1-800-ICEMAN // CARD DECLINED TAPE
1-800-ICEMAN // CARD DECLINED TAPE
¥1,980
- Item no:
- Availability:
イギリスの実験ハウス作家1-800-ICEMANが、2023年4月に同国実験/ノイズレーベルIndustrial Coastから100本限定でリリースしたカセットです。
A面ハウス〜B面ノイズドローン5曲を収録。試聴無し、カセットのみでのリリースとなります。
レーベルその他作品はこちら /// Click here to see more Industrial Coast releases available at Tobira.
-------------------------------------
Physical only - no digital.
Artist : 1-800-ICEMAN
Label : Industrial Coast
イギリスの実験ハウス作家1-800-ICEMANが、2023年4月に同国実験/ノイズレーベルIndustrial Coastから100本限定でリリースしたカセットです。
A面ハウス〜B面ノイズドローン5曲を収録。試聴無し、カセットのみでのリリースとなります。
レーベルその他作品はこちら /// Click here to see more Industrial Coast releases available at Tobira.
-------------------------------------
Physical only - no digital.
Artist : 1-800-ICEMAN
Label : Industrial Coast
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{"id":8446300324090,"title":"JP \/\/ field research TAPE","handle":"jp-field-research-tape","description":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eアメリカ・バーモントの実験レーベルGranite City主宰JPが、2024年4月にカナダの実験/ノイズレーベル\u003cspan data-mce-fragment=\"1\"\u003eBuried In Slag and Debrisからリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eテープマシーン、フィールドレコーディングによるLo-Fiコンクレート〜コラージュ・ノイズ8曲を収録。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eDLコード付属。\u003c\/span\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=227835826\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1726575774\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=227835826\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/bisad\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/bisad\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/bisad\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/bisad\"\u003ehere\u003c\/a\u003e to see more Buried In Slag and Debris releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Cassette in norelco case.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. field study no 1 04:26\u003cbr\u003e2. field study no 2 04:43\u003cbr\u003e3. field study no 3 02:37\u003cbr\u003e4. field study no 4 04:03\u003cbr\u003e5. field study no 5 05:05\u003cbr\u003e6. field study no 6 02:22\u003cbr\u003e7. field study no 7 04:58\u003cbr\u003e8. song for Boulder 03:33\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist statement by JP:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ethe title chosen explains not just the concept and methods behind this release, but the entire purpose for my interest in sound as a whole. for the past several years, an enthusiasm for exploring sound has subsumed my interest in creating it. for one, there is a directness between the source itself and what it expresses. two, simplicity is efficiency; the entire process was done with field recordings and tapes.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ei’ve also come to a third realization, which is now a general principle in my understanding of “noise” and sound art in general: presentation over simulation. while one could use devices, gadgets or instruments to convey a certain experience of that reality, that reality could be arguably better presented directly and by itself, as \u003c\/em\u003e\u003cem\u003eits own material and representation simultaneously. for example, \u003c\/em\u003e\u003cem\u003ei found it easier to locate areas and certain types of sound or qualities of sound than to recreate or synthesize them with effects.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ethe reality conveyed is that the world is defined in many ways by constant sound. as we enter the anthropocene era, human-generated noise has come to define the auditory experience for most people and animals. i also found it difficult to avoid, whenever attempted, during these sessions. i kept thinking about the amount of physical waste myself and others have damaged the environment with, using equipment to create, explore and present our findings in sound. it occurred to me that when searching for areas with interesting sound qualities or just quiet, i no longer see private property as a viable option for our species. many of these locations captured were abandoned, unused properties left in a dangerous state. in some cases, i was harassed or threatened in the process.