Andrew Chalk // Forty-Nine Views In Rhapsodies' Wave Serene CD (DELUXE EDITION)
Andrew Chalk // Forty-Nine Views In Rhapsodies' Wave Serene CD (DELUXE EDITION)
¥4,250
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イギリスの大御所アンビエントドローン作家Andrew Chalk諸作を入荷しました。
本作は、彼が2012年にリリースした作品です。素晴らしい装丁のデラックスエディションになります。
アーティストその他作品はこちら /// Click here to see more Andrew Chalk releases available at Tobira.
----------------------------
Suite of 49 short tracks.
Artist : Andrew Chalk
Label : Faraway Press
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{"id":8749229211898,"title":"Shabason, Krgovich \u0026 Harris \/\/ Philadelphia LP","handle":"shabason-krgovich-harris-philadelphia-lp","description":"\u003cp\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※Krgovichは3\/30に上階ギャラリーvoidでライブします\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eカナダ・トロントのアンビエント〜ベッドルームポップ作家Nicholas Krgovichと Joseph Shabason、Chris Harrisが、2023年7月にトロントのポップレーベルIdeé Fixe Recordsからリリースした再発レコードです(オリジナルは2020年リリース)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eポップというジャンルで取り上げられがちなロマンスや愛、失恋などは一切排除し、寝る前のシャワーや埃まみれのミニバン、一口のゲータレード、ご近所との何気ない会話など、日常に宿る些細な美しさや豊かな情緒を、やさしく手のひらで包み込み、そっと差し出す珠玉のアンビエント・ポップ8曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2583637458\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1689141205\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2583637458\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3179110998\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2583637458\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2355159331\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2583637458\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=328083779\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2583637458\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1314029656\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/idfi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/idfi\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIdée Fixe Records \u003c\/span\u003ereleases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"The protagonist of Icelandic writer Halldór Laxness’s 1969 novel, World Light, gives a tearful goodbye to the grains and knots of his attic ceiling when he leaves after years spent staring up at them, bedridden. On their album Philadelphia, Nicholas Krgovich, Joseph Shabason, and Chris Harris chase a similar kind of romance toward the mundane and miniscule details made more visible by the world’s newfound relationship with the Great Indoors. The three musicians, who convened on a shared love of New Age music, create a space of sonic refuge out of softly electrified textures, burbling live instrumentation, and Shabason’s lacquered synth work, all of which support Krgovich’s koan-like poetry about showers before bed, dusty minivans, sips of gatorade, and the modern minutiae rendered beautiful by mere observation.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eContrasting the forced trend of remote collaborations, Philadelphia was recorded across three days of sessions in Toronto, pre-COVID. “Somewhere back in 2018 we started to pass demos back and forth over email and we quickly got about eight song sketches together,” explains Shabason. “Then in fall of 2019 we all realised that if we didn’t get into the same room together we were never gonna finish this album.” The trio’s physical proximity while recording\u003cspan class=\"bcTruncateMore\"\u003e underwrites the hushed tones that pervade the album, which itself reads like the kind of quiet, personal conversation that can only happen in close quarters lest it be washed away in the din of public life. Philadelphia establishes this immediately with “Osouji”, a track whose gentle intro of balmy synth and crickets suggests a sunrise and sunset equally. Bathed in calm light, Krgovich sets a scene not unfamiliar in this day and age: “Garden pebbles underfoot \/ the wet bamboo \/ been inside all the day \/ deep cleaning room to room.” Krgovich wrote the album’s lyrics under the self-imposed philosophy of “first thought, best thought” admittedly avoiding the well-trodden subjects of romance, love, and heartbreak. He chooses instead to reveal the romanticism of the world