Trouble Tracer // Autofahrt TAPE

¥1,480

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イギリス・ハリファックスのコラージュレーベルCrow Versus Crowの新作を本邦初入荷しました。

本作は、過去にGlistering ExamplesやCanti Magneticiなどの物音レーベルから多数発表しているFritz WelchとMark VernonによるデュオTrouble Tracerの50本限定デビューカセットです。1-2分のコラージュ21曲を収録。DLコード付属。

レーベルその他作品はこちら /// Click here to see more Crow Versus Crow releases available at Tobira.

-------------------------

Edition of 50.

Description by Crow Versus Crow:

"Facing ignition issues?
Looking to identify the symptoms to understand where the problem lies?

Our handy Trouble Tracer guide offers clear audio examples that will help you diagnose the problem. Whether it be Corona Discharge Stains, Cold/Carbon Fouling, Pad Contamination, Flash Over, Ash Deposits or Detonation we are here to help!

At Trouble Tracer® we know one thing: quality is in the details. And what is true for technological developments is true for adequately identifying issues and matching them with the appropriate solution.

At Trouble Tracer® we also believe that accuracy is best attained by working together. That's why we openly share solutions and lay out in a to-the-point and concise manner a reliable way to diagnose contamination, wear, damage and other potential issues, and how to best return to the ideal standards of performance and efficiency we work with dedication to maintain. The Trouble Tracer® guide doesn't always give you enough information for you to know exactly what's wrong, but it does mean that you can eliminate everything from the input to the point where the signal changes. It's important to understand that when fault finding, any anomalous voltage is a symptom of the fault, and is not the fault itself.

With its unique patented technology, Trouble Tracer® produces audio and visual signals that technicians easily catch when they tap the target. But nevertheless, it does not require bending, cutting, freezing or any other actions that can damage cables.

Autofahrt is ideal for individuals that have difficulty in differentiating between static and leak noise on an electronic listening stick!

“…there are other noises that can spell trouble, are just irritating, or that can be expensive. How can we tell the difference? It’s certainly not easy. It obviously helps if you can identify the sound and where it’s coming from.”
Sarah H. Sanders

“All of these noises you heard were recorded in the Meagre Resource Workshop and have since been cured. Regular listeners will find out how all these jobs and repairs can be tackled in a way that’s easily understood. Everybody should know these sounds.”
Big Jack Hay

Thanks for listening! And remember: Cause – Remedy – Solution!

And now a word from our sponsors:

Autofahrt is released as a limited edition of 50 hand-numbered, professionally dubbed cassettes and digital download via the Crow Versus Crow Bandcamp on Friday 13th November 2020."

---------------------------------------------------------------------------------

Trouble Tracer is a collaborative work of Mark Vernon and Fritz Welch
Mark Vernon is a Glasgow based sound artist who works with found tapes and acousmatic presence. His work explores themes of magnetic memory, audio archaeology, voyeurism, and nostalgia. His solo music projects have been published
through labels including Kye, Glistening Examples, Flaming Pines, Misanthropic Agenda, Entr’acte and Canti Magnetici. He co-runs and curates Glasgow art radio station, Radiophrenia and has produced programmes for stations internationally.

meagreresource.com

Fritz Welch is a drummer, percussionist and vocalist determined to stretch the escalator of possibilities into the bloodshot eye of results. He was a founding member of Asparagus Piss Raindrop, Peeesseye and Lambs Gamble. He currently plays in EGO DEPLETION (with Adam Campbell), Dome Riders (with Armin Sturm, Ailbhe Nic Oireachtaigh and Mike Parr Burman), Zoming Flakes (with Iain Findlay Walsh and Louise Ahl), and has ongoing duo collaborations with Olivier Di Placido, Mariam Rezaei and Aniela Piasecka. A long-time Brooklynite of Texas origins, Welch is now based in Glasgow Scotland.

Artist : Trouble Tracer

Label : Crow Versus Crow

Quantity

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イギリス・ハリファックスのコラージュレーベルCrow Versus Crowの新作を本邦初入荷しました。

レーベルその他作品はこちら /// Click here to see more Crow Versus Crow releases available at Tobira.

