Cinema Perdu // Vlakverdeling CD

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オランダの音響作家Cinema Perduが2020年9月に同国Moving Furniture RecordingsからリリースしたCD。45分のドローンスケープを収録。デジパック、シュリンク仕様です。

レーベルその他作品はこちら /// Click here to see more Moving Furniture Records releases available at Tobira.

-----------------------

Edition of 200.

MARTIJN PIECK /CINEMA PERDU, JUNE 2020:

"During my regular trips to the Dutch province of Friesland I became more and more aware of the strict demarcations in the Dutch landscape. Each time I travelled up and down the polder, the atmosphere of the landscape changed. These changes of atmosphere where not only influenced by natural phenomena like the weather and light but even much so through human presence reflected in the clear lines which define the landscape. While listening to the field recordings I made on various occasions and at various locations, the sounds started to translate into their own abstract form of the landscape. While transforming these abstract forms and colours into new sounds, a new imaginary landscape appeared in my mind, translated into a new composition: Vlakverdeling"

Artist : Cinema Perdu

Label : Moving Furniture Records

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レーベルその他作品はこちら /// Click here to see more Moving Furniture Records releases available at Tobira.

-----------------------

Edition of 200.

MARTIJN PIECK /CINEMA PERDU, JUNE 2020:

Artist : Cinema Perdu

Label : Moving Furniture Records

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Part 1 13:47\u003cbr\u003e2. Part 2 06:39\u003cbr\u003e3. Part 3 14:02\u003cbr\u003e4. Part 4 04:37\u003cbr\u003e5. Part 5 15:18\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003ezappak:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cem\u003eYukiko Shina Sakurazawa is a double bass player who is mainly active in the field of classical music. Kon Okuma, on the other hand, is a double bass player who mainly works in the jazz field. However, the both also occasionally perform improvisations at a venue \"Ftarri\". So, wondering what would happen if these two people with different backgrounds performed together, zappak planned an event.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cem\u003eSakurazawa mainly used an approach using a bow, while Okuma mainly used an approach using fingers and tools like sticks. The sound of the two of them was sometimes silent, other times eloquent, and they continued to weave their sounds together, never leaving each other. It seemed like a journey for people from different worlds to find a common language.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOn the day of the event, we performed two impromptu performances of around 30 minutes each. But there were a few changes in the middle, so in this work, zappak divided them into 5 parts and put them rearranged.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Yukiko Shiina Sakurazawa \u0026amp; Kon Okuma\u003c\/p\u003e\n\u003cp\u003eLabel : zappak\u003c\/p\u003e\n\u003cp\u003eCAT No: zappak-013\u003c\/p\u003e","published_at":"2024-05-03T14:18:03+09:00","created_at":"2024-05-03T12:20:26+09:00","vendor":"Tobira Records","type":"","tags":["cd","drone","jazz","new","zappak"],"price":250000,"price_min":250000,"price_max":250000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45845767684346,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Yukiko Shiina Sakurazawa \u0026 Kon Okuma \/\/ DUO CD","public_title":null,"options":["Default Title"],"price":250000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/duo1_3db0ef1f-44da-4b40-b3e7-ea5673a072d2.jpg?v=1714706429","\/\/tobirarecords.com\/cdn\/shop\/files\/duo2_2ff765ea-a722-4890-956d-ab3edbb53541.jpg?v=1714706429","\/\/tobirarecords.com\/cdn\/shop\/files\/duo3.jpg?v=1714706428"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/duo1_3db0ef1f-44da-4b40-b3e7-ea5673a072d2.jpg?v=1714706429","options":["Title"],"media":[{"alt":null,"id":33928781857018,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/duo1_3db0ef1f-44da-4b40-b3e7-ea5673a072d2.jpg?v=1714706429"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/duo1_3db0ef1f-44da-4b40-b3e7-ea5673a072d2.jpg?v=1714706429","width":700},{"alt":null,"id":33928781889786,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/duo2_2ff765ea-a722-4890-956d-ab3edbb53541.jpg?v=1714706429"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/duo2_2ff765ea-a722-4890-956d-ab3edbb53541.jpg?v=1714706429","width":1200},{"alt":null,"id":33928781922554,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/duo3.jpg?v=1714706428"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/duo3.jpg?v=1714706428","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e東京のコントラバス奏者\u003c\/span\u003eYukiko Shiina SakurazawaとKon Okumaが、2024年5月に東京の実験レーベルZappakからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"櫻澤シーナ有紀子は主にクラシックなどのフィールドで活動するコントラバス奏者。対する大熊紺は主にジャズのフィールドで活動するコントラバス奏者。しかしながら、二人はともにFtarriというヴェニューにおいて不定期に即興演奏をおこなっている身でもある。そこで、バックグラウンドの異なるこの二人が共演するとどのようなことが起こるのだろうと思い、zappakはイベントを企画した。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e櫻澤は主に弓を使用したアプローチをとり、大熊は主に指弾きと棒などの道具などを使用したアプローチをとった。二人による音はときに寡黙に、またあるときは雄弁に、付かず離れずを繰り返しながら音を紡いでいった。それは異なる世界の者たちが共通言語を見つけるまでの軌跡のようであった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eなお、当日は30分前後の即興演奏を2度おこなったが、何度か転調のようなものが感じられたため、本作では5つのパートに分割し、それらを並べ替えた録音を収録している。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3286819370\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/zppk\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/zppk\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/zppk\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/zppk\"\u003ehere\u003c\/a\u003e to see more zappak releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eCD in cardstock folded sleeve + plastic outer cover. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Part 1 13:47\u003cbr\u003e2. Part 2 06:39\u003cbr\u003e3. Part 3 14:02\u003cbr\u003e4. Part 4 04:37\u003cbr\u003e5. Part 5 15:18\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003ezappak:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cem\u003eYukiko Shina Sakurazawa is a double bass player who is mainly active in the field of classical music. Kon Okuma, on the other hand, is a double bass player who mainly works in the jazz field. However, the both also occasionally perform improvisations at a venue \"Ftarri\". So, wondering what would happen if these two people with different backgrounds performed together, zappak planned an event.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cem\u003eSakurazawa mainly used an approach using a bow, while Okuma mainly used an approach using fingers and tools like sticks. The sound of the two of them was sometimes silent, other times eloquent, and they continued to weave their sounds together, never leaving each other. It seemed like a journey for people from different worlds to find a common language.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOn the day of the event, we performed two impromptu performances of around 30 minutes each. But there were a few changes in the middle, so in this work, zappak divided them into 5 parts and put them rearranged.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Yukiko Shiina Sakurazawa \u0026amp; Kon Okuma\u003c\/p\u003e\n\u003cp\u003eLabel : zappak\u003c\/p\u003e\n\u003cp\u003eCAT No: zappak-013\u003c\/p\u003e"}