hidden in plain sight while Harris and Shabason deepen the sentiment with reflective, instrumental excursions. Whispered, conversational synthesizers fill out “Tuesday Afternoon” over a backdrop of birdsong, and vocals make only brief appearances near the track’s beginning and end. Conversely, “Friday Afternoon” is lyrically driven, and delivers an anthemic refrain that constitutes one of the most emotional moments of Philadelphia. After a postcard-like recounting of seeing a roadside stranger experience car trouble, Krgovich repeats the hushed mantra “wrap your loving arms around it”, almost as a call-to-action for embracing the present moment as it is instead of as it ought to be. “I Don’t See the Moon” is a lighter mood by comparison. With its jazz-tinged interplay of piano and guitar, complete with a gliding electric bass line, the song provides levity, but is no less introspective than the rest of the collection. “Waltz” serves similar ends without much interjection from the drums-- the beat is instead implied by the rhythm of Krgovich’s vocals that bear a subtle smooth RnB influence as he paints a picture of his residential surroundings: “and all the cactus gardens growing right on through the fences \/ and the flowers over high walls \/ and the houses all the way \/ down, down, down.”\u003cbr\u003e- Idee Fixe Records\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Shabason, Krgovich \u0026amp; Harris\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIdeé Fixe Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-03-22T07:18:25+09:00","created_at":"2025-03-22T07:17:15+09:00","vendor":"Tobira Records","type":"","tags":["ambient","folk \/ left-field pop","Ideé Fixe Records","lp","new"],"price":458000,"price_min":458000,"price_max":458000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47208261976314,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Shabason, Krgovich \u0026 Harris \/\/ Philadelphia LP","public_title":null,"options":["Default Title"],"price":458000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"195081976235","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/phil1_3f3684ee-d6b4-44b3-bbe1-a2ffd584f4d0.jpg?v=1690331192","\/\/tobirarecords.com\/cdn\/shop\/files\/phil2_5fc71c8a-a2e3-4c5f-9657-e6dc84aa712c.jpg?v=1690331192"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/phil1_3f3684ee-d6b4-44b3-bbe1-a2ffd584f4d0.jpg?v=1690331192","options":["Title"],"media":[{"alt":null,"id":32265786556666,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/phil1_3f3684ee-d6b4-44b3-bbe1-a2ffd584f4d0.jpg?v=1690331192"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/phil1_3f3684ee-d6b4-44b3-bbe1-a2ffd584f4d0.jpg?v=1690331192","width":700},{"alt":null,"id":32265786589434,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/phil2_5fc71c8a-a2e3-4c5f-9657-e6dc84aa712c.jpg?v=1690331192"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/phil2_5fc71c8a-a2e3-4c5f-9657-e6dc84aa712c.jpg?v=1690331192","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※Krgovichは3\/30に上階ギャラリーvoidでライブします\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eカナダ・トロントのアンビエント〜ベッドルームポップ作家Nicholas Krgovichと Joseph Shabason、Chris Harrisが、2023年7月にトロントのポップレーベルIdeé Fixe Recordsからリリースした再発レコードです(オリジナルは2020年リリース)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eポップというジャンルで取り上げられがちなロマンスや愛、失恋などは一切排除し、寝る前のシャワーや埃まみれのミニバン、一口のゲータレード、ご近所との何気ない会話など、日常に宿る些細な美しさや豊かな情緒を、やさしく手のひらで包み込み、そっと差し出す珠玉のアンビエント・ポップ8曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2583637458\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1689141205\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2583637458\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3179110998\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2583637458\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2355159331\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2583637458\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=328083779\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2583637458\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1314029656\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/idfi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/idfi\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIdée Fixe Records \u003c\/span\u003ereleases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"The protagonist of Icelandic writer Halldór Laxness’s 1969 novel, World Light, gives a tearful goodbye to the grains and knots of his attic ceiling when he leaves after years spent staring up at them, bedridden. On their album Philadelphia, Nicholas Krgovich, Joseph Shabason, and Chris Harris chase a similar kind of romance toward the mundane and miniscule details made more visible by the world’s newfound relationship with the Great Indoors. The three musicians, who convened on a shared love of New Age music, create a space of sonic refuge out of softly electrified textures, burbling live instrumentation, and Shabason’s lacquered synth work, all of which support Krgovich’s koan-like poetry about showers before bed, dusty minivans, sips of gatorade, and the modern minutiae rendered beautiful by mere observation.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eContrasting the forced trend of remote collaborations, Philadelphia was recorded across three days of sessions in Toronto, pre-COVID. “Somewhere back in 2018 we started to pass demos back and forth over email and we quickly got about eight song sketches together,” explains Shabason. “Then in fall of 2019 we all realised that if we didn’t get into the same room together we were never gonna finish this album.” The trio’s physical proximity while recording\u003cspan class=\"bcTruncateMore\"\u003e underwrites the hushed tones that pervade the album, which itself reads like the kind of quiet, personal conversation that can only happen in close quarters lest it be washed away in the din of public life. Philadelphia establishes this immediately with “Osouji”, a track whose gentle intro of balmy synth and crickets suggests a sunrise and sunset equally. Bathed in calm light, Krgovich sets a scene not unfamiliar in this day and age: “Garden pebbles underfoot \/ the wet bamboo \/ been inside all the day \/ deep cleaning room to room.” Krgovich wrote the album’s lyrics under the self-imposed philosophy of “first thought, best thought” admittedly avoiding the well-trodden subjects of romance, love, and heartbreak. He chooses instead to reveal the romanticism of the world hidden in plain sight while Harris and Shabason deepen the sentiment with reflective, instrumental excursions. Whispered, conversational synthesizers fill out “Tuesday Afternoon” over a backdrop of birdsong, and vocals make only brief appearances near the track’s beginning and end. Conversely, “Friday Afternoon” is lyrically driven, and delivers an anthemic refrain that constitutes one of the most emotional moments of Philadelphia. After a postcard-like recounting of seeing a roadside stranger experience car trouble, Krgovich repeats the hushed mantra “wrap your loving arms around it”, almost as a call-to-action for embracing the present moment as it is instead of as it ought to be. “I Don’t See the Moon” is a lighter mood by comparison. With its jazz-tinged interplay of piano and guitar, complete with a gliding electric bass line, the song provides levity, but is no less introspective than the rest of the collection. “Waltz” serves similar ends without much interjection from the drums-- the beat is instead implied by the rhythm of Krgovich’s vocals that bear a subtle smooth RnB influence as he paints a picture of his residential surroundings: “and all the cactus gardens growing right on through the fences \/ and the flowers over high walls \/ and the houses all the way \/ down, down, down.”\u003cbr\u003e- Idee Fixe Records\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Shabason, Krgovich \u0026amp; Harris\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIdeé Fixe Records\u003c\/span\u003e\u003c\/p\u003e"}
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※Krgovichは3/30に上階ギャラリーvoidでライブします カナダ・トロントのアンビエント〜ベッドルームポップ作家Nicholas Krgovichと Joseph Shabason、Chris Harrisが、2023年7月にトロントのポップレーベルIdeé Fixe Recordsからリリースした再発レコードです(オリジナルは2020年リリース) ポップというジャンルで取り上げられがちなロマンスや愛、失恋などは一切排除し、寝る前のシャワーや埃まみれのミニバン、一口のゲータレード、ご近所との何気ない会話など、日常に宿る些細な美しさや豊かな情緒を、やさしく手のひらで包み込み、そっと差し出す珠玉のアンビエント・ポップ8曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more Idée...