-------------------------

Edition of 50.

Description by Crow Versus Crow:

Artist : Trouble Tracer

Label : Crow Versus Crow

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Found objects \/ mouth noise \/ mangled language.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThat’s it.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAll of it.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAnd yet… lo! There’s real GOLD here, conjured from within these looping, twisting, writhing incantations. GOLD, y’hear?!\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePrimark bags and dog shit; they were the prima materia of yond alchemists, right?\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e'viral dogs and cats' was recorded in a vacant retail premises on Brook Street, Hull, made available as a project space through the facilitation of Red Contemporary, Hull – an artist-led organisation, and former gallery space displaced in the wake of Hull’s ‘City Of Culture’ redevelopments. It was recorded during a period of lockdown, with all the practical and technical restrictions that lockdown precipitates, but it’s not a ‘Lockdown Album’, per se.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eYol’s approach seems to be to absorb that which is around him, the fragmentary, the minutiae, and regurgitate it through distending, absurdist ritualistic cantillations. 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Found objects \/ mouth noise \/ mangled language.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThat’s it.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAll of it.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAnd yet… lo! There’s real GOLD here, conjured from within these looping, twisting, writhing incantations. GOLD, y’hear?!\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePrimark bags and dog shit; they were the prima materia of yond alchemists, right?\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e'viral dogs and cats' was recorded in a vacant retail premises on Brook Street, Hull, made available as a project space through the facilitation of Red Contemporary, Hull – an artist-led organisation, and former gallery space displaced in the wake of Hull’s ‘City Of Culture’ redevelopments. It was recorded during a period of lockdown, with all the practical and technical restrictions that lockdown precipitates, but it’s not a ‘Lockdown Album’, per se.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eYol’s approach seems to be to absorb that which is around him, the fragmentary, the minutiae, and regurgitate it through distending, absurdist ritualistic cantillations. Yol invokes sonic transmutations from gathered detritus, from the grimy scrapings from between the cushions of society’s (fly-tipped, piss-stained) settee. Gold! Hear!\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Yol\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCrow Versus Crow\u003c\/span\u003e\u003c\/p\u003e"}

イギリス・ハリファックスの物音コラージュレーベルcrow versus crowの2021年新作群を入荷しました。本作は、KirigirisuやSound Holes、Vitrine、Invisible Cityなどから作品を発表している同国ボイスレコーダー奏者Possetが、2021年12月に50本限定でリリースしたカセットです。ボイスレコーダーやテープレコーダーを用いたコラージュ4曲を収録。Aaron Dillowayリスナーにおすすめします。DLコード付属。レーベルその他作品はこちら /// Click here to see more Crow Versus...

