C. Blumberg // South from the Future TAPE

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ベルギーの新人作家C. Blumbergが同国 Lieven Martens Moana主宰Edições CNより50本限定でリリースしたデビューアルバム。全7曲収録。廃盤間近なので今回限りです。

レーベルその他作品はこちら /// Click here to see more Edições CN releases available at Tobira.

--------------------------------

Second edition of 50 copies.

"The debut album by C. Blumberg (living in Berlin DE) is a series of composite images. Anecdotes with distorted perspectives. Documents or maps - impressions...?
However if you look a bit closer you see something very different, quite like a technologic fantasy.

The second track, 神奇森林上海 (tr. Shanghai Magical Forest), holds a certain key to enter the psyche of the album. Here Blumberg is inspired by a photo found on Flickr. The author of the photo gave it a made-up name, c.q. a theme park that doesn’t exists. But in the canon of the Internet this place was misunderstood to be an actual real place. Resulting in bewildering daytrips and unfulfilling online voyages to find the apt information about this amusement park. It became a glitch.
The attentive listener hears a similar fabrication in the sounds. And is witness to: the simple creation of a truth.
Contrasting with Murmansk, the opening track. This track grants its name from something we should not see. Think about demarcation lines where none can go.

I see a certain relationshop between this release and the Berko album we produced two years ago. However where Andras Fox, as Berko, wanted to pay homage to YouTube bloopers and animal-attack videos – threating these as a mirror of society – C. Blumberg changes the gaze.
Blumberg hints at the Internet of Things. Resulting in a gloomy album, infused with enough humor and affection to enjoy. And with enough hidden meanings for the listener to explore …

“The Drake-YouTube Piano Tutorial combined with the chords of a Schubert Impromptu in Like when Chrysler … . (…) The sound of driving a mountain road in a Youtube video, while someone is reading of Kenneth Goldsmith’s ‚Wasting Time on The Internet‘ (also if it’s edited you won’t understand it or identify it anymore).”

Artist : C. Blumberg

Label : Edições CN

Quantity

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レーベルその他作品はこちら /// Click here to see more Edições CN releases available at Tobira.

--------------------------------

Second edition of 50 copies.

Label : Edições CN

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Edition of 150. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Matter Flows I 02:40\u003cbr\u003e2. Matter Flows II 04:05\u003cbr\u003e3. Matter Flows III 04:42\u003cbr\u003e4. Matter Flows IV 05:42\u003cbr\u003e5. Matter Flows V 04:52\u003cbr\u003e6. Matter Flows VI 03:28\u003cbr\u003e7. Matter Flows VII 03:55\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eEdições CN:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWe are inside the office of Hirokazu-San, the director of Ujikoen. Ujikoen is a historical tea company based in Kizugawa near Kyoto.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThere’s four of us\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eKojima Hirokazu : director of the tea company\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eKazuki Tomita : a translator hired for our project\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eFloris Vanhoof : multimedia artist\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eLieven Martens : sound recordist\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn this office Hirokazu-San tastes and slurps tea every day. Carefully he boils the water, selects the leaves, tastes the harvest, sip. Rounding up to about 300.000 sips - or more? - during his years studying for, and being a, teamaster.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHe blends with his tongue. Carefully combining different leaves from different soils. I had no idea they blended tea in this Geuze\/Champagne manner.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOur sounding slurping becomes a factory machine. His laughter is a bird call. The ringle of tableware as a polyrhythm. The digital chimes flowing over the village, a motif. The bell from the surrounding temple cuts the wind. And during the observation in the mountains, an artist forgets his shoes, what is celebrated by horseflies.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe sounds lead our thoughts to various directions. As a\u003cspan class=\"bcTruncateMore\"\u003e magical realistic play of a few people sitting in an office space.\u003cbr\u003e\u003cbr\u003eI walk outside the factory building. I walk around it. A faint smell of cat pee. The gravel makes sound under my sandals. I look up and see an airplane carefully drawing a straight line in the sky.\u003cbr\u003e\u003cbr\u003eA memory comes with every taste. It will be a blend.\u003cbr\u003e\u003cbr\u003eThis story takes place in the Uji region where the highest standard tea leaves are grown. Because of the mist, the air, the blue mountains, the people, … And in this particular office, in this factor building, in this village. I think about and follow every sound. To what was and where it goes. \u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lieven Martens\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eEdições CN\u003c\/p\u003e"}

ベルギーのイルカおじさんことLieven Martens aka Dolphins Into The Futureが、2024年6月にリリースした再発カセットです。（オリジナルは2020年リリース）相変わらずのイルカ節ポストニューエイジ・アンビエント10曲を収録。DLコード付属。レーベルその他作品はこちら /// Click here to see more Edições CN releases...