東京のコントラバス奏者Yukiko Shiina SakurazawaとKon Okumaが、2024年5月に東京の実験レーベルZappakからリリースしたCDです。以下、レーベルによる解説です。 "櫻澤シーナ有紀子は主にクラシックなどのフィールドで活動するコントラバス奏者。対する大熊紺は主にジャズのフィールドで活動するコントラバス奏者。しかしながら、二人はともにFtarriというヴェニューにおいて不定期に即興演奏をおこなっている身でもある。そこで、バックグラウンドの異なるこの二人が共演するとどのようなことが起こるのだろうと思い、zappakはイベントを企画した。櫻澤は主に弓を使用したアプローチをとり、大熊は主に指弾きと棒などの道具などを使用したアプローチをとった。二人による音はときに寡黙に、またあるときは雄弁に、付かず離れずを繰り返しながら音を紡いでいった。それは異なる世界の者たちが共通言語を見つけるまでの軌跡のようであった。なお、当日は30分前後の即興演奏を2度おこなったが、何度か転調のようなものが感じられたため、本作では5つのパートに分割し、それらを並べ替えた録音を収録している。" レーベルその他作品はこちら /// Click here to see more zappak releases available...

¥2,500

Quickview {"id":8414034362618,"title":"Charis Pazaroulas \/\/ TRANSCENDENCE I CD","handle":"charis-pazaroulas-transcendence-i-cd","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eギリシャのコントラバス奏者\u003c\/span\u003eCharis Pazaroulasが、2024年5月に東京の実験レーベルZappakからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Charis Pazaroulasはギリシャのコントラバス奏者。アテネ国立管弦楽団のほか、TETTTIΞやQuinteto TANGartOのグループにも所属し、演奏をおこなっている。本作で彼はコントラバスと自身の声を織り交ぜた多層的な録音によって、ソロでの制作に取り組んだ。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e[TRANSCENDENCE I]は作曲家James Tenneyによる作品'Koan'にインスピレーションを受けた楽曲で幕を開ける。それぞれの曲にはストイックなミニマリズムがあり、聴き手に緊張感を与える。しかし、聴き込んでいくにつれて曲のなかにメロディアスな要素を見つけることができるはずだ。さらに、コントラバスの音に重ねあわされるPazaroulasの声には神秘性があり、一言で言い表せるような表現を拒む彼の個性を作中のいたるところで感じることができるだろう。 \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3468142925\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/zppk\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/zppk\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/zppk\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/zppk\"\u003ehere\u003c\/a\u003e to see more zappak releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eCD in cardstock folded sleeve + plastic outer cover. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. T1 KOAN - for James Tenney 15:38\u003cbr\u003e2. T2 TO B E 07:04\u003cbr\u003e3. T3 NOW 02:34\u003cbr\u003e4. T4 HER E 05:38\u003cbr\u003e5. T5 ONE 03:50\u003cbr\u003e6. T6 BREA TH 10:00\u003cbr\u003e7. ( silence ) 05:09\u003cbr\u003e8. T0 AT MA N 10:02\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003ezappak:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTRANSCENDENCE I is a musical journey, an exploration of oneself through the rich sonic spectrum of the modern double bass. Taking as its starting point the transcription, study and reinvention of Koan (1971) for solo violin by James Tenney (1934-2006), the music invites the listener to carefully explore the various qualities of sound through a minimalistic approach of musical gestures. James Tenney states in a 1978 interview: \"What they can do is begin to really listen to the sounds, get inside them, notice the details, and consider or meditate on the overall shape of the piece, simple as it may be. It's often interesting how within a simple shape there can be relationships that are surprising.