Alex Deforce & Charlotte Jacobs // Kwart Voor Straks LP
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Alex Deforce & Charlotte Jacobs // Kwart Voor Straks LP
¥3,980
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ベルギーの詩人Alex Deforceとエレクトロニック作家Charlotte Jacobsが、2024年1月に同国stroom.tvからリリースした共作レコードです。
サウンドポエトリーを散りばめた実験ポップ7曲を収録。
レーベルその他作品はこちら /// Click here to see more STROOM.tv releases available at Tobira.
---------------------------------------------
Ask us for digital files. 12" black vinyl. Edition of 400.
Tracklist:
- Kwart Voor Straks (Deel 1) 02:38
- Kwart Voor Straks (Deel 2+3) 03:52
- AEIOU 03:06
- Turquoise 04:15
- Mantra Voor Mikes 04:25
- Umami 02:52
- Dit Gedicht 01:09
Artist : Alex Deforce & Charlotte Jacobs
Label : STROOM.tv
ベルギーの詩人Alex Deforceとエレクトロニック作家Charlotte Jacobsが、2024年1月に同国stroom.tvからリリースした共作レコードです。
サウンドポエトリーを散りばめた実験ポップ7曲を収録。
レーベルその他作品はこちら /// Click here to see more STROOM.tv releases available at Tobira.
---------------------------------------------
Ask us for digital files. 12" black vinyl. Edition of 400.
Tracklist:
- Kwart Voor Straks (Deel 1) 02:38
- Kwart Voor Straks (Deel 2+3) 03:52
- AEIOU 03:06
- Turquoise 04:15
- Mantra Voor Mikes 04:25
- Umami 02:52
- Dit Gedicht 01:09
Artist : Alex Deforce & Charlotte Jacobs
Label : STROOM.tv
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{"id":8972479594746,"title":"orchid mantis \/\/ In Airports CD","handle":"orchid-mantis-in-airports-cd","description":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※11月下旬発送開始します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eアメリカ・アトランタのドリームポップ作家orchid mantisが、2025年11月にスロバキア・ブラティスラバのインディーレーベルStart-trackからリリースしたCDです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eドリームポップ15曲を収録。ジュエルケース、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e※Z TapesまたはStart-trackの全作品3作以上ご注文で\u003ca href=\"https:\/\/tobirarecords.com\/collections\/zsale\"\u003eこちら\u003c\/a\u003eのページのカセットを1本無料で差し上げます\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3434233742\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/sttr\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/sttr\"\u003ehere\u003c\/a\u003e to see more Start-track.com releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003eCD in jewel case. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Generation Loss (ft. Lillie Weeks)\u003cbr\u003e2. Comedown Phase 03:04\u003cbr\u003e3. Something You Said\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. On Your Mind (ft. Marina Yozora)\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Falling Back Asleep\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Talk In Technicolor\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Blissful Moon\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. In Airports\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. Highway Pileup\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e10. It Takes A While\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e11. Heart Still Hangs\u003cbr\u003e\u003c\/span\u003e12. In The Dawn\u003cbr\u003e13. I'll Wake Up Soon\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e14. Orbiting Your Head\u003cbr\u003e\u003c\/span\u003e15. Strange Heaven 03:56\u003c\/p\u003e\n\u003cp\u003eStart-track:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"The first line of In Airports, Howard’s second full-length album in 2025, references data degradation or “generation loss” as a metaphor for the fragility of memory and mental experience of aging into adulthood. In the context of his greater catalogue, this comparison could serve as a mission statement, a central conceit of his songs. Fittingly, In Airports is a retrospective synthesis of the many disparate genres and sonic ideas that have been explored in his earlier work: Four-track cassette recording, deformed samples and a surrealist approach to production, adjoined with nostalgic and introspective songwriting.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThere are hints of a newly confessional approach to lyricism that is plainspoken and direct. On the title track, Howard directly examines his relationship to music-making and how it has changed: “I made it all about me \/ Is that a tragedy \/ Used to put my headphones on \/ Escape into a new song.” This sort of self-interrogation emerges from an obsessive devotion to recording music that now spans more than half of Howard’s life. The omnivorous instrumental approach of his production has only deepened from several years spent taking detours into focused genre experiments. And so, In Airports attempts to re-establish Howard’s core musical affect as it\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e stands today, filtering his older signature through a lens of dubby dream pop, sparse slowcore, and maximalist shoegaze. [...]\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003eFrom the artist:\u003cbr\u003e\u003cbr\u003e\"\u003cem\u003eA few years ago I found myself stuck in an airport for about a week, spending every day walking around the terminals, watching people come and go. I'd always liked the transient feeling of temporary spaces like that. Being there for such a long time didn't detract from the magic, it only strengthened it. For almost a week, I had no purpose or goals beyond waiting for my flight. I didn't have to do anything, or change anything. Thinking back, I'm not sure I fully wanted it to end.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI think a lot of people live their life in airports. Stuck, waiting for something just over the horizon. Travelers come into their life, and leave when the time is right, but they just keep waiting. I've had a lot of conversations recently about agency and preserving your passions. About not letting yourself drift. Living with a purpose, and avoiding that sense of complacency that creeps in as you age. There's so much we can't control. So much so that it can blind us to how easily we could change. Tomorrow, you could catch that flight. You could go anywhere. You could be a new person. You could leave the airport.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhere does the time go? Everywhere.