Christina Vantzou, Jan Matthé, Christophe Piette, Lieven Martens // Serrisme CD+BOOKLET

Christina Vantzou, Jan Matthé, Christophe Piette, Lieven Martens // Serrisme CD+BOOKLET

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Dolphins Into the Future名義でも有名なベルギーの音響作家Lieven Martens Moana主宰レーベルEdições CNの2021年9月リリースを入荷しました。

本作は、Krankyなどから発表しているベルギーの音響作家Christina VantzouとレーベルオーナーLieven Martens Moanaによる共作CDです。ベルギー・ブリュッセルから少し南にある小さな村フーイラールトでのぶどう栽培をテーマとした作品です。音楽だけでなく、Jan Matthéによるテキスト、Christophe Pietteによる温室で働く人々の姿を切り取った写真を掲載した32ページのブックレットが付いており、視覚的にも楽しめます。DLコードが付属。

レーベルその他作品はこちら /// Click here to see more Edições CN releases available at Tobira.

--------------------------------

"Invited by the town of Hoeilaart and with the support of the Flemish Heritage Fund we create this special document: a CD and a 32 pages booklet. Through photography, text, music, and sound we log a unique and peculiar culture: the grape cultivation under glass in Hoeilaart, a small village just below Brussels. Step with us inside the greenhouse, inside the confined world of the greenhouse workers.

Serrisme is:
a musical illustration - by Christina Vantzou,
sound registrations - by Lieven Martens,
a long poetic text - by Jan Matthé,
analogue photographs - by Christophe Piette,
and the usual perfect design - by Jeroen Wille.

Because:
we get imaginative with the real, before we get real with the imaginative.

---

The cultivation of grapes under glass in Hoeilaart. A culture that has been growing for 150 years, give or take. Its fruit: table grapes, once feasted on in faraway places such as Russia, the British isles and America. This cultured architecture, wealth, beauty contests, fame, a coded row of values per parameter, a people. And silence!

Serrism happens under glass. Lots of it. In Hoeilaart – the glass village – were once more than 13,000 greenhouses. 13,000 enclosed worlds for the table grape to live, leave and die. Ostinato. Today, only a fraction of these greenhouses are still erect. Under the sympathetic rule of a unique variety: the serrist, world-builder under a glass bell.

This publication is about what it means to listen like glass. To listen to glass. To live as a grape. A matter of selection. "

Artist : Christina Vantzou, Jan Matthé, Christophe Piette, Lieven Martens

Label : Edições CN

Dolphins Into the Future名義でも有名なベルギーの音響作家Lieven Martens Moana主宰レーベルEdições CNの2021年9月リリースを入荷しました。

レーベルその他作品はこちら /// Click here to see more Edições CN releases available at Tobira.

--------------------------------

Artist : Christina Vantzou, Jan Matthé, Christophe Piette, Lieven Martens

Label : Edições CN

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ベルギーのイルカおじさんことLieven Martens aka Dolphins Into The Futureが、2024年6月にリリースした再発カセットです。（オリジナルは2020年リリース）相変わらずのイルカ節ポストニューエイジ・アンビエント10曲を収録。DLコード付属。レーベルその他作品はこちら /// Click here to see more Edições CN releases...

