EndãããªãªãŒã¹ããã«ã»ããã§ãã\u003c\/p\u003e\n\u003cp\u003eã¢ããã»ã³ãã³ãã¢ã®è¬éæ12æ²ãåé²ã\u003c\/p\u003e\n\u003cp\u003eâ»ããžã¿ã«é³æºãç¡æã§ãéãããããŸãã®ã§ãæ°è»œã«ãé£çµ¡ãã ãããŸã\u003c\/p\u003e\n\u003cp\u003e以äžãã¬ãŒãã«ã«ãã解説ã§ãã\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"gualÃesãalabaosãlevantamientos de tumbaã¯ãã¢ããã»ã³ãã³ãã¢å€ªå¹³æŽå°åã®ã³ãã¥ããã£ã«å
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èŠãªã®ã§ãããæ»åŸã®äžçãžã®éè·¯ã¯ãéãèäœãé¢ããæ»ã®æ¥ããå§ãŸããéããã®äžãå»ãæºåãæŽã9æ¥åŸãŸã§ãæ°æ¥éç¶ãããã®ãããåäŸã®å Žåã¯ã°ã¢ãªã倧人ã®å Žåã¯éå€ãããŽã§ããå¢äžããããŽã§ãã®å®äºãšããããããã®ååŒãå·ãè¡ãããšã¯ãç§ãã¡ã«ãšã£ãŠéåžžã«éèŠãªããšã§ãããããã¯ã亡ããªã£ã人ã
ã®éã®ããã«ãç¥ã®åã§å¥ããåããå·ãæãããšãªã®ã§ããã\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1313245670\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eã¬ãŒãã«ãã®ä»äœåã¯\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003eãã¡ã\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003ehere\u003c\/a\u003e to see more Death Is Not The End releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003eCassette in norelco case.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Juana (Andagoya) 03:10\u003cbr\u003e2. AllaÌ arriba (Docordó - Infantil) 02:27\u003cbr\u003e3. Padre misericordia (Bojayá Resistencia) 05:28\u003cbr\u003e4. Levanten la tumba (Andagoya) 02:58\u003cbr\u003e5. Yo sembreÌ mi mata (Docordó) 04:41\u003cbr\u003e6. El reloj (Tadó) 05:00\u003cbr\u003e7. Buenas noches mis dolientes (La Encharcazón) 04:38\u003cbr\u003e8. Despierta mortal despierta (Dipurdú) 02:58\u003cbr\u003e9. El alma se va (Andagoya) 04:00\u003cbr\u003e10. TiÌo Pacho (Docordó) 02:06\u003cbr\u003e11. Repicaron las campanas (Docordó - Infantil) 05:04\u003cbr\u003e12. Un saÌbado de manÌana (Tadó) 06:09\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eDeath Is Not The End:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe gualÃes, alabaos and levantamientos de tumba are burial rites typical of the Afro-Colombian Pacific communities. The rituals are performed to accompany the dead and their relatives when a member of the community dies, helping the deceased children (gualÃes) or adults (alabaos and levantamientos de tumba) in the passage of their souls to eternity. The main objective of these practices is to alleviate and help in the management of grief related to death, based on acts of solidarity that allow us to reaffirm ourselves as communities and unite family members, friends, neighbours and others with all those who participate.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFor the Afro-descendant communities, death is a gateway to the other world, a place where the spirits, our ancestors, are present. We understand death as part of life itself and a necessary step \"to enjoy the eternal presence of the Lord\" (1). For many of us, there is no doubt that there is a relationship between the living and the dead that does not end with the death of the person, but is simply transformed. Among the Afro communities of Medio San Juan, death means reunion with the Creator, triumph over sin.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe Chocoan researcher Ana Gilma Ayala sums the alabaos as a way of \"accompanying not only the mourners but also the\u003cspan class=\"bcTruncateMore\"\u003e deceased.\u003cbr\u003eFor us, in our worldview, there is the idea and it is very African - that there is a road to the afterlife, a road on which the deceased needs accompaniment. So one way of accompanying them is through prayers and songs\" (2)\u003cbr\u003e\u003cbr\u003eAccording to Father Gonzalo Torres, the idea of links between the living and the dead is linked to our African heritage: \"these manifestations are based on the idea of the African muntú, of the large extended family, which is not only lived here but is also transferred to the afterlife. And those who leave remain waiting for the one who stays. And for the same reason you always have to say goodbye to them rather than mourn them - although at some point you also mourn them, you first say goodbye to them so that they can leave peacefully, so that they can rest, so that they can wait for you in peace and not disturb the community\" (3)\u003cbr\u003e\u003cbr\u003eThus, understanding that death is a step, the journey of a path towards the next life, preparation and accompaniment are necessary. The passage to the afterlife lasts several days beginning on the day of death, when the soul leaves the physical body, and ending nine days later when the soul is ready to leave this world. That is why the performance of each of these rites, the gualà for a child, and the wake, the novena and the raising of the grave or completion of the novena for an adult, are so important for us, as it is our way of saying goodbye and interceding before God for the\u003cbr\u003esouls of those who have passed away.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Txema González\u003c\/p\u003e\n\u003cp\u003eLabel : Death Is Not The End\u003c\/p\u003e","published_at":"2025-07-11T10:52:13+09:00","created_at":"2025-07-11T09:57:07+09:00","vendor":"Tobira Records","type":"","tags":["death is not the end","field recording","new","tape"],"price":285000,"price_min":285000,"price_max":285000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47502135099642,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Txema González \/\/ Alabaos y GualÃes: Dirges and Funeral Rites in the Afro-Colombian Pacific TAPE","public_title":null,"options":["Default Title"],"price":285000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"5050580853249","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ala1_b3e19060-f70a-41be-9caf-86e0e19d1a43.jpg?v=1752195342","\/\/tobirarecords.com\/cdn\/shop\/files\/ala2_a6eb7e7b-7101-4b9b-bd1d-325e3acfb137.jpg?v=1752195342"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ala1_b3e19060-f70a-41be-9caf-86e0e19d1a43.jpg?v=1752195342","options":["Title"],"media":[{"alt":null,"id":36352124977402,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ala1_b3e19060-f70a-41be-9caf-86e0e19d1a43.jpg?v=1752195342"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ala1_b3e19060-f70a-41be-9caf-86e0e19d1a43.jpg?v=1752195342","width":700},{"alt":null,"id":36352125042938,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ala2_a6eb7e7b-7101-4b9b-bd1d-325e3acfb137.jpg?v=1752195342"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ala2_a6eb7e7b-7101-4b9b-bd1d-325e3acfb137.jpg?v=1752195342","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eãã£ãŒã«ãã¬ã³ãŒãã£ã³ã°äœå®¶Txema Gonzálezãã2025幎6æã«ã€ã®ãªã¹ã»ãã³ãã³ã®çºæå°éã¬ãŒãã«Death Is Not The EndãããªãªãŒã¹ããã«ã»ããã§ãã\u003c\/p\u003e\n\u003cp\u003eã¢ããã»ã³ãã³ãã¢ã®è¬éæ12æ²ãåé²ã\u003c\/p\u003e\n\u003cp\u003eâ»ããžã¿ã«é³æºãç¡æã§ãéãããããŸãã®ã§ãæ°è»œã«ãé£çµ¡ãã ãããŸã\u003c\/p\u003e\n\u003cp\u003e以äžãã¬ãŒãã«ã«ãã解説ã§ãã\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"gualÃesãalabaosãlevantamientos de tumbaã¯ãã¢ããã»ã³ãã³ãã¢å€ªå¹³æŽå°åã®ã³ãã¥ããã£ã«å
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ã®éã®ããã«ãç¥ã®åã§å¥ããåããå·ãæãããšãªã®ã§ããã\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1313245670\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eã¬ãŒãã«ãã®ä»äœåã¯\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003eãã¡ã\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003ehere\u003c\/a\u003e to see more Death Is Not The End releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003eCassette in norelco case.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Juana (Andagoya) 03:10\u003cbr\u003e2. AllaÌ arriba (Docordó - Infantil) 02:27\u003cbr\u003e3. Padre misericordia (Bojayá Resistencia) 05:28\u003cbr\u003e4. Levanten la tumba (Andagoya) 02:58\u003cbr\u003e5. Yo sembreÌ mi mata (Docordó) 04:41\u003cbr\u003e6. El reloj (Tadó) 05:00\u003cbr\u003e7. Buenas noches mis dolientes (La Encharcazón) 04:38\u003cbr\u003e8. Despierta mortal despierta (Dipurdú) 02:58\u003cbr\u003e9. El alma se va (Andagoya) 04:00\u003cbr\u003e10. TiÌo Pacho (Docordó) 02:06\u003cbr\u003e11. Repicaron las campanas (Docordó - Infantil) 05:04\u003cbr\u003e12. Un saÌbado de manÌana (Tadó) 06:09\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eDeath Is Not The End:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe gualÃes, alabaos and levantamientos de tumba are burial rites typical of the Afro-Colombian Pacific communities. The rituals are performed to accompany the dead and their relatives when a member of the community dies, helping the deceased children (gualÃes) or adults (alabaos and levantamientos de tumba) in the passage of their souls to eternity. The main objective of these practices is to alleviate and help in the management of grief related to death, based on acts of solidarity that allow us to reaffirm ourselves as communities and unite family members, friends, neighbours and others with all those who participate.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFor the Afro-descendant communities, death is a gateway to the other world, a place where the spirits, our ancestors, are present. We understand death as part of life itself and a necessary step \"to enjoy the eternal presence of the Lord\" (1). For many of us, there is no doubt that there is a relationship between the living and the dead that does not end with the death of the person, but is simply transformed. Among the Afro communities of Medio San Juan, death means reunion with the Creator, triumph over sin.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe Chocoan researcher Ana Gilma Ayala sums the alabaos as a way of \"accompanying not only the mourners but also the\u003cspan class=\"bcTruncateMore\"\u003e deceased.\u003cbr\u003eFor us, in our worldview, there is the idea and it is very African - that there is a road to the afterlife, a road on which the deceased needs accompaniment. So one way of accompanying them is through prayers and songs\" (2)\u003cbr\u003e\u003cbr\u003eAccording to Father Gonzalo Torres, the idea of links between the living and the dead is linked to our African heritage: \"these manifestations are based on the idea of the African muntú, of the large extended family, which is not only lived here but is also transferred to the afterlife. And those who leave remain waiting for the one who stays. And for the same reason you always have to say goodbye to them rather than mourn them - although at some point you also mourn them, you first say goodbye to them so that they can leave peacefully, so that they can rest, so that they can wait for you in peace and not disturb the community\" (3)\u003cbr\u003e\u003cbr\u003eThus, understanding that death is a step, the journey of a path towards the next life, preparation and accompaniment are necessary. The passage to the afterlife lasts several days beginning on the day of death, when the soul leaves the physical body, and ending nine days later when the soul is ready to leave this world. That is why the performance of each of these rites, the gualà for a child, and the wake, the novena and the raising of the grave or completion of the novena for an adult, are so important for us, as it is our way of saying goodbye and interceding before God for the\u003cbr\u003esouls of those who have passed away.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Txema González\u003c\/p\u003e\n\u003cp\u003eLabel : Death Is Not The End\u003c\/p\u003e"}
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{"id":8857764331770,"title":"Alberto Juscamaita Gastelú \/\/ Reminiscences of Raktako: Huayno Guitar from Cuzco and Ayacucho, 1930-1940 TAPE","handle":"alberto-juscamaita-gastelu-reminiscences-of-raktako-huayno-guitar-from-cuzco-and-ayacucho-1930-1940-tape","description":"\u003cp\u003eãã«ãŒã®ã®ã¿ãªã¹ãAlberto Juscamaita Gastelúãã2025幎6æã«ã€ã®ãªã¹ã»ãã³ãã³ã®çºæå°éã¬ãŒãã«Death Is Not The EndãããªãªãŒã¹ããã«ã»ããã§ãã\u003c\/p\u003e\n\u003cp\u003e1930-1940幎ã«é²é³ããŠããç§èµé³æº11æ²ãåé²ã\u003c\/p\u003e\n\u003cp\u003eâ»ããžã¿ã«é³æºãç¡æã§ãéãããããŸãã®ã§ãæ°è»œã«ãé£çµ¡ãã ãããŸã\u003c\/p\u003e\n\u003cp\u003e以äžãã¬ãŒãã«ã«ãã解説ã§ãã\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ãã¢ã€ãã®ã«ãŒãã¯æ€æ°å°æä»£ã®ã¢ã³ãã¹ã«ãããå
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ã«èªå®ãããŸã§ãã»ãšãã©å¿ããããŠããããã«ãŒé³æ¥œãç¹ã«ã¢ã€ã¯ãŒãã§ã»ã®ã¿ãŒã®äŒçµ±ã«å€å€§ãªåœ±é¿ãäžãã圌ã®éºç£ããããããèªããããããšããŠããã\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4098080003\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eã¬ãŒãã«ãã®ä»äœåã¯\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003eãã¡ã\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003ehere\u003c\/a\u003e to see more Death Is Not The End releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003eCassette in norelco case.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Intro \u003cspan style=\"mso-spacerun: yes;\"\u003e     \u003c\/span\u003e00:56\u003cbr\u003e2. A1 \u003cspan style=\"mso-spacerun: yes;\"\u003e     \u003c\/span\u003e03:31\u003cbr\u003e3. A2 \u003cspan style=\"mso-spacerun: yes;\"\u003e    \u003c\/span\u003e02:53\u003cbr\u003e4. A3 \u003cspan style=\"mso-spacerun: yes;\"\u003e      \u003c\/span\u003e02:46\u003cbr\u003e5. A4 \u003cspan style=\"mso-spacerun: yes;\"\u003e    \u003c\/span\u003e01:51\u003cbr\u003e6. A5 \u003cspan style=\"mso-spacerun: yes;\"\u003e     \u003c\/span\u003e01:56\u003cbr\u003e7. B1 \u003cspan style=\"mso-spacerun: yes;\"\u003e      \u003c\/span\u003e02:01\u003cbr\u003e8. B2 \u003cspan style=\"mso-spacerun: yes;\"\u003e    \u003c\/span\u003e04:27\u003cbr\u003e9. B3 (Valicha)\u003cspan style=\"mso-spacerun: yes;\"\u003e     \u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e02:44\u003cbr\u003e10. B4 \u003cspan style=\"mso-spacerun: yes;\"\u003e     \u003c\/span\u003e01:39\u003cbr\u003e11. B5 \u003cspan style=\"mso-spacerun: yes;\"\u003e     \u003c\/span\u003e03:12\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eDeath Is Not The End:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eHuayno has its roots in the Andes during the colonial era, when indigenous peoples began to blend their music with influences brought by European settlers. During this process the Spanish guitar naturally became very prevalent, incorporating the tunings, finger-style and rhythms of the traditional Andean harp along with it.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe late Alberto Juscamaita Gastelú, known as Raktako, was a renowned guitarist, composer and mentor to generations of guitarists from his home in Ayacucho, southern Peruvian Andes. His unique style also blended techniques from the Spanish lute and other instruments brought by colonisers, such as the violin and accordion. For over a century, Raktako preserved Ayacucho's musical traditions and the Andean guitar form.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn 2022, the last disciple of Raktako, Gustavo Yashimura, shared with Sound of the Andes' Hánkel Bellido a series of astonishing home recordings made by Raktako between approximately 1930 and 1940. These recordings, made with the sparsest of equipment, had never been published before and represent an invaluable cultural treasure. The guitarist, who lived for over 100 years and passed away in 2023, had been largely forgotten until recently, when the Ministry of Culture of Peru officially recognised him as Meritorious Personality of Culture. His legacy, which includes a profound influence on Peruvian music, especially the Ayacucho guitar tradition, is finally being acknowledged.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Alberto Juscamaita Gastelú\u003c\/p\u003e\n\u003cp\u003eLabel : Death Is Not The End\u003c\/p\u003e","published_at":"2025-07-11T10:43:37+09:00","created_at":"2025-07-11T09:54:53+09:00","vendor":"Tobira Records","type":"","tags":["death is not the end","field recording","folk \/ left-field pop","new","tape"],"price":285000,"price_min":285000,"price_max":285000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47502123041018,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Alberto Juscamaita Gastelú \/\/ Reminiscences of Raktako: Huayno Guitar from Cuzco and Ayacucho, 1930-1940 TAPE","public_title":null,"options":["Default Title"],"price":285000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"5050580852921","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/rem1_6afec5c1-eb84-4f74-b281-c3ce183a6b5a.jpg?v=1752195170","\/\/tobirarecords.com\/cdn\/shop\/files\/rem2_c6c0947f-1011-45bf-8928-a185d37adcd7.jpg?v=1752195170"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/rem1_6afec5c1-eb84-4f74-b281-c3ce183a6b5a.jpg?v=1752195170","options":["Title"],"media":[{"alt":null,"id":36352104988922,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rem1_6afec5c1-eb84-4f74-b281-c3ce183a6b5a.jpg?v=1752195170"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rem1_6afec5c1-eb84-4f74-b281-c3ce183a6b5a.jpg?v=1752195170","width":700},{"alt":null,"id":36352105021690,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rem2_c6c0947f-1011-45bf-8928-a185d37adcd7.jpg?v=1752195170"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rem2_c6c0947f-1011-45bf-8928-a185d37adcd7.jpg?v=1752195170","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eãã«ãŒã®ã®ã¿ãªã¹ãAlberto Juscamaita Gastelúãã2025幎6æã«ã€ã®ãªã¹ã»ãã³ãã³ã®çºæå°éã¬ãŒãã«Death Is Not The EndãããªãªãŒã¹ããã«ã»ããã§ãã\u003c\/p\u003e\n\u003cp\u003e1930-1940幎ã«é²é³ããŠããç§èµé³æº11æ²ãåé²ã\u003c\/p\u003e\n\u003cp\u003eâ»ããžã¿ã«é³æºãç¡æã§ãéãããããŸãã®ã§ãæ°è»œã«ãé£çµ¡ãã ãããŸã\u003c\/p\u003e\n\u003cp\u003e以äžãã¬ãŒãã«ã«ãã解説ã§ãã\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ãã¢ã€ãã®ã«ãŒãã¯æ€æ°å°æä»£ã®ã¢ã³ãã¹ã«ãããå
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Alberto Juscamaita Gastelúã¯ããã«ãŒåéšã¢ã³ãã¹ã®ã¢ã€ã¯ãŒãã§ãæ
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ã«èªå®ãããŸã§ãã»ãšãã©å¿ããããŠããããã«ãŒé³æ¥œãç¹ã«ã¢ã€ã¯ãŒãã§ã»ã®ã¿ãŒã®äŒçµ±ã«å€å€§ãªåœ±é¿ãäžãã圌ã®éºç£ããããããèªããããããšããŠããã\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4098080003\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eã¬ãŒãã«ãã®ä»äœåã¯\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003eãã¡ã\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003ehere\u003c\/a\u003e to see more Death Is Not The End releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003eCassette in norelco case.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Intro \u003cspan style=\"mso-spacerun: yes;\"\u003e     \u003c\/span\u003e00:56\u003cbr\u003e2. A1 \u003cspan style=\"mso-spacerun: yes;\"\u003e     \u003c\/span\u003e03:31\u003cbr\u003e3. A2 \u003cspan style=\"mso-spacerun: yes;\"\u003e    \u003c\/span\u003e02:53\u003cbr\u003e4. A3 \u003cspan style=\"mso-spacerun: yes;\"\u003e      \u003c\/span\u003e02:46\u003cbr\u003e5. A4 \u003cspan style=\"mso-spacerun: yes;\"\u003e    \u003c\/span\u003e01:51\u003cbr\u003e6. A5 \u003cspan style=\"mso-spacerun: yes;\"\u003e     \u003c\/span\u003e01:56\u003cbr\u003e7. B1 \u003cspan style=\"mso-spacerun: yes;\"\u003e      \u003c\/span\u003e02:01\u003cbr\u003e8. B2 \u003cspan style=\"mso-spacerun: yes;\"\u003e    \u003c\/span\u003e04:27\u003cbr\u003e9. B3 (Valicha)\u003cspan style=\"mso-spacerun: yes;\"\u003e     \u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e02:44\u003cbr\u003e10. B4 \u003cspan style=\"mso-spacerun: yes;\"\u003e     \u003c\/span\u003e01:39\u003cbr\u003e11. B5 \u003cspan style=\"mso-spacerun: yes;\"\u003e     \u003c\/span\u003e03:12\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eDeath Is Not The End:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eHuayno has its roots in the Andes during the colonial era, when indigenous peoples began to blend their music with influences brought by European settlers. During this process the Spanish guitar naturally became very prevalent, incorporating the tunings, finger-style and rhythms of the traditional Andean harp along with it.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe late Alberto Juscamaita Gastelú, known as Raktako, was a renowned guitarist, composer and mentor to generations of guitarists from his home in Ayacucho, southern Peruvian Andes. His unique style also blended techniques from the Spanish lute and other instruments brought by colonisers, such as the violin and accordion. For over a century, Raktako preserved Ayacucho's musical traditions and the Andean guitar form.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn 2022, the last disciple of Raktako, Gustavo Yashimura, shared with Sound of the Andes' Hánkel Bellido a series of astonishing home recordings made by Raktako between approximately 1930 and 1940. These recordings, made with the sparsest of equipment, had never been published before and represent an invaluable cultural treasure. The guitarist, who lived for over 100 years and passed away in 2023, had been largely forgotten until recently, when the Ministry of Culture of Peru officially recognised him as Meritorious Personality of Culture. His legacy, which includes a profound influence on Peruvian music, especially the Ayacucho guitar tradition, is finally being acknowledged.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Alberto Juscamaita Gastelú\u003c\/p\u003e\n\u003cp\u003eLabel : Death Is Not The End\u003c\/p\u003e"}
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Alberto Juscamaita Gastelúã¯ããã«ãŒåéšã¢ã³ãã¹ã®ã¢ã€ã¯ãŒãã§ãæ