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クイックビュー {"id":6795582603429,"title":"Cahn Ingold Prelog \/\/ Accelerate TAPE","handle":"cipa","description":"\u003cp\u003eイギリス・ハリファックスのコラージュレーベルCrow Versus Crowの新作群を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、Linear Obsessionalなどからも発表している北ウェールズの物音コラージュ作家Cahn Ingold Prelogが2020年10月に50本限定でリリースしたカセットです。物音10曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1561568284\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cvc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/cvc\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cvc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/cvc\"\u003ehere\u003c\/a\u003e to see more Crow Versus Crow releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 50.\u003c\/p\u003e\n\u003cp\u003eDescription by Crow Versus Crow:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eCrow Versus Crow is delighted to present, Accelerate, a new body of work from Cahn Ingold Prelog, alias of North Wales-based interdisciplinary artist Simon Proffitt (The Master Musicians of Dyffryn Moor, Carnedd Aur, The Incidental Crack).\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAdjusting to the restrictions a national lockdown imposed upon the means and opportunity for creative practice, Proffitt consciously embraced the potentially destructive limitations and harnessed them as a positive framework for sonic exploration. Using only a piezoelectric accelerometer, a highly sensitive vibration measurement tool used extensively through various industries to measure small vibrations with frequencies as low as 0.1Hz up to almost 4kHz, and custom amplifier to extract sounds from within the domestic confines.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe act of rummaging around in a drawer for a council tax bill, or searching for a clean fork, once recorded through the piezoelectric accelerometer, are given an almost ceremonial air. Excavated and abstracted, familiar sounds of domestic life are transformed, transmuted, and filled with a deeper, almost spiritual, significance – zen-like, monkish rituals in banality give sonic flickers of gong ritual.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAcross ten tracks, Accelerate, presents a combination of unprocessed field recordings and multitracked\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e compositions that harness the objects of domesticity, of the household, revealing the house itself as raw materials from which intricate, complex, delicate compositions emerge, transcending the limitations of their seeming confines. Harnessing mundanity as material, blunt titles such as Fridge and Freezer (Ice Tray) poetically skirt the absurd with a dry humour that offsets the serious intent of such methods of exploration\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e...‘Transcend’, ‘…Seeking…’, ‘…Search…’, ‘Satellite’ ...\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe duality of Meaning and Meaninglessness is a constant through Accelerate and seems to be at the core of the essential questioning that frames its production.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e----------------------------------------------------------\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eCahn Ingold Prelog is one of several aliases of Simon Proffitt, a north Wales-based multi-disciplinary artist making niche-appeal and often concept-driven music and non-music for over 15 years. He also records ritual trance as The Master Musicians of Dyffryn Moor, electronica as Carnedd Aur, processed field recordings as part of The Incidental Crack, and non-idiomatic improvisations under his own name. His work has been released through such esteemed labels as Linear Obsessional, Amgueddfa Llwch, Wormhole World, Berzirk, and his own Exotic Spresm label. He also presents The Museum of Dust radio show on CAMP\u003c\/p\u003e\n\u003cp\u003eArtist : Cahn Ingold Prelog\u003c\/p\u003e\n\u003cp\u003eLabel : Crow Versus Crow\u003c\/p\u003e","published_at":"2021-06-01T11:18:13+09:00","created_at":"2021-06-01T10:48:50+09:00","vendor":"Tobira Records","type":"","tags":["crow versus crow","monooto","tape"],"price":148000,"price_min":148000,"price_max":148000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40019657785509,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Cahn Ingold Prelog \/\/ Accelerate TAPE","public_title":null,"options":["Default