\"\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : orchid mantis\u003c\/p\u003e\n\u003cp\u003eLabel : Start-track\u003c\/p\u003e\n\u003cp\u003ecat no : S-T053\u003c\/p\u003e","published_at":"2025-10-28T14:10:05+09:00","created_at":"2025-10-28T10:08:55+09:00","vendor":"Tobira Records","type":"","tags":["cd","folk \/ left-field pop","new","recommended","start-track"],"price":237700,"price_min":237700,"price_max":237700,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47875384869114,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"orchid mantis \/\/ In Airports CD","public_title":null,"options":["Default Title"],"price":237700,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/air1_a3e92454-d1f2-46c9-bfee-efe6e4205bac.jpg?v=1761613778","\/\/tobirarecords.com\/cdn\/shop\/files\/air3_03eb9ac3-d14c-49dd-a5c4-e4543c4cddd4.jpg?v=1761613778"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/air1_a3e92454-d1f2-46c9-bfee-efe6e4205bac.jpg?v=1761613778","options":["Title"],"media":[{"alt":null,"id":37298404622586,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/air1_a3e92454-d1f2-46c9-bfee-efe6e4205bac.jpg?v=1761613778"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/air1_a3e92454-d1f2-46c9-bfee-efe6e4205bac.jpg?v=1761613778","width":700},{"alt":null,"id":37298404655354,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/air3_03eb9ac3-d14c-49dd-a5c4-e4543c4cddd4.jpg?v=1761613778"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/air3_03eb9ac3-d14c-49dd-a5c4-e4543c4cddd4.jpg?v=1761613778","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※11月下旬発送開始します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eアメリカ・アトランタのドリームポップ作家orchid mantisが、2025年11月にスロバキア・ブラティスラバのインディーレーベルStart-trackからリリースしたCDです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eドリームポップ15曲を収録。ジュエルケース、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e※Z TapesまたはStart-trackの全作品3作以上ご注文で\u003ca href=\"https:\/\/tobirarecords.com\/collections\/zsale\"\u003eこちら\u003c\/a\u003eのページのカセットを1本無料で差し上げます\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3434233742\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/sttr\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/sttr\"\u003ehere\u003c\/a\u003e to see more Start-track.com releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003eCD in jewel case. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Generation Loss (ft. Lillie Weeks)\u003cbr\u003e2. Comedown Phase 03:04\u003cbr\u003e3. Something You Said\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. On Your Mind (ft. Marina Yozora)\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Falling Back Asleep\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Talk In Technicolor\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Blissful Moon\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. In Airports\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. Highway Pileup\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e10. It Takes A While\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e11. Heart Still Hangs\u003cbr\u003e\u003c\/span\u003e12. In The Dawn\u003cbr\u003e13. I'll Wake Up Soon\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e14. Orbiting Your Head\u003cbr\u003e\u003c\/span\u003e15. Strange Heaven 03:56\u003c\/p\u003e\n\u003cp\u003eStart-track:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"The first line of In Airports, Howard’s second full-length album in 2025, references data degradation or “generation loss” as a metaphor for the fragility of memory and mental experience of aging into adulthood. In the context of his greater catalogue, this comparison could serve as a mission statement, a central conceit of his songs. Fittingly, In Airports is a retrospective synthesis of the many disparate genres and sonic ideas that have been explored in his earlier work: Four-track cassette recording, deformed samples and a surrealist approach to production, adjoined with nostalgic and introspective songwriting.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThere are hints of a newly confessional approach to lyricism that is plainspoken and direct. On the title track, Howard directly examines his relationship to music-making and how it has changed: “I made it all about me \/ Is that a tragedy \/ Used to put my headphones on \/ Escape into a new song.” This sort of self-interrogation emerges from an obsessive devotion to recording music that now spans more than half of Howard’s life. The omnivorous instrumental approach of his production has only deepened from several years spent taking detours into focused genre experiments. And so, In Airports attempts to re-establish Howard’s core musical affect as it\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e stands today, filtering his older signature through a lens of dubby dream pop, sparse slowcore, and maximalist shoegaze. [...]\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003eFrom the artist:\u003cbr\u003e\u003cbr\u003e\"\u003cem\u003eA few years ago I found myself stuck in an airport for about a week, spending every day walking around the terminals, watching people come and go. I'd always liked the transient feeling of temporary spaces like that. Being there for such a long time didn't detract from the magic, it only strengthened it. For almost a week, I had no purpose or goals beyond waiting for my flight. I didn't have to do anything, or change anything. Thinking back, I'm not sure I fully wanted it to end.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI think a lot of people live their life in airports. Stuck, waiting for something just over the horizon. Travelers come into their life, and leave when the time is right, but they just keep waiting. I've had a lot of conversations recently about agency and preserving your passions. About not letting yourself drift. Living with a purpose, and avoiding that sense of complacency that creeps in as you age. There's so much we can't control. So much so that it can blind us to how easily we could change. Tomorrow, you could catch that flight. You could go anywhere. You could be a new person. You could leave the airport.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhere does the time go? Everywhere.\"\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : orchid mantis\u003c\/p\u003e\n\u003cp\u003eLabel : Start-track\u003c\/p\u003e\n\u003cp\u003ecat no : S-T053\u003c\/p\u003e"}
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※11月下旬発送開始します アメリカ・アトランタのドリームポップ作家orchid mantisが、2025年11月にスロバキア・ブラティスラバのインディーレーベルStart-trackからリリースしたCDです。 ドリームポップ15曲を収録。ジュエルケース、シュリンク仕様です。 ※Z TapesまたはStart-trackの全作品3作以上ご注文でこちらのページのカセットを1本無料で差し上げます レーベルその他作品はこちら /// Click here to see more Start-track.com releases available at...