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{"id":8855555211514,"title":"Various Artists (forms of minutiae) \/\/ Harkening Critters 3xCD","handle":"various-artists-harkening-critters-3xcd","description":"\u003cp\u003eãã€ãã»ãã«ãªã³ã®ãã£ãŒã«ãã¬ã³ãŒãã£ã³ã°ã¬ãŒãã«forms of minutiaeãã2025幎6æã«ãªãªãŒã¹ããã³ã³ãã¬ãŒã·ã§ã³3æçµCDã§ãã\u003c\/p\u003e\n\u003cp\u003eãã£ãŒã«ãã¬ã³ãŒãã£ã³ã°ãã¢ã³ããšã³ã33æ²ãåé²ã6é¢ããžããã¯ä»æ§ã§ãã\u003c\/p\u003e\n\u003cp\u003e以äžãã¬ãŒãã«ã«ãã解説ã§ãã\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"forms of minutiaeã¯ãharkening crittersããçºè¡šããããã®ã¬ãŒãã«ã®2äœç®ãšãªãéå¶å©ã³ã³ãã¬ãŒã·ã§ã³ã¯ããã£ãŒã«ãã¬ã³ãŒãã£ã³ã°ãšãµãŠã³ãã¹ã±ãŒãã»ã³ã³ããžã·ã§ã³ã§æ§æãããä»åã¯é©ãã»ã©å€æ§ãªåç©ã®ã·ã°ãã«ã«çŠç¹ãåœãŠãŠããã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eãè³ãåŸããããæ¬æãæãããšããæå³ã®å€èªåè© ãharken ãã«ç±æ¥ãããã®ã³ã³ãã¬ãŒã·ã§ã³ã¯ãäžçäžã®32人ã®ãã£ãŒã«ãã¬ã³ãŒãã£ã³ã°äœå®¶ãšãµãŠã³ãã¢ãŒãã£ã¹ãã«ãããã®ã§ãåç©ãçºãããŽã©ãŒã«ãªãŒãŒã·ã§ã³ãæ©æ¢°çãªçºæ£é³ããã®ä»ããããé³é¿çŸè±¡ã«è³ãåŸããŠããã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eããŸãç¥ãããŠããªãæè«ã®ãã€ããã¹ã±ãŒãããã³ããŒãããã»ã³ãŠã¢ãªã®ããã£ããããããããªé³Žã声ãããã¯ã»ãã¿ãŒãã¬ã³ã®ç¬ç¹ãªããªã声ãã¯ã©ã«ã±ã¢ã¶ã©ã·ã®äžæ°å³ãªã·ã°ãã«ãã¢ãªã®ãã©ãŒããã¯ã¢ã¿ãã¯ãã€ãŒã¹ãèã®ãªãºã ãžã®å¯ãéããã³ã¯ãªããŒã»ã€ã«ã«ã®ãããããç±åž¯ã®ã«ãšã«ã®æ°ãŸãããªé³Žã声ãªã©ãªã©ã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eãããããè³ãæŸãŸãçãç©ãã¡ããšããã¿ã€ãã«ã«ã¯ææ§ãããããçãç©ãã¡ã¯è³ãåŸããããŠããã®ãããããšãè³ãåŸããŠããã®ã¯åœŒããªã®ãïŒèª°ã誰ãªã®ãïŒ\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1846525577\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2743080058\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1846525577\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1846525577\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3137318732\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eã¬ãŒãã«ãã®ä»äœåã¯\u003ca href=\"https:\/\/tobirarecords.com\/collections\/foofmi\"\u003eãã¡ã\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/foofmi\"\u003ehere\u003c\/a\u003e to see more Forms of Minutiae releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------------------\u003c\/p\u003e\n\u003cp\u003e3 x CD in 6-panel sleeve.\u003cbr\u003e2nd edition repress. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. alëna korolëva - night creatures of the little lakes 08:02\u003cbr\u003e2. mélia roger \u0026amp; grégoire chauvot - fox and cranes echoing 09:22\u003cbr\u003e3. martha mutiso - hammer-headed bats (mpanga forest reserve, uganda) 10:11\u003cbr\u003e4. diane barbé - humid evening with a choir of dwarf frogs 05:35\u003cbr\u003e5. kmru - inta 05:02\u003cbr\u003e6. jonáš gruska - temporal deceleration 05:35\u003cbr\u003e7. joshua bonnetta - nickajack cave 04:56\u003cbr\u003e8. pablo diserens - kiiruna 04:11\u003cbr\u003e9. izabela dÅuÅŒyk - great snipe lek 08:46\u003cbr\u003e10. katharina schmidt - havn 03:30\u003cbr\u003e11. artificial memory trace - insect nation statement (consensus) 07:34\u003cbr\u003e12. ludwig berger \u0026amp; juan josé lópez dÃez - vibroscape of hochmoor gais 10:13\u003cbr\u003e13. murmer - ÏηΌειοÏγαΜοεÏεÏÏÏÏοÏÎµÏ ÏÏΜÎÏ 15:16\u003cbr\u003e14. mélia roger \u0026amp; grégoire chauvot - glis glis EM272 04:45\u003cbr\u003e15. stéphane marin - formic attack 04:28\u003cbr\u003e16. léa paintandre - l'arrivée de l'orage dans la région du sertão 13:33\u003cbr\u003e17. marc namblard - kwatas 06:50\u003cbr\u003e18. gina lo - bornean anura 06:15\u003cbr\u003e19. diane barbé \u0026amp; selu herraiz - early morning with red howler monkeys and others 11:28\u003cbr\u003e20. félix blume - frogs in the small village of serrinha do alambari 07:40\u003cbr\u003e21. gina lo - cowie bay 08:26\u003cbr\u003e22. jana irmert - above and below (amazon rainforest and pink river dolphins) 08:58\u003cbr\u003e23. cheryl e. leonard - pupping season 04:36\u003cbr\u003e24. yoichi kamimura - kyúai 05:08\u003cbr\u003e25. nikos sotirelis - the age of corals 14:06\u003cbr\u003e26. raphael malfliet - natterjacks 08:53\u003cbr\u003e27. nikki sheth - perez frogs at jardim josé do canto 05:29\u003cbr\u003e28. izabela dÅuÅŒyk - first flight of a young white stork 01:48\u003cbr\u003e29. félix blume - buffalos in the tallgrass prairie (oklahoma) 07:39\u003cbr\u003e30. patricia wolf \u0026amp; max wolf - dawn at potter's swamp 04:18\u003cbr\u003e31. felicity mangan - hibernating bees 05:16\u003cbr\u003e32. alyssa moxley - dusk by the edge of the forest 09:38\u003cbr\u003e33. andrew pekler - interspecies rhythm study (m.ocharcea, synthetic percussion, chords and bass) 04:22\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : Various Artists \u003c\/p\u003e\n\u003cp\u003eLabel : Forms of Minutiae\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003efom12\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-07-10T09:50:23+09:00","created_at":"2025-07-09T10:16:41+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","field recording","forms of minutiae","monooto","new","recommended"],"price":365000,"price_min":365000,"price_max":365000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47492250009850,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Various Artists (forms of minutiae) \/\/ Harkening Critters 3xCD","public_title":null,"options":["Default Title"],"price":365000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/har1_4bfa023d-c860-473e-8568-4bffc65a071d.jpg?v=1752023635","\/\/tobirarecords.com\/cdn\/shop\/files\/har2_6ba57c80-5386-4ad2-a37f-4f91c8821092.jpg?v=1752023635","\/\/tobirarecords.com\/cdn\/shop\/files\/har3_8501e056-61a4-4972-ac78-299818b3472b.jpg?v=1752023635"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/har1_4bfa023d-c860-473e-8568-4bffc65a071d.jpg?v=1752023635","options":["Title"],"media":[{"alt":null,"id":36339817775354,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/har1_4bfa023d-c860-473e-8568-4bffc65a071d.jpg?v=1752023635"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/har1_4bfa023d-c860-473e-8568-4bffc65a071d.jpg?v=1752023635","width":700},{"alt":null,"id":36339817808122,"position":2,"preview_image":{"aspect_ratio":1.471,"height":816,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/har2_6ba57c80-5386-4ad2-a37f-4f91c8821092.jpg?v=1752023635"},"aspect_ratio":1.471,"height":816,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/har2_6ba57c80-5386-4ad2-a37f-4f91c8821092.jpg?v=1752023635","width":1200},{"alt":null,"id":36339817840890,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/har3_8501e056-61a4-4972-ac78-299818b3472b.jpg?v=1752023635"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/har3_8501e056-61a4-4972-ac78-299818b3472b.jpg?v=1752023635","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eãã€ãã»ãã«ãªã³ã®ãã£ãŒã«ãã¬ã³ãŒãã£ã³ã°ã¬ãŒãã«forms of minutiaeãã2025幎6æã«ãªãªãŒã¹ããã³ã³ãã¬ãŒã·ã§ã³3æçµCDã§ãã\u003c\/p\u003e\n\u003cp\u003eãã£ãŒã«ãã¬ã³ãŒãã£ã³ã°ãã¢ã³ããšã³ã33æ²ãåé²ã6é¢ããžããã¯ä»æ§ã§ãã\u003c\/p\u003e\n\u003cp\u003e以äžãã¬ãŒãã«ã«ãã解説ã§ãã\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"forms of minutiaeã¯ãharkening crittersããçºè¡šããããã®ã¬ãŒãã«ã®2äœç®ãšãªãéå¶å©ã³ã³ãã¬ãŒã·ã§ã³ã¯ããã£ãŒã«ãã¬ã³ãŒãã£ã³ã°ãšãµãŠã³ãã¹ã±ãŒãã»ã³ã³ããžã·ã§ã³ã§æ§æãããä»åã¯é©ãã»ã©å€æ§ãªåç©ã®ã·ã°ãã«ã«çŠç¹ãåœãŠãŠããã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eãè³ãåŸããããæ¬æãæãããšããæå³ã®å€èªåè© ãharken ãã«ç±æ¥ãããã®ã³ã³ãã¬ãŒã·ã§ã³ã¯ãäžçäžã®32人ã®ãã£ãŒã«ãã¬ã³ãŒãã£ã³ã°äœå®¶ãšãµãŠã³ãã¢ãŒãã£ã¹ãã«ãããã®ã§ãåç©ãçºãããŽã©ãŒã«ãªãŒãŒã·ã§ã³ãæ©æ¢°çãªçºæ£é³ããã®ä»ããããé³é¿çŸè±¡ã«è³ãåŸããŠããã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eããŸãç¥ãããŠããªãæè«ã®ãã€ããã¹ã±ãŒãããã³ããŒãããã»ã³ãŠã¢ãªã®ããã£ããããããããªé³Žã声ãããã¯ã»ãã¿ãŒãã¬ã³ã®ç¬ç¹ãªããªã声ãã¯ã©ã«ã±ã¢ã¶ã©ã·ã®äžæ°å³ãªã·ã°ãã«ãã¢ãªã®ãã©ãŒããã¯ã¢ã¿ãã¯ãã€ãŒã¹ãèã®ãªãºã ãžã®å¯ãéããã³ã¯ãªããŒã»ã€ã«ã«ã®ãããããç±åž¯ã®ã«ãšã«ã®æ°ãŸãããªé³Žã声ãªã©ãªã©ã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eãããããè³ãæŸãŸãçãç©ãã¡ããšããã¿ã€ãã«ã«ã¯ææ§ãããããçãç©ãã¡ã¯è³ãåŸããããŠããã®ãããããšãè³ãåŸããŠããã®ã¯åœŒããªã®ãïŒèª°ã誰ãªã®ãïŒ\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1846525577\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2743080058\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1846525577\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1846525577\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3137318732\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eã¬ãŒãã«ãã®ä»äœåã¯\u003ca href=\"https:\/\/tobirarecords.com\/collections\/foofmi\"\u003eãã¡ã\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/foofmi\"\u003ehere\u003c\/a\u003e to see more Forms of Minutiae releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------------------\u003c\/p\u003e\n\u003cp\u003e3 x CD in 6-panel sleeve.\u003cbr\u003e2nd edition repress. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. alëna korolëva - night creatures of the little lakes 08:02\u003cbr\u003e2. mélia roger \u0026amp; grégoire chauvot - fox and cranes echoing 09:22\u003cbr\u003e3. martha mutiso - hammer-headed bats (mpanga forest reserve, uganda) 10:11\u003cbr\u003e4. diane barbé - humid evening with a choir of dwarf frogs 05:35\u003cbr\u003e5. kmru - inta 05:02\u003cbr\u003e6. jonáš gruska - temporal deceleration 05:35\u003cbr\u003e7. joshua bonnetta - nickajack cave 04:56\u003cbr\u003e8. pablo diserens - kiiruna 04:11\u003cbr\u003e9. izabela dÅuÅŒyk - great snipe lek 08:46\u003cbr\u003e10. katharina schmidt - havn 03:30\u003cbr\u003e11. artificial memory trace - insect nation statement (consensus) 07:34\u003cbr\u003e12. ludwig berger \u0026amp; juan josé lópez dÃez - vibroscape of hochmoor gais 10:13\u003cbr\u003e13. murmer - ÏηΌειοÏγαΜοεÏεÏÏÏÏοÏÎµÏ ÏÏΜÎÏ 15:16\u003cbr\u003e14. mélia roger \u0026amp; grégoire chauvot - glis glis EM272 04:45\u003cbr\u003e15. stéphane marin - formic attack 04:28\u003cbr\u003e16. léa paintandre - l'arrivée de l'orage dans la région du sertão 13:33\u003cbr\u003e17. marc namblard - kwatas 06:50\u003cbr\u003e18. gina lo - bornean anura 06:15\u003cbr\u003e19. diane barbé \u0026amp; selu herraiz - early morning with red howler monkeys and others 11:28\u003cbr\u003e20. félix blume - frogs in the small village of serrinha do alambari 07:40\u003cbr\u003e21. gina lo - cowie bay 08:26\u003cbr\u003e22. jana irmert - above and below (amazon rainforest and pink river dolphins) 08:58\u003cbr\u003e23. cheryl e. leonard - pupping season 04:36\u003cbr\u003e24. yoichi kamimura - kyúai 05:08\u003cbr\u003e25. nikos sotirelis - the age of corals 14:06\u003cbr\u003e26. raphael malfliet - natterjacks 08:53\u003cbr\u003e27. nikki sheth - perez frogs at jardim josé do canto 05:29\u003cbr\u003e28. izabela dÅuÅŒyk - first flight of a young white stork 01:48\u003cbr\u003e29. félix blume - buffalos in the tallgrass prairie (oklahoma) 07:39\u003cbr\u003e30. patricia wolf \u0026amp; max wolf - dawn at potter's swamp 04:18\u003cbr\u003e31. felicity mangan - hibernating bees 05:16\u003cbr\u003e32. alyssa moxley - dusk by the edge of the forest 09:38\u003cbr\u003e33. andrew pekler - interspecies rhythm study (m.ocharcea, synthetic percussion, chords and bass) 04:22\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : Various Artists \u003c\/p\u003e\n\u003cp\u003eLabel : Forms of Minutiae\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003efom12\u003c\/span\u003e\u003c\/p\u003e"}
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{"id":8847430189306,"title":"No Artist \/ Pablo Picco (Distorted AM\/FM Radio Transmissions captured from Salsipuedes, Argentina) \/\/ Sólo una pobre canción da vueltas por mi guitarra TAPE","handle":"no-artist-pablo-picco-distorted-am-fm-radio-transmissions-captured-from-salsipuedes-argentina-solo-una-pobre-cancion-da-vueltas-por-mi-guitarra-tape","description":"\u003cp\u003eã¢ã«ãŒã³ãã³ã®ã³ã©ãŒãžã¥äœå®¶Pablo Piccoãã2024幎11æã«äžåœã»å京ã®ç©é³ã¬ãŒãã«Zoomin' NightãããªãªãŒã¹ããã«ã»ããã§ãã\u003c\/p\u003e\n\u003cp\u003eã©ãžãªçªçµã®ã³ã©ãŒãžã¥2æ²ã40åãåé²ãDLã³ãŒãä»å±ã\u003c\/p\u003e\n\u003cp\u003eã«ã»ãããã¬ã€ã€ãŒã®åçãã¿ã³ãæŒããŠç®ãéããã°ããããã¯ã¢ã«ãŒã³ãã³ã®å€§è¡é£å ã§ãã\u003c\/p\u003e\n\u003cp\u003e以äžãäœå®¶æ¬äººã«ãã解説ã§ãã\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"å€ã®ã©ãžãªçªçµãæã€ç¬ç¹ã®é°å²æ°ã«ãç§ã¯ãã£ãšé
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ãåœãŠãããšã ã£ãã\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eãã¡ãããã¢ã«ãŒã³ãã³ãšããåœã¯ããã®é³ã®ã³ã¬ã¯ã·ã§ã³ãããã¯ããã«å€ãã®ãã®ã§ãããæªãã§ãããããããªãããäžå®å
šãããããªãããç§ã®ããŸããŸãªã©ãžãªã®ãããããšããé³ãéããŠãã¢ã«ãŒã³ãã³ã®æ§æ Œã®äžéšãå®çŸ©ãã声ãã¡ããã£ãŒãå£éèŠãããšãã§ãããããããªãã\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=110269067\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eZoomin' Nightãã®ä»äœåã¯\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/zoni\"\u003eãã¡ã\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/zoni\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Zoomin' Night releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e--------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAsk us for digital files.\u003cbr\u003eCassette in norelco case.\u003cbr\u003eFeatures AM\/FM radio transmissions from Argentina, compiled by Pablo Picco. \u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Lado A 19:25\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. Lado B 18:19\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan\u003eText by Pablo Picco\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eI've always been captivated by the unique atmosphere of night radio shows.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eI think it was around 2016 when I began recording some programs from an old radio in the kitchen of our houseâs first floor. Winters were particularly cold and Iâd brave the chill to make dinner. On those moments, Iâd tune in to these distinct AM (and sometimes FM) radio transmissions broadcasting nationwideâa mix of music : folklore, tango, cuarteto, rock and other genres and a mix of talk shows that filled those late hours.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eArgentinaâs \"Official Radio\" often centers around two main topics: politics and football. My aim, though, was to document everything outside that intense duo, hoping to shed light on other subjects that reflect better our spirit.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eOf course, Argentina is far more than this collection of soundsâperhaps distorted, perhaps incompleteâbut through the crackling of my different radios, you might catch a glimpse of the voices and melodies that define a part of its character.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAll sounds here are captured in Salsipuedes, between 2016 and 2023\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : No artist \/ Pablo Picco - Distorted AM\/FM Radio Transmissions captured from Salsipuedes, Argentina\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Zoomin' Night\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : ZMY 078\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-07-05T08:04:51+09:00","created_at":"2025-07-01T11:05:24+09:00","vendor":"Tobira Records","type":"","tags":["field recording","monooto","new","tape","Zoominâ night"],"price":198800,"price_min":198800,"price_max":198800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47464722301178,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"No Artist \/ Pablo Picco (Distorted AM\/FM Radio Transmissions captured from Salsipuedes, Argentina) \/\/ Sólo una pobre canción da vueltas por mi guitarra TAPE","public_title":null,"options":["Default Title"],"price":198800,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/solo1_d9e94bed-444b-4ab7-9ae7-46b65c6213cf.jpg?v=1751335371","\/\/tobirarecords.com\/cdn\/shop\/files\/solo2_267a273b-cfaf-4303-a3d0-3decf9e1246c.jpg?v=1751335371"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/solo1_d9e94bed-444b-4ab7-9ae7-46b65c6213cf.jpg?v=1751335371","options":["Title"],"media":[{"alt":null,"id":36300998344954,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/solo1_d9e94bed-444b-4ab7-9ae7-46b65c6213cf.jpg?v=1751335371"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/solo1_d9e94bed-444b-4ab7-9ae7-46b65c6213cf.jpg?v=1751335371","width":700},{"alt":null,"id":36300998410490,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/solo2_267a273b-cfaf-4303-a3d0-3decf9e1246c.jpg?v=1751335371"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/solo2_267a273b-cfaf-4303-a3d0-3decf9e1246c.jpg?v=1751335371","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eã¢ã«ãŒã³ãã³ã®ã³ã©ãŒãžã¥äœå®¶Pablo Piccoãã2024幎11æã«äžåœã»å京ã®ç©é³ã¬ãŒãã«Zoomin' NightãããªãªãŒã¹ããã«ã»ããã§ãã\u003c\/p\u003e\n\u003cp\u003eã©ãžãªçªçµã®ã³ã©ãŒãžã¥2æ²ã40åãåé²ãDLã³ãŒãä»å±ã\u003c\/p\u003e\n\u003cp\u003eã«ã»ãããã¬ã€ã€ãŒã®åçãã¿ã³ãæŒããŠç®ãéããã°ããããã¯ã¢ã«ãŒã³ãã³ã®å€§è¡é£å ã§ãã\u003c\/p\u003e\n\u003cp\u003e以äžãäœå®¶æ¬äººã«ãã解説ã§ãã\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"å€ã®ã©ãžãªçªçµãæã€ç¬ç¹ã®é°å²æ°ã«ãç§ã¯ãã£ãšé
äºãããŠããã\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eå®¶ã®1éã®å°æã«ãã£ãå€ãã©ãžãªãããããã€ãã®çªçµãé²é³ãå§ããã®ã¯2016幎é ã ã£ããšæããå¬ã¯ç¹ã«å¯ããŠãå€é£ãäœãããã«å¯ãã«èããŠããããã©ã«ã¯ããŒã¬ãã¿ã³ãŽãã¯ã¢ã«ããŒããããã¯ããã®ä»ã®ãžã£ã³ã«ã®é³æ¥œãšãããŒã¯çªçµãããã¯ã¹ãããæ·±å€ã®æéãæºãããŠããã\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eã¢ã«ãŒã³ãã³ã® ãå
¬åŒã©ãžãª ãã¯ãæ¿æ²»ãšãµãã«ãŒã®2倧ãããã¯ãäžå¿ã«æŸéãããããšãå€ããããããç§ã®ç®çã¯ããã®åŒ·çãªãã¥ãªä»¥å€ã®ãã¹ãŠãèšé²ããç§ãã¡ã®ç²Ÿç¥ãããããåæ ããä»ã®ããŒãã«å
ãåœãŠãããšã ã£ãã\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eãã¡ãããã¢ã«ãŒã³ãã³ãšããåœã¯ããã®é³ã®ã³ã¬ã¯ã·ã§ã³ãããã¯ããã«å€ãã®ãã®ã§ãããæªãã§ãããããããªãããäžå®å
šãããããªãããç§ã®ããŸããŸãªã©ãžãªã®ãããããšããé³ãéããŠãã¢ã«ãŒã³ãã³ã®æ§æ Œã®äžéšãå®çŸ©ãã声ãã¡ããã£ãŒãå£éèŠãããšãã§ãããããããªãã\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=110269067\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eZoomin' Nightãã®ä»äœåã¯\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/zoni\"\u003eãã¡ã\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/zoni\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Zoomin' Night releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e--------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAsk us for digital files.\u003cbr\u003eCassette in norelco case.\u003cbr\u003eFeatures AM\/FM radio transmissions from Argentina, compiled by Pablo Picco. \u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Lado A 19:25\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. Lado B 18:19\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan\u003eText by Pablo Picco\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eI've always been captivated by the unique atmosphere of night radio shows.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eI think it was around 2016 when I began recording some programs from an old radio in the kitchen of our houseâs first floor. Winters were particularly cold and Iâd brave the chill to make dinner. On those moments, Iâd tune in to these distinct AM (and sometimes FM) radio transmissions broadcasting nationwideâa mix of music : folklore, tango, cuarteto, rock and other genres and a mix of talk shows that filled those late hours.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eArgentinaâs \"Official Radio\" often centers around two main topics: politics and football. My aim, though, was to document everything outside that intense duo, hoping to shed light on other subjects that reflect better our spirit.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eOf course, Argentina is far more than this collection of soundsâperhaps distorted, perhaps incompleteâbut through the crackling of my different radios, you might catch a glimpse of the voices and melodies that define a part of its character.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAll sounds here are captured in Salsipuedes, between 2016 and 2023\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : No artist \/ Pablo Picco - Distorted AM\/FM Radio Transmissions captured from Salsipuedes, Argentina\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Zoomin' Night\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : ZMY 078\u003c\/span\u003e\u003c\/p\u003e"}
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{"id":8847427436794,"title":"Nichijo æ¥åžž \/\/ The cheapest Japanese cuisine in the world TAPE","handle":"nichijo-the-cheapest-japanese-cuisine-in-the-world-tape","description":"\u003cp\u003eäžåœã®ç©é³ãã¥ãªæ¥åžžãã2025幎6æã«ååœå京ã®å®éšã¬ãŒãã«Zoomin' NightãããªãªãŒã¹ããã«ã»ããã§ãã\u003c\/p\u003e\n\u003cp\u003eçªåããçãã¬ãã¬ãŒããã³ã°ãèªæžãªã©ç掻ã§çºçããç©é³14æ²ãåé²ãDLã³ãŒãä»å±ã\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4236905707\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eZoomin' Nightãã®ä»äœåã¯\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/zoni\"\u003eãã¡ã\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/zoni\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Zoomin' Night releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e--------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAsk us for digital files.\u003cbr\u003eCassette in norelco case.\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eåªæç²\u003c\/span\u003e clipping nails 05:48\u003cbr\u003e2. \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eè£
