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{"id":8632046813434,"title":"Marco Baldini \/\/ Fuochi TAPE","handle":"marco-baldini-fuochi-tape","description":"\u003cp\u003e過去にAnother Timbre等から発表しているイタリア・フィレンツェの作曲家Marco Baldiniが、2024年9月にアメリカ・LAの実験レーベルDinzu Artefacts\u003cspan data-mce-fragment=\"1\"\u003eからリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eパイプオルガンとチェロ、フルート、コントラバスによるロングフォームなアコースティック・ドローン2曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/marco-baldini-apartment-house-maniera-cd\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003e\"サン・マルティーナ・ア・マイアーノ教会（1885年）のパイプオルガンを使用し、ヴィンチェンツォ・ガリレイの『フロニモ』（1581年）に由来する楽材を用いたこれらの作品は、持続音と低音テシトゥーラの喚起的な可能性を明確にしている。これらの骨格構造の長大な持続時間は、みずみずしく、しばしば予期せぬ和声進行を前景化し、それぞれの瞬間が微妙な神秘とドラマの世界を現出させる。\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2926266446\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003ehere\u003c\/a\u003e to see more Dinzu Artefacts releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Cassette in norelco case. Edition of 50. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Ombra con coda 20:24\u003cbr\u003e2. Fuochi 17:03\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eDinzu Artefacts:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003eFeaturing the 1885 pipe organ of Chiesa di San Martina a Maiano and using musical materials derived from Vincenzo Galilei's Fronimo (1581), these pieces articulate the evocative possibilities of sustained tones and low tessituras. The protracted durations of these skeletal structures foreground their lush and often unexpected harmonic progressions, each moment revealing a world of subtle mystery and drama.\"\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist statement by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eMarco Baldini\u003c\/span\u003e\u003cspan\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cem\u003eI had gotten close to the pipe organ while working, with Daniela Fantechi and Luisa Santacesaria, on writing Parva Lumina (2017), a piece that we later recorded in 2018 on a beautiful 19th-century Tronci organ in the church of San Giusto a Ema, in the countryside near Florence, and featured in Anabasi (Kohlhaas 2020), the fourth record by our ensemble Blutwurst.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cem\u003eThese two pieces were recorded in the summer of 2020 in the Church of San Martino a Maiano, in the green hills looming over Florence, very close to the village of Fiesole.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eIn San Martino there is an organ built in 1885 by Demetrio Bruschi, a carpenter and organ builder originally from Loro Ciuffenna, in the middle valley of the Arno River.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe organ is located in the choir loft on the back wall of\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e the apse.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eMechanically transmitted, it has 16 stops and a mellifluous and opaque but powerful sound that gives its best in the lower register.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eFuochi's pieces remained buried in my hard disk for almost four years.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eI liked them very much, despite their raw and somewhat monolithic nature, but the overabundance of pipe organ records in the field of modern composition, some that have since become iconic, and a chronic insecurity of mine had put me off proposing them earlier.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eDark timbres and low tones are favored in these pieces, and the hands of Luisa Santacesaria, who plays the organ in both pieces, rarely exceed the lower half of the instrument's keyboard, while often the sound descends into the very deep notes produced with the pedals.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eWhile 'Fuochi' is a solo piece for pipe organ in 'Ombra con coda' Luisa is joined by Ensemble Schallfeld member Elisa Azzarà on bass flute, Niccolò Curradi on cello and Blutwurst member Maurizio Costantini on double bass.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThey are both skeletal studies on stasis and slowness as well as the evocative and emotional possibility of sustained sounds and low tessituras, some concepts that have been quite central to my musical research in recent years.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eBoth pieces are based on excerpts from lute pieces by Vincenzo Galilei from his famous treatise 'Fronimo' (1581).