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クイックビュー
{"id":8972479201530,"title":"orchid mantis \/\/ In Airports TAPE","handle":"orchid-mantis-in-airports-tape","description":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※11月下旬発送開始します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eアメリカ・アトランタのドリームポップ作家orchid mantisが、2025年11月にスロバキア・ブラティスラバのインディーレーベルStart-trackから100本限定でリリースしたカセットです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eドリームポップ15曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e※Z TapesまたはStart-trackの全作品3作以上ご注文で\u003ca href=\"https:\/\/tobirarecords.com\/collections\/zsale\"\u003eこちら\u003c\/a\u003eのページのカセットを1本無料で差し上げます\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3434233742\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/sttr\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/sttr\"\u003ehere\u003c\/a\u003e to see more Start-track.com releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003eCassette in norelco case.\u003cbr\u003eCassette edition of 100. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Generation Loss (ft. Lillie Weeks)\u003cbr\u003e2. Comedown Phase 03:04\u003cbr\u003e3. Something You Said\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. On Your Mind (ft. Marina Yozora)\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Falling Back Asleep\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Talk In Technicolor\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Blissful Moon\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. In Airports\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. Highway Pileup\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e10. It Takes A While\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e11. Heart Still Hangs\u003cbr\u003e\u003c\/span\u003e12. In The Dawn\u003cbr\u003e13. I'll Wake Up Soon\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e14. Orbiting Your Head\u003cbr\u003e\u003c\/span\u003e15. Strange Heaven 03:56\u003c\/p\u003e\n\u003cp\u003eStart-track:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"The first line of In Airports, Howard’s second full-length album in 2025, references data degradation or “generation loss” as a metaphor for the fragility of memory and mental experience of aging into adulthood. In the context of his greater catalogue, this comparison could serve as a mission statement, a central conceit of his songs. Fittingly, In Airports is a retrospective synthesis of the many disparate genres and sonic ideas that have been explored in his earlier work: Four-track cassette recording, deformed samples and a surrealist approach to production, adjoined with nostalgic and introspective songwriting.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThere are hints of a newly confessional approach to lyricism that is plainspoken and direct. On the title track, Howard directly examines his relationship to music-making and how it has changed: “I made it all about me \/ Is that a tragedy \/ Used to put my headphones on \/ Escape into a new song.” This sort of self-interrogation emerges from an obsessive devotion to recording music that now spans more than half of Howard’s life. The omnivorous instrumental approach of his production has only deepened from several years spent taking detours into focused genre experiments. And so, In Airports attempts to re-establish Howard’s core musical affect as it\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e stands today, filtering his older signature through a lens of dubby dream pop, sparse slowcore, and maximalist shoegaze. [...]\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003eFrom the artist:\u003cbr\u003e\u003cbr\u003e\"\u003cem\u003eA few years ago I found myself stuck in an airport for about a week, spending every day walking around the terminals, watching people come and go. I'd always liked the transient feeling of temporary spaces like that. Being there for such a long time didn't detract from the magic, it only strengthened it. For almost a week, I had no purpose or goals beyond waiting for my flight. I didn't have to do anything, or change anything. Thinking back, I'm not sure I fully wanted it to end.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI think a lot of people live their life in airports. Stuck, waiting for something just over the horizon. Travelers come into their life, and leave when the time is right, but they just keep waiting. I've had a lot of conversations recently about agency and preserving your passions. About not letting yourself drift. Living with a purpose, and avoiding that sense of complacency that creeps in as you age. There's so much we can't control. So much so that it can blind us to how easily we could change. Tomorrow, you could catch that flight. You could go anywhere. You could be a new person. You could leave the airport.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhere does the time go? Everywhere.\"\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : orchid mantis\u003c\/p\u003e\n\u003cp\u003eLabel : Start-track\u003c\/p\u003e\n\u003cp\u003ecat no : S-T053\u003c\/p\u003e","published_at":"2025-10-28T14:08:45+09:00","created_at":"2025-10-28T10:08:39+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","new","recommended","start-track","tape"],"price":237700,"price_min":237700,"price_max":237700,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47875384475898,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"orchid mantis \/\/ In Airports TAPE","public_title":null,"options":["Default Title"],"price":237700,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/air1_113dc2ee-9068-45d5-a78f-6e425049c5b9.jpg?v=1761613565","\/\/tobirarecords.com\/cdn\/shop\/files\/air2_cff632d8-b80a-4b7d-b79c-1963cc812518.jpg?v=1761613564"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/air1_113dc2ee-9068-45d5-a78f-6e425049c5b9.jpg?v=1761613565","options":["Title"],"media":[{"alt":null,"id":37298384503034,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/air1_113dc2ee-9068-45d5-a78f-6e425049c5b9.jpg?v=1761613565"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/air1_113dc2ee-9068-45d5-a78f-6e425049c5b9.jpg?v=1761613565","width":700},{"alt":null,"id":37298384535802,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/air2_cff632d8-b80a-4b7d-b79c-1963cc812518.jpg?v=1761613564"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/air2_cff632d8-b80a-4b7d-b79c-1963cc812518.jpg?v=1761613564","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※11月下旬発送開始します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eアメリカ・アトランタのドリームポップ作家orchid mantisが、2025年11月にスロバキア・ブラティスラバのインディーレーベルStart-trackから100本限定でリリースしたカセットです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eドリームポップ15曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e※Z TapesまたはStart-trackの全作品3作以上ご注文で\u003ca href=\"https:\/\/tobirarecords.com\/collections\/zsale\"\u003eこちら\u003c\/a\u003eのページのカセットを1本無料で差し上げます\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3434233742\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/sttr\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/sttr\"\u003ehere\u003c\/a\u003e to see more Start-track.com releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003eCassette in norelco case.\u003cbr\u003eCassette edition of 100. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Generation Loss (ft. Lillie Weeks)\u003cbr\u003e2. Comedown Phase 03:04\u003cbr\u003e3. Something You Said\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. On Your Mind (ft. Marina Yozora)\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Falling Back Asleep\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Talk In Technicolor\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Blissful Moon\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. In Airports\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. Highway Pileup\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e10. It Takes A While\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e11. Heart Still Hangs\u003cbr\u003e\u003c\/span\u003e12. In The Dawn\u003cbr\u003e13. I'll Wake Up Soon\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e14. Orbiting Your Head\u003cbr\u003e\u003c\/span\u003e15. Strange Heaven 03:56\u003c\/p\u003e\n\u003cp\u003eStart-track:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"The first line of In Airports, Howard’s second full-length album in 2025, references data degradation or “generation loss” as a metaphor for the fragility of memory and mental experience of aging into adulthood. In the context of his greater catalogue, this comparison could serve as a mission statement, a central conceit of his songs. Fittingly, In Airports is a retrospective synthesis of the many disparate genres and sonic ideas that have been explored in his earlier work: Four-track cassette recording, deformed samples and a surrealist approach to production, adjoined with nostalgic and introspective songwriting.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThere are hints of a newly confessional approach to lyricism that is plainspoken and direct. On the title track, Howard directly examines his relationship to music-making and how it has changed: “I made it all about me \/ Is that a tragedy \/ Used to put my headphones on \/ Escape into a new song.” This sort of self-interrogation emerges from an obsessive devotion to recording music that now spans more than half of Howard’s life. The omnivorous instrumental approach of his production has only deepened from several years spent taking detours into focused genre experiments. And so, In Airports attempts to re-establish Howard’s core musical affect as it\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e stands today, filtering his older signature through a lens of dubby dream pop, sparse slowcore, and maximalist shoegaze. [...]\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003eFrom the artist:\u003cbr\u003e\u003cbr\u003e\"\u003cem\u003eA few years ago I found myself stuck in an airport for about a week, spending every day walking around the terminals, watching people come and go. I'd always liked the transient feeling of temporary spaces like that. Being there for such a long time didn't detract from the magic, it only strengthened it. For almost a week, I had no purpose or goals beyond waiting for my flight. I didn't have to do anything, or change anything. Thinking back, I'm not sure I fully wanted it to end.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI think a lot of people live their life in airports. Stuck, waiting for something just over the horizon. Travelers come into their life, and leave when the time is right, but they just keep waiting. I've had a lot of conversations recently about agency and preserving your passions. About not letting yourself drift. Living with a purpose, and avoiding that sense of complacency that creeps in as you age. There's so much we can't control. So much so that it can blind us to how easily we could change. Tomorrow, you could catch that flight. You could go anywhere. You could be a new person. You could leave the airport.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhere does the time go? Everywhere.\"\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : orchid mantis\u003c\/p\u003e\n\u003cp\u003eLabel : Start-track\u003c\/p\u003e\n\u003cp\u003ecat no : S-T053\u003c\/p\u003e"}
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※11月下旬発送開始します アメリカ・アトランタのドリームポップ作家orchid mantisが、2025年11月にスロバキア・ブラティスラバのインディーレーベルStart-trackから100本限定でリリースしたカセットです。 ドリームポップ15曲を収録。DLコード付属。 ※Z TapesまたはStart-trackの全作品3作以上ご注文でこちらのページのカセットを1本無料で差し上げます レーベルその他作品はこちら /// Click here to see more Start-track.com releases available at...