å¿«\u003c\/span\u003e\u003cspan style=\"font-family: 'PingFang TC',sans-serif; mso-bidi-font-family: 'PingFang TC';\" lang=\"JA\"\u003eé\u003c\/span\u003e\u003cspan lang=\"JA\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eæå¿«\u003c\/span\u003e\u003cspan style=\"font-family: 'PingFang TC',sans-serif; mso-bidi-font-family: 'PingFang TC';\" lang=\"JA\"\u003eé\u003c\/span\u003e packing\/unpacking delivery 10:20\u003cbr\u003e3. \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eæç\u003c\/span\u003e\u003cspan style=\"font-family: 'PingFang TC',sans-serif; mso-bidi-font-family: 'PingFang TC';\" lang=\"JA\"\u003eäž\u003c\/span\u003e\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e西走å°ç®çå°\u003c\/span\u003e dragging something to a destination 03:07\u003cbr\u003e4. \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e忳壿°Ž\u003c\/span\u003e\u003cspan lang=\"JA\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eåœäžå£æ°Ž\u003c\/span\u003e secreting\/swallowing saliva 06:16\u003cbr\u003e5. \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eåšäž\u003c\/span\u003e\u003cspan style=\"font-family: 'PingFang TC',sans-serif; mso-bidi-font-family: 'PingFang TC';\" lang=\"JA\"\u003eæ \u003c\/span\u003e\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eåŸé«ç楌å\u003c\/span\u003e\u003cspan style=\"font-family: 'PingFang TC',sans-serif; mso-bidi-font-family: 'PingFang TC';\" lang=\"JA\"\u003eçµ\u003c\/span\u003e\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e梯\u003c\/span\u003e taking the elevator in a tall building 02:45\u003cbr\u003e6. \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eåšäž\u003c\/span\u003e\u003cspan style=\"font-family: 'PingFang TC',sans-serif; mso-bidi-font-family: 'PingFang TC';\" lang=\"JA\"\u003eæ \u003c\/span\u003e\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eåŸé«çæ¥Œç¬æ¥Œæ¢¯\u003c\/span\u003e taking the stairs in a tall building 13:38\u003cbr\u003e7. \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eæ\u003c\/span\u003e\u003cspan style=\"font-family: 'PingFang TC',sans-serif; mso-bidi-font-family: 'PingFang TC';\" lang=\"JA\"\u003eåœ\u003c\/span\u003e\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eé³\u003c\/span\u003e\u003cspan style=\"font-family: 'PingFang TC',sans-serif; mso-bidi-font-family: 'PingFang TC';\" lang=\"JA\"\u003e讟å€\u003c\/span\u003e\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eèèµ·æ¥\u003c\/span\u003e\u003cspan lang=\"JA\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eåæŸå°å®\u003c\/span\u003e hiding a recorder, then finding it 03:29\u003cbr\u003e8. \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eæ\u003c\/span\u003e\u003cspan style=\"font-family: 'PingFang TC',sans-serif; mso-bidi-font-family: 'PingFang TC';\" lang=\"JA\"\u003e读\u003c\/span\u003e reciting 06:57\u003cbr\u003e9. \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eå¥èº«\u003c\/span\u003e\u003cspan style=\"font-family: 'PingFang TC',sans-serif; mso-bidi-font-family: 'PingFang TC';\" lang=\"JA\"\u003eæ¶éŽ\u003c\/span\u003e gym time 05:14\u003cbr\u003e10. \u003cspan style=\"font-family: 'PingFang TC',sans-serif; mso-bidi-font-family: 'PingFang TC';\" lang=\"JA\"\u003e纞\u003c\/span\u003e\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eå·Ÿ\u003c\/span\u003e paper towels 10:16\u003cbr\u003e11. \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eç\u003c\/span\u003e\u003cspan style=\"font-family: 'PingFang TC',sans-serif; mso-bidi-font-family: 'PingFang TC';\" lang=\"JA\"\u003e乊\u003c\/span\u003e reading books 08:29\u003cbr\u003e12. \u003cspan style=\"font-family: 'PingFang TC',sans-serif; mso-bidi-font-family: 'PingFang TC';\" lang=\"JA\"\u003e纞é£\u003c\/span\u003e\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eæº\u003c\/span\u003e paper planes 05:57\u003cbr\u003e13. \u003cspan style=\"font-family: 'PingFang TC',sans-serif; mso-bidi-font-family: 'PingFang TC';\" lang=\"JA\"\u003eæµ\u003c\/span\u003e\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eæ°Ž\u003c\/span\u003e\u003cspan lang=\"JA\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eæœè¥\u003c\/span\u003e\u003cspan lang=\"JA\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eä¿®åª\u003c\/span\u003e gardening 08:34\u003cbr\u003e14. \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eçªåž\u003c\/span\u003e\u003cspan lang=\"JA\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: 'PingFang TC',sans-serif; mso-bidi-font-family: 'PingFang TC';\" lang=\"JA\"\u003e纱\u003c\/span\u003e\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eçª\u003c\/span\u003e\u003cspan lang=\"JA\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eçª\u003c\/span\u003e\u003cspan style=\"font-family: 'PingFang TC',sans-serif; mso-bidi-font-family: 'PingFang TC';\" lang=\"JA\"\u003eæ·\u003c\/span\u003e curtains, screens and windows 02:11\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan\u003eZoomin' Night:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eThe members of Nichijo are Zhao Ziyi and Yang Kuku. In this project they do normal everyday things.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eOn November 24, 2024, they recorded 17 pieces in a residential community in Sanyuanli, Beijing.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e3 pieces were abandoned ( standing, lying, sitting, doing nothing \/ drawing sketches \/ the cheapest Japanese cuisine in the world ), and the remaining 14 are included here.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Nichijo æ¥åžž\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Zoomin' Night\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : ZMY 083\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-07-05T07:52:30+09:00","created_at":"2025-07-01T10:55:47+09:00","vendor":"Tobira Records","type":"","tags":["field recording","monooto","new","tape","Zoominâ night"],"price":198800,"price_min":198800,"price_max":198800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47464710471930,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Nichijo æ¥åžž \/\/ The cheapest Japanese cuisine in the world TAPE","public_title":null,"options":["Default Title"],"price":198800,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/chea1.jpg?v=1751334852","\/\/tobirarecords.com\/cdn\/shop\/files\/chea2.jpg?v=1751334851"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/chea1.jpg?v=1751334852","options":["Title"],"media":[{"alt":null,"id":36300977406202,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/chea1.jpg?v=1751334852"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/chea1.jpg?v=1751334852","width":700},{"alt":null,"id":36300977438970,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/chea2.jpg?v=1751334851"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/chea2.jpg?v=1751334851","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eäžåœã®ç©é³ãã¥ãªæ¥åžžãã2025幎6æã«ååœå京ã®å®éšã¬ãŒãã«Zoomin' NightãããªãªãŒã¹ããã«ã»ããã§ãã\u003c\/p\u003e\n\u003cp\u003eçªåããçãã¬ãã¬ãŒããã³ã°ãèªæžãªã©ç掻ã§çºçããç©é³14æ²ãåé²ãDLã³ãŒãä»å±ã\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4236905707\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eZoomin' Nightãã®ä»äœåã¯\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/zoni\"\u003eãã¡ã\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/zoni\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Zoomin' Night releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e--------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAsk us for digital files.\u003cbr\u003eCassette in norelco case.\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eåªæç²\u003c\/span\u003e clipping nails 05:48\u003cbr\u003e2. \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eè£
å¿«\u003c\/span\u003e\u003cspan style=\"font-family: 'PingFang TC',sans-serif; mso-bidi-font-family: 'PingFang TC';\" lang=\"JA\"\u003eé\u003c\/span\u003e\u003cspan lang=\"JA\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eæå¿«\u003c\/span\u003e\u003cspan style=\"font-family: 'PingFang TC',sans-serif; mso-bidi-font-family: 'PingFang TC';\" lang=\"JA\"\u003eé\u003c\/span\u003e packing\/unpacking delivery 10:20\u003cbr\u003e3. \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eæç\u003c\/span\u003e\u003cspan style=\"font-family: 'PingFang TC',sans-serif; mso-bidi-font-family: 'PingFang TC';\" lang=\"JA\"\u003eäž\u003c\/span\u003e\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e西走å°ç®çå°\u003c\/span\u003e dragging something to a destination 03:07\u003cbr\u003e4. \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e忳壿°Ž\u003c\/span\u003e\u003cspan lang=\"JA\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eåœäžå£æ°Ž\u003c\/span\u003e secreting\/swallowing saliva 06:16\u003cbr\u003e5. \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eåšäž\u003c\/span\u003e\u003cspan style=\"font-family: 'PingFang TC',sans-serif; mso-bidi-font-family: 'PingFang TC';\" lang=\"JA\"\u003eæ \u003c\/span\u003e\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eåŸé«ç楌å\u003c\/span\u003e\u003cspan style=\"font-family: 'PingFang TC',sans-serif; mso-bidi-font-family: 'PingFang TC';\" lang=\"JA\"\u003eçµ\u003c\/span\u003e\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e梯\u003c\/span\u003e taking the elevator in a tall building 02:45\u003cbr\u003e6. \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eåšäž\u003c\/span\u003e\u003cspan style=\"font-family: 'PingFang TC',sans-serif; mso-bidi-font-family: 'PingFang TC';\" lang=\"JA\"\u003eæ \u003c\/span\u003e\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eåŸé«çæ¥Œç¬æ¥Œæ¢¯\u003c\/span\u003e taking the stairs in a tall building 13:38\u003cbr\u003e7. \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eæ\u003c\/span\u003e\u003cspan style=\"font-family: 'PingFang TC',sans-serif; mso-bidi-font-family: 'PingFang TC';\" lang=\"JA\"\u003eåœ\u003c\/span\u003e\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eé³\u003c\/span\u003e\u003cspan style=\"font-family: 'PingFang TC',sans-serif; mso-bidi-font-family: 'PingFang TC';\" lang=\"JA\"\u003e讟å€\u003c\/span\u003e\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eèèµ·æ¥\u003c\/span\u003e\u003cspan lang=\"JA\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eåæŸå°å®\u003c\/span\u003e hiding a recorder, then finding it 03:29\u003cbr\u003e8. \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eæ\u003c\/span\u003e\u003cspan style=\"font-family: 'PingFang TC',sans-serif; mso-bidi-font-family: 'PingFang TC';\" lang=\"JA\"\u003e读\u003c\/span\u003e reciting 06:57\u003cbr\u003e9. \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eå¥èº«\u003c\/span\u003e\u003cspan style=\"font-family: 'PingFang TC',sans-serif; mso-bidi-font-family: 'PingFang TC';\" lang=\"JA\"\u003eæ¶éŽ\u003c\/span\u003e gym time 05:14\u003cbr\u003e10. \u003cspan style=\"font-family: 'PingFang TC',sans-serif; mso-bidi-font-family: 'PingFang TC';\" lang=\"JA\"\u003e纞\u003c\/span\u003e\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eå·Ÿ\u003c\/span\u003e paper towels 10:16\u003cbr\u003e11. \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eç\u003c\/span\u003e\u003cspan style=\"font-family: 'PingFang TC',sans-serif; mso-bidi-font-family: 'PingFang TC';\" lang=\"JA\"\u003e乊\u003c\/span\u003e reading books 08:29\u003cbr\u003e12. \u003cspan style=\"font-family: 'PingFang TC',sans-serif; mso-bidi-font-family: 'PingFang TC';\" lang=\"JA\"\u003e纞é£\u003c\/span\u003e\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eæº\u003c\/span\u003e paper planes 05:57\u003cbr\u003e13. \u003cspan style=\"font-family: 'PingFang TC',sans-serif; mso-bidi-font-family: 'PingFang TC';\" lang=\"JA\"\u003eæµ\u003c\/span\u003e\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eæ°Ž\u003c\/span\u003e\u003cspan lang=\"JA\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eæœè¥\u003c\/span\u003e\u003cspan lang=\"JA\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eä¿®åª\u003c\/span\u003e gardening 08:34\u003cbr\u003e14. \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eçªåž\u003c\/span\u003e\u003cspan lang=\"JA\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: 'PingFang TC',sans-serif; mso-bidi-font-family: 'PingFang TC';\" lang=\"JA\"\u003e纱\u003c\/span\u003e\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eçª\u003c\/span\u003e\u003cspan lang=\"JA\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eçª\u003c\/span\u003e\u003cspan style=\"font-family: 'PingFang TC',sans-serif; mso-bidi-font-family: 'PingFang TC';\" lang=\"JA\"\u003eæ·\u003c\/span\u003e curtains, screens and windows 02:11\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan\u003eZoomin' Night:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eThe members of Nichijo are Zhao Ziyi and Yang Kuku. In this project they do normal everyday things.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eOn November 24, 2024, they recorded 17 pieces in a residential community in Sanyuanli, Beijing.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e3 pieces were abandoned ( standing, lying, sitting, doing nothing \/ drawing sketches \/ the cheapest Japanese cuisine in the world ), and the remaining 14 are included here.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Nichijo æ¥åžž\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Zoomin' Night\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : ZMY 083\u003c\/span\u003e\u003c\/p\u003e"}
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{"id":8838546030842,"title":"Various Artists (Edições CN) \/\/ TERRAFORM - I Knud Viktors Lydspor CD + BOOK","handle":"various-artists-terraform-i-knud-viktors-lydspor-cd","description":"\u003cp\u003eTobiraã€ã³ã¹ãã¢ã·ã§ãŒã±ãŒã¹ã§çŽ æŽãããã©ã€ããæ«é²ããŠããããã«ã®ãŒã®ã€ã«ã«ããããããšLieven Martens aka Dolphins Into The Future䞻宰ã¬ãŒãã«Edições CNã®ææ°äœãå
¥è·ããŸããã\u003c\/p\u003e\n\u003cp\u003eæ¬äœã¯ããã£ãŒã«ãã¬ã³ãŒãã£ã³ã°ã®ãã€ãªãã¢Knud ViktorsïŒ1924-2013ïŒã®å±èЧäŒçšã«4åã®å®éšé³æ¥œãKnudã®ãŠãŒãã«ãåèã«å¶äœããç©é³ã³ã©ãŒãžã¥ããããŒã³ããµãŠã³ãã€ã³ã¹ã¿ã¬ãŒã·ã§ã³5æ²ãåé²ã36ããŒãžã®ããã¯ã¬ãããšDLã³ãŒãä»å±ã\u003c\/p\u003e\n\u003cp\u003e以äžãã¬ãŒãã«ã«ãã解説ã§ãã\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"TERRAFORM - IN KNUD VIKTOR'S SOUND TRACKSãã¯ãå±èЧäŒãšæåããã°ã©ã ãPUT YOUR EARS TO THE GROUND - Sound Painter Knud Viktor on SamsÞãïŒLÃG ÃRET TIL JORDEN - Lydmaleren Knud Viktor pÃ¥ SamsÞïŒãšé£åããã¬ãžãã³ã¹ã»ããã°ã©ã ã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eãµã ãœå³¶ã®ãã¬ãã«ã¯ã§è²ã€ããã®åŸãåãã©ã³ã¹ã«ç§»ãäœã¿ããã£ãŒã«ãã¬ã³ãŒãã£ã³ã°ãšé³é¿çæ
åŠã®ãã€ãªãã¢ãšãªãã2023幎ããµã ãœå³¶ã®ã¢ãŒãã«ãŠã³ã·ã«ã¯ãViktorsã«çŠç¹ãåœãŠãå±èЧäŒãšã€ãã³ãã·ãªãŒãºãäŒç»ãã圌ã®äœåã¯å³¶å
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å£äœTERRAFORMã¯ã4人ã®ã¢ãŒãã£ã¹ãããµã ãœå³¶ã®AgerupgÃ¥rdãšããã³ããŒã¯ã®Struerã«ããBang \u0026amp; Olufsenã®æ§ç ç©¶ã¹ã¿ãžãªã«ããSound Art Labã«æåŸ
ãããã¢ãŒãã£ã¹ããã¡ã¯ãKnud Viktorsã®äœåãšææ³ãåºçºç¹ãšããŠãæ°äœã®å¶äœã«æãã ã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eã¬ãžãã³ã¹ã®ææã¯ãAgerupgÃ¥rdã§ã®å
¬éã€ãã³ãã§çºè¡šããããNanna Elvin HansenãšLieven Martensã¯ãããããã¯ã¢ãã©ãã©ããã¯ã¹ããŒã«ãŒã®ã»ããã¢ããã§æ°æ²ãçºè¡šãããMelissa van DrieãšSarah Sikorieã¯ããµãŠã³ãã€ã³ã¹ã¿ã¬ãŒã·ã§ã³ãçºè¡šããããããã®äœåã¯ãã®ãšãã£ã·ã§ã³ã«åé²ãããŠãããã€ãã³ãäžãç§ãã¡ã¯Knud Viktorsã®ã¯ã¢ãã©ãã©ããã¯äœåãIMAGE IX - L'ARMOIREããèŽããããã®äœåã®ã¹ãã¬ãªç·šéããã®ãšãã£ã·ã§ã³ã«åé²ãããŠããã\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1096180734\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eã¬ãŒãã«ãã®ä»äœåã¯\u003ca href=\"https:\/\/tobirarecords.com\/collections\/edicoes-cn\"\u003eãã¡ã\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/edicoes-cn\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eEdições CN releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003eCD + 36-page booklet with \u003cspan\u003edrawings, photographs, and texts by the artists and curator Jenny GrÀf Sheppard.\u003c\/span\u003e\u003cbr\u003eEdition of 300.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Nanna Elvin Hansen - Whirl 12:36\u003cbr\u003e2. Lieven Martens \u0026amp; Sysser Thofte - Island Sculpture, Cicada Lifecycles 07:47\u003cbr\u003e3. Melissa Van Drie - Head in the Sand 12:46\u003cbr\u003e4. Sarah Sikorie - Solslimerne i Stavns Fjord 02:01\u003cbr\u003e5. Knud Viktor - Image IX (excerpts) 07:07\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eEdições CN:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTERRAFORM - IN KNUD VIKTORâS SOUND TRACKS was a residency program in conjunction with the exhibition and cultural program PUT YOUR EARS TO THE GROUND - Sound Painter Knud Viktor on SamsÞ (LÃG ÃRET TIL JORDEN - Lydmaleren Knud Viktor pÃ¥ SamsÞ).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eKnud Viktor grew up in Pillemark on SamsÞ island. He later moved to the South of France where he became a pioneer in field recording and acoustic ecology. In 2023, the art council of SamsÞ organized an exhibition and event series with a focus on Viktor, whose works were presented at a number of locations around the island. As part of this, local organization TERRAFORM invited a group of four artists to AgerupgÃ¥rd on the island of SamsÞ, and to Sound Art Lab - located at Bang \u0026amp; Olufsenâs former research studios in Struer, DK. The artists were challenged to create a new work, with Knud Viktorâs\u003cspan class=\"bcTruncateMore\"\u003e oeuvre and methods in mind as a possible starting point.\u003cbr\u003e\u003cbr\u003eThe outcome of the residency was presented during a public event at AgerupgÃ¥rd. Nanna Elvin Hansen and Lieven Martens each presented a new composition on a quadraphonic speaker setup. Melissa van Drie and Sarah Sikorie both presented sound installations. These works are documented in this edition. During the event we also listened to Knud Viktorâs quadraphonic piece IMAGE IX â LâARMOIRE. A stereo edit of this piece is also included in this edition.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Various Artists\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eEdições CN\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eECN 50\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-06-23T07:52:04+09:00","created_at":"2025-06-22T16:22:01+09:00","vendor":"Tobira Records","type":"","tags":["cd","Edições CN","field recording","monooto","new","recommended"],"price":328900,"price_min":328900,"price_max":328900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47427401449722,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Various Artists (Edições CN) \/\/ TERRAFORM - I Knud Viktors Lydspor CD + BOOK","public_title":null,"options":["Default Title"],"price":328900,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/terr1_aace91ec-23a6-49ac-9ab7-a699589e69fc.jpg?v=1750576800","\/\/tobirarecords.com\/cdn\/shop\/files\/terr2_0a2118cc-adf8-4f11-a822-be218b678297.jpg?v=1750576800","\/\/tobirarecords.com\/cdn\/shop\/files\/terr3.jpg?v=1750576800"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/terr1_aace91ec-23a6-49ac-9ab7-a699589e69fc.jpg?v=1750576800","options":["Title"],"media":[{"alt":null,"id":36243560071418,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/terr1_aace91ec-23a6-49ac-9ab7-a699589e69fc.jpg?v=1750576800"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/terr1_aace91ec-23a6-49ac-9ab7-a699589e69fc.jpg?v=1750576800","width":700},{"alt":null,"id":36243560104186,"position":2,"preview_image":{"aspect_ratio":1.683,"height":713,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/terr2_0a2118cc-adf8-4f11-a822-be218b678297.jpg?v=1750576800"},"aspect_ratio":1.683,"height":713,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/terr2_0a2118cc-adf8-4f11-a822-be218b678297.jpg?v=1750576800","width":1200},{"alt":null,"id":36243560136954,"position":3,"preview_image":{"aspect_ratio":1.683,"height":713,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/terr3.jpg?v=1750576800"},"aspect_ratio":1.683,"height":713,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/terr3.jpg?v=1750576800","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eTobiraã€ã³ã¹ãã¢ã·ã§ãŒã±ãŒã¹ã§çŽ æŽãããã©ã€ããæ«é²ããŠããããã«ã®ãŒã®ã€ã«ã«ããããããšLieven Martens aka Dolphins Into The Future䞻宰ã¬ãŒãã«Edições CNã®ææ°äœãå
¥è·ããŸããã\u003c\/p\u003e\n\u003cp\u003eæ¬äœã¯ããã£ãŒã«ãã¬ã³ãŒãã£ã³ã°ã®ãã€ãªãã¢Knud ViktorsïŒ1924-2013ïŒã®å±èЧäŒçšã«4åã®å®éšé³æ¥œãKnudã®ãŠãŒãã«ãåèã«å¶äœããç©é³ã³ã©ãŒãžã¥ããããŒã³ããµãŠã³ãã€ã³ã¹ã¿ã¬ãŒã·ã§ã³5æ²ãåé²ã36ããŒãžã®ããã¯ã¬ãããšDLã³ãŒãä»å±ã\u003c\/p\u003e\n\u003cp\u003e以äžãã¬ãŒãã«ã«ãã解説ã§ãã\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"TERRAFORM - IN KNUD VIKTOR'S SOUND TRACKSãã¯ãå±èЧäŒãšæåããã°ã©ã ãPUT YOUR EARS TO THE GROUND - Sound Painter Knud Viktor on SamsÞãïŒLÃG ÃRET TIL JORDEN - Lydmaleren Knud Viktor pÃ¥ SamsÞïŒãšé£åããã¬ãžãã³ã¹ã»ããã°ã©ã ã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eãµã ãœå³¶ã®ãã¬ãã«ã¯ã§è²ã€ããã®åŸãåãã©ã³ã¹ã«ç§»ãäœã¿ããã£ãŒã«ãã¬ã³ãŒãã£ã³ã°ãšé³é¿çæ
åŠã®ãã€ãªãã¢ãšãªãã2023幎ããµã ãœå³¶ã®ã¢ãŒãã«ãŠã³ã·ã«ã¯ãViktorsã«çŠç¹ãåœãŠãå±èЧäŒãšã€ãã³ãã·ãªãŒãºãäŒç»ãã圌ã®äœåã¯å³¶å
ã®å€ãã®å Žæã§çºè¡šãããããã®äžç°ãšããŠãå°å
å£äœTERRAFORMã¯ã4人ã®ã¢ãŒãã£ã¹ãããµã ãœå³¶ã®AgerupgÃ¥rdãšããã³ããŒã¯ã®Struerã«ããBang \u0026amp; Olufsenã®æ§ç ç©¶ã¹ã¿ãžãªã«ããSound Art Labã«æåŸ
ãããã¢ãŒãã£ã¹ããã¡ã¯ãKnud Viktorsã®äœåãšææ³ãåºçºç¹ãšããŠãæ°äœã®å¶äœã«æãã ã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eã¬ãžãã³ã¹ã®ææã¯ãAgerupgÃ¥rdã§ã®å
¬éã€ãã³ãã§çºè¡šããããNanna Elvin HansenãšLieven Martensã¯ãããããã¯ã¢ãã©ãã©ããã¯ã¹ããŒã«ãŒã®ã»ããã¢ããã§æ°æ²ãçºè¡šãããMelissa van DrieãšSarah Sikorieã¯ããµãŠã³ãã€ã³ã¹ã¿ã¬ãŒã·ã§ã³ãçºè¡šããããããã®äœåã¯ãã®ãšãã£ã·ã§ã³ã«åé²ãããŠãããã€ãã³ãäžãç§ãã¡ã¯Knud Viktorsã®ã¯ã¢ãã©ãã©ããã¯äœåãIMAGE IX - L'ARMOIREããèŽããããã®äœåã®ã¹ãã¬ãªç·šéããã®ãšãã£ã·ã§ã³ã«åé²ãããŠããã\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1096180734\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eã¬ãŒãã«ãã®ä»äœåã¯\u003ca href=\"https:\/\/tobirarecords.com\/collections\/edicoes-cn\"\u003eãã¡ã\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/edicoes-cn\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eEdições CN releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003eCD + 36-page booklet with \u003cspan\u003edrawings, photographs, and texts by the artists and curator Jenny GrÀf Sheppard.\u003c\/span\u003e\u003cbr\u003eEdition of 300.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Nanna Elvin Hansen - Whirl 12:36\u003cbr\u003e2. Lieven Martens \u0026amp; Sysser Thofte - Island Sculpture, Cicada Lifecycles 07:47\u003cbr\u003e3. Melissa Van Drie - Head in the Sand 12:46\u003cbr\u003e4. Sarah Sikorie - Solslimerne i Stavns Fjord 02:01\u003cbr\u003e5. Knud Viktor - Image IX (excerpts) 07:07\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eEdições CN:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTERRAFORM - IN KNUD VIKTORâS SOUND TRACKS was a residency program in conjunction with the exhibition and cultural program PUT YOUR EARS TO THE GROUND - Sound Painter Knud Viktor on SamsÞ (LÃG ÃRET TIL JORDEN - Lydmaleren Knud Viktor pÃ¥ SamsÞ).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eKnud Viktor grew up in Pillemark on SamsÞ island. He later moved to the South of France where he became a pioneer in field recording and acoustic ecology. In 2023, the art council of SamsÞ organized an exhibition and event series with a focus on Viktor, whose works were presented at a number of locations around the island. As part of this, local organization TERRAFORM invited a group of four artists to AgerupgÃ¥rd on the island of SamsÞ, and to Sound Art Lab - located at Bang \u0026amp; Olufsenâs former research studios in Struer, DK. The artists were challenged to create a new work, with Knud Viktorâs\u003cspan class=\"bcTruncateMore\"\u003e oeuvre and methods in mind as a possible starting point.\u003cbr\u003e\u003cbr\u003eThe outcome of the residency was presented during a public event at AgerupgÃ¥rd. Nanna Elvin Hansen and Lieven Martens each presented a new composition on a quadraphonic speaker setup. Melissa van Drie and Sarah Sikorie both presented sound installations. These works are documented in this edition. During the event we also listened to Knud Viktorâs quadraphonic piece IMAGE IX â LâARMOIRE. A stereo edit of this piece is also included in this edition.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Various Artists\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eEdições CN\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eECN 50\u003c\/span\u003e\u003c\/p\u003e"}
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{"id":8838545735930,"title":"Miaux, Lieven Martens \/\/ The Pels organ and Hemony carillon of St. Catherineâs Church in Hoogstraten. Recording of the unveiling of an artwork by Joris Martens TAPE","handle":"miaux-lieven-martens-the-pels-organ-and-hemony-carillon-of-st-catherine-s-church-in-hoogstraten-recording-of-the-unveiling-of-an-artwork-by-joris-martens-tape","description":"\u003cp\u003eãã«ã®ãŒã®ãªã«ã¬ã³å¥è
Miauxãšãå®éšïŒã¢ã³ããšã³ãã¬ãŒãã«Edições CN䞻宰Lieven Martensãã2025幎3æã«ãªãªãŒã¹ããåçºã«ã»ããã§ããïŒãªãªãžãã«ã¯2023幎CDãªãªãŒã¹ïŒ\u003c\/p\u003e\n\u003cp\u003eãªã¬ãŒã·ã§ãã«ã¢ãŒãã£ã¹ãJoris Martensã®é€å¹åŒã®ããã«è¡ã£ãã©ã€ãããã©ãŒãã³ã¹ã®èšé²ã§ããDLã³ãŒãä»å±ã\u003c\/p\u003e\n\u003cp\u003e以äžãã¬ãŒãã«ã«ãã解説ã§ãã\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ããã¯ãJoris Martensã«ãããªã¬ãŒã·ã§ãã«ã»ã¢ãŒãäœåãã«ã¿ãªãŒãAWãã®é€å¹åŒã§ã®é²é³ã§ãããé€å¹åŒã¯ããŒã°ã·ã¥ãã©ãŒãã³ã®èã«ã¿ãªãŒãæäŒã§è¡ããããã¿ãã¹ããªãŒã§ç¹ãããäœåãèŠãªãããMiauxã®ãªã«ã¬ã³æŒå¥ãèŽããæäŒãåºããšãåå è³ã®ããªã³ããããããããããŠãå°å
ã®ããŒã®å€ã§ããŒã«ã飲ããšãLieven Martensãšçºã®ã«ãªãšã³å¥è
ãªã¥ãã¯ã»ãã¯ã¹ã®é³æ¥œã§ã«ãªãšã³ã鳎ãé¿ãã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eJoris Martensã®ã¿ãã¹ããªãŒã¯ãéå»ã®æåçéºç£ãšç§ãã¡èªèº«ã®å人çãªç©èªãçµã³ã€ããŠãããäœåã«ã¯ãäŒçµ±ãšã¯ã£ã¢ïŒãå¥åŠããªãã®ãšã®ç·åŒµé¢ä¿ãããã仿¥ããã®ã¿ãã¹ããªãŒã¯ãããªã°ã¹ãã©ãŒãã³ã®ã¿ãŠã³ããŒã«ã®äŒè°å®€ã§ãäŒè©±çšã®äœåïŒäŒè©±ã®ãã£ããïŒãšããŠäœ¿ãããŠããã婿œ€ã®æå€§åãåŽååã®åæžããã貧匱ãªå»ºç¯ã«ãšã©ãŸããªãçåãã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMiauxã¯æäŒãªã«ã¬ã³ã§èªäœæ²ãæŒå¥ããŠããããããã®æ²ã¯ãã¢ã«ãã ãBlack Space White CloudãããHideawayãããDiveãããGigiãã«åé²ãããŠãããå