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クイックビュー {"id":7923909198074,"title":"Jeugdbrand \/\/ Siamese Dream (Team) LP","handle":"jeugdbrand-siamese-dream-team-lp","description":"\u003cp\u003eベルギー・アントワープの詩人\u003cmeta charset=\"utf-8\"\u003eDennis TyfusとパーカッショニストJeroen StevensによるデュオJeugdbrandが、2023年3月にリリースするデビューレコードです。\u003c\/p\u003e\n\u003cp\u003eこれをはたして音楽と呼べるのでしょうか？インサートとDLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003eJeugdbrandは、アントワープの声（Dennis Tyfus）とビート（Jeroen Stevens）です。彼らは、アントワープの古典的なアナーキーなユーモアのセンスに彩られた、きらめくドラマ、演劇的な悲劇を演じます。ベルギー音楽界のランドマークであるJoris CaluwaertsのFinster Studiosで録音されました。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eDennisの作品には、様々な大きさの鉛筆画があります。これらのドローイングの中で、作家は多くの悲劇的な状況に身を置いています。バーで長い夜を過ごした後、家に帰る途中で嘔吐するような。右翼のバカどもに煮え湯を飲ませるような。Tinderのプロフィールで甘い嘘をつくような。あるいは、日曜の夕方にゴミ出しをすることのような。恐ろしい。これらの一見、密閉された鉛筆の絵は、ごまかしの効かないシンプルな世界を示しています。しかし、カラフルな仮面の裏側で実際に何が起こっているのかをもう少し理解すると、苦い後味になることが多いです。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e音楽に関しては、前述のドローイングとは対照的に、\u003cmeta charset=\"utf-8\"\u003eDennisはもっと断片的な絵を描きます。彼のレコーディングや演奏は、しばしば抜粋をつなぎ合わせたような印象を与えます。奇妙な文章やおかしな発言が飛び交い、交錯します。音楽的な記号はテーブルの上にさりげなく投げ出されています。明確な絵の代わりに、さまざまな落書きの束を見ているような感覚に陥ります。\u003cmeta charset=\"utf-8\"\u003eDennisがいかに集中して絵を描いているかということに比べ、彼の音楽はいかに集中力がなく、大雑把であるかということを感じることがあるのです。私たちはただ、感情から感情へと放り出されるだけなのです。笑いから涙へ。それは揺れ動くものです。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e私は、\u003cmeta charset=\"utf-8\"\u003eDennisがアントワープの中心部をいつも散歩しているときに拾った会話の欠片を、常にメモしているのではないかと想像したいです。R. Murray Schaferのようなやり方で、\u003cmeta charset=\"utf-8\"\u003eDennisはすべての文章を非常に恣意的にとらえます...そしてそれがサウンドスケープとなるのです。ドラマチック、ノーマル、自慢話、バカバカしさ、切迫感...。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eJeroen Stevensの登場です。アントワープきってのパーカッショニストです。この文章で彼の出演するバンドをすべて列挙していたら、本当にデータとプリンターを無駄にしてしまうでしょう。Jeroenは学校教育を受けたセッション・ミュージシャンの壮大な才能です。しかし、白人のインプロに感謝したいです。彼はまた、スイートでクリエイティブでもあるのです。Jeugdbrandは、菅井健とのLP『KAGIROI』（2021年）でパーカッシブの断片を担当したのに続き、Edições CNのカタログでは2作目の参加となります。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e最近では、サティの「ヴェクサシオン」をmidi楽器で演奏したり、クリスマス音楽を演奏したり、キャンプ用の椅子の上でストゥージズの曲をカバーする有名なプロジェクト「De Stoeltjes」を行ったりと、非常に長大で正しい演奏を行っています。イギー本人が困惑するほどです。これは冗談のように思えるかもしれませんが、Stevensの冒険的な音楽はとてもやりがいのあるものだと認めざるを得ないでしょう。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eJeugdbrandの音楽は、故Ghédalia Tazartèsの音楽を少し思い出させます - 特に音楽イディオムの再解釈と組み合わせに関しては - しかし、このアルバムに直接言及しようとすると、それは少し物足りません。最も重要なことは、これが音楽であるということです。強烈な個性があります。刺激的な神殿のための断片的な梁のようなものです。少し揺さぶりをかけるように・・・。\"彼らは私たちに言った彼らは彼女に言ったみんなに言ったんだ\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1553027623\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/edicoes-cn\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/edicoes-cn\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/edicoes-cn\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/edicoes-cn\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eEdições CN releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Edition of 300. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003cbr\u003eA. What seems like forever ago\/We mogen het toch vragen? \u003cem\u003e16:50\u003c\/em\u003e\u003cbr\u003eB. Do you want to move in with all of us?\/We hadden het haar al eens gezegd \u003cem\u003e16:50\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEdições CN:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eJeugdbrand is the voice (Dennis Tyfus) and the beat (Jeroen Stevens) of Antwerp. They perform a sparkling drama, a theatrical tragedy, marinated in our classic Antwerp anarchic sense of humor. Recorded at Joris Caluwaerts’ Finster Studios - a landmark in Belgian music. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eInside the multiverse that is Dennis Tyfus’ oeuvre there exists this body of detailed pencil drawings of various sizes. In these drawings the artist puts himself in many tragic situations. Like vomiting on his way home after a long night at the bar. Boiling right wing idiots. Telling sweet little lies on your Tinder profile. Or, you know, taking out the garbage on a Sunday evening. The horror. These seemingly hermetic pencil drawings show a deceivingly simple world. But you’re often stuck with a bitter aftertaste when you understand a bit more what is actually happening behind the colorful masque.