¥2,377
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{"id":8972073042170,"title":"Various Artists \/\/ TRAИƧA 2024 (Deluxe Edition) 6xLP","handle":"various-artists-traиƨa-2024-deluxe-edition-6xlp","description":"\u003cp\u003e国際非営利団体Red Hot Organizationが、2025年10月にリリースしたコンピレーション6枚組レコードBOXです。\u003c\/p\u003e\n\u003cp\u003eトランスジャンダーへの理解を促すことを目的にジャンルの垣根を超えた100名以上の作家が参加した大ボリュームのBOXです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/0I7UAZrSPgQ?si=rNHFeiMZZa2pCFDN\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e6 x 12\" black vinyl.\u003cbr\u003ePresented in individual sleeves with semi transparent orange outer sleeve case. \u003cbr\u003eThis compilation honors pioneering trans and gender non-conforming artists \"\u003cem\u003e[carving] spaces of possibilty\" \u003c\/em\u003ethroughout history. \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003cem\u003e:\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eI. Womb Of The Soul\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003cbr\u003e\u003c\/span\u003e1A1. Mary Lattimore + Laraaji + MIZU + Jamal Shakeri - Midnight Moon Pool 3:25\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e1A2. Devendra Banhart + Blake Mills + Beverly Glenn-Copeland - You Don't Know Me 6:08\u003cbr\u003e\u003c\/span\u003e1A3. Jeff Tweedy + Claire Rousay - How Sweet I Roamed 2:22\u003cbr\u003e1A4. Heart Shaped + Christian Lee Hutson - Same Train 4:32\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eII. Survival\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003cbr\u003e\u003c\/span\u003e1A5. Ana Roxanne + Nsámbu Za Suékama – STAR 2:55\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e1B1. Lightning Bug - Please Tell Me 3:17\u003cbr\u003e\u003c\/span\u003e1B2. Benét + Faye Webster - Make 'em Laugh 3:23\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e1B3. Julien Baker + Calvin Lauber - Get Me Away From Here, I'm Dying 4:13\u003cbr\u003e\u003c\/span\u003e1B4. Soft Rōnin - Rumblin' 2:42\u003cbr\u003e1B5. Hand Habits - Deeper Understanding 3:59\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eIII. Dark Night\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003cbr\u003e\u003c\/span\u003e1B6. Cole Pulice + Hunter Schafer - Under The Shadow Of Another Moon 4:05\u003cbr\u003e2A1. Lucy Liyou – Blush 6:02\u003cbr\u003e2A2. Moses Sumney - Is It Cold In The Water? 3:55\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2A3. Anajah + Gary Gunn - Know Who You Are At Every Age 4:09\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2A4. Niecy Blues - Is It Over Now? 5:00\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eIV. Awakening\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003cbr\u003e\u003c\/span\u003e2B1 André 3000 - Something Is Happening And I May Not Fully Understand But I'm Happy To Stand For The Understanding 26:21\u003cbr\u003e3A1. Nina Keith - Come Back Different 4:06\u003cbr\u003e3A2. Rachika Nayar - Song To The Siren 6:00\u003cbr\u003e3A3. Arthur Baker - Love Hymn 11:29\u003cbr\u003e3B1. L'Rain + Voices from the NYC Trans Oral History Project with Imara Jones, Mojo Disco, Ceyenne Doroshow \u0026amp; Francois - People Are Small \/ Rapture 9:14\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eV. Grief\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003cbr\u003e\u003c\/span\u003e3B2. Jlin + Moor Mother - We've Been Through So Much 4:23\u003cbr\u003e3B3. Kara Jackson + Ahya Simone + David Longstreth - My Name 4:32\u003cbr\u003e3B4. Perfume Genius + Alan Sparhawk - Point Of Disgust 2:48\u003cbr\u003e4A1. Lomelda + More Eaze - In Another Life 3:04\u003cbr\u003e4A2. Teddy Geiger + Yaeji - Pink Ponies 3:05\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4A3. Yaya Bey - A Survivor's Guilt 2:35\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eVI. Acceptance\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003cbr\u003e\u003c\/span\u003e4A4. Helado Negro + Eileen Myles - Just Last Night 2:56\u003cbr\u003e4A5. Sharon Van Etten + Ezra Furman - Feel So Different 6:37\u003cbr\u003e4A6. Gia Margaret - Mourning Dove 1:42\u003cbr\u003e4B1. AdriAnne Lenker - Feel Better 4:23\u003cbr\u003e4B2. Allison Russell + Ahya Simone - Any Other Way 6:40\u003cbr\u003e4B3. Asher White + Eli Winter + Caroline Rose - Down Where The Valleys Are Low 4:58\u003cbr\u003e4B4. Fleet Foxes + Cole Pulice + Lynn Avery - TM 4:17\u003cbr\u003e4B5. AV María + SKY + Belina Rose - Querube 3:46\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eVII. Liberation\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003cbr\u003e\u003c\/span\u003e5A1. Green-House + Kelela - Within Without 5:20\u003cbr\u003e5A2. Cassandra Jenkins \u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e+ Bloomsday + Babehoven - Aaron 3:27\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5A3. Sade Adu - Young Lion 4:12\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5A4. Moses Sumney + Lyra Pramuk + Sam Smith - You Make Me Feel (Mighty Real) 5:27\u003cbr\u003e\u003c\/span\u003e5A5. Sparkle Division - I Feel Free 3:43\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5A6. CLARITY - Many Ways 3:16\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eVIII. Reinvention\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003cbr\u003e\u003c\/span\u003e5B1. Nico Georis + KB Brookins - Get Free 6:14\u003cbr\u003e5B2. Bartees Strange + Anjimile + Kara Jackson - Wolf Like Me 4:31\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5B3. Laura Jane Grace - Surrender Your Gender 3:47\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6A1. Lauren Auder + Wendy \u0026amp; Lisa - I Would Die 4 U 3:21\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6A2. Time Wharp + Elizabeth Glenn-Copeland \u0026amp; Beverly Glenn-Copeland - Always 8:24\u003cbr\u003e\u003c\/span\u003e6A3. Sam Smith + Beverly Glenn-Copeland - Ever New 5:44\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003cbr\u003e\u003c\/span\u003e6B1. Jamal Shakeri, Mary Lattimore, Laraaji, MIZU, fkaDust - Midnight Moon Pool (Infinity Mix) 19:58\u003c\/p\u003e\n\u003cp\u003eAbout this compilation (text excerpt via Red Hot Organization):\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIt takes time for new worlds to be born – time and space and slow, sustained belief. It takes courage to grieve the worlds that died before this moment, and those that might have arrived but never did. Transa, the new compilation from storied activist music production organization Red Hot, spotlights the gifts of many of the most daring, imaginative trans and non-binary artists working today. It also softens the edges of the world we know, and invokes powerful dreams of the futures that might one day thunder from its cracks.