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·ç®±ãšããŠã®æäŒãªã«ã¬ã³ã®å¯éãããäŒçµ±ãæã¡ç Žããã®ã ã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLieven Martensã¯ãé³¥ã®é³Žã声ãã³ã³ãã¥ãŒã¿ãŒããã°ã©ã ãã¡ããã€ã³ãã«èªã¿èŸŒã¿ããããå€åãããŠé³ç¬Šã«å€æããããšã§ãã«ãªãšã³ã®ããã®ã¹ã±ãããææ¡ããããããã®äºçްãªé³ã¯ãçºã®ã«ãªãšã³å¥è
ãªã¥ãã¯ã»ããã¯ã¹ã«ãã£ãŠã«ãªãšã³ã®é³ã«å€æãããã鳿¥œã¯ãã³ããåã£ããåããªãã£ããããããã®ããã«ããŠãLievenã¯å€¢ã®é¢šæ¯ãåµãåºããæš©åã®éå
·ãšããŠã®æ®ºé¢šæ¯ãªã«ãªãšã³ãšæ±ºå¥ããã®ã§ããã\u003c\/em\u003e\"\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1034930674\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eã¬ãŒãã«ãã®ä»äœåã¯\u003ca href=\"https:\/\/tobirarecords.com\/collections\/edicoes-cn\"\u003eãã¡ã\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/edicoes-cn\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eEdições CN releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003eCassette in norelco case.\u003cbr\u003eEdition of 200. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Miaux - 22h44 05:45\u003cbr\u003e2. Miaux - Bal(l)ade Bucolique 04:47\u003cbr\u003e3. Miaux - Midnight Snack 02:12\u003cbr\u003e4. Miaux - Rêverie ParallÚle 05:01\u003cbr\u003e5. Miaux - And the Nose 04:12\u003cbr\u003e6. Miaux - Ice Cream 05:12\u003cbr\u003e7. Miaux - Lunar Surface 03:59\u003cbr\u003e8. Miaux - Stare 02:24\u003cbr\u003e9. Miaux - Improvisatie 02:24\u003cbr\u003e10. Miaux - Nebulus 04:10\u003cbr\u003e11. Lieven Martens \u0026amp; Luc Dockx - The Bird Sings, Variations I 06:42\u003cbr\u003e12. Lieven Martens \u0026amp; Luc Dockx - The Bird Sings, Variations II 09:17\u003cbr\u003e13. Lieven Martens \u0026amp; Luc Dockx - The Bird Sings, Variations III 07:44\u003cbr\u003e14. Lieven Martens \u0026amp; Luc Dockx - The Bird Sings, Variations IV 08:15\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eEdições CN:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThese are recordings from the unveiling of Katharina AW, a relational artwork by Joris Martens. The unveiling took place at St. Catharineâs Church, Hoogstraten. While beholding the work, a woven tapestry, you listen to organ music by Miaux. Upon leaving the church, you receive a participation print. And you drink beer outside a local bar, where you hear the carillon gurgle with music by Lieven Martens and town carilloneur Luc Dockx.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eJoris Martens' tapestry connects us to the cultural legacy of the past and to our own personal stories. In the work there's a tension between tradition and queer\/the âstrangeâ. Today it serves as a conversation piece (a conversation starter) in the conference room of Hoogstratenâs Town Hall, so that during a meeting with this or that real estate developer, for instance, questions can pile up in the heads present. Questions that go beyond profit maximization, labor cuts, and ever-poorer architecture.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMiaux plays her own compositions on the church organ. The songs appear on the albums Black Space White Cloud, Hideaway, Dive and Gigi, and are originally written for electronic keyboard. Mia demonstrates that the church organ, which is normally used as an underscore for sadness or compelling thoughts, is a fitting\u003cspan class=\"bcTruncateMore\"\u003e instrument for her playful art. Her performance breaks with the hermetic tradition of the church organ as a religious toolbox.\u003cbr\u003e\u003cbr\u003eLieven Martens proposed sketches for the carillon by loading bird sounds into the computer program Melodyne, varying them and converting them to musical notes. These trifles are translated on the carillon by town carillonneur Luc Dockx. The music sways into and out of focus. In this way, Lieven creates a dreamscape and breaks with the dreary carillon as an instrument of power.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Miaux, Lieven Martens\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eEdições CN\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eECN41.2\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-06-23T05:05:20+09:00","created_at":"2025-06-22T16:17:14+09:00","vendor":"Tobira Records","type":"","tags":["ambient","Edições CN","field recording","monooto","new","tape"],"price":245200,"price_min":245200,"price_max":245200,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47427399614714,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Miaux, Lieven Martens \/\/ The Pels organ and Hemony carillon of St. Catherineâs Church in Hoogstraten. Recording of the unveiling of an artwork by Joris Martens TAPE","public_title":null,"options":["Default Title"],"price":245200,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/pel1.jpg?v=1743473590"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/pel1.jpg?v=1743473590","options":["Title"],"media":[{"alt":null,"id":35817617621242,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pel1.jpg?v=1743473590"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pel1.jpg?v=1743473590","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eãã«ã®ãŒã®ãªã«ã¬ã³å¥è
Miauxãšãå®éšïŒã¢ã³ããšã³ãã¬ãŒãã«Edições CN䞻宰Lieven Martensãã2025幎3æã«ãªãªãŒã¹ããåçºã«ã»ããã§ããïŒãªãªãžãã«ã¯2023幎CDãªãªãŒã¹ïŒ\u003c\/p\u003e\n\u003cp\u003eãªã¬ãŒã·ã§ãã«ã¢ãŒãã£ã¹ãJoris Martensã®é€å¹åŒã®ããã«è¡ã£ãã©ã€ãããã©ãŒãã³ã¹ã®èšé²ã§ããDLã³ãŒãä»å±ã\u003c\/p\u003e\n\u003cp\u003e以äžãã¬ãŒãã«ã«ãã解説ã§ãã\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ããã¯ãJoris Martensã«ãããªã¬ãŒã·ã§ãã«ã»ã¢ãŒãäœåãã«ã¿ãªãŒãAWãã®é€å¹åŒã§ã®é²é³ã§ãããé€å¹åŒã¯ããŒã°ã·ã¥ãã©ãŒãã³ã®èã«ã¿ãªãŒãæäŒã§è¡ããããã¿ãã¹ããªãŒã§ç¹ãããäœåãèŠãªãããMiauxã®ãªã«ã¬ã³æŒå¥ãèŽããæäŒãåºããšãåå è³ã®ããªã³ããããããããããŠãå°å
ã®ããŒã®å€ã§ããŒã«ã飲ããšãLieven Martensãšçºã®ã«ãªãšã³å¥è
ãªã¥ãã¯ã»ãã¯ã¹ã®é³æ¥œã§ã«ãªãšã³ã鳎ãé¿ãã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eJoris Martensã®ã¿ãã¹ããªãŒã¯ãéå»ã®æåçéºç£ãšç§ãã¡èªèº«ã®å人çãªç©èªãçµã³ã€ããŠãããäœåã«ã¯ãäŒçµ±ãšã¯ã£ã¢ïŒãå¥åŠããªãã®ãšã®ç·åŒµé¢ä¿ãããã仿¥ããã®ã¿ãã¹ããªãŒã¯ãããªã°ã¹ãã©ãŒãã³ã®ã¿ãŠã³ããŒã«ã®äŒè°å®€ã§ãäŒè©±çšã®äœåïŒäŒè©±ã®ãã£ããïŒãšããŠäœ¿ãããŠããã婿œ€ã®æå€§åãåŽååã®åæžããã貧匱ãªå»ºç¯ã«ãšã©ãŸããªãçåãã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMiauxã¯æäŒãªã«ã¬ã³ã§èªäœæ²ãæŒå¥ããŠããããããã®æ²ã¯ãã¢ã«ãã ãBlack Space White CloudãããHideawayãããDiveãããGigiãã«åé²ãããŠãããå
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·ç®±ãšããŠã®æäŒãªã«ã¬ã³ã®å¯éãããäŒçµ±ãæã¡ç Žããã®ã ã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLieven Martensã¯ãé³¥ã®é³Žã声ãã³ã³ãã¥ãŒã¿ãŒããã°ã©ã ãã¡ããã€ã³ãã«èªã¿èŸŒã¿ããããå€åãããŠé³ç¬Šã«å€æããããšã§ãã«ãªãšã³ã®ããã®ã¹ã±ãããææ¡ããããããã®äºçްãªé³ã¯ãçºã®ã«ãªãšã³å¥è
ãªã¥ãã¯ã»ããã¯ã¹ã«ãã£ãŠã«ãªãšã³ã®é³ã«å€æãããã鳿¥œã¯ãã³ããåã£ããåããªãã£ããããããã®ããã«ããŠãLievenã¯å€¢ã®é¢šæ¯ãåµãåºããæš©åã®éå
·ãšããŠã®æ®ºé¢šæ¯ãªã«ãªãšã³ãšæ±ºå¥ããã®ã§ããã\u003c\/em\u003e\"\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1034930674\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eã¬ãŒãã«ãã®ä»äœåã¯\u003ca href=\"https:\/\/tobirarecords.com\/collections\/edicoes-cn\"\u003eãã¡ã\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/edicoes-cn\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eEdições CN releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003eCassette in norelco case.\u003cbr\u003eEdition of 200. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Miaux - 22h44 05:45\u003cbr\u003e2. Miaux - Bal(l)ade Bucolique 04:47\u003cbr\u003e3. Miaux - Midnight Snack 02:12\u003cbr\u003e4. Miaux - Rêverie ParallÚle 05:01\u003cbr\u003e5. Miaux - And the Nose 04:12\u003cbr\u003e6. Miaux - Ice Cream 05:12\u003cbr\u003e7. Miaux - Lunar Surface 03:59\u003cbr\u003e8. Miaux - Stare 02:24\u003cbr\u003e9. Miaux - Improvisatie 02:24\u003cbr\u003e10. Miaux - Nebulus 04:10\u003cbr\u003e11. Lieven Martens \u0026amp; Luc Dockx - The Bird Sings, Variations I 06:42\u003cbr\u003e12. Lieven Martens \u0026amp; Luc Dockx - The Bird Sings, Variations II 09:17\u003cbr\u003e13. Lieven Martens \u0026amp; Luc Dockx - The Bird Sings, Variations III 07:44\u003cbr\u003e14. Lieven Martens \u0026amp; Luc Dockx - The Bird Sings, Variations IV 08:15\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eEdições CN:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThese are recordings from the unveiling of Katharina AW, a relational artwork by Joris Martens. The unveiling took place at St. Catharineâs Church, Hoogstraten. While beholding the work, a woven tapestry, you listen to organ music by Miaux. Upon leaving the church, you receive a participation print. And you drink beer outside a local bar, where you hear the carillon gurgle with music by Lieven Martens and town carilloneur Luc Dockx.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eJoris Martens' tapestry connects us to the cultural legacy of the past and to our own personal stories. In the work there's a tension between tradition and queer\/the âstrangeâ. Today it serves as a conversation piece (a conversation starter) in the conference room of Hoogstratenâs Town Hall, so that during a meeting with this or that real estate developer, for instance, questions can pile up in the heads present. Questions that go beyond profit maximization, labor cuts, and ever-poorer architecture.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMiaux plays her own compositions on the church organ. The songs appear on the albums Black Space White Cloud, Hideaway, Dive and Gigi, and are originally written for electronic keyboard. Mia demonstrates that the church organ, which is normally used as an underscore for sadness or compelling thoughts, is a fitting\u003cspan class=\"bcTruncateMore\"\u003e instrument for her playful art. Her performance breaks with the hermetic tradition of the church organ as a religious toolbox.\u003cbr\u003e\u003cbr\u003eLieven Martens proposed sketches for the carillon by loading bird sounds into the computer program Melodyne, varying them and converting them to musical notes. These trifles are translated on the carillon by town carillonneur Luc Dockx. The music sways into and out of focus. In this way, Lieven creates a dreamscape and breaks with the dreary carillon as an instrument of power.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Miaux, Lieven Martens\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eEdições CN\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eECN41.2\u003c\/span\u003e\u003c\/p\u003e"}
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Miauxãšãå®éšïŒã¢ã³ããšã³ãã¬ãŒãã«Edições CN䞻宰Lieven Martensãã2025幎3æã«ãªãªãŒã¹ããåçºã«ã»ããã§ããïŒãªãªãžãã«ã¯2023幎CDãªãªãŒã¹ïŒ ãªã¬ãŒã·ã§ãã«ã¢ãŒãã£ã¹ãJoris Martensã®é€å¹åŒã®ããã«è¡ã£ãã©ã€ãããã©ãŒãã³ã¹ã®èšé²ã§ããDLã³ãŒãä»å±ã 以äžãã¬ãŒãã«ã«ãã解説ã§ãã "ããã¯ãJoris Martensã«ãããªã¬ãŒã·ã§ãã«ã»ã¢ãŒãäœåãã«ã¿ãªãŒãAWãã®é€å¹åŒã§ã®é²é³ã§ãããé€å¹åŒã¯ããŒã°ã·ã¥ãã©ãŒãã³ã®èã«ã¿ãªãŒãæäŒã§è¡ããããã¿ãã¹ããªãŒã§ç¹ãããäœåãèŠãªãããMiauxã®ãªã«ã¬ã³æŒå¥ãèŽããæäŒãåºããšãåå è³ã®ããªã³ããããããããããŠãå°å
ã®ããŒã®å€ã§ããŒã«ã飲ããšãLieven Martensãšçºã®ã«ãªãšã³å¥è
ãªã¥ãã¯ã»ãã¯ã¹ã®é³æ¥œã§ã«ãªãšã³ã鳎ãé¿ãã Joris Martensã®ã¿ãã¹ããªãŒã¯ãéå»ã®æåçéºç£ãšç§ãã¡èªèº«ã®å人çãªç©èªãçµã³ã€ããŠãããäœåã«ã¯ãäŒçµ±ãšã¯ã£ã¢ïŒãå¥åŠããªãã®ãšã®ç·åŒµé¢ä¿ãããã仿¥ããã®ã¿ãã¹ããªãŒã¯ãããªã°ã¹ãã©ãŒãã³ã®ã¿ãŠã³ããŒã«ã®äŒè°å®€ã§ãäŒè©±çšã®äœåïŒäŒè©±ã®ãã£ããïŒãšããŠäœ¿ãããŠããã婿œ€ã®æå€§åãåŽååã®åæžããã貧匱ãªå»ºç¯ã«ãšã©ãŸããªãçåãã Miauxã¯æäŒãªã«ã¬ã³ã§èªäœæ²ãæŒå¥ããŠããããããã®æ²ã¯ãã¢ã«ãã ãBlack Space White...
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{"id":8834744123642,"title":"Various Artists (Time Capsule) \/\/ TV, Anime \u0026 Manga New Age Soundtracks 1984-1993 LP","handle":"various-artists-time-capsule-tv-anime-manga-new-age-soundtracks-1984-1993-lp","description":"\u003cp\u003e1984-1993幎ã«ãã¬ããã¢ãã¡ã挫ç»ã®ãµãŠã³ããã©ãã¯ãããã¥ãŒãšã€ãžè²ã®åŒ·ã楜æ²ãã³ã³ãã€ã«ããã³ã³ãã¬ãŒã·ã§ã³ã¬ã³ãŒãã§ãã\u003c\/p\u003e\n\u003cp\u003eã¬ã³ãŒãã®ã¿ã§ã®çºè¡šãšãªããŸãã\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3235278894\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eIncludes \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eEnglish \u0026amp; Japanese 4-page insert.\u003cbr\u003eVINYL ONLY\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Korogi â73 - Fushigi Song 4:32\u003cbr\u003e2. Yas-Kaz - Hei (Theme of Shikioni) 4:40\u003cbr\u003e3. Yoichiro Yoshikawa - Tassili N'Ajjer 3:29\u003cbr\u003e4. Norihiro Tsuru - Farsighted Person 4:58\u003cbr\u003e5. Geinoh Yamashirogumi - Kaneda 3:11\u003cbr\u003e6. Yoichiro Yoshikawa - Fiesta Del Fuego 3:29\u003cbr\u003e7. Columbia Orchestra - Heart Beats - Theme for Andrew Glesgow 3:28\u003cbr\u003e8. Kan Ogasawara - Gishin Anki 5:05\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eTime Capsule:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe percussive new age soundtracks of '80s and early '90s Japanese TV, anime and manga built alternative worlds and pushed boundaries in the process.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhen Japanese composer Yas-Kaz left Tokyo for Bali in the mid 1970s he had little idea of how influential his trip would become. In studying the storied art of gamelan, the jazz and avant-garde percussionist opened a door to a world of sound and rhythm left behind by the West. The music he and his contemporaries made would become known as new age. It also happened to soundtrack the golden era of anime.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAwash with money and with the prerogative to entertain the burgeoning middle classes, anime in the 1980s experienced a creative and commercial boom. Not constricted by generic expectations, production houses such as the now renowned Studio Ghibli were able to experiment liberally with both form and content. And with it came the space for composers to be similarly adventurous.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTV, Anime \u0026amp; Manga New Age Soundtracks 1984-1993 charts this moment across eight tracks spanning classics of the\u003cspan class=\"bcTruncateMore\"\u003e genre and previously unknown rarities. The collection brings together music that found kinship in electronic and acoustic instrumentation, often combining spiritual or environmental themes with percussive, varied and highly refined syncopations of non-Western musical traditions.\u003cbr\u003e\u003cbr\u003eAmong them is âKanedaâ by Geinoh Yamashirogumi, the shape-shifting group of self-styled musicians, anthropologists and computer scientists that masterminded the soundtrack to game-changing dystopian anime Akira - and with whom the sound, tuning and breakneck speed of Balinese gamelan has become indelibly entwined.\u003cbr\u003e\u003cbr\u003eReflecting the desires of the era to reach beyond Japanâs borders, many of the soundtracks featured were commissioned for narratives set in distant lands or alternative worlds. Thereâs violinist and composer Norihiro Tsuruâs âFarsighted Personâ, written for The Heroic Legend of ArslÄn, set in ancient Persia; Yas-Kazâs own âHei (Theme of Shikioni)â, for period sci-fi manga \u0026amp; anime series Peacock King - Spirit Warrior; and two tracks - Tassili NâAjjer and Fiesta Del Fuego - from Yoichiro Yoshikawaâs soundtrack to NHKâs proto-Planet Earth series The Miracle Planet.\u003cbr\u003e\u003cbr\u003eSuch was the variety and quality of the music produced, if there is a guiding principle to the tracks collected here it is a sense of escapism and adventure that came with the confluence of modern electronic instruments and a fascination with percussive traditions.\u003cbr\u003e\u003cbr\u003eElsewhere, pioneering childrenâs TV composer Chumei Watanabeâs âFushigi Songâ (performed by a vocal group Korogi â72) offers a trippy and infectious groove with sonic similarities to Don Cherryâs âBrown Riceâ; little-known jazz-funk library group Columbia Orchestra showcase the best of Tokyoâs session musicians on âHearts Beats - Theme for Andrew Glasgowâ; before lawyer-turned-composer Kan Ogasawara closes out the compilation with a dramatic flourish on âGishin Ankiâ.\u003cbr\u003e\u003cbr\u003eFollowing on from Time Capsuleâs acclaimed deep-dive into the world of manga \u0026amp; anime synth-pop in 2022, this vinyl only collection is set to broaden and diversify an understanding of how soundtracks shaped the sound of new age music in Japan for a generation.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Various\u003c\/p\u003e\n\u003cp\u003eLabel : Time Capsule\u003c\/p\u003e\n\u003cp\u003ecat no : TIME 015\u003c\/p\u003e","published_at":"2025-06-20T10:38:30+09:00","created_at":"2025-06-17T12:35:11+09:00","vendor":"Tobira Records","type":"","tags":["field recording","lp","new","post newage"],"price":495500,"price_min":495500,"price_max":495500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47414691594490,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Various Artists (Time Capsule) \/\/ TV, Anime \u0026 Manga New Age Soundtracks 1984-1993 LP","public_title":null,"options":["Default Title"],"price":495500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/anim1_267edc4e-9298-436d-ac27-f366c513deec.jpg?v=1750131150","\/\/tobirarecords.com\/cdn\/shop\/files\/anim2_7cc05e1d-574f-4f88-bc83-f0efe7757632.jpg?v=1750131150"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/anim1_267edc4e-9298-436d-ac27-f366c513deec.jpg?v=1750131150","options":["Title"],"media":[{"alt":null,"id":36206073708794,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/anim1_267edc4e-9298-436d-ac27-f366c513deec.jpg?v=1750131150"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/anim1_267edc4e-9298-436d-ac27-f366c513deec.jpg?v=1750131150","width":700},{"alt":null,"id":36206073741562,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/anim2_7cc05e1d-574f-4f88-bc83-f0efe7757632.jpg?v=1750131150"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/anim2_7cc05e1d-574f-4f88-bc83-f0efe7757632.jpg?v=1750131150","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e1984-1993幎ã«ãã¬ããã¢ãã¡ã挫ç»ã®ãµãŠã³ããã©ãã¯ãããã¥ãŒãšã€ãžè²ã®åŒ·ã楜æ²ãã³ã³ãã€ã«ããã³ã³ãã¬ãŒã·ã§ã³ã¬ã³ãŒãã§ãã\u003c\/p\u003e\n\u003cp\u003eã¬ã³ãŒãã®ã¿ã§ã®çºè¡šãšãªããŸãã\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3235278894\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eIncludes \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eEnglish \u0026amp; Japanese 4-page insert.\u003cbr\u003eVINYL ONLY\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Korogi â73 - Fushigi Song 4:32\u003cbr\u003e2. Yas-Kaz - Hei (Theme of Shikioni) 4:40\u003cbr\u003e3. Yoichiro Yoshikawa - Tassili N'Ajjer 3:29\u003cbr\u003e4. Norihiro Tsuru - Farsighted Person 4:58\u003cbr\u003e5. Geinoh Yamashirogumi - Kaneda 3:11\u003cbr\u003e6. Yoichiro Yoshikawa - Fiesta Del Fuego 3:29\u003cbr\u003e7. Columbia Orchestra - Heart Beats - Theme for Andrew Glesgow 3:28\u003cbr\u003e8. Kan Ogasawara - Gishin Anki 5:05\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eTime Capsule:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe percussive new age soundtracks of '80s and early '90s Japanese TV, anime and manga built alternative worlds and pushed boundaries in the process.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhen Japanese composer Yas-Kaz left Tokyo for Bali in the mid 1970s he had little idea of how influential his trip would become. In studying the storied art of gamelan, the jazz and avant-garde percussionist opened a door to a world of sound and rhythm left behind by the West. The music he and his contemporaries made would become known as new age. It also happened to soundtrack the golden era of anime.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAwash with money and with the prerogative to entertain the burgeoning middle classes, anime in the 1980s experienced a creative and commercial boom. Not constricted by generic expectations, production houses such as the now renowned Studio Ghibli were able to experiment liberally with both form and content. And with it came the space for composers to be similarly adventurous.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTV, Anime \u0026amp; Manga New Age Soundtracks 1984-1993 charts this moment across eight tracks spanning classics of the\u003cspan class=\"bcTruncateMore\"\u003e genre and previously unknown rarities. The collection brings together music that found kinship in electronic and acoustic instrumentation, often combining spiritual or environmental themes with percussive, varied and highly refined syncopations of non-Western musical traditions.\u003cbr\u003e\u003cbr\u003eAmong them is âKanedaâ by Geinoh Yamashirogumi, the shape-shifting group of self-styled musicians, anthropologists and computer scientists that masterminded the soundtrack to game-changing dystopian anime Akira - and with whom the sound, tuning and breakneck speed of Balinese gamelan has become indelibly entwined.\u003cbr\u003e\u003cbr\u003eReflecting the desires of the era to reach beyond Japanâs borders, many of the soundtracks featured were commissioned for narratives set in distant lands or alternative worlds. Thereâs violinist and composer Norihiro Tsuruâs âFarsighted Personâ, written for The Heroic Legend of ArslÄn, set in ancient Persia; Yas-Kazâs own âHei (Theme of Shikioni)â, for period sci-fi manga \u0026amp; anime series Peacock King - Spirit Warrior; and two tracks - Tassili NâAjjer and Fiesta Del Fuego - from Yoichiro Yoshikawaâs soundtrack to NHKâs proto-Planet Earth series The Miracle Planet.\u003cbr\u003e\u003cbr\u003eSuch was the variety and quality of the music produced, if there is a guiding principle to the tracks collected here it is a sense of escapism and adventure that came with the confluence of modern electronic instruments and a fascination with percussive traditions.\u003cbr\u003e\u003cbr\u003eElsewhere, pioneering childrenâs TV composer Chumei Watanabeâs âFushigi Songâ (performed by a vocal group Korogi â72) offers a trippy and infectious groove with sonic similarities to Don Cherryâs âBrown Riceâ; little-known jazz-funk library group Columbia Orchestra showcase the best of Tokyoâs session musicians on âHearts Beats - Theme for Andrew Glasgowâ; before lawyer-turned-composer Kan Ogasawara closes out the compilation with a dramatic flourish on âGishin Ankiâ.\u003cbr\u003e\u003cbr\u003eFollowing on from Time Capsuleâs acclaimed deep-dive into the world of manga \u0026amp; anime synth-pop in 2022, this vinyl only collection is set to broaden and diversify an understanding of how soundtracks shaped the sound of new age music in Japan for a generation.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Various\u003c\/p\u003e\n\u003cp\u003eLabel : Time Capsule\u003c\/p\u003e\n\u003cp\u003ecat no : TIME 015\u003c\/p\u003e"}
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1984-1993幎ã«ãã¬ããã¢ãã¡ã挫ç»ã®ãµãŠã³ããã©ãã¯ãããã¥ãŒãšã€ãžè²ã®åŒ·ã楜æ²ãã³ã³ãã€ã«ããã³ã³ãã¬ãŒã·ã§ã³ã¬ã³ãŒãã§ãã ã¬ã³ãŒãã®ã¿ã§ã®çºè¡šãšãªããŸãã --------------------------------------------- 12" black vinyl.Includes English & Japanese 4-page insert.VINYL ONLY Tracklist: 1....