Title"],"price":148000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/acc1.jpg?v=1622512132","\/\/tobirarecords.com\/cdn\/shop\/products\/acc2.jpg?v=1622512132"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/acc1.jpg?v=1622512132","options":["Title"],"media":[{"alt":null,"id":22343627309221,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/acc1.jpg?v=1622512132"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/acc1.jpg?v=1622512132","width":700},{"alt":null,"id":22343627341989,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/acc2.jpg?v=1622512132"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/acc2.jpg?v=1622512132","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリス・ハリファックスのコラージュレーベルCrow Versus Crowの新作群を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、Linear Obsessionalなどからも発表している北ウェールズの物音コラージュ作家Cahn Ingold Prelogが2020年10月に50本限定でリリースしたカセットです。物音10曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1561568284\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cvc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/cvc\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cvc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/cvc\"\u003ehere\u003c\/a\u003e to see more Crow Versus Crow releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 50.\u003c\/p\u003e\n\u003cp\u003eDescription by Crow Versus Crow:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eCrow Versus Crow is delighted to present, Accelerate, a new body of work from Cahn Ingold Prelog, alias of North Wales-based interdisciplinary artist Simon Proffitt (The Master Musicians of Dyffryn Moor, Carnedd Aur, The Incidental Crack).\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAdjusting to the restrictions a national lockdown imposed upon the means and opportunity for creative practice, Proffitt consciously embraced the potentially destructive limitations and harnessed them as a positive framework for sonic exploration. Using only a piezoelectric accelerometer, a highly sensitive vibration measurement tool used extensively through various industries to measure small vibrations with frequencies as low as 0.1Hz up to almost 4kHz, and custom amplifier to extract sounds from within the domestic confines.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe act of rummaging around in a drawer for a council tax bill, or searching for a clean fork, once recorded through the piezoelectric accelerometer, are given an almost ceremonial air. Excavated and abstracted, familiar sounds of domestic life are transformed, transmuted, and filled with a deeper, almost spiritual, significance – zen-like, monkish rituals in banality give sonic flickers of gong ritual.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAcross ten tracks, Accelerate, presents a combination of unprocessed field recordings and multitracked\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e compositions that harness the objects of domesticity, of the household, revealing the house itself as raw materials from which intricate, complex, delicate compositions emerge, transcending the limitations of their seeming confines. Harnessing mundanity as material, blunt titles such as Fridge and Freezer (Ice Tray) poetically skirt the absurd with a dry humour that offsets the serious intent of such methods of exploration\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e...‘Transcend’, ‘…Seeking…’, ‘…Search…’, ‘Satellite’ ...\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe duality of Meaning and Meaninglessness is a constant through Accelerate and seems to be at the core of the essential questioning that frames its production.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e----------------------------------------------------------\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eCahn Ingold Prelog is one of several aliases of Simon Proffitt, a north Wales-based multi-disciplinary artist making niche-appeal and often concept-driven music and non-music for over 15 years. He also records ritual trance as The Master Musicians of Dyffryn Moor, electronica as Carnedd Aur, processed field recordings as part of The Incidental Crack, and non-idiomatic improvisations under his own name. His work has been released through such esteemed labels as Linear Obsessional, Amgueddfa Llwch, Wormhole World, Berzirk, and his own Exotic Spresm label. He also presents The Museum of Dust radio show on CAMP\u003c\/p\u003e\n\u003cp\u003eArtist : Cahn Ingold Prelog\u003c\/p\u003e\n\u003cp\u003eLabel : Crow Versus Crow\u003c\/p\u003e"}