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWhen it comes to his music - and in contrast to aforementioned drawings - Dennis pencils a more piecemeal picture. His recordings and performances often feel like spliced excerpts. Strange sentences and funny remarks waiver by and interconnect. Musical symbols are casually thrown on the table. Instead of a clear picture, we now have the feeling of looking at a bunch of different doodles. Like... sometimes I have the feeling compared to how focussed Dennis works on his drawings, how unfocussed and sketchy he treats his music. We are simply thrown from emotion to emotion. From laughter to tears. It’s a bumpy ride. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eI’d like to imagine that Dennis constantly notates all the shards of conversation he picks up during his regular walks in the centre of Antwerp - a wormhole congested with characters, the one more tragic than the other. In a kind of R. Murray Schafer way, Dennis takes in every sentence very un-arbitrary... and that’s the soundscape. Dramatic, normal, boasted, silly, urgent... \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eEnter Jeroen Stevens. Antwerp’s number one percussionist. If I would have to list all the bands he performs in this text, well, we would be truly wasting data and printers. Jeroen is the grand gift of the well- schooled session musician. But thank the heavens of white improv, he is also sweet and creative. \u003c\/em\u003e\u003cem\u003eJeugdbrand is his second entry in the Edições CN catalogue, after taking care of some of the percussive fragments on the “KAGIROI\" LP with Sugai Ken (2021).\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eRecently Jeroen has been performing very lengthy - thus correct - performances of Satie’s Vexations for midi instrumentation; Christmas music; and his famed De Stoeltjes project, where he covers Stooges songs on a camping chair. Apparently much to the confusion of Iggy himself. This might all feel like a big joke to you, but when you dare to listen, you will have to admit that Steven’s adventurous music is very rewarding. Special stuff.\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe music of Jeugdbrand reminds me a bit of the music of the late Ghédalia Tazartès - especially when it comes to reinterpreting and combining musical idioms - but trying to put a direct reference on this album does it a bit short. Most important, this is music how it could be: incomprehensible, hilarious, serious, ludicrous, well crafted, sloppy, non-genre. With a strong sense of personality. You know, a fragmented beam for your own overstimulated temple. To shake things up a little ... “They told us, they told her. I told everybody.”\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe albums comes with a drawing by German artist Albert Oehlen and with a text by Angela Sawyer of Weirdo Records, Boston.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeugdbrand \u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEdições CN\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-02-23T14:26:36+09:00","created_at":"2023-02-23T14:15:16+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","Edições CN","lp"],"price":318000,"price_min":318000,"price_max":318000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44016675979514,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Jeugdbrand \/\/ Siamese Dream (Team) LP","public_title":null,"options":["Default