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{"id":8822115762426,"title":"Various Artists \/\/ Zulu Guitar Blues LP","handle":"various-artists-zulu-guitar-blues-lp","description":"\u003cp\u003eåã¢ããªã«ã§çãŸãããžã£ã³ã«ãºãŒã«ãŒã®ã¿ãŒã®ã³ã³ãã¬ãŒã·ã§ã³ã¬ã³ãŒãã§ãã\u003c\/p\u003e\n\u003cp\u003e1950-1965幎ã«çºè¡šããã25æ²ãåé²ãã²ãŒããã©ã«ã仿§ã180gééç€ã§ãã\u003c\/p\u003e\n\u003cp\u003e以äžãã¬ãŒãã«ã«ãã解説ã§ãã\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ãºãŒã«ãŒã»ã®ã¿ãŒã®å
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æã«ç Žå£ããããçŽå€±ãããããããããªãªãžãã«ã®ã·ã§ã©ãã¯ãã£ã¹ã¯ããã®çŸä»£çãªãã©ã³ã¹ã¯ãªãã·ã§ã³ãšåŸ©å
æè¡ã«ãã£ãŠããªãªãžãã«ã®é³ã¯ãããããã€ãŠèŽããããšããªãã»ã©æçã«åçŸãããŠããã\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=784942685\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=784942685\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=580149504\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl in gatefold sleeve.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIncludes unseen photographs, essay and song translations.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Almon Memela - Amapoyisa 02:36\u003cbr\u003e2. Cowboy Superman - Ntombi Kazipheli 02:37\u003cbr\u003e3. Mfongozi Guitar Players - Marabi Jazz 02:48\u003cbr\u003e4. Casper Shiki - Ngazula 02:04\u003cbr\u003e5. The Play Singer - Kusile Dale 02:36\u003cbr\u003e6. Elliot Gumede - Amasoka 02:16\u003cbr\u003e7. The Play Singer - Imitwalo 02:42\u003cbr\u003e8. Enoch Mahlobo and Shezi - Wenzani 02:33\u003cbr\u003e9. The Blind Man with his Guitar - Isoka Labaleka 02:19\u003cbr\u003e10. Nongomo Trio - Guga Mzimba 02:44\u003cbr\u003e11. The Play Singer - Nga Fika Ekaya 02:31\u003cbr\u003e12. Cowboy Superman - I Lele Insizwa 02:59\u003cbr\u003e13. Mbaqanga Guitar Trio - Come Again? 02:27\u003cbr\u003e14. Cowboy Sweethearts - Sambamba Lomfana 02:47\u003cbr\u003e15. Cowboy Superman and Beauty - Kumnandi Kwazulu 02:33\u003cbr\u003e16. The Blind Guitar Player - Ungakhulumi 02:19\u003cbr\u003e17. Thoko and Almon - MaNdlovu 02:30\u003cbr\u003e18. Zachariah and his Guitar - Abafana 02:43\u003cbr\u003e19. Mampondo and Sobantu - Themba Lami 02:39\u003cbr\u003e20. Baca Boys - Ngiyamqoma 02:19\u003cbr\u003e21. Dennis Khanyile - Thembile 02:31\u003cbr\u003e22. The Play Singer - U Ngi Cebe E Poisen 02:52\u003cbr\u003e23. Mike Khuzwayo and the Playboys - Zibedu 02:30\u003cbr\u003e24. The Blind Man and his Guitar - Uncedo Wabantu 02:20\u003cbr\u003e25. Almon Memela - Lashona 02:40\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eMatsuli Music:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBut for this compilation of rescued songs masterfully restored from rare 78 rpm shellacs, few could imagine the diversely beautiful roots of Zulu Guitar Music emerging during the period 1950 â 1965. Story-tellers and master musicians appropriate outlaw personae, re-purpose country and western, Hawaiian and other styles, to stretch and challenge our notion of âthe Zulu guitarâ.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTwenty-five songs (18 on vinyl) plunge us into the depths of the migrant experience. Translations in the liner notes offer us glimpses of pugnacity, melancholy and heartache, all coloured by the paternalism that circumscribed the singersâ apartheid-dominated lives.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe early mbaqanga undertow in many of the songs subverts the wanderlust of Country and Western music into a fugitivity burdened by nostalgia. Something irretrievable has been lost, prompting a blending of ideas and cultures to make sense through thankless acts of musical divination. Inadvertently they have been thrust into the role of the antihero, where outwitting competition for lovers is as important as evading the Black Jacks (apartheidâs municipal cops) and their informants.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eConsidering the politically repressive period that this\u003cspan class=\"bcTruncateMore\"\u003e music emerges from, we can surmise that the specificity in the storytelling went a long way towards evading censure. But even when words are absent, there is a narrative arc suggested by the musical expression.\u003cbr\u003e\u003cbr\u003eWith most of the master tapes wilfully destroyed or lost, modern transcription and restoration techniques from the original shellac discs present the original sound most likely more clearly than ever heard before.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Various Artists\u003c\/p\u003e\n\u003cp\u003eLabel : Matsuli Music\u003c\/p\u003e\n\u003cp\u003ecat no : MM130LP\u003c\/p\u003e","published_at":"2025-06-09T08:36:14+09:00","created_at":"2025-06-07T10:21:40+09:00","vendor":"Tobira Records","type":"","tags":["field recording","folk \/ left-field pop","lp","Matsuli Music"],"price":579000,"price_min":579000,"price_max":579000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47389239312634,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Various Artists \/\/ Zulu Guitar Blues LP","public_title":null,"options":["Default Title"],"price":579000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/bl1_1a310a76-1678-4c1c-978f-4a250ddac5e0.jpg?v=1749259187","\/\/tobirarecords.com\/cdn\/shop\/files\/bl2_3b66fb1e-1d96-43f5-b103-b7290e3ad845.jpg?v=1749259187","\/\/tobirarecords.com\/cdn\/shop\/files\/bl3_ad2b0e18-c8a9-46e9-a77a-a1e4cb303ae5.jpg?v=1749259187"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl1_1a310a76-1678-4c1c-978f-4a250ddac5e0.jpg?v=1749259187","options":["Title"],"media":[{"alt":null,"id":36142710391034,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl1_1a310a76-1678-4c1c-978f-4a250ddac5e0.jpg?v=1749259187"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl1_1a310a76-1678-4c1c-978f-4a250ddac5e0.jpg?v=1749259187","width":700},{"alt":null,"id":36142710423802,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl2_3b66fb1e-1d96-43f5-b103-b7290e3ad845.jpg?v=1749259187"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl2_3b66fb1e-1d96-43f5-b103-b7290e3ad845.jpg?v=1749259187","width":1200},{"alt":null,"id":36142710456570,"position":3,"preview_image":{"aspect_ratio":1.051,"height":1142,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl3_ad2b0e18-c8a9-46e9-a77a-a1e4cb303ae5.jpg?v=1749259187"},"aspect_ratio":1.051,"height":1142,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl3_ad2b0e18-c8a9-46e9-a77a-a1e4cb303ae5.jpg?v=1749259187","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eåã¢ããªã«ã§çãŸãããžã£ã³ã«ãºãŒã«ãŒã®ã¿ãŒã®ã³ã³ãã¬ãŒã·ã§ã³ã¬ã³ãŒãã§ãã\u003c\/p\u003e\n\u003cp\u003e1950-1965幎ã«çºè¡šããã25æ²ãåé²ãã²ãŒããã©ã«ã仿§ã180gééç€ã§ãã\u003c\/p\u003e\n\u003cp\u003e以äžãã¬ãŒãã«ã«ãã解説ã§ãã\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ãºãŒã«ãŒã»ã®ã¿ãŒã®å
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ãã¡\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e1950幎ãã1965幎ã®éã«çãŸãããºãŒã«ãŒã®ã¿ãŒãã¥ãŒãžãã¯ã®å€æ§ã§çŸããã«ãŒããæ³åã§ãã人ã¯ã»ãšãã©ããªãã ãããã¹ããŒãªãŒãã©ãŒãšãã¹ã¿ãŒãã¥ãŒãžã·ã£ã³ã¯ãã¢ãŠãããŒã®ãã«ãœããæŒããã«ã³ããªãŒïŒãŠã§ã¹ã¿ã³ããã¯ã€ã¢ã³ããã®ä»ã®ã¹ã¿ã€ã«ãåå©çšããããºãŒã«ãŒã®ã¿ãŒãã®æŠå¿µãæ¡åŒµããææŠããŠããã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e25æ²ïŒã¬ã³ãŒãç€ã¯18æ²ïŒããç§ãã¡ãç§»æ°äœéšã®æ·±ã¿ãžãšãããªããã©ã€ããŒããŒãã«æ²èŒãããèš³è©ã¯ãæãæãã¡ã®ã¢ãã«ããã€ãã«æ¯é
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æè¡ã«ãã£ãŠããªãªãžãã«ã®é³ã¯ãããããã€ãŠèŽããããšããªãã»ã©æçã«åçŸãããŠããã\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=784942685\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=784942685\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=580149504\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl in gatefold sleeve.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIncludes unseen photographs, essay and song translations.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Almon Memela - Amapoyisa 02:36\u003cbr\u003e2. Cowboy Superman - Ntombi Kazipheli 02:37\u003cbr\u003e3. Mfongozi Guitar Players - Marabi Jazz 02:48\u003cbr\u003e4. Casper Shiki - Ngazula 02:04\u003cbr\u003e5. The Play Singer - Kusile Dale 02:36\u003cbr\u003e6. Elliot Gumede - Amasoka 02:16\u003cbr\u003e7. The Play Singer - Imitwalo 02:42\u003cbr\u003e8. Enoch Mahlobo and Shezi - Wenzani 02:33\u003cbr\u003e9. The Blind Man with his Guitar - Isoka Labaleka 02:19\u003cbr\u003e10. Nongomo Trio - Guga Mzimba 02:44\u003cbr\u003e11. The Play Singer - Nga Fika Ekaya 02:31\u003cbr\u003e12. Cowboy Superman - I Lele Insizwa 02:59\u003cbr\u003e13. Mbaqanga Guitar Trio - Come Again? 02:27\u003cbr\u003e14. Cowboy Sweethearts - Sambamba Lomfana 02:47\u003cbr\u003e15. Cowboy Superman and Beauty - Kumnandi Kwazulu 02:33\u003cbr\u003e16. The Blind Guitar Player - Ungakhulumi 02:19\u003cbr\u003e17. Thoko and Almon - MaNdlovu 02:30\u003cbr\u003e18. Zachariah and his Guitar - Abafana 02:43\u003cbr\u003e19. Mampondo and Sobantu - Themba Lami 02:39\u003cbr\u003e20. Baca Boys - Ngiyamqoma 02:19\u003cbr\u003e21. Dennis Khanyile - Thembile 02:31\u003cbr\u003e22. The Play Singer - U Ngi Cebe E Poisen 02:52\u003cbr\u003e23. Mike Khuzwayo and the Playboys - Zibedu 02:30\u003cbr\u003e24. The Blind Man and his Guitar - Uncedo Wabantu 02:20\u003cbr\u003e25. Almon Memela - Lashona 02:40\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eMatsuli Music:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBut for this compilation of rescued songs masterfully restored from rare 78 rpm shellacs, few could imagine the diversely beautiful roots of Zulu Guitar Music emerging during the period 1950 â 1965. Story-tellers and master musicians appropriate outlaw personae, re-purpose country and western, Hawaiian and other styles, to stretch and challenge our notion of âthe Zulu guitarâ.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTwenty-five songs (18 on vinyl) plunge us into the depths of the migrant experience. Translations in the liner notes offer us glimpses of pugnacity, melancholy and heartache, all coloured by the paternalism that circumscribed the singersâ apartheid-dominated lives.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe early mbaqanga undertow in many of the songs subverts the wanderlust of Country and Western music into a fugitivity burdened by nostalgia. Something irretrievable has been lost, prompting a blending of ideas and cultures to make sense through thankless acts of musical divination. Inadvertently they have been thrust into the role of the antihero, where outwitting competition for lovers is as important as evading the Black Jacks (apartheidâs municipal cops) and their informants.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eConsidering the politically repressive period that this\u003cspan class=\"bcTruncateMore\"\u003e music emerges from, we can surmise that the specificity in the storytelling went a long way towards evading censure. But even when words are absent, there is a narrative arc suggested by the musical expression.\u003cbr\u003e\u003cbr\u003eWith most of the master tapes wilfully destroyed or lost, modern transcription and restoration techniques from the original shellac discs present the original sound most likely more clearly than ever heard before.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Various Artists\u003c\/p\u003e\n\u003cp\u003eLabel : Matsuli Music\u003c\/p\u003e\n\u003cp\u003ecat no : MM130LP\u003c\/p\u003e"}
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ã説æãä¿æããããšãå¯èœã§ããã¢ãŒãã£ã¹ãã«é¢ããåºå®èŠ³å¿µã匷å¶ããã®ã§ã¯ãªãããªã¹ããŒã¯èªåèªèº«ã®ç©èªãæ§ç¯ããããä¿ãããŸããããã¯ã2017幎ãã19幎ã«ãããŠã¢ãŠã¿ãŒã»ãããªãã£ãŒãºè«žå³¶ã®ããŒã©ããã«ãã¬ã€ãããŒã¹ã»ãŠã€ã¹ããããªã¹ãã«ã€ã¹ã§è¡ããããã£ãŒã«ãã»ã¬ã³ãŒãã£ã³ã°ãããããã¿ãæ§æãã2ã€ã®ãªãŒãã£ãªäœåãã€ã³ã¹ã»ã¬ã«ãThe Islands of the Strangersãã«ã€ããŠãåæ§ã§ãã\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eãããã¿ã®ãå Žæãšäººã
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åãåŒãåºããInnse Gall 'The Islands of the Strangers' ã¯ãããã¹ã¿ãŒã®å·»ãç¶²ã§é·æéãããŠé²é³ãããã€ãããã©ã³ãæ³¥çå°ããæŒãåºãã¬ã¹ã®é²é³ãã€ã³ã¿ãã¥ãŒã®æçãæµ·éæ¥ã®é³ãæãã¢ã¶ã©ã·ããŠãºã©ãã·ã®ããã®ä»èªç¶çã®èŠçŽ ããšãããéå€é²é³ãªã©ãå¹
åºãé³ã®çŽ æã«æ³šç®ããŠããŸãããã®ã¢ã«ãã ã®2ã€ã®äœåãInnse Gall IãšInnse Gall IIã¯ãå³¶ãæ§æãããããã®å€æ§ãªèŠçŽ ãçžäºã«é¢é£ããé³é¿çæ
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§ããåãããããç©èªãç°å¢ãããããäºãã«åãŒã圱é¿ã®é¢ä¿ã«ã€ããŠæ·±ãèŽèŠçã«èå¯ããçµæãšãªããŸããã\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eInnse GallãThe Islands of the Strangersãã¯ãæ¥åžžããæ·±ãè©©ãçŸãæå³ãåŒãåºãããã£ãŒã«ãã¬ã³ãŒãã£ã³ã°ãšãµãŠã³ãã³ã©ãŒãžã¥ã®æ¡ä»¶ãäžæ©äžæ©èŠçŽããŠããŸãã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4021881724\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eã¬ãŒãã«ãã®ä»äœåã¯\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eãã¡ã\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl + 60-page booklet containing photographs \u0026amp; an essay be Erika Balsom. \u003cbr\u003eEdition of 500.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Innse Gall I    22:00\u003cbr\u003e2. Innse Gall II   20:16\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan\u003eShelter Press:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eJoshua Bonnetta - Innse Gall âThe Islands of the Strangersâ\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eBridging acoustic ecology and interdisciplinary creative practice, Joshua Bonnetta returns to Shelter Press with Innse Gall âThe Islands of the Strangersâ, his second LP for the label. Recorded and assembled between 2017 and 2020 and acting as a companion piece to Bonnettaâs film, An Dà Shealladh âThe Two Sightsâ, these two interrelated side-long works - Innse Gall I and Innse Gall II - respectively deploy a rigorous approach to field recording and auditory phenomena, pursuing the complex relationship between landscape, place, language, and culture in the Outer Hebrides, where both the film and albumâs source material was gathered. Representing a radical rethinking of the potential of sound collage, Innse Gall âThe Islands of the Strangersâ, is issued by Shelter Press as a limited edition, deluxe vinyl LP, housed in a 7mm reverse-board outer sleeve and a heavyweight reverse-board inner sleeve, accompanied by a sixty page booklet containing extensive photographic studies made for âThe Two Sightsâ by the artist and an essay by Erika Balsom, as well as a postcard to download the film An Dà Shealladh âThe Two Sightsâ, generously provided by Cinema Guild, and Arsenal - Institut fÃŒr Film und\u003cspan class=\"bcTruncateMore\"\u003e Videokunst.\u003cbr\u003eSince the late 2000s Canadian artist Joshua Bonnetta has cultivated a highly singular interdisciplinary creative practice that spans film, video, sound, performance, and installation. In addition to his previous LP on Shelter Press, Lago, he has released albums on Senufo Editions, Experimedia, and Canti Magnetici, and exhibited at The Berlin Film Festival, BFI London Film Festival, ICA London, MOMA, The New York Film Festival, Rotterdam Film Festival, Toronto International Film Festival, amongst others.\u003cbr\u003e\u003cbr\u003eBonnettaâs use of film, photography, and sound recording operate in close, generative dialog with each other; a photograph indicating the proximity and urgency of sound, a sound indicating the necessity for moving image, and a film utilising the ocular to forward a realm of sonority. Each discreet element of his output - a film, record, photograph, etc. - is regarded as autonomous while interconnected with, and dependent on, other realms of perception and experience; the artist and object acting as a subjective lens, inquiring after the nature of human experience and the diverse, latent psychological realities at juncture of inherited history, culture, place, and self. It is a responsive practice, emerging out of an encounter with place and circumstance, that attempts to give order to the chaos and abstractions that cause the mind wonder, and give way to legend and myth.\u003cbr\u003e\u003cbr\u003eWhile very much the byproduct of sound collage, rather than the states of abstraction and âpureâ sonority most often pursued by musique concrÚte, or an experimental music âfree of individual taste and memory (psychology)â, as pursued by John Cage, Bonnettaâs work displays a deeper sympathy with Luc Ferrariâs notion of âanecdotal musicâ, in which the social and autobiographical contexts of the source material \/ recordings - with their embedded dimensions of meaning - is accounted for and retained. Rather than enforcing a fixed vision of the artist, the listener in encouraged construct a narrative of their own. This is no less the case for Innse Gall âThe Islands of the Strangersâ, comprising two audio works constructed by Bonnetta from field recordings made on the Outer Hebrides islands of Barra, Berneray, North Uist, Harris, \u0026amp; Lewis between 2017-19.\u003cbr\u003e\u003cbr\u003eDrawing upon Bonnettaâs fascination with sound as a primary means to survey place and people, Innse Gall âThe Islands of the Strangersâ draws upon a vast range of sonorous material: hydrophone recordings made over extended periods in lobster creels and of gases escaping a peat bog, interview fragments, and field recordings feature capturing the sounds of maritime industry, song, seals, corncrake, snipe, and other elements of the natural world. Meticulously collaged and reworked within an exploration of the interrelated acoustic ecology of these diverse elements of the islandsâ make-up, the albumâs two works - Innse Gall I and Innse Gall II - bristle with the subcutaneous narratives embedded within these ancient and modern landscapes, played against the disappearing Gaelic oral traditions which hold their memories, resulting in a deep, auditory reflection on the relationship between narrative, environment, and the reciprocal influences they exact upon one another.\u003cbr\u003e\u003cbr\u003eChallenging the perceived boundaries and interconnectedness of place and occupation - to what extent the perception of an environment is modelled by language, culture, and myth, or that the environment underscores the very becoming of those things - Bonnettaâs Innse Gall âThe Islands of the Strangersâ, draws profound poetry, beauty, and meaning from the everyday, rethinking the terms of field recording and sound collage every step of the way.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Joshua Bonnetta\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e\n\u003cp\u003ecat no : SP127lp\u003c\/p\u003e","published_at":"2025-05-26T08:49:57+09:00","created_at":"2025-05-25T09:38:43+09:00","vendor":"Tobira Records","type":"","tags":["field recording","lp","monooto","new","shelter press"],"price":538000,"price_min":538000,"price_max":538000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47340267733242,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Joshua Bonnetta \/\/ Innse Gall LP+BOOKLET","public_title":null,"options":["Default Title"],"price":538000,"weight":630,"compare_at_price":null,"inventory_management":"shopify","barcode":"769791978133","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/in1_2f65932f-f648-4b3b-a118-3a9a989d97ad.jpg?v=1673155785","\/\/tobirarecords.com\/cdn\/shop\/products\/in2_e1cf65a5-bd19-4faf-898b-fb9169b48779.jpg?v=1673155784","\/\/tobirarecords.com\/cdn\/shop\/products\/in3_516255a7-62d6-4b59-a30c-b4200724ec0b.jpg?v=1673155784","\/\/tobirarecords.com\/cdn\/shop\/products\/0030494222_10.jpg?v=1673160241"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/in1_2f65932f-f648-4b3b-a118-3a9a989d97ad.jpg?v=1673155785","options":["Title"],"media":[{"alt":null,"id":31336258502906,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/in1_2f65932f-f648-4b3b-a118-3a9a989d97ad.jpg?v=1673155785"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/in1_2f65932f-f648-4b3b-a118-3a9a989d97ad.jpg?v=1673155785","width":700},{"alt":null,"id":31336258535674,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/in2_e1cf65a5-bd19-4faf-898b-fb9169b48779.jpg?v=1673155784"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/in2_e1cf65a5-bd19-4faf-898b-fb9169b48779.jpg?v=1673155784","width":1200},{"alt":null,"id":31336258568442,"position":3,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/in3_516255a7-62d6-4b59-a30c-b4200724ec0b.jpg?v=1673155784"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/in3_516255a7-62d6-4b59-a30c-b4200724ec0b.jpg?v=1673155784","width":1200},{"alt":null,"id":31336475263226,"position":4,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0030494222_10.jpg?v=1673160241"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0030494222_10.jpg?v=1673160241","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eã«ããã®é³é¿äœå®¶Joshua Bonnettaãã2022幎11æã«ãã©ã³ã¹ã®å®éšã¬ãŒãã«Shelter PressãããªãªãŒã¹ããã¬ã³ãŒãã§ãã\u003c\/p\u003e\n\u003cp\u003eãã£ãŒããªã¹ãã³ã°ç³»ãã£ãŒã«ãã¬ã³ãŒãã£ã³ã°ã»ã³ã©ãŒãžã¥2æ²ãåé²ã\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e60ããŒãžã®ããã¯ã¬ãããš\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eErika Balsomã«ãããšãã»ã€ããã¹ãã«ãŒããæ åäœåãThe Two Sightsãã®èŠèŽã³ãŒã\u003c\/span\u003e\u003cspan\u003eãä»å±ã以äžãã¬ãŒãã«ã«ãã解説ã§ãã\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003eãããã¿ã¯ããã£ã«ã ãåçãé²é³ã䜿ããäºãã«å¯æ¥ã«ãçæçãªå¯Ÿè©±ãè¡ããŸããåçã¯é³ã®è¿ããšç·æ¥æ§ã瀺ããé³ã¯åç»ã®å¿
