Cristián Alvear & d'incise // Bow down thine ear, I bring you glad tidings TAPE
Cristián Alvear & d'incise // Bow down thine ear, I bring you glad tidings TAPE
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チリのギタリストCristián Alvearとスイスの音響作家d'inciseのコラボレーション作品がスロバキアMappaから2020年10月リリース。ガムランのような幽玄な音色。本当は見るべきではない儀式を覗いているかのようです。
Among the musicians whose work closely reflects the reduced forms in experimental music, perhaps the most interesting is Cristián Alvear, a Chilean guitarist performing formally radical post-Cagean music, as well as Laurent Peter aka d'incise, a composer, multi-instrumentalist and producer, one of the key figures of the eclectic scene in Geneva. The numerous projects in which they participate prove their strictly defined artistic vision and active involvement in networking the music community, so it’s appropriate to consider them as transitory elements between several scenes on different continents. They have collaborated, among others, with Ryoko Akama, Cyril Bondi, Michael Pisaro, Sarah Hennies, Seijiro Murayama, Taku Sugimoto, Lance Austin Olsen and The Pitch.
Bow Down Thine Ear, I Bring You Glad Tidings is a good example of the refinement of the style developed by Alvear and d’incise in recent years. One can observe here how their musical language and range of instrumental techniques in the use of guitar and idiophones got crystallised.
The classical form of a musical piece organized in time and characterized by a set of elements that create a coherent narrative is replaced here by the primacy of repetition, pitch, precise articulation and reverberation. Sounds seem to be clearly rooted in specific acoustic spaces, which allows the space itself to be treated as a real instrument that adds another layer of meaning. Repetitive sound sequences operate in a similar way to the metronome, determining an obsessive rhythmic pattern, a kind of matrix on which all the details are inscribed. The static structure of the pieces allows the music to function as a sound sculpture - breaking time constraints in favour of continuous duration and acting in a multi-perspective way. This material, does not promise any solution, but strictly accompanies the listener and tries to close itself in the continuous present.
At the same time Bow Down Thine Ear, I Bring You Glad Tidings is a clear dialogue with the work of Henry Purcell. The title of the album is a reference to the anthems written by the British composer (Z11, Z2) and the titles of the pieces refer to his sacred songs (Z192, Z342). Apart from a skillful attempt to decontextualize the lyrics (biblical or rooted in the tradition of baroque religious poetry), we can see here not so much an attempt to give the music a metaphysical character, but certainly Alvear and d’incise tend to replicate a similar mode of listening, as in the case of Purcell's compositions - meditative and at the same time oriented to all elements of the musical situation.
Bow Down Thine Ear, I Bring You Glad Tidings is a good example of the refinement of the style developed by Alvear and d’incise in recent years. One can observe here how their musical language and range of instrumental techniques in the use of guitar and idiophones got crystallised.
The classical form of a musical piece organized in time and characterized by a set of elements that create a coherent narrative is replaced here by the primacy of repetition, pitch, precise articulation and reverberation. Sounds seem to be clearly rooted in specific acoustic spaces, which allows the space itself to be treated as a real instrument that adds another layer of meaning. Repetitive sound sequences operate in a similar way to the metronome, determining an obsessive rhythmic pattern, a kind of matrix on which all the details are inscribed. The static structure of the pieces allows the music to function as a sound sculpture - breaking time constraints in favour of continuous duration and acting in a multi-perspective way. This material, does not promise any solution, but strictly accompanies the listener and tries to close itself in the continuous present.
At the same time Bow Down Thine Ear, I Bring You Glad Tidings is a clear dialogue with the work of Henry Purcell. The title of the album is a reference to the anthems written by the British composer (Z11, Z2) and the titles of the pieces refer to his sacred songs (Z192, Z342). Apart from a skillful attempt to decontextualize the lyrics (biblical or rooted in the tradition of baroque religious poetry), we can see here not so much an attempt to give the music a metaphysical character, but certainly Alvear and d’incise tend to replicate a similar mode of listening, as in the case of Purcell's compositions - meditative and at the same time oriented to all elements of the musical situation.