Title"],"price":318000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/Jeugdbrand_lowres.jpg?v=1677129318","\/\/tobirarecords.com\/cdn\/shop\/products\/fo1_83cdf4ee-e1b6-4ff7-a1f0-e45c66ec8a6c.jpg?v=1677129318"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/Jeugdbrand_lowres.jpg?v=1677129318","options":["Title"],"media":[{"alt":null,"id":31571569869050,"position":1,"preview_image":{"aspect_ratio":1.002,"height":480,"width":481,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/Jeugdbrand_lowres.jpg?v=1677129318"},"aspect_ratio":1.002,"height":480,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/Jeugdbrand_lowres.jpg?v=1677129318","width":481},{"alt":null,"id":31571569901818,"position":2,"preview_image":{"aspect_ratio":1.002,"height":1198,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo1_83cdf4ee-e1b6-4ff7-a1f0-e45c66ec8a6c.jpg?v=1677129318"},"aspect_ratio":1.002,"height":1198,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo1_83cdf4ee-e1b6-4ff7-a1f0-e45c66ec8a6c.jpg?v=1677129318","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eベルギー・アントワープの詩人\u003cmeta charset=\"utf-8\"\u003eDennis TyfusとパーカッショニストJeroen StevensによるデュオJeugdbrandが、2023年3月にリリースするデビューレコードです。\u003c\/p\u003e\n\u003cp\u003eこれをはたして音楽と呼べるのでしょうか？インサートとDLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003eJeugdbrandは、アントワープの声（Dennis Tyfus）とビート（Jeroen Stevens）です。彼らは、アントワープの古典的なアナーキーなユーモアのセンスに彩られた、きらめくドラマ、演劇的な悲劇を演じます。ベルギー音楽界のランドマークであるJoris CaluwaertsのFinster Studiosで録音されました。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eDennisの作品には、様々な大きさの鉛筆画があります。これらのドローイングの中で、作家は多くの悲劇的な状況に身を置いています。バーで長い夜を過ごした後、家に帰る途中で嘔吐するような。右翼のバカどもに煮え湯を飲ませるような。Tinderのプロフィールで甘い嘘をつくような。あるいは、日曜の夕方にゴミ出しをすることのような。恐ろしい。これらの一見、密閉された鉛筆の絵は、ごまかしの効かないシンプルな世界を示しています。しかし、カラフルな仮面の裏側で実際に何が起こっているのかをもう少し理解すると、苦い後味になることが多いです。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e音楽に関しては、前述のドローイングとは対照的に、\u003cmeta charset=\"utf-8\"\u003eDennisはもっと断片的な絵を描きます。彼のレコーディングや演奏は、しばしば抜粋をつなぎ合わせたような印象を与えます。奇妙な文章やおかしな発言が飛び交い、交錯します。音楽的な記号はテーブルの上にさりげなく投げ出されています。明確な絵の代わりに、さまざまな落書きの束を見ているような感覚に陥ります。\u003cmeta charset=\"utf-8\"\u003eDennisがいかに集中して絵を描いているかということに比べ、彼の音楽はいかに集中力がなく、大雑把であるかということを感じることがあるのです。私たちはただ、感情から感情へと放り出されるだけなのです。笑いから涙へ。それは揺れ動くものです。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e私は、\u003cmeta charset=\"utf-8\"\u003eDennisがアントワープの中心部をいつも散歩しているときに拾った会話の欠片を、常にメモしているのではないかと想像したいです。R. Murray Schaferのようなやり方で、\u003cmeta charset=\"utf-8\"\u003eDennisはすべての文章を非常に恣意的にとらえます...そしてそれがサウンドスケープとなるのです。ドラマチック、ノーマル、自慢話、バカバカしさ、切迫感...。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eJeroen Stevensの登場です。アントワープきってのパーカッショニストです。この文章で彼の出演するバンドをすべて列挙していたら、本当にデータとプリンターを無駄にしてしまうでしょう。Jeroenは学校教育を受けたセッション・ミュージシャンの壮大な才能です。しかし、白人のインプロに感謝したいです。彼はまた、スイートでクリエイティブでもあるのです。Jeugdbrandは、菅井健とのLP『KAGIROI』（2021年）でパーカッシブの断片を担当したのに続き、Edições CNのカタログでは2作目の参加となります。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e最近では、サティの「ヴェクサシオン」をmidi楽器で演奏したり、クリスマス音楽を演奏したり、キャンプ用の椅子の上でストゥージズの曲をカバーする有名なプロジェクト「De Stoeltjes」を行ったりと、非常に長大で正しい演奏を行っています。イギー本人が困惑するほどです。これは冗談のように思えるかもしれませんが、Stevensの冒険的な音楽はとてもやりがいのあるものだと認めざるを得ないでしょう。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eJeugdbrandの音楽は、故Ghédalia Tazartèsの音楽を少し思い出させます - 特に音楽イディオムの再解釈と組み合わせに関しては - しかし、このアルバムに直接言及しようとすると、それは少し物足りません。最も重要なことは、これが音楽であるということです。強烈な個性があります。刺激的な神殿のための断片的な梁のようなものです。少し揺さぶりをかけるように・・・。\"彼らは私たちに言った彼らは彼女に言ったみんなに言ったんだ\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1553027623\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/edicoes-cn\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/edicoes-cn\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/edicoes-cn\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/edicoes-cn\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eEdições CN releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Edition of 300. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003cbr\u003eA. What seems like forever ago\/We mogen het toch vragen? \u003cem\u003e16:50\u003c\/em\u003e\u003cbr\u003eB. Do you want to move in with all of us?