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : JP\u003c\/p\u003e\n\u003cp\u003eLabel : Buried In Slag and Debris\u003c\/p\u003e\n\u003cp\u003eCAT No: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBISAD 041 \u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-05-19T19:36:50+09:00","created_at":"2024-05-19T12:24:07+09:00","vendor":"Tobira Records","type":"","tags":["buried in slag and debris","drone","monooto","new","noise","tape"],"price":198800,"price_min":198800,"price_max":198800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46010976698618,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"JP \/\/ field research TAPE","public_title":null,"options":["Default Title"],"price":198800,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/jp1.jpg?v=1716088956"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/jp1.jpg?v=1716088956","options":["Title"],"media":[{"alt":null,"id":34073418072314,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jp1.jpg?v=1716088956"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jp1.jpg?v=1716088956","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eアメリカ・バーモントの実験レーベルGranite City主宰JPが、2024年4月にカナダの実験/ノイズレーベル\u003cspan data-mce-fragment=\"1\"\u003eBuried In Slag and Debrisからリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eテープマシーン、フィールドレコーディングによるLo-Fiコンクレート〜コラージュ・ノイズ8曲を収録。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eDLコード付属。\u003c\/span\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=227835826\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1726575774\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=227835826\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/bisad\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/bisad\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/bisad\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/bisad\"\u003ehere\u003c\/a\u003e to see more Buried In Slag and Debris releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Cassette in norelco case.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. field study no 1 04:26\u003cbr\u003e2. field study no 2 04:43\u003cbr\u003e3. field study no 3 02:37\u003cbr\u003e4. field study no 4 04:03\u003cbr\u003e5. field study no 5 05:05\u003cbr\u003e6. field study no 6 02:22\u003cbr\u003e7. field study no 7 04:58\u003cbr\u003e8. song for Boulder 03:33\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist statement by JP:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ethe title chosen explains not just the concept and methods behind this release, but the entire purpose for my interest in sound as a whole. for the past several years, an enthusiasm for exploring sound has subsumed my interest in creating it. for one, there is a directness between the source itself and what it expresses. two, simplicity is efficiency; the entire process was done with field recordings and tapes.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ei’ve also come to a third realization, which is now a general principle in my understanding of “noise” and sound art in general: presentation over simulation. while one could use devices, gadgets or instruments to convey a certain experience of that reality, that reality could be arguably better presented directly and by itself, as \u003c\/em\u003e\u003cem\u003eits own material and representation simultaneously. for example, \u003c\/em\u003e\u003cem\u003ei found it easier to locate areas and certain types of sound or qualities of sound than to recreate or synthesize them with effects.