artist : Cristián Alvear & d'incise
label : Mappa
チリのギタリストCristián Alvearとスイスの音響作家d'inciseのコラボレーション作品がスロバキアMappaから2020年10月リリース。ガムランのような幽玄な音色。本当は見るべきではない儀式を覗いているかのようです。
Among the musicians whose work closely reflects the reduced forms in experimental music, perhaps the most interesting is Cristián Alvear, a Chilean guitarist performing formally radical post-Cagean music, as well as Laurent Peter aka d'incise, a composer, multi-instrumentalist and producer, one of the key figures of the eclectic scene in Geneva. The numerous projects in which they participate prove their strictly defined artistic vision and active involvement in networking the music community, so it’s appropriate to consider them as transitory elements between several scenes on different continents. They have collaborated, among others, with Ryoko Akama, Cyril Bondi, Michael Pisaro, Sarah Hennies, Seijiro Murayama, Taku Sugimoto, Lance Austin Olsen and The Pitch.
Bow Down Thine Ear, I Bring You Glad Tidings is a good example of the refinement of the style developed by Alvear and d’incise in recent years. One can observe here how their musical language and range of instrumental techniques in the use of guitar and idiophones got crystallised.
The classical form of a musical piece organized in time and characterized by a set of elements that create a coherent narrative is replaced here by the primacy of repetition, pitch, precise articulation and reverberation. Sounds seem to be clearly rooted in specific acoustic spaces, which allows the space itself to be treated as a real instrument that adds another layer of meaning. Repetitive sound sequences operate in a similar way to the metronome, determining an obsessive rhythmic pattern, a kind of matrix on which all the details are inscribed. The static structure of the pieces allows the music to function as a sound sculpture - breaking time constraints in favour of continuous duration and acting in a multi-perspective way. This material, does not promise any solution, but strictly accompanies the listener and tries to close itself in the continuous present.
At the same time Bow Down Thine Ear, I Bring You Glad Tidings is a clear dialogue with the work of Henry Purcell. The title of the album is a reference to the anthems written by the British composer (Z11, Z2) and the titles of the pieces refer to his sacred songs (Z192, Z342). Apart from a skillful attempt to decontextualize the lyrics (biblical or rooted in the tradition of baroque religious poetry), we can see here not so much an attempt to give the music a metaphysical character, but certainly Alvear and d’incise tend to replicate a similar mode of listening, as in the case of Purcell's compositions - meditative and at the same time oriented to all elements of the musical situation. artist : Cristián Alvear & d'incise label : Mappa
Bow Down Thine Ear, I Bring You Glad Tidings is a good example of the refinement of the style developed by Alvear and d’incise in recent years. One can observe here how their musical language and range of instrumental techniques in the use of guitar and idiophones got crystallised.
The classical form of a musical piece organized in time and characterized by a set of elements that create a coherent narrative is replaced here by the primacy of repetition, pitch, precise articulation and reverberation. Sounds seem to be clearly rooted in specific acoustic spaces, which allows the space itself to be treated as a real instrument that adds another layer of meaning. Repetitive sound sequences operate in a similar way to the metronome, determining an obsessive rhythmic pattern, a kind of matrix on which all the details are inscribed. The static structure of the pieces allows the music to function as a sound sculpture - breaking time constraints in favour of continuous duration and acting in a multi-perspective way. This material, does not promise any solution, but strictly accompanies the listener and tries to close itself in the continuous present.
