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{"id":8682558456058,"title":"Masahiro Sugaya \/\/ しるしまみれ \/ Overflowing Signs TAPE","handle":"masahiro-sugaya-しるしまみれ-overflowing-signs-tape","description":"\u003cp\u003e\u003cem\u003e\"菅谷昌弘は1980年代から活動を開始し、環境音楽シーンと並走しながら\u003cspan class=\"bcTruncateMore\"\u003e、パパ・タラフママへの参加を通じて舞台音楽の分野にも深く関与してきたアーティストです。 \u003cbr\u003e菅谷氏はここ20年の間、楽器音を使ったオーソドックスな作曲スタイルから、環境音・フィールドレコーディングを取り入れた8chマルチスピーカーシステム向けの音楽制作へと表現手法を移行させています。今回の作品でも、個々の曲に環境音のコラージュが取り入れられており、さらに過去作、新作がバランスよく配置されることでアルバム全体が菅谷氏の多彩な創作活動をコラージュしたような構成となっています。 \u003cbr\u003e『しるしまみれ』は、菅谷氏の環境音楽的なアプローチと、フィールドレコーディングやミュージック・コンクレート的な音楽実践の間を自由に行き来し、容易に言語・記号化できない音の連なりを体験できる作品です。また、この作品は菅谷氏にとって約20年ぶりのステレオフォーマットによるアルバム作品でもあります。\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1793067051\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/atoa\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/atoa\"\u003ehere\u003c\/a\u003e to see more ato.archives releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Cassette in norelco case.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e唐箕\u003c\/span\u003e \/ Winnowing machine 03:04\u003cbr\u003e2. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e初恋\u003c\/span\u003e \/ First love 01:14\u003cbr\u003e3. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e薬罐\u003c\/span\u003e \/ Kettle 03:25\u003cbr\u003e4. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e古町でハロー\u003c\/span\u003e \/ Ringtone at FURUMACHI 03:39\u003cbr\u003e5. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e石油ストーブの取手\u003c\/span\u003e \/ Oil stove handle 04:20\u003cbr\u003e6. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003eブランコ\u003c\/span\u003e \/ Swing 03:13\u003cbr\u003e7. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003eシーソー\u003c\/span\u003e \/ Seesaw 03:13\u003cbr\u003e8. J\u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003eアラート\u003c\/span\u003e \/ J-alert 01:33\u003cbr\u003e9. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003eサーモスタット\u003c\/span\u003e \/ Thermostat 03:27\u003cbr\u003e10. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003eだめかも\u003c\/span\u003e \/ It might not work 00:47\u003cbr\u003e11. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003eセロテープ\u003c\/span\u003e \/ Sellotape 03:33\u003cbr\u003e12. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003eいつかきっと\u003c\/span\u003e \/ Someday surely 01:38\u003cbr\u003e13. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e渋谷でハロー\u003c\/span\u003e \/ Ringtone at SHIBUYA 03:21\u003cbr\u003e14. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e教室とオルガン\u003c\/span\u003e \/ Former classroom and organ 03:32\u003cbr\u003e15. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e安否情報\u003c\/span\u003e \/ Immediately after the earthquake 03:30\u003cbr\u003e16. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e街頭録音\u003c\/span\u003e \/ Lock down 03:28\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eato.archives:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMasahiro Sugaya began his career in the 1980s, working alongside the environmental music scene of that era while also making a significant impact in stage music through his involvement with Pappa TARAHUMARA.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOver the past 20 years, Sugaya has shifted from traditional composition using instrumental music to creating works for 8-channel multi-speaker systems, incorporating environmental sounds and field recordings. His latest album continues this evolution, featuring collages of environmental sounds within individual tracks. The album is structured to balance past and new works, creating a collage-like representation of Sugaya’s diverse creative output.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"しるしまみれ \/ Overflowing Signs\" offers an experience that navigates freely between Sugaya’s environmental music approach and his practices in field recording and musique concrète, presenting a sequence of sounds that defies easy categorization or symbolism. Additionally, this album marks Sugaya’s first stereo full album release in nearly 20 years.