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eDust Reid, who led production on Red Hot’s 2014 tribute to Arthur Russell, and Massima Bell, an artist and activist based in Los Angeles, began tracing the contours of what would become Transa together in 2021. The two producers originally met at a video shoot in upstate New York, and immediately bonded over their shared love of Beverly Glenn-Copeland’s music, as well as a common devotional connection to nature.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe passing of SOPHIE, the pathbreaking electronic producer who died in January 2021, galvanized the producers and focused their work. “We started talking about all the gifts that trans artists have been giving to the world, and wanted to create a Red Hot project that centered and celebrated those gifts,” says Reid. “We hoped to create a narrative that positions trans and non-binary people as leaders in our society insofar as the deep inner work they do to affirm who they are in our current climate. We felt this is something everybody should do. Whether you identify as trans or non-binary or otherwise, if you took the time to explore your gender, get in touch with the feeling side of yourself, maybe we would have a future oriented around values of community, collaboration, care, and healing.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBell and Reid began conceiving of the album as a spiritual journey in eight chapters, a mirror of the original eight-stripe rainbow pride flag. The narrative begins at the earliest awareness of consciousness; moves through awakening, trauma, and grief; and arrives at liberation and continual reinvention. “One thing trans people do all the time is turn grief into possibility,” says Bell. “Living under the ongoing Western binary system, trans people reveal maps of possibility for everyone. It’s something that we can all learn from – expanding the possibility of human life.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAs the producers began inviting musicians to contribute to Transa, the political climate in the United States and across the world started to foment an acute reactionary streak. Legislation denying trans people the hard-won right to medically transition proliferated across the country. Book bans rained down on libraries, stamping shut crucial apertures into trans and queer lives. The necessity of Transa‘s presence in the world started to crystallize.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“The stakes have never been higher,” notes Bell. “We’re seeing a rise in anti-trans hate and vitriol that is particularly being spewed in the United States. I am a trans person from Iowa, one of the states that signed into law a bill that prohibits access to gender-affirming care. It is clearly, materially, a terrifying time.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTransa features artists from widely dispersed genres and generations, often working in collaboration on a mix of surprising covers and poignant original tracks. Bell and Reid worked from the dreams of the trans artists they invited to participate, pairing many of them with their heroes and inspirations. Trans and cis voices weave together throughout the record. Bill Callahan and Hand Habits harmonize on an acoustic cover of Kate Bush’s prescient 1989 track about falling in love with the internet, “Deeper Understanding,” while Claire Rousay teams with Wilco’s Jeff Tweedy to set a William Blake poem to music on “How Sweet I Roamed.” For “Pink Ponies,” electronic artist Yaeji joins singer-songwriter Teddy Geiger in a delicate reverie of a pop song, their voices intertwining among shuffling drums and twinkling keys. Moses Sumney grounds a cover of SOPHIE’s life-affirming composition “Is It Cold in the Water?” in a jazz setting, sending his falsetto arcing over gently strummed guitar chords and shivering cymbals. On one of the record’s most notable contributions, Sade performs an original song dedicated to her trans son, Izaak – a gesture of unconditional acceptance and love without boundary. (Sade agreed to participate in the project after Bell wrote her a personal letter thanking her for her longtime public support of her son.)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCertain artists knew immediately how they wanted to participate in the project. Reid and Bell pitched Devendra Banhart on a cover of “You Don’t Know Me,” the 1972 song Caetano Veloso wrote while in forced exile, as a subversive queer artist, from Brazil’s military dictatorship; Banhart picked up a guitar and started singing them the song right there and then on the call. Others carefully researched their contributions, sifting through archives, stitching together sounds of past and future. For her track “People Are Small\/Rapture,” which begins with a cover of an ANOHNI song from the early ’90s, L’Rain sampled voices from the Trans Oral History project. She invites the listener to bear witness to painful memories of decimated communities, suspending those recollections in washes of healing sound.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTransa flows between structured pop songs and effusive ambient tracks, many of which are centered around original poetry written and read by Eileen Myles. André 3000 contributed the project’s longest song, a pulsing, 26-minute instrumental composition whose title is a poem in itself: “Something Is Happening And I May Not Fully Understand But I’m Happy To Stand For The Understanding.” Laraaji, Mary Lattimore, Green-House, Cole Pulice, and Helado Negro all offer pieces that signal transitions between the record’s chapters. These moments give the listener space to pause, reflect, and absorb the prismatic narrative as it unfolds – a radical restructuring of attention in an on-demand media ecosystem.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Various\u003c\/p\u003e\n\u003cp\u003eLabel : Red Hot Organization\u003c\/p\u003e\n\u003cp\u003ecat no : RH-02X\u003c\/p\u003e","published_at":"2025-10-28T06:28:39+09:00","created_at":"2025-10-27T10:51:38+09:00","vendor":"Tobira Records","type":"","tags":["ambient","drone","folk \/ left-field pop","jazz","lp","new"],"price":2350000,"price_min":2350000,"price_max":2350000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47873446084858,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Various Artists \/\/ TRAИƧA 2024 (Deluxe Edition) 6xLP","public_title":null,"options":["Default Title"],"price":2350000,"weight":1800,"compare_at_price":null,"inventory_management":"shopify","barcode":"843563184059","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-10-27at10.32.58am.png?v=1761528919","\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-10-27at10.33.37am.png?v=1761528919"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-10-27at10.32.58am.png?v=1761528919","options":["Title"],"media":[{"alt":null,"id":37289281978618,"position":1,"preview_image":{"aspect_ratio":1.0,"height":575,"width":575,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-10-27at10.32.58am.png?v=1761528919"},"aspect_ratio":1.0,"height":575,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-10-27at10.32.58am.png?v=1761528919","width":575},{"alt":null,"id":37289282011386,"position":2,"preview_image":{"aspect_ratio":1.0,"height":771,"width":771,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-10-27at10.33.37am.png?v=1761528919"},"aspect_ratio":1.0,"height":771,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-10-27at10.33.37am.png?v=1761528919","width":771}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e国際非営利団体Red Hot Organizationが、2025年10月にリリースしたコンピレーション6枚組レコードBOXです。