èŠæ§ã瀺ãããã£ã«ã ã¯çŒçãå©çšããŠé³æ³¢ã®é åãåé²ãããã®ã§ãããã£ã«ã ãã¬ã³ãŒããåçãªã©ã圌ã®äœåãæ§æããåèŠçŽ ã¯ãèªåŸçã§ãããšåæã«ãçžäºã«é¢é£ããŠããŸãã- ã¢ãŒãã£ã¹ããšãªããžã§ã¯ãã¯äž»èгçãªã¬ã³ãºãšããŠæ©èœãã人éã®çµéšã®æ¬è³ªãšãåãç¶ãããæŽå²ãæåãå Žæãèªå·±ã®æ¥ç¹ã«ããã倿§ã§æœåšçãªå¿çççŸå®ãæ¢ç©¶ããŸããããã¯ãå Žæãç¶æ³ãšã®åºäŒãããçãŸããåå¿çãªå®è·µã§ãããå¿ãé©ãããäŒèª¬ãç¥è©±ãžãšå°ããããªæ··æ²ãšããæœè±¡çãªãã®ã«ç§©åºãäžããããšãããã®ã§ãã\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eãããã¿ã®äœåã¯ãã³ã³ã¯ã¬ãŒãããžã§ã³ã±ãŒãžã远æ±ãããå人ã®è¶£å³ãèšæ¶ïŒå¿çïŒããèªç±ãªãå®éšé³æ¥œã®ãããªæœè±¡çã§ãçŽç²ãªãé³è²ã®ç¶æ
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åãåŒãåºããInnse Gall 'The Islands of the Strangers' ã¯ãããã¹ã¿ãŒã®å·»ãç¶²ã§é·æéãããŠé²é³ãããã€ãããã©ã³ãæ³¥çå°ããæŒãåºãã¬ã¹ã®é²é³ãã€ã³ã¿ãã¥ãŒã®æçãæµ·éæ¥ã®é³ãæãã¢ã¶ã©ã·ããŠãºã©ãã·ã®ããã®ä»èªç¶çã®èŠçŽ ããšãããéå€é²é³ãªã©ãå¹
åºãé³ã®çŽ æã«æ³šç®ããŠããŸãããã®ã¢ã«ãã ã®2ã€ã®äœåãInnse Gall IãšInnse Gall IIã¯ãå³¶ãæ§æãããããã®å€æ§ãªèŠçŽ ãçžäºã«é¢é£ããé³é¿çæ
ç³»ãæ¢æ±ããäžã§ã䞹念ã«ã³ã©ãŒãžã¥ïŒåæ§ç¯ïŒããããããã®å€ä»ã®é¢šæ¯ã«åã蟌ãŸããç®èãªç©èªãããã®èšæ¶ãä¿æããæ¶ãããã²ãŒã«ã®å£é äŒæ¿ãšç
§ããåãããããç©èªãç°å¢ãããããäºãã«åãŒã圱é¿ã®é¢ä¿ã«ã€ããŠæ·±ãèŽèŠçã«èå¯ããçµæãšãªããŸããã\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eInnse GallãThe Islands of the Strangersãã¯ãæ¥åžžããæ·±ãè©©ãçŸãæå³ãåŒãåºãããã£ãŒã«ãã¬ã³ãŒãã£ã³ã°ãšãµãŠã³ãã³ã©ãŒãžã¥ã®æ¡ä»¶ãäžæ©äžæ©èŠçŽããŠããŸãã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4021881724\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eã¬ãŒãã«ãã®ä»äœåã¯\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eãã¡ã\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl + 60-page booklet containing photographs \u0026amp; an essay be Erika Balsom. \u003cbr\u003eEdition of 500.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Innse Gall I    22:00\u003cbr\u003e2. Innse Gall II   20:16\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan\u003eShelter Press:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eJoshua Bonnetta - Innse Gall âThe Islands of the Strangersâ\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eBridging acoustic ecology and interdisciplinary creative practice, Joshua Bonnetta returns to Shelter Press with Innse Gall âThe Islands of the Strangersâ, his second LP for the label. Recorded and assembled between 2017 and 2020 and acting as a companion piece to Bonnettaâs film, An Dà Shealladh âThe Two Sightsâ, these two interrelated side-long works - Innse Gall I and Innse Gall II - respectively deploy a rigorous approach to field recording and auditory phenomena, pursuing the complex relationship between landscape, place, language, and culture in the Outer Hebrides, where both the film and albumâs source material was gathered. Representing a radical rethinking of the potential of sound collage, Innse Gall âThe Islands of the Strangersâ, is issued by Shelter Press as a limited edition, deluxe vinyl LP, housed in a 7mm reverse-board outer sleeve and a heavyweight reverse-board inner sleeve, accompanied by a sixty page booklet containing extensive photographic studies made for âThe Two Sightsâ by the artist and an essay by Erika Balsom, as well as a postcard to download the film An Dà Shealladh âThe Two Sightsâ, generously provided by Cinema Guild, and Arsenal - Institut fÃŒr Film und\u003cspan class=\"bcTruncateMore\"\u003e Videokunst.\u003cbr\u003eSince the late 2000s Canadian artist Joshua Bonnetta has cultivated a highly singular interdisciplinary creative practice that spans film, video, sound, performance, and installation. In addition to his previous LP on Shelter Press, Lago, he has released albums on Senufo Editions, Experimedia, and Canti Magnetici, and exhibited at The Berlin Film Festival, BFI London Film Festival, ICA London, MOMA, The New York Film Festival, Rotterdam Film Festival, Toronto International Film Festival, amongst others.\u003cbr\u003e\u003cbr\u003eBonnettaâs use of film, photography, and sound recording operate in close, generative dialog with each other; a photograph indicating the proximity and urgency of sound, a sound indicating the necessity for moving image, and a film utilising the ocular to forward a realm of sonority. Each discreet element of his output - a film, record, photograph, etc. - is regarded as autonomous while interconnected with, and dependent on, other realms of perception and experience; the artist and object acting as a subjective lens, inquiring after the nature of human experience and the diverse, latent psychological realities at juncture of inherited history, culture, place, and self. It is a responsive practice, emerging out of an encounter with place and circumstance, that attempts to give order to the chaos and abstractions that cause the mind wonder, and give way to legend and myth.\u003cbr\u003e\u003cbr\u003eWhile very much the byproduct of sound collage, rather than the states of abstraction and âpureâ sonority most often pursued by musique concrÚte, or an experimental music âfree of individual taste and memory (psychology)â, as pursued by John Cage, Bonnettaâs work displays a deeper sympathy with Luc Ferrariâs notion of âanecdotal musicâ, in which the social and autobiographical contexts of the source material \/ recordings - with their embedded dimensions of meaning - is accounted for and retained. Rather than enforcing a fixed vision of the artist, the listener in encouraged construct a narrative of their own. This is no less the case for Innse Gall âThe Islands of the Strangersâ, comprising two audio works constructed by Bonnetta from field recordings made on the Outer Hebrides islands of Barra, Berneray, North Uist, Harris, \u0026amp; Lewis between 2017-19.\u003cbr\u003e\u003cbr\u003eDrawing upon Bonnettaâs fascination with sound as a primary means to survey place and people, Innse Gall âThe Islands of the Strangersâ draws upon a vast range of sonorous material: hydrophone recordings made over extended periods in lobster creels and of gases escaping a peat bog, interview fragments, and field recordings feature capturing the sounds of maritime industry, song, seals, corncrake, snipe, and other elements of the natural world. Meticulously collaged and reworked within an exploration of the interrelated acoustic ecology of these diverse elements of the islandsâ make-up, the albumâs two works - Innse Gall I and Innse Gall II - bristle with the subcutaneous narratives embedded within these ancient and modern landscapes, played against the disappearing Gaelic oral traditions which hold their memories, resulting in a deep, auditory reflection on the relationship between narrative, environment, and the reciprocal influences they exact upon one another.\u003cbr\u003e\u003cbr\u003eChallenging the perceived boundaries and interconnectedness of place and occupation - to what extent the perception of an environment is modelled by language, culture, and myth, or that the environment underscores the very becoming of those things - Bonnettaâs Innse Gall âThe Islands of the Strangersâ, draws profound poetry, beauty, and meaning from the everyday, rethinking the terms of field recording and sound collage every step of the way.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Joshua Bonnetta\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e\n\u003cp\u003ecat no : SP127lp\u003c\/p\u003e"}
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{"id":8792328896762,"title":"Joshua Bonnetta \/\/ Lago LP","handle":"joshua-bonnetta-lago-lp-1","description":"\u003cp\u003eã«ããã®é³é¿äœå®¶Joshua Bonnettaãã2016幎ã«ãã©ã³ã¹ã®å®éšã¬ãŒãã«Shelter PressãããªãªãŒã¹ããã¬ã³ãŒãã§ãã\u003c\/p\u003e\n\u003cp\u003eãã£ãŒããªã¹ãã³ã°ç³»ãã£ãŒã«ãã¬ã³ãŒãã£ã³ã°ã»ã³ã©ãŒãžã¥2æ²ãåé²ã\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2815007469\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eã¬ãŒãã«ãã®ä»äœåã¯\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eãã¡ã\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ \u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Everything That Was Ever Something 20:08\u003cbr\u003e2. What Lies in It 23:53\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eShelter Press:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLago is an LP recording created in dialogue with the photobook (of the same title) by American photographer Ron Jude, published by MACK (UK).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe two compositions revisit the sites of Judeâs initial photographs in and around the Salton Sea in the Southern California desert, and use site specific field recordings and analogue processing to craft an aural counterpoint to the photographs themselves and the photographic process. Contact microphones and hydrophones were used to gather sounds from flora, desert refuse, architectural ruins and the Salton Sea itself to create an expanded study of the acoustic ecology of the area. The work weaves together location recordings alongside interviews to construct an acoustic portrait of the desert that is steeped in intimations of narrative dealing with loss, history and a landscape haunted by a spectre in darkness. Lago is an attempt to enter into the perceptual horizons of the desert whilst also engaging a past that shapes the encounter.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : joshua bonnetta\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e\n\u003cp\u003ecat no : SP069lp\u003c\/p\u003e","published_at":"2025-05-26T08:52:07+09:00","created_at":"2025-05-25T09:37:41+09:00","vendor":"Tobira Records","type":"","tags":["drone","field recording","lp","monooto","new","shelter press"],"price":298000,"price_min":298000,"price_max":298000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47340267503866,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Joshua Bonnetta \/\/ Lago LP","public_title":null,"options":["Default Title"],"price":298000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"769791959651","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/lago1.jpg?v=1748133388"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/lago1.jpg?v=1748133388","options":["Title"],"media":[{"alt":null,"id":36086178414842,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lago1.jpg?v=1748133388"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lago1.jpg?v=1748133388","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eã«ããã®é³é¿äœå®¶Joshua Bonnettaãã2016幎ã«ãã©ã³ã¹ã®å®éšã¬ãŒãã«Shelter PressãããªãªãŒã¹ããã¬ã³ãŒãã§ãã\u003c\/p\u003e\n\u003cp\u003eãã£ãŒããªã¹ãã³ã°ç³»ãã£ãŒã«ãã¬ã³ãŒãã£ã³ã°ã»ã³ã©ãŒãžã¥2æ²ãåé²ã\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2815007469\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eã¬ãŒãã«ãã®ä»äœåã¯\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eãã¡ã\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ \u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Everything That Was Ever Something 20:08\u003cbr\u003e2. What Lies in It 23:53\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eShelter Press:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLago is an LP recording created in dialogue with the photobook (of the same title) by American photographer Ron Jude, published by MACK (UK).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe two compositions revisit the sites of Judeâs initial photographs in and around the Salton Sea in the Southern California desert, and use site specific field recordings and analogue processing to craft an aural counterpoint to the photographs themselves and the photographic process. Contact microphones and hydrophones were used to gather sounds from flora, desert refuse, architectural ruins and the Salton Sea itself to create an expanded study of the acoustic ecology of the area. 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å·¥æ¥ãç«ã¡äžããéèŠãªã€ã³ã¹ãã¥ã«ã¡ã³ã¿ã«ãå¶äœãããã«ã«ãã£ã·ãŒã³ã®åæã®ãã€ãªãã¢ãã¡ïŒã«ãã»ã«ãããã ã»ãã£ã¹ããããã»ããŒã€ãªã©ïŒãšã³ã©ãã¬ãŒãããçŒããCDRãéããŠãã¬ããªã¢ã§æ¥éã«ãã¡ã³å±€ãåºããŠãã£ããDadamanã®æãæ°žç¶çãªããŒãããŒã·ããã®ã²ãšã€ã¯ããŽã©ãŒã«ãªã¹ããDJããœã³ã°ã©ã€ã¿ãŒã§ããMoses Masaba aka Moscow Dollarãšã®ãã®ã§ã圌女ã®ã·ãããã®ãããªæå£°ã¯ãåœŒã®æãèšæ¶ã«æ®ãããŒãã®ããã€ããç¥çŠããŠããããã®ãã¥ãªã¯ããã³ã°ã¹ãã³ã¯ããããã»ããã¯ã¹ãšãšãã«ããã«ã«ãã£ã»ã¢ãŠããã£ããN'Wana Mhani Crewã®åµèšã¡ã³ããŒã§ããã圌ãã®é³æ¥œã¯ä»ã§ãåã¢ããªã«ã®ã³ã³ãã³ãã©ãªãŒã»ã¯ã©ãã·ãŒã³ã®ã«ãŒããšãªã£ãŠããã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eæªçºè¡šã®'Kagaza'ã¯ãDadamanãšDallarã®ã¯ãªãšã€ãã£ãŽãªããŒã¯ãæãããã«ã«ãã£ã®éåå¡ã§ããããã³ãã¥ãŒèªã®Xitsongaã§æãDallarã¯ãã¿ãŠã³ã·ããã®ç掻ã«ã€ããŠçãçããšèªããDadamanã¯ããã³ã¹ããã¢ã«çŠç¹ãåœãŠãåè¿«ããã·ã³ã³ããŒã·ã§ã³ã«ã¢ã·ãããªãªãŒãã»ã·ã³ã»ãç¹ã亀ããªããã容赊ãªã驿°çãªæŒå¥ãç¹°ãåºããããªãŒããã³ã°ã®ãMatlatsiãã«ã¯å¹»èŠçãªã¯ãªãªãã£ããããã¯ã¯ã€ãã®å®¶ç³»å³ã«äœçœ®ã¥ããããã ãã§ãªãããã«ãªã³ãçµç±ããŠã€ããµãŸã§èŸ¿ãçããDadamanã¯ãããªã¿ãªã¹ãã£ãã¯ãªã¹ãã¢ãšãããã»ã¢ããã¢ãïŒãã¹ãã»ã¯ã¯ã€ãã®ããŒã¹ã©ã€ã³ããããŠã¹é¢šã®M1ãã¢ãã»ãã¬ãŒãºãšæ²ããããã£ãã·ã³ã»ã»ã·ãŒã¯ãšã³ã¹ã§è£
食ãã1989幎ã«ãã¬ã¢ãªãã¯ã»ãã¬ã€ã¯ãããSueño Latinoãã®ãšãã«ã®ãŒã泚ã蟌ãã§ããã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eä»ã«ããMunghanaãã§ã¯ãDadasmanã®ãžã£ããžã£ããšããã¹ã¿ãã«ãŒãã®ããŒã¹ã»ããããããŒã«ãã·ããªå£ç¬ãDollarã®åæã垯ã³ãã³ãŒã«ã»ã¢ã³ãã»ã¬ã¹ãã³ã¹ã®ãã£ã³ããgqomã®äžå°ãäœã£ãŠãããããã以äžã®ããšãæ°Žé¢äžã§é²è¡ããŠããããã«ã«ãã£ã®ã°ã«ãŒãŽãåé¢ã«æŒãåºããå®èœçãªãµãŠã³ãã¯ãæé¬±ããæã¡æ¶ãæãããäžããŠãããã¯ã¯ã€ãã®çãããã¯ãæ²ããããã£ããµã€ã±ããªãã¯ãªã·ã³ã»ã»ã·ãŒã¯ãšã³ã¹ã«å€æãããããã³ã¯ãåã¢ããªã«ã®è±ããªé³æ¥œã®æŽå²ãäŒãããšåæã«ãæªæ¥ãäºèšããŠããããšã¬ã¯ããã€ã303ã®ãããªãšãã«ã®ãã·ã¥ãªã¹ã©ã€ãããé»åãããæšçŽã®ãããªãã³ãšããé³ãšå¯Ÿã«ãªã£ãŠãããVangomaãããDadsamanãã®ã¿ãŒã®ãªãããã©ã¹ããããŒã§ããããªé³ãšå
¥ãæ¿ãããããããããªãNyokaããèŽããŠã¿ãŠã»ããããKagazaãã¯ãé²åãç¶ããåã¢ããªã«ã®ã·ãŒã³ã«ããããã¬ããªã¢ã®åœ±é¿åã®å€§ãããç©èªãéèŠãªããã·ã³ã°ã»ãªã³ã¯ã§ããã\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=339879413\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eã¬ãŒãã«ãã®ä»äœåã¯\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eãã¡ã\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes \/ Heat Crimes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eEdition of 250. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Matlatsi 05:48\u003cbr\u003e2. Vana va Ndhoda 06:32\u003cbr\u003e3. Munghana 05:47\u003cbr\u003e4. Nyoka 06:48\u003cbr\u003e5. Khomelela 06:09\u003cbr\u003e6. Vangoma 05:32\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBefore amapiano and gqom came to dominate the South African scene, bacardi music, a potent cocktail of kwaito, house and synth pop, was bubbling through the townships. Spearheaded in the early 2000s by DJ Spoko, a student of Shangaan electro maestro Nozinja, the sound emerged just outside Pretoria in Atteridgeville and quickly picked up steam, spreading across South Africa and ultimately making its mark on clubs around the world. Growing up in Atteridgeville, Gift Mashaba (aka DJ Dadaman) was another of the bacardi scene's most important progenitors; he started his journey way back in 2003, initially sneaking time on his family's PC to experiment and develop the formula that would soon have him known locally as \"MabaShghubu\" (the hitmaker).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eA couple of years later, he emptied his savings to buy his own workstation and swiftly built up a cottage industry, producing vital instrumentals and collaborating with the bacardi scene's early pioneers (including Kapa Kapa, Dam Cass and Patro Boy), selling burned CDRs to a rapidly growing fanbase in Pretoria. One of Dadaman's most enduring partnerships was with vocalist, DJ and songwriter Moses Masaba (aka Moscow Dollar)\u003cspan class=\"bcTruncateMore\"\u003e, whose syrupy voice blesses some of his most memorable beats. The duo were founder members of the bacardi outfit N'Wana Mhani Crew, alongside Bongs, N'wadada and Da Box, and their music still nourishes the roots of South Africa's contemporary club scene.\u003cbr\u003e\u003cbr\u003eNever before released, 'Kagaza' is a bacardi milestone that catches Dadaman and Dollar at their creative peak. Singing in the Bantu language Xitsonga, Dollar recounts vivid stories of township life while Dadaman innovates relentlessly, weaving acidic lead synths through his urgent, dancefloor-focused syncopations. There's a hallucinogenic quality to opener 'Matlatsi' that positions it not just on the kwaito family tree, but tracks it to Ibiza via Berlin. Ornamenting his militaristic snares and proto-amapiano\/post-kwaito bassline with house-y M1 piano phrases and winding synth sequences, Dadaman channels the energy of 1989 balearic breakout 'Sueño Latino', a track based on Mannuel Göttsching's kosmische classic 'E2-E4'.\u003cbr\u003e\u003cbr\u003eElsewhere, on 'Munghana', Dadaman's jerky, staccato bass hits, percussive whistles and Dollar's melancholy call-and-response chants lay out the groundwork for gqom, but there's more going on just beneath the surface. Bacardi's groove-forward sensuality lends the sound a lightness that offsets the gloom - it is party music, after all. Transforming kwaito's sugary hooks into winding psychedelic synth sequences, Dadaman signals South Africa's rich musical history while simultaneously predicting the future. Just check 'Vangoma', with its energizing electroid 303-like slides played against twangy electrified xylophone hits, or the undulating 'Nyoka', when Dadaman swaps guitar riffs with plasticky pop stings. 'Kagaza' is a crucial missing link that helps contextualize Pretoria's outsized influence on the ever evolving South African scene.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : DJ Dadaman \u0026amp; Moscow Dollar\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eNNT072\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-05-20T21:33:07+09:00","created_at":"2025-05-19T10:41:02+09:00","vendor":"Tobira Records","type":"","tags":["field recording","hiphop \/ funk","house","lp","new","nyege nyege tapes"],"price":435500,"price_min":435500,"price_max":435500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47324347400442,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"DJ Dadaman \u0026 Moscow Dollar \/\/ Ka Gaza LP","public_title":null,"options":["Default Title"],"price":435500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ka1_6997bd6b-a5b6-48df-aa5c-1591dedfad4f.jpg?v=1747618786","\/\/tobirarecords.com\/cdn\/shop\/files\/ka2_f9861417-1273-47c7-8474-eb138e4db8e3.jpg?v=1747618786"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ka1_6997bd6b-a5b6-48df-aa5c-1591dedfad4f.jpg?v=1747618786","options":["Title"],"media":[{"alt":null,"id":36051726598394,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ka1_6997bd6b-a5b6-48df-aa5c-1591dedfad4f.jpg?v=1747618786"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ka1_6997bd6b-a5b6-48df-aa5c-1591dedfad4f.jpg?v=1747618786","width":700},{"alt":null,"id":36051726631162,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ka2_f9861417-1273-47c7-8474-eb138e4db8e3.jpg?v=1747618786"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ka2_f9861417-1273-47c7-8474-eb138e4db8e3.jpg?v=1747618786","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eåã¢ããªã«ã®ãã«ã«ãã£äœå®¶DJ DadamanãšMoscow Dollarãã2025幎5æã«ãŠã¬ã³ãã»ã«ã³ãã©ã®ã¬ãããã£ãŒã«ãã»ãã³ã¹ã¬ãŒãã«Nyege NyegeãããªãªãŒã¹ããå