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Masahiro Sugaya\u003c\/p\u003e\n\u003cp\u003eLabel : ato.archives\u003c\/p\u003e\n\u003cp\u003eCAT NO : ata007\u003c\/p\u003e","published_at":"2025-03-26T13:47:39+09:00","created_at":"2024-12-16T18:18:00+09:00","vendor":"Tobira Records","type":"","tags":["ambient","ato.archives","new","tape"],"price":180000,"price_min":180000,"price_max":180000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46956195414266,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Masahiro Sugaya \/\/ しるしまみれ \/ Overflowing Signs TAPE","public_title":null,"options":["Default Title"],"price":180000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/sign1_c97f4313-906e-4436-8003-e54f61a23088.jpg?v=1734340581","\/\/tobirarecords.com\/cdn\/shop\/files\/sign2.jpg?v=1734340581"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/sign1_c97f4313-906e-4436-8003-e54f61a23088.jpg?v=1734340581","options":["Title"],"media":[{"alt":null,"id":35309996572922,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sign1_c97f4313-906e-4436-8003-e54f61a23088.jpg?v=1734340581"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sign1_c97f4313-906e-4436-8003-e54f61a23088.jpg?v=1734340581","width":700},{"alt":null,"id":35309996605690,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sign2.jpg?v=1734340581"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sign2.jpg?v=1734340581","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cem\u003e\"菅谷昌弘は1980年代から活動を開始し、環境音楽シーンと並走しながら\u003cspan class=\"bcTruncateMore\"\u003e、パパ・タラフママへの参加を通じて舞台音楽の分野にも深く関与してきたアーティストです。 \u003cbr\u003e菅谷氏はここ20年の間、楽器音を使ったオーソドックスな作曲スタイルから、環境音・フィールドレコーディングを取り入れた8chマルチスピーカーシステム向けの音楽制作へと表現手法を移行させています。今回の作品でも、個々の曲に環境音のコラージュが取り入れられており、さらに過去作、新作がバランスよく配置されることでアルバム全体が菅谷氏の多彩な創作活動をコラージュしたような構成となっています。 \u003cbr\u003e『しるしまみれ』は、菅谷氏の環境音楽的なアプローチと、フィールドレコーディングやミュージック・コンクレート的な音楽実践の間を自由に行き来し、容易に言語・記号化できない音の連なりを体験できる作品です。また、この作品は菅谷氏にとって約20年ぶりのステレオフォーマットによるアルバム作品でもあります。\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1793067051\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/atoa\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/atoa\"\u003ehere\u003c\/a\u003e to see more ato.archives releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Cassette in norelco case.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e唐箕\u003c\/span\u003e \/ Winnowing machine 03:04\u003cbr\u003e2. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e初恋\u003c\/span\u003e \/ First love 01:14\u003cbr\u003e3. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e薬罐\u003c\/span\u003e \/ Kettle 03:25\u003cbr\u003e4. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e古町でハロー\u003c\/span\u003e \/ Ringtone at FURUMACHI 03:39\u003cbr\u003e5. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e石油ストーブの取手\u003c\/span\u003e \/ Oil stove handle 04:20\u003cbr\u003e6. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003eブランコ\u003c\/span\u003e \/ Swing 03:13\u003cbr\u003e7. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003eシーソー\u003c\/span\u003e \/ Seesaw 03:13\u003cbr\u003e8. J\u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003eアラート\u003c\/span\u003e \/ J-alert 01:33\u003cbr\u003e9. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003eサーモスタット\u003c\/span\u003e \/ Thermostat 03:27\u003cbr\u003e10. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003eだめかも\u003c\/span\u003e \/ It might not work 00:47\u003cbr\u003e11. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003eセロテープ\u003c\/span\u003e \/ Sellotape 03:33\u003cbr\u003e12. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003eいつかきっと\u003c\/span\u003e \/ Someday surely 01:38\u003cbr\u003e13. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e渋谷でハロー\u003c\/span\u003e \/ Ringtone at SHIBUYA 03:21\u003cbr\u003e14. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e教室とオルガン\u003c\/span\u003e \/ Former classroom and organ 03:32\u003cbr\u003e15. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e安否情報\u003c\/span\u003e \/ Immediately after the earthquake 03:30\u003cbr\u003e16. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e街頭録音\u003c\/span\u003e \/ Lock down 03:28\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eato.archives:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMasahiro Sugaya began his career in the 1980s, working alongside the environmental music scene of that era while also making a significant impact in stage music through his involvement with Pappa TARAHUMARA.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOver the past 20 years, Sugaya has shifted from traditional composition using instrumental music to creating works for 8-channel multi-speaker systems, incorporating environmental sounds and field recordings. His latest album continues this evolution, featuring collages of environmental sounds within individual tracks. The album is structured to balance past and new works, creating a collage-like representation of Sugaya’s diverse creative output.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"しるしまみれ \/ Overflowing Signs\" offers an experience that navigates freely between Sugaya’s environmental music approach and his practices in field recording and musique concrète, presenting a sequence of sounds that defies easy categorization or symbolism. Additionally, this album marks Sugaya’s first stereo full album release in nearly 20 years.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Masahiro Sugaya\u003c\/p\u003e\n\u003cp\u003eLabel : ato.archives\u003c\/p\u003e\n\u003cp\u003eCAT NO : ata007\u003c\/p\u003e"}