¥2,375

クイックビュー {"id":7923909198074,"title":"Jeugdbrand \/\/ Siamese Dream (Team) LP","handle":"jeugdbrand-siamese-dream-team-lp","description":"\u003cp\u003eベルギー・アントワープの詩人\u003cmeta charset=\"utf-8\"\u003eDennis TyfusとパーカッショニストJeroen StevensによるデュオJeugdbrandが、2023年3月にリリースするデビューレコードです。\u003c\/p\u003e\n\u003cp\u003eこれをはたして音楽と呼べるのでしょうか？インサートとDLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003eJeugdbrandは、アントワープの声（Dennis Tyfus）とビート（Jeroen Stevens）です。彼らは、アントワープの古典的なアナーキーなユーモアのセンスに彩られた、きらめくドラマ、演劇的な悲劇を演じます。ベルギー音楽界のランドマークであるJoris CaluwaertsのFinster Studiosで録音されました。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eDennisの作品には、様々な大きさの鉛筆画があります。これらのドローイングの中で、作家は多くの悲劇的な状況に身を置いています。バーで長い夜を過ごした後、家に帰る途中で嘔吐するような。右翼のバカどもに煮え湯を飲ませるような。Tinderのプロフィールで甘い嘘をつくような。あるいは、日曜の夕方にゴミ出しをすることのような。恐ろしい。これらの一見、密閉された鉛筆の絵は、ごまかしの効かないシンプルな世界を示しています。しかし、カラフルな仮面の裏側で実際に何が起こっているのかをもう少し理解すると、苦い後味になることが多いです。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e音楽に関しては、前述のドローイングとは対照的に、\u003cmeta charset=\"utf-8\"\u003eDennisはもっと断片的な絵を描きます。彼のレコーディングや演奏は、しばしば抜粋をつなぎ合わせたような印象を与えます。奇妙な文章やおかしな発言が飛び交い、交錯します。音楽的な記号はテーブルの上にさりげなく投げ出されています。明確な絵の代わりに、さまざまな落書きの束を見ているような感覚に陥ります。\u003cmeta charset=\"utf-8\"\u003eDennisがいかに集中して絵を描いているかということに比べ、彼の音楽はいかに集中力がなく、大雑把であるかということを感じることがあるのです。私たちはただ、感情から感情へと放り出されるだけなのです。笑いから涙へ。それは揺れ動くものです。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e私は、\u003cmeta charset=\"utf-8\"\u003eDennisがアントワープの中心部をいつも散歩しているときに拾った会話の欠片を、常にメモしているのではないかと想像したいです。R. Murray Schaferのようなやり方で、\u003cmeta charset=\"utf-8\"\u003eDennisはすべての文章を非常に恣意的にとらえます...そしてそれがサウンドスケープとなるのです。ドラマチック、ノーマル、自慢話、バカバカしさ、切迫感...。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eJeroen Stevensの登場です。アントワープきってのパーカッショニストです。この文章で彼の出演するバンドをすべて列挙していたら、本当にデータとプリンターを無駄にしてしまうでしょう。Jeroenは学校教育を受けたセッション・ミュージシャンの壮大な才能です。しかし、白人のインプロに感謝したいです。彼はまた、スイートでクリエイティブでもあるのです。Jeugdbrandは、菅井健とのLP『KAGIROI』（2021年）でパーカッシブの断片を担当したのに続き、Edições CNのカタログでは2作目の参加となります。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e最近では、サティの「ヴェクサシオン」をmidi楽器で演奏したり、クリスマス音楽を演奏したり、キャンプ用の椅子の上でストゥージズの曲をカバーする有名なプロジェクト「De Stoeltjes」を行ったりと、非常に長大で正しい演奏を行っています。イギー本人が困惑するほどです。これは冗談のように思えるかもしれませんが、Stevensの冒険的な音楽はとてもやりがいのあるものだと認めざるを得ないでしょう。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eJeugdbrandの音楽は、故Ghédalia Tazartèsの音楽を少し思い出させます - 特に音楽イディオムの再解釈と組み合わせに関しては - しかし、このアルバムに直接言及しようとすると、それは少し物足りません。最も重要なことは、これが音楽であるということです。強烈な個性があります。刺激的な神殿のための断片的な梁のようなものです。少し揺さぶりをかけるように・・・。\"彼らは私たちに言った彼らは彼女に言ったみんなに言ったんだ\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1553027623\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/edicoes-cn\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/edicoes-cn\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/edicoes-cn\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/edicoes-cn\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eEdições CN releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Edition of 300. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003cbr\u003eA. What seems like forever ago\/We mogen het toch vragen? \u003cem\u003e16:50\u003c\/em\u003e\u003cbr\u003eB. Do you want to move in with all of us?\/We hadden het haar al eens gezegd \u003cem\u003e16:50\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEdições CN:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eJeugdbrand is the voice (Dennis Tyfus) and the beat (Jeroen Stevens) of Antwerp. They perform a sparkling drama, a theatrical tragedy, marinated in our classic Antwerp anarchic sense of humor. Recorded at Joris Caluwaerts’ Finster Studios - a landmark in Belgian music. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eInside the multiverse that is Dennis Tyfus’ oeuvre there exists this body of detailed pencil drawings of various sizes. In these drawings the artist puts himself in many tragic situations. Like vomiting on his way home after a long night at the bar. Boiling right wing idiots. Telling sweet little lies on your Tinder profile. Or, you know, taking out the garbage on a Sunday evening. The horror. These seemingly hermetic pencil drawings show a deceivingly simple world. But you’re often stuck with a bitter aftertaste when you understand a bit more what is actually happening behind the colorful masque.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWhen it comes to his music - and in contrast to aforementioned drawings - Dennis pencils a more piecemeal picture. His recordings and performances often feel like spliced excerpts. Strange sentences and funny remarks waiver by and interconnect. Musical symbols are casually thrown on the table. Instead of a clear picture, we now have the feeling of looking at a bunch of different doodles. Like... sometimes I have the feeling compared to how focussed Dennis works on his drawings, how unfocussed and sketchy he treats his music. We are simply thrown from emotion to emotion. From laughter to tears. It’s a bumpy ride. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eI’d like to imagine that Dennis constantly notates all the shards of conversation he picks up during his regular walks in the centre of Antwerp - a wormhole congested with characters, the one more tragic than the other. In a kind of R. Murray Schafer way, Dennis takes in every sentence very un-arbitrary... and that’s the soundscape. Dramatic, normal, boasted, silly, urgent... \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eEnter Jeroen Stevens. Antwerp’s number one percussionist. If I would have to list all the bands he performs in this text, well, we would be truly wasting data and printers. Jeroen is the grand gift of the well- schooled session musician. But thank the heavens of white improv, he is also sweet and creative. \u003c\/em\u003e\u003cem\u003eJeugdbrand is his second entry in the Edições CN catalogue, after taking care of some of the percussive fragments on the “KAGIROI\" LP with Sugai Ken (2021).\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eRecently Jeroen has been performing very lengthy - thus correct - performances of Satie’s Vexations for midi instrumentation; Christmas music; and his famed De Stoeltjes project, where he covers Stooges songs on a camping chair. Apparently much to the confusion of Iggy himself. This might all feel like a big joke to you, but when you dare to listen, you will have to admit that Steven’s adventurous music is very rewarding. Special stuff.\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe music of Jeugdbrand reminds me a bit of the music of the late Ghédalia Tazartès - especially when it comes to reinterpreting and combining musical idioms - but trying to put a direct reference on this album does it a bit short. Most important, this is music how it could be: incomprehensible, hilarious, serious, ludicrous, well crafted, sloppy, non-genre. With a strong sense of personality. You know, a fragmented beam for your own overstimulated temple. To shake things up a little ... “They told us, they told her. I told everybody.”\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe albums comes with a drawing by German artist Albert Oehlen and with a text by Angela Sawyer of Weirdo Records, Boston.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeugdbrand \u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEdições CN\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-02-23T14:26:36+09:00","created_at":"2023-02-23T14:15:16+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","Edições CN","lp"],"price":318000,"price_min":318000,"price_max":318000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44016675979514,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Jeugdbrand \/\/ Siamese Dream (Team) LP","public_title":null,"options":["Default Title"],"price":318000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/Jeugdbrand_lowres.jpg?v=1677129318","\/\/tobirarecords.com\/cdn\/shop\/products\/fo1_83cdf4ee-e1b6-4ff7-a1f0-e45c66ec8a6c.jpg?v=1677129318"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/Jeugdbrand_lowres.jpg?v=1677129318","options":["Title"],"media":[{"alt":null,"id":31571569869050,"position":1,"preview_image":{"aspect_ratio":1.002,"height":480,"width":481,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/Jeugdbrand_lowres.jpg?v=1677129318"},"aspect_ratio":1.002,"height":480,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/Jeugdbrand_lowres.jpg?v=1677129318","width":481},{"alt":null,"id":31571569901818,"position":2,"preview_image":{"aspect_ratio":1.002,"height":1198,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo1_83cdf4ee-e1b6-4ff7-a1f0-e45c66ec8a6c.jpg?v=1677129318"},"aspect_ratio":1.002,"height":1198,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo1_83cdf4ee-e1b6-4ff7-a1f0-e45c66ec8a6c.jpg?v=1677129318","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eベルギー・アントワープの詩人\u003cmeta charset=\"utf-8\"\u003eDennis TyfusとパーカッショニストJeroen StevensによるデュオJeugdbrandが、2023年3月にリリースするデビューレコードです。\u003c\/p\u003e\n\u003cp\u003eこれをはたして音楽と呼べるのでしょうか？インサートとDLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003eJeugdbrandは、アントワープの声（Dennis Tyfus）とビート（Jeroen Stevens）です。彼らは、アントワープの古典的なアナーキーなユーモアのセンスに彩られた、きらめくドラマ、演劇的な悲劇を演じます。ベルギー音楽界のランドマークであるJoris CaluwaertsのFinster Studiosで録音されました。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eDennisの作品には、様々な大きさの鉛筆画があります。これらのドローイングの中で、作家は多くの悲劇的な状況に身を置いています。バーで長い夜を過ごした後、家に帰る途中で嘔吐するような。右翼のバカどもに煮え湯を飲ませるような。Tinderのプロフィールで甘い嘘をつくような。あるいは、日曜の夕方にゴミ出しをすることのような。恐ろしい。これらの一見、密閉された鉛筆の絵は、ごまかしの効かないシンプルな世界を示しています。しかし、カラフルな仮面の裏側で実際に何が起こっているのかをもう少し理解すると、苦い後味になることが多いです。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e音楽に関しては、前述のドローイングとは対照的に、\u003cmeta charset=\"utf-8\"\u003eDennisはもっと断片的な絵を描きます。彼のレコーディングや演奏は、しばしば抜粋をつなぎ合わせたような印象を与えます。奇妙な文章やおかしな発言が飛び交い、交錯します。音楽的な記号はテーブルの上にさりげなく投げ出されています。明確な絵の代わりに、さまざまな落書きの束を見ているような感覚に陥ります。\u003cmeta charset=\"utf-8\"\u003eDennisがいかに集中して絵を描いているかということに比べ、彼の音楽はいかに集中力がなく、大雑把であるかということを感じることがあるのです。私たちはただ、感情から感情へと放り出されるだけなのです。笑いから涙へ。それは揺れ動くものです。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e私は、\u003cmeta charset=\"utf-8\"\u003eDennisがアントワープの中心部をいつも散歩しているときに拾った会話の欠片を、常にメモしているのではないかと想像したいです。R. Murray Schaferのようなやり方で、\u003cmeta charset=\"utf-8\"\u003eDennisはすべての文章を非常に恣意的にとらえます...そしてそれがサウンドスケープとなるのです。ドラマチック、ノーマル、自慢話、バカバカしさ、切迫感...。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eJeroen Stevensの登場です。アントワープきってのパーカッショニストです。この文章で彼の出演するバンドをすべて列挙していたら、本当にデータとプリンターを無駄にしてしまうでしょう。Jeroenは学校教育を受けたセッション・ミュージシャンの壮大な才能です。しかし、白人のインプロに感謝したいです。彼はまた、スイートでクリエイティブでもあるのです。Jeugdbrandは、菅井健とのLP『KAGIROI』（2021年）でパーカッシブの断片を担当したのに続き、Edições CNのカタログでは2作目の参加となります。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e最近では、サティの「ヴェクサシオン」をmidi楽器で演奏したり、クリスマス音楽を演奏したり、キャンプ用の椅子の上でストゥージズの曲をカバーする有名なプロジェクト「De Stoeltjes」を行ったりと、非常に長大で正しい演奏を行っています。イギー本人が困惑するほどです。これは冗談のように思えるかもしれませんが、Stevensの冒険的な音楽はとてもやりがいのあるものだと認めざるを得ないでしょう。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eJeugdbrandの音楽は、故Ghédalia Tazartèsの音楽を少し思い出させます - 特に音楽イディオムの再解釈と組み合わせに関しては - しかし、このアルバムに直接言及しようとすると、それは少し物足りません。最も重要なことは、これが音楽であるということです。強烈な個性があります。刺激的な神殿のための断片的な梁のようなものです。少し揺さぶりをかけるように・・・。\"彼らは私たちに言った彼らは彼女に言ったみんなに言ったんだ\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1553027623\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/edicoes-cn\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/edicoes-cn\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/edicoes-cn\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/edicoes-cn\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eEdições CN releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Edition of 300. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003cbr\u003eA. What seems like forever ago\/We mogen het toch vragen? \u003cem\u003e16:50\u003c\/em\u003e\u003cbr\u003eB. Do you want to move in with all of us?\/We hadden het haar al eens gezegd \u003cem\u003e16:50\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEdições CN:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eJeugdbrand is the voice (Dennis Tyfus) and the beat (Jeroen Stevens) of Antwerp. They perform a sparkling drama, a theatrical tragedy, marinated in our classic Antwerp anarchic sense of humor. Recorded at Joris Caluwaerts’ Finster Studios - a landmark in Belgian music. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eInside the multiverse that is Dennis Tyfus’ oeuvre there exists this body of detailed pencil drawings of various sizes. In these drawings the artist puts himself in many tragic situations. Like vomiting on his way home after a long night at the bar. Boiling right wing idiots. Telling sweet little lies on your Tinder profile. Or, you know, taking out the garbage on a Sunday evening. The horror. These seemingly hermetic pencil drawings show a deceivingly simple world. But you’re often stuck with a bitter aftertaste when you understand a bit more what is actually happening behind the colorful masque.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWhen it comes to his music - and in contrast to aforementioned drawings - Dennis pencils a more piecemeal picture. His recordings and performances often feel like spliced excerpts. Strange sentences and funny remarks waiver by and interconnect. Musical symbols are casually thrown on the table. Instead of a clear picture, we now have the feeling of looking at a bunch of different doodles. Like... sometimes I have the feeling compared to how focussed Dennis works on his drawings, how unfocussed and sketchy he treats his music. We are simply thrown from emotion to emotion. From laughter to tears. It’s a bumpy ride. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eI’d like to imagine that Dennis constantly notates all the shards of conversation he picks up during his regular walks in the centre of Antwerp - a wormhole congested with characters, the one more tragic than the other. In a kind of R. Murray Schafer way, Dennis takes in every sentence very un-arbitrary... and that’s the soundscape. Dramatic, normal, boasted, silly, urgent... \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eEnter Jeroen Stevens. Antwerp’s number one percussionist. If I would have to list all the bands he performs in this text, well, we would be truly wasting data and printers. Jeroen is the grand gift of the well- schooled session musician. But thank the heavens of white improv, he is also sweet and creative. \u003c\/em\u003e\u003cem\u003eJeugdbrand is his second entry in the Edições CN catalogue, after taking care of some of the percussive fragments on the “KAGIROI\" LP with Sugai Ken (2021).\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eRecently Jeroen has been performing very lengthy - thus correct - performances of Satie’s Vexations for midi instrumentation; Christmas music; and his famed De Stoeltjes project, where he covers Stooges songs on a camping chair. Apparently much to the confusion of Iggy himself. This might all feel like a big joke to you, but when you dare to listen, you will have to admit that Steven’s adventurous music is very rewarding. Special stuff.\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe music of Jeugdbrand reminds me a bit of the music of the late Ghédalia Tazartès - especially when it comes to reinterpreting and combining musical idioms - but trying to put a direct reference on this album does it a bit short. Most important, this is music how it could be: incomprehensible, hilarious, serious, ludicrous, well crafted, sloppy, non-genre. With a strong sense of personality. You know, a fragmented beam for your own overstimulated temple. To shake things up a little ... “They told us, they told her. I told everybody.”\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe albums comes with a drawing by German artist Albert Oehlen and with a text by Angela Sawyer of Weirdo Records, Boston.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeugdbrand \u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEdições CN\u003c\/span\u003e\u003c\/p\u003e"}