\u003c\/p\u003e\n\u003cp\u003eトランスジャンダーへの理解を促すことを目的にジャンルの垣根を超えた100名以上の作家が参加した大ボリュームのBOXです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/0I7UAZrSPgQ?si=rNHFeiMZZa2pCFDN\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e6 x 12\" black vinyl.\u003cbr\u003ePresented in individual sleeves with semi transparent orange outer sleeve case. \u003cbr\u003eThis compilation honors pioneering trans and gender non-conforming artists \"\u003cem\u003e[carving] spaces of possibilty\" \u003c\/em\u003ethroughout history. \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003cem\u003e:\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eI. Womb Of The Soul\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003cbr\u003e\u003c\/span\u003e1A1. Mary Lattimore + Laraaji + MIZU + Jamal Shakeri - Midnight Moon Pool 3:25\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e1A2. Devendra Banhart + Blake Mills + Beverly Glenn-Copeland - You Don't Know Me 6:08\u003cbr\u003e\u003c\/span\u003e1A3. Jeff Tweedy + Claire Rousay - How Sweet I Roamed 2:22\u003cbr\u003e1A4. Heart Shaped + Christian Lee Hutson - Same Train 4:32\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eII. Survival\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003cbr\u003e\u003c\/span\u003e1A5. Ana Roxanne + Nsámbu Za Suékama – STAR 2:55\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e1B1. Lightning Bug - Please Tell Me 3:17\u003cbr\u003e\u003c\/span\u003e1B2. Benét + Faye Webster - Make 'em Laugh 3:23\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e1B3. Julien Baker + Calvin Lauber - Get Me Away From Here, I'm Dying 4:13\u003cbr\u003e\u003c\/span\u003e1B4. Soft Rōnin - Rumblin' 2:42\u003cbr\u003e1B5. Hand Habits - Deeper Understanding 3:59\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eIII. Dark Night\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003cbr\u003e\u003c\/span\u003e1B6. Cole Pulice + Hunter Schafer - Under The Shadow Of Another Moon 4:05\u003cbr\u003e2A1. Lucy Liyou – Blush 6:02\u003cbr\u003e2A2. Moses Sumney - Is It Cold In The Water? 3:55\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2A3. Anajah + Gary Gunn - Know Who You Are At Every Age 4:09\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2A4. Niecy Blues - Is It Over Now? 5:00\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eIV. Awakening\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003cbr\u003e\u003c\/span\u003e2B1 André 3000 - Something Is Happening And I May Not Fully Understand But I'm Happy To Stand For The Understanding 26:21\u003cbr\u003e3A1. Nina Keith - Come Back Different 4:06\u003cbr\u003e3A2. Rachika Nayar - Song To The Siren 6:00\u003cbr\u003e3A3. Arthur Baker - Love Hymn 11:29\u003cbr\u003e3B1. L'Rain + Voices from the NYC Trans Oral History Project with Imara Jones, Mojo Disco, Ceyenne Doroshow \u0026amp; Francois - People Are Small \/ Rapture 9:14\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eV. Grief\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003cbr\u003e\u003c\/span\u003e3B2. Jlin + Moor Mother - We've Been Through So Much 4:23\u003cbr\u003e3B3. Kara Jackson + Ahya Simone + David Longstreth - My Name 4:32\u003cbr\u003e3B4. Perfume Genius + Alan Sparhawk - Point Of Disgust 2:48\u003cbr\u003e4A1. Lomelda + More Eaze - In Another Life 3:04\u003cbr\u003e4A2. Teddy Geiger + Yaeji - Pink Ponies 3:05\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4A3. Yaya Bey - A Survivor's Guilt 2:35\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eVI. Acceptance\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003cbr\u003e\u003c\/span\u003e4A4. Helado Negro + Eileen Myles - Just Last Night 2:56\u003cbr\u003e4A5. Sharon Van Etten + Ezra Furman - Feel So Different 6:37\u003cbr\u003e4A6. Gia Margaret - Mourning Dove 1:42\u003cbr\u003e4B1. AdriAnne Lenker - Feel Better 4:23\u003cbr\u003e4B2. Allison Russell + Ahya Simone - Any Other Way 6:40\u003cbr\u003e4B3. Asher White + Eli Winter + Caroline Rose - Down Where The Valleys Are Low 4:58\u003cbr\u003e4B4. Fleet Foxes + Cole Pulice + Lynn Avery - TM 4:17\u003cbr\u003e4B5. AV María + SKY + Belina Rose - Querube 3:46\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eVII. Liberation\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003cbr\u003e\u003c\/span\u003e5A1. Green-House + Kelela - Within Without 5:20\u003cbr\u003e5A2. Cassandra Jenkins \u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e+ Bloomsday + Babehoven - Aaron 3:27\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5A3. Sade Adu - Young Lion 4:12\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5A4. Moses Sumney + Lyra Pramuk + Sam Smith - You Make Me Feel (Mighty Real) 5:27\u003cbr\u003e\u003c\/span\u003e5A5. Sparkle Division - I Feel Free 3:43\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5A6. CLARITY - Many Ways 3:16\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eVIII. Reinvention\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003cbr\u003e\u003c\/span\u003e5B1. Nico Georis + KB Brookins - Get Free 6:14\u003cbr\u003e5B2. Bartees Strange + Anjimile + Kara Jackson - Wolf Like Me 4:31\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5B3. Laura Jane Grace - Surrender Your Gender 3:47\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6A1. Lauren Auder + Wendy \u0026amp; Lisa - I Would Die 4 U 3:21\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6A2. Time Wharp + Elizabeth Glenn-Copeland \u0026amp; Beverly Glenn-Copeland - Always 8:24\u003cbr\u003e\u003c\/span\u003e6A3. Sam Smith + Beverly Glenn-Copeland - Ever New 5:44\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003cbr\u003e\u003c\/span\u003e6B1. Jamal Shakeri, Mary Lattimore, Laraaji, MIZU, fkaDust - Midnight Moon Pool (Infinity Mix) 19:58\u003c\/p\u003e\n\u003cp\u003eAbout this compilation (text excerpt via Red Hot Organization):\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIt takes time for new worlds to be born – time and space and slow, sustained belief. It takes courage to grieve the worlds that died before this moment, and those that might have arrived but never did. Transa, the new compilation from storied activist music production organization Red Hot, spotlights the gifts of many of the most daring, imaginative trans and non-binary artists working today. It also softens the edges of the world we know, and invokes powerful dreams of the futures that might one day thunder from its cracks.