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![Michael Scott Dawson // Music For Listening LP [COLOR]](http://tobirarecords.com/cdn/shop/files/a2499632209_16_medium.jpg?v=1688723040)
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{"id":8749221576954,"title":"Michael Scott Dawson \/\/ Music For Listening LP [COLOR]","handle":"michael-scott-dawson-music-for-listening-lp-color","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e※4\/5のTobiraインストアショーケースに出演します\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eカナダのアンビエント作家Michael Scott Dawsonが、2022年4月に同国トロントのオールジャンルレーベルWe Are Busy Bodiesから300部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eエレキギターとピアノ、フィールドレコーディングによる穏やかなアンビエント〜アンビエントドローン12曲を収録。DLコード付属。 白盤です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"このアルバムは、ギターのための12のアンビエント作品で構成されています。2020年のデビュー作『Nowhere, Middle Of』に続くもので、ジェネレイティブ・シンセを中心に構成されています。同じことを繰り返したくないDawsonは『Music For Listening』で主要楽器であるシンセサイザーを完全に放棄しました。その結果、ギター曲はテープ・ループとマニピュレーションに大きく傾き、フィールド・レコーディングと控えめなピアノの要素を伴っています。この音楽は、作曲、即興、偶然の交差点に位置し、忍耐強くシンプルなメロディーがマントラのようにアルバム全体に現れては繰り返されます。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDawsonのインスピレーションは、95歳の祖母との電話から生まれました。祖母は、Dawsonが子供の頃からそうしてきたように、窓の外にいる鳥たちの観察結果を話してくれました。電話を切るなり、彼は以前、家族を訪ねた夏に録音したものを掘り起こしたくなりました。これらの断片は当初、大草原の鳥のさえずりを集めたアルバムの一部となる予定でした。彼は幼少期に住んでいた故郷の郊外にある牧草地や農地を歩き回り、音声を録音しました。本当の意味でのフィールドレコーディングです。しかし、Dawsonはこのプロジェクトを断念しました。その理由は、蚊や昆虫がマイクに群がるヒスノイズやパチパチという音がびっしり入っていたからです。しかし、あの電話の後、何年も経ってから聴き返してみると、彼はこれらの録音と彼が作曲することになる音楽との類似性に衝撃を受けました。フィールドレコーディングが流れている間、彼はギターを手に取り演奏してみたくなりました。Dawsonはその瞬間に、それまで制作に没頭していたアルバムへのこだわりを消し去り『Music For Listening』の制作に方向転換しました。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4140503185\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4140503185\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2923911962\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wabb\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wabb\"\u003ehere\u003c\/a\u003e to see more We Are Busy Bodies releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Edition of 300. 12\" \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eopaque bone coloured vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eWe Are Busy Bodies:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eMusic For Listening, the sophomore album by Michael Scott Dawson, arrives April 8 via We Are Busy Bodies.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe album is comprised of twelve ambient works for guitar. It follows his 2020 debut Nowhere, Middle Of which was built around generative synths. Not wanting to repeat himself, Dawson entirely abandoned the synthesizer, his primary instrument, on Music For Listening. The resulting guitar pieces lean heavily on tape loops and manipulations, and are accompanied by field recordings and spare piano elements. This music rests at the intersection of composition, improvisation, and chance, with patient and simple melodies emerging and recurring across the album like mantras.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDawson’s inspiration grew from a phone call to his 95-year-old grandmother. As they talked, she shared observations about the birds outside her window, just as she’d done since he was a child. Upon hanging up the phone, he felt compelled to dig out recordings he’d made some summers before, while visiting family. These fragments were initially intended to be part of an album of prairie birdsong: he’d trekked through pastures and farmland on the outskirts of his childhood hometown to capture the audio. Field recordings in the truest sense. Dawson abandoned this project\u003cspan class=\"bcTruncateMore\"\u003e because the raw audio was densely populated with the hiss and crackle of mosquitoes and insects swarming the microphones: but listening back, after that phone call and after many years, he was struck by the similarities between these recordings and the music he would come to compose. While the audio played, he found himself compelled to pick up a guitar and tinker along. Dawson’s commitment to the follow-up album he’d been deep into creating evaporated in that moment, and he switched course to begin crafting Music For Listening.\u003c\/span\u003e \u003cspan class=\"bcTruncateMore\"\u003e”\u003cbr\u003e\u003cbr\u003eFind Yourself Lost features excerpts of pedal steel by Ettiene Soulodre, flugelhorn by Dalton Lam, additional guitars by Bryce Lewis, dobro by Aaron Kapinka, and baritone guitar by Gage McGuire. It also contains audio from an unlabeled garage sale cassette of someone’s home-dubbed line dancing.