±äœã¬ã³ãŒãã§ãã\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eãã«ã«ãã£6æ²ãåé²ã\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以äžãã¬ãŒãã«ã«ãã解説ã§ãã\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"amapianoãgqomãåã¢ããªã«ã®ã·ãŒã³ãåžå·»ããããã«ãªã以åãã¯ã¯ã€ããããŠã¹ãã·ã³ã»ã»ãããã®åŒ·åãªã«ã¯ãã«ã§ãããã«ã«ãã£ã»ãã¥ãŒãžãã¯ãã¿ãŠã³ã·ããã§æ¹§ãäžãã£ãŠããã2000幎代åé ãã·ã£ã³ã¬ã³ã®ãšã¬ã¯ããã»ããšã¹ããNozinjaã®åŒåã§ããDJ Spokoã«ãã£ãŠå
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å·¥æ¥ãç«ã¡äžããéèŠãªã€ã³ã¹ãã¥ã«ã¡ã³ã¿ã«ãå¶äœãããã«ã«ãã£ã·ãŒã³ã®åæã®ãã€ãªãã¢ãã¡ïŒã«ãã»ã«ãããã ã»ãã£ã¹ããããã»ããŒã€ãªã©ïŒãšã³ã©ãã¬ãŒãããçŒããCDRãéããŠãã¬ããªã¢ã§æ¥éã«ãã¡ã³å±€ãåºããŠãã£ããDadamanã®æãæ°žç¶çãªããŒãããŒã·ããã®ã²ãšã€ã¯ããŽã©ãŒã«ãªã¹ããDJããœã³ã°ã©ã€ã¿ãŒã§ããMoses Masaba aka Moscow Dollarãšã®ãã®ã§ã圌女ã®ã·ãããã®ãããªæå£°ã¯ãåœŒã®æãèšæ¶ã«æ®ãããŒãã®ããã€ããç¥çŠããŠããããã®ãã¥ãªã¯ããã³ã°ã¹ãã³ã¯ããããã»ããã¯ã¹ãšãšãã«ããã«ã«ãã£ã»ã¢ãŠããã£ããN'Wana Mhani Crewã®åµèšã¡ã³ããŒã§ããã圌ãã®é³æ¥œã¯ä»ã§ãåã¢ããªã«ã®ã³ã³ãã³ãã©ãªãŒã»ã¯ã©ãã·ãŒã³ã®ã«ãŒããšãªã£ãŠããã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eæªçºè¡šã®'Kagaza'ã¯ãDadamanãšDallarã®ã¯ãªãšã€ãã£ãŽãªããŒã¯ãæãããã«ã«ãã£ã®éåå¡ã§ããããã³ãã¥ãŒèªã®Xitsongaã§æãDallarã¯ãã¿ãŠã³ã·ããã®ç掻ã«ã€ããŠçãçããšèªããDadamanã¯ããã³ã¹ããã¢ã«çŠç¹ãåœãŠãåè¿«ããã·ã³ã³ããŒã·ã§ã³ã«ã¢ã·ãããªãªãŒãã»ã·ã³ã»ãç¹ã亀ããªããã容赊ãªã驿°çãªæŒå¥ãç¹°ãåºããããªãŒããã³ã°ã®ãMatlatsiãã«ã¯å¹»èŠçãªã¯ãªãªãã£ããããã¯ã¯ã€ãã®å®¶ç³»å³ã«äœçœ®ã¥ããããã ãã§ãªãããã«ãªã³ãçµç±ããŠã€ããµãŸã§èŸ¿ãçããDadamanã¯ãããªã¿ãªã¹ãã£ãã¯ãªã¹ãã¢ãšãããã»ã¢ããã¢ãïŒãã¹ãã»ã¯ã¯ã€ãã®ããŒã¹ã©ã€ã³ããããŠã¹é¢šã®M1ãã¢ãã»ãã¬ãŒãºãšæ²ããããã£ãã·ã³ã»ã»ã·ãŒã¯ãšã³ã¹ã§è£
食ãã1989幎ã«ãã¬ã¢ãªãã¯ã»ãã¬ã€ã¯ãããSueño Latinoãã®ãšãã«ã®ãŒã泚ã蟌ãã§ããã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eä»ã«ããMunghanaãã§ã¯ãDadasmanã®ãžã£ããžã£ããšããã¹ã¿ãã«ãŒãã®ããŒã¹ã»ããããããŒã«ãã·ããªå£ç¬ãDollarã®åæã垯ã³ãã³ãŒã«ã»ã¢ã³ãã»ã¬ã¹ãã³ã¹ã®ãã£ã³ããgqomã®äžå°ãäœã£ãŠãããããã以äžã®ããšãæ°Žé¢äžã§é²è¡ããŠããããã«ã«ãã£ã®ã°ã«ãŒãŽãåé¢ã«æŒãåºããå®èœçãªãµãŠã³ãã¯ãæé¬±ããæã¡æ¶ãæãããäžããŠãããã¯ã¯ã€ãã®çãããã¯ãæ²ããããã£ããµã€ã±ããªãã¯ãªã·ã³ã»ã»ã·ãŒã¯ãšã³ã¹ã«å€æãããããã³ã¯ãåã¢ããªã«ã®è±ããªé³æ¥œã®æŽå²ãäŒãããšåæã«ãæªæ¥ãäºèšããŠããããšã¬ã¯ããã€ã303ã®ãããªãšãã«ã®ãã·ã¥ãªã¹ã©ã€ãããé»åãããæšçŽã®ãããªãã³ãšããé³ãšå¯Ÿã«ãªã£ãŠãããVangomaãããDadsamanãã®ã¿ãŒã®ãªãããã©ã¹ããããŒã§ããããªé³ãšå
¥ãæ¿ãããããããããªãNyokaããèŽããŠã¿ãŠã»ããããKagazaãã¯ãé²åãç¶ããåã¢ããªã«ã®ã·ãŒã³ã«ããããã¬ããªã¢ã®åœ±é¿åã®å€§ãããç©èªãéèŠãªããã·ã³ã°ã»ãªã³ã¯ã§ããã\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=339879413\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eã¬ãŒãã«ãã®ä»äœåã¯\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eãã¡ã\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes \/ Heat Crimes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eEdition of 250. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Matlatsi 05:48\u003cbr\u003e2. Vana va Ndhoda 06:32\u003cbr\u003e3. Munghana 05:47\u003cbr\u003e4. Nyoka 06:48\u003cbr\u003e5. Khomelela 06:09\u003cbr\u003e6. Vangoma 05:32\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBefore amapiano and gqom came to dominate the South African scene, bacardi music, a potent cocktail of kwaito, house and synth pop, was bubbling through the townships. Spearheaded in the early 2000s by DJ Spoko, a student of Shangaan electro maestro Nozinja, the sound emerged just outside Pretoria in Atteridgeville and quickly picked up steam, spreading across South Africa and ultimately making its mark on clubs around the world. Growing up in Atteridgeville, Gift Mashaba (aka DJ Dadaman) was another of the bacardi scene's most important progenitors; he started his journey way back in 2003, initially sneaking time on his family's PC to experiment and develop the formula that would soon have him known locally as \"MabaShghubu\" (the hitmaker).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eA couple of years later, he emptied his savings to buy his own workstation and swiftly built up a cottage industry, producing vital instrumentals and collaborating with the bacardi scene's early pioneers (including Kapa Kapa, Dam Cass and Patro Boy), selling burned CDRs to a rapidly growing fanbase in Pretoria. One of Dadaman's most enduring partnerships was with vocalist, DJ and songwriter Moses Masaba (aka Moscow Dollar)\u003cspan class=\"bcTruncateMore\"\u003e, whose syrupy voice blesses some of his most memorable beats. The duo were founder members of the bacardi outfit N'Wana Mhani Crew, alongside Bongs, N'wadada and Da Box, and their music still nourishes the roots of South Africa's contemporary club scene.\u003cbr\u003e\u003cbr\u003eNever before released, 'Kagaza' is a bacardi milestone that catches Dadaman and Dollar at their creative peak. Singing in the Bantu language Xitsonga, Dollar recounts vivid stories of township life while Dadaman innovates relentlessly, weaving acidic lead synths through his urgent, dancefloor-focused syncopations. There's a hallucinogenic quality to opener 'Matlatsi' that positions it not just on the kwaito family tree, but tracks it to Ibiza via Berlin. Ornamenting his militaristic snares and proto-amapiano\/post-kwaito bassline with house-y M1 piano phrases and winding synth sequences, Dadaman channels the energy of 1989 balearic breakout 'Sueño Latino', a track based on Mannuel Göttsching's kosmische classic 'E2-E4'.\u003cbr\u003e\u003cbr\u003eElsewhere, on 'Munghana', Dadaman's jerky, staccato bass hits, percussive whistles and Dollar's melancholy call-and-response chants lay out the groundwork for gqom, but there's more going on just beneath the surface. Bacardi's groove-forward sensuality lends the sound a lightness that offsets the gloom - it is party music, after all. Transforming kwaito's sugary hooks into winding psychedelic synth sequences, Dadaman signals South Africa's rich musical history while simultaneously predicting the future. Just check 'Vangoma', with its energizing electroid 303-like slides played against twangy electrified xylophone hits, or the undulating 'Nyoka', when Dadaman swaps guitar riffs with plasticky pop stings. 'Kagaza' is a crucial missing link that helps contextualize Pretoria's outsized influence on the ever evolving South African scene.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : DJ Dadaman \u0026amp; Moscow Dollar\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eNNT072\u003c\/span\u003e\u003c\/p\u003e"}
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{"id":8781945667834,"title":"Chaka Chawasarira \/\/ Useza LP","handle":"chaka-chawasarira-useza-lp","description":"\u003cp\u003e\u003cspan\u003e埡幎83æ³ãžã³ãããšã®ã ãã©åæChaka Chawasariraãã2025幎5æã«ãŠã¬ã³ãã»ã«ã³ãã©ã®ã¬ãããã£ãŒã«ãã»ãã³ã¹ã¬ãŒãã«Nyege NyegeãããªãªãŒã¹ããã¬ã³ãŒãã§ãã\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eç®ç©ãããªãªãºã ããã©ã³ã¹ç¶æ
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æçãªãµãŠã³ããåçŸããŠããããã£ã¯ãµãªã©ã¯äžäººã§ãéã¿ã®ãªãããªãªãºã ã®äžã§è© å±ããèŽãæã«å€è§çãªèŠç¹ãæäŸãã鳿¥œçã€ãªã¥ãŒãžã§ã³ãäœãåºãããã£ã¯ãµãªã©ã¯ãã«ã¬ã€ããã©ããŒãå·§ã¿ã«ç«èšŒãããžã³ãããšã®éºç£ãå®ããªããããã®æºæµã«çã£åããåãçµãã§ããã\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1613892982\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eã¬ãŒãã«ãã®ä»äœåã¯\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eãã¡ã\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Hurombo 05:02\u003cbr\u003e2. Kuvachenjedza\u003cbr\u003e3. Wako Ndiwako\u003cbr\u003e4. Ndonda\u003cbr\u003e5. Msengu\u003cbr\u003e6. Marume Azere Dare\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn English, the Shona word \"Useza\" means someone of great skill, meticulousness, and precision, and it perfectly illuminates Sekuru Chaka Chawasarira's lifelong practice. The eminent Zimbabwean artist and educator is among the last remaining masters of the matepe, a large mbira-style instrument that's played with both thumbs and index fingers to expand its rhythmelodic complexity. And on 'Useza', he fully demonstrates the matepe's illusory potential, overdubbing hypnotic sequences to provoke shifting harmonic progressions that ethnomusicologist Andrew Tracey labeled \"kaleidophonic\" back in 1970.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAn ancient art within North-Eastern Zimbabwe's Shona culture, the matepe is traditionally used in local rituals, where its ambiguous psychoacoustic mirages evoke trance states to aid communication with ancestral spirits. Only half a century ago, ceremonies amongst the Sena Tonga and Kore-Kore peoples might easily involve six or more musicians, each playing interlocking polyrhythmic sequences. In 2025, the music is threatened with extinction; following decades of vilification from Zimbabwe's evangelical and pentecostal churches, who associate the rituals with witchcraft, there are fewer than ten master\u003cspan class=\"bcTruncateMore\"\u003e musicians left.\u003cbr\u003e\u003cbr\u003eCalled the \"Mozart of mbira\" by composer Keith Goddard, 83-year-old Chawasarira has been developing his relationship with the instrument since he was just a young man. He grew up in a Catholic mission and was dedicated to the church, founding his own choir, but he maintained his connection to Zimbabwean culture by studying the region's traditional rhythms. Chawasarira's father had been a well-known drummer, and when Chawasarira was older, working as a teacher at the mission school, he ventured out to observe local mbira ensembles, eventually participating regularly in spirit ceremonies. And although there were tensions between Chawasarira's work with the church and his interest in traditional ceremonial music, he managed to strike a precarious balance, introducing drums to his Catholic services in the 1960s and even composing a mass for karimba. Chawasarira's reputation grew steadily; he was invited to Lousville University in the 1990s to represent Zimbabwe at a contemporary composition festival, and his youth ensembles helped popularize Shona mbira music not just at home, but around the world.\u003cbr\u003e\u003cbr\u003eToday's evangelicals are less tolerant than the Catholic church however, with fundamentalist preachers blaming mbira music for all manner of tragedy. Chawasarira remains undeterred; living in Chitungwiza, he builds matepes and karimbas and tutors children, and 'Useza' is a celebration of his years of experience, a way for the maestro to preserve his repertoire for future generations. Recorded at the dead of night, the rest of the township sound asleep, the album reproduces the mesmerizing sound of a Shona ritual by overlaying discrete fractal sequences filled with haunting overtones and buzzing rhythms. Chawasarira works alone, chanting over the weightless polyrhythms to create musical illusions that offer multiple perspectives for listening. It's a technique that's been approached by various minimalist composers and avant-garde explorers in the 20th century and beyond, and Chawasarira goes straight to the source, skillfully substantiating kaleidophony and safeguarding Zimbabwe's heritage.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Chaka Chawasarira\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eNNT074\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-05-09T08:50:38+09:00","created_at":"2025-05-09T07:40:49+09:00","vendor":"Tobira Records","type":"","tags":["field recording","lp","new","nyege nyege tapes","recommended"],"price":435500,"price_min":435500,"price_max":435500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47304442020090,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Chaka Chawasarira \/\/ Useza LP","public_title":null,"options":["Default Title"],"price":435500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/cha1_6b5c6402-0778-4c5a-9b7b-00232c418007.jpg?v=1746743934","\/\/tobirarecords.com\/cdn\/shop\/files\/cha2_ebe979b7-32f7-44d6-a3f4-7567477866ba.jpg?v=1746743934"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/cha1_6b5c6402-0778-4c5a-9b7b-00232c418007.jpg?v=1746743934","options":["Title"],"media":[{"alt":null,"id":35999368446202,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cha1_6b5c6402-0778-4c5a-9b7b-00232c418007.jpg?v=1746743934"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cha1_6b5c6402-0778-4c5a-9b7b-00232c418007.jpg?v=1746743934","width":700},{"alt":null,"id":35999368478970,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cha2_ebe979b7-32f7-44d6-a3f4-7567477866ba.jpg?v=1746743934"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cha2_ebe979b7-32f7-44d6-a3f4-7567477866ba.jpg?v=1746743934","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003e埡幎83æ³ãžã³ãããšã®ã ãã©åæChaka Chawasariraãã2025幎5æã«ãŠã¬ã³ãã»ã«ã³ãã©ã®ã¬ãããã£ãŒã«ãã»ãã³ã¹ã¬ãŒãã«Nyege NyegeãããªãªãŒã¹ããã¬ã³ãŒãã§ãã\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eç®ç©ãããªãªãºã ããã©ã³ã¹ç¶æ
ã«èªãã·ã§ãæã®ååŒé³æ¥œ6æ²ãåé²ã\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以äžãã¬ãŒãã«ã«ãã解説ã§ãã\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"è±èªã§ã¯ãã·ã§ãèªã® ãUseza ãã¯ãåå€§ãªæè¡ã现å¿ã®æ³šæãæ£ç¢ºããæã€äººãæå³ããChaka Chawasariraã®ç涯ã®ç·Žç¿ãå®ç§ã«ç
§ããåºããŠããããžã³ãããšã®èåãªã¢ãŒãã£ã¹ãã§ããæè²è
ã§ãã圌ã¯ããããã®æåŸã®åæã®äžäººã§ããããããã¯ã芪æãšäººå·®ãæã®äž¡æ¹ã§æŒå¥ããã ãã©ã¹ã¿ã€ã«ã®å€§å楜åšã§ããªãºã ã®è€éããåºããããã«æŒå¥ããããUsezaã§ã¯ã1970å¹Žã«æ°æé³æ¥œåŠè
ã®ã¢ã³ããªã¥ãŒã»ãã¬ã€ã·ãŒããã«ã¬ã€ããã©ããã¯ïŒäžè¯é¡ã®ãããªïŒããšè©ãããå€å¹»èªåšã®å声é²è¡ãåŒãèµ·ããå¬ç è¡ã®ãããªã·ãŒã±ã³ã¹ããªãŒããŒããã³ã°ãããããã®å¹»æ³çãªå¯èœæ§ãååã«çºæ®ããŠããã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eãžã³ãããšåæ±éšã®ã·ã§ãæã®æåã«å€ãããäŒããèžè¡ã§ãããããã¯ãäŒçµ±çã«å°å
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ã®å±æ©ã«çããŠãããååŒãéè¡ãšçµã³ã€ãããžã³ãããšã®çŠé³æŽŸæäŒããã³ãã³ã¹ã掟æäŒããã®æ°å幎ã«ããã誹è¬äžå·ã®çµæããã¹ã¿ãŒãã¥ãŒãžã·ã£ã³ã¯10äººãæ®ã£ãŠããªãã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eäœæ²å®¶ã®ããŒã¹ã»ãŽããŒããã ãã ãã©ã®ã¢ãŒãã¡ã«ã ããšåŒã°ãã83æ³ã®ãã£ã¯ãµãªã©ã¯ãè¥ãé ãããã®æ¥œåšãšã®é¢ä¿ãæ·±ããŠãããã«ããªãã¯ã®äŒéæœèšã§è²ã£ãåœŒã¯æäŒã«ç®èº«ããèªãèæéãåµèšãããããžã³ãããšã®äŒçµ±çãªãªãºã ãç ç©¶ããããšã§ããžã³ãããšæåãšã®ã€ãªãããä¿ã£ãŠããããã£ã¯ãµãªã©ã®ç¶èŠªã¯æåãªãã©ããŒã§ããã£ã¯ãµãªã©ã倧ãããªã£ãŠããã·ã§ã³ã¹ã¯ãŒã«ã§æåž«ãšããŠåãããã«ãªããšã圌ã¯å°å
ã®ã ãã©ã»ã¢ã³ãµã³ãã«ãèŠåŠã«åºããããããŠç²Ÿéã®ååŒã«å®æçã«åå ããããã«ãªã£ãããã£ã¯ãµãªã©ã®æäŒã§ã®ä»äºãšäŒçµ±çãªååŒé³æ¥œãžã®é¢å¿ãšã®éã«ã¯ç·åŒµé¢ä¿ããã£ããã1960幎代ã«ã¯ã«ããªãã¯ã®ç€Œæã«ãã©ã ãå°å
¥ããããã«ãªã³ãã®ããã®ããµæ²ãäœæ²ããããšãäžå®å®ãªãã©ã³ã¹ãåãããšã«æåããããã£ã¯ãµãªã©ã®å声ã¯çå®ã«é«ãŸãã1990幎代ã«ã¯ãžã³ãããšã代衚ããçŸä»£äœæ²ãã§ã¹ãã£ãã«ã«ã«ãŒã¹ãŽã£ã«å€§åŠã«æããã圌ã®éå°å¹Žã¢ã³ãµã³ãã«ã¯åœå
ã®ã¿ãªããäžçäžã«ã·ã§ãã»ã ãã©é³æ¥œãåºããã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eãããã仿¥ã®çŠé³æŽŸã¯ã«ããªãã¯æäŒã»ã©å¯å®¹ã§ã¯ãªããåç䞻矩çãªèª¬æè
ãã¡ã¯ã ãã©é³æ¥œãããããæ²åã®åå ã ãšéé£ããŠãããããã¥ã³ã°ãŠã£ã¶ã«äœããã£ã¯ãµãªã©ã¯ãããããã«ãªã³ããäœããåäŸãã¡ã®å®¶åºæåž«ãããŠããããUsezaãã¯ã圌ã®é·å¹Žã®çµéšãç§°ãããã®ã§ãããããšã¹ãããåŸäžã«ã¬ããŒããªãŒãæ®ãããã®ææ®µã§ããããçå€äžã«é²é³ããããã®ã¢ã«ãã ã¯ãã·ã§ãæã®ååŒã®é
æçãªãµãŠã³ããåçŸããŠããããã£ã¯ãµãªã©ã¯äžäººã§ãéã¿ã®ãªãããªãªãºã ã®äžã§è© å±ããèŽãæã«å€è§çãªèŠç¹ãæäŸãã鳿¥œçã€ãªã¥ãŒãžã§ã³ãäœãåºãããã£ã¯ãµãªã©ã¯ãã«ã¬ã€ããã©ããŒãå·§ã¿ã«ç«èšŒãããžã³ãããšã®éºç£ãå®ããªããããã®æºæµã«çã£åããåãçµãã§ããã\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1613892982\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eã¬ãŒãã«ãã®ä»äœåã¯\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eãã¡ã\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Hurombo 05:02\u003cbr\u003e2. Kuvachenjedza\u003cbr\u003e3. Wako Ndiwako\u003cbr\u003e4. Ndonda\u003cbr\u003e5. Msengu\u003cbr\u003e6. Marume Azere Dare\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn English, the Shona word \"Useza\" means someone of great skill, meticulousness, and precision, and it perfectly illuminates Sekuru Chaka Chawasarira's lifelong practice. The eminent Zimbabwean artist and educator is among the last remaining masters of the matepe, a large mbira-style instrument that's played with both thumbs and index fingers to expand its rhythmelodic complexity. And on 'Useza', he fully demonstrates the matepe's illusory potential, overdubbing hypnotic sequences to provoke shifting harmonic progressions that ethnomusicologist Andrew Tracey labeled \"kaleidophonic\" back in 1970.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAn ancient art within North-Eastern Zimbabwe's Shona culture, the matepe is traditionally used in local rituals, where its ambiguous psychoacoustic mirages evoke trance states to aid communication with ancestral spirits. Only half a century ago, ceremonies amongst the Sena Tonga and Kore-Kore peoples might easily involve six or more musicians, each playing interlocking polyrhythmic sequences. In 2025, the music is threatened with extinction; following decades of vilification from Zimbabwe's evangelical and pentecostal churches, who associate the rituals with witchcraft, there are fewer than ten master\u003cspan class=\"bcTruncateMore\"\u003e musicians left.\u003cbr\u003e\u003cbr\u003eCalled the \"Mozart of mbira\" by composer Keith Goddard, 83-year-old Chawasarira has been developing his relationship with the instrument since he was just a young man. He grew up in a Catholic mission and was dedicated to the church, founding his own choir, but he maintained his connection to Zimbabwean culture by studying the region's traditional rhythms. Chawasarira's father had been a well-known drummer, and when Chawasarira was older, working as a teacher at the mission school, he ventured out to observe local mbira ensembles, eventually participating regularly in spirit ceremonies. And although there were tensions between Chawasarira's work with the church and his interest in traditional ceremonial music, he managed to strike a precarious balance, introducing drums to his Catholic services in the 1960s and even composing a mass for karimba. Chawasarira's reputation grew steadily; he was invited to Lousville University in the 1990s to represent Zimbabwe at a contemporary composition festival, and his youth ensembles helped popularize Shona mbira music not just at home, but around the world.\u003cbr\u003e\u003cbr\u003eToday's evangelicals are less tolerant than the Catholic church however, with fundamentalist preachers blaming mbira music for all manner of tragedy. Chawasarira remains undeterred; living in Chitungwiza, he builds matepes and karimbas and tutors children, and 'Useza' is a celebration of his years of experience, a way for the maestro to preserve his repertoire for future generations. Recorded at the dead of night, the rest of the township sound asleep, the album reproduces the mesmerizing sound of a Shona ritual by overlaying discrete fractal sequences filled with haunting overtones and buzzing rhythms. Chawasarira works alone, chanting over the weightless polyrhythms to create musical illusions that offer multiple perspectives for listening. It's a technique that's been approached by various minimalist composers and avant-garde explorers in the 20th century and beyond, and Chawasarira goes straight to the source, skillfully substantiating kaleidophony and safeguarding Zimbabwe's heritage.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Chaka Chawasarira\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eNNT074\u003c\/span\u003e\u003c\/p\u003e"}
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{"id":8781746307322,"title":"Joshua Bonnetta \/\/ The Pines 4xCD","handle":"joshua-bonnetta-the-pines-4xcd-pre-order","description":"\u003cp\u003eã«ããã®ãµãŠã³ãã¢ãŒãã£ã¹ãïŒæ ç»ç£ç£Joshua Bonnettaãã2025幎2æã«ãã©ã³ã¹ã®å®éšã¬ãŒãã«Shelter Pressãšã«ããã®The Dim CoastãããªãªãŒã¹ãã4æçµCD BOXã§ãã\u003c\/p\u003e\n\u003cp\u003e1æ¬ã®æŸã®æšã«ãã€ã¯ã仿ã1幎ãããŠé²é³ãããã£ãŒã«ãã¬ã³ãŒãã£ã³ã°4æ²ãåé²ããšãã»ã€ãä»å±ãå»ç€ã§ãã\u003c\/p\u003e\n\u003cp\u003e以äžãã¬ãŒãã«ã«ãã解説ã§ãã\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ãµãŠã³ãã¢ãŒãã£ã¹ãã§æ åäœå®¶ã®Joshua Bonnettaã¯ã人éã®ãªã¹ããŒããã颚æ¯ããåºããšãã«äœãèµ·ããããç¥ãããã£ãŠããããµãŠã³ãã¹ã±ãŒãã¯ã©ãéãã®ãïŒç§ãã¡ã®ååšã¯é²é³ã«ã©ã®ãããªåœ±é¿ãäžããŠããã®ã ãããïŒã·ã§ã«ã¿ãŒã»ãã¬ã¹ãšãã£ã ã»ã³ãŒã¹ããã2025幎2æ28æ¥ã«ãªãªãŒã¹ããã圌ã®éå¿çãªé·ç·šäœåãThe Pines I-IVãã¯ãããããçåã®ããã€ããåããã®ã§ããã¥ãŒãšãŒã¯å·åéšã«ããäžæ¬ã®æŸã®æšã®é³ã®äžçããé éé²é³ã«ãã£ãŠ1幎ãããŠãšãããé«åãªãã€ãã£ãŒã©ã€ã¿ãŒããããŒãã»ãã¯ãã¡ãŒã¬ã³ã®ãšãã»ã€ãšãã¥ã¬ãŒã¿ãŒã®ãžã§ã€ã¯ã»ã ãŒã¢ãåºæãå¯ãã4æçµCDãšããŠãªãªãŒã¹ãããã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eãã¯ãã¡ãŒã¬ã³ã®å