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Charis Pazaroulas\u003c\/p\u003e\n\u003cp\u003eLabel : zappak\u003c\/p\u003e\n\u003cp\u003eCAT No: zappak-012\u003c\/p\u003e","published_at":"2024-05-03T14:16:21+09:00","created_at":"2024-05-03T12:18:03+09:00","vendor":"Tobira Records","type":"","tags":["cd","drone","jazz","new","zappak"],"price":250000,"price_min":250000,"price_max":250000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45845747171578,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Charis Pazaroulas \/\/ TRANSCENDENCE I CD","public_title":null,"options":["Default Title"],"price":250000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/paz1.jpg?v=1714706286","\/\/tobirarecords.com\/cdn\/shop\/files\/paz2.jpg?v=1714706286","\/\/tobirarecords.com\/cdn\/shop\/files\/paz3.jpg?v=1714706285"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/paz1.jpg?v=1714706286","options":["Title"],"media":[{"alt":null,"id":33928775598330,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/paz1.jpg?v=1714706286"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/paz1.jpg?v=1714706286","width":700},{"alt":null,"id":33928775631098,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/paz2.jpg?v=1714706286"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/paz2.jpg?v=1714706286","width":1200},{"alt":null,"id":33928775663866,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/paz3.jpg?v=1714706285"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/paz3.jpg?v=1714706285","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eギリシャのコントラバス奏者\u003c\/span\u003eCharis Pazaroulasが、2024年5月に東京の実験レーベルZappakからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Charis Pazaroulasはギリシャのコントラバス奏者。アテネ国立管弦楽団のほか、TETTTIΞやQuinteto TANGartOのグループにも所属し、演奏をおこなっている。本作で彼はコントラバスと自身の声を織り交ぜた多層的な録音によって、ソロでの制作に取り組んだ。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e[TRANSCENDENCE I]は作曲家James Tenneyによる作品'Koan'にインスピレーションを受けた楽曲で幕を開ける。それぞれの曲にはストイックなミニマリズムがあり、聴き手に緊張感を与える。しかし、聴き込んでいくにつれて曲のなかにメロディアスな要素を見つけることができるはずだ。さらに、コントラバスの音に重ねあわされるPazaroulasの声には神秘性があり、一言で言い表せるような表現を拒む彼の個性を作中のいたるところで感じることができるだろう。 \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3468142925\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/zppk\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/zppk\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/zppk\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/zppk\"\u003ehere\u003c\/a\u003e to see more zappak releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eCD in cardstock folded sleeve + plastic outer cover. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. T1 KOAN - for James Tenney 15:38\u003cbr\u003e2. T2 TO B E 07:04\u003cbr\u003e3. T3 NOW 02:34\u003cbr\u003e4. T4 HER E 05:38\u003cbr\u003e5. T5 ONE 03:50\u003cbr\u003e6. T6 BREA TH 10:00\u003cbr\u003e7. ( silence ) 05:09\u003cbr\u003e8. T0 AT MA N 10:02\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003ezappak:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTRANSCENDENCE I is a musical journey, an exploration of oneself through the rich sonic spectrum of the modern double bass. Taking as its starting point the transcription, study and reinvention of Koan (1971) for solo violin by James Tenney (1934-2006), the music invites the listener to carefully explore the various qualities of sound through a minimalistic approach of musical gestures. James Tenney states in a 1978 interview: \"What they can do is begin to really listen to the sounds, get inside them, notice the details, and consider or meditate on the overall shape of the piece, simple as it may be. It's often interesting how within a simple shape there can be relationships that are surprising.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Charis Pazaroulas\u003c\/p\u003e\n\u003cp\u003eLabel : zappak\u003c\/p\u003e\n\u003cp\u003eCAT No: zappak-012\u003c\/p\u003e"}