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Michael Scott Dawson\u003c\/p\u003e\n\u003cp\u003eLabel : We Are Busy Bodies\u003c\/p\u003e","published_at":"2025-03-22T07:05:19+09:00","created_at":"2025-03-22T07:03:27+09:00","vendor":"Tobira Records","type":"","tags":["ambient","lp","new","we are busy bodies"],"price":399000,"price_min":399000,"price_max":399000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47208251064570,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Michael Scott Dawson \/\/ Music For Listening LP [COLOR]","public_title":null,"options":["Default Title"],"price":399000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a2499632209_16.jpg?v=1688723040","\/\/tobirarecords.com\/cdn\/shop\/files\/0027210406_10.jpg?v=1688723041"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a2499632209_16.jpg?v=1688723040","options":["Title"],"media":[{"alt":null,"id":32197774770426,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a2499632209_16.jpg?v=1688723040"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a2499632209_16.jpg?v=1688723040","width":700},{"alt":null,"id":32197774868730,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0027210406_10.jpg?v=1688723041"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0027210406_10.jpg?v=1688723041","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e※4\/5のTobiraインストアショーケースに出演します\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eカナダのアンビエント作家Michael Scott Dawsonが、2022年4月に同国トロントのオールジャンルレーベルWe Are Busy Bodiesから300部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eエレキギターとピアノ、フィールドレコーディングによる穏やかなアンビエント〜アンビエントドローン12曲を収録。DLコード付属。 白盤です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"このアルバムは、ギターのための12のアンビエント作品で構成されています。2020年のデビュー作『Nowhere, Middle Of』に続くもので、ジェネレイティブ・シンセを中心に構成されています。同じことを繰り返したくないDawsonは『Music For Listening』で主要楽器であるシンセサイザーを完全に放棄しました。その結果、ギター曲はテープ・ループとマニピュレーションに大きく傾き、フィールド・レコーディングと控えめなピアノの要素を伴っています。この音楽は、作曲、即興、偶然の交差点に位置し、忍耐強くシンプルなメロディーがマントラのようにアルバム全体に現れては繰り返されます。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDawsonのインスピレーションは、95歳の祖母との電話から生まれました。祖母は、Dawsonが子供の頃からそうしてきたように、窓の外にいる鳥たちの観察結果を話してくれました。電話を切るなり、彼は以前、家族を訪ねた夏に録音したものを掘り起こしたくなりました。これらの断片は当初、大草原の鳥のさえずりを集めたアルバムの一部となる予定でした。彼は幼少期に住んでいた故郷の郊外にある牧草地や農地を歩き回り、音声を録音しました。本当の意味でのフィールドレコーディングです。しかし、Dawsonはこのプロジェクトを断念しました。その理由は、蚊や昆虫がマイクに群がるヒスノイズやパチパチという音がびっしり入っていたからです。しかし、あの電話の後、何年も経ってから聴き返してみると、彼はこれらの録音と彼が作曲することになる音楽との類似性に衝撃を受けました。フィールドレコーディングが流れている間、彼はギターを手に取り演奏してみたくなりました。Dawsonはその瞬間に、それまで制作に没頭していたアルバムへのこだわりを消し去り『Music For Listening』の制作に方向転換しました。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4140503185\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4140503185\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2923911962\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wabb\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wabb\"\u003ehere\u003c\/a\u003e to see more We Are Busy Bodies releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Edition of 300. 12\" \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eopaque bone coloured vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eWe Are Busy Bodies:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eMusic For Listening, the sophomore album by Michael Scott Dawson, arrives April 8 via We Are Busy Bodies.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe album is comprised of twelve ambient works for guitar. It follows his 2020 debut Nowhere, Middle Of which was built around generative synths. Not wanting to repeat himself, Dawson entirely abandoned the synthesizer, his primary instrument, on Music For Listening. The resulting guitar pieces lean heavily on tape loops and manipulations, and are accompanied by field recordings and spare piano elements. This music rests at the intersection of composition, improvisation, and chance, with patient and simple melodies emerging and recurring across the album like mantras.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDawson’s inspiration grew from a phone call to his 95-year-old grandmother. As they talked, she shared observations about the birds outside her window, just as she’d done since he was a child. Upon hanging up the phone, he felt compelled to dig out recordings he’d made some summers before, while visiting family. These fragments were initially intended to be part of an album of prairie birdsong: he’d trekked through pastures and farmland on the outskirts of his childhood hometown to capture the audio. Field recordings in the truest sense. Dawson abandoned this project\u003cspan class=\"bcTruncateMore\"\u003e because the raw audio was densely populated with the hiss and crackle of mosquitoes and insects swarming the microphones: but listening back, after that phone call and after many years, he was struck by the similarities between these recordings and the music he would come to compose. While the audio played, he found himself compelled to pick up a guitar and tinker along. Dawson’s commitment to the follow-up album he’d been deep into creating evaporated in that moment, and he switched course to begin crafting Music For Listening.\u003c\/span\u003e \u003cspan class=\"bcTruncateMore\"\u003e”\u003cbr\u003e\u003cbr\u003eFind Yourself Lost features excerpts of pedal steel by Ettiene Soulodre, flugelhorn by Dalton Lam, additional guitars by Bryce Lewis, dobro by Aaron Kapinka, and baritone guitar by Gage McGuire. It also contains audio from an unlabeled garage sale cassette of someone’s home-dubbed line dancing.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Michael Scott Dawson\u003c\/p\u003e\n\u003cp\u003eLabel : We Are Busy Bodies\u003c\/p\u003e"}