ãèŒããšãã»ã€ã¯ããã®ãããžã§ã¯ãããæ£®ã®äžã®æšã誰ãããªããšããã§é³ãåºããŠããã®ããšããçåã«å¯ŸããçããæäŸãããã®ã ãšæå±ããŠãããBonnettaã¯ãã®çåãèŠããåšå²ã®ç°å¢ãšçµ¡ããŠã人éã®èãæãããªããšãã«æšãä»ã®åæ€ç©ãã©ã®ãããªé³ãåºãã®ããåããããç§ãã¡ããã¬ãŒã ããäžæ©å€ã«åºããšãã«ã©ã®ãããªé³ãåé¢ã«åºãŠããã®ãããŸãããã€ã¯ããã©ã³ãã©ã®ãããªåœ¢ã§ç°å¢ã«ãããç§ãã¡ã®èãæ¹ãå€ããã®ããåããŠããã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eã¿ã€ãªã¬é¡ã«ããæšã®å¹¹ã®10ãã£ãŒãïŒçŽ1.5ã¡ãŒãã«ïŒäžã«åãä»ãããããã€ã¯ã«ãã£ãŠãåèš8760æéã®é³å£°ããã£ããã£ãŒãããã倩åãéçåç©ã®å£°ãã³ãšãŒãããã¯ããŠã®é³Žã声ãéªãæ°·ã®éã¿ã«ããæã®ããã¿ãªã©ããã¹ãŠã人éã®ããªããã®å Žæã®é³ãžã®çªãšããŠæ©èœããã䜿çšããããã€ã¯ãç·šéæ¹æ³ã¯ãä¿å
šçç©é³é¿åŠãããã·ãé³é¿ã¢ãã¿ãªã³ã°ã®æè¡ãåçšãããã®ã§ãBonnettaã«éåžžã®ãã£ãŒã«ãã¬ã³ãŒãã£ã³ã°ãããã¯ããã«æ·±ãé¢ããæ¹æ³ãæäŸãã...\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3464895804\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eã¬ãŒãã«ãã®ä»äœåã¯\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eãã¡ã\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ \u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e4 x CD in \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eoversized digisleeves w\/ hardcover \u003c\/span\u003e\u003cspan\u003eslipcase.\u003cbr\u003eIncludes \u003cmeta charset=\"utf-8\"\u003e12page booklet with original text by Robert Macfarlane and foreward by jake moore.\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Spring 59:38\u003cbr\u003e2. Summer 59:41\u003cbr\u003e3. Autumn 59:10\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Winter 59:40\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by Shelter Press:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSound artist and filmmaker Joshua Bonnetta wants to know what happens when a human listener exits a landscape. How might the soundscape differ? How is our presence affecting the recording? His ambitious long-form work The Pines I-IV, released on February 28, 2025 via Shelter Press and The Dim Coast, looks to interrogate some of these questions, capturing the sonic life of a single pine tree in upstate New York over the course of a year via remote recordings, edited into four hours of audio which will be released as a 4CD set with essay by acclaimed nature writer Robert Macfarlane and a foreword by curator jake moore, who suggests the forest knows when it is being listened to.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMacfarlaneâs luminous essay proposes that this project offers an answer to the question of whether a tree in a forest makes any sound at all if nobody is there to hear it. Bonnetta turns that question around â entangling it in the surrounding environment, to ask what sort of noise it and other plants and animals make when there is no human listener; asking what sounds come to the fore when we step out of the frame, and in what ways a microphone might alter the way we listen in the environment.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eA total of 8760 hours of audio were captured by a\u003cspan class=\"bcTruncateMore\"\u003e microphone strapped 10ft up a treeâs trunk in Tioga County, which was then reworked into a single hour of sound for each season, each of which captured events in and around the treeâs branches and immediate environment. We hear weather and wildlife; coyotes and owls; the creaking of branches under the weight of snow and ice â all act as a window into the sound of this place absent of humans; a time lapse of the audible world around the circumference of a single tree. The microphones used, and the methods of editing, are tech borrowed from conservation bioacoustics and passive acoustic monitoring, which offered Bonnetta a way to engage much more deeply than any standard field recording would...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : joshua bonnetta\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e\n\u003cp\u003ecat no : SP157cd\u003c\/p\u003e","published_at":"2025-05-09T11:50:54+09:00","created_at":"2025-05-08T19:06:17+09:00","vendor":"Tobira Records","type":"","tags":["cd","field recording","monooto","new","recommended","shelter press","the dim coast"],"price":785000,"price_min":785000,"price_max":785000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47303764410618,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Joshua Bonnetta \/\/ The Pines 4xCD","public_title":null,"options":["Default Title"],"price":785000,"weight":350,"compare_at_price":null,"inventory_management":"shopify","barcode":"788362411435","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/bonn.jpg?v=1746698611","\/\/tobirarecords.com\/cdn\/shop\/files\/bonn2.jpg?v=1746698611","\/\/tobirarecords.com\/cdn\/shop\/files\/bonn3.jpg?v=1746698611","\/\/tobirarecords.com\/cdn\/shop\/files\/bonn4.jpg?v=1746698610","\/\/tobirarecords.com\/cdn\/shop\/files\/bonn5.jpg?v=1746698610"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/bonn.jpg?v=1746698611","options":["Title"],"media":[{"alt":null,"id":35997820059898,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bonn.jpg?v=1746698611"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bonn.jpg?v=1746698611","width":700},{"alt":null,"id":35997820092666,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bonn2.jpg?v=1746698611"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bonn2.jpg?v=1746698611","width":1200},{"alt":null,"id":35997820125434,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bonn3.jpg?v=1746698611"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bonn3.jpg?v=1746698611","width":1200},{"alt":null,"id":35997820158202,"position":4,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bonn4.jpg?v=1746698610"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bonn4.jpg?v=1746698610","width":1200},{"alt":null,"id":35997820190970,"position":5,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bonn5.jpg?v=1746698610"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bonn5.jpg?v=1746698610","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eã«ããã®ãµãŠã³ãã¢ãŒãã£ã¹ãïŒæ ç»ç£ç£Joshua Bonnettaãã2025幎2æã«ãã©ã³ã¹ã®å®éšã¬ãŒãã«Shelter Pressãšã«ããã®The Dim CoastãããªãªãŒã¹ãã4æçµCD BOXã§ãã\u003c\/p\u003e\n\u003cp\u003e1æ¬ã®æŸã®æšã«ãã€ã¯ã仿ã1幎ãããŠé²é³ãããã£ãŒã«ãã¬ã³ãŒãã£ã³ã°4æ²ãåé²ããšãã»ã€ãä»å±ãå»ç€ã§ãã\u003c\/p\u003e\n\u003cp\u003e以äžãã¬ãŒãã«ã«ãã解説ã§ãã\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ãµãŠã³ãã¢ãŒãã£ã¹ãã§æ åäœå®¶ã®Joshua Bonnettaã¯ã人éã®ãªã¹ããŒããã颚æ¯ããåºããšãã«äœãèµ·ããããç¥ãããã£ãŠããããµãŠã³ãã¹ã±ãŒãã¯ã©ãéãã®ãïŒç§ãã¡ã®ååšã¯é²é³ã«ã©ã®ãããªåœ±é¿ãäžããŠããã®ã ãããïŒã·ã§ã«ã¿ãŒã»ãã¬ã¹ãšãã£ã ã»ã³ãŒã¹ããã2025幎2æ28æ¥ã«ãªãªãŒã¹ããã圌ã®éå¿çãªé·ç·šäœåãThe Pines I-IVãã¯ãããããçåã®ããã€ããåããã®ã§ããã¥ãŒãšãŒã¯å·åéšã«ããäžæ¬ã®æŸã®æšã®é³ã®äžçããé éé²é³ã«ãã£ãŠ1幎ãããŠãšãããé«åãªãã€ãã£ãŒã©ã€ã¿ãŒããããŒãã»ãã¯ãã¡ãŒã¬ã³ã®ãšãã»ã€ãšãã¥ã¬ãŒã¿ãŒã®ãžã§ã€ã¯ã»ã ãŒã¢ãåºæãå¯ãã4æçµCDãšããŠãªãªãŒã¹ãããã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eãã¯ãã¡ãŒã¬ã³ã®å
ãèŒããšãã»ã€ã¯ããã®ãããžã§ã¯ãããæ£®ã®äžã®æšã誰ãããªããšããã§é³ãåºããŠããã®ããšããçåã«å¯ŸããçããæäŸãããã®ã ãšæå±ããŠãããBonnettaã¯ãã®çåãèŠããåšå²ã®ç°å¢ãšçµ¡ããŠã人éã®èãæãããªããšãã«æšãä»ã®åæ€ç©ãã©ã®ãããªé³ãåºãã®ããåããããç§ãã¡ããã¬ãŒã ããäžæ©å€ã«åºããšãã«ã©ã®ãããªé³ãåé¢ã«åºãŠããã®ãããŸãããã€ã¯ããã©ã³ãã©ã®ãããªåœ¢ã§ç°å¢ã«ãããç§ãã¡ã®èãæ¹ãå€ããã®ããåããŠããã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eã¿ã€ãªã¬é¡ã«ããæšã®å¹¹ã®10ãã£ãŒãïŒçŽ1.5ã¡ãŒãã«ïŒäžã«åãä»ãããããã€ã¯ã«ãã£ãŠãåèš8760æéã®é³å£°ããã£ããã£ãŒãããã倩åãéçåç©ã®å£°ãã³ãšãŒãããã¯ããŠã®é³Žã声ãéªãæ°·ã®éã¿ã«ããæã®ããã¿ãªã©ããã¹ãŠã人éã®ããªããã®å Žæã®é³ãžã®çªãšããŠæ©èœããã䜿çšããããã€ã¯ãç·šéæ¹æ³ã¯ãä¿å
šçç©é³é¿åŠãããã·ãé³é¿ã¢ãã¿ãªã³ã°ã®æè¡ãåçšãããã®ã§ãBonnettaã«éåžžã®ãã£ãŒã«ãã¬ã³ãŒãã£ã³ã°ãããã¯ããã«æ·±ãé¢ããæ¹æ³ãæäŸãã...\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3464895804\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eã¬ãŒãã«ãã®ä»äœåã¯\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eãã¡ã\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ \u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e4 x CD in \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eoversized digisleeves w\/ hardcover \u003c\/span\u003e\u003cspan\u003eslipcase.\u003cbr\u003eIncludes \u003cmeta charset=\"utf-8\"\u003e12page booklet with original text by Robert Macfarlane and foreward by jake moore.\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Spring 59:38\u003cbr\u003e2. Summer 59:41\u003cbr\u003e3. Autumn 59:10\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Winter 59:40\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by Shelter Press:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSound artist and filmmaker Joshua Bonnetta wants to know what happens when a human listener exits a landscape. How might the soundscape differ? How is our presence affecting the recording? His ambitious long-form work The Pines I-IV, released on February 28, 2025 via Shelter Press and The Dim Coast, looks to interrogate some of these questions, capturing the sonic life of a single pine tree in upstate New York over the course of a year via remote recordings, edited into four hours of audio which will be released as a 4CD set with essay by acclaimed nature writer Robert Macfarlane and a foreword by curator jake moore, who suggests the forest knows when it is being listened to.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMacfarlaneâs luminous essay proposes that this project offers an answer to the question of whether a tree in a forest makes any sound at all if nobody is there to hear it. Bonnetta turns that question around â entangling it in the surrounding environment, to ask what sort of noise it and other plants and animals make when there is no human listener; asking what sounds come to the fore when we step out of the frame, and in what ways a microphone might alter the way we listen in the environment.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eA total of 8760 hours of audio were captured by a\u003cspan class=\"bcTruncateMore\"\u003e microphone strapped 10ft up a treeâs trunk in Tioga County, which was then reworked into a single hour of sound for each season, each of which captured events in and around the treeâs branches and immediate environment. We hear weather and wildlife; coyotes and owls; the creaking of branches under the weight of snow and ice â all act as a window into the sound of this place absent of humans; a time lapse of the audible world around the circumference of a single tree. The microphones used, and the methods of editing, are tech borrowed from conservation bioacoustics and passive acoustic monitoring, which offered Bonnetta a way to engage much more deeply than any standard field recording would...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : joshua bonnetta\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e\n\u003cp\u003ecat no : SP157cd\u003c\/p\u003e"}
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{"id":8779500749050,"title":"Moskito \/\/ Idolar TAPE","handle":"moskito-idolar-tape","description":"\u003cp\u003eåã¢ããªã«ã®ã¯ã¯ã€ãã°ã«ãŒãMoskitoãã2025幎5æã«Awesome Tapes From AfricaãããªãªãŒã¹ããåçºã¢ã«ãã ã§ãã\u003c\/p\u003e\n\u003cp\u003e以äžãã¬ãŒãã«ã«ãã解説ã§ãã\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ãšããã¹ãã«ã°ãšãã¬ããªã¢ãçµã¶åºå€§ãªéœåžã®äžã«ãããåã¢ããªã«ã®ãã³ããµã®æŽ»æ°ããã¹ããªãŒãã§ãMoskitoã®ç©èªã¯å§ãŸã£ãã2001幎ãããŒã«ãã»ãã·ã£ããŠãã»ã©ãããšæ
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ç±ã¯ããããŠåœŒããã¯ã¯ã€ãã®æŽå²ã«ãã®åãå»ãããšã«ãªãæ°ããªéãžãšå°ããã圌ããçãŸãè²ã£ãçºã®è¡è§ã§æ°ãåããªãã»ã©ã®æéãéãããã·ã£ããŠãšãã¬ã¢ã³ã¯çŸ€è¡ãæ¹ãã€ããææåã®ãããšãã«ã®ãŒã§èžããæã£ãããµããã®æèœãã¯ã¯ã€ãã»ã°ã«ãŒãã«æ³šã蟌ãããšæ±ºå¿ãããŸã§ã«ãããæéã¯ããããªãã£ããå人ã®ãããªãã¯ã»ã«ã¯ããšã¡ã³ãžã»ãããããå ããŠãMoskitoã¯èªçããã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e(ãã³ãã©ã»ãã³ã¹ã¯1950幎代ã«åã¢ããªã«ã®é»äººå±
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ããŠããã¯ã¯ã€ããšçµã³ã€ãã)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eéããããªãœãŒã¹ã®äžã§ãã°ã«ãŒãã¯çµ¶å€§ãªåµé æ§ãçºæ®ãã2å°ã®ã«ã»ããããããšä»ã®ã¢ãŒãã£ã¹ãã®ã€ã³ã¹ãã¥ã«ã¡ã³ã¿ã«ã»ãã©ãã¯ã䜿ã£ãŠãã¢ãé²é³ããã1å°ã®ãããããæµããã€ã³ã¹ãã¥ã«ã¡ã³ã¿ã«ã®äžã§ã©ããããæãã2å°ç®ã®ãããã圌ãã®ããã©ãŒãã³ã¹ãé²é³ããã圌ãã®æ±ºæã¯ãã¿ããŒã»ãã¥ãŒãžãã¯ã»ãããªãã·ã£ãŒãºã«ãã¢ãæåºãããšãã«å®ãçµã³ãã¿ããŒã¯Moskitoã®ã¹ã¿ã€ã«ã«é
äºãããã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eãã¯ã¯ã€ãã¯åœæã®æµè¡ã ã£ãã鳿¥œããããªãã¯ã¯ã€ãããããç§ãã¡ã¯ããã«æº¶ã蟌ã¿ããã£ãããå®éãããã¯ç°¡åãªããšã ã£ãããšã©ããã¯èšããã°ã«ãŒãã«ã¯ãšã³ãžãã¢ãããªãã£ãã®ã§ãåããŠæ¬æ Œçãªã¹ã¿ãžãªã«å
¥ã£ãã®ã¯ãããŒã·ãŒãšã¿ããšäžç·ã«ãIdolarããã¬ã³ãŒãã£ã³ã°ãããšãã ã£ããã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eå幎ãã°ã«ãŒãã¯ã¿ããŒã»ãã¥ãŒãžãã¯ããããã¥ãŒã»ã¢ã«ãã ãIdolarãããªãªãŒã¹ããããã®ã¢ã«ãã ã¯ã2äž5,000æä»¥äžã売ãäžãããŽãŒã«ãã»ã¹ããŒã¿ã¹ã«éãããšããçŽãããªãæåãåããåã¢ããªã«å
šåããããŠããã¯ããã¹ã¯ãžã©ã³ãããããã¢ããžã³ãããšãšãã£ãè¿é£è«žåœã«ç±ççãªãã¡ã³ãç²åŸãããMoskitoã¯ãThizaãSpoke H ãšã®ä»äºã§ç¥ãããChilly Mthiya Tshabalalaãšãã£ãæ¥çã®ã¬ãžã§ã³ããã¡ãšã³ã©ãã¬ãŒãããã圌ãã¯ã80幎代ãã90幎代ã«ãããŠãã£ã¹ã³ã·ãŒã³ãåžå·»ãããããã§ããµãŒã»ãªãºã ããšã¿ãã»ã ãã¥ã«ãªããã€ã³ã¹ãã¬ãŒã·ã§ã³ãåŸããMdluliã¯é³æ¥œã®ã¢ã¬ã³ãžãæäŒããã¢ã«ãã ã®ãšã°ãŒã¯ãã£ãã»ãããã¥ãŒãµãŒãåãããããã¥ãŒãµãŒå
Œãšã³ãžãã¢ã®Percy Mudauãšå¥çŽãããåœæã®æ°é²ã¯ã¯ã€ãã»ã¢ãŒãã£ã¹ãã®å€ããããã§ãã£ãããã«ã圌ãã¯é³æ¥œå¶äœããšã³ãžãã¢ãªã³ã°ã®çŽ é€ããªãã£ããããã¢ã€ãã¢ãããŒãã«ãŸãšãããšã³ãžãã¢ã®ãµããŒããå¿
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Idolar\u003cbr\u003e2. Why Wena\u003cbr\u003e3. Kwenzenjani\u003cbr\u003e4. Impohlo\u003cbr\u003e5. Thula Msindo\u003cbr\u003e6. Mashonisa\u003cbr\u003e7. Woza\u003cbr\u003e8. Sdudla\u003cbr\u003e9. Baby\u003cbr\u003e10. Izozo\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by Tammy Music:\u003c\/p\u003e\n\u003cp\u003e\".\u003cem\u003e..\u003cmeta charset=\"utf-8\"\u003eThe album was an undeniable success reaching gold status selling over 25,000 units and earning them a devoted fan base across South Africa and neighboring countries like Botswana, Swaziland, Namibia and Zimbabwe. Moskito collaborated with industry legends such as Chilly Mthiya Tshabalala, who was known for his work with Thiza and Spoke âH.â They drew inspiration from Thami Mdluli a.k.a Professor Rhythm, who had dominated the disco scene back in the 80s and 90s. 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Like many of the rising kwaito artists of the time, they didnât have music production or engineering backgrounds so they required support from engineers together their ideas down on tape...\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Moskito\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eAwesome Tapes From Africa\u003c\/p\u003e\n\u003cp\u003ecat no : ATFA052cass\u003c\/p\u003e","published_at":"2025-05-07T15:29:04+09:00","created_at":"2025-05-07T10:24:11+09:00","vendor":"Tobira Records","type":"","tags":["awesome tapes from africa","field recording","hiphop \/ funk","new","tape"],"price":214400,"price_min":214400,"price_max":214400,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47297323598074,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Moskito \/\/ Idolar TAPE","public_title":null,"options":["Default Title"],"price":214400,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"843563184714","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ido1.jpg?v=1746580718","\/\/tobirarecords.com\/cdn\/shop\/files\/ido3.jpg?v=1746580718"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ido1.jpg?v=1746580718","options":["Title"],"media":[{"alt":null,"id":35985015636218,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ido1.jpg?v=1746580718"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ido1.jpg?v=1746580718","width":700},{"alt":null,"id":35985015668986,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ido3.jpg?v=1746580718"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ido3.jpg?v=1746580718","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eåã¢ããªã«ã®ã¯ã¯ã€ãã°ã«ãŒãMoskitoãã2025幎5æã«Awesome Tapes From AfricaãããªãªãŒã¹ããåçºã¢ã«ãã ã§ãã\u003c\/p\u003e\n\u003cp\u003e以äžãã¬ãŒãã«ã«ãã解説ã§ãã\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ãšããã¹ãã«ã°ãšãã¬ããªã¢ãçµã¶åºå€§ãªéœåžã®äžã«ãããåã¢ããªã«ã®ãã³ããµã®æŽ»æ°ããã¹ããªãŒãã§ãMoskitoã®ç©èªã¯å§ãŸã£ãã2001幎ãããŒã«ãã»ãã·ã£ããŠãã»ã©ãããšæ
ãºãŠã§ã©ã±ã»ããã¬ã¢ã³ãã»ã ãããªã«ãã£ãŠçµæããããã®ã°ã«ãŒãã¯ãåœåãã³ãã©ã»ãã³ãµãŒã®åŒ·è±ªãšããŠé è§ãçŸããããããã鳿¥œã«å¯Ÿãã圌ãã®çŽãããªãæ
ç±ã¯ããããŠåœŒããã¯ã¯ã€ãã®æŽå²ã«ãã®åãå»ãããšã«ãªãæ°ããªéãžãšå°ããã圌ããçãŸãè²ã£ãçºã®è¡è§ã§æ°ãåããªãã»ã©ã®æéãéãããã·ã£ããŠãšãã¬ã¢ã³ã¯çŸ€è¡ãæ¹ãã€ããææåã®ãããšãã«ã®ãŒã§èžããæã£ãããµããã®æèœãã¯ã¯ã€ãã»ã°ã«ãŒãã«æ³šã蟌ãããšæ±ºå¿ãããŸã§ã«ãããæéã¯ããããªãã£ããå人ã®ãããªãã¯ã»ã«ã¯ããšã¡ã³ãžã»ãããããå ããŠãMoskitoã¯èªçããã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e(ãã³ãã©ã»ãã³ã¹ã¯1950幎代ã«åã¢ããªã«ã®é»äººå±
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ããŠããã¯ã¯ã€ããšçµã³ã€ãã)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eéããããªãœãŒã¹ã®äžã§ãã°ã«ãŒãã¯çµ¶å€§ãªåµé æ§ãçºæ®ãã2å°ã®ã«ã»ããããããšä»ã®ã¢ãŒãã£ã¹ãã®ã€ã³ã¹ãã¥ã«ã¡ã³ã¿ã«ã»ãã©ãã¯ã䜿ã£ãŠãã¢ãé²é³ããã1å°ã®ãããããæµããã€ã³ã¹ãã¥ã«ã¡ã³ã¿ã«ã®äžã§ã©ããããæãã2å°ç®ã®ãããã圌ãã®ããã©ãŒãã³ã¹ãé²é³ããã圌ãã®æ±ºæã¯ãã¿ããŒã»ãã¥ãŒãžãã¯ã»ãããªãã·ã£ãŒãºã«ãã¢ãæåºãããšãã«å®ãçµã³ãã¿ããŒã¯Moskitoã®ã¹ã¿ã€ã«ã«é
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Œãšã³ãžãã¢ã®Percy Mudauãšå¥çŽãããåœæã®æ°é²ã¯ã¯ã€ãã»ã¢ãŒãã£ã¹ãã®å€ããããã§ãã£ãããã«ã圌ãã¯é³æ¥œå¶äœããšã³ãžãã¢ãªã³ã°ã®çŽ é€ããªãã£ããããã¢ã€ãã¢ãããŒãã«ãŸãšãããšã³ãžãã¢ã®ãµããŒããå¿
èŠãšããŠããã\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eã¹ããŒãã»ãã®ãŒã»ããã°ããã¯ã¿ãŒã»ãã¬ãŒã2ããã¯ãR.ã±ãªãŒãšãã£ãåœéçãªå€§ç©ãã¡ãšãšãã«ãããã³ããŒãºãã ãã¥ããã³ããŒãµãã¢ãŒãµãŒã»ããã©ã«ããšãã£ãåã¢ããªã«ã®ã¯ã¯ã€ãã»ã¢ã€ã³ã³ãã¡ããã€ã³ã¹ãã¬ãŒã·ã§ã³ãåããMoskitoã¯ãããŒã«ã«ã»ãã€ã¹ããšã°ããŒãã«ãªåœ±é¿ã®å®ç§ãªãã¬ã³ããšããã圌ããªãã§ã¯ã®ãµãŠã³ããäœãäžããã\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/va7Dx8Bllog?si=1EhsAwSzpg28MpkF\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/s0-KZ4NxUcM?si=f12nem43PszaifWK\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eã¬ãŒãã«ãã®ä»äœåã¯\u003ca href=\"https:\/\/tobirarecords.com\/collections\/atfa\"\u003eãã¡ã\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/atfa\"\u003ehere\u003c\/a\u003e to see more Awesome Tapes From Africa releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case.\u003cbr\u003eReissue or Moskito's debut album - originally released in 2001. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Idolar\u003cbr\u003e2. Why Wena\u003cbr\u003e3. Kwenzenjani\u003cbr\u003e4. Impohlo\u003cbr\u003e5. Thula Msindo\u003cbr\u003e6. Mashonisa\u003cbr\u003e7. Woza\u003cbr\u003e8. Sdudla\u003cbr\u003e9. Baby\u003cbr\u003e10. Izozo\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by Tammy Music:\u003c\/p\u003e\n\u003cp\u003e\".\u003cem\u003e..\u003cmeta charset=\"utf-8\"\u003eThe album was an undeniable success reaching gold status selling over 25,000 units and earning them a devoted fan base across South Africa and neighboring countries like Botswana, Swaziland, Namibia and Zimbabwe. Moskito collaborated with industry legends such as Chilly Mthiya Tshabalala, who was known for his work with Thiza and Spoke âH.â They drew inspiration from Thami Mdluli a.k.a Professor Rhythm, who had dominated the disco scene back in the 80s and 90s. Mdluli helped with musical arrangements and executive produced the album and signed on producer-engineer Percy Mudau, while Shadow and Malemon took pride in composing most of their songs. Like many of the rising kwaito artists of the time, they didnât have music production or engineering backgrounds so they required support from engineers together their ideas down on tape...\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Moskito\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eAwesome Tapes From Africa\u003c\/p\u003e\n\u003cp\u003ecat no : ATFA052cass\u003c\/p\u003e"}
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