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eDust Reid, who led production on Red Hot’s 2014 tribute to Arthur Russell, and Massima Bell, an artist and activist based in Los Angeles, began tracing the contours of what would become Transa together in 2021. The two producers originally met at a video shoot in upstate New York, and immediately bonded over their shared love of Beverly Glenn-Copeland’s music, as well as a common devotional connection to nature.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe passing of SOPHIE, the pathbreaking electronic producer who died in January 2021, galvanized the producers and focused their work. “We started talking about all the gifts that trans artists have been giving to the world, and wanted to create a Red Hot project that centered and celebrated those gifts,” says Reid. “We hoped to create a narrative that positions trans and non-binary people as leaders in our society insofar as the deep inner work they do to affirm who they are in our current climate. We felt this is something everybody should do. Whether you identify as trans or non-binary or otherwise, if you took the time to explore your gender, get in touch with the feeling side of yourself, maybe we would have a future oriented around values of community, collaboration, care, and healing.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBell and Reid began conceiving of the album as a spiritual journey in eight chapters, a mirror of the original eight-stripe rainbow pride flag. The narrative begins at the earliest awareness of consciousness; moves through awakening, trauma, and grief; and arrives at liberation and continual reinvention. “One thing trans people do all the time is turn grief into possibility,” says Bell. “Living under the ongoing Western binary system, trans people reveal maps of possibility for everyone. It’s something that we can all learn from – expanding the possibility of human life.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAs the producers began inviting musicians to contribute to Transa, the political climate in the United States and across the world started to foment an acute reactionary streak. Legislation denying trans people the hard-won right to medically transition proliferated across the country. Book bans rained down on libraries, stamping shut crucial apertures into trans and queer lives. The necessity of Transa‘s presence in the world started to crystallize.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“The stakes have never been higher,” notes Bell. “We’re seeing a rise in anti-trans hate and vitriol that is particularly being spewed in the United States. I am a trans person from Iowa, one of the states that signed into law a bill that prohibits access to gender-affirming care. It is clearly, materially, a terrifying time.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTransa features artists from widely dispersed genres and generations, often working in collaboration on a mix of surprising covers and poignant original tracks. Bell and Reid worked from the dreams of the trans artists they invited to participate, pairing many of them with their heroes and inspirations. Trans and cis voices weave together throughout the record. Bill Callahan and Hand Habits harmonize on an acoustic cover of Kate Bush’s prescient 1989 track about falling in love with the internet, “Deeper Understanding,” while Claire Rousay teams with Wilco’s Jeff Tweedy to set a William Blake poem to music on “How Sweet I Roamed.” For “Pink Ponies,” electronic artist Yaeji joins singer-songwriter Teddy Geiger in a delicate reverie of a pop song, their voices intertwining among shuffling drums and twinkling keys. Moses Sumney grounds a cover of SOPHIE’s life-affirming composition “Is It Cold in the Water?” in a jazz setting, sending his falsetto arcing over gently strummed guitar chords and shivering cymbals. On one of the record’s most notable contributions, Sade performs an original song dedicated to her trans son, Izaak – a gesture of unconditional acceptance and love without boundary. (Sade agreed to participate in the project after Bell wrote her a personal letter thanking her for her longtime public support of her son.)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCertain artists knew immediately how they wanted to participate in the project. Reid and Bell pitched Devendra Banhart on a cover of “You Don’t Know Me,” the 1972 song Caetano Veloso wrote while in forced exile, as a subversive queer artist, from Brazil’s military dictatorship; Banhart picked up a guitar and started singing them the song right there and then on the call. Others carefully researched their contributions, sifting through archives, stitching together sounds of past and future. For her track “People Are Small\/Rapture,” which begins with a cover of an ANOHNI song from the early ’90s, L’Rain sampled voices from the Trans Oral History project. She invites the listener to bear witness to painful memories of decimated communities, suspending those recollections in washes of healing sound.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTransa flows between structured pop songs and effusive ambient tracks, many of which are centered around original poetry written and read by Eileen Myles. André 3000 contributed the project’s longest song, a pulsing, 26-minute instrumental composition whose title is a poem in itself: “Something Is Happening And I May Not Fully Understand But I’m Happy To Stand For The Understanding.” Laraaji, Mary Lattimore, Green-House, Cole Pulice, and Helado Negro all offer pieces that signal transitions between the record’s chapters. These moments give the listener space to pause, reflect, and absorb the prismatic narrative as it unfolds – a radical restructuring of attention in an on-demand media ecosystem.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Various\u003c\/p\u003e\n\u003cp\u003eLabel : Red Hot Organization\u003c\/p\u003e\n\u003cp\u003ecat no : RH-02X\u003c\/p\u003e"}
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国際非営利団体Red Hot Organizationが、2025年10月にリリースしたコンピレーション6枚組レコードBOXです。 トランスジャンダーへの理解を促すことを目的にジャンルの垣根を超えた100名以上の作家が参加した大ボリュームのBOXです。 ------------------------------------------------------------ 6 x 12" black vinyl.Presented in individual sleeves with...