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※4/5のTobiraインストアショーケースに出演します カナダのアンビエント作家Michael Scott Dawsonが、2022年4月に同国トロントのオールジャンルレーベルWe Are Busy Bodiesから300部限定でリリースしたレコードです。 エレキギターとピアノ、フィールドレコーディングによる穏やかなアンビエント〜アンビエントドローン12曲を収録。DLコード付属。 白盤です。 以下、レーベルによる解説です。 "このアルバムは、ギターのための12のアンビエント作品で構成されています。2020年のデビュー作『Nowhere, Middle Of』に続くもので、ジェネレイティブ・シンセを中心に構成されています。同じことを繰り返したくないDawsonは『Music For...
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{"id":8749221019898,"title":"Michael Scott Dawson \/\/ Nowhere, Middle of LP","handle":"michael-scott-dawson-nowhere-middle-of-lp","description":"\u003cp\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※4\/5のTobiraインストアショーケースに出演します\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eカナダのアンビエント作家Michael Scott Dawsonが、2020年に同国トロントのオールジャンルレーベルWe Are Busy Bodiesから300部限定でリリースしたデビューレコードです。\u003c\/p\u003e\n\u003cp\u003eエレキギターによる柔らかいアンビエント〜アンビエントドローン9曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003cp\u003eOld SawやBlue Diversファンの方におすすめします。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1056058933\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3364923495\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3999722857\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wabb\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wabb\"\u003ehere\u003c\/a\u003e to see more We Are Busy Bodies releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Edition of 300. 12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003eWe Are Busy Bodies:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eNowhere, Middle of is the debut solo LP by Michael Scott Dawson. The ambient album is built on soft, generative tones accompanied by recordings of old guitars, bicycles, cassettes, synths, public art and pianos.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn late 2017 Dawson suffered an unexpected bout of vertigo. For the better part of 18 months the thought of working on music felt impossible. Some days just the thought of listening to music felt impossible. As the symptoms started to recede, he rediscovered a love for close listening. Before long he had set up a makeshift studio at home and started work on what would become Nowhere, Middle of. Reflecting on the project, Dawson states “I knew I wanted to rely as much on scotch tape as a computer.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs recording neared completion Dawson turned to a new source of inspiration. 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Edition of 300. 12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003eWe Are Busy Bodies:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eNowhere, Middle of is the debut solo LP by Michael Scott Dawson. The ambient album is built on soft, generative tones accompanied by recordings of old guitars, bicycles, cassettes, synths, public art and pianos.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn late 2017 Dawson suffered an unexpected bout of vertigo. For the better part of 18 months the thought of working on music felt impossible. Some days just the thought of listening to music felt impossible. As the symptoms started to recede, he rediscovered a love for close listening. Before long he had set up a makeshift studio at home and started work on what would become Nowhere, Middle of. Reflecting on the project, Dawson states “I knew I wanted to rely as much on scotch tape as a computer.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs recording neared completion Dawson turned to a new source of inspiration. Rereading Oliver Sack’s Gratitude and a road trip to Canyonlands with his wife led him to revisiting the mixes with a renewed focus on quiet, space, and patience.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Michael Scott Dawson\u003c\/p\u003e\n\u003cp\u003eLabel : We Are Busy Bodies\u003c\/p\u003e"}
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※4/5のTobiraインストアショーケースに出演します カナダのアンビエント作家Michael Scott Dawsonが、2020年に同国トロントのオールジャンルレーベルWe Are Busy Bodiesから300部限定でリリースしたデビューレコードです。 エレキギターによる柔らかいアンビエント〜アンビエントドローン9曲を収録。DLコード付属。 Old SawやBlue Diversファンの方におすすめします。 レーベルその他作品はこちら /// Click here to see...