At the same time Bow Down Thine Ear, I Bring You Glad Tidings is a clear dialogue with the work of Henry Purcell. The title of the album is a reference to the anthems written by the British composer (Z11, Z2) and the titles of the pieces refer to his sacred songs (Z192, Z342). Apart from a skillful attempt to decontextualize the lyrics (biblical or rooted in the tradition of baroque religious poetry), we can see here not so much an attempt to give the music a metaphysical character, but certainly Alvear and d’incise tend to replicate a similar mode of listening, as in the case of Purcell's compositions - meditative and at the same time oriented to all elements of the musical situation. artist : Cristián Alvear & d'incise label : Mappa
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Futures 04:01 \u003c\/span\u003e\u003cspan style=\"mso-tab-count: 1;\" data-mce-style=\"mso-tab-count: 1;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp class=\"MsoNormal\"\u003eFarplane Records:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cem\u003e\"Sweden's worldwide acclaimed composer, producer, DJ and pianist, Rasmus Faber, reveals his first album of ambient \/ neo-classical work, 'Where Light Touches' [A NIMA Story]. The album is inspired by, and in collaboration with, Los Angeles based illustrator Ross Tran (RossDraws), as an audio interpretation of his highly praised book, 'NIMA'. Crafting a fully immersive listening experience, Rasmus paints stunning audio pictures with delicate melodic hues, abound with atmospheric conversations between emotive pianos, soothing strings and sophisticated electronica that gracefully flow through this enchanting body of work. Composed, arranged and produced entirely by Rasmus, and conceived and mixed using Atmos surround sound, the album was recorded with a full orchestra in Stockholm and fused with contemporary electronic elements from Rasmus' rich musical heritage. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e'Where Light Touches' [A NIMA Story] began after Ross contacted Rasmus to make music for one of his projects. They immediately found admiration and kinship in each other's work. Ross sent Rasmus his new illustrations book entitled 'NIMA', which served as the perfect catalyst for a musical idea Rasmus had - to make an album of subtle beauty and immense production and technical\u003cspan class=\"bcTruncateMore\"\u003e dexterity. Rasmus became absorbed in the characters and worlds in the 'NIMA' book, encouraging him to match his composing and production skills with Ross's otherworldly illustrations and boundless talent. The result is something quite extraordinary and beautiful that can be enjoyed accompanying the 'NIMA' book, or purely as an audio gift for the senses. \u003cbr\u003e\u003cbr\u003eRasmus Faber started his career as a Jazz musician and house DJ, touring the world, performing to fans of the melodic side of electronic music over the last two decades. His success as an artist in Japan, and being fan of Anime and Manga opened the doors to becoming a composer (one of the only non-Japanese) of music for Anime. He's composed music for the Meta Quest VR platform, AAA games such as Metal Gear Solid and is behind an almost constant stream of music releases under aliases and his on name garnering hundreds of millions of streams.\u003c\/span\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Rasmus Faber\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Farplane Records\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eCAT no : FR076LP\u003c\/p\u003e","published_at":"2024-10-23T08:35:20+09:00","created_at":"2024-10-23T08:22:53+09:00","vendor":"Tobira Records","type":"","tags":["ambient","lp","neo classical","new"],"price":565000,"price_min":565000,"price_max":565000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46776502583546,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Rasmus Faber \/\/ Where Light Touches 「A NIMA Story」2xLP","public_title":null,"options":["Default Title"],"price":565000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"5050580829824","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/WhereLightTouchesANIMAStory-RasmusFaber.jpg?v=1729639691"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/WhereLightTouchesANIMAStory-RasmusFaber.jpg?v=1729639691","options":["Title"],"media":[{"alt":null,"id":35097088852218,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1400,"width":1400,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/WhereLightTouchesANIMAStory-RasmusFaber.jpg?v=1729639691"},"aspect_ratio":1.0,"height":1400,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/WhereLightTouchesANIMAStory-RasmusFaber.jpg?v=1729639691","width":1400}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※11月上旬発送開始します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eスウェーデン・ストックホルムのネオクラシカル作家Rasmus Faberが、2024年10月に自身主宰レーベルFarplane Recordsからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eストリングスとピアノによるネオクラシカル・アンビエント〜ポストロック18曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2967835718\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eShipping begins in early November.