¥23,500
![Seedbed // Stalemate LP [COLOR]](http://tobirarecords.com/cdn/shop/files/seed1_medium.jpg?v=1761528557)
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{"id":8972070617338,"title":"Seedbed \/\/ Stalemate LP [COLOR]","handle":"seedbed-stalemate-lp-color","description":"\u003cp\u003eアメリカのシンガーソングライターJJ Posway率いるSeedbedが、2025年9月に同国Tiny Enginesからリリースしたデビューレコードです。\u003c\/p\u003e\n\u003cp\u003eエモ・ロック〜シューゲイズ10曲を収録。マーブル盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/soundcloud%253Aplaylists%253A1855660320\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"450\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Tiny Engines\" href=\"https:\/\/soundcloud.com\/tinyengines\" target=\"_blank\"\u003eTiny Engines\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Seedbed - Stalemate\" href=\"https:\/\/soundcloud.com\/tinyengines\/sets\/seedbed-stalemate\" target=\"_blank\"\u003eSeedbed - Stalemate\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/soaslan\"\u003eこちら \u003c\/a\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/soaslan\"\u003ehere \u003c\/a\u003eto see more Tiny Engines releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" topaz smoke marble vinyl.\u003cbr\u003e1st edition of 300. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Mouse At Your Feet 04:26\u003cbr\u003e2. It Comes Around Less Often 04:06\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. C c c c c c c c c c c 04:36\u003cbr\u003e\u003c\/span\u003e4. Archaic Smiles 02:09\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Raft 04:53\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Unit 4 02:33\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Computer Trouble 01:45\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Billowing Redo 02:29\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. Fingertips Like Ice (Sebastian) 04:10\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e10. Stalemate 04:17\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist b\u003cspan class=\"bcTruncateMore\"\u003eio written by Autumn James, via the label:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Seedbed is a revolving-door collective project helmed by Atlanta songwriter JJ Posway\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e(Sloping, Scooterbabe).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAfter six years of recording what was to be the ambitious final studio album of Posway’s long-running Athens-based band Scooterbabe, most traces of the group’s scrappy indie pop had been burnished off to reveal something entirely new. What emerged from the ashes was Seedbed.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLargely composed of performances and songwriting contributions by Scooterbabe’s final lineup (Anna Staddon [vocals, keyboard], Michael Buice [bass], Zach Spires [drums]), the formation of Seedbed marks the calling in of producer Terence Chiyezhan to help mix and arrange years of piecemealed recordings. The result is an intensely imposing stylistic shift for Posway and company, as tense as the apt title of Seedbed’s growing pains-fueled debut album Stalemate implies.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eStalemate stares straight into an all-consuming whirlpool of a million swirling emotions spanning the past seven years; It’s glistening and reflective on “Unit 4” and “C c c c c c c c c c c,” while\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e cacophonously turbulent for “Fingertips Like Ice” and foreboding album opener “Mouse At Your Feet.” But the entirety of Stalemate is nostalgia-soaked and dripping with the painful necessity of change. It brazenly steeps in the tension and grief that accompanies evolution - even at the risk of drowning in it completely.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Seedbed\u003c\/p\u003e\n\u003cp\u003eLabel : Tiny Engines\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTE216\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-10-28T06:48:39+09:00","created_at":"2025-10-27T10:31:12+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","new","tiny engines"],"price":448000,"price_min":448000,"price_max":448000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47873435042042,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Seedbed \/\/ Stalemate LP [COLOR]","public_title":null,"options":["Default Title"],"price":448000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"634457217485","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/seed1.jpg?v=1761528557","\/\/tobirarecords.com\/cdn\/shop\/files\/seed2.jpg?v=1761528557"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/seed1.jpg?v=1761528557","options":["Title"],"media":[{"alt":null,"id":37289264972026,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/seed1.jpg?v=1761528557"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/seed1.jpg?v=1761528557","width":700},{"alt":null,"id":37289265004794,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/seed2.jpg?v=1761528557"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/seed2.jpg?v=1761528557","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのシンガーソングライターJJ Posway率いるSeedbedが、2025年9月に同国Tiny Enginesからリリースしたデビューレコードです。\u003c\/p\u003e\n\u003cp\u003eエモ・ロック〜シューゲイズ10曲を収録。マーブル盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/soundcloud%253Aplaylists%253A1855660320\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"450\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Tiny Engines\" href=\"https:\/\/soundcloud.com\/tinyengines\" target=\"_blank\"\u003eTiny Engines\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Seedbed - Stalemate\" href=\"https:\/\/soundcloud.com\/tinyengines\/sets\/seedbed-stalemate\" target=\"_blank\"\u003eSeedbed - Stalemate\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/soaslan\"\u003eこちら \u003c\/a\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/soaslan\"\u003ehere \u003c\/a\u003eto see more Tiny Engines releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" topaz smoke marble vinyl.\u003cbr\u003e1st edition of 300. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Mouse At Your Feet 04:26\u003cbr\u003e2. It Comes Around Less Often 04:06\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. C c c c c c c c c c c 04:36\u003cbr\u003e\u003c\/span\u003e4. Archaic Smiles 02:09\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Raft 04:53\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Unit 4 02:33\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Computer Trouble 01:45\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Billowing Redo 02:29\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. Fingertips Like Ice (Sebastian) 04:10\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e10. Stalemate 04:17\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist b\u003cspan class=\"bcTruncateMore\"\u003eio written by Autumn James, via the label:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Seedbed is a revolving-door collective project helmed by Atlanta songwriter JJ Posway\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e(Sloping, Scooterbabe).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAfter six years of recording what was to be the ambitious final studio album of Posway’s long-running Athens-based band Scooterbabe, most traces of the group’s scrappy indie pop had been burnished off to reveal something entirely new. What emerged from the ashes was Seedbed.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLargely composed of performances and songwriting contributions by Scooterbabe’s final lineup (Anna Staddon [vocals, keyboard], Michael Buice [bass], Zach Spires [drums]), the formation of Seedbed marks the calling in of producer Terence Chiyezhan to help mix and arrange years of piecemealed recordings. The result is an intensely imposing stylistic shift for Posway and company, as tense as the apt title of Seedbed’s growing pains-fueled debut album Stalemate implies.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eStalemate stares straight into an all-consuming whirlpool of a million swirling emotions spanning the past seven years; It’s glistening and reflective on “Unit 4” and “C c c c c c c c c c c,” while\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e cacophonously turbulent for “Fingertips Like Ice” and foreboding album opener “Mouse At Your Feet.” But the entirety of Stalemate is nostalgia-soaked and dripping with the painful necessity of change. It brazenly steeps in the tension and grief that accompanies evolution - even at the risk of drowning in it completely.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Seedbed\u003c\/p\u003e\n\u003cp\u003eLabel : Tiny Engines\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTE216\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカのシンガーソングライターJJ Posway率いるSeedbedが、2025年9月に同国Tiny Enginesからリリースしたデビューレコードです。 エモ・ロック〜シューゲイズ10曲を収録。マーブル盤です。 Tiny Engines · Seedbed - Stalemate レーベルその他作品はこちら /// Click here...
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