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{"id":8748694896890,"title":"Hasbro Slasher \/\/ Dream Emulator TAPE","handle":"hasbro-slasher-dream-emulator-tape","description":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eオランダのヴェイパーウェーブ作家猫 シ Corp.主宰レーベルHiraeth Records諸作を入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e本作は、アメリカのアンビエント作家Hasbro Slasherが、2022年にリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eポストニューエイジ・アンビエント10曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/uO1BW0UfhYE?si=akubvLR_pQfdsQIl\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hirth\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hirth\"\u003ehere\u003c\/a\u003e to see more Hiraeth Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. Available on 12\" blue vinyl (edition of 200) or cassette in norelco case (edition of 150). \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Cybernetic Arms 04:02\u003cbr\u003e2. Swimwear 02:22\u003cbr\u003e3. Windiscs 06:10\u003cbr\u003e4. Privilege District 03:18\u003cbr\u003e5. Logorrhea 03:24\u003cbr\u003e6. Resurrection Chamber 02:26\u003cbr\u003e7. Cel Shading 03:29\u003cbr\u003e8. Anthropocene 02:35\u003cbr\u003e9. Omega 05:31\u003cbr\u003e10. Resurrection Chamber (reprise) 04:13\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eHiraeth:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eHiraeth Records presents “Dream Emulator” – a touching, ethereal masterpiece from the US-based musician Hasbro Slasher. Witness a pristine sound blossom as MIDI choirs and string ensembles push through sweeping, new age ambience, creating a sound that shifts from lovingly real and organic, to thought-provoking and other-worldly.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHasbro Slasher crafts a distinctive sound, bringing together elements of new age, ambient and electronic. The listener’s path is awe-inspiringly real, but harbours moments of synthetic glossiness and disorientating fragmentation. Find yourself drifting above endless mountain ranges, feeling the crystalline vapour of stratus clouds against your skin. Settle in lucid valleys flowing with the lifeblood of creation, as the artist fondly illustrates an impression of nature’s majesty juxtaposed with our new, digital existence.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe bonus tracks offered on the CD and MiniDisc iterations of the album further explore this unique soundscape. there is no nuclear waste under these slabs of concrete offers a sporadically pulsing texture, smoothed by MIDI piano, with a title that gives more than a nod to the ecological undertones that run through much of Dream Emulator. Swim under fragile panes of ice on 78 78, as\u003cspan class=\"bcTruncateMore\"\u003e the artist submerges you in crisp, glacial water at the album’s conclusion.\u003cbr\u003e\u003cbr\u003eWhether its MIDI choirs gliding through the aether with you, or gentle piano ballads that caress as you lay submerged in ambience, Hasbro Slasher entices you into a microcosmic landscape. Each track welcomes paints a beautiful utopian vista. Marvel as geometric structures refine themselves into a detailed landscape and you are guided forward by progressive melodies and masterful composition.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Hasbro Slasher\u003c\/p\u003e\n\u003cp\u003eLabel : Hiraeth Records\u003c\/p\u003e\n\u003cp\u003eCAT No: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eHR014\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-03-21T19:54:35+09:00","created_at":"2025-03-21T19:53:06+09:00","vendor":"Tobira Records","type":"","tags":["ambient","hiraeth records","new","post newage","tape"],"price":223200,"price_min":223200,"price_max":223200,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47207087210746,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Hasbro Slasher \/\/ Dream Emulator TAPE","public_title":null,"options":["Default