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ethe reality conveyed is that the world is defined in many ways by constant sound. as we enter the anthropocene era, human-generated noise has come to define the auditory experience for most people and animals. i also found it difficult to avoid, whenever attempted, during these sessions. i kept thinking about the amount of physical waste myself and others have damaged the environment with, using equipment to create, explore and present our findings in sound. it occurred to me that when searching for areas with interesting sound qualities or just quiet, i no longer see private property as a viable option for our species. many of these locations captured were abandoned, unused properties left in a dangerous state. in some cases, i was harassed or threatened in the process.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : JP\u003c\/p\u003e\n\u003cp\u003eLabel : Buried In Slag and Debris\u003c\/p\u003e\n\u003cp\u003eCAT No: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBISAD 041 \u003c\/span\u003e\u003c\/p\u003e"}
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¥2,388
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{"id":8446281613562,"title":"Adam Howse \/\/ Submarine TAPE","handle":"adam-howse-submarine-tape","description":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eイスラエル・エルサレム出身ドイツ・ベルリン在住の実験アンビエント坂Adam Howseが、2024年2月にポーランド・クラクフの新生レーベルOkla Recordsから25本限定でリリースしたデビューカセットです。\u003c\/p\u003e\n\u003cp\u003eターンテーブルとサンプラー、エフェクターによる実験アンビエント〜ドローン8曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/vGctjTIAiUM?si=oxXurnWY-n5My9d_\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/YXunUIFSC2c?si=0aKYjntYantIPKJr\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/nQHtT3zdZVA?si=i6IiGt0U82YYLIve\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/RByP-zOj-2A?si=cw-5sdJRRCYNQuQE\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/vuywKwviYrA?si=r0yt8czSMN9MJVGh\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/okla\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/okla\"\u003ehere\u003c\/a\u003e to see more okla records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. Cassette in norelco case. Edition of 25. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Night Watch 02:45\u003cbr\u003e2. Tuttle 02:00\u003cbr\u003e3. Emblem 04:52\u003cbr\u003e4. Desert Girl 05:52\u003cbr\u003e5. Beating Round the Bush 04:05\u003cbr\u003e6. Shark SS 174 07:10\u003cbr\u003e7. Xylop 03:34\u003cbr\u003e8. Scamp 03:15\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eokla records:\u003c\/p\u003e\n\u003cp\u003e\"...\u003cem\u003eAdam Howse’s ‘Submarine’ is a murky entity of abstract, improvised sounds emitted by turntables, samplers, and effect pedals, collated into eight wonky, hermetic tracks.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eBorn of the threat of terror, the work channels deep dread, a torrent of existential malevolence lurking in the everyday interactions. It's an uneasy album that creates an atmosphere easy to loose oneself in, to drop down the static-filled blanket of audio drama, to swirl among the unruly sounds of the happenstance.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eWinks and nods to the militaristic nature of the human world, the heavy machinery of destruction and mayhem. The piercing sirens in the night and the quivering lips of survivors.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eDespite the darkness, Howse dreams to look beyond the constant night of fear, hoping for a new day. A light is always near, no matter how dim. Through the gloaming, we persist, hobbling close to each other, sharing the scarce warmth, hand in hand.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eReaching out throughout the murk, a human experience if we know any. Listen and feel.