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e2 x 12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan style=\"mso-tab-count: 1;\" data-mce-style=\"mso-tab-count: 1;\"\u003e1. Train to Nimbus 03:26\u003cbr\u003e2. Beginnings 03:29\u003cbr\u003e3. Opus 03:58\u003cbr\u003e4. Some Are Forgotten 02:39\u003cbr\u003e5. Lunar Axis 02:54\u003cbr\u003e6. New Moon 02:59\u003cbr\u003e7. Grim Coin 03:54\u003cbr\u003e8. The Heart 02:15\u003cbr\u003e9. Healing Rain 03:11\u003cbr\u003e10. Dragon's Whisper 02:56\u003cbr\u003e11. The Apparition 02:42\u003cbr\u003e12. Iris 03:26\u003cbr\u003e13. Warden 03:02\u003cbr\u003e14. Lament 02:19\u003cbr\u003e15. Clutch to Life 01:54\u003cbr\u003e16. Where Light Touches 03:32\u003cbr\u003e17. Synthesis 01:40\u003cbr\u003e18. Futures 04:01 \u003c\/span\u003e\u003cspan style=\"mso-tab-count: 1;\" data-mce-style=\"mso-tab-count: 1;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp class=\"MsoNormal\"\u003eFarplane Records:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cem\u003e\"Sweden's worldwide acclaimed composer, producer, DJ and pianist, Rasmus Faber, reveals his first album of ambient \/ neo-classical work, 'Where Light Touches' [A NIMA Story]. The album is inspired by, and in collaboration with, Los Angeles based illustrator Ross Tran (RossDraws), as an audio interpretation of his highly praised book, 'NIMA'. Crafting a fully immersive listening experience, Rasmus paints stunning audio pictures with delicate melodic hues, abound with atmospheric conversations between emotive pianos, soothing strings and sophisticated electronica that gracefully flow through this enchanting body of work. Composed, arranged and produced entirely by Rasmus, and conceived and mixed using Atmos surround sound, the album was recorded with a full orchestra in Stockholm and fused with contemporary electronic elements from Rasmus' rich musical heritage. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e'Where Light Touches' [A NIMA Story] began after Ross contacted Rasmus to make music for one of his projects. They immediately found admiration and kinship in each other's work. Ross sent Rasmus his new illustrations book entitled 'NIMA', which served as the perfect catalyst for a musical idea Rasmus had - to make an album of subtle beauty and immense production and technical\u003cspan class=\"bcTruncateMore\"\u003e dexterity. Rasmus became absorbed in the characters and worlds in the 'NIMA' book, encouraging him to match his composing and production skills with Ross's otherworldly illustrations and boundless talent. The result is something quite extraordinary and beautiful that can be enjoyed accompanying the 'NIMA' book, or purely as an audio gift for the senses. \u003cbr\u003e\u003cbr\u003eRasmus Faber started his career as a Jazz musician and house DJ, touring the world, performing to fans of the melodic side of electronic music over the last two decades. His success as an artist in Japan, and being fan of Anime and Manga opened the doors to becoming a composer (one of the only non-Japanese) of music for Anime. He's composed music for the Meta Quest VR platform, AAA games such as Metal Gear Solid and is behind an almost constant stream of music releases under aliases and his on name garnering hundreds of millions of streams.\u003c\/span\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Rasmus Faber\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Farplane Records\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eCAT no : FR076LP\u003c\/p\u003e"}
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※11月上旬発送開始します スウェーデン・ストックホルムのネオクラシカル作家Rasmus Faberが、2024年10月に自身主宰レーベルFarplane Recordsからリリースした2枚組レコードです。 ストリングスとピアノによるネオクラシカル・アンビエント〜ポストロック18曲を収録。 ------------------------------------ Shipping begins in early November. 2 x 12"...
¥5,650
クイックビュー
{"id":8648708849914,"title":"Paper Relics \/\/ Time To Start CDr","handle":"paper-relics-time-to-start-cdr","description":"\u003cp\u003eイギリスのアンビエント兄弟デュオPaper Relicsが、2024年10月に自身ら主宰ネオクラカル・アンビエントレーベルWhitelabrecsから100部限定でリリースしたCDrです。\u003c\/p\u003e\n\u003cp\u003eギターによるアンビエント〜アンビエント・フォーク10曲を収録。ゲートフォルドデジスリーブ仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3805211255\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eWhitelabrecsその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/whitelabrecs\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whitelabrecs\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/whitelabrecs\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whitelabrecs\"\u003ehere\u003c\/a\u003e to see more Whitelabrecs releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------\u003c\/p\u003e\n\u003cp\u003eGatefold-vinyl effect CDr in cardstock sleeve. Edition of 100. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Time To Start 04:39\u003cbr\u003e2. Tall Mountain 04:13\u003cbr\u003e3. Dreams 03:29\u003cbr\u003e4. Time Flies 03:47\u003cbr\u003e5. Phases 04:35\u003cbr\u003e6. Only A Moment 04:32\u003cbr\u003e7. Here Before 04:17\u003cbr\u003e8. I Know The Way 03:27\u003cbr\u003e9. Lullaby 04:06\u003cbr\u003e10. Seasons 04:24\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eWhitelabrecs:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePaper Relics are brothers Harry and Stuart Towell from the East Midlands in the UK. They both began their separate musical paths in the same family home during adolescence. Their journeys merged as Harry discovered Ambient music in the late 00’s, often sampling Stuart’s acoustic guitar playing in his early production work. In 2010 they began working on a collaborative project under the Paper Relics guise, releasing a short EP on Harry’s Audio Gourmet netlabel before their debut album ‘Over Exposure’ followed in the summer of 2011 on US label Time Released Sound. It was very much focused on memories of growing up and observing change. Seven years later in 2018 they released their second album ‘The Road Home’ on Harry’s Whitelabrecs label. This was more about forging their own version of a family home at a time when they became homeowners. In 2021 their Emersion EP was released on cassette, which was a reflection on the Covid-19 pandemic. Paper Relics deliberately choose to take their time making music and place an emphasis on it meaning something. Everything is carefully curated, crafted and felt.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe Paper Relics sound draws influence of the brothers’ wide-ranging musical tastes, of electronic music, ambient, post rock, indie, blues, modern classical, folk and a whole lot more. The guitar\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e will usually take centre stage, with Stuart’s compositions of electric, acoustic and bass guitar often providing the core song structures of their sound. The music is largely instrumental, but vocal pieces occasionally feature to add further narrative to their concept-rich music. Deep and cinematic atmospheres will often be a key component of their music, given Harry’s love for Ambient music. By accident, the Paper Relics albums have served as a collection of documentary artifacts, which capture the progress and lives of the Towell brothers. Yet it is also hoped that their music carries with it a message to the listener, that time is both precious and also, an opportunity.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis message is particularly embodied in their third album ‘Time to Start’. Time has moved on significantly for the brothers with six years passing since ‘The Road Home’ was released. Their music has shifted from a desire to build a home, to a place of creating an environment for their children to flourish. None of whom were here when their last album was released. Previous releases have been crafted around a perception of the past and nostalgia. Time to Start is a call to reflect but at the same time look forward, strengthened by the experiences of the past, whether positive or negative. Time to Start dwells upon the good in a moment. It is a celebration of new life and new beginnings. It’s about focusing on the triumph over the challenge and to remind that any given situation can be viewed as valuable in the fullness of time. Now is not the end. It might just be the time to start.\u003c\/em\u003e\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Paper Relics\u003c\/p\u003e\n\u003cp\u003eLabel : Whitelabrecs\u003c\/p\u003e","published_at":"2024-10-23T18:53:35+09:00","created_at":"2024-10-22T15:29:37+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","new","Whitelabrecs"],"price":184000,"price_min":184000,"price_max":184000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46774361850106,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Paper Relics \/\/ Time To Start CDr","public_title":null,"options":["Default Title"],"price":184000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/paper_18c73e1c-ac40-4aed-998e-87fef58637fe.jpg?v=1729578528","\/\/tobirarecords.com\/cdn\/shop\/files\/paper2.jpg?v=1729578527"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/paper_18c73e1c-ac40-4aed-998e-87fef58637fe.jpg?v=1729578528","options":["Title"],"media":[{"alt":null,"id":35094035988730,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/paper_18c73e1c-ac40-4aed-998e-87fef58637fe.jpg?v=1729578528"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/paper_18c73e1c-ac40-4aed-998e-87fef58637fe.jpg?v=1729578528","width":700},{"alt":null,"id":35094036021498,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/paper2.jpg?v=1729578527"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/paper2.jpg?v=1729578527","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリスのアンビエント兄弟デュオPaper Relicsが、2024年10月に自身ら主宰ネオクラカル・アンビエントレーベルWhitelabrecsから100部限定でリリースしたCDrです。