Opéra Mort // Film Works LP

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Artist : Opéra Mort

Label : B.A.A.D.M.

「実験映画の夜」というフェスティバルにて、フランス人デュオOpéra Mortが、「The Potted Psalm」(Sidney Peterson、James Broughton)、「Dream Work」（Peter Tscherkassky）の2作にあわせて演奏したライブ音源をリリース。rashad beckerマスタリング。

<a href="http://baadm.bandcamp.com/album/film-works">Film Works by Opéra Mort</a>

"As part of the 2016 festival Night of the Experimental Film, French duo Opéra Mort (= Èlg + Fusiller) performed a live soundtrack for two films that centre on the paradoxical symbiosis of love and death: ‘The Potted Psalm’ by Sidney Peterson and James Broughton, and ‘Dream Work’ by Peter Tscherkassky. Both films convey love and death as both direct opposites and kindred concepts, turning to cryptic surrealism, poetic hallucinations and flickering alternations between flesh and ecstatic abstraction. Opéra Mort’s sonic accompaniment is a squirming contradiction, fraught with micro-harmonic friction and bleeps of electronic alarm. Is the soundscape melding into a solitary whole or blowing itself apart?

With ‘Film Works’, the duo have adapted their soundtrack into a standalone recorded work. Synthesisers flicker like computers trapped inside calculative loops. Flailing organs knot into tendrils of microphone feedback. Occasionally it’s possible to identify traces of body and voice within the wretched lattice – resting-state heartbeats, regulatory beeps of life support – which are only ever faintly present within Opéra Mort’s transcendent elsewhere, like echoes humming through the membrane between the corporeal world and the heights of ecstasy. Just like the films that inspired it, ‘Film Works’ enacts the strange disputation that defines the climactic extremes of human experience: to love and death, the body is both the fundamental vessel and the husk that is left behind."

Artist : Opéra Mort

Label : B.A.A.D.M.

<a href="http://baadm.bandcamp.com/album/film-works">Film Works by Opéra Mort</a>

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Edition of 300. 12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eNight market 03:33\u003c\/li\u003e\n\u003cli\u003eDawn shifts 04:42\u003c\/li\u003e\n\u003cli\u003eInfinite lights (Nights without end) 03:14\u003c\/li\u003e\n\u003cli\u003eThe Neon God 08:11\u003c\/li\u003e\n\u003cli\u003eChrome haze 02:56\u003c\/li\u003e\n\u003cli\u003eDrifting 04:19\u003c\/li\u003e\n\u003cli\u003eCity Limits (reassurance) 04:45\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eB.A.A.D.M.:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Eponymous first album by ‘Continuity’, the new project of Swedish artist Martin Herterich, whose sonic explorations of memory and imagination have come to full bloom in this atmospheric and elusive narrative of seven intense cityscapes. Martin Herterich previously released music (as Sand Circles, etc) on labels like Posh Isolation, Not Not Fun Records, iDEAL and Irrlicht.\"\u003c\/em\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eArtist statement by Martin Herterich, 2023:\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“\u003cem\u003eHave you ever felt like all you want is to go back?\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cem\u003eContinuity is a sonic narrative, a story arc set in a fictional East Asian metropolis. It is not a city you have been to. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eWhen you have fallen in love with a place, you long to go back; but it’s a memory; fiction if you like. You want to catch the fleeting moment of leaves rustling in the wind, the sun reflecting from the glass panels of the roof above. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThese memory cycles create emotional patterns. But unlike reality, these spaces are limited. They carry elements of reality in them, narrative components that evoke feelings and signify meaning. Traveling there becomes impossible. Through streetview surfing and 4K walking videos on Youtube, these spaces that are very much real become fictionalized, much like the virtual spaces of video games. Movement is narration.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eFiction is something that is, but at the same time isn’t, real. 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Edition of 300. 12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eNight market 03:33\u003c\/li\u003e\n\u003cli\u003eDawn shifts 04:42\u003c\/li\u003e\n\u003cli\u003eInfinite lights (Nights without end) 03:14\u003c\/li\u003e\n\u003cli\u003eThe Neon God 08:11\u003c\/li\u003e\n\u003cli\u003eChrome haze 02:56\u003c\/li\u003e\n\u003cli\u003eDrifting 04:19\u003c\/li\u003e\n\u003cli\u003eCity Limits (reassurance) 04:45\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eB.A.A.D.M.:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Eponymous first album by ‘Continuity’, the new project of Swedish artist Martin Herterich, whose sonic explorations of memory and imagination have come to full bloom in this atmospheric and elusive narrative of seven intense cityscapes. Martin Herterich previously released music (as Sand Circles, etc) on labels like Posh Isolation, Not Not Fun Records, iDEAL and Irrlicht.\"\u003c\/em\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eArtist statement by Martin Herterich, 2023:\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“\u003cem\u003eHave you ever felt like all you want is to go back?\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cem\u003eContinuity is a sonic narrative, a story arc set in a fictional East Asian metropolis. It is not a city you have been to. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eWhen you have fallen in love with a place, you long to go back; but it’s a memory; fiction if you like. You want to catch the fleeting moment of leaves rustling in the wind, the sun reflecting from the glass panels of the roof above. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThese memory cycles create emotional patterns. But unlike reality, these spaces are limited. They carry elements of reality in them, narrative components that evoke feelings and signify meaning. Traveling there becomes impossible. Through streetview surfing and 4K walking videos on Youtube, these spaces that are very much real become fictionalized, much like the virtual spaces of video games. Movement is narration.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eFiction is something that is, but at the same time isn’t, real. In order to understand an imaginary place, one needs to travel there.”\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Continuity\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eB.A.A.D.M.\u003c\/span\u003e\u003c\/p\u003e"}