\u003c\/em\u003e\u003cem\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Adam Howse\u003c\/p\u003e\n\u003cp\u003eLabel : okla records\u003c\/p\u003e","published_at":"2024-05-19T12:02:25+09:00","created_at":"2024-05-19T11:45:36+09:00","vendor":"Tobira Records","type":"","tags":["ambient","drone","new","okla","tape"],"price":214200,"price_min":214200,"price_max":214200,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46010673955066,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Adam Howse \/\/ Submarine TAPE","public_title":null,"options":["Default Title"],"price":214200,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/sub1.jpg?v=1716086521","\/\/tobirarecords.com\/cdn\/shop\/files\/su2.jpg?v=1716086521"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/sub1.jpg?v=1716086521","options":["Title"],"media":[{"alt":null,"id":34073236472058,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sub1.jpg?v=1716086521"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sub1.jpg?v=1716086521","width":700},{"alt":null,"id":34073236439290,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/su2.jpg?v=1716086521"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/su2.jpg?v=1716086521","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eイスラエル・エルサレム出身ドイツ・ベルリン在住の実験アンビエント坂Adam Howseが、2024年2月にポーランド・クラクフの新生レーベルOkla Recordsから25本限定でリリースしたデビューカセットです。\u003c\/p\u003e\n\u003cp\u003eターンテーブルとサンプラー、エフェクターによる実験アンビエント〜ドローン8曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/vGctjTIAiUM?si=oxXurnWY-n5My9d_\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/YXunUIFSC2c?si=0aKYjntYantIPKJr\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/nQHtT3zdZVA?si=i6IiGt0U82YYLIve\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/RByP-zOj-2A?si=cw-5sdJRRCYNQuQE\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/vuywKwviYrA?si=r0yt8czSMN9MJVGh\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/okla\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/okla\"\u003ehere\u003c\/a\u003e to see more okla records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. Cassette in norelco case. Edition of 25. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Night Watch 02:45\u003cbr\u003e2. Tuttle 02:00\u003cbr\u003e3. Emblem 04:52\u003cbr\u003e4. Desert Girl 05:52\u003cbr\u003e5. Beating Round the Bush 04:05\u003cbr\u003e6. Shark SS 174 07:10\u003cbr\u003e7. Xylop 03:34\u003cbr\u003e8. Scamp 03:15\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eokla records:\u003c\/p\u003e\n\u003cp\u003e\"...\u003cem\u003eAdam Howse’s ‘Submarine’ is a murky entity of abstract, improvised sounds emitted by turntables, samplers, and effect pedals, collated into eight wonky, hermetic tracks.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eBorn of the threat of terror, the work channels deep dread, a torrent of existential malevolence lurking in the everyday interactions. It's an uneasy album that creates an atmosphere easy to loose oneself in, to drop down the static-filled blanket of audio drama, to swirl among the unruly sounds of the happenstance.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eWinks and nods to the militaristic nature of the human world, the heavy machinery of destruction and mayhem. The piercing sirens in the night and the quivering lips of survivors.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eDespite the darkness, Howse dreams to look beyond the constant night of fear, hoping for a new day. A light is always near, no matter how dim. Through the gloaming, we persist, hobbling close to each other, sharing the scarce warmth, hand in hand.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eReaching out throughout the murk, a human experience if we know any. Listen and feel.\u003c\/em\u003e\u003cem\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Adam Howse\u003c\/p\u003e\n\u003cp\u003eLabel : okla records\u003c\/p\u003e"}
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イスラエル・エルサレム出身ドイツ・ベルリン在住の実験アンビエント坂Adam Howseが、2024年2月にポーランド・クラクフの新生レーベルOkla Recordsから25本限定でリリースしたデビューカセットです。 ターンテーブルとサンプラー、エフェクターによる実験アンビエント〜ドローン8曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more okla records releases...