\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Marco Baldini\u003c\/p\u003e\n\u003cp\u003eLabel : Dinzu Artefacts\u003c\/p\u003e\n\u003cp\u003eCAT No : Dinzu 105\u003c\/p\u003e","published_at":"2024-09-30T18:13:31+09:00","created_at":"2024-09-30T16:04:41+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","dinzu artefacts","drone","new","recommended","tape"],"price":197800,"price_min":197800,"price_max":197800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46701012189434,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Marco Baldini \/\/ Fuochi TAPE","public_title":null,"options":["Default Title"],"price":197800,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/fuo1.jpg?v=1727679806","\/\/tobirarecords.com\/cdn\/shop\/files\/fuo2.jpg?v=1727679806"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/fuo1.jpg?v=1727679806","options":["Title"],"media":[{"alt":null,"id":34959185477882,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fuo1.jpg?v=1727679806"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fuo1.jpg?v=1727679806","width":700},{"alt":null,"id":34959185510650,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fuo2.jpg?v=1727679806"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fuo2.jpg?v=1727679806","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去にAnother Timbre等から発表しているイタリア・フィレンツェの作曲家Marco Baldiniが、2024年9月にアメリカ・LAの実験レーベルDinzu Artefacts\u003cspan data-mce-fragment=\"1\"\u003eからリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eパイプオルガンとチェロ、フルート、コントラバスによるロングフォームなアコースティック・ドローン2曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/marco-baldini-apartment-house-maniera-cd\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003e\"サン・マルティーナ・ア・マイアーノ教会（1885年）のパイプオルガンを使用し、ヴィンチェンツォ・ガリレイの『フロニモ』（1581年）に由来する楽材を用いたこれらの作品は、持続音と低音テシトゥーラの喚起的な可能性を明確にしている。これらの骨格構造の長大な持続時間は、みずみずしく、しばしば予期せぬ和声進行を前景化し、それぞれの瞬間が微妙な神秘とドラマの世界を現出させる。\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2926266446\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003ehere\u003c\/a\u003e to see more Dinzu Artefacts releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Cassette in norelco case. Edition of 50. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Ombra con coda 20:24\u003cbr\u003e2. Fuochi 17:03\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eDinzu Artefacts:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003eFeaturing the 1885 pipe organ of Chiesa di San Martina a Maiano and using musical materials derived from Vincenzo Galilei's Fronimo (1581), these pieces articulate the evocative possibilities of sustained tones and low tessituras. The protracted durations of these skeletal structures foreground their lush and often unexpected harmonic progressions, each moment revealing a world of subtle mystery and drama.\"\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist statement by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eMarco Baldini\u003c\/span\u003e\u003cspan\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cem\u003eI had gotten close to the pipe organ while working, with Daniela Fantechi and Luisa Santacesaria, on writing Parva Lumina (2017), a piece that we later recorded in 2018 on a beautiful 19th-century Tronci organ in the church of San Giusto a Ema, in the countryside near Florence, and featured in Anabasi (Kohlhaas 2020), the fourth record by our ensemble Blutwurst.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cem\u003eThese two pieces were recorded in the summer of 2020 in the Church of San Martino a Maiano, in the green hills looming over Florence, very close to the village of Fiesole.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eIn San Martino there is an organ built in 1885 by Demetrio Bruschi, a carpenter and organ builder originally from Loro Ciuffenna, in the middle valley of the Arno River.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe organ is located in the choir loft on the back wall of\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e the apse.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eMechanically transmitted, it has 16 stops and a mellifluous and opaque but powerful sound that gives its best in the lower register.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eFuochi's pieces remained buried in my hard disk for almost four years.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eI liked them very much, despite their raw and somewhat monolithic nature, but the overabundance of pipe organ records in the field of modern composition, some that have since become iconic, and a chronic insecurity of mine had put me off proposing them earlier.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eDark timbres and low tones are favored in these pieces, and the hands of Luisa Santacesaria, who plays the organ in both pieces, rarely exceed the lower half of the instrument's keyboard, while often the sound descends into the very deep notes produced with the pedals.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eWhile 'Fuochi' is a solo piece for pipe organ in 'Ombra con coda' Luisa is joined by Ensemble Schallfeld member Elisa Azzarà on bass flute, Niccolò Curradi on cello and Blutwurst member Maurizio Costantini on double bass.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThey are both skeletal studies on stasis and slowness as well as the evocative and emotional possibility of sustained sounds and low tessituras, some concepts that have been quite central to my musical research in recent years.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eBoth pieces are based on excerpts from lute pieces by Vincenzo Galilei from his famous treatise 'Fronimo' (1581).\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Marco Baldini\u003c\/p\u003e\n\u003cp\u003eLabel : Dinzu Artefacts\u003c\/p\u003e\n\u003cp\u003eCAT No : Dinzu 105\u003c\/p\u003e"}
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