\u003c\/p\u003e\n\u003cp\u003eギターによるアンビエント〜アンビエント・フォーク10曲を収録。ゲートフォルドデジスリーブ仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3805211255\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eWhitelabrecsその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/whitelabrecs\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whitelabrecs\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/whitelabrecs\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whitelabrecs\"\u003ehere\u003c\/a\u003e to see more Whitelabrecs releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------\u003c\/p\u003e\n\u003cp\u003eGatefold-vinyl effect CDr in cardstock sleeve. Edition of 100. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Time To Start 04:39\u003cbr\u003e2. Tall Mountain 04:13\u003cbr\u003e3. Dreams 03:29\u003cbr\u003e4. Time Flies 03:47\u003cbr\u003e5. Phases 04:35\u003cbr\u003e6. Only A Moment 04:32\u003cbr\u003e7. Here Before 04:17\u003cbr\u003e8. I Know The Way 03:27\u003cbr\u003e9. Lullaby 04:06\u003cbr\u003e10. Seasons 04:24\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eWhitelabrecs:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePaper Relics are brothers Harry and Stuart Towell from the East Midlands in the UK. They both began their separate musical paths in the same family home during adolescence. Their journeys merged as Harry discovered Ambient music in the late 00’s, often sampling Stuart’s acoustic guitar playing in his early production work. In 2010 they began working on a collaborative project under the Paper Relics guise, releasing a short EP on Harry’s Audio Gourmet netlabel before their debut album ‘Over Exposure’ followed in the summer of 2011 on US label Time Released Sound. It was very much focused on memories of growing up and observing change. Seven years later in 2018 they released their second album ‘The Road Home’ on Harry’s Whitelabrecs label. This was more about forging their own version of a family home at a time when they became homeowners. In 2021 their Emersion EP was released on cassette, which was a reflection on the Covid-19 pandemic. Paper Relics deliberately choose to take their time making music and place an emphasis on it meaning something. Everything is carefully curated, crafted and felt.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe Paper Relics sound draws influence of the brothers’ wide-ranging musical tastes, of electronic music, ambient, post rock, indie, blues, modern classical, folk and a whole lot more. The guitar\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e will usually take centre stage, with Stuart’s compositions of electric, acoustic and bass guitar often providing the core song structures of their sound. The music is largely instrumental, but vocal pieces occasionally feature to add further narrative to their concept-rich music. Deep and cinematic atmospheres will often be a key component of their music, given Harry’s love for Ambient music. By accident, the Paper Relics albums have served as a collection of documentary artifacts, which capture the progress and lives of the Towell brothers. Yet it is also hoped that their music carries with it a message to the listener, that time is both precious and also, an opportunity.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis message is particularly embodied in their third album ‘Time to Start’. Time has moved on significantly for the brothers with six years passing since ‘The Road Home’ was released. Their music has shifted from a desire to build a home, to a place of creating an environment for their children to flourish. None of whom were here when their last album was released. Previous releases have been crafted around a perception of the past and nostalgia. Time to Start is a call to reflect but at the same time look forward, strengthened by the experiences of the past, whether positive or negative. Time to Start dwells upon the good in a moment. It is a celebration of new life and new beginnings. It’s about focusing on the triumph over the challenge and to remind that any given situation can be viewed as valuable in the fullness of time. Now is not the end. It might just be the time to start.\u003c\/em\u003e\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Paper Relics\u003c\/p\u003e\n\u003cp\u003eLabel : Whitelabrecs\u003c\/p\u003e"}
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イギリスのアンビエント兄弟デュオPaper Relicsが、2024年10月に自身ら主宰ネオクラカル・アンビエントレーベルWhitelabrecsから100部限定でリリースしたCDrです。 ギターによるアンビエント〜アンビエント・フォーク10曲を収録。ゲートフォルドデジスリーブ仕様です。 Whitelabrecsその他作品はこちら /// Click here to see more Whitelabrecs releases available at Tobira. ------------------- Gatefold-vinyl effect...