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{"id":8440485052666,"title":"Weston Olencki \/\/ Pearls Ground Down to Powder LP","handle":"weston-olencki-pearls-ground-down-to-powder-lp","description":"\u003cp\u003eアメリカ・NYのバンジョー奏者Weston Olenckiが、2024年5月に同国テキサスの実験/アンビエントレーベルFull Spectrumから100部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eバンジョーが、打楽器や物音、ドローンといった様々な音に変化する2曲、40分を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"pearls ground down to powderは、同じバンジョーの相反する2つの側面を提示する。バンジョーという楽器は、パーカッシブなストリングス入りドラムとして、あるいは高次元のハーモニックレゾネーターとして交互に登場し、これらの異質な軌道を2つの長編作品に吹き出す。a vine that grew over the city and no one noticed」[Tripticks Tapes - 'Old Time Music']に続く、鈍重で抽象的、レーザーフォーカスの「pearls」は、より認識しやすいバンジョーの領域の亀裂の中で展開する。対照的な2つの面を持つこのアルバムは、グリッチアウト・アルゴリズムの骨組みと、デチューンされた豊かなソノリティの塊に目を瞑る。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e2022年のニューヨークの夏の耐えがたい暑さの中で録音されたこのアルバムのA面「the rocks are different, here」は、フィリップ・グラスやスティーヴ・ライヒの初期のミニマル作品に似た、ギザギザに反転し、再連続するポリリズムのグルーヴが押し寄せてくる。バンジョーは、暗い窪地の奥深くで切々とかき鳴らされる楽器ではなく、弦と共鳴器の恍惚とした配列として扱われている。しかし、この機械的な不協和音にもかかわらず、バンジョー特有のツーンと響く音や頭を叩く音は、ノスタルジアに満ちたこの獣との一種の歪んだ旅を可能にしてくれる。古い音は、まだ道を見つけてくれる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eB面のBrothersは、ルーヴィン、スタンレー、マドックス、カーターズ、オズボーンズといった有名カントリーシンガーの血のハーモニーを思い起こさせる。極寒の中、アーティストの旧バーモント州の自宅で録音されたこのトラックは、\"ザ・ロック \"のエントロピー的な熱狂主義に抵抗している。各ドラムヘッドは、マイクでありスピーカーであり、耳であり口であるように配線され、互いに独立したリングモジュレーター回路を介して、ペアの上下にサイドバンドを回転させながら、逆に結合されている。フリーダ・カーロの自画像のエコーだろうか。共有する循環系を介した家族的なつながりの美しい不条理は、神話的な親族の感覚を想起させる。バンジョーの弦は、2組の自家製E字弓を通して、それぞれの「Music on a Long Thin Wire(細長い針金の上の音楽)」となる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eグレッチェン・コルスモによって組み立てられたカバーには、オレンキの親しい共同制作者であり、ニューイングランドでの生活とこの作品の開発に欠かせない仲間であるオルガニスト兼作曲家ジャック・ラングドンの写真が使用されている。 \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/aWdIZmNj-WQ?si=RBJn3Fa7jLBYmFAU\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/zT182xm8AVM?si=KLurX431aS7suxRT\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/fsr\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/fsr\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/fsr\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/fsr\"\u003ehere\u003c\/a\u003e to see more Full Spectrum Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 12\" black vinyl. Short-run LP with artwork by Gretchen Korsmo and Jack Langdon, edition of 100.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ethe rocks are different, here 22:59\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eBrothers 20:45 \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\"\u003cem\u003eFull Spectrum welcomes Weston Olencki with their label debut – pearls ground down to powder. \u003cbr\u003e\u003cbr\u003e‘pearls ground down to powder’ presents two opposing sides of the same banjo. The instrument presents alternately as a percussive drum-with-strings or as a highly dimensional harmonic resonator, blowing out these disparate trajectories into two longform pieces. An obtuse, abstracted, laser-focused follow up to “a vine that grew over the city and no one noticed” [Tripticks Tapes - 'Old Time Music'], ‘pearls’ unfurls itself within the cracks of more recognizable banjo territory. Over two contrasting sides, the album pauses to meditate on skeins of glitched-out algorithmics and masses of richly detuned sonorities - all hung heavy in the thick southern air. \u003cbr\u003e\u003cbr\u003eRecorded in the unbearable heat of the 2022 NYC summer – the album’s regimented a-side, “the rocks are different, here” presents a rush of polyrhythmic grooves that jaggedly flip and resuture themselves together in a way similar to the early minimalist works of Philip Glass or Steve Reich. The composition reaches escape velocity from the mechanical permutations of its bluegrass role: it treats the banjo as an ecstatic array of strings and resonators, rather than an instrument strummed wistfully in the depths of some dark\u003cspan class=\"bcTruncateMore\"\u003e holler. Yet despite this machinic cacophony, the particular twang and thwack of the head still allows one a kind of skewed journey with this nostalgia-laden beast. The old sound still finds a way through. \u003cbr\u003e\u003cbr\u003eOn the b-side, “Brothers” recalls the blood harmony of famous country singers like the Louvins, Stanleys, Maddoxs, Carters, and Osbournes, splayed out between two justly tuned banjos. Recorded at the artist’s former Vermont home in the midst of a deep polar chill, this track resists the