Title"],"price":223200,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/em1_eb20369f-3b2a-4bd2-9301-08b2fac899d6.jpg?v=1723185490"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/em1_eb20369f-3b2a-4bd2-9301-08b2fac899d6.jpg?v=1723185490","options":["Title"],"media":[{"alt":null,"id":34684671852794,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/em1_eb20369f-3b2a-4bd2-9301-08b2fac899d6.jpg?v=1723185490"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/em1_eb20369f-3b2a-4bd2-9301-08b2fac899d6.jpg?v=1723185490","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eオランダのヴェイパーウェーブ作家猫 シ Corp.主宰レーベルHiraeth Records諸作を入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e本作は、アメリカのアンビエント作家Hasbro Slasherが、2022年にリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eポストニューエイジ・アンビエント10曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/uO1BW0UfhYE?si=akubvLR_pQfdsQIl\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hirth\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hirth\"\u003ehere\u003c\/a\u003e to see more Hiraeth Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. Available on 12\" blue vinyl (edition of 200) or cassette in norelco case (edition of 150). \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Cybernetic Arms 04:02\u003cbr\u003e2. Swimwear 02:22\u003cbr\u003e3. Windiscs 06:10\u003cbr\u003e4. Privilege District 03:18\u003cbr\u003e5. Logorrhea 03:24\u003cbr\u003e6. Resurrection Chamber 02:26\u003cbr\u003e7. Cel Shading 03:29\u003cbr\u003e8. Anthropocene 02:35\u003cbr\u003e9. Omega 05:31\u003cbr\u003e10. Resurrection Chamber (reprise) 04:13\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eHiraeth:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eHiraeth Records presents “Dream Emulator” – a touching, ethereal masterpiece from the US-based musician Hasbro Slasher. Witness a pristine sound blossom as MIDI choirs and string ensembles push through sweeping, new age ambience, creating a sound that shifts from lovingly real and organic, to thought-provoking and other-worldly.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHasbro Slasher crafts a distinctive sound, bringing together elements of new age, ambient and electronic. The listener’s path is awe-inspiringly real, but harbours moments of synthetic glossiness and disorientating fragmentation. Find yourself drifting above endless mountain ranges, feeling the crystalline vapour of stratus clouds against your skin. Settle in lucid valleys flowing with the lifeblood of creation, as the artist fondly illustrates an impression of nature’s majesty juxtaposed with our new, digital existence.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe bonus tracks offered on the CD and MiniDisc iterations of the album further explore this unique soundscape. there is no nuclear waste under these slabs of concrete offers a sporadically pulsing texture, smoothed by MIDI piano, with a title that gives more than a nod to the ecological undertones that run through much of Dream Emulator. Swim under fragile panes of ice on 78 78, as\u003cspan class=\"bcTruncateMore\"\u003e the artist submerges you in crisp, glacial water at the album’s conclusion.\u003cbr\u003e\u003cbr\u003eWhether its MIDI choirs gliding through the aether with you, or gentle piano ballads that caress as you lay submerged in ambience, Hasbro Slasher entices you into a microcosmic landscape. Each track welcomes paints a beautiful utopian vista. Marvel as geometric structures refine themselves into a detailed landscape and you are guided forward by progressive melodies and masterful composition.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Hasbro Slasher\u003c\/p\u003e\n\u003cp\u003eLabel : Hiraeth Records\u003c\/p\u003e\n\u003cp\u003eCAT No: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eHR014\u003c\/span\u003e\u003c\/p\u003e"}
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