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A phlegmatic personality is connected to water and the moist chill of winter; the aridity of summer is associated with fire and human irascibility.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eFor the B.A.A.D.M. debut of Mattias Gustafsson (aka Altar Of Flies, Ornaments, Cryme), we presented him with this theory of human\/world symbiosis and asked him to explore its numerous implications: the transience of environment and being, the regenerative intimacy between life and the earth, the prospect of death and decay as integral components of rebirth.\u2028\u2028\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e'Nattmusik' is Gustafsson’s first record under his own name, removing the mediation of the artistic alias to fully embrace the symbiosis between body and environment. Keyboards splutter through bad wiring and wither into despondency, with notes engulfed by the sounds of earthly stir (tectonic rumbles of low frequency, muffled winds of sine wave). Symphonies of piano and electronics start to bloom and then flicker into states of death as the temperature suddenly drops. Body and telluric elements respire into eachother, as the contours of Galenus’ theory ripple with crumbling field recordings and spurts of melodic dejection. 'Nattmusik' depicts a world in which emotional decay feeds the flourish of nature – an earth thriving upon inevitable human decline.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mattias Gustafsson\u003c\/p\u003e\n\u003cp\u003eLabel : B.A.A.D.M.\u003c\/p\u003e","published_at":"2024-04-09T19:54:50+09:00","created_at":"2024-04-09T19:54:11+09:00","vendor":"Tobira Records","type":"","tags":["ambient","B.A.A.D.M","drone","lp","mattias gustafsson","monooto","new"],"price":328000,"price_min":328000,"price_max":328000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45596376596730,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Mattias Gustafsson \/\/ Nattmusik LP","public_title":null,"options":["Default Title"],"price":328000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/nattmusik.jpg?v=1712660054"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/nattmusik.jpg?v=1712660054","options":["Title"],"media":[{"alt":null,"id":33647011168506,"position":1,"preview_image":{"aspect_ratio":1.009,"height":1189,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/nattmusik.jpg?v=1712660054"},"aspect_ratio":1.009,"height":1189,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/nattmusik.jpg?v=1712660054","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eスウェーデンの実験音楽家\u003cspan data-mce-fragment=\"1\"\u003eMattias Gustafssonが、2017年にベルギーの実験レーベルB.A.A.D.M.からリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e今にも消えそうな旋律がぐしゃぐしゃにテープに絡まります。廃盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=534970507\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/baadm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/baadm\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/baadm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/baadm\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eB.A.A.D.M. releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003eその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/matgus\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/matgus\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/matgus\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/matgus\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eMattias Gustafsson releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"According to the theories of Greek\/Roman scientist Claudius Galenus (131–216 AD), human temperament has a direct and reactionary link to the world around us. A phlegmatic personality is connected to water and the moist chill of winter; the aridity of summer is associated with fire and human irascibility.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eFor the B.A.A.D.M. debut of Mattias Gustafsson (aka Altar Of Flies, Ornaments, Cryme), we presented him with this theory of human\/world symbiosis and asked him to explore its numerous implications: the transience of environment and being, the regenerative intimacy between life and the earth, the prospect of death and decay as integral components of rebirth.\u2028\u2028\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e'Nattmusik' is Gustafsson’s first record under his own name, removing the mediation of the artistic alias to fully embrace the symbiosis between body and environment. Keyboards splutter through bad wiring and wither into despondency, with notes engulfed by the sounds of earthly stir (tectonic rumbles of low frequency, muffled winds of sine wave). Symphonies of piano and electronics start to bloom and then flicker into states of death as the temperature suddenly drops. Body and telluric elements respire into eachother, as the contours of Galenus’ theory ripple with crumbling field recordings and spurts of melodic dejection. 'Nattmusik' depicts a world in which emotional decay feeds the flourish of nature – an earth thriving upon inevitable human decline.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mattias Gustafsson\u003c\/p\u003e\n\u003cp\u003eLabel : B.A.A.D.M.\u003c\/p\u003e"}