イギリス・ハリファックスのコラージュレーベルCrow Versus Crowの新作群を入荷しました。本作は、Linear Obsessionalなどからも発表している北ウェールズの物音コラージュ作家Cahn Ingold Prelogが2020年10月に50本限定でリリースしたカセットです。物音10曲を収録。DLコード付属。レーベルその他作品はこちら /// Click here to see more Crow Versus Crow...

¥1,480

クイックビュー {"id":6795576836261,"title":"Amy Cutler \/\/ The Ends (Also End) Of (The) Earth And Variants TAPE","handle":"amy-cutler-the-ends-also-end-of-the-earth-and-variants-tape","description":"\u003cp\u003eイギリス・ハリファックスのコラージュレーベルCrow Versus Crowの最新作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、Fractal Meat Cutsからデビューした、ロンドン大学で教鞭を執るAmy Cutlerが2021年4月に50本限定でリリースしたカセットです。声や具体音などをコラージュした18曲、70分近くを収録。DLコード付属。\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e廃盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1760177659\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3350296837\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1760177659\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cvc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/cvc\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cvc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/cvc\"\u003ehere\u003c\/a\u003e to see more Crow Versus Crow releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 50.\u003c\/p\u003e\n\u003cp\u003eDescription by Crow Versus Crow:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eCrow Versus Crow is honoured to present 'the ends (also end) of (the) earth and variants', a new body of work from polymath artist and educator Dr Amy Cutler.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e'the ends (also end) of (the) earth and variants', springs from a strange medieval English riddle, the Harley lyric 'Erthe toc of erthe':\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eErthe toc of erthe erthe wyth woh; Erthe other erthe to the erthe droh; Erthe leyde erthe in erthene throh; Tho hevede erthe of erthe erthe ynoh.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e(Ms. Harley 2553).\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe tiny lament or puzzle is impossible to translate, since in its four short lines the word earth appears twelve times. Like ‘ashes to ashes, dust to dust’, these identical words have different meanings – transitioning between soil, world, burial, cultivation, decay, earthly possessions, and our own bodies. The device of repeating earth so many times in such a short space creates an unsolvable lyric which, riddle-like, ‘only makes sense when we are prepared to hold several meanings of the word in our minds simultaneously’.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis is an album of sonic variants, settings, and radio covers of 'Erthe toc of erthe', including by invited guest artists and friends, Ecka Mordecai, Layla Legard (Hawthonn), Mark S. Williamson\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e (Spaceship), Ceylan Hey (Bell Lungs) and Drew Mulholland. The modified field recordings, chants, twilight hums, nonsense riddles and layered repetitions are each inspired by the variant meanings of ‘earth’, in the ultimate group sonic field trip.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCutler’s recordings were made in Luds Church, a naturally resonant mossy chasm in Staffordshire where Lollard ceremonies were held, including their alternative death chants.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCombining guitar, voice, processed electronics, record hiss, and field recordings, these tracks (and the album as a whole) are each titled with phrases from the dictionary definitions of ‘earth’. Some of these meanings are undigestible by each other, whether scientific, metaphorical, or allegorical: e.g., the ground as a surface on which humans and animals move; the inhabitants of the world collectively; ‘earthing’ a conductive electrical circuit or terminal; to ‘go to earth’ meaning to take refuge as in an animal’s lair or burrow.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCombining this mix of opposites – doom and refuge, sin and innocence – and playing on the end of the world-ness of elegy, this camper-van tape release becomes a muted lullaby for earth itself.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e------------------------------------------------------------\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDr. Amy Cutler is a geographer, musician, and filmmaker who is inspired by the history of landscapes as dream visions or “phantasmagoria”. Her self-taught sonic approaches draw on experimental fieldtrips as much as on her instruments, ranging from strings and lullabies to field recordings, voice, and post-processing, as well as de-composed or unspooled found sound.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHer first tape release was 'Örö Tape (Fieldtrips of the Damned)' (Fractal Meat Cuts, 2020), exploring pathetic fallacy, isolation, and sci-fi, based on a month’s winter residency under the military radar on an uninhabited Finnish island. This was followed by 'GUTTER' (Misophonia Records, 2021), a rainy lockdown album based on histories of atmospheric experimentation, recorded in London and Pendle Hill. She has also released albums based on metallurgy, earth, and sea-change ('Forgerons et Alchimistes', 2020), and the sounds of science and specimens ('PILOTS', 2020). Her most recent composition, 'LULL', an interactive ambisonics surround-sound installation for Amoenus, used ultra-sonar sensing to manipulate the perspectives and horizons of nature contemplation and its “recitals” – from howls to lullabies – according to the actions of visitors to the space.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eShe is currently an Associate Lecturer at Goldsmiths University, where she teaches audio-visual composition and philosophies of the nonhuman. Her writing and research activism – including her work on fossils, elegies, archives, and mourning – underpins all her music releases, which together explore sonic illuminations of nostalgia for the earth, from 1970s geography trips to contemporary extinction grief.