entropic freneticism of “the rocks...” Each drum head is wired to be both microphone and speaker, ear and mouth, conjoined together in reverse, spinning sidebands above and below the pair via an interdependent ring modulator circuit. An echo, perhaps, of that iconic Frida Kahlo self-portrait – the beautiful absurdity of familial connection via one’s shared circulatory system, itself an evocative imagining of this mythological sense of kin. Through two sets of homemade E-bows, each of the banjos’ strings become their own ‘Music on a Long Thin Wire’ – the only imprint of human touch, a muffled muting and unmuting of the instrument’s delicate vibrations. \u003cbr\u003e\u003cbr\u003eAssembled by Gretchen Korsmo, the cover features photography by organist and composer Jack Langdon, a close collaborator of Olencki’s and an essential companion of their time living and developing this work in New England.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Weston Olencki\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Full Spectrum Records\u003c\/p\u003e\n\u003cp\u003eCAT No.: FS162\u003c\/p\u003e","published_at":"2024-05-18T07:42:33+09:00","created_at":"2024-05-18T07:34:16+09:00","vendor":"Tobira Records","type":"","tags":["ambient","drone","Full Spectrum Records","jazz","lp","monooto","new"],"price":474700,"price_min":474700,"price_max":474700,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45993163882746,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Weston Olencki \/\/ Pearls Ground Down to Powder LP","public_title":null,"options":["Default Title"],"price":474700,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a1403713385_16.jpg?v=1715985662","\/\/tobirarecords.com\/cdn\/shop\/files\/0035976550_10.jpg?v=1715985664"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a1403713385_16.jpg?v=1715985662","options":["Title"],"media":[{"alt":null,"id":34057773580538,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a1403713385_16.jpg?v=1715985662"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a1403713385_16.jpg?v=1715985662","width":700},{"alt":null,"id":34057773875450,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0035976550_10.jpg?v=1715985664"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0035976550_10.jpg?v=1715985664","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・NYのバンジョー奏者Weston Olenckiが、2024年5月に同国テキサスの実験/アンビエントレーベルFull Spectrumから100部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eバンジョーが、打楽器や物音、ドローンといった様々な音に変化する2曲、40分を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"pearls ground down to powderは、同じバンジョーの相反する2つの側面を提示する。バンジョーという楽器は、パーカッシブなストリングス入りドラムとして、あるいは高次元のハーモニックレゾネーターとして交互に登場し、これらの異質な軌道を2つの長編作品に吹き出す。a vine that grew over the city and no one noticed」[Tripticks Tapes - 'Old Time Music']に続く、鈍重で抽象的、レーザーフォーカスの「pearls」は、より認識しやすいバンジョーの領域の亀裂の中で展開する。対照的な2つの面を持つこのアルバムは、グリッチアウト・アルゴリズムの骨組みと、デチューンされた豊かなソノリティの塊に目を瞑る。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e2022年のニューヨークの夏の耐えがたい暑さの中で録音されたこのアルバムのA面「the rocks are different, here」は、フィリップ・グラスやスティーヴ・ライヒの初期のミニマル作品に似た、ギザギザに反転し、再連続するポリリズムのグルーヴが押し寄せてくる。バンジョーは、暗い窪地の奥深くで切々とかき鳴らされる楽器ではなく、弦と共鳴器の恍惚とした配列として扱われている。しかし、この機械的な不協和音にもかかわらず、バンジョー特有のツーンと響く音や頭を叩く音は、ノスタルジアに満ちたこの獣との一種の歪んだ旅を可能にしてくれる。古い音は、まだ道を見つけてくれる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eB面のBrothersは、ルーヴィン、スタンレー、マドックス、カーターズ、オズボーンズといった有名カントリーシンガーの血のハーモニーを思い起こさせる。極寒の中、アーティストの旧バーモント州の自宅で録音されたこのトラックは、\"ザ・ロック \"のエントロピー的な熱狂主義に抵抗している。各ドラムヘッドは、マイクでありスピーカーであり、耳であり口であるように配線され、互いに独立したリングモジュレーター回路を介して、ペアの上下にサイドバンドを回転させながら、逆に結合されている。フリーダ・カーロの自画像のエコーだろうか。共有する循環系を介した家族的なつながりの美しい不条理は、神話的な親族の感覚を想起させる。バンジョーの弦は、2組の自家製E字弓を通して、それぞれの「Music on a Long Thin Wire(細長い針金の上の音楽)」となる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eグレッチェン・コルスモによって組み立てられたカバーには、オレンキの親しい共同制作者であり、ニューイングランドでの生活とこの作品の開発に欠かせない仲間であるオルガニスト兼作曲家ジャック・ラングドンの写真が使用されている。 \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/aWdIZmNj-WQ?si=RBJn3Fa7jLBYmFAU\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/zT182xm8AVM?si=KLurX431aS7suxRT\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/fsr\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/fsr\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/fsr\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/fsr\"\u003ehere\u003c\/a\u003e to see more Full Spectrum Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 12\" black vinyl. Short-run LP with artwork by Gretchen Korsmo and Jack Langdon, edition of 100.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ethe rocks are different, here 22:59\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eBrothers 20:45 \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\"\u003cem\u003eFull Spectrum welcomes Weston Olencki with their label debut – pearls ground down to powder. \u003cbr\u003e\u003cbr\u003e‘pearls ground down to powder’ presents two opposing sides of the same banjo. The instrument presents alternately as a percussive drum-with-strings or as a highly dimensional harmonic resonator, blowing out these disparate trajectories into two longform pieces. An obtuse, abstracted, laser-focused follow up to “a vine that grew over the city and no one noticed” [Tripticks Tapes - 'Old Time Music'], ‘pearls’ unfurls itself within the cracks of more recognizable banjo territory. Over two contrasting sides, the album pauses to meditate on skeins of glitched-out algorithmics and masses of richly detuned sonorities - all hung heavy in the thick southern air. \u003cbr\u003e\u003cbr\u003eRecorded in the unbearable heat of the 2022 NYC summer – the album’s regimented a-side, “the rocks are different, here” presents a rush of polyrhythmic grooves that jaggedly flip and resuture themselves together in a way similar to the early minimalist works of Philip Glass or Steve Reich. The composition reaches escape velocity from the mechanical permutations of its bluegrass role: it treats the banjo as an ecstatic array of strings and resonators, rather than an instrument strummed wistfully in the depths of some dark\u003cspan class=\"bcTruncateMore\"\u003e holler. Yet despite this machinic cacophony, the particular twang and thwack of the head still allows one a kind of skewed journey with this nostalgia-laden beast. The old sound still finds a way through. \u003cbr\u003e\u003cbr\u003eOn the b-side, “Brothers” recalls the blood harmony of famous country singers like the Louvins, Stanleys, Maddoxs, Carters, and Osbournes, splayed out between two justly tuned banjos. Recorded at the artist’s former Vermont home in the midst of a deep polar chill, this track resists the entropic freneticism of “the rocks...” Each drum head is wired to be both microphone and speaker, ear and mouth, conjoined together in reverse, spinning sidebands above and below the pair via an interdependent ring modulator circuit. An echo, perhaps, of that iconic Frida Kahlo self-portrait – the beautiful absurdity of familial connection via one’s shared circulatory system, itself an evocative imagining of this mythological sense of kin. Through two sets of homemade E-bows, each of the banjos’ strings become their own ‘Music on a Long Thin Wire’ – the only imprint of human touch, a muffled muting and unmuting of the instrument’s delicate vibrations. \u003cbr\u003e\u003cbr\u003eAssembled by Gretchen Korsmo, the cover features photography by organist and composer Jack Langdon, a close collaborator of Olencki’s and an essential companion of their time living and developing this work in New England.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Weston Olencki\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Full Spectrum Records\u003c\/p\u003e\n\u003cp\u003eCAT No.: FS162\u003c\/p\u003e"}
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アメリカ・NYのバンジョー奏者Weston Olenckiが、2024年5月に同国テキサスの実験/アンビエントレーベルFull Spectrumから100部限定でリリースしたレコードです。 バンジョーが、打楽器や物音、ドローンといった様々な音に変化する2曲、40分を収録。DLコード付属。 以下、レーベルによる解説です。 "pearls ground down to powderは、同じバンジョーの相反する2つの側面を提示する。バンジョーという楽器は、パーカッシブなストリングス入りドラムとして、あるいは高次元のハーモニックレゾネーターとして交互に登場し、これらの異質な軌道を2つの長編作品に吹き出す。a vine that grew over...
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