\/We hadden het haar al eens gezegd \u003cem\u003e16:50\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEdições CN:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eJeugdbrand is the voice (Dennis Tyfus) and the beat (Jeroen Stevens) of Antwerp. They perform a sparkling drama, a theatrical tragedy, marinated in our classic Antwerp anarchic sense of humor. Recorded at Joris Caluwaerts’ Finster Studios - a landmark in Belgian music. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eInside the multiverse that is Dennis Tyfus’ oeuvre there exists this body of detailed pencil drawings of various sizes. In these drawings the artist puts himself in many tragic situations. Like vomiting on his way home after a long night at the bar. Boiling right wing idiots. Telling sweet little lies on your Tinder profile. Or, you know, taking out the garbage on a Sunday evening. The horror. These seemingly hermetic pencil drawings show a deceivingly simple world. But you’re often stuck with a bitter aftertaste when you understand a bit more what is actually happening behind the colorful masque.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWhen it comes to his music - and in contrast to aforementioned drawings - Dennis pencils a more piecemeal picture. His recordings and performances often feel like spliced excerpts. Strange sentences and funny remarks waiver by and interconnect. Musical symbols are casually thrown on the table. Instead of a clear picture, we now have the feeling of looking at a bunch of different doodles. Like... sometimes I have the feeling compared to how focussed Dennis works on his drawings, how unfocussed and sketchy he treats his music. We are simply thrown from emotion to emotion. From laughter to tears. It’s a bumpy ride. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eI’d like to imagine that Dennis constantly notates all the shards of conversation he picks up during his regular walks in the centre of Antwerp - a wormhole congested with characters, the one more tragic than the other. In a kind of R. Murray Schafer way, Dennis takes in every sentence very un-arbitrary... and that’s the soundscape. Dramatic, normal, boasted, silly, urgent... \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eEnter Jeroen Stevens. Antwerp’s number one percussionist. If I would have to list all the bands he performs in this text, well, we would be truly wasting data and printers. Jeroen is the grand gift of the well- schooled session musician. But thank the heavens of white improv, he is also sweet and creative. \u003c\/em\u003e\u003cem\u003eJeugdbrand is his second entry in the Edições CN catalogue, after taking care of some of the percussive fragments on the “KAGIROI\" LP with Sugai Ken (2021).\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eRecently Jeroen has been performing very lengthy - thus correct - performances of Satie’s Vexations for midi instrumentation; Christmas music; and his famed De Stoeltjes project, where he covers Stooges songs on a camping chair. Apparently much to the confusion of Iggy himself. This might all feel like a big joke to you, but when you dare to listen, you will have to admit that Steven’s adventurous music is very rewarding. Special stuff.\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe music of Jeugdbrand reminds me a bit of the music of the late Ghédalia Tazartès - especially when it comes to reinterpreting and combining musical idioms - but trying to put a direct reference on this album does it a bit short. Most important, this is music how it could be: incomprehensible, hilarious, serious, ludicrous, well crafted, sloppy, non-genre. With a strong sense of personality. You know, a fragmented beam for your own overstimulated temple. To shake things up a little ... “They told us, they told her. I told everybody.”\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe albums comes with a drawing by German artist Albert Oehlen and with a text by Angela Sawyer of Weirdo Records, Boston.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeugdbrand \u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEdições CN\u003c\/span\u003e\u003c\/p\u003e"}