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Amy Cutler\u003c\/p\u003e\n\u003cp\u003eLabel : Crow Versus Crow\u003c\/p\u003e","published_at":"2021-06-02T19:11:54+09:00","created_at":"2021-06-01T10:41:47+09:00","vendor":"Tobira Records","type":"","tags":["crow versus crow","monooto","tape"],"price":148000,"price_min":148000,"price_max":148000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40019643236517,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Amy Cutler \/\/ The Ends (Also End) Of (The) Earth And Variants TAPE","public_title":null,"options":["Default Title"],"price":148000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/en1_e5c63938-18cf-4a41-9721-abf6ac61bf6f.jpg?v=1622511709","\/\/tobirarecords.com\/cdn\/shop\/products\/en2_b3924b26-da2d-4354-a5f4-1d6a47177d1f.jpg?v=1622511709"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/en1_e5c63938-18cf-4a41-9721-abf6ac61bf6f.jpg?v=1622511709","options":["Title"],"media":[{"alt":null,"id":22343597752485,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/en1_e5c63938-18cf-4a41-9721-abf6ac61bf6f.jpg?v=1622511709"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/en1_e5c63938-18cf-4a41-9721-abf6ac61bf6f.jpg?v=1622511709","width":700},{"alt":null,"id":22343597785253,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/en2_b3924b26-da2d-4354-a5f4-1d6a47177d1f.jpg?v=1622511709"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/en2_b3924b26-da2d-4354-a5f4-1d6a47177d1f.jpg?v=1622511709","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリス・ハリファックスのコラージュレーベルCrow Versus Crowの最新作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、Fractal Meat Cutsからデビューした、ロンドン大学で教鞭を執るAmy Cutlerが2021年4月に50本限定でリリースしたカセットです。声や具体音などをコラージュした18曲、70分近くを収録。DLコード付属。\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e廃盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1760177659\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3350296837\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1760177659\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cvc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/cvc\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cvc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/cvc\"\u003ehere\u003c\/a\u003e to see more Crow Versus Crow releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 50.\u003c\/p\u003e\n\u003cp\u003eDescription by Crow Versus Crow:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eCrow Versus Crow is honoured to present 'the ends (also end) of (the) earth and variants', a new body of work from polymath artist and educator Dr Amy Cutler.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e'the ends (also end) of (the) earth and variants', springs from a strange medieval English riddle, the Harley lyric 'Erthe toc of erthe':\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eErthe toc of erthe erthe wyth woh; Erthe other erthe to the erthe droh; Erthe leyde erthe in erthene throh; Tho hevede erthe of erthe erthe ynoh.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e(Ms. Harley 2553).\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe tiny lament or puzzle is impossible to translate, since in its four short lines the word earth appears twelve times. Like ‘ashes to ashes, dust to dust’, these identical words have different meanings – transitioning between soil, world, burial, cultivation, decay, earthly possessions, and our own bodies. The device of repeating earth so many times in such a short space creates an unsolvable lyric which, riddle-like, ‘only makes sense when we are prepared to hold several meanings of the word in our minds simultaneously’.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis is an album of sonic variants, settings, and radio covers of 'Erthe toc of erthe', including by invited guest artists and friends, Ecka Mordecai, Layla Legard (Hawthonn), Mark S. Williamson\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e (Spaceship), Ceylan Hey (Bell Lungs) and Drew Mulholland. The modified field recordings, chants, twilight hums, nonsense riddles and layered repetitions are each inspired by the variant meanings of ‘earth’, in the ultimate group sonic field trip.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCutler’s recordings were made in Luds Church, a naturally resonant mossy chasm in Staffordshire where Lollard ceremonies were held, including their alternative death chants.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCombining guitar, voice, processed electronics, record hiss, and field recordings, these tracks (and the album as a whole) are each titled with phrases from the dictionary definitions of ‘earth’. Some of these meanings are undigestible by each other, whether scientific, metaphorical, or allegorical: e.g., the ground as a surface on which humans and animals move; the inhabitants of the world collectively; ‘earthing’ a conductive electrical circuit or terminal; to ‘go to earth’ meaning to take refuge as in an animal’s lair or burrow.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCombining this mix of opposites – doom and refuge, sin and innocence – and playing on the end of the world-ness of elegy, this camper-van tape release becomes a muted lullaby for earth itself.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e------------------------------------------------------------\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDr. Amy Cutler is a geographer, musician, and filmmaker who is inspired by the history of landscapes as dream visions or “phantasmagoria”. Her self-taught sonic approaches draw on experimental fieldtrips as much as on her instruments, ranging from strings and lullabies to field recordings, voice, and post-processing, as well as de-composed or unspooled found sound.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHer first tape release was 'Örö Tape (Fieldtrips of the Damned)' (Fractal Meat Cuts, 2020), exploring pathetic fallacy, isolation, and sci-fi, based on a month’s winter residency under the military radar on an uninhabited Finnish island. This was followed by 'GUTTER' (Misophonia Records, 2021), a rainy lockdown album based on histories of atmospheric experimentation, recorded in London and Pendle Hill. She has also released albums based on metallurgy, earth, and sea-change ('Forgerons et Alchimistes', 2020), and the sounds of science and specimens ('PILOTS', 2020). Her most recent composition, 'LULL', an interactive ambisonics surround-sound installation for Amoenus, used ultra-sonar sensing to manipulate the perspectives and horizons of nature contemplation and its “recitals” – from howls to lullabies – according to the actions of visitors to the space.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eShe is currently an Associate Lecturer at Goldsmiths University, where she teaches audio-visual composition and philosophies of the nonhuman. Her writing and research activism – including her work on fossils, elegies, archives, and mourning – underpins all her music releases, which together explore sonic illuminations of nostalgia for the earth, from 1970s geography trips to contemporary extinction grief.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Amy Cutler\u003c\/p\u003e\n\u003cp\u003eLabel : Crow Versus Crow\u003c\/p\u003e"}