¥1,840
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{"id":8648708194554,"title":"Henrik Meierkord \u0026 Knivtid \/\/ I ett annat land CDr","handle":"henrik-meierkord-knivtid-i-ett-annat-land-cdr","description":"\u003cp\u003eスウェーデンのアンビエント作家Henrik MeierkordとKnivtidが、2024年10月にイギリスのネオクラカル・アンビエントレーベルWhitelabrecsから100部限定でリリースした共作CDrです。\u003c\/p\u003e\n\u003cp\u003eネオクラシカル・アンビエント〜アンビエントドローン9曲を収録。ゲートフォルドデジスリーブ仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1505080636\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1086758231\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1505080636\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eWhitelabrecsその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/whitelabrecs\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whitelabrecs\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/whitelabrecs\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whitelabrecs\"\u003ehere\u003c\/a\u003e to see more Whitelabrecs releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------\u003c\/p\u003e\n\u003cp\u003eGatefold-vinyl effect CDr in cardstock sleeve. Edition of 100. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Drömmen 06:53\u003cbr\u003e2. I ett annat land 10:37\u003cbr\u003e3. Organisch 03:32\u003cbr\u003e4. Vid älven 03:42\u003cbr\u003e5. Ingenting 04:48\u003cbr\u003e6. Olden 04:20\u003cbr\u003e7. Sammanhang 05:20\u003cbr\u003e8. Fri tolkning 03:53\u003cbr\u003e9. Mot slutet 03:23\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eWhitelabrecs:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e‘\u003cem\u003eI ett annat land’ is a collaborative album by the talented Swedish duo Henrik Meierkord and Knivtid. It brings together two innovative musicians whose combined artistry results in a sound that blends ambient, neoclassical and drone elements, set to a nostalgic theme.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHenrik Meierkord, originally from Helsingborg in southern Sweden, has been residing in Stockholm for the past 25 years. He began his musical journey at the age of 14, playing cello in orchestras before transitioning to creating his own music. Over the years Henrik has released works on a variety of labels including Ambientologist, Projekt Records, Shimmering Moods, Dronarivm, Ella Ruthinstitutet, Subcontinental Records, Sound Meditation, Audiobulb, Universal, and The Nerve. He has also worked with Whitelabrecs before, ‘Proscenium’ (2024), ‘Cello Improvisations’ (2023) and ‘Inseln’, a collaboration with Logic Moon (2022). His creative process is highly intuitive, often starting with the cello and layering additional strings, double bass, and violin, while drawing inspiration from a wide range of influences such as film scores, classical composers, and contemporary artists.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDaniel Andersson, who records under the name Knivtid, is currently based just outside Stockholm. His musical journey began\u003cspan class=\"bcTruncateMore\"\u003e in his teens with home computers and tracking software, later acquiring his first synthesizer with the money he’d earnt from a summer job. Daniel has released music on labels such as Purlieu Recordings, Eilean Rec, ACR, and The Ambient Zone, as well as his own self-released projects. Knivtid's music-making process often involves improvisation, recording spontaneously and building upon those foundations, with influences spanning a wide range of genres from electronic and ambient to hip hop, R\u0026amp;B, pop, and free jazz.\u003cbr\u003e\u003cbr\u003e‘I ett annat land’ is characterised by a meditative, otherworldly Ambient sound, combining electronics with modern classical textures. It evokes a dreamlike state of longing for another world, encapsulating the mood of Scandinavian forests and lakes. The album's title and one of its tracks are inspired by Mare Kandre's 1984 book ‘I ett annat land’, which translates to ‘In another country’. The work captures a child's perspective on traveling, evoking the familiar sensation of sitting in the back of a car watching the landscapes pass by. For both artists, the album represents a fantasy world of sounds and tonal creations, inviting listeners to meditate and immerse themselves in the experience. Henrik and Knivtid hope that listeners will take the time to find the right mood to fully appreciate the depth of I ett annat land, an album that is not just music to be heard, but an experience to be felt and lived.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Henrik Meierkord \u0026amp; Knivtid\u003c\/p\u003e\n\u003cp\u003eLabel : Whitelabrecs\u003c\/p\u003e","published_at":"2024-10-23T18:57:21+09:00","created_at":"2024-10-22T15:26:44+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","neo classical","new","Whitelabrecs"],"price":184000,"price_min":184000,"price_max":184000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46774359097594,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Henrik Meierkord \u0026 Knivtid \/\/ I ett annat land CDr","public_title":null,"options":["Default Title"],"price":184000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ett1.jpg?v=1729578324","\/\/tobirarecords.com\/cdn\/shop\/files\/ett2.jpg?v=1729578324"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ett1.jpg?v=1729578324","options":["Title"],"media":[{"alt":null,"id":35094026813690,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ett1.jpg?v=1729578324"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ett1.jpg?v=1729578324","width":700},{"alt":null,"id":35094026846458,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ett2.jpg?v=1729578324"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ett2.jpg?v=1729578324","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eスウェーデンのアンビエント作家Henrik MeierkordとKnivtidが、2024年10月にイギリスのネオクラカル・アンビエントレーベルWhitelabrecsから100部限定でリリースした共作CDrです。\u003c\/p\u003e\n\u003cp\u003eネオクラシカル・アンビエント〜アンビエントドローン9曲を収録。ゲートフォルドデジスリーブ仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1505080636\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1086758231\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1505080636\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eWhitelabrecsその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/whitelabrecs\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whitelabrecs\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/whitelabrecs\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whitelabrecs\"\u003ehere\u003c\/a\u003e to see more Whitelabrecs releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------\u003c\/p\u003e\n\u003cp\u003eGatefold-vinyl effect CDr in cardstock sleeve. Edition of 100. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Drömmen 06:53\u003cbr\u003e2. I ett annat land 10:37\u003cbr\u003e3. Organisch 03:32\u003cbr\u003e4. Vid älven 03:42\u003cbr\u003e5. Ingenting 04:48\u003cbr\u003e6. Olden 04:20\u003cbr\u003e7. Sammanhang 05:20\u003cbr\u003e8. Fri tolkning 03:53\u003cbr\u003e9. Mot slutet 03:23\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eWhitelabrecs:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e‘\u003cem\u003eI ett annat land’ is a collaborative album by the talented Swedish duo Henrik Meierkord and Knivtid. It brings together two innovative musicians whose combined artistry results in a sound that blends ambient, neoclassical and drone elements, set to a nostalgic theme.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHenrik Meierkord, originally from Helsingborg in southern Sweden, has been residing in Stockholm for the past 25 years. He began his musical journey at the age of 14, playing cello in orchestras before transitioning to creating his own music. Over the years Henrik has released works on a variety of labels including Ambientologist, Projekt Records, Shimmering Moods, Dronarivm, Ella Ruthinstitutet, Subcontinental Records, Sound Meditation, Audiobulb, Universal, and The Nerve. He has also worked with Whitelabrecs before, ‘Proscenium’ (2024), ‘Cello Improvisations’ (2023) and ‘Inseln’, a collaboration with Logic Moon (2022). His creative process is highly intuitive, often starting with the cello and layering additional strings, double bass, and violin, while drawing inspiration from a wide range of influences such as film scores, classical composers, and contemporary artists.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDaniel Andersson, who records under the name Knivtid, is currently based just outside Stockholm. His musical journey began\u003cspan class=\"bcTruncateMore\"\u003e in his teens with home computers and tracking software, later acquiring his first synthesizer with the money he’d earnt from a summer job. Daniel has released music on labels such as Purlieu Recordings, Eilean Rec, ACR, and The Ambient Zone, as well as his own self-released projects. Knivtid's music-making process often involves improvisation, recording spontaneously and building upon those foundations, with influences spanning a wide range of genres from electronic and ambient to hip hop, R\u0026amp;B, pop, and free jazz.\u003cbr\u003e\u003cbr\u003e‘I ett annat land’ is characterised by a meditative, otherworldly Ambient sound, combining electronics with modern classical textures. It evokes a dreamlike state of longing for another world, encapsulating the mood of Scandinavian forests and lakes. The album's title and one of its tracks are inspired by Mare Kandre's 1984 book ‘I ett annat land’, which translates to ‘In another country’. The work captures a child's perspective on traveling, evoking the familiar sensation of sitting in the back of a car watching the landscapes pass by. For both artists, the album represents a fantasy world of sounds and tonal creations, inviting listeners to meditate and immerse themselves in the experience. Henrik and Knivtid hope that listeners will take the time to find the right mood to fully appreciate the depth of I ett annat land, an album that is not just music to be heard, but an experience to be felt and lived.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Henrik Meierkord \u0026amp; Knivtid\u003c\/p\u003e\n\u003cp\u003eLabel : Whitelabrecs\u003c\/p\u003e"}
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スウェーデンのアンビエント作家Henrik MeierkordとKnivtidが、2024年10月にイギリスのネオクラカル・アンビエントレーベルWhitelabrecsから100部限定でリリースした共作CDrです。 ネオクラシカル・アンビエント〜アンビエントドローン9曲を収録。ゲートフォルドデジスリーブ仕様です。 Whitelabrecsその他作品はこちら /// Click here to see more Whitelabrecs releases available at Tobira. ------------------- Gatefold-vinyl effect...
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