Uton // Unexplained Objects LP

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フィンランドの密林系作家Utonが、2009年にドイツ・ハンブルグの実験レーベルDekorderからリリースしたレコードです。

サイケデリックなLo-Fiコラージュノイズ〜ストレンジビーツ8曲を収録。DLコード付属。

レーベルその他作品はこちら /// Click here to see more Dekorder / Cellule 75 releases available at Tobira.

----------------------------

Includes DL code.

Dekorder / Cellule 75:

"'Unexplained Objects' is the 3rd vinyl-only LP by Finland’s Uton for the Dekorder label, like his previous Dekorder albums released in a strictly limited edition of 500 copies in a beautiful full-colour heavy duty sleeve designed by Hirvonen himself.

While the last albums explored rural soundworlds from the outer reaches of this planet and hidden places of the inner human (and animal) mind, he has finally left planet earth completely and is now reaching out for outer space and alien communication. Hirvonen seems to have traveled the spaceways, bringing home folk music and field recordings from faraway planets and alien cultures. Erich von Däniken beware!

Uton is the one-man project of Jani Hirvonen originally hailing from Tampere. Hirvonen is one of the most active musicians of the Finnish underground scene that has recently presented us the likes of Kuupuu, Kemialliset Ystävät, Islaja, Paavoharju and Lau Nau and a seemingly never-ending stream of beautiful and highly original record releases.

Uton has previously released dozens of CD’s, CD-R's and Cassettes on a myriad of labels including Jewelled Antler, Pseudo Arcana, Last Visible Dog, Digitalis, Ruralfauna and his own Ikuisuus. He has collaborated with Amon Dude (Avarus), Anla Courtis (Reynols), Antony Milton (Black Boned Angel), Ben Reynolds, Peter Wright, Phil Todd (Ashtray Navigations) and Jan Anderzen (Tomutonttu, Kemialliset Ystävät) among others. The latter collaboration (under the Hevoset moniker) has been released on LP by Dekorder as well."

Artist : Uton

Label : Dekorder / Cellule 75

フィンランドの密林系作家Utonが、2009年にドイツ・ハンブルグの実験レーベルDekorderからリリースしたレコードです。

サイケデリックなLo-Fiコラージュノイズ〜ストレンジビーツ8曲を収録。DLコード付属。

レーベルその他作品はこちら /// Click here to see more Dekorder / Cellule 75 releases available at Tobira.

----------------------------

Includes DL code.

Dekorder / Cellule 75:

Artist : Uton

Label : Dekorder / Cellule 75

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Abstract incognisable sounds are combined with strings, reeds and percussion while dismembered musical fragments emerge and vanish rapidly. Chunks of interfering noise are followed by long periods of silence; chaos and order are alternating. Choirs of synthetic and processed human voices are recounting stock\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e market values, seemingly random sequences of numbers and inscrutable lyrics while parasitic sounds are trying to crack, collapse and fractionise the compositional stream and sonic interactions. Finally, a haunting piano chord is wrestling with a broken Publison machine. Like the book, it's part confusing, part enlightening - and a radical piece of sonic art.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"We are buried within ourselves; we send out signals, gestures, and sounds indefinitely and uselessly. No one listens to anyone else. Everyone speaks; no one hears; direct or reciprocal communication is blocked.\" (Le Parasite)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"Diode, Triode\" was premiered on the Acousmonium at INA GRM's Akousma Festival in Paris, January 22, 2016 alongside new works by François Bayle, Robert Hampson, Leo Kupper and Ragnar Grippe.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe second piece \"Spiral Organ of Corti\" (17:00) has been composed in 2014 for the 47-speaker Klangdom concert hall at ZKM Karlsruhe at the foot of the Black Forest (where Richter was born and raised).\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHow does one listen with closed ears? Sine tones, alienated human voices and breathing noises build a labyrinthine puzzle alternating between the natural and the artificial. Human sounds merge with winds and strings, sine tones morph into metal sounds. 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Purgeなどから発表しているイギリスの実験ダンス作家Vindicatrixが、2016年にドイツ・ハンブルグの実験レーベルDekorderからリリースしたレコードです。フロア棒立ち系ノーウェーブ・テクノ3曲を収録。DLコード付属。片面ピクチャー盤です。レーベルその他作品はこちら /// Click here to see more Dekorder / Cellule 75 releases available at Tobira. ----------------------------...

¥2,780

Quickview {"id":7782361825530,"title":"Raymond Dijkstra \/\/ L'Opus L'H LP","handle":"raymond-dijkstra-lopus-lh-lp","description":"\u003cp\u003eオランダのアートシーンに長きに亘り貢献している美術家Raymond Dijkstraが、2010年にドイツ・ハンブルグの実験レーベルDekorderからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eオルガンやハルモニウムを用いたコンテンポラリーアプローチのLo-Fi物音ドローン〜2曲、約1時間を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3115669926\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dek\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dek\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dek\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dek\"\u003ehere\u003c\/a\u003e to see more Dekorder \/ Cellule 75 releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDekorder \/ Cellule 75:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Dutch artist\/musician Raymond Dijkstra is one of the most radical and original composers around today. With a clear DIY ethos and self-imposed restrictions he has created a singular universe all by himself. In the past 7 years he has (self-)released countless LP’s, 7“ \u0026amp; 5“ Vinyl releases in very tiny editions on his Le Souffleur label, all packaged in carefully edited artworks made by Dijkstra himself.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e„L’Opus L’H“ will be one of his first widely available releases since 2003’s collaboration with Timo van Luyck (Af Ursin, Noise Maker’s Fifes, In Camera, Nurse With Wound) as Asra.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDijkstra is using a minimal set-up for all of his compositions: organ \u0026amp; harmonium, scraping metal \u0026amp; glass, tuba, strings and, exclusively to his „Opus“ cycle, a tape echo. He’s exploring these small parameters in an improvised and highly personal, often trance-like, ecstatic setting comparable to „Automatic Writing“ or „Surrealist Automatism“ techniques. By offensively restricting and repeating his methods he is able to profoundly explore the depths of the particular sounds and, not least, of the player\/composer’s psyche itself.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e'L’Opus L’H' is the second title in Dijkstra’s series 'The Advantages of Schizophrenia'.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist statement:\u003cbr\u003e\u003cbr\u003e\"\u003cem\u003eAll my work is highly autobiographical, highly\u003c\/em\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e subjective and highly emotional. In this sense my work is the complete opposite of that from most music-makers out of the experimental corner who's work is mostly without any emotion.\u003cbr\u003e\u003cbr\u003eThe reason for me making music is to strengthen my connection with life. For me my music is not experimental, simply because it was Never made to experiment.\u003cbr\u003eThere is a bit of a problem with most experimental musicians, who are mostly only touching the surface of a subject after which they go beyond to find another experiment. I feel more connected to painters and sculptors who delve deep into the subject and explore it thoroughly, going into every possible direction, to really connect with their world. Even more interesting I find it when one connects with ones own genuine personal world. Just to come home to his self, instead of going out for a journey, what experimenting often is.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Raymond Dijkstra\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDekorder \/ Cellule 75 \u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-10-30T13:34:36+09:00","created_at":"2022-09-30T20:42:54+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","Dekorder \/ Cellule 75","drone","lp","monooto"],"price":238000,"price_min":238000,"price_max":238000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43461214142714,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Raymond Dijkstra \/\/ L'Opus L'H LP","public_title":null,"options":["Default Title"],"price":238000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/lo1_2738a3f7-89b8-41a7-a733-23441594c83c.jpg?v=1664538175"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/lo1_2738a3f7-89b8-41a7-a733-23441594c83c.jpg?v=1664538175","options":["Title"],"media":[{"alt":null,"id":30610267275514,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lo1_2738a3f7-89b8-41a7-a733-23441594c83c.jpg?v=1664538175"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lo1_2738a3f7-89b8-41a7-a733-23441594c83c.jpg?v=1664538175","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオランダのアートシーンに長きに亘り貢献している美術家Raymond Dijkstraが、2010年にドイツ・ハンブルグの実験レーベルDekorderからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eオルガンやハルモニウムを用いたコンテンポラリーアプローチのLo-Fi物音ドローン〜2曲、約1時間を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3115669926\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dek\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dek\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dek\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dek\"\u003ehere\u003c\/a\u003e to see more Dekorder \/ Cellule 75 releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDekorder \/ Cellule 75:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Dutch artist\/musician Raymond Dijkstra is one of the most radical and original composers around today. With a clear DIY ethos and self-imposed restrictions he has created a singular universe all by himself. In the past 7 years he has (self-)released countless LP’s, 7“ \u0026amp; 5“ Vinyl releases in very tiny editions on his Le Souffleur label, all packaged in carefully edited artworks made by Dijkstra himself.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e„L’Opus L’H“ will be one of his first widely available releases since 2003’s collaboration with Timo van Luyck (Af Ursin, Noise Maker’s Fifes, In Camera, Nurse With Wound) as Asra.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDijkstra is using a minimal set-up for all of his compositions: organ \u0026amp; harmonium, scraping metal \u0026amp; glass, tuba, strings and, exclusively to his „Opus“ cycle, a tape echo. He’s exploring these small parameters in an improvised and highly personal, often trance-like, ecstatic setting comparable to „Automatic Writing“ or „Surrealist Automatism“ techniques. By offensively restricting and repeating his methods he is able to profoundly explore the depths of the particular sounds and, not least, of the player\/composer’s psyche itself.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e'L’Opus L’H' is the second title in Dijkstra’s series 'The Advantages of Schizophrenia'.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist statement:\u003cbr\u003e\u003cbr\u003e\"\u003cem\u003eAll my work is highly autobiographical, highly\u003c\/em\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e subjective and highly emotional. In this sense my work is the complete opposite of that from most music-makers out of the experimental corner who's work is mostly without any emotion.\u003cbr\u003e\u003cbr\u003eThe reason for me making music is to strengthen my connection with life. For me my music is not experimental, simply because it was Never made to experiment.\u003cbr\u003eThere is a bit of a problem with most experimental musicians, who are mostly only touching the surface of a subject after which they go beyond to find another experiment. I feel more connected to painters and sculptors who delve deep into the subject and explore it thoroughly, going into every possible direction, to really connect with their world. Even more interesting I find it when one connects with ones own genuine personal world. Just to come home to his self, instead of going out for a journey, what experimenting often is.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Raymond Dijkstra\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDekorder \/ Cellule